Podcasts about white crow

In this week's episode, Raquel and Jennifer speak with Barbra WhiteCrow about her book Trauma Can Be the Fertilizer to Your Bloom and her work around self-acceptance. Barbra has dedicated her life to service after a life-changing spiritual experience in her early twenties. Her work has changed hundreds of lives and inspired many into service.Through her now 25 years of service and more than 40,000 healing session hours, Barbra has maintained a strong conviction of compassion in her work. She has written seven books on self-acceptance and is a best-selling Amazon author and has created a training program called the Self-Acceptance Process. Barbra has spoken nationally and hosts New York Times best-selling authors and world changers on her radio show, Beautiful Earth. Barbra has a Masters in transpersonal psychology and eco-psychology and holds a diploma of homeopathy.Where to find Barbra: FaceBook: Barbrawhite.1Websites: Motherbearsanctuary.com, Barbrawhite.com, Divinefeminineshamans.comMother Bear Sanctuary free workshops Mentioned in this episode: 73. Tap With Us And Get Some Healing, with guest Klara Sedlacek Let Raquel and Jennifer know what you think about this and other episodes of Madness Cafe on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.And don't forget to rate and review the show wherever you listen!Thanks for listening and responding!

Known to roll the Cajun off his tongue so fluently, you would think he was from Louisiana. Don 'Ziggy' Zeitler strolls around the country brandishing a multi-instrumentalist pedigree with a bluesman's heart. Zig has been a mainstay from the Saginaw area. Growing up in Hemlock, Zig caught the bug early on. Now doing just exactly what he wants to do musically, you can find him popping up on Facebook live as much as hitting the road, usually with his wife Siusan Bayne O'Rourke. Performing with the TOGO Touring Artists/Smokin' Sleddog Records label, Zig has found comfort in a roux made with his Cajun/zydeco/blues ingredients and of course some Irish music with Siusan.    Here in Part 2, Zig dives into the music, styles, and future of the White Crow, as well as more live music--tune in afterwards for a bonus show wrap-up tune as well along with Sir Fred!

“The characteristics of jazz help. Its sense of improvisation, individualism, sound, and rhythm are all present and important in graphic design, too.” - Niklaus Troxler, who have been improvising with letterforms like Jazz Musicians since 1960s. In my opinion, a Poster is a mix of typeface and graphics communicating something. In here, typeface matters a lot. To discuss this and more, today we have Sarang Kulkarni with us. Sarang is a type designer and co-founder of Ektype. He also has his own agency called as The White Crow where he does branding and typography work. This Audiogyan will be in English and Marathi. Questions What according to you is Type / Akshar? Massimo Vignelli said that he is comfortable with half a dozen typefaces lasting a lifetime. Rest all is visual pollution. What's the need for more typefaces? What triggers a need for new typefaces? Medium, Language, Expression, Enhancement, Technology, Content? Are there ways to systematically study and distinguish between an improvisation of a typeface versus a different typeface? For eg, Mukta and Modak have different anatomy, so we can say that they are 2 different fonts. But can we say that Inter is an improvised version of Helvetica? You deal with a lot of abstract forms as well. At letterbox, for eg: “k” (Marathi) can be identified if one looks at the flow or series of iterations of representing ‘k'. Can a letter form be identified in isolation? What's the extent of improvisation? How abstract one can go and still make it palatable? When can one start improvising on a typeface? When the base font is registered in everyone's mind. For eg: Can we improvise on a newly launched font set? Does improvisation in a typeface done only as an experiment can transform into the usage of mass communication? What's going on with 365 days of type and more such practices and movements? Are those improvisations? How easy or hard is it today to experiment and improvise on open-source fonts? When does the author know that the improvisation is done? Reference Reading https://www.instagram.com/1sarangkulkarni/?hl=en https://www.instagram.com/ektype/?hl=en https://www.instagram.com/letterbox.india/?hl=en https://www.linkedin.com/in/sarang-kulkarni-5898857/ https://www.behance.net/SarangKulkarni https://www.dandad.org/profiles/person/664731/sarang-kulkarni/ https://www.youtube.com/watch?v=LXwkZaIRLI4 https://whitecrow.in/ https://twitter.com/sarangkulkarni7 https://www.typoday.in/2014/sarang.html http://luc.devroye.org/fonts-86975.html https://eyeondesign.aiga.org/being-a-mumbai-type-designer-is-about-more-than-great-work-you-gotta-get-the-lingos-and-theres-hundreds-of-them/ https://design.google/library/anek-multiscript https://kyooriusdesign.awardsengine.com/?action=ows:entries.details&e=135402&project_year=2023 https://homegrown.co.in/homegrown-voices/ek-type https://www.adi.org.in/events/adiamd-many-worlds-of-type https://vimeo.com/133792269

Siri Whitecrow, was born Elias Seneca Whitecrow in 1972 in Juneau, Alaska. His mom, Sat guru Kaur, joined 3HO with his older sister, Siri Kaur, in 1976 and his name was changed to Siri Singh Khalsa. His early life was spent between two different ashrams in Anchorage, Alaska, then in 1979 he was sent to Española New Mexico at 7 years old, living with two different families. In 1981 he was sent to the newly (not yet) established India program GNFC, initially being sent to the girls school because he was so young and only in 3rd grade. After four years in India, and tons of horrific abuse, and plenty of righteous resistance, he was kicked out of that school and sent back to the USA. He spent half a year at Amritsar Academy in Albuquerque, New Mexico, where he was eventually asked to “not return”. He ended up in Los Angeles, near his mom and close to the ashram, but by 1988 he left 3HO/Sikh Dharma/Kundalini Yoga completely, never looking back. Graffiti became a huge part of his life and currently still is. His Graffiti name is ANGER and he runs one of the biggest graffiti crews in the world which began in 1993 when his life was forever altered when his mentor was hit by a train, and he was shot 4X by a Los Angeles police officer. He currently lives in Los Angeles, is married with two boys and continues to navigate his life through art, and creativity. You can learn about him and his Graffiti crew by supporting his work and watching the documentary “Can't Be Stopped” on Amazon. You can follow and support his work @angercbscrew @cbscrew @defendmelrose @iwuzherefirst Link to Documentary film: https://www.amazon.com/Cant-Be-Stopped-Cody-Smith/dp/B0B8X5DG7Y/ref=sr_1_1?crid=3LI3AK16WUAX1&keywords=cant+be+stopped+documentary&qid=1692240095&s=instant-video&sprefix=cant+be+stopped%2Cinstant-video%2C461&sr=1- Song credit: Anger by Downset ___________________________________ GuruNischan is the creator and host of the Uncomfortable Conversations Podcasts. She's a trauma-healing activist, and consultant in personal and professional reinvention. To learn more about her reclamation and recovery work, please subscribe to GuruNischan.com Follow her media platform Conversations You Can Feel -  To contribute to this broadcast you can use this link:  Listen to the Uncomfortable Conversations Spotify Playlist:  To be a guest on the podcast, please send an email to GN@GuruNischan.com

Barry D. Gilmer/Barry White Crow is an experimental Creator and Tuitive Member of Michigan Area Paranormal Investigative Team out of Traverse City Michigan. Barry retired after 32 years as a telephone lineman. One of his many tools was his unique capibilities of using the dowsing rods. These rods were used to locate underground water and power lines. During his investigations these tools also came in handy to search for energies seen and unseen. Barry White Crow's Native American Hertitage helps him to connect with the paranormal field.You can contact Billy White Crow at:Facebook:https://www.facebook.com/barry.whitecrow/?locale=en_GB&paipv=0&eav=AfYW6Zu-4ptmmYa2Sc4bWAzmQr2hSB5_IeAvvoDYYrwx2xT7P_ND9nqsoU5tPUggGsQ&_rdrwww.facebook.com/mapitYou can leave your paranormal stories at cooley54@gmail.comCorrection: I mentioned the Newton Falls Ohio Covered Bridge was built in 1837. It was built in 1831.Artwork: Cheryl HeathMusic: Energetic Music

On this day in 1961, Russian ballet dancer Rudolf Nureyev defected from the Soviet Union at an airport in Paris. See omny.fm/listener for privacy information.

White Crow band talks music and more! ITNS Radio, "The Show By Musicians For Musicians”, bringing you the best songwriters, artists bands, music professionals and interviews from all over the world! This is the place for great music, interviews by professionals in the music field and a whole lot more! Come into the Neon Lights, ITNS Radio!  And check out our new look and segment, "On The Road with Sam Watkins", with more great interviews, tips and tools and more! DISCLAIMER: Receiving airplay on ITNS Radio is always free. All the artist's that we feature or play their music have rights to the music submitted to us. We have various music promotions that include our interviews, website, and social media sites; check them out at www.itnsradio.com/the-neon-market and have and remember... "Don't Just Be A Music Lover, Be A Music Supporter" ~ Sam Watkins, Artist and Host of ITNS Radio

Is the mark of a good negotiation really that both parties walk away from the table slightly dissatisfied? White Crow's and Creature London's CEO & founder, Dan Cullen doesn't think so. In this episode, Dan talks to host Mike Lander about the need to make negotiations a positive experience, the importance of setting ground-rules (and sticking to them), and why the marketing industry's attitude towards procurement is self-defeating. Hosted on Acast. See acast.com/privacy for more information.

"The White Crow" by Mark Hastings was taken from Mark's poetry collection 'The Dreamer and The Dream' which was published in 2015 by Zeloo Media. Check out more of Mark's poetry online @ http://MarkThePoet.Me - all poems © Mark Hastings ● Buy Me a coffee @ https://www.buymeacoffee.com/MarkThePoet ● Check out the merch store on Redbubble: https://rdbl.co/3xWa4Rw --- Send in a voice message: https://anchor.fm/markthepoet/message Support this podcast: https://anchor.fm/markthepoet/support

Michael Tymn Talks About Why Communicating is So Difficult Michael Tymn is a venerable expert in the field of afterlife research who has written a group of very well-researched and highly enjoyable books about the heyday of afterlife communication in the first half of the twentieth century. Roberta's favorites are Resurrecting Leonora Piper, Transcending the Titanic, Dead Men Talking about World War I soldiers trying to find their way home, and The Articulate Dead. In his seventh Seek Reality visit they talk about some of the reasons why good afterlife communication is so difficult. Michael can be reached through his publisher, White Crow books. Learn more about Roberta here: http://robertagrimes.com

In today's Pas de Cast, we're launching a new episode series where, rather than a specific location or film, we will be exploring how specific genres of dance intersect with cinema and technology. Ballet originated as a combination of choreographic display and social dance, and we have seen this evolve as our capacities to both choreograph and be social expand.Like a Ballet you may see In the theatre, We're splitting today's show into acts. In act one, we'll talk about a range of examples of ballet on screen, from mainstream to experimental.  In act two, will focus on how ballet has been and continues to be used as a tool beyond pure entertainment. Highlighted in this Episode:Pas de Deux (1968)Dir. Norman McLarenProd. National Film Board of Canada @onf_nfbLaurencia (2013)Dir. Ben EstabrookPOST BALLET - Waltz of the Snowflakes - on the naval baseChor. Robin Dekkers (they/them)Featuring Post:ballet and Berkeley Ballet Theater studio companyJess and Morgs collaborations with The Scottish Ballet@jessandmorgsHong Kong Ballet@hongkongballetLA Dance Project & Benjamin Millepied@ladanceproject  Features mentioned in this episode:The Red Shoes (1948)An American In Paris (1951)Singin' in the Rain (1952)Children of Theatre Street (1977)Center Stage (2000)Mao's Last Dancer (2009)The White Crow (2009)Black Swan (2010)Other Shorts mentioned in this episode:The StopThe Bailey's Nutcracker (2013)Lil Buck with Icons of Modern Art (2016) BONUS READING:Russia:How Russia uses ballet as propagandaSoviet Broadcasts of Swan Lake are basically  a political tropeBallet, propaganda and politics in the Cold WarHow Ballet Became a Political Football Between East and WestCuba:Defectors land on their feetThe Cuban National Ballet: Sixty-six years of gloryCuban National Ballet Company Thrives Thanks to Fidel CastroChina:From propaganda ballets to dance for the people --ANNOUNCEMENTS:Meet the Frameform team in person and see dance on the big screen at the 6th annual Capitol Dance & Cinema Festival in Washington, DC Oct 8 2022. Schedule and details: www.capitoldcfestival.comSocial: @capitoldcfestivalWatch “The Reality of a Dream” co-presented by Dancinema and Goh Ballet this November 1-December 31 on demand at www.dancinema.co/watchCheck out the International Screendance Calendar to browse a variety of opportunities including festivals, workshops, and residencies.  This resource is updated regularly and is always open to contributors! –Got a question or suggestion? Email us at frameformpodcast@gmail.com–Instagram

White Crow Cider is filling the hole that is the cider desert here in the Wichita area. They put together a complex line of delicious ciders from dry to sweet and everywhere in between. We sat down with the owners, Kenneth and Denise Gardner, to hear their story and why they chose cider when the world (and Wichita) seems to be choosing beer. You can find their website here: https://www.whitecrowcider.com/Read the blog here.Follow/Like Us!Website - https://www.3YUM6.com/Instagram - https://www.instagram.com/threeyumsix/Facebook - https://www.facebook.com/threeyumsixTwitter - https://twitter.com/threeyumsixTikTok - https://www.tiktok.com/@wichitapodcastEmail - wichitapodcast@gmail.comWichita Podcast - https://www.youtube.com/channel/UC5-HvQ16Chb5FzfXBeXuOMATheme music by Anna-Sophia Henry - @annasophiamusicSpotify -https://open.spotify.com/artist/7eMgHO3ZOlcpWKM3OFnnS8© Wichita Podcast LLC 2022

La recomendación del día es la peícula "El cuervo blanco".

Guest Page Fast links to Items:  Richard – Ron – Robert – Jonathan – Keith – Ruggero Fast links to Bios:   Ron – Keith – Ruggero – Jonathan – Robert Support The Other Side of Midnight! “It Only Takes One White Crow ….” “It only takes one white crow ….” Living in the “Land of Enchantment,” surrounded by Native Americans, I was struck long ago by the stark wisdom underlying one old Apache saying– “It only takes one white crow … to PROVE all crows aren't black!” For many years now, I have pursued that “one white crow” — that ONE ancient Martian artifact or ruin that could ultimately prove the fundamental truth I have been insisting for so long: That we are all living in nothing less than an ancient– “Designer Solar System!” Then, a few weeks ago, NASA found “a door” … on Mars! Impossibly — while NASA's official reaction (and [...]

British film composer Ilan Eshkeri joins us to talk about his third collaboration with actor/director Ralph Feinnes, The White Crow. The film tells the story of famed Soviet ballet dancer Rudolf Nureyev and his defection to France in 1961. Eshkeri's soundtrack, which features violinist Lisa Batiashvili, is meant to mingle with and compliment the ballet music of Tchaikovsky, which bore an important presence in Nureyev's career.

Artistic Director of Ballet Theatre of Toledo Nigel Burgoine joins us to talk about his work with the great Rudolf Nureyev - who is the subject of a new film by Ralph Fiennes called The White Crow. We also hear from the film's composer, Elan Eshkeri.

Welcome to the beautiful expressive boy parade! In this episode Neda and Meghan wrap up their Grand Prix Coverage by recapping the 2021 Rostelecom Cup, plus Meghan talks about this year's Providence tree lighting which featured some familiar faces! Featuring: spiritual butt touching, listener mail, how to talk about Team Raf in a God-honoring way, the dramatic irony of listening to discussion about how much better it would be if Misha brought back White Crow before he actually did do that, and the triumphant return of Carmen the Ghost. FOLLOW US twitter @IceTeaPod @meghankelleher3 @NedaMarie instagram @IceTeaPod @NedaMarie @n_iceskating SUPPORT US Patreon: https://www.patreon.com/iceteapod Leave us a tip at: https://www.buymeacoffee.com/iceteapod “Slappy Theme Song” by Meghan Kelleher

News and Topical issue. On Wednesday, three laureates were presented with White Crow awards as a way of distinguishing them as people who have shown courage and defended the public good. Listen to the interviews with these three special women in the first story of today followed by a rerun of an interview with Jan Cernecky from the State Nature Conservancy of the Slovak Republic with whom we discussed what ecosystem services are and what is their value and role in our society.

News and Topical issue. On Wednesday, three laureates were presented with White Crow awards as a way of distinguishing them as people who have shown courage and defended the public good. Listen to the interviews with these three special women in the first story of today followed by a rerun of an interview with Jan Cernecky from the State Nature Conservancy of the Slovak Republic with whom we discussed what ecosystem services are and what is their value and role in our society.

This episode features five artist-researchers from the Making With Place Research Project (MWP), a collaborative initiative in T'karonto between York University graduate students Charlotte Lombardo and Phyllis Novak and SKETCH, an award-winning community arts program. Pree Rehal, Bert Whitecrow, Ayrah Taerb, Ammarah Syed, and Jahmal Nugent are all established young artists who came together during the COVID-19 pandemic to explore and create placemaking art installations and activations. MWP recently launched an online journal-zine at makingwithplace.ca, and four exciting immersive and interactive public art projects taking place across T'karonto throughout fall 2021 and spring 2022. In this conversation, the artist-researchers discuss the epistemologies of identity and place that guide their creative practice, and their perspectives on whether art is or can be research. They also reflect on their initial skepticism of the MWP research and how they subvert colonial ways of knowing and knowledge production as artists, place-makers, and culture creators. Priya “Pree” Rehal Pree is an artist educator currently based in Tkaronto, originally from Tiohtià:ke. They're the children of immigrant settlers from Punjab. Pree's work centres their identity as a queer, non-binary, trans, disabled, fat, and racialized individual. They have an interdisciplinary arts practice under the name: Sticky Mangos and co-founded the Non-Binary Colour Collective. You can follow their arts practice on Instagram: @StickyMangos or on Twitter (@preezilla). Roberta “Bert" Whitecrow Bert is a 2 Spirited, Anishinaabe multidisciplinary artist from Seine River First Nation. Their work explores themes of healing, preserving, and practicing ancestral knowledge. As a conceptual artist, Bert works with a variety of media, often combining traditional and unconventional materials. They are a founding member of the Weave and Mend collective, which is a mixed Indigenous collective that focuses on building relationships with Indigenous communities through art making workshops, facilitated conversation and permaculture. Bert is currently attending OCAD University in the Indigenous Visual Cultures program. Ayrah Taerb Is The Founder Of Kundalini Kurrency Khansultancy; A Collective Of Creative Professionals & Administrators Who Seek To Spread The Values Of Self Determination & Co Operative Economics Among The Global Black Community. As An Executive Producer, Creative Consultant, and Embodiment Instructor; He Is Equipped With The Skills & Expertise Required To Develop Artists, Mentor Professionals, and Responsibly Condition Children & Youth To Exist Within The Context Of A Transcendental Society. Ammarah Syed is an interdisciplinary artist interested in documenting how modern day discourses such as capitalism, colonialism, and various power dynamics have developed to inform mental health, identity and sexuality. Ammarican explores how words among other factors, influence emotion, culture and politics. AmmariCan't Even, Ammarah's performance alter-ego, likes to deconstruct and explore the little boxes our society and our minds like to put us in. Both of their processes involve sitting on their ass for 8 weeks (contemplating of course) & then creating something all in one go. They aspire to use the arts as a means to transform oppression into change. www.ammarican.com (@ammarican) Jahmal Nugent (aka NINJAHMAL) Visual media artist Jahmal Nugent, born, raised and based in Toronto, primarily focuses on digital photography and videography to create, but sometimes experiments with physical mediums. Jahmal's work explores seeing the ordinary as extraordinary, and reminding us of how beautiful and amazing elements we take for granted can be. This episode was hosted and directed by Madeleine Ross, produced by Rubén Gaztambide-Fernández and Sarah Switzer, and supported by Naima Raza and Oliver Thompson.

Today Cody and Jeremy welcome the power couple of the hard cider industry to the pod; Denise and Ken from White Crow Cider in Wichita!  Is it beer?  Is it wine?  Does the U.S. government have some fucked up tax rules (spoiler: yes)?  Is cider the stepchild of craft beer?  In this episode we answer these age-old questions and many many more.  Plus a cameo appearance from none other than Tone-Loc.

Author Judson Emens believes that divine guidance often goes unrecognized. He’ll share with us his spiritual evolution, which led to the adoption of his two children and his novel about the afterlife, White Crow.

Je luistert naar Binnenwerkjes, van Rinske Bouwman en Inge Wannet. Dit is aflevering 4 van seizoen 3: Kraaien. Je kunt dit Binnenwerkje overal luisteren, liefst via een hoofdtelefoon of oortjes. Thijs Vroegop maakte de Binnenwerkjes-tune. Muziek in deze aflevering: The Witch Are Going Magical by Loyalty Freak Music is licensed under a CC0 1.0 Universal License, White Crow by XTaKeRuX is licensed under a Attribution License.

Minx's gambit is paying off so far, but as the Magpies descend deep into the catacombs underneath the crematorium, perils both expected and surprising await.Support The Magpies and Clever Corvids Productions on Kickstarter!Featured Charities: InTRANSitive (Arkansas), EqualityNC (North Carolina), and OutFront (Minnesota)Visit Clever Corvids Productions to learn about the Magpies' future projects!Support the Magpies on Patreon!Visit 5calls.org to contact your representatives, and Fair Fight to learn how you can advocate for voting rights.

In order to destroy the relics of Kotar, the Magpies must infiltrate Bellwether Crematorium, the bastion of the powerful Spirit Wardens. But the Spirit Wardens aren't the only threat they'll face inside...Follow the Project Bluejay & Clever Corvids Kickstarter page!Featured Charity:  National Alliance to End HomelessnessVisit Clever Corvids Productions to learn about the Magpies' future projects!Support the Magpies on Patreon!Visit 5calls.org to contact your representatives, and Fair Fight to learn how you can advocate for voting rights. 

Guest Page Fast links to Items:  Richard – Keith Fast links to Bios: Keith Wouldn’t it be “ironic” if official Disclosure of “ancient artifacts on Mars” is being quietly, Ritually planned, even now, for THIS coming July 4th? When — if that extraordinary announcement were to occur, on that centuries-old American birthdate, of ALL days — the Human Race would be simultaneously, officially declaring its own “Independence Day … from the forces of deliberate deception and cultivated ignorance — of ‘who’ we Really are — which have carefully kept Humanity in physical and ‘amnesic bondage’ … for untold thousands of years …. What if all that was going to come to an abrupt, liberating end … THIS July 4th? Tonight there’s a rover sitting on the planet Mars, in the heart of what is OBVIOUSLY an “ancient, once extraordinarily sophisticated Martian city” — with artifacts, large and small, ‘new’ and VERY, VERY [...]

Guest Page Fast links to Items:  Richard – Andrew – Ron – Ruggero Fast links to Bios: Andrew – Ron – Ruggero –  Chris Ok, in continuing “Mars soap-opera news” tonight– NASA TV is still TOTALLY screwed up — two WEEKS after its next planned, world-wide television update of new images and data from the newly-landed Perseverance rover was suddenly “pulled,” now two weekends ago …. Proof? There have been NO new “NASA Preseverance press conferences,” carried world-wide on NASA TV, for almost two whole weeks (the ridiculous, high-school-like “phone-in Perseverance PowerPoint presentation “on the Web a couple days ago, presented by JPL to ostensibly highlight Perceverance’s “historic firsts,” doesn’t count; it’s TOTAL world-wide audience was (wait for it)– Less than 40,000 folks! WE (“the Other Side of Midnight”) have a bigger world-wide audience! If this JPL update had been carried live on NASA TV — like ALL previous Mars missions, in [...]

Andrew, Isaiah and Nick talk timelines, cobblestone camera pans, and whether or not they find ballet boring, as they discuss The White Crow starring Oleg Ivenko, Ralph Fiennes, Louis Hoffman, and Adèle Exarchopoulos. Discussion Roulette is a spoiler-heavy podcast, so unless you don't care about spoilers, make sure to watch the movie before you listen!

(TSAP S03E19) Sam speaks with composer, Ilan Eshkeri, about his journey into music composition, his recent work on Ghost of Tsushima, collaborating with Shigeru Umebayashi, Space Station Earth and more! "Ilan Eshkeri is an award winning composer, artist, songwriter, producer and creator. Eshkeri's work is performed in concert halls, theatres, galleries, on film & television and video games; his eclectic body of work is linked by his love of narrative. Ilan is currently creating music for A Perfect Planet, his fourth collaboration with the legendary naturalist David Attenborough. Recently, Ilan and Ralph Fiennes completed their third film together – a biopic about Rudolf Nureyev, ‘The White Crow'. This followed the creation of a ballet ‘Narcissus and Echo', choreographed by famed dancer Sergei Polunin with set designs by David LaChapelle and a ballet commission from Rambert Dance Company. Ilan has collaborated with Burberry on a landmark fashion show, where he composed and conducted a choral symphonic suite, ‘Reliquary', which then reached no.1 in the UK classical chart. Before this, he worked with astronaut Tim Peake and the European Space Agency on a film documenting his mission to the International Space Station. Ilan continues his collaboration with Tim Peake and ESA with his spell-binding show ‘Space Station Earth' last performed in Stockholm to an audience of 10,000. Other performance highlights include a unique concert for thousands in the gardens of the Louvre in Paris, the Royal Albert Hall in London and the Rudolfinum in Prague." NOTE: The quality of Ilan's audio was lower due to technical issues. Huge thanks to our editor, Toivo Kallio for improving it greatly and we hope you still enjoy this episode. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

Aliens Ufos Beyond Guest William Whitecrow 7 14 2016

Aliens Ufos Beyond Guest William Whitecrow 7 14 2016

Richard Farsi is a long time investigator who has seen some serious stuff. From his time working in a funeral home through present day, Richard is known to be a "magnet" for spirits, attracting them wherever he goes. Join us as Richard shares one of his most memorable paranormal experiences and we discuss investigation best practices.His new movie, End Survival, was just released on Amazon Prime or grab his book of the same name for your kindle!If you prefer some music, catch his band White Crow!And if you love us (and how could you not - we're adorable), check us out!YouTubeFacebookInstagramTwitter

Episode Notes Episode 74: Ordnance Brewing’s White Crow White StoutIt’s the Two Minute Beer Review!I’m Andrew Burkum and it’s that time again where we take on that massive craft brew aisle to find the hidden treasures waiting for us there. This week we’re taking a look at White Crow White Stout by Ordnance Brewing in Boardman, OR. What exactly is a White Stout, anyway? Let’s find out!First thing’s first. Although Ordnance Brewing’s operation is based in Boardman, they also have a taproom in Wilsonville, Oregon. I got to visit this taproom over the holidays and spent some time enjoying several of their beers. It was my intent to do a quickfire review as I usually do on my brewery visits, hitting all the beers that I tasted that day—and don’t get me wrong, I still intend to devote an episode to that. But when I tried their White Crow I knew that I was going to have to do a whole show featuring this beer. Pouring this beer into the glass I had no idea what was going on. It was listed on the wall as a stout but the color is a pale straw yellow. If you poured this and set it in front of me I’d swear I was looking at a pilsner. But then I smelled it. Absolutely amazing. Out of this pale yellow brew I got a ton of coffee and a little chocolate as well as just a hint of vanilla. There’s also a little bit of a cereal scent in the very back that rounds it out and reminds you that this is a brewing operation owned and operated by an Oregon farming dynasty. But what about the taste? White Crow is sweet around the edges with a good strong coffee bitterness. It’s full of roasted, toasted flavors that again I did not expect based on what I was looking at in my glass. You get both that little bit of chocolate and that little bit of vanilla that shows up in the scent. It also has a little touch of that unique stout sourness in the very back of the swallow which rounds the whole thing out and bring it home stout style. The feel of the beer in the mouth is very clean and pillowy soft but not at all chunky like you might expect from some stouts. It’s almost refreshing because of how clean it drinks. I went into this tasting expecting a gimmick beer—a stout that was pale instead of dark. But that’s selling White Crow extremely short. This is a lovingly-crafted stout with all the flavors I love and expect out of the style, but with a unique spin that adds to the fun of drinking it. White Crow is 5.8% alcohol by volume. Based on their website it appears that Ordnance currently distributes to Oregon, Washington and Northern Idaho. I’ve reached out to them for more information and I’m waiting to hear back—I hope to have more details on how you can get your hands on this and the rest of their beers soon. But for those of you living within the distribution area—or who know people who can ship or smuggle you a bottle across state lines—this is an absolute must-try beer. We’re making it a Two Minute Beer Review Recommendation. That’s all for this week, but I hope you’ll join me next week as we take a look at Hanamachi Rice Lager by Bottle Logic Brewing in Anaheim, CA. Is this one a hit or should we save the rice for sushi ? We’ll find out next week. Look for links to this week’s beer and brewery in the show notes, and don’t forget to let us know what you’re drinking and what you’re thinking about the show. You can find us on Facebook or tweet us @2minutebeer, using the number two. The Two Minute Beer Review is a part of the Phoenix Podcast Network and is brought to you by Zane-It, where you can find all the best costumes and makeup, Central Valley Youth Legal Services and Superfan Sandra Hay. If you’d like to support the show you can leave us a tip or sign up for a small monthly donation by clicking the link in the show notes or by supporting the Phoenix Creative Collective on Patreon. Our music is by Rialthos. You can find more at Rialthos.bandcamp.com.That’s all for now but I’ll see you next week as we continue on our quest to taste all the beer!Have you supported the Phoenix Creative Collective and the Phoenix Podcast Network through Patreon yet? It's easy, just click hereSend questions, comments and recommendations to 2minutebeer@gmail.comOur theme music is by Rialthos! Find more at Rialthos.bandcamp.com. Support The Two Minute Beer Review by donating to their Tip Jar: https://tips.pinecast.com/jar/the-two-minute-beer-reviewFind out more at https://the-two-minute-beer-review.pinecast.coThis podcast is powered by Pinecast.

Instead of Tristram Shandy, we talk 1917, Parasite, subtitles, Cold War, Loveless, White Crow, White Nights, Tarantino, Joker, Fargo, The Farewell, Marriage Story, Little Women, Rocketman, Frozen II, The Lion King, Missing Link, I Lost My Body, Fleabag, Crashing, Ramy, and Ricky Gervais.

Eksklusiv gjest i uken Suppology! Serilinn tror det er Karl Lagerfeldt som har gjennoppstått, Per tror det er fanden selv som har kommet for å hente han. Men vi har fått fatt i en ekte verdens stjerne! Ukens gjest er Tim Scott Mcconnell, også kjent under artist navnet Ledfoot. Ledfoot har akkurat kommet ut med det kritikerroste albumet White Crow, han gir oss en eksklusiv smakebit fra den nye plata. Tim har også spilt rollen som han skumle torpedoen i tv serien EXIT, og han har flere skuespiller roller i ermet, hysj hemmelig. Serilinn sliter med å komme under huden på denne mystiske mannen, og blir tidvis out-smarta av mannen med den myke rolige stemmen. Mens Per han ler og serverer red hot chili soup.

In this episode, we finish reviewing The Grand Tour, Season 1, Episode 5 where Jeremy does a music video with a car, and Richard explores alien architecture, all the while featuring three lightweight sports cars. Join us as we relive and remember the antics of Jeremy Clarkson, Richard Hammond, and James May. This is part 2 of 2. The intro music is Three by Cathedral of Chemical Equilibrium, Public Doman 1.0. The music near then end and used for the outro is King of the Broken Hearts and White Crow, both by XtakeruX, CC by 4.0 and we think it sounds pretty cool. --- Send in a voice message: https://anchor.fm/gto/message

In this episode, we finish reviewing The Grand Tour, Season 1, Episode 4 where the guys show us how to go green. Join us as we relive and remember the antics of Jeremy Clarkson, Richard Hammond, and James May. This is part 2 of 2. The intro music is Three by Cathedral of Chemical Equilibrium, Public Doman 1.0. The music near then end and used for the outro is King of the Broken Hearts and White Crow, both by XtakeruX, CC by 4.0. --- Send in a voice message: https://anchor.fm/gto/message

Rudolf Nurejew war vielleicht der bedeutendste Ballett-Tänzer des 20. Jahrhunderts - erst Star des Kirow-Balletts in Leningrad, nach seiner Flucht in den Westen gefeiert in London, Paris und Wien. Der Schauspieler und Regisseur Ralph Fiennes hat nun einen Film über Nurejew gedreht, der am Donnerstag in die Kinos kommt.

MOT - Max Skudra & Luanne Whitecrow (September 16th, 2019) by ELMNT FM

In this brilliantly titled episode, we finish reviewing The Grand Tour, Season 1, Episode 3. Join us as we relive and remember the antics of Jeremy Clarkson, Richard Hammond, and James May. This is part 2 of 2. The intro music is Three by Cathedral of Chemical Equilibrium, Public Doman 1.0. The music near then end and used for the outro is King of the Broken Hearts and White Crow, both by XtakeruX, CC by 4.0. --- Send in a voice message: https://anchor.fm/gto/message

In einem fahrenden Zug geboren und doch lange vom Staat gefesselt. Ralph Fiennes' Adaption des biografischen Stoffs The White Crow zeigt Rudolf Nurejews Tanz in die Freiheit - packend und authentisch auf die Leinwand gebracht.

In this episode, we finish reviewing The Grand Tour, Season 1, Episode 2. Join us as we relive and remember the antics of Jeremy Clarkson, Richard Hammond, and James May. This is part 2 of 2. The intro music is Three by Cathedral of Chemical Equilibrium, Public Doman 1.0. The music near then end and used for the outro is King of the Broken Hearts and White Crow, both by XtakeruX, CC by 4.0. --- Send in a voice message: https://anchor.fm/gto/message

Your three favorite millennials assemble to talk about the latest motion picture from a little studio called Disney. WE'RE IN THE ENDGAME NOW! This movie has made a billion dollars at the box office so let us explain why. We all get emotional about various plots and characters, so join us on the emotional journey of reviewing AVENGERS: ENDGAME. Plus, hear Willoughby talk about Netflix's Someone Great and the film's use of music and flashbacks, Anya got to see Ralph Fiennes in person at a screening of his new film The White Crow, and HT has been covering the Tribeca Film Festival and really liked House of Hummingbird!

又有哪些电影要上映了？微信公众号：微博：邮件：

又有哪些电影要上映了？微信公众号：微博：邮件：

It's the biggest weekend ever in the history of big weekends with the opening of “Avengers: Endgame.” Alonso, Matt and Christy have a review of the Marvel movie behemoth as well as a separate, in-depth spoiler talk, which runs from about 17:00 to 42:30, if you'd like to skip ahead and come back to it after you've seen the film for yourselves. And you'd be amazed to learn that other movies exist in the world: “JT LeRoy,” about … well … JT LeRoy; “Homecoming: A Film by Beyonce,” which chronicles the superstar's game-changing Coachella performance last year; and “The White Crow,” about ballet great Rudolf Nureyev's 1961 defection from the Soviet Union. We also have discussions about the latest episodes of “Game of Thrones” and “Fosse/Verdon” over at our Patreon page if you'd like to join us there. So assemble. Or get in formation. And enjoy.

Ralph Fiennes joins us on the Curzon Film Podcast this week to tell us all about his third directorial effort, the Rudolf Nureyev biopic The White Crow, and we tumble down the creepy rabbit hole that is Jordan Peele's doppelgänger horror, Us.We begin with the most nervously anticipated horror of the year, Jordan Peele's follow up to the surprise hit Get Out, it's the terrifying Us. While on holiday, an African American family come face-to-face with demonic doppelgängers hell-bent on killing them.Next up, Kaleem sits down with Ralph Fiennes to discuss his new film, The White Crow. This biopic of Rudolf Nureyev, possibly the greatest ballet dancer of the twentieth century, hinges on a climatic moment in the young dancer's life.Discussing the films are podcast regulars Sam Howlett, Ella Kemp and Steven Ryder, who are this week joined by a special guest reviewer, Kaleem Aftab.Follow the team on Social Media:@SamHowlett_1 - Sam@efe_kemp - Ella@irma_pep - Steven@aftabamon - KaleemProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Ralph Fiennes' third film as director is The White Crow, the story of how Russian ballet dancer Rudolf Nureyev came from a peasant upbringing to be one of the greatest dancers, and how whilst on tour in Paris in 1961 he defected to the West from the Soviet Union. Critic Sarah Crompton reviews.Last week dozens of well-heeled American parents, including actresses Felicity Huffman and Lori Loughlin, were charged with involvement in a scheme to fabricate academic and athletic credentials to get their children into prestigious universities. And last week Joshua Harmon's play ‘Admissions' opened here. It's about a woman who, devoted to improving diversity at her elite school, finds herself somewhat challenged when her son doesn't get into Yale - but his mixed race best friend does. And this week another American play, ‘Downstate' by Bruce Norris, opens at the National Theatre. This is set in a group home where four men, convicted of sex crimes against children and tagged, live. A man comes to confront his abuser, but our sympathies are not only with him. With Samira Ahmed the two playwrights discuss how and why, far from being escapist, the theatre is where contentious issues are imaginatively examined today. Presenter : Samira Ahmed Producer : Dymphna Flynn

Strap on your pointe shoes and join Anna, Henry and Pete as they hit the floor with an episode about the Soviet ballet dancers who defected to the west. Inspired by Ralph Fienne's The White Crow, a biopic of the ballet supremo and defector Rudolf Nureyev, the gang track the careers of Nureyev, Mikhail Baryshnikov and the contemporary Ukrainian dancer Sergei Polunin, asking what it takes for these dancefloor geniuses to make it in western pop culture.The Bigger Picture, presented by the BFI, is...BFI Southbank Programmer Anna Bogah...Anna Bogurts... Anna Bogutskaya. BFI Digital editor Henry BarnesProducer Peter SaleNext steps:• The Guardian's Simon Hattenstone interviews Sergei Polunin: https://www.theguardian.com/stage/2019/mar/07/sergei-polunin-sacked-putin-tattoo-interview• Four great Soviet ballet dancers (via Russia Beyond): https://www.rbth.com/arts/2015/08/11/dancing_their_way_to_freedom_4_great_soviet_ballet_defectors_48425.html• Gregory Hines and Mikhail Baryshnikov strut their stuff: https://www.youtube.com/watch?v=0qDGVHy5iTM See acast.com/privacy for privacy and opt-out information.