Podcasts about are we not men

L. Ron Drunkard, bassist for Red Kate, joined me for Episode No. 131, and it was a hoot.We talked about band life, making records, supporting local music, news, politics, the awesomeness of Bob Mould, the lameness of touring acts frequently skipping Kansas City, and a ton more.We also talked a bit about a few of Mr. Drunkard's favorite albums. Those were these:Devo's Are We Not Men (1978)Give 'Em Enough Rope (1978), The ClashAC/DC's Highway to Hell (1979)Throb Throb (1984), Naked RaygunHüsker Dü's Candy Apple Gray (1986)Wrong (1989), NoMeansNoYou can follow Red Kate on Instagram and/or Facebook, Apple Music, Bandcamp, and Spotify. For sure check out black-site.org for a look at the really cool record-label cooperative they've created. And you certainly wanna give Exit Strategy, their 2023 release, a listen.I'm grateful for the time and energy L. Ron brought to the table. He knows how to make good conversations great ones.Note: I mistakenly called Frank Zappa's narrator character on Joe's Garage, L. Ron Hoover, which I'm embarrassed to admit. He's obviously The Central Scrutinizer and makes reference to someone spending too much time at The First Church of Appliantology with L. Ron Hoover. Sheesh, Rook'.copyright disclaimer: I do not own the rights to the audio samples contained within this clip. They are cuts from a single called, "Always Remember Us This Way," by Linear Phase. They released this number in 2021, c/o revised.studio.

In this episode of the Dandy Fun House, we venture to ask the eternal burning question... Are We Not Men? For THIS is the story of DEVO! Let's step into the Fun House!

This past week we listened to Music to Be Murdered By by Eminem, Ragged Glory/Fuckin' Up by Neil Young, Are We Not Men? We Are Diva! by Me First and the Gimme Gimmes, A Different Shade of Blue by Knocked Loose. We hope you enjoy the show, don't try felching at home. Title music and artwork by Rob Fortune Direction by Jack Falcon Editing and autism by JoMo

On this episode Are We Not Men ? IBM, 80s, COBOL --- Send in a voice message: https://podcasters.spotify.com/pod/show/man-behind-the-machine/message

His-story tells us that we inherited 48 ancient constellations from a man named Ptolemy, who left us no star maps, in the 2nd century. He is attributed with a star catalog called the Almagest (of which Tycho Brahe made many corrections). And, by the way, the constellations, in that time, had no boundaries and apparently (more...) The post 472- Are We Not Men? We Are Devo (De-Evolution), as are the Modern 88 Constellations (Free) appeared first on Crrow777 Radio.

Adam Elk from The Mommyheads is BACK and he's here to school us on another staple of New Wave music, DEVO!!! They started to be subversive to the music that was popular and ended up starting musical trends that continued on through the 80s. Like it or not, after releasing Are We Not Men, they were part of the musical landscape. Links: Gerald Casale: Oral History of Devo - https://youtu.be/Mqtfx5_zD9Q Mommyheads on bandcamp - https://mommyheads.bandcamp.com/ Mommyheads on facebook - https://www.facebook.com/TheMommyheads MUSIC MOVIES TONIGHT episode 3 - The Decline of Western Civilization Part II: The Metal Years - https://youtu.be/UOIdkW0gYVk OUR DISCORD: https://discord.gg/2stA2P7pTC Flyover State Hotline - 1 608 HIT-NERD (608-448-6373) FLYOVER STATE TV YOUTUBE live some Tuesdays at 730pm CST: https://www.youtube.com/channel/UClxl2ivi_eO93zL49QZDuqA (for local listeners) Under the Covers is Wednesday mornings from 6 to 8am on 91.7 WSUM FM, 92.5 WISY FM Sunday afternoons 1-3pm EVERYTHING ELSE: https://linktr.ee/FlyoverStatePark --- Support this podcast: https://anchor.fm/albumconcepthour/support

With a new RSD release, Gerald V Casale of DEVO discusses the early days of the band, Booji Boy records, forming alter-egos, the impact of Saturday Night Live and his continuation of the creative spirit to explore make music. Topics include: Recent collaborations are exciting for Gerald DEVO on Saturday Night Live The impact of the SNL show The difficulties of being DEVO in mid 70s The aesthetics and themes of DEVO DEVO made people pick a side History and experimentation of Alter-Egos How the yellow jumpsuit came to be DEVO and vinyl – early pressings on Booji Boy Records Stiff Records was the 1st to show interest The Mechanical Man record – Bootleg or not? Are We Not Men? Involvement from Robert Fripp Was the album always to be called “Are We Not Men?” Was the band happy with “Are We Not Men?” Creating the cover of “Satisfaction” Playing “Satisfaction” for Mick Jagger The video for “The Invisible Man” Gerald's unique gift for making videos Leaning into the peculiarities The current state of DEVO “Are We Not Men?” Documentary Gerald's RSD record: “The Invisible Man” Working with TOMO77 on album art The challenge of “Jihad Jerry & the Evildoers” Gerald's frustration with the flaws in human nature “The Invisible Man” & interview wrap up Gerald V Casale records, video, website High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

I sat down with Rhiannon Graybill to talk about how we tell biblical rape stories and how we might tell rape stories differently (content warnings for discussions of rape and sexual violence). We discuss the twofold sense of "after": 1) after Phyllis Trible and related approaches of feminist biblical interpretation, and 2) after the event of terror (as in not letting the suffering or darkness of the texts consume all the interpretive space around them). We also discuss her framework of fuzzy, messy, and icky, as well as what it means to do unhappy readings. Along the way we explore the Graybill's use of millennial and Gen Z women's fiction, why predation might not be the best fit when talking about King David, and why we need more than more than consent as the arbiter of whether a story is a rape story. Buy Texts After Terror: Rape, Sexual Violence, and the Hebrew Bible Rhiannon Graybill is Assistant Professor of Religious Studies at Rhodes College in Memphis, TN. She holds a PhD in Near Eastern Studies from the University of California, Berkeley. She is a scholar of the Hebrew Bible whose work brings together biblical texts and contemporary critical and cultural theory. Her research interests include prophecy, gender and sexuality, horror theory, and psychoanalysis and ancient Near Eastern literature. She is the author of Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford, 2016). Her current projects include a study of sexual violence and rape in the Hebrew Bible (under contract with Oxford University Press), the Anchor Yale Bible Commentary on Jonah (with Steven L. McKenzie and John Kaltner), and an edited volume on Margaret Atwood and the Bible (with Peter Sabo). Find more episodes: www.loverinserepeat.com/podcast Follow the show on Twitter: @RinseRepeatPod // Follow me: @liammiller87 Love Rinse Repeat is supported by the Vital Leadership team within the Uniting Church in Australia Synod of NSW/ACT.

