Podcasts about Nureyev

Beyond The Outer Realm welcomes the return of Bil Bungay Host: Michelle Desrochers Date: March 25th, 2025 Episode: 540 TECH ISSUES AT THE UK END.......sounds periodically cuts out for SHORT bits - worth the WEE inconvenience...interview is amazing Discussion : Owner of 30 East Drive, Pontefract, AKA The Black Monk House, said to be the most Haunted house in the UK -Bil goes deep in this segment. He introduces everyone to his house ( which is open to the public via reservations, for research). He discusses the numerous experiences that he and visitors alike have had. in the last 30 minutes, he goes into deep conversation with respect to mindset, manifestation, quantum theory and more!!!! Contact for the show - theouterrealmcontact@gmail.com Rumble: TheOuterRealm X - MicheleDerocher Website: www.theouterrealmradio.com Please support us by Liking, Subscribing, Sharing and Commenting. Thank you all !!! About Bil Bil Bungay (with one L) is a filmmaker, author, inventor, and ad man—co-founder of BMB, one of London's top 10 advertising agencies. Now a tech entrepreneur, he founded Velocity Group in 2015. Randomly - Bil also owns 30 East Drive, better known as the Black Monk house—the most haunted house in the UK! Once a firm skeptic of ghosts, aliens, and the paranormal, Bil's outlook changed when the poltergeist in his house made its presence undeniably known. This eerie encounter led to his film When the Lights Went Out and book The Black Monk of Pontefract. It also sparked a deep fascination with the nature of reality because, as he puts it: “When an object materializes out of thin air before your very eyes—you write a book.” His filmmaking credits include When the Lights Went Out, Moon, Nureyev, Diego Maradona, and The Parapod Movie: A Very British Ghost Hunt. WEBSITE: http://www.30eastdrive.com/ If you enjoy the content on the channel, please support us by subscribing: Thank you All A formal disclosure: The opinions and information presented or expressed by guests on The Outer Realm Radio and Beyond The Outer Realm are not necessarily those of the TOR, BTOR Hosts, Sponsors, or the United Public Radio Network and its producers. Although the content may be interesting, it is deemed "For Entertainment Purposes" . We are always be respectful and courteous to all involved. Thank you, we appreciate you all!

Twirling Candy is following in his father's legendary footsteps at Lane's End Farm. A son of Candy Ride (Arg), Twirling Candy has sired 21 graded stakes winners, seven millionaires, and nine Grade 1 winners. In 2024, he added new G1 winner Iscreamuscream, winner of the Del Mar Oaks (G1) and the San Clemente H. (G2). Other 2024 GSWs include Ag Bullet (G2, G1 placed), Walkathon (G3), Two Sharp (G3), and Where's My Ring (G3).His 2023 GSWs include: G1 winner Exaulted, millionaire Gear Jockey, Evvie Jets and Dream Shake. 2023 also proved to be a great year for his two-year-olds, with 26 winners, including black type winners Where's Chris and Move to Gold. This success on the track was reflected in the sales ring. His yearling average increased to $160,064 and had seven-figure yearling and two-year-old sales.Twirling Candy is out of the Chester House mare House of Danzig, making him a half-sibling to G2 winner Ethnic Dance. Multiple Champion Affirmed can be found farther down his page. Candy Ride has already shown a remarkable affinity for the Storm Cat branch of the Northern Dancer line. Other branches of the Northern Dancer line to provide the dams of Candy Ride stakes winners are Sadler's Wells (sire of El Prado; grandsire of Medaglia d'Oro and Kitten's Joy), Nureyev (from a mare by Theatrical), Danzig and Dixieland Band. Candy Ride has found success with a wide variety of mares by stallions that descend from the Nasrullah line, with three stakes winners from mares by In Excess, as well as stakes winners out of mares by In Excess's son, Indian Charlie, and Cozzene. Candy Ride is out of a Mr. Prospector-line mare, and Twirling Candy should cross well over mares from that line.(UPDATED FEB 1, 2025)

“I thought Dave Davies of the Kinks was a girl. When I discovered he was a boy, that's when I got interested.” Jon's an old friend of the podcast and the author of some highly regarded and influential books about pop and its repercussions, ‘England's Dreaming' and ‘1966: the Year The Decade Exploded' among them. His latest is ‘The Secret Public: How LGBTQ Performers Shaped Popular Culture 1955-1979' which looks at five particular moments and the pivotal people in the mix at the time. We couldn't recommend it more highly and cover seven decades in this conversation, stopping off at … … how “homosexuality was a career-killer” until Bowie's spectacular Melody Maker interview in 1972. … new male identities - Valentino, Nureyev, Sinatra and the “subversive” stage act of Johnnie Ray. … does pop drive change or reflect it? … Andrew Loog Oldham, Kit Lambert, Simon Napier-Bell and the supposed “gay managers mafia” and how Oldham used camp as a weapon. … Dusty Springfield and the Gateway Club. … how Brian Epstein invented a new type of manager. ... Andy Warhol at the Factory, pop art, the launch of the Velvet Underground and his jukebox time-capsule of ‘60s gay pop taste. … was Tom Robinson the first out gay British pop star? … Mary Whitehouse v the Gay Times. … the Clash (“hurt, vulnerable boys”), Siouxsie, Poly Styrene, the Slits, Vic Godard and punk's other new stage identities. Order ‘the Secret Public' here …https://www.amazon.co.uk/Secret-Public-Resistance-Popular-1955-1979/dp/0571358373 … and Jon's 2-CD soundtrack here …https://www.roughtrade.com/en-gb/product/various/jon-savages-the-secret-public-how-the-lgbtq-aesthetic-shaped-pop-culture-1955-1979?channable=409d9269640032313931333434ec&gad_source=1&gclid=CjwKCAjwvIWzBhAlEiwAHHWgvQetjeRXO03PVnpFYq75PMG_pmDd42hKBO8VytbDerJqZw3ycIY7pxoCFxIQAvD_BwE#cd-x2Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

“I thought Dave Davies of the Kinks was a girl. When I discovered he was a boy, that's when I got interested.” Jon's an old friend of the podcast and the author of some highly regarded and influential books about pop and its repercussions, ‘England's Dreaming' and ‘1966: the Year The Decade Exploded' among them. His latest is ‘The Secret Public: How LGBTQ Performers Shaped Popular Culture 1955-1979' which looks at five particular moments and the pivotal people in the mix at the time. We couldn't recommend it more highly and cover seven decades in this conversation, stopping off at … … how “homosexuality was a career-killer” until Bowie's spectacular Melody Maker interview in 1972. … new male identities - Valentino, Nureyev, Sinatra and the “subversive” stage act of Johnnie Ray. … does pop drive change or reflect it? … Andrew Loog Oldham, Kit Lambert, Simon Napier-Bell and the supposed “gay managers mafia” and how Oldham used camp as a weapon. … Dusty Springfield and the Gateway Club. … how Brian Epstein invented a new type of manager. ... Andy Warhol at the Factory, pop art, the launch of the Velvet Underground and his jukebox time-capsule of ‘60s gay pop taste. … was Tom Robinson the first out gay British pop star? … Mary Whitehouse v the Gay Times. … the Clash (“hurt, vulnerable boys”), Siouxsie, Poly Styrene, the Slits, Vic Godard and punk's other new stage identities. Order ‘the Secret Public' here …https://www.amazon.co.uk/Secret-Public-Resistance-Popular-1955-1979/dp/0571358373 … and Jon's 2-CD soundtrack here …https://www.roughtrade.com/en-gb/product/various/jon-savages-the-secret-public-how-the-lgbtq-aesthetic-shaped-pop-culture-1955-1979?channable=409d9269640032313931333434ec&gad_source=1&gclid=CjwKCAjwvIWzBhAlEiwAHHWgvQetjeRXO03PVnpFYq75PMG_pmDd42hKBO8VytbDerJqZw3ycIY7pxoCFxIQAvD_BwE#cd-x2Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

En este episodio de "Grandes Maricas de la Historia", exploramos la vida del icónico bailarín de ballet, Rudolf Nureyev. Desde su nacimiento en un tren transiberiano en 1938 hasta convertirse en una superestrella internacional, Nureyev rompió moldes y desafió expectativas. A los 17 años, Nureyev ingresó en la Academia Vagánova en Leningrado, donde se graduó y se unió al Ballet Kírov, donde rápidamente ascendió a solista. Sin embargo, su comportamiento rebelde y su orientación sexual lo pusieron en conflicto con las autoridades soviéticas. Durante una gira en París en 1961, Nureyev desertó al Occidente, convirtiéndose en un símbolo de la libertad artística y personal durante la Guerra Fría. Amantes? Pues muchos, y amores también, y la lista de música de esta semana, aquí: https://open.spotify.com/playlist/5AaJxQSpP11Spsk2vPpsG2?si=f0807f9aee674936

“I thought Dave Davies of the Kinks was a girl. When I discovered he was a boy, that's when I got interested.” Jon's an old friend of the podcast and the author of some highly regarded and influential books about pop and its repercussions, ‘England's Dreaming' and ‘1966: the Year The Decade Exploded' among them. His latest is ‘The Secret Public: How LGBTQ Performers Shaped Popular Culture 1955-1979' which looks at five particular moments and the pivotal people in the mix at the time. We couldn't recommend it more highly and cover seven decades in this conversation, stopping off at … … how “homosexuality was a career-killer” until Bowie's spectacular Melody Maker interview in 1972. … new male identities - Valentino, Nureyev, Sinatra and the “subversive” stage act of Johnnie Ray. … does pop drive change or reflect it? … Andrew Loog Oldham, Kit Lambert, Simon Napier-Bell and the supposed “gay managers mafia” and how Oldham used camp as a weapon. … Dusty Springfield and the Gateway Club. … how Brian Epstein invented a new type of manager. ... Andy Warhol at the Factory, pop art, the launch of the Velvet Underground and his jukebox time-capsule of ‘60s gay pop taste. … was Tom Robinson the first out gay British pop star? … Mary Whitehouse v the Gay Times. … the Clash (“hurt, vulnerable boys”), Siouxsie, Poly Styrene, the Slits, Vic Godard and punk's other new stage identities. Order ‘the Secret Public' here …https://www.amazon.co.uk/Secret-Public-Resistance-Popular-1955-1979/dp/0571358373 … and Jon's 2-CD soundtrack here …https://www.roughtrade.com/en-gb/product/various/jon-savages-the-secret-public-how-the-lgbtq-aesthetic-shaped-pop-culture-1955-1979?channable=409d9269640032313931333434ec&gad_source=1&gclid=CjwKCAjwvIWzBhAlEiwAHHWgvQetjeRXO03PVnpFYq75PMG_pmDd42hKBO8VytbDerJqZw3ycIY7pxoCFxIQAvD_BwE#cd-x2Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

En este episodio # 434 Mario Mengoni te cuenta la vida de RUDOLF NUREYEV, el más grande y controvertido bailarín de todos los tiempos y el homenaje que los PET SHOP BOYS le rinden con su nuevo single. Diego Hidalgo haciendo el mix del “discollage” y los descubrimientos musicales de Mario para el disfrute de los disconautas. Playlist: 01 - THE JOUBERT SINGERS - Stand on the word (Pete Le Freq version) 02 - MEGATRONIC feat. WANDILE MBAMBENI - Rumours 03 - JOSE FELICIANO - Ay Cariño (Bruno Borlone & Boogie Mike Remix) 04 - MARINE NEULLY - Je Préfère Dancar (interludio con un ensayo de Culture Club circa 1984) 05 - PET SHOP BOYS - Dancing star 06 - DOCHE feat. KRIA MCKENZIE - This Feeling [Birdee Remix] 07 - SONIC SOUL ORCHESTRA - Ooh What A Life - S.K.O.D Mix 08 - JAY CARUSO & PHIE CLAIRE - I Gotta Keep Dancin (Original Mix) Conducción, musicalización y producción general: Mario Mengoni. Asistente de Producción: Diego Hidalgo. Locutores: Leandro Brumatti y Raúl Proenza. Operador Técnico: Carlos Rodríguez. Logística: Sergio Van Megroot. Fotografía y video: María Arnoletto Un agradecimiento especial a Hernán de Micheli (Sonórico Estudio) Sitio oficial: www.discorama.net Seguinos en nuestras redes y dejanos tu comentario: https://www.instagram.com/discoramabymario https://www.facebook.com/discoramabymario https://www.twitter.com/DiscoramaAR

The Irish poet, Jessica Traynor, explores one of Frank's favourite subjects – ageing performers who don't know when to quit. The collection referenced is ‘Pit Lullabies' by Jessica Traynor. The cycle of poems referenced is ‘An Island Sings'. The poems referenced are ‘The Parent's Song', ‘Song of the Insomniac' and ‘Nureyev in Dublin'.

New Instant freedom brings new changes.

Our hosts David Graver and Indrani Pal-Chaudhuri are delighted to chat with the brilliant Julian MacKay, the first American to graduate from the Bolshoi Ballet Academy with a full Russian Diploma having completed both the upper and lower school, and Principal Dancer at The Bayerisches Staatsballett. Graduating in the top of his class, he was hailed as "Apollo" and the next Nureyev by Russian dance critics. In this episode of The Accutron Show, Julian talks about his experience, upbringing and the challenges (as well as successes) to keep ballet interesting. He also discusses engaging with young audiences in today's world that is dominated by technology. Tune in and dance this episode away with us. EPISODE HIGHLIGHTS11:00 The approach and perceptions on the classical arts is changing. My goal is to make sure that someone my age is excited about the ballet experience. It has a lot to do with the stories we tell, the way we tell them, the people that are represented on stage and who those people are marketed and shown to. 22:43 The beauty and challenge of ballet today is how to bring into modern times characters and stories that were written and conceived centuries ago. As a dancer, I have to understand the original character and how that character would behave today. For example Cinderella, if I am to play the prince, I have to ask myself how would a prince treat a woman today? 29:40 When you take a different approach, rather than the doom and gloom and you put in something beautiful and say "Hey, we are going to create hope and inspire a generation to sort this out," it can lead to something that is unexpected. Because dance and ballet communicate in a way that is even more powerful than words sometimes.

We head back to a hot London summer at the end of the hippy era, as Jethro Tull's “Nureyev with a flute” Ian Anderson talks vividly about Roy Harper, folk versus rock, musicians versus the music biz, and much more. Plus Andrew Male and Danny Eccleston dig MOJO's compilation of unheard Stax demos, and yet more great Arthur Russell finds.Tracklisting: 1. Locomotive Breath from Aqualung originally released on the Chrysalis label in 19712. In A beautiful rambling Mess, from Come Out Fighting Genghis Smith, originally released on CBS in 19673. The Boy With a Smile, from Picture of Bunny Rabbit LP, written by Arthur Russell, and released on Audio Records originally in 19854. MOJO covermount, Mack Rice's demo of Respect Yourself, written by Mack Rice and Luther Ingram and first covered by The Staple Singers in 1971

On this day in 1961, Russian ballet dancer Rudolf Nureyev defected from the Soviet Union at an airport in Paris. See omny.fm/listener for privacy information.

Quão espantoso é ver o Chega a defender Abril, contra a presença de Lula? Quem começou a barracada diplomática, Marcelo ou Cravinho? Como é que a "Ordem e Progresso" brasileiros são compatíveis com o apoio à Rússia? A multa à Fox News prova que já não existe liberdade de expressão? Ou é o início do combate às fake news? O cancelamento de Nureyev pelo teatro Bolshoi é mais uma vitória anti-LGBT+?

The Australian Ballet have brought their iconic production of Don Quixote, choreographed by and originally starring Rudolf Nureyev, back to the stage. Nureyev's production became a film in 1973 which has inspired new designs by one of our most venerable stage designers, Richard Roberts. Also, Richard Wagner's epic four-opera Ring Cycle comes to regional Australia for the very first time and includes a concert held in a gold mine, and we meet 'the mother of African contemporary dance,' Germaine Acogny, the co-founder of the famous Ecole des Sables in Senegal.

The Australian Ballet have brought their iconic production of Don Quixote, choreographed by and originally starring Rudolf Nureyev, back to the stage. Nureyev's production became a film in 1973 which has inspired new designs by one of our most venerable stage designers, Richard Roberts.Also, Richard Wagner's epic four-opera Ring Cycle comes to regional Australia for the very first time and includes a concert held in a gold mine, and we meet 'the mother of African contemporary dance,' Germaine Acogny, the co-founder of the famous Ecole des Sables in Senegal.

Správy. Téma dňa.

In deze aflevering onthullen Soy Kroon en Jan Kooijman welke bijzondere dingen ze altijd meenemen naar hun kleedkamer, wat voor geheime trucjes ze gebruiken om een voorstelling spannend te houden en wat te doen als je opeens bijna naakt op het toneel staat... Soy staat op 11 februari in DeLaMar met ‘Nu ik je zie', de toneelbewerking van Merlijn Kamerlings boek over zijn relatie tot zijn vader Antonie Kamerling.Jan is van 20 t/m 22 februari te zien in DeLaMar met ‘Nureyev', een toneelstuk gebaseerd op het leven van de wereldberoemde balletdanser Rudolf Nureyev.  Kijk voor actuele speellijsten en meer info op: http://delamar.nl Te gast: Soy Kroon en Jan KooijmanPresentatoren: Roman Brasser en Dide VonkEditing en productie: Dide Vonk, De Makers Podcast ProductiesStudiobewerking: Sonya VosProductie en redactie: Rozemarijn van der VenVormgeving: Naile Güngör In opdracht van DeLaMar.

Nureyev reveals the final pages of his past; Juno is forced to ask hard questions about his future.Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay.(Trigger warnings can be found at the bottom of this episode description and at the end of the transcript.)-------You can find all of our transcripts here: https://drive.google.com/drive/folders/1OLddnnYamZuglgZc8pM2gqToPOwEBccM?usp=sharingTranscripts will come out along with the public release of the episode.On staff at the Penumbra:Ginny D'Angelo -- Head of Merchandise and OutreachMelissa DeJesus -- Script editing teamEllison Estephan -- Promotional artistHarley Takagi Kaner -- Co-creator, Head of Episode Development, Director, Sound designerJoelle Kross -- TranscriptionistNoah Simes -- Production managerGrahame Turner -- Script editing teamKevin Vibert -- Co-creator, Head of Operations, Lead writerRyan Vibert -- Composer and performer of original music--------Attribution: Licensed under a Creative Commons Attribution (3.0) license.http://creativecommons.org/licenses/by/3.0/legalcode "Kind of Girl" by Jeris, featuring spinningmerkabaEnter a World of Suspense with “Darkest Thursday”, A Cinematic Electronic Track by kjartan_abel https://freesound.org/people/kjartan_abel/sounds/558271/“Droooone.wav” by digifishmusic https://freesound.org/people/digifishmusic/sounds/66960/“Horror Scary Swirling Wind Digital Demonic #01” by N0IZ https://freesound.org/people/N0IZ/sounds/642205/Bluenotation by Ezra Skull (c) copyright 2022 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/Haskel/64588 Ft: airtonebluenotes by airtone (c) copyright 2021 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/airtone/64427---------Trigger warnings:- Depictions of death and physical harm- Depictions of drug use, abuse, and overdose- Gaslighting and manipulation- Hallucination/fear of unreality- Sudden loud noises- Alcohol use- Coercion and misuse of authority- Violence and threats of violence- Body horror

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage.Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

Lisa BolteWho hasn't swooned watching ballets Swan Lake and recently I saw Romeo and Juliet so breathtaking .. now featuring on at The Australian Ballet at The Vic Arts Centre.Lisa Bolte is one of those rare talented people who's life as a Principal Ballet dancer has taken her across the globe.Mesmerising audiences with her stunning and elegant performances she is truly a national treasure.She danced with The Australian Ballet Company, 1986-2002, 2005-2007 and was promoted to Principal Artist by the revered Artistic Director, Maina Gielgud in 1993.Highlights with The Australian Ballet have included performing principal roles from the entire classical repertoire including Swan Lake, The Sleeping Beauty, Giselle, Romeo & Juliet, LaSylphide, Raymonda, Don Quixote, Manon, Anna Karenina, Etudes, Copellia, The Merry Widow, Onegin and Theme and Variations.As a guest artist Lisa performed with Nureyev's Farewell Australian Tour (1991); with The National Ballet of Canada in Swan Lake and The Merry Widow (1994); with The Maryinsky Ballet as Giselle and as Kitri in Don Quixote (1996); with The Royal Danish Ballet as Odette/Odile, Swan Lake (1998); with Queensland Ballet, pas de deux from Edge of Night and Raymonda (2007).In 1998 Lisa was awarded the ‘Mo' award for Best Female Dancer after her performances in Romeo and Juliet. Scholarship winner of the Erik Bruhn Award 1987; the Lissa Black Award 1994; Nominated  for The Dancing Times' ‘Young Dancer of the Year' following The Australian Ballet's performances of The Sleeping Beauty at Covent Garden in London 1988.Assistant to Maina Gielgud, in staging and coaching Giselle for The Boston Ballet.Working in Philanthropy as Patron Manager at The Australian Ballet 2011-2016, the role included leading tours for Renaissance Tours to Tasmania, New York and Houston.Currently she is Southern Chapter Chair of The Australian Ballet Foundation Board.In the years since her retirement as a Principal Artist, Lisa has enjoyed opportunities performing as a Guest Artist with The Australian Ballet, including as the Mother is Maina Gielgud's Giselle, and as the Queen in both Stephen Baynes' Swan Lake and David McAllister's The Sleeping Beauty. She now shares her knowledge learnt through years of being coached by wonderful Artists herself, mentoring full-time ballet students in Melbourne.Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkDeborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: ...

País Reino Unido Dirección Ralph Fiennes Guion David Hare. Libro: Julie Kavanagh Música Ilan Eshkeri Fotografía Mike Eley Reparto Oleg Ivenko, Ralph Fiennes, Louis Hofmann, Adèle Exarchopoulos, Sergei Polunin, Olivier Rabourdin, Raphaël Personnaz, Chulpan Khamatova, Zach Avery, Mar Sodupe, Calypso Valois, Aleksey Morozov, Nebojsa Dugalic Sinopsis Rusia, 1961. Rudolf Nureyev, el bailarín de ballet más grande de todos los tiempos, viaja por primera vez fuera de la Unión Soviética como miembro de la prestigiosa Kirov Ballet Company. Aunque el KGB sigue de cerca sus pasos y a pesar del gran peligro que conllevaba entonces la deserción, Nureyev huirá tomando una decisión que podría cambiar el curso de su vida para siempre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history, including Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage.Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

Los funerales de una loca contagiada por el sida se han transformado en un evento social. Una exhibición de, modelos Calvin AIDS, recién estrenados, primorosamente escogidos, para despedir a la amiga como se lo merece, como nunca lo soñó en el dorado aeropuerto de «Nunca jamás». El estigma de la plaga, que en los ochenta hacía huir como ratas a las amigas, negando mil veces haber conocido a la occisa, Esa virulencia homofóbica que entonces mostraba cortejos de cuatro pelagatos acompañando un ataúd huacho. Un pobre cajón rodeado de familiares tolerantes y de alguna loca camuflada de temor bajo el anonimato de las gafas. Ahora es otra cosa mariposa. En los noventa, es el acontecimiento que concentra la atención de un público atento, esperando paciente el deceso para ponerse el modelito guardado especialmente para la premier luctuosa. Ahora la muerte sidada tiene clase y categoría. Cualquiera no se despide del mundo con ese glamour hollywoodense que se llevó a Hudson, Perkins, Nureyev y Fassbinder. Cualquiera no ostenta ese look de manchas leopardas, ese tatuaje sidado que no se destiñe, fíjate. Por eso el adiós-AIDS es inolvidable en su fulgor momentáneo. Es un encuentro de pestañas quebradas y risitas tu-tú contenidas por la emoción. Es el esperado momento de homenajear a la finada luciendo esa faz pálida, como neogótica. Con mucha ojera violácea, haciendo juego con el discreto pañuelito que va a enjugar la única lágrima, en el único momento de tirar la única rosa, no, mejor el único pétalo, sobre el terso ataúd. De esta forma, las locas engalanadas con el drama han hecho de su muerte un tablao flamenco, una pasarela de la moda que se burla del sórdido ritual funerario. Más bien, revierten la compasión que pesa como un juicio pecaminoso sobre el sida homosexual, lo transforman en alegoría. Con sus destellos coligüillos, amortiguan el duelo, lo colorean, lo refulgen, lo descargan de esa fetidez piadosa. Lo relucen con la ópera comediante le su llanto. Y