Podcasts about cultural supremacy

I'm rejoined this week by The Wall Street Journal's Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy, to talk about Hollywood's disastrous summer in China, where virtually every American movie released so far has underperformed. We also talk briefly about why Meg 2: The Trench may end up being one of the lone bright spots for Hollywood this year. If you enjoyed this episode, make sure to share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

I'm rejoined this week by The Wall Street Journal's Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy, to talk about Hollywood's disastrous summer in China, where virtually every American movie released so far has underperformed. We also talk briefly about why Meg 2: The Trench may end up being one of the lone bright spots for Hollywood this year. If you enjoyed this episode, make sure to share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this day in 1961, Russian ballet dancer Rudolf Nureyev defected from the Soviet Union at an airport in Paris. See omny.fm/listener for privacy information.

In this episode of Beyond the Page, SVWC Literary Director John Burnham Schwartz and writer Eric Schwartzel go Hollywood. Schwartzel covers the film industry in The Wall Street Journal's Los Angeles bureau and his first book “Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy,” detailed the growing influence of China on the American entertainment industry. John and Eric discuss Hollywood's exestensial crisis, the China problem, and some important wars: culture wars, streaming wars, and Star Wars.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Author: Erich Schwartzel Book: RED CARPET: Hollywood, China, and the Global Battle for Cultural Supremacy Publishing: ‎ Penguin Press (February 8, 2022) Synopsis (from the Publisher): “This is a fascinating book. It will educate you. Schwartzel has done some extraordinary reporting.”  — The New York Times Book Review “In this highly entertaining but deeply disturbing […] The post ERICH SCHWARTZEL – RED CARPET: Hollywood, China, and the Global Battle for Cultural Supremacy appeared first on KSCJ 1360.

Until a few years ago, Hollywood dominated Chinese cinemas. In the People's Republic, Marvel's superhero romps were the people's favourite, with Avengers: Endgame taking in over £510 million at Chinese box offices. Hollywood is desperate to crack the Chinese market – after all, it's a country with a fifth of the world's population and a growing middle class. But there's just one problem – the small issue of the Chinese Communist Party, which tightly controls the films people can see. Since the success of Avengers: Endgame, Marvel films had effectively been blacklisted until earlier this year, with other Hollywood blockbusters failing to break through either. This episode is about the complicated love affair between Beijing and LA. Cindy Yu is joined by Wall Street Journal journalist Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy; and Chris Berry, Professor of Film Studies at Kings College London – you might remember him from a previous episode discussing the golden age of Chinese films.

Until a few years ago, Hollywood dominated Chinese cinemas. In the People's Republic, Marvel's superhero romps were the people's favourite, with Avengers: Endgame taking in over £510 million at Chinese box offices. Hollywood is desperate to crack the Chinese market – after all, it's a country with a fifth of the world's population and a growing middle class. But there's just one problem – the small issue of the Chinese Communist Party, which tightly controls the films people can see. Since the success of Avengers: Endgame, Marvel films had effectively been blacklisted until earlier this year, with other Hollywood blockbusters failing to break through either. On this episode, we'll be talking about the complicated love affair between Beijing and LA. I'm joined by Wall Street Journal journalist Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy; and Chris Berry, Professor of Film Studies at Kings College London – you might remember him from our previous episode discussing the golden age of Chinese films.

Russia claims it knows who killed Darya Dugina, the daughter of far-right ultranationalist Alexander Dugin, an influential ally of Vladimir Putin. Dugina was killed by a car bomb outside Moscow Saturday night, with the Dugins' security service telling Russian state media that Ukraine is responsible for her death. Ukraine has denied any involvement in the explosion. Correspondent Fred Pleitgen takes a closer look at the incident and who the Dugins are. Also providing insight and perspective on the bombing are Masha Gessen, a staff writer for the New Yorker, and Ekaterina Kotrikadze, anchor and news director at TV Rain, Russia's only independent news channel.  Also on today's show: Anya Kamenetz, author of The Stolen Year: How Covid Changed Children's Lives, and Where We Go Now; Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Jarod & Spencer are joined by WSJ writer and author of Red Carpet: Hollywood, China, & The Battle For Cultural Supremacy Erich Schwartzel to discuss the book and recent developments in the time since publication!Sunday's Bloody Mary: https://sundaysbloodymary.com/shop/ Help us out by chuckin' a buck on our Patreon: https://www.patreon.com/thenerdacademypodcast

The fierce competition between the U.S. and China has reached an unexpected arena: the movies. And as the largest film market in the world, China wields tremendous power over Hollywood's profits. Charles sits down with Wall Street Journal reporter Erich Schwartzel to find out how China's Communist Party compels Hollywood to censor American values. Topics Discussed: An Introduction to Erich Schwartzel (00:00:00) A Global Industry (00:04:31) Eastern Influence (00:12:37) Profit and Loss (00:22:57) Limits and Censorship (00:38:14) Economic Consequences (00:47:13) Guest Bio: Erich Schwartzel is a Wall Street Journal reporter and author. He covers the film industry at The Journal's L.A. bureau, writing stories on life and business in Hollywood. Schwartzel recently released his first book (below), which details China's growing influence over the American entertainment industry. The book has been named a New York Times Editors' Choice and was featured on NPR and CNN. Resources Mentioned: https://www.amazon.com/Red-Carpet-Hollywood-Cultural-Supremacy/dp/1984878999/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= (Red Carpet: Hollywood, China and the Global Battle for Cultural Supremacy) Transcript: https://charlesmizrahi.com/podcast-season-8/2022/07/19/global-battle-cultural-supremacy-erich-schwartzel/ (https://charlesmizrahi.com/podcast/)  Don't Forget To... • Subscribe to my podcast! • Download this episode to save for later • Liked this episode? Leave a kind review! Subscribe to Charles' Alpha Investor newsletter today: https://pro.banyanhill.com/m/1962483 (https://pro.banyanhill.com/m/1962483)

Vox's Alissa Wilkinson talks with Wall Street Journal reporter Erich Schwartzel about Red Carpet, his new book detailing the myriad ways that Hollywood movies are affected by China. They discuss how Chinese markets are essential for the budgetary math of big blockbusters, the role of the Chinese Communist Party's censors play in shaping the content of American films, and what this complicated global relationship might for Hollywood's future — and the future of movies in general. Host: Alissa Wilkinson (@alissamarie), film critic and senior culture reporter, Vox Guests: Erich Schwartzel (@erichschwartzel), reporter, The Wall Street Journal; author References:  Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy by Erich Schwartzel (Penguin; 2022) Enjoyed this episode? Rate Vox Conversations ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of Vox Conversations by subscribing in your favorite podcast app. Support Vox Conversations by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Editor: Amy Drozdowska Engineer: Patrick Boyd Deputy Editorial Director, Vox Talk: Amber Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China's citizens—and gain approval from severe Communist Party censors. At the same time, and with America's unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy (Penguin, 2022) is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This week, we look into how Hollywood blockbusters adapt or even self-censor to reach the Chinese market. The new "Fantastic Beasts" movie "The Secrets of Dumbledore" came out in Chinese theatres with one small change: six seconds of dialogue referring to a romantic relationship between two male characters were cut out. For more on the relationship between Hollywood and Beijing, we speak to Erich Schwartzel, the author of "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy".

Erich Schwartzel joins Cardiff to discuss his new book, "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy". For the past couple of decades, the emergence of a huge middle class in China has become an incredibly attractive, and maybe even a necessary, market for Hollywood movies.But the Chinese government carefully censors what kinds of movies can be shown in China. So if you're a Hollywood studio and you wanna get your movie shown in China, you have to go along with the criteria that the Chinese censors give you.And Hollywood studios have done just that, often imposing restrictions across the entire creative process of making a movie, starting with the script itself. As Erich explains in the chat, this has fundamentally changed Hollywood's entire business model, and the kinds of movies it makes.The deeper story here is about the messy realities of globalization. Deepening economic engagement between nations mostly leads to more prosperity, rising standards of living, and more choices for what people can do with their lives. But it can have bad side effects, especially when the economic engagement is between two countries with different political priorities. “Red Carpet” is all about understanding the real-world nuances of how trade with China has sometimes led to a clash of values. On the one side are things like free speech, artistic integrity, the ability to express oneself fully, through movies and other cultural objects, without fear of censorship. And on the other side are the deepening commercial ties between two countries. Understanding this clash in all its subtlety is the aim of Erich's book, and of his chat with Cardiff. Related link: Red Carpet book page See acast.com/privacy for privacy and opt-out information.

Hollywood has long been part of the United States' soft power arsenal. Now, that soft power is threatened by the larger geostrategic competition between the U.S. and China—and China appears to be winning. In Red Carpet, Wall Street Journal reporter Erich Schwartzel explores how and why Hollywood has become obsessed with China and what that means for the People's Republic as it exports its national agenda around the world. In this virtual event, Schwarzel joins Doorstep co-hosts Tatiana Serafin and Nikolas Gvosdev for a discussion on how the film industry can offer an essential new perspective on the power struggle of this century. For more, please go to carnegiecouncil.org.

Hollywood has dominated in making global blockbusters for years, whereas China isn't making those hits yet, but it's now the biggest generator of box office revenue worldwide. The book “Red Carpet: Hollywood, China and the Global Battle for Cultural Supremacy” explains that China is playing a long game. Plus, director Jessica Kingdon talks about her Oscar-nominated documentary, “Ascension,” which focuses on social class and consumption in modern China.

Host Marshall Kosloff talks with Erich Schwartzel, author of a new book titled "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy." The Chinese film industry has risen to become a lucrative market, but Communist Party control and censorship has Hollywood movie-makers caught between big payouts and blatant infringement on free speech. Schwartzel explains how this tension plays out with your favorite movies, and what American legislators should do to push back on China's attempts to control the Hollywood culture machine.

Media companies would love to release their (very) expensive blockbusters to the world's most populous country, but only China's fickle censors can dictate whether, when, and how a movie gets released. So how did we get here, and why do some of the most powerful executives on the planet bend over backward for the People's Republic of China? This week Joe finds out the answer when he's joined by Erich Schwartzel, the author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy.

Hugh Hewitt talks with Arkansas Senator Tom Cotton about the arming of Ukraine against the Russian aggression, and with Mike Pompeo, former President Trump's Secretary of State, about the best way to deal with Putin, from a position of strength. Dan Proft and Amy Jacobson talk with John Bolton about the chess game played by the more dangerous world leaders. Hugh Hewitt talks with Texas Senator John Cornyn to examine the lackluster State of the Union address. Mike Gallagher talks with Dr. Joel Zinberg, Director of Public Health and Wellness at the Paragon Health Institute, about how the state of Florida handled the COVID-19 pandemic. Larry Elder talks with Erich Schwartzel, author of “Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy,” about China's influence on Hollywood. Mike Gallagher looks at an article written by Piers Morgan questioning whether the United States has done our fair share in equipping Ukraine to defend against Russian aggression. See omnystudio.com/listener for privacy information.

On this edition of The Other Side of Midnight: Frank Morano is not a Jersey Girl, so he will be filling up. We're joined by Erich Schwartzel, film industry reporter for the Wall Street Journal and the author of the new book “Red Hollywood, China and the Global Battle for Cultural Supremacy”. The Midnight Panel convenes with Marlaina Schiavo, veteran media producer, satirist and social critic John McDonagh, cab driver, comic, playwright, and radio talk show host. And Joe Pinion, entrepreneur, philanthropist and the Republican designee for U.S. Senate in New York speaks on his race against Chuck Schumer. So hop in, we're going to The Other Side. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author and curator Dan Hicks, best known for his book The Brutish Museums (2020), takes stock of the debate around the enduring legacies of empire in our museums, universities and society at large. In this episode, he talks about recent events in Europe and North America, from removing statues and un-naming buildings to returning artefacts from colonial museums. As a society how can we make amends for the past? And what are the next steps for upholding antiracism in the future? In 2013, the German Museums Association (Deutscher Museumsbund) issued guidance on the treatment of human remains in museum collections, in which they introduced a novel concept. The idea of 'Unrechtskontext' (context of injustice) should, they suggested, guide curatorial ethics when assessing the circumstances in which museum collections were acquired. Among considerations here was not just the contexts of the past, but also whether any particular injustice 'continued to have an effect in the present'. For the Goethe Annual Lecture 2021, Dan Hicks posed the following questions: How should we understand the 'Unrechtskontexte' of colonial legacies today? By the standards of the time - or by the values that we hold today? And how can these legacies be meaningfully dismantled?

China has twisted Hollywood to suit its demands for years, and now things may be bottoming out. Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy joins Mike to discuss how China uses access to its market to bend movie makers to their will. And in the Spiel, are we treating the tactics of Canadian truckers differently from similar tactics of BLM protesters because we disapprove of the truckers' cause? Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist  Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of “The Federalist Radio Hour,” Erich Schwartzel, a film industry reporter for The Wall Street Journal, joins Federalist Culture Editor Emily Jashinsky to discuss his book “Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy” and break down the cultural tension between the U.S. and China in the entertainment industry. […]

On this episode of "The Federalist Radio Hour," Erich Schwartzel, a film industry reporter for The Wall Street Journal, joins Federalist Culture Editor Emily Jashinsky to discuss his book "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy" and break down the cultural tension between the U.S. and China in the entertainment industry. […]

On this episode of “The Federalist Radio Hour,” Erich Schwartzel, a film industry reporter for The Wall Street Journal, joins Federalist Culture Editor Emily Jashinsky to discuss his book “Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy” and break down the cultural tension between the U.S. and China in the entertainment industry.

In this episode of “Keen On”, Andrew is joined by Erich Schwartzel, the author of “Red Carpet: Hollywood, China and the Global Battle for Cultural Supremacy”. Erich Schwartzel has reported on the film industry for The Wall Street Journal since 2013. Previously, he covered energy and the environment for The Pittsburgh Post-Gazette, where his work won the Scripps Howard Award for Environmental Reporting. Visit our website: https://lithub.com/story-type/keen-on/ Email Andrew: a.keen@me.com Watch the show live on Twitter: https://twitter.com/ajkeen Watch the show live on LinkedIn: https://www.linkedin.com/in/ankeen/ Watch the show live on Facebook: https://www.facebook.com/lithub Watch the show on YouTube: https://www.youtube.com/c/LiteraryHub/videos Subscribe to Andrew's newsletter: https://andrew2ec.substack.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Erich Schwartzel has reported on the film industry for The Wall Street Journal since 2013. His new book "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy" is an eye-opening and deeply reported narrative that details the surprising role of the movie business in the high-stakes contest between the U.S. and China.

This week, Shane Harris talks with journalist Erich Schwartzel about one of the most intense arenas of the great power competition between the United States and China: the movies. Schwartzel's new book, Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy, is a deeply reported and riveting story about how American movie studios have spent decades breaking into the multi-billion dollar Chinese market. The moviemakers' success has come at a price. They've made concessions to Chinese censors--going so far as to erase all negative references to China from films--and increasingly find themselves caught between their Chinese fans and the U.S. government, as tensions rise with Beijing. Schwartzel also tells the story of how China's government has promoted an indigenous film industry. It often turns out propaganda. But more recently, Chinese studios have also produced global blockbusters and created Chinese stars - only this new entertainment A-list isn't beyond the government's control. Schwartzel covers the film industry for The Wall Street Journal.Chatter is a production of Lawfare and Goat Rodeo. This episode was produced and edited by Cara Shillenn of Goat Rodeo. Podcast theme by David Priess, featuring music created using Groovepad.Among the works cited in this episode are:Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy: https://www.penguinrandomhouse.com/books/611545/red-carpet-by-erich-schwartzel/ Read an excerpt of the book: https://www.theatlantic.com/international/archive/2022/02/china-captured-hollywood/621618/ Erich Schwartzel's work for The Wall Street Journal: https://www.wsj.com/news/author/erich-schwartzelErich on Twitter: https://twitter.com/erichschwartzel Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

"[An] accomplished account of how soft power -- namely, entertainment -- helped China become one of the most influential players on the global stage.... An illuminating look at what China learned from Hollywood, and why Hollywood needs China to survive." -- Publishers Weekly

Erich Schwartzel has covered Hollywood for the Wall Street Journal for almost a decade. This week, the author of "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy" joins the California Sun Podcast to talk about how two big stories — Hollywood and the Oscars, and our eyes on China — may have more in common than we thought. The economic decline of Hollywood and the rise of China's film history are directly related and certainly will impact the California economy.

Erich Schwartzel, Hollywood Reporter for the Wall Street Journal, discusses his book "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy." Hosts: Carol Massar and Tim Stenovec. Producer: Paul Brennan. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Erich Schwartzel, Hollywood Reporter for the Wall Street Journal, discusses his book "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy." Hosts: Carol Massar and Tim Stenovec. Producer: Paul Brennan. See omnystudio.com/listener for privacy information.

On Wednesday's "Connecticut Today" with Paul Pacelli, we aired portions of Governor Ned Lamont's 2022 State of the State Address (0:30) and got some analysis from Greenwich GOP State Sen. Ryan Fazio (10:44). Wall Street Journal reporter Eric Schwartzel joined us to talk about his new book, "Red Carpet: Hollywood, China and the Global Battle for Cultural Supremacy" (24:23). Image Credit: Reuters

Fired-up Virginia mom Merianne Jensen, whose school board speech went viral, talks with C&B. Clay deals with the mindless mask rules in L.A. Erich Schwartzel, author of “Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy," talks with C&B about Hollywood's relationship with China. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Liked this (or any other episode)? Send us a tip: https://buy.stripe.com/bIYdRx0gc6qjaEEcMM Subscribe to The Realignment's Substack newsletter: https://therealignment.substack.com/ Visit our Bookshop storefront and support the show: https://bookshop.org/shop/therealignment Erich Schwartzel, film industry reporter at The Wall Street Journal and author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy, joins The Realignment to discuss the rise, fall, and future of Hollywood's relationship with China.

China has held a soft power over Hollywood for the last few decades. Examples range from the cosmetic, like the way Chinese police heroically restore order in films like The 355. It can also be more overt, like China blocking the release of Chloé Zhao's film Eternals in the country. Sam and Erich Schwartzel talk about how and why China has influenced the American film industry and more reporting in his new book Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy. You can follow us on Twitter @NPRItsBeenAMin and email us at samsanders@npr.org.

This week, Ben sits down with Hollywood Reporter for the Wall Street Journal, Erich Schwartzel to discuss his new book, Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy. Erich shares how China exerts its influence on Hollywood, and why it is so difficult for actors, writers, and producers to make content that is critical of the Chinese government. Erich details how some well-known movies have specifically made changes to not draw the ire of China. Follow Ben on Twitter: @BDomenech Learn more about your ad choices. Visit megaphone.fm/adchoices

On this podcast, we spend a lot of time discussing the rising threat from China and Cold War 2. We've hosted Matt Pottinger (episode #28), Josh Rogin (episode #17), and Admiral Stravidis (episode #44). We've also done an episode on the future of the movie industry, with John Podhoretz (episode #16). But what do China – and specifically Cold War II – and Hollywood have to do with one another? You may not have realized it, but when you watch movies like Skyfall, Mission Impossible III and World War Z, to name a few, you are watching a strange relationship at work between the Chinese Communist Party and one of America's most influential exporters. It's the fascinating and richly reported story told by Erich Schwartzel in his new book, Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy. Erich has reported on the film industry for the past decade for The Wall Street Journal. He's based in the Journal's LA bureau. Previously, he reported for The Pittsburgh Post-Gazette where he wrote extensively on the environment and the burgeoning energy industry there. To order Erich's book: https://www.barnesandnoble.com/w/red-carpet-erich-schwartzel/1139401471

On this week's episode, Sonny talks to Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy. Erich's book is a fairly exhaustive look at the sweep of Chinese influence on Hollywood, from Mao's shutting the industry out during the Cultural Revolution to the return of blockbusters to the fact that Chinese investment funded the very recliners you sit on in theaters. We also talked about Chinese censorship of American films, American censorship of American films out of fear of losing Chinese marketshare, and the weird ways studios have exerted influence in the country. (Did you know Disney runs a chain of English schools in the country? You will after listening to this!) If you're interested in the business of Hollywood, Erich's book is a must-own. And this episode is a must-listen! You cannot understand the current business climate in Hollywood without understanding the influence the biggest movie market in the world has on American filmmaking.

On this week's episode, Sonny talks to Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy. Erich's book is a fairly exhaustive look at the sweep of Chinese influence on Hollywood, from Mao's shutting the industry out during the Cultural Revolution to the return of blockbusters to the fact that Chinese investment funded the very recliners you sit on in theaters. We also talked about Chinese censorship of American films, American censorship of American films out of fear of losing Chinese marketshare, and the weird ways studios have exerted influence in the country. (Did you know Disney runs a chain of English schools in the country? You will after listening to this!) If you're interested in the business of Hollywood, Erich's book is a must-own. And this episode is a must-listen! You cannot understand the current business climate in Hollywood without understanding the influence the biggest movie market in the world has on American filmmaking. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The fourth lecture in this series considers Britain's unique cultural development and how the changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today's national cultural landscape of art and architecture.A lecture by Simon Thurley, Visiting Professor of the Built Environment 3 April 2019The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-and-events/crown-country-cultural-supremacyGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege