Indian author and columnist (born 1974)
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Bestselling author Chetan Bhagat engages in a conversation with Sadhguru on a range of topics including, karma, dharma, Yoga, spirituality, Hindu temples and taking charge of one's life and destiny. Set the context for a joyful, exuberant day with a short, powerful message from Sadhguru. Explore a range of subjects with Sadhguru, discover how every aspect of life can be a stepping stone, and learn to make the most of the potential that a human being embodies. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bestselling author Chetan Bhagat engages in a conversation with Sadhguru on a range of topics including, karma, dharma, Yoga, spirituality, Hindu temples and taking charge of one's life and destiny. Set the context for a joyful, exuberant day with a short, powerful message from Sadhguru. Explore a range of subjects with Sadhguru, discover how every aspect of life can be a stepping stone, and learn to make the most of the potential that a human being embodies. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. Learn more about your ad choices. Visit megaphone.fm/adchoices
Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee's rejection of “ethnic” Americanness; Chetan Bhagat's “bad English”; Amit Chaudhuri's autofictional literary project; and Jhumpa Lahiri's decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West. Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee's rejection of “ethnic” Americanness; Chetan Bhagat's “bad English”; Amit Chaudhuri's autofictional literary project; and Jhumpa Lahiri's decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West. Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee's rejection of “ethnic” Americanness; Chetan Bhagat's “bad English”; Amit Chaudhuri's autofictional literary project; and Jhumpa Lahiri's decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West. Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee's rejection of “ethnic” Americanness; Chetan Bhagat's “bad English”; Amit Chaudhuri's autofictional literary project; and Jhumpa Lahiri's decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West. Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee's rejection of “ethnic” Americanness; Chetan Bhagat's “bad English”; Amit Chaudhuri's autofictional literary project; and Jhumpa Lahiri's decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West. Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here
Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee's rejection of “ethnic” Americanness; Chetan Bhagat's “bad English”; Amit Chaudhuri's autofictional literary project; and Jhumpa Lahiri's decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West. Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Bestselling author Chetan Bhagat engages in a conversation with Sadhguru on a range of topics including, karma, dharma, Yoga, spirituality, Hindu temples and taking charge of one's life and destiny. Set the context for a joyful, exuberant day with a short, powerful message from Sadhguru. Explore a range of subjects with Sadhguru, discover how every aspect of life can be a stepping stone, and learn to make the most of the potential that a human being embodies. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bestselling author Chetan Bhagat engages in a conversation with Sadhguru on a range of topics including, karma, dharma, Yoga, spirituality, Hindu temples and taking charge of one's life and destiny. Set the context for a joyful, exuberant day with a short, powerful message from Sadhguru. Explore a range of subjects with Sadhguru, discover how every aspect of life can be a stepping stone, and learn to make the most of the potential that a human being embodies. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Newslaundry's Abhinandan Sekhri, Raman Kirpal and Jayashree Arunachalam are joined by author Chetan Bhagat, academic Sarthak Bagchi, and journalist Dhiren A Sadokpam to discuss the Maharashtra government formation, the increased violence in Manipur, and the ‘foreign hand' allegations against OCCRP. On BJP's campaign in Maharashtra, Chetan says, “A little bit of humility has come to the BJP. The whole talk of building a larger than life image – the party feels that the voters don't need it right now.” Sarthak explains how the BJP may absorb Shiv Sainiks in the state, saying the party “wants to establish hegemonic dominance”. Moving on to the BJP's ‘US propaganda' allegations and primetime outrage against OCCRP, Abhinandan says, “I just find it fascinating that Indian media that is surviving on sarkari patronage is outraging about another media surviving on sarkari patronage.” Dhiren then explains the spike in violence in Manipur and what it's like to live in a state of war. “We need to understand the intersection between insurgency, ethnic violence, poppy cultivation, and national security,” he says. This and a lot more. Tune in!We have a page for subscribers to send letters to our shows. If you want to write to Hafta, click here. Check out the Newslaundry store and flaunt your love for independent media. Download the Newslaundry app.Watch the full video here: https://youtu.be/PIiK-K8fbQ0Audio timecodes00:00:00 - Introductions00:04:36 - Announcements00:15:00 - Headlines00:19:00 - OCCRP controversy00:32:41 - Maharashtra government formation01:20:00 - New wave of violence in Manipur?00:49:38 - Maharashtra election results01:57:30 - Letters02:06:30 - RecommendationsCheck out previous Hafta recommendations, references, songs and letters Produced & recorded by Priyali Dhingra and Prashant Kumar, edited by Hassan Bilal. Hosted on Acast. See acast.com/privacy for more information.
This week on 'Has It Aged Well?' we're discussing the 2013 film 'Kai Po Che' directed by Abhishek Kapoor and starring Sushant Singh Rajput, Rajkumar Rao, Amit Sadh, Amrita Puri and Manav Kaul. Joining Abbas and Urjita to discuss the film is filmmaker Jai Mehta, whose work includes 'Scam 1992', 'Lootere', 'Shahid' and more. Topics discussed include: How this film elevates the source material of the book, the gorgeous cinematography, how the three leads went on to have a bright future, how the film deals with controversial real life aspects and whether a story like this can be made in 2024?, Jai almost being a part of this film and a lot more.Follow Jai on instagram here: https://www.instagram.com/jaihmehtaUrjita is touring with her solo show across India, catch her in your city: https://in.bookmyshow.com/events/urjita-wani-live/ET00395374Follow Abbas here: https://www.instagram.com/abbasmomin88/Follow Urjita here: https://www.instagram.com/urjitawani/Get early access to ‘Has It Aged Well?' audio episodes on Amazon Music, Subscribe to the feed: https://music.amazon.in/podcasts/24d527b5-0544-4bd6-a7ff-073fa72d846a/has-it-aged-wellSubscribe to IVM Pop's Youtube Channel here: https://www.youtube.com/@IVMPopFollow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ See omnystudio.com/listener for privacy information.
Vidyadhar Kagita enters the Permit Room and talks about Gaami, why it took so long for release, where they shot it, Kashi, concept art, Chetan Bhagat, Marlon Brando, E. V. V. Satyarayana, dogma, Lamkaaan, Game of Thrones and much more.
She's a writer. She's a translator. She's as old as this Republic, and she knows it well. Ira Pande joins Amit Varma in episode 369 of The Seen and the Unseen to talk about her life and her learnings. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Ira Pande on Amazon, Goodreads and The Tribune.. 2. Diddi: My Mother's Voice -- Ira Pande. 3. Amader Shantiniketan -- Shivani (translated by Ira Pande). 4. Dhano Dhanne — Jaya Varma and the Chandigarh Choir. 5. Pitch Perfect -- Ira Pande's obituary of Jaya Varma. 6. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 7. Pushpesh Pant Feasts on the Buffet of Life — Episode 326 of The Seen and the Unseen. 8. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 9. Swapna Liddle and the Many Shades of Delhi -- Episode 367 of The Seen and the Unseen. 10. Old world nationalism -- Ira Pande. 11. Buniyaad on Wikipedia, IMDb and YouTube. 12. Do Bigha Zameen -- Bimal Roy. 13. Ganga Jamuna -- Nitin Bose. 14. Awaara and Shree 420 -- Raj Kapoor. 15. Nehru's Hero: Dilip Kumar In The Life Of India -- Meghnad Desai. 16. Gita Press and the Making of Hindu India — Akshaya Mukul. 17. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 18. The Other Side of Silence — Urvashi Butalia. 19. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 20. Tamas -- Bhisham Sahni. 21. Tamas -- Govind Nihalani. 22. The Secret City -- Robin Gupta. 23. Secret city and more -- Ira Pande. 24. Apradhi Kaun -- Shivani. 25. Apradhini - Women Without Men -- Shivani (translated by Ira Pande). 26. T'ta Professor -- Manohar Shyam Joshi (translated by Ira Pande). 27. कसप -- मनोहरश्याम जोशी 28. The Matunga Racket -- Amit Varma. 29. The Day Ryan Started Masturbating -- Amit Varma. 30. The Secret Diary Of Kasturba -- Neelima Dalmia Adhar. 31. Father Dearest -- Neelima Dalmia Adhar. 32..Remain in Me -- Peter Cat Recording Co. 33. The Incredible Curiosities of Mukulika Banerjee — Episode 276 of The Seen and the Unseen (w Mukulika Banerjee). 34. A Life Apart -- Prabha Khaitan (translated by Ira Pande). 35. Ira Pande on Chetan Bhagat. 36. Akshaya Mukul and the Life of Agyeya — Episode 324 of The Seen and the Unseen. 37. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 38. Stage.in. 39. Try living in the slow lane -- Ira Pande. 40. A Room of One's Own -- Virginia Woolf. 41. Raw Umber -- Sara Rai. 43. Writer, Rebel, Soldier, Lover: The Many Lives of Agyeya -- Akshaya Mukul. 44. Here And Hereafter: Nirmal Verma's Life in Literature -- Vineet Gill. 45. Biyaban Me -- Sara Rai. 46. Nabeela Aur Anya Kahaniyan -- Sara Rai. 47. Lapoojhanna -- Ashok Pande. 48. One Foot on the Ground — Shanta Gokhale. 49. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘'She Writes” by Simahina.
In 2021, bestselling author Chetan Bhagat engaged in a conversation with Sadhguru on a range of topics including, karma, Yoga, spirituality and taking charge of one's life and destiny. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.
In 2021, bestselling author Chetan Bhagat engaged in a conversation with Sadhguru on a range of topics including, karma, Yoga, spirituality and taking charge of one's life and destiny. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. See omnystudio.com/listener for privacy informationSee omnystudio.com/listener for privacy information.
The Buffalo starts trying to review a book, goes on an epic rant on Savarna education system, Chetan Bhagat, cultural performativity, mediocrity of Savarna writing-- ends up being strangely existentially vulnerable at the close. A strange episode.
Welcome to Cyrus Says REWIND!Become a member of Club Cyrus SaysIn this episode of Cyrus Says REWIND, we take a look back at the time when we had Chetan Bhagat in the studio with us!Enjoy!Subscribe to the Cyrus Says YouTube Channel for full video episodes!Listen to Cyrus Says across Audio PlatformsApple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio SaavnEmail your AMA questions to us at whatcyrussays@gmail.comDon't forget to follow Cyrus Says' official Instagram handle at @whatcyrussaysConnect with Cyrus on socials:Instagram | TwitterAnd don't forget to rate us!-x-x-xDisclaimer: The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised.See omnystudio.com/listener for privacy information.
We live in a changing world with geopolitical forces and academic ideas that are challenging our democratic norms. Extreme politics, both on the right and the left, are very much on the rise in many different countries. Both of these extreme forms of politics are undermining our classic democratic norms of universalism, principles that originated with and were enshrined by the American and French Revolutions. Today's guest is Yascha Mounk, a German-American political scientist who teaches at Johns Hopkins University in Baltimore. He is the author of numerous books and articles defending the liberal and universal values of free democratic societies, but today we're going to focus on just two of his books. The first of these two books is called “The Great Experiment” which was published last year. In that book, he writes that our modern multi-cultural societies in the West are under tremendous pressure to integrate these diverse populations in ways that ensure prosperity for all, and most importantly that manage to maintain our democratic norms. This year, he's back with a new book that focuses specifically on one of those traps, the book is called “The Identity Trap” and in it, he examines the meteoric rise of an ideology which he calls the identity synthesis, in the last couple of decades, especially in the United States from obscure academic environments to the mainstream. In this episode, we talk about what needs to happen to ensure the success of multicultural democracies, we talk about the origins of the identity synthesis and its development, and how different countries have different models to meet these challenges head-on. I hope you enjoy this episode. Books mentioned in the episode: The best book I've never heard of: Darkness at Noon, by Arthur Koestler (1940) The book that he loves but just can't recommend to others: The Half-Girlfriend by Chetan Bhagat (2014) The best book that he read in the last 12 months: Essays by George Orwell The book that he found disappointing in the last 12 months: Klara and the Sun, by Kazuo Ishiguro (2021) The book that he would take to a desert island: The Leopard, by Giuseppe Tomasi di Lampedusa (1958) The book that changed his mind: The Happiness Curve, by Jonathan Rauch (2018) Find Yascha: Website: https://www.yaschamounk.com/ Facebook: https://www.facebook.com/yaschamounk/ Pre-order his new book: https://amzn.eu/d/gePpkZ8 Follow me @litwithcharles for more book reviews and recommendations!
YouTube Channel: / @chetanbhagat1 Sandeep Maheshwari is a name among millions who struggled, failed and surged ahead in search of success, happiness and contentment. Just like any middle class guy, he too had a bunch of unclear dreams and a blurred vision of his goals in life. All he had was an undying learning attitude to hold on to. Rowing through ups and downs, it was time that taught him the true meaning of his life. To know more, log on to www.sandeepmaheshwari.com
This episode has an extended introduction followed by two major stories. Varun & Suchita deep dive into the history of the paparazzi in India and their journey from negotiating for space in print to building a sought-after social media clout & the World Startup Convention Disaster that looked very promising and gave hope to multiple founders but turned out to be a scam. Apart from these, they talk about the Good Glamm Group's upcoming JV with Akshay Kumar, Softbank slashing Oyo's valuation before it's IPO, Alibaba breaking up into 6 companies, Substack inviting investments, GoMechanic's acquisition by Lifelong group, First Citizen Bank coming to SVB's rescue, Top techies signing a document asking to pause R&D in AI, PhonePe & ZestMoney's deal getting called off, Spotify & Zee's stuck licensing deal, ByteDance new viral app called Lemon8, Jio Cinema's IPL broadcast, Google pausing their free food policy for employees, Climate Tech seeing a decrease in investments, and a few more stories. Suchita recommends the latest season of Succession & videos of Taylor Swift's Eras Tour. Varun recommends having and appreciating a foodie friend. Varun & Suchita also answer a few listener questions on the show. Do share yours on the below-mentioned handles. You can follow Varun Duggirala on Twitter & Instagram You can follow Suchita Salwan on Twitter & Instagram Check out video episodes on the Think Fast YouTube Channel. Find the show across audio streaming apps:Spotify | Apple Podcasts | Google Podcasts | JioSaavn | Gaana | Amazon Music Do follow IVM Podcasts on social media.We are @ivmpodcasts on Facebook, Twitter, & Instagram. You can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android or iOS. See omnystudio.com/listener for privacy information.
In this episode, we explore the process of publishing a book from writing and editing to finding a literary agent or self-publishing with Karthika V.K, Publisher at Westland Books & Urjita Wani who's a comedian & a writer. Our expert guest shares her insights not just on publishing, but also the marketing of books. Whether you're an aspiring author or just curious about the whole process, this podcast will provide you with valuable information and practical advice to help you achieve your goals. Join us as we delve into the world of book publishing and uncover the secrets. Follow Karthika on Twitter: https://twitter.com/karthikavk?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Recommendations by Karthika: 1) Whole Numbers and Half Truths By Rukmini S2) Alice in Wonderland By Lewis Carroll3) Unveiling Jazbaa By Aayush Puthran Follow Urjita on Instagram: https://www.instagram.com/urjitawani/?hl=en Subscribe to us on YouTube: https://www.youtube.com/channel/UC0sxICr-rvhR9dvBsx4uoTA Find our host Meghnad on his social handles YouTube: https://www.youtube.com/@meghnerd Instagram: https://www.instagram.com/meghnads/?hl=en Twitter: https://twitter.com/Memeghnad?s=20&t=Gc1ww3EvNh-6TNEcFD76Pw LinkedIn: https://www.linkedin.com/in/meghnad-s-83278a18b/?originalSubdomain=in Connect with us at: allaboutnow@pratilipi.com See omnystudio.com/listener for privacy information.
Welcome to Page 10! a show where our panel discusses news and current affairs and offer you a TL;DR of stories you might have read... or missed! in the third edition of Page 10 , Abbas, Jalasmi, Meghnad and Niveditha discussed the following stories- 1. Ravish Kumar's resignation from NDTV:https://thewire.in/media/amidst-adanis-takeover-senior-journalist-ravish-kumar-resigns-from-ndtv 2. India Takes Over G-20 Presidency, PM Calls For "Mindset Shift":https://www.ndtv.com/india-news/indias-g20-presidency-begins-today-100-monuments-to-be-lit-up-10-points-3568003 3. Unrest and protests in China over Covid Policy: https://indianexpress.com/article/explained/explained-global/china-protests-zero-covid-xi-jinping-explained-8299359/ 4. The Chetan Bhagat vs Uorfi Javed fight: https://www.dailyo.in/news/the-chetan-bhagat-vs-uorfi-javed-fight-38074 How Adani took over NDTV: https://youtu.be/ZTFVXkM5Khk Subscribe to ELI10 on YouTube: https://www.youtube.com/@explainlikeim10 Follow Abbas on Instagram: https://www.instagram.com/abbasmomin88/ Follow Jalasmi on Instagram: https://www.instagram.com/hathi.ka.bacha/ Follow Niveditha on Instagram: https://www.instagram.com/niv.prakasam/ Follow Meghnad on Instagram: https://www.instagram.com/meghnads/ New Editions every Monday! See omnystudio.com/listener for privacy information.
On Cock & Bull today, we are joined by Kajol, Vineet & Shreyas. Today Cyrus is ranting about the food wastage issues caused by human beings. And as a responsible citizen of this planet, he took it upon himself to find a solution for the same, which was honestly a rather disgusting one. In the show: The panel debate about whether it was the 75th or the 76th Independence day, Shreyas shares some of his recent house party experiences, Kajol talks about Chetan Bhagat's portrayal of intercourse in his books, and they further talk about engineers and love. Topics discussed by the panel were: Japanese man getting paid with rent to literally do nothing and how depressed people in Bengaluru can now hire a BF. Tune in for this and much more!Check out Cyrus Says merch:ivm.today/3PLKo1mCheck out Vineet's podcast Story Tellers and Story SellersYou can follow Kajol on Instagram at @lolrakshakYou can follow Vineet on Instagram at @ashcharyafuckitYou can follow Shreyas on Instagram at @shreyas_manoharStream the podcast on major platforms like Spotify, Apple Podcasts, & Google PodcastsDo send in AMA questions for Cyrus by tweeting them to @cyrussaysin or emailing them at whatcyrussays@gmail.comDon't forget to follow Cyrus Broacha on Instagram @cyrus_broacha (https://www.instagram.com/cyrus_broacha)In case you're late to the party and want to catch up on previous episodes of Cyrus Says you can do so at: www.ivmpodcasts.com/cyrussaysYou can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: https://ivm.today/android or iOS: https://ivm.today/ios
In this episode i will be giving you all a small glimpse of the book 400 Days. To share your feedback mail me: monisha17495@gmail.com Instagram: @patmetamilpodcast --- Send in a voice message: https://anchor.fm/monisha-veeranan/message
Timecodes:4:03 - Headlines8:40 - Inflation29:55 - UP politics 56:43 - Punjab campaigns59:40 - Saina Nehwal, Decoupled1:48:43 - Subscriber letters2:11:47 - RecommendationsThis week on NL Hafta, Newslaundry's Abhinandan Sekhri, Manisha Pande, Raman Kirpal, and Anand Vardhan are joined by author Chetan Bhagat. The discussion starts with the inflation rates in the US and India. Chetan says, “You can't see the true suffering of a common man in the stock market because it's an evaluation of the big companies in India. And that is why it is so disconnected from the actual world.” The panel also discusses happiness and wellbeing indices in the context of Pakistan being “happier” than India, according to a recent survey. On ministers and others quitting the BJP in Uttar Pradesh, Manisha says, “All mainstream media have run the BJP statement which says these ministers weren't performing well.” Raman says the “caste equation is going a bit wrong” with these resignations, and that the BJP “will lose vote count”. Chetan doesn't fully agree, saying Adityanath “does have popularity, so a few resignations won't matter that much”.The conversation also spans the Punjab election campaigns, actor Siddharth's comments on Saina Nehwal, and more.This and a lot more, only on NL Hafta.RecommendationsChetanHuberman LabDecoupledAnandRevised SOP on preventive measures to be followed while conducting examinationsThe Great Hindu Civilisation: Achievement, Neglect, Bias and the Way Forward RamanManisha14 Peaks: Nothing Is ImpossibleThe Tender BarAbhinandanMedia experts sound alarm on rise of paywalled contentAfter Each Attack He Carried the Wounded. Then He Became a Victim. See acast.com/privacy for privacy and opt-out information.
नाच मेरी रानी ऐल्बम में नोरा फतेही के ज़बरदस्त जलपरी डान्स और गुरु रंधावा के गाने ने जमाया रंग गोविन्दा के जन्मदिन पे चला पता कि आख़िर किससे करना चाहते थे शादी टेलिविज़न ऐक्ट्रेस करिश्मा 5 लड़कों के दिल तोड़ने के बाद अब किससे कर रही है शादी मौनी रॉय के चोरी छिपी शादी की सच्चाई BIG BOSS 15 की कंटेस्टंट रखी सावन्त ने रंगे हाथ उमर रियाज़ और रश्मि देसाई को पकड़ा रोमैन्स करते हुए रणबीर सिंह की 83 का ज़बरदस्त रेस्पॉन्स आश्रम की साध्वी परिणीता के सिल्वर सारी डान्स को देख के हैरान है लोग TV Show अनुपमा में आएगा नया ट्विस्ट सामने आएगा अनुज का अतीत आर माधवन के ट्वीट से चेतन भगत और आर माधवन के बीच छिड़ी कोल्ड वार ऐश्वर्या दिखी परेशान हुई 7 घण्टे तक पूछताछ Support the show: https://www.jagran.com/ See omnystudio.com/listener for privacy information.
In a conversation with bestselling author Chetan Bhagat, Sadhguru draws an important distinction between life and lifestyle and explains why we must be committed to life rather than lifestyle.
In a conversation with bestselling author Chetan Bhagat, Sadhguru draws an important distinction between life and lifestyle and explains why we must be committed to life rather than lifestyle.
In a conversation with bestselling author Chetan Bhagat, Sadhguru draws an important distinction between life and lifestyle and explains why we must be committed to life rather than lifestyle.Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): http://onelink.to/sadhguru__appOfficial Sadhguru Website: http://isha.sadhguru.orgSadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusiveSee omnystudio.com/listener for privacy information.
400 DAYS BY CHETAN BHAGAT | BOOK REVIEW | Chetan Bhagat new book 12-year-old Siya has been missing nine months. It's a cold case, but Keshav wants to help her mother, Alia, who refuses to give up. Welcome to 400 Days—a mystery and romance story like no other. 400 days book review Join Telegram group - https://ronakblog.page.link/Telegram
In a chat with Anupam Kher ( Saaransh, DDLJ, New Amsterdam, 500+ movies done!) we discuss what makes him successful and some of the qualities that keep him happy, successful and passionate until date.
In a chat with Tisca Chopra (Taare Zameen Par, Hostages and dozens of acclaimed films) we discuss what makes her successful and some of the qualities that keep her happy, successful and passionate until date.
In this video I talk about my job at Goldman Sachs and how I wrote my first books.
In this video I talk about my actual IIM interviews, the outcomes and the lessons from it. Do leave your feedback in the comments below and suggestions on how we can make these long videos better!
In a chat with R Madhavan (3 Idiots, Rang de Basanti, Tanu weds Manu and dozens of acclaimed films across various film industries) we discuss what makes him successful and some of the qualities that keep him happy, successful and passionate until date.
Chetan Bhagat one arranged marriage page 1 to 3 by Martina Motwani
Hi guys, This is Chetan Bhagat Welcome to my podcasts. This is my first one, hope you like it!
द गर्ल इन रूम 105 हे प्रसिद्ध लेखक चेतन भगत यांचं गाजलेलं आणि थोड्याशा वेगळ्या म्हणजे रहस्यकथेच्या अंगाने जाणारं पुस्तक. याचा मराठी अनुवाद केला आहे सुवर्णा अभ्यंकर यांनी. रहस्यकथा हा साहित्यप्रकार हाताळताना त्यातलं रहस्य शेवटपर्यंत टिकवून ठेवण्यासाठी अनुवाद करताना अनुवादकाला काय काळजी घ्यावी लागते, आजच्या तरुणाईच्या भाषेत सहज येणारे इंग्रजी आणि इतर भाषांमधले शब्द त्यातली संवादात्मकता आणि सहजता न घालवता भाषांतरित करण्याची प्रक्रिया कशी असते त्यासाठी कोणत्या गोष्टींची मदत होते हे समजून घेणं मराठी वाचकांसाठी निश्चितच रंजक ठरेल. या आणि अशा इतरही गोष्टींवर सुवर्णा अभ्यंकर यांच्याशी संवाद साधला आहे उज्जवला बर्वे आणि विदुला टोकेकर यांनी. तुम्ही सध्या कोणते अनुवाद वाचताय किंवा नुकतेच वाचून संपवले, किंवा कोणत्या अनुवादित पुस्तकांबद्दल अनुस्वाद मध्ये ऐकायला आवडेल हे आम्हाला anuswaad@gmail.com वर जरूर कळवा. The Girl in Room 105 is a famous and different book by celebrated writer Chetan Bhagat which comes under the genre of suspense thriller. It is translated into Marathi by Suvarna Abhyankar. How careful the translator has to be while translation suspense thrillers to make sure that the suspense remains the suspense till the very end, what is the process of translation the English and Hindi words which are used so often by the young generation into Marathi without losing the spontaneity and natural flow of the language and how it is done will be very interesting to know for Marathi readers. Ujjwala Barve and Vidula Tokekar are in conversation with Suvarna Abhyankar on these and many more interesting points in this episode. Do write to tell us which translations you read recently and which ones you would like to hear about in Anuswad. Write to us - anuswad@gmail.com
On this episode, Sid K goes Kandid with Chetan Bhagat. They talk about the unique glasses Sid k is wearing at the time of recording and get into Chetan's new book 'One Arranged Murder', what's it's about, why Chetan's own voice was rejected to voice his own book, how writing a murder mystery can be extremely difficult and quite a daunting task, a task for which he had to go through several other books to think outside the box and write the perfect book that he wanted to write. Chetan also talks about the culture of storytelling and how the audiobook is making a big difference. Sid admires how courageous Chetan Bhagat is by not shying away from talking about social issues and they also get into what it's like working with Bollywood up and close. This and a lot more.You can follow Siddharth Kannan on:Instagram: https://twitter.com/sidkannanFacebook: https://www.facebook.com/sidk313Twitter: https://www.instagram.com/sid_kannan/For more awesome IVM podcasts, find us at:Website: https://ivmpodcasts.com/Facebook: https://facebook.com/ivmpodcastsTwitter: https://twitter.com/ivmpodcastsInstagram: https://instagram.com/ivmpodcasts
In this segment of morphine and unicorns, me and vedant talk about random topics like relevance of higher education, bitching about Chetan Bhagat and so on. If you enjoyed the episode and are new to the podcast, let us know your feedback at our Instagram handle: @pomogreynade
Listen Now - Read Later!!! ♥️Mail id: monisha17495@gmail.com Instagram: @monishaveeranan @patmetamilpodcast --- Send in a voice message: https://anchor.fm/monisha-veeranan/message
Chetan Bhagat with Hrishi K - One Arranged Murder by Hrishikesh Kannan
Catch Manjula Narayan, National Books Editor, Hindustan Times in conversation with Chetan Bhagat about his new book 'One Arranged Murder'. They both talk about writing, the process behind it and what went behind writing his latest one.
Catch Manjula Narayan, National Books Editor, Hindustan Times in conversation with Chetan Bhagat about his new book 'One Arranged Murder'. They both talk about writing, the process behind it and what went behind writing his latest one.
Like him or not - agree with him or disagree - but Chetan Bhagat speaks his mind. He does not shy from a fight and is open to correcting his POV as time goes by. In this extremely frank and blunt video-podcast - Bhagat talks about how social media is distracting an entire generation, (why Gandhi may have failed to rally the young if the British had 4G!) .... also why we should stop daydreaming about our 'greatness' and actually get down to work. Does Chetan Bhagat consider himself a 'Modi Fanboy' and when did he start becoming critical of the Govt again? Bhagat also discusses his writing - his new (and 9th) novel - One Arranged Murder and why creative pursuits look easy - but involve a lot of legwork. *** Subscribe to #TheDeshBhakt to unlock Discord / Exclusive Chats / Content *** PATREON MEMBERSHIP - https://www.patreon.com/thedeshbhakt (International Credit Card / Debit Card) JOIN MEMBERSHIP ON YOUTUBE - https://www.youtube.com/thedeshbhakt/JOIN INSTAMOJO - https://imjo.in/XU5arJ (Phone Pe / G Pay / PayTM / BHIM / CC / DC / Netbanking) PAYPAL - https://www.paypal.me/thedeshbhakt ****** Get the New DeshBhakt Merch! ******* India Shipping Only - https://kadakmerch.com/thedeshbhakt *********Follow us on ************ YouTube: - https://youtube.com/thedeshbhakt Twitter :- https://twitter.com/thedeshbhakt Instagram :- https://instagram.com/akashbanerjee.in Facebook :- https://www.facebook.com/akashbanerjee.in SoundCloud :- https://soundcloud.com/thedeshbhakt ********** More DeshBhakt Videos:************ The Deshbhakt Episodes: https://bit.ly/3eLgvLv EMERGENCY: https://bit.ly/3dM4Bj8 Bhakt Banerjee Rocks: https://bit.ly/2VuFQlf B&D Media and the Public: https://bit.ly/389jjzw India explained with TheDeshbhakt: https://bit.ly/2ZjNVKD Akash-Vaani: https://bit.ly/3eKvN3h --- Send in a voice message: https://anchor.fm/thedeshbhakt/message Support this podcast: https://anchor.fm/thedeshbhakt/support
This week is a special episode focusing on 2014 in the cinema of India, with your host Joe McCulloch (along with Sean "Shitty Excuse For Carl Reiner" Witzke). 01:46: Specifically, Part XVII of the Constitution of India provides that “Hindi in Devanagari script” is “the official language of the Union,” although English can still be used for Parliamentary purposes, among other governmental functions. Technically, there are 22 (rather than 23) languages listed in the Eighth Schedule of the Constitution, but I've taken the liberty of adding English as an effective 23rd, given its official status in several Indian states, as well as its continued governmental function. Also, *I* speak English, and it is therefore the most important language. 03:15: GREAT NEWS - Here I have confused the cinema of Pakistani Punjab -- which is based in Lahore, the capital city of Punjab province and the effective center of Pakistan's domestic film industry -- with the cinema of Indian Punjab, which is based in Mumbai (i.e. not the Indian state of Punjab). I've also erred in tethering the use of Urdu to historical period; there are geographical considerations as well, particularly in relation to Muslim communities, although Hindi and Urdu are (in the words of linguistic scholar Wikipedia) mutually intelligible registers of basically the same tongue. 04:15: A hit film from one major regional cinema, it should be clarified, is not in any way guaranteed popularity across India, even in regional dubbed versions. Sometimes, stars from one region's cinema will do special appearances or supporting roles in another region's films, as a means of shoring up trans-Indian box office. Additionally, larger regional cinemas have a tendency to tap actors or technicians from smaller regional cinemas, who might then return to their home region with enhanced prestige – I'm thinking specifically of the Karnataka native Prakash Raj, who did a lot of Kannada-language film and theater work before becoming a delightfully odd character actor (mostly villains and dads) in the Tamil, then Telugu, then Hindi cinemas, eventually returning to write and direct films in Karnataka. 06:05: This is not to suggest that there haven't been South films created with outside money and an eye on the international market; Disney, for example, co-produced a Telugu film in 2011, Anaganaga O Dheerudu, which was subsequently released on home video in North America as Once Upon a Warrior. I don't recall it playing in theaters around here, though. 06:55: TERRIFIC - Here I'm conflating the designations “NRI” (non-resident Indian) and “PIO” (person of Indian origin); there's legal implications in terms of taxation and international travel. 10:05: The issue of skin whitening is hardly unaddressed in Indian popular cinema itself, in case you were wondering: off the top of my head I can recall no less a venerable presence than the Tamil movie superstar Rajinikanth -- at one time among the highest-paid actors in Asia -- devoting a skit to the issue in his 2007 vehicle Sivaji. Granted, there's also some prominent 'dark skin = nasty' jokes in that one, perhaps as a means of sugaring the pill... 11:45: One hopes the message taken from this entire unfortunate soliloquy is that Orientalism (the term I am grasping for) is not assuaged by the white observer amassing specialized knowledge; in fact, that is just as easily a bulwark, insofar as 'expertise' is often used as a means of Outsider A pulling rank on Outsider B in terms of disseminating novel tidbits and otherwise exercising the soft colonialism of dull concern. 12:36: American exploitation movie icon David F. Friedman did indeed work on the 1955 U.S. release of Bergman's Summer With Monika, although I probably should have cited to his boss, the infamous Kroger Babb, who's actually the one that ordered severe edits re: the artsy bits and a fortuitous re-titling to Monika, the Story of a Bad Girl, which I think is how Woody Allen saw it. 13:00: Per my close friend Wikipedia (again), there were 201 Hindi films released in 2014, and 195 Telugu films. Both of these were less than the 215 Tamil films premiered. By way of comparison, there were about 230 new domestic films released in 2014 throughout all of China. 13:20: For example. As always, the streams of cinema aren't ever entirely separate, as one of B-grade impresario Suresh Jain's earlier productions was excerpted in a 2011 mainstream smash, Rockstar. Of course, if you want to talk extreme badness in Bollywood, the first place you'll need to go is the 1998 Mithun Chakraborty-starrer Gunda, which enjoys Troll 2-level prestige amongst Hindi movie fans of a certain persuasion. 13:50: Specifically, the production or distribution of pornographic materials is illegal in India, although possession is not a crime – as a result, hardcore sex films are not necessarily unfamiliar (the initial mainstream visibility of Sunny Leone, former Vivid contract player-turned-Indian reality tv phenom-turned-established movie star, was premised on the titilation inherant to such familiarity clashing with the wider society), they're just not domestically made. Public exhibition of films not cleared by the Central Board of Film Certification is likewise illegal. There are three general 'ratings' – U, UA, and A, with an A restricting viewing or purchase to those 18 or older. An odd side-effect of the comparitive modesty of Hindi films is that my local theater tends to run children's movie advertisements before all of them, apparently resting on the 'family' reputation of the scene; this makes for a very amusing juxtaposition with A-rated mainstream fare like 2011's Delhi Belly, which contains approximately 12,000,000 spoken variations on the English term 'fuck'. 14:40: In case it's not clear, Hindi movie performers very rarely *sing* the songs featured in their films; they lip-synch to whatever the vocals of the actual track might be, leading to one actor or actress adopting multiple singing 'voices' throughout the course of one film. 16:46: We finally arrive at the films of 2014 by talking about Queen, directed by Vikas Bahl, and starring Kangana Ranaut, Rajkummar Rao & Lisa Haydon. It is Bahl's first solo directorial feature, although he had done production work on numerous prior works by his Phantom Films cohorts Vikramaditya Motwane & Anurag Kashyap. I first saw Ranaut in Kites (2010), an eccentric Rakesh Roshan production seemingly aimed at 'selling' his son Hrithik Roshan (already an established Hindi star) as an international player – Brett Ratner(!!) even supervised an alternate cut of the film, which (I'm told) drastically downplayed all the Bollywood elements, e.g. songs. The non-Ratner cut became the first Hindi picture ever to place in the North American box office top ten, although Hrithik did not go on to light the states ablaze to even the limited extent of Anil Kapoor post-Slumdog Millionaire. 18:12: Asking after a fixed definiton of a masala movie is like chasing the concept of mise-en-scène: it means different things to different people. Indeed, the culinary etymology of the term encompasses the notion of certain ingredients being switched in and out, so that some films might be heavier on romance while others might favor action or comedy... still, it's a mix. I'm talking about a certain type of chest-thumping '80s-style masala here, reintroduced in tremendous popular form by way of Telugu remake via a 2009 Salman Khan vehice, Wanted, directed by the famous dancer Prabhudheva, who was briefly a tee-hee-look-at-this viral video fun figure on the international scene via this. 19:08: The other actress-driven films from 2014 I mention are: Mary Kom, starring Priyanka Chopra; Mardaani, starring Rani Mukerji; and Bobby Jasoos, starring Vidya Balan, whose 2012 film Kahaani I mispronounce to fearsome effect. 21:50: Zainab Akhtar sent me a link to this comedy video the other day, which off-handedly speaks to the cult reputation of Gangs of Wasseypur (2012, not 2013) – appreciable as the least 'Bollywood' of all Bollywood films. It also played the Directors' Fortnight at Cannes 2012, which would probably have been a more appropriate reference to make! 23:50: All of these qualities, I remind you, are in relation to the recent mainstream of Hindi popular cinema; obviously, films about women dealing with their own lives have existed before in Indian films. I mean, really. 25:00: Here I'm referring to the phenomenon of writer/director Sooraj R. Barjatya's Hum Aapke Hain Koun..! which, to allude to another cinema game-changer of 1994, acted like a shot of adrenaline directly to the heart of Indian filmgoing, albeit in an exceedingly wholesome manner. The phrase I'm using, btw, is “paisa vasool,” which is not limited to movie usage. 27:35: Now I'm talking about Kick, directed by Sajid Nadiadwala, and starring Salman Khan, Jacqueline Fernandez, Randeep Hooda & Nawazuddin Siddiqui. Nadiadwala has seen much of his recent success as a producer on dubious comedy contraptions such as the Housefull series, although he branched significantly this year as co-producer on the well-received 'serious' drama Highway and the splashy relationship comedy 2 States (which I mention a bit later). Nonetheless, this -- his directorial debut -- plays it good and safe, to splendid financial returns. I cannot stress enough that anything with Nawazuddin Siddiqui (one of the stars of the aforementioned Gangs of Wasseypur) is good for at least the presence of Nawazuddin Siddiqui. The bleak crime/sleaze movie history-themed Ashim Ahluwalia picture Miss Lovely may be of particular interest to listeners of this podcast, and can still be bought or rented digitally via Amazon. 28:47: I'm alluding here to Katrina Kaif and Sonakshi Sinha, two well-known actresses who've mentioned Khan functioning as a mentor to them. 31:50: You may remember Om Puri quite recently from Lasse Hallström's The Hundred-Foot Journey, in which he stars opposite Helen Mirren as... a concerned father! I am told Juhi Chawla (of numerous '90s favorites such as Yash Chopra's Darr, which is also notable for one of the early, weird Shah Rukh Khan performances) also shows up, only to die quickly. I keep expecting one of these world-class folks to roll into a Best Exotic Marigold Hotel movie, preferably Manoj Bajpai with a crew of goons. #jokes 32:27: Next on the agenda is PK, directed by Rajkumar Hirani, and starring Aamir Khan, Anushka Sharma, Saurabh Shukla, Sanjay Dutt & Sushant Singh Rajput. And Boman Irani, who's one of those reliable character actor types who seem to pop up in every third movie. (The king of these is a Telugu comedian, Brahmanandam Kanneganti, who averages over one dozen film appearances per year, usually in designated comedy relief segments.) I'll be writing more about PK in the next installment of The Most Popular Movie Column in the Entire World, which should be a real treat, since in a column I can do the lecture and the errata at the same time. 35:47: I didn't pick these topics at random. See: Taare Zameen Par (2007), aka Like Stars on Earth, which Khan also directed; and Rang De Basanti (2006), perhaps *the* canonical 'serious' popular smash of the past ten years, and the foundation upon which Khan has built his latter-day persona as a superstar-cum-crusader for social betterment. 40:24: As it happened, I didn't get around to saying anything more about Sanjay Dutt -- have I mentioned that there's no script here? -- so let me clarify that not only has Dutt appeared in three out of four Rajkumar Hirani films, but he is expected to be the subject of the fifth: a full-blown biopic. He's definitely led a colorful life, including a supremely infamous arrest on terrorism and conspiracy charges in the wake of the 1993 Mumbai blasts; he was ultimately convicted for possession of illegal weapons, and is currently in prison. 48:22: Fandom in action. 51:21: The name I can't recall here is Chetan Bhagat, whom I forgot to identify earlier as one of several screenwriters to work on the aforementioned Kick (to reprise my earlier statements about masala implicating some shifts in emphasis/spices). The male star of 2 States was Arjun Kapoor. 56:05: You may not have heard of Singham, but maybe you've seen this. To continue the superhero theme, Singham Returns is the “Winter Soldier” of the Singham franchise. Maybe I just find Ajay Devgan more convincing in these macho authoritarian roles than most. Certainly his scripts don't go deepest into insanity – I'm reminded of a 2012 Telugu picture, Businessman, which finds Martin Freemanesque tic-laden cutey boy star Mahesh Babu essaying an underworld hotshot whose disgust at the corruption of establishment interests moves him to revolutionize Indian politics through heroic intimidation and hot-blooded violence, including a great moment where he and his crew bring a wise and necessary end to press freedoms. It's honest-to-god borderline fascism, with a big speech delivered right to the camera at the end. RECOMMENDED. 58:42: Finally, we have Haider, directed by Vishal Bhardwaj, and starring Shahid Kapoor, Tabu, Kay Kay Menon, Shraddha Kapoor & Irrfan Khan, who was on In Treatment, not Bored to Death – look for him in Jurassic World this summer! Since there's always time for one last flub with me, know that Bhardwaj began his career in Hindi film as a music composer, not a lyricist. Also recommended outside of his Shakespeare trilogy (also including Maqbool, 2003, and Omkara, 2006) are the very popular 2009 thriller Kaminey, and 2013's Matru Ki Bijlee Ka Mandola, a political comedy about a landowner who becomes an ardent leftist when drunk and his communist chauffeur/enabler that simultaneously adopts the form of a super-mainstream Bollywood programmer, with a big wedding and everything. Next Week: MANN.
Sidin, the Managing Editor of LiveMint.com joined us to talk a bit about his forthcoming book, Dork: The Incredible Adventures of Robin Einstein Varghese and a bit more about the Chetan Bhagat controversy which has found a lot of newspaper space lately. This podcast was free-flowing (uh another way of saying that we were all over the place). We spoke about how beautifully the Indian Hockey Federation is handing its hockey players demands by breaking new records in unprofessionalis