Jade Dellinger is co-author of the book Are We Not Men? We are DEVO! and has organized major solo and two-person museum shows for artists including Yoko Ono, Ann Hamilton, James Franco, Robert Rauschenberg, Keith Haring, and Jack Kerouac. He is best known locally for his exhibition program Bob Rauschenberg Gallery. 

Patrick Grant, creator of Tilted Axes: Music for Mobile Electric Guitars,  introduces me to an album that I long avoided because I thought it might be “scary,” but his quest is to show us that it's just scary good. The album in question is Devo's “Q. Are We Not Men? A: We Are Devo!”, and Patrick breaks down the album's many innovations. We also talked about Switched On Bach, Patrick's interactions with Devo and Robert Fripp and his project, Tilted Axes.Patrick referred to alternate versions of some of the tracks on Are We Not Men. You can listen to those B Stiff EP versions here: https://www.youtube.com/watch?v=fhwCQdBK2XY.Here is a link to the Devo performance on SNL that was the starting point for Patrick's fandom: https://www.youtube.com/watch?v=04pbtf5t_LU.Places online to find Patrick: patrickgrant.com, strangemusic.com and tiltedaxes.comYou can find me on Twitter at @almelchiorBB and @youmealbum. I have just joined Instagram and have created an account for the show there: @youmealbum. Come give me a follow...there will be content soon! 1:10 Patrick joins the show2:16 Patrick and Al's mutual connections4:02 Songcrafting and creating Tilted Axes as a “musician's revenge”7:37 The path that took Patrick from A Clockwork Orange to Bach to King Crimson to Devo15:55 How Patrick wound up working with Robert Fripp25:50 Patrick had something to talk about with the members of Devo26:06 Devo's message had hippie roots28:30 Devo initially put art in the foreground and music in the background30:25 Patrick notes Devo's liberal use of “found art”33:40 Devo's sound involved both distant and human elements37:50 Patrick's tortured introduction to Are We Not Men? Track-by-track breakdown43:25 Uncontrollable Urge47:15 (I Can't Get No) Satisfaction48:02 Praying Hands50:11 Space Junk52:16 Mongoloid54:13 Jocko Homo57:32 Too Much Paranoias59:47 Gut Feeling/(Slap Your Mammy)1:00:43 Come Back Jonee1:03:44 Sloppy (I Saw My Baby Gettin')1:05:44 Shrivel-Up 1:07:51 Whip It got misunderstood1:11:59 Devo did a number of cover songs

Dr. Moreau: ** What is the law? **Sayer of the Law: Not to eat meat, that is the law. Are we not men? Dr. Moreau: What is the law? Sayer of the Law: Not to go on all fours, that is the law. Are we not men? Dr. Moreau: What is the law? Sayer of the Law: Not to spill blood, that is the law. Are we not men? Topics include: Math Ancient Sumeria Nick's Laws of Air-Flight Dad Law The history of television justice

Welcome to the Turntable Round Table!Here’s what the crew were into this past week. Give em a listen and see what you think!Juan’s PickDevo – “Praying Hands” from Q. Are We Not Men? A: We Are Devo! (1978)Don’s PickTool – “Descending” from Fear Innoculum (2019)Mark’s PickRedman Mehldau McBride Blade– “Moe Hunk” from RoundAgain (2020)Tom’s PickThe Flying Burrito Brothers – “My Uncle” from The Gilded Palace of Sin (1969)Craig’s PickDan Mangan – “Have A Little Faith In Me” (John Hiatt Cover) from Thief [EP] (2020)Shawn’s PickYes – “Parallels” from Going For The One (1977)Kevin’s PickPacific Range – “Santa Monica (Through The Canyon)” from High Upon The Mountain (2020)Support the show (https://www.patreon.com/SchizoMusic)

This week on The Spectator Film Podcast… Island of Lost Souls (1932) 8.10.19 Featuring: Austin, Maxx Commentary track begins at 11:21 — Notes — We watched The Criterion Collection release of the Island of Dr. Moreau for this week’s episode. It’s a fantastic release as usual, and comes with an additional commentary track and many other supplemental features. “Are We Not Men? The Horror of Eugenics in The Island of Dr. Moreau” by David A. Kirby from Paradoxa — This will link you to a PDF version of the article we mentioned later in the episode. While this article expressed similar ideas to those we discussed during the show, it does so with an intelligent awareness of the history of Eugenics in the US (i.e., it’s more articulate). Highly recommended read for anyone with an interest in Island of Lost Souls and other comparable films. On a related note, Paradoxa seems like a pretty fun magazine as well.  

No Cultural Authority

In this episode, Kat and Jamie discuss the IT Crowd (Season 3 Episode 2) Are We Not Men?

Rhiannon Graybill‘s Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford University Press, 2016) offers an innovative approach to gender and embodiment in the Hebrew Bible, revealing the male body as a source of persistent difficulty for the Hebrew prophets. Drawing together key moments in prophetic embodiment, Graybill demonstrates that the prophetic body is a queer body, and its very instability makes possible new understandings of biblical masculinity. Prophecy disrupts the performance of masculinity and demands new ways of inhabiting the body and negotiating gender. Graybill explores prophetic masculinity through critical readings of a number of prophetic bodies, including Isaiah, Moses, Hosea, Jeremiah, and Ezekiel. In addition to close readings of the biblical texts, this account engages with modern intertexts drawn from philosophy, psychoanalysis, and horror films: Isaiah meets the poetry of Anne Carson; Hosea is seen through the lens of possession films and feminist film theory; Jeremiah intersects with psychoanalytic discourses of hysteria; and Ezekiel encounters Daniel Paul Schreber’s Memoirs of My Nervous Illness. Graybill also offers a careful analysis of the body of Moses. Her methods highlight unexpected features of the biblical texts, and illuminate the peculiar intersections of masculinity, prophecy, and the body in and beyond the Hebrew Bible. This assembly of prophets, bodies, and readings makes clear that attending to prophecy and to prophetic masculinity is an important task for queer reading. Biblical prophecy engenders new forms of masculinity and embodiment; Are We Not Men? offers a valuable map of this still-uncharted terrain. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rhiannon Graybill‘s Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford University Press, 2016) offers an innovative approach to gender and embodiment in the Hebrew Bible, revealing the male body as a source of persistent difficulty for the Hebrew prophets. Drawing together key moments in prophetic embodiment, Graybill demonstrates that the prophetic body is a queer body, and its very instability makes possible new understandings of biblical masculinity. Prophecy disrupts the performance of masculinity and demands new ways of inhabiting the body and negotiating gender. Graybill explores prophetic masculinity through critical readings of a number of prophetic bodies, including Isaiah, Moses, Hosea, Jeremiah, and Ezekiel. In addition to close readings of the biblical texts, this account engages with modern intertexts drawn from philosophy, psychoanalysis, and horror films: Isaiah meets the poetry of Anne Carson; Hosea is seen through the lens of possession films and feminist film theory; Jeremiah intersects with psychoanalytic discourses of hysteria; and Ezekiel encounters Daniel Paul Schreber’s Memoirs of My Nervous Illness. Graybill also offers a careful analysis of the body of Moses. Her methods highlight unexpected features of the biblical texts, and illuminate the peculiar intersections of masculinity, prophecy, and the body in and beyond the Hebrew Bible. This assembly of prophets, bodies, and readings makes clear that attending to prophecy and to prophetic masculinity is an important task for queer reading. Biblical prophecy engenders new forms of masculinity and embodiment; Are We Not Men? offers a valuable map of this still-uncharted terrain. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rhiannon Graybill‘s Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford University Press, 2016) offers an innovative approach to gender and embodiment in the Hebrew Bible, revealing the male body as a source of persistent difficulty for the Hebrew prophets. Drawing together key moments in prophetic embodiment, Graybill demonstrates that the prophetic body is a queer body, and its very instability makes possible new understandings of biblical masculinity. Prophecy disrupts the performance of masculinity and demands new ways of inhabiting the body and negotiating gender. Graybill explores prophetic masculinity through critical readings of a number of prophetic bodies, including Isaiah, Moses, Hosea, Jeremiah, and Ezekiel. In addition to close readings of the biblical texts, this account engages with modern intertexts drawn from philosophy, psychoanalysis, and horror films: Isaiah meets the poetry of Anne Carson; Hosea is seen through the lens of possession films and feminist film theory; Jeremiah intersects with psychoanalytic discourses of hysteria; and Ezekiel encounters Daniel Paul Schreber's Memoirs of My Nervous Illness. Graybill also offers a careful analysis of the body of Moses. Her methods highlight unexpected features of the biblical texts, and illuminate the peculiar intersections of masculinity, prophecy, and the body in and beyond the Hebrew Bible. This assembly of prophets, bodies, and readings makes clear that attending to prophecy and to prophetic masculinity is an important task for queer reading. Biblical prophecy engenders new forms of masculinity and embodiment; Are We Not Men? offers a valuable map of this still-uncharted terrain. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN.

Rhiannon Graybill‘s Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford University Press, 2016) offers an innovative approach to gender and embodiment in the Hebrew Bible, revealing the male body as a source of persistent difficulty for the Hebrew prophets. Drawing together key moments in prophetic embodiment, Graybill demonstrates that the prophetic body is a queer body, and its very instability makes possible new understandings of biblical masculinity. Prophecy disrupts the performance of masculinity and demands new ways of inhabiting the body and negotiating gender. Graybill explores prophetic masculinity through critical readings of a number of prophetic bodies, including Isaiah, Moses, Hosea, Jeremiah, and Ezekiel. In addition to close readings of the biblical texts, this account engages with modern intertexts drawn from philosophy, psychoanalysis, and horror films: Isaiah meets the poetry of Anne Carson; Hosea is seen through the lens of possession films and feminist film theory; Jeremiah intersects with psychoanalytic discourses of hysteria; and Ezekiel encounters Daniel Paul Schreber’s Memoirs of My Nervous Illness. Graybill also offers a careful analysis of the body of Moses. Her methods highlight unexpected features of the biblical texts, and illuminate the peculiar intersections of masculinity, prophecy, and the body in and beyond the Hebrew Bible. This assembly of prophets, bodies, and readings makes clear that attending to prophecy and to prophetic masculinity is an important task for queer reading. Biblical prophecy engenders new forms of masculinity and embodiment; Are We Not Men? offers a valuable map of this still-uncharted terrain. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rhiannon Graybill‘s Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford University Press, 2016) offers an innovative approach to gender and embodiment in the Hebrew Bible, revealing the male body as a source of persistent difficulty for the Hebrew prophets. Drawing together key moments in prophetic embodiment, Graybill demonstrates that the prophetic body is a queer body, and its very instability makes possible new understandings of biblical masculinity. Prophecy disrupts the performance of masculinity and demands new ways of inhabiting the body and negotiating gender. Graybill explores prophetic masculinity through critical readings of a number of prophetic bodies, including Isaiah, Moses, Hosea, Jeremiah, and Ezekiel. In addition to close readings of the biblical texts, this account engages with modern intertexts drawn from philosophy, psychoanalysis, and horror films: Isaiah meets the poetry of Anne Carson; Hosea is seen through the lens of possession films and feminist film theory; Jeremiah intersects with psychoanalytic discourses of hysteria; and Ezekiel encounters Daniel Paul Schreber’s Memoirs of My Nervous Illness. Graybill also offers a careful analysis of the body of Moses. Her methods highlight unexpected features of the biblical texts, and illuminate the peculiar intersections of masculinity, prophecy, and the body in and beyond the Hebrew Bible. This assembly of prophets, bodies, and readings makes clear that attending to prophecy and to prophetic masculinity is an important task for queer reading. Biblical prophecy engenders new forms of masculinity and embodiment; Are We Not Men? offers a valuable map of this still-uncharted terrain. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rhiannon Graybill‘s Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford University Press, 2016) offers an innovative approach to gender and embodiment in the Hebrew Bible, revealing the male body as a source of persistent difficulty for the Hebrew prophets. Drawing together key moments in prophetic embodiment, Graybill demonstrates that the prophetic body is a queer body, and its very instability makes possible new understandings of biblical masculinity. Prophecy disrupts the performance of masculinity and demands new ways of inhabiting the body and negotiating gender. Graybill explores prophetic masculinity through critical readings of a number of prophetic bodies, including Isaiah, Moses, Hosea, Jeremiah, and Ezekiel. In addition to close readings of the biblical texts, this account engages with modern intertexts drawn from philosophy, psychoanalysis, and horror films: Isaiah meets the poetry of Anne Carson; Hosea is seen through the lens of possession films and feminist film theory; Jeremiah intersects with psychoanalytic discourses of hysteria; and Ezekiel encounters Daniel Paul Schreber’s Memoirs of My Nervous Illness. Graybill also offers a careful analysis of the body of Moses. Her methods highlight unexpected features of the biblical texts, and illuminate the peculiar intersections of masculinity, prophecy, and the body in and beyond the Hebrew Bible. This assembly of prophets, bodies, and readings makes clear that attending to prophecy and to prophetic masculinity is an important task for queer reading. Biblical prophecy engenders new forms of masculinity and embodiment; Are We Not Men? offers a valuable map of this still-uncharted terrain. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rhiannon Graybill‘s Are We Not Men? Unstable Masculinity in the Hebrew Prophets (Oxford University Press, 2016) offers an innovative approach to gender and embodiment in the Hebrew Bible, revealing the male body as a source of persistent difficulty for the Hebrew prophets. Drawing together key moments in prophetic embodiment, Graybill demonstrates that the prophetic body is a queer body, and its very instability makes possible new understandings of biblical masculinity. Prophecy disrupts the performance of masculinity and demands new ways of inhabiting the body and negotiating gender. Graybill explores prophetic masculinity through critical readings of a number of prophetic bodies, including Isaiah, Moses, Hosea, Jeremiah, and Ezekiel. In addition to close readings of the biblical texts, this account engages with modern intertexts drawn from philosophy, psychoanalysis, and horror films: Isaiah meets the poetry of Anne Carson; Hosea is seen through the lens of possession films and feminist film theory; Jeremiah intersects with psychoanalytic discourses of hysteria; and Ezekiel encounters Daniel Paul Schreber’s Memoirs of My Nervous Illness. Graybill also offers a careful analysis of the body of Moses. Her methods highlight unexpected features of the biblical texts, and illuminate the peculiar intersections of masculinity, prophecy, and the body in and beyond the Hebrew Bible. This assembly of prophets, bodies, and readings makes clear that attending to prophecy and to prophetic masculinity is an important task for queer reading. Biblical prophecy engenders new forms of masculinity and embodiment; Are We Not Men? offers a valuable map of this still-uncharted terrain. Phillip Sherman is Associate Professor of Religion at Maryville College in Maryville, TN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stand-up comedian and author Dave O'Neil talks to host Elizabeth Harris at his office at The Grandview Hotel, Fairfield, against a backdrop of motorcycles revving their engines, doors opening and closing, and phones ringing, about: His latest book, The Summer of '82, a tribute to post-VCE life in the 80s and the shenanigans of his youth How to get started as a stand-up comedian Tips for dealing with hecklers when you're performing His days performing in the band Captain Cocoa, the Devo "Energy Dome" train encounter, and how he feels about being recognized in public His upcoming TV show. Find out more about Dave's work at DaveONeil.com.au. FULL TRANSCRIPT Elizabeth: Welcome to Writers’ Tête-à-Tête with Elizabeth Harris, the show that connects authors, songwriters and poets with their global audience. So I can continue to bring you high-calibre guests, I invite you to go to iTunes or Spotify, click Subscribe, leave a review, and share this podcast with your friends. Today I’m thrilled to introduce one of the funniest and most entertaining men I’ve ever had the pleasure to meet – Dave O’Neil. Dave: Gee, that’s a big introduction. I’ve met funnier. Elizabeth: There’s more Dave. Dave O’Neil has been in the business of comedy for 20 years, and is one of Australia’s most recognizable stand-up comics, having put in 15 Melbourne international comedy festivals and dozens of comedy clubs nationally. On screen you will have seen Dave as Team Captain in the ABC TV comedy quiz show Tractor Monkeys, as well as dishing out life advice in The Agony of Life, The Agony of Modern Manners, The Agony of The Mind, Can of Worms, plus messing about on Adam Hills In GorDave Street Tonight and Good News Week. He is probably most well-known for the honour of being the guest with the most appearances (over 50) on ABC TV’s ever popular Spicks & Specks. Dave O’Neil, welcome to Writers’ Tête-à-Tête with Elizabeth Harris. Dave: Welcome. Thank you. Lovely to be here. Pleasure to be called a writer, as opposed to a comedian. Elizabeth: Well, isn’t this your fifth book? Dave: Yeah yeah, two were kids’ books. My partner and I did them in Australia before we had kids. Elizabeth: When you had more time. Dave: We had more time, that’s right. And one’s called Lies That Parents Tell You, so I wouldn’t write that now. My daughter sits up in bed reading it and quotes it back to me. Elizabeth: How old is she? Dave: Ten. Yes, it’s tough. Elizabeth: I was at Kaz Cooke’s book launch about … Dave: On girl power? Yeah, she’s great. I’ve got to buy that book! Elizabeth: So Dave, you’ve been through so much in your career, but today I want to concentrate on your hilarious book, The Summer of ’82. Dave: Sure. Elizabeth: It’s a real feel-good book, and you cover some intense themes. Discipline. Masculinity. Sexuality. Mateship. Stalking. Dave: Stalking – that’s right. I followed a girl in Mildura. Back then it wasn’t known as “stalking”; it was known as “unrequited love”. Sexuality – there’s not much sexuality going on in there, I can tell you that. There’s a lack of activity in that department, that’s for sure. Elizabeth: You were talking about how you were giving advice to 17-year-old virgins. Dave: That’s right. A little girl at school would ask me for romance advice. I was like, that’s not who you go to for romance advice. You see, I was a nice guy, so the girls talked to me. Elizabeth: We like nice guys. So getting back to this book: What inspired you to write it, and what’s your favourite memory from summer? Dave: I always wanted to write a memoir from the 80s, and I wrote a few chapters and put it aside. I saw that TV show This is England on SBS, about the young guys growing up in the Housing Commission area, and I thought I’ve got to write something like that, because that’s in my era. But their show ended with incest and murder, whereas that never happened to me, so I thought why not write a more positive recollection of that time. So I wrote a few chapters and put it aside. And then my son started high school, and so you go to the local high school and it brought back all these memories from when I was in high school. Elizabeth: At Mitcham High? Dave: I went to Mitcham High, yeah. Back then we had a choice of the tech or the high school, and if you were Catholic, you went to Catholic school. We weren’t Catholic. So now, and I’m talking about the government schools, not the private schools – you can choose from 3 or 4 around here, so you go to this school or that school, and they’re all the same basically. They haven’t changed much since 1982. They look the same. You’ve got the oval, the canteen, big classrooms, kids sitting around, so they haven’t changed at all, so I thought I should write that book again. It brought back all those memories, and so my son started school, and that’s why I did it. That’s why. Elizabeth: Now we know. Dave: It’s just something to do. As comedians, we’ve got to have something to do, apart from studio gigs. Elizabeth: That’s good. So talking a bit about your children, you mentioned your parents Kev and Joyce – “Joyce the Voice”. Dave: Yep, “Joyce the Voice”. Elizabeth: And what I’m wondering now is, are you parenting your children differently from how you were parented then? Dave: Definitely, definitely. We got hit for a start. Elizabeth: What with? Dave: A belt. So Kev would get very angry – it’s in the book – he would get very angry, come running in in a singlet, trying to hide his nether regions, swinging a belt above his head, and whack us in the ... Elizabeth: My dad had a strap up on the fridge. I think we had a very similar upbringing. Dave: I don’t hit my children, but obviously parenting your kids back then was a bit easier, because you’d just say “I’ll hit you”, and that was a full stop to the conversation, whereas all I can do is yell at them. Elizabeth: How about cracking some jokes – does that work? Dave:  Yeah, crack some jokes, try and alleviate the situation, but my daughter in particular doesn’t like that. Elizabeth: Is that because she’s heard them all before? Dave: Yeah, she’s heard them all before. “It’s not funny Dad!” My mum and dad were pretty involved with us. My dad was a Scout leader and staff, so we spent a fair bit of time with him. He was a good role model, and Joyce was introvertly involved in our lives. But he’s even more involved these days – at school pickup and all that. There’s a lot more dads involved now. Elizabeth: That’s fantastic, so you’ve got that support as well. When we met at your book launch, you told me that you only know comedians. Dave: It’s true. I don’t know any writers really. Elizabeth: Well, you know me. Dave: I know you. And I know Arnold ... who lives around here, who wrote Scheherezade Cafe. He's famous! (Ed: Cafe Scheherazade by Arnold Zable) Elizabeth: Maybe you can introduce me to Arnold. Is that like Arnold on Happy Days? Dave: (Laughs) He’s had a book out called Fido – the Box of the Fido. Elizabeth: I can’t believe I made Dave O’Neil laugh. Dave:  So I see him on the street here, in Fairfield, and I talk to him about writing and stuff. Elizabeth: That brings me to something about fame. You’re a very famous star. Dave: Not that famous. Elizabeth: Well, we think you are. So, what we want to know is, do you like being recognized when you’re out and about, or does fame have a downside? Dave: No, my level of fame is pretty small, so people like Dave Hughes or Glenn Robbins, or Carl Barron for instance – they can get hassled all the time. Elizabeth: Well, in my network, I have a number of people who would love to meet you. Dave: Really? Well, tell ’em I’m around. Elizabeth: And they’re going to be really disappointed that here we are, at the Grandview in Fairfield – it’s a stunning place, gorgeous building, lovely people. Dave: They’re nice people here. Elizabeth: Michael? Dave:  Michael and Noah, yep. Elizabeth: Jenny? Dave: Michael, Noah and Jenny – they’re all the higher level management here. Elizabeth: They are, and they made me feel very, very welcome. Made me a coffee. Smiled and when I offered to pay, wouldn’t take my money. It’s fantastic! Dave: Ah that’s good. I didn’t tell them – you tell someone and they pass it on. It’s all on my tab, probably. My level of fame is not that high. Occasionally when you go interstate – the more you go interstate like Queensland – people get excited about you, but certainly around Fairfield Road, no one cares about you. Elizabeth: Well, they could have chimed some…”Captain Cocoa”… Dave:  What, with the band? That’s right. Well when the band broke up, someone did say, “How is Dave O’Neil going to be famous now?” Ambition for fame… Elizabeth: Let’s stop right there. Was it to meet girls? Dave: Probably. Definitely not music. We went and saw bands, and just thought: Why can’t we be in a band? And the guy at high school was … famous 80s band … “hands up in the air”…I didn’t see it. And so we thought, that’s the way to meet girls, get up on stage. Elizabeth: Did it work? Dave: Well, I met Sonia, who…but anyway, definitely does work. Being in a band definitely does give you the attention you want as a teenager. We used to play at Catholic girls’ schools …dances …You didn’t have to be good; we weren’t good musicians. Elizabeth: I want to talk about Sonia. You did invest a lot of time and you write about that in your great book. Then you say you end up having a better relationship with her younger brother. Dave:  Well, that’s right. What happened was that I hitchhiked to Mildura to see her on New Year’s Eve to surprise her. And she was surprised, particularly her dad. And they gave me a lift to the caravan park where I stayed for New Year’s Eve. And the younger brother – I can’t remember his name – he was a great kid, and so we got on really well. He’s probably a year, two years younger than me. Was it Shane – Shane? So we ended up hanging out together. Elizabeth: Was it Malcolm? Dave:  Malcolm, that’s right. And we got on really well, whereas Sonia and me didn’t get on well. Elizabeth: Well, that might have something to do with the boyfriend too. Dave: She had a boyfriend who I also got on well with. Probably married, those guys. So, yeah, good times. Elizabeth: So getting back to that, I just want to know, for all those young men who think they’ll never get a date, much less have a child: you’ve had three, haven’t you? Dave: Yes. Elizabeth: What dating advice can you offer? Dave:  Dating advice? That’s a good one. It’s been so long since I’ve gone on a date…not since the 80s. Surprise question – dating advice. Ask someone out – you know a good thing is to ask someone out for a drink or for something during the day. That’s what I read on some dating websites. Ask someone out during the day where there’s no pressure. At night I think there’s a fair bit of pressure. I reckon ask them out for a drink during the day or late afternoon. Elizabeth: What about a play date? Dave: Well, if you’re parents, definitely. Elizabeth: That seems to work well. Dave: Yeah, I think in our age group - I Dave’t know how old you are, but I’m middle-aged – there’s definitely a bit of that going on with divorce and separated parents. And fair enough. Elizabeth: And there’s a really good place to go in St Kilda called St Kilda Adventure Playground. Dave: Oh, I’ve never been there! Elizabeth: It’s great. Dave: That’s great. Elizabeth: And there’s a fellow who runs it – he’s a youth worker but he’s also a musician. Adrian Thomas. Check him out – he’s fantastic. So what do you like to do in your spare time? Dave: I like to watch TV. Elizabeth: Yourself perhaps? Dave: Not myself. I don’t like watching myself. I did a spot on one of those comedy galas this year. I hadn’t seen it; I watched it, I thought it was pretty good. I’m pretty happy … I was judge of myself. Elizabeth: Of course it’s good. Dave: What happened is…so I spend a lot of time with 3 children. Once I get them to bed at night, or if I’m home during the day, I do like to watch a bit of TV. And I watch a mixture of – I watch a few movies but more serious these days. There’s a mixture of comedies and drama. I do like a good drama, you know like Vikings or something like that. Elizabeth: I’m a fan of Doc Martin myself because I’m a nurse. Dave: Oh ya Doc Martin. Is he Aspergers? Yeah, must be Aspergers. I’ve been watching … the comedy show … it’s quite funny … so I watch that, get some laughs out of that. What else have I been taping…oh yeah…West World on Foxtel. Elizabeth: Oh yes. More fun to watch yourself, you know. Dave: Watch yourself? Yeah, no thanks. Elizabeth: What I’d love you to do is share an excerpt from your great book. Dave: Sure. Do you want me to read it to you or tell you it? Elizabeth: Whatever works for you. Dave: I’ll tell you a story. This is the story of The Bomb, the laying of The Bomb. Basically, what happened was we finished school and we went home. No, we went and registered for the dole, and then we went home. Elizabeth: As we all did. Dave: And my kids said to me, “How did you know how to make bombs before the internet?” Well, we didn’t need the internet. We had this chap called Brian every night, 6 o’clock. He used to tell us everything we needed to know on the Channel 9 news every night. Elizabeth: Can you sing the song? Dave: (Sings) “Brian told me, Brian told me, Brian told me so I know everything I need to know, cos Brian told me so.” Elizabeth: Great tone. Dave: Great tone, yeah, I wasn’t just a comedian; I was a singer. So you can imagine these four teenage boys and Mum and Dad, and we couldn’t see the TV – Dad was the only one who could see the TV – we could hear it. He positioned himself in the chair that sits there. So we could hear it. We heard this Brian guy say: “Two boys were arrested today in suburban Adelaide for making homemade bombs.” We were like, oh my God, you could hear a pin drop in the house. Then he told us how to make it, by using chlorine and brake fuel. We were looking at each other, like, we’ve got chlorine – we’ve got a pool – and we’ve got brake fluid; Dad’s a Trades teacher. “So can we please be excused from the table, Dad?” Within 10 minutes we were making bombs. So the next day we got my mates together and we made – we decided to up the ante and make some really big bombs. And we made this great bomb, but we didn’t want to throw it; we were gutless like any terrorist organization, so we recruited younger, stupider people like Phil, who lived in the house backing here on the paddock. He stuck his head over and said, “What are yous guys doing?” So we got him to throw the bomb, and he threw it. And it bounced – boom, boom – and it sat there, and then it went BANG! Real loud explosion, the biggest one we’d made. It showered us with dirt, and we were all laughing, and the neighbours came out. An old lady said, “It shook the foundations of my chook shed!” And we’re like “It works!” And then the cops turned up. We heard it. The car screeched up, the doors go, a cop pulls out, and we recognized him – he went to our high school, he was one of my Dad’s Scouts from his Scout trips – obviously he was in his twenties now. Darren, his name was. And he gets out, and it was the easiest case he’d ever solved. He looked at the bomb, then he looked at our house, and he was like “Oh yeah, case solved.” And then Dad had rocked up. Dad thought Darren had just dropped in to see his former Scout leader, and Dad goes up to him and goes, “G’day Darren, how are you?” And Darren goes, “Ah, this is no social visit Kevin. Do you recognize these containers?” “Yeah, they are my sons’, sitting in the garage.” And we were like, “Oh no…” So we went to the police station. And the bomb expert from India was on the site, and he couldn’t work out what was in the bombs. And he said, “What’s in the bombs?” “Chlorine and brake fluid.” And he’s like “How’d you know how to do that?” And we went, “Brian told me.” “RIGHT, WHO’S BRIAN?!” So we sang: “Brian told me, Brian told me, Brian told me so”. I love that story. Elizabeth: Such a great tune, isn’t it. Dave: Yeah, it’s a great tune, and they used it in Sydney too, you know. Brian Henderson. Value for money. That’s in the book – lots of detail about the 70s and 80s in The Summer of ’82. Elizabeth: See, that crime history continued because being from a family of four boys … your brother Mark captured my attention. Dave:  Yeah Mark’s quite a character in the book. That’s what my mum said the other day: “You were the worst, and now you’re the best.” He’s very good with Mum and Dad. Elizabeth:  He was a slow starter. Dave: He was a slow starter, classic middle child out of four boys, and he was very naughty. Got in trouble a lot with the police and he got kicked out of school for setting fire to the chemistry lab. He was meant to be getting changed for Oklahoma I think it was, and he set fire to the lab, and got kicked out. Elizabeth: See, I’d actually like to read this – I know you don’t like to, but I do. Dave:  Go on. Elizabeth: Page 88 – you write: “We’re talking about a kid who’s kicked out of school for setting fire to the chemistry lab while he was meant to be getting changed for his part in the school musical. Hmm, there’s young Mark in the lab where he’s supposed to be putting on his farmer’s overalls to sing in Oklahoma. Wait! The chemicals are too tempting, so it’s time for a quick experiment. Va-voom! Up in flames the lab goes.” See, I have a brother who is an illustrator. His name is Bernie Harris, and he’s going to illustrate my second children’s book which will be out next year. But he’s similar to Mark in that he used to enjoy lighting the Bunsen burners in the chemistry lab. Dave:  Ah yeah, they’ve still got Bunsen burners too. Yeah, Mark was very naughty. Elizabeth: So the difference between our brothers was that he wasn’t caught. Dave:  Yeah, right, Mark was caught. Elizabeth: But you had your own way of managing Mark when your parents were away. Do you call it “MYOB Night” or “M.Y.O.B. Night”? Dave: Oh. Make-Your-Own? Make-Your-Own. Elizabeth: You were very inventive Dave, and strategic in managing your brother. Dave: Yeah, he was put in charge of us when Mum and Dad went on holidays, and at that stage he was an apprentice at Telstra. And so he would invite his mates over for a card night. And I was working in a factory and I had to get up early. And he was like … Elizabeth: You get Endangerment, don’t you? Dave: Yeah, I was working in a factory and you look at the pay packet and we got Heat Allowance and Dust Allowance. It wasn’t a great job but it was certainly a wakeup call. If I’d done the job at the start of Year 12, I probably would have studied more, I think. Should have done that. But Mark … Elizabeth: There was something about connectors and fuses, I think. Dave: Ah yeah. He invited his mates over for cards and they were having this big party, and I pulled the fuse out of the fuse box, threw it out on the lawn, and went back to bed. And the music went (mimics sound of music dying out suddenly)… And he blamed the neighbor of course. So I think when he read the book, he found out it was me. Elizabeth: It was brilliant. So that job, crawling through those … crawling through those tunnels. And the hot dog … Dave: Hot dog shop. Elizabeth: With Cindy. Dave: With Cindy. So I got a job in a hot dog shop: Alecto Hot Dogs on Toorak Road. People from Melbourne may remember. Elizabeth: Sorry I don’t remember. Dave: You don’t remember Alecto Hot Dogs ’92? Yum. So I worked at Alecto Hot Dogs with a girl named Cindy, whom I eventually went out with. She was dressed up like Boy George or Hazie Fantazie and she had all these outrageous outfits. Turned out she was from Mitcham where I lived; I’d just never met her. She was a Catholic and I was Protestant. Different sides of the railway track. So that was very exciting. But I eventually got sacked from the hot dog shop because the owner accused me of stealing the rolls and selling them to an opposition shop, when in fact I was just eating them. Elizabeth: Was there proof of that? Dave: Yeah, I was eating them. But then my twin brother was also working there – I have a twin – and he got a full-time job so I just took his job, the part-time job, and kept turning up as him. Elizabeth: Are you identical? Dave: Yeah. And they’d say “Didn’t I sack you?” And I’d say “No, that’s my brother.” He’d probably be 20 kilos lighter than me now. He lives in Switzerland; he works for Red Cross. He’s the good twin; I’m the bad twin. He’s doing good stuff. Elizabeth: The ability to make people laugh is such a gift, and not everybody can do it. Dave: Not everybody can do it. It takes practice. Eizabeth: So tell me about that. Dave: Making people laugh? When I was at school, I was pretty funny, and when I was at uni and stuff, a few girls said “You should be a stand-up comedian – you’re quite funny.” Now when you’re in your twenties and girls say that, that’s a call actually. Elizabeth: Means something, doesn’t it. Dave: Yeah it’s a call actually. You should do it. And so I always wanted to do it; I didn’t know it was a job. I had no idea, especially in the 70s – comedy wasn’t prevalent, it was fringe. There are a few comedy clubs that have started, but maybe one work function with comedians. We’ve seen comedians on Scout camps; we used to have comedians turn up to do gigs on Scout camps. So it was definitely something I wanted to do; I just didn’t know how to do it. I thought it was something too out of my reach, but turned out anyone could do it, if you wanted. Elizabeth: For those that want to launch their comedic careers, is it really the hard slog of gigs and being heckled? And if so, what’s the best way of dealing with the heckling? Dave: Well I don’t get heckled much anymore, but certainly when you start out, and you’ve got to do a lot of bad gigs – they call them “Open Mic Nights “. Anyone can get up and do it – and if you have an inkling, there’s plenty of them around now, more so than when I started. I would advise people to go and have a look first, and then approach the person running the night and ask to go on the next week and just jump up – write some stuff down and jump up and do it. The hecklers? Best thing to do with hecklers: repeat what they say. So they say: “You’re a fat idiot.” And you say “What did you say, mate? I’m a fat idiot?” Which lets everyone in the room hear what they say. Because a lot of hecklers do it so no one else can hear what they say, especially in a big room. “You’re a blah-blah.” “Oh really, mate.” And so you repeat what they say, and then you think of something really quick to say back. It doesn’t even have to be that funny; it just has to be quick. I can’t think of any Elizabeth: On the front cover of this great book, you are pictured wearing a Devo Energy Dome, Dave. Can you explain the impact it had in your life, and what the proclamation “Are We Not Men?” means? Dave: “We are Devo”. I don’t know what it means – just something they say in one of their songs – album name. Elizabeth:What it means more so on the train? Dave: Oh on the train! We went and saw Devo. They had a 9-day tour; they had a few No. 1 hits in Australia. Elizabeth: What were they? Dave:  “Whip It”. “Girl U Want”. Elizabeth: You’re not going to sing to me. Dave:  No. “Whip It cracked that whip…one sat on the greenhouse tree…” Elizabeth: Did you bring your guitar? Dave: No. I play the bass. Anyway, so we went and watched Devo. It was a great night and we were all dressed up in our best; we were slightly alternative kids. Elizabeth: Does that mean you used to wear makeup? Dave: No, I didn’t wear makeup, but I had makeup on that night because I’d been rehearsing for The Game Show, which is a TV show. They’re really cool people…and so we dressed up in our best trendy gear: nice jeans and lemon vintage jumpers. Elizabeth: Lemon. Dave: Lemon vintage; might have had a pink one if someone was in a brave mood. Then we had these homemade Devo hats, these red flower pots Mum had made. Elizabeth: Joyce made them! Dave:  Joyce made them. Crafty. And so we were on the train. We were on a high, singing these Devo songs. Unfortunately for us, The Angels and Rose Tattoo were playing the Myer Music Bowl that night, and all their fans had gone on to Richmond, so this was a classic case of “last train out”. Elizabeth: For those that weren’t kids in the 80s, tell me about The Angels and Rose Tattoo and Henry Anderson. Dave: Yeah, bald-headed guy, tattoos. They’re basically hard rock; they’re a great band. They have fans who are hardcore bogans, so guys from the outer suburbs in mullets, stretch jeans, moccasins – tough guys. Elizabeth: What sort of suburb are we talking about? Dave:  We’re talking about Moroolbark, Lilydale, Ringwood. I grew up in Mitcham – there are plenty of them in Mitcham, so they would get on the train and they would look at us and be like, “What the … who are these guys?” And so we were like their enemy. And so one of them came over and he didn’t know where to start, so he started at the shoes. “Where did you get your shoes from?” And I’m like “The shoe shop.” And he’s like “No, you got them from the op shop.” Like that was an insult. I wanted to ask “Where did you get your language from? Your nan’s wardrobe?” But I didn’t say that. I was hoping my Energy Dome would transform itself and he would get picked up and thrown out of the window. Elizabeth: But it didn’t work. Dave:  It didn’t work. And he’s like “Do you have makeup on?” And I went “Why would I have makeup on?” I did have makeup on. So I had come from The Game Show rehearsal and I did have foundation and lipstick on, and I had forgotten to take it off. And he goes “I’m going to bash you!” And at that point in the book – when I do it live, it’s different – … came through the carriage. He was the tough guy from high school – he’s now a lawyer – and he came through the carriage, and he was a big Greek guy, and he was a big Devo fan so we got on very well. And he was like “What are you…?” and he pushes this guy aside – “What are you doing to him?” And then these guys “Yeah, nah, nah…” and then we pull up at the station. They pull the door open and he fell out on the wrong side of the track - the tough guy. Classic tough guy move – they pull the door when they’re not meant to, and then jump out. He jumped out on the wrong side of the tracks and fell on the tracks so all his mates laughed: “Yer, Gary!” Elizabeth: Oh, his name was Gary. Dave:  Yeah, Gary, classic name. And then everyone was like “Are we not men?” And then we were like “Yeah, we are Devo!” and we were chanting on the train. Good times. Elizabeth: Well, the whole book’s great, cause I’ve read it cover to cover. Dave:  Oh, good on you. You’re the only one. Elizabeth: No, I’m sure many, many people will be reading it, especially after our podcast goes live. Dave: Cool. Elizabeth: No, truly. What’s your next project, Dave? Dave:  I’ve written a TV show that I’m going to film soon. I’m just doing a pilot though; it’s based on my life as a stand-up and dad, so we’re going to film it soon, in December. Elizabeth: Can you talk about the people involved in it? Dave:  Oh yes of course, it’s based on my life as a comic, so I play myself. Glenn Robbins is in the first episode - he plays himself, because I’m always trying to get him to do charity gigs. He plays himself. Brendan Fevola - he plays himself. Well, it’s all based on an incident where I did a football club gig 15 years ago, where I insulted … I didn’t know Lance Whitnall - Carlton legend – came from that club – that was his original … and his mum was there when I made it. So I’m using Brendan Fevola in this. I’m too scared to ring Lance Whitnall, let’s be honest. So I know Brendan Fevola and I rang him, and he’s like “Yeah, yeah, no worries!” So that’s going to be out next year. I’m also working on a comic novel – I’ve written a chapter of a comic novel. I had no plans to do it at all, but I got this idea, so I started writing it, and I think it’s pretty funny. Elizabeth:  Of course it’s funny – it’s you. What else would it be? Dave:  And again it’s a satire based on the entertainment industry. Elizabeth:  That would be interesting, and funny. Dave:  I’ve got to change everyone’s name. Elizabeth: Are these people going to be recognizable? Dave:  Yes. Elizabeth: Of course they are. (Laughter) Dave:   There’s an amalgamation of people in there – part me, and other people, you know. Elizabeth:  Composite characters. Dave: Composite characters, so you don’t get sued. Elizabeth: So do you have a website or blog where my listeners can find out more about your work? Dave: Yes. Just go to my Facebook page. I update my Facebook page a lot. It’s “Dave O’Neil”. But if you just go to my website – dave-o-neil-dot-com-dot-au - there’s a link to my Facebook page. I don’t update my website that much, but I do update Facebook a lot because it’s so easy. I’ve got a public page, like a fan page. I don’t spend any time on my personal page at all. Elizabeth: So Dave, this is a signature question I ask all my guests because of my book, Chantelle’s Wish: What do you wish for, for the world … Dave:  World peace. Elizabeth:  … and most importantly, for yourself? We’ll start with you. Dave:  For the world? Well, as Rodney King once said, why can’t we all just get along? Elizabeth: Good point. Dave: That’ll be good, if everyone got along. I don’t see wars stopping, but if we just looked after the – I saw this great documentary about astronauts, and this astronaut, when he was up in space, he looked at the earth and he said, “It’s like an oasis, and we’re killing it.” So, interesting from an astronaut, ‘cause they’re like military guys, you know what I mean? So if we could look after the planet, that would be good, but I don’t know what I can do, you know. I do the occasional benefit. Elizabeth: I was going to say you mentioned fundraising; let’s talk about that. Dave: More of my benefits are for schools - local schools and kinders, that’s what I do, just because I’m in that world. Elizabeth:  They must love that, though. That really helps them. Dave:  I do benefits, and I’ll tell you what, if the benefit’s no good, I just get up on stage and I say: ‘I’m here to support the cause. See you later!” Some of the people have benefits in bars, and people are talking and not listening, and I think, “What’s the point?” Elizabeth: Well, I’d like to invite you to help us out. Pat Guest – he’s a children’s author, and he has a son, Noah, who has Duchenne’s Muscular Dystrophy, and we are creating an event where Rosalie Ham, author of The Dressmaker, will be there. Dave:  Oh wow. Elizabeth: She’s got a book out called There Should Be More Dancing. Aric Yegudkin and his wife Masha will be dancing, so he would like to do a bit of … Dave:  Sure. Elizabeth:  And all the donations will go to Duchenne’s Muscular Dystrophy to help those kids, because unfortunately that is terminal. Dave: Alright. Elizabeth: And I’ve nursed a couple of those children, so it’s … Dave: Full on. Elizabeth: It is full on. Dave: Yeah, I can help with that. Elizabeth: Thank you. So thank you Dave O’Neil. Dave:  Thank you for having me. Elizabeth:  It’s been an absolute delight. Dave O’Neil, thank you very much for guesting on Writers’ Tête-à-Tête with Elizabeth Harris. Dave:  Thank you. [END OF TRANSCRIPT]

T. Coraghessan Boyle reads his story "Are We Not Men?," from the November 7, 2016, issue of the magazine.  Boyle is the author of sixteen novels, including "The Harder They Come" and "The Terranauts," which came out last month.  He has published more than two dozen stories in The New Yorker.

Join Bob Fisher and Chris Honeywell as they take a listen to the iconic New Wave first album by one of the ULTIMATE NERD BANDS - DEVO! It's SPUD ROCK - with detours for Neil Young, Sparks, Paul McCartney and Wings, Bob Segar, KISS AND MORE! Listen to the the show that the Hair Metal Hero has declared his "FAVORITE NEW PODCAST"!!!Feedback for this show can be sent to: twotruefreaks@gmail.com

Join Bob Fisher and Chris Honeywell as they take a listen to the iconic New Wave first album by one of the ULTIMATE NERD BANDS - DEVO! It's SPUD ROCK - with detours for Neil Young, Sparks, Paul McCartney and Wings, Bob Segar, KISS AND MORE! Listen to the the show that the Hair Metal Hero has declared his "FAVORITE NEW PODCAST"!!!Feedback for this show can be sent to: twotruefreaks@gmail.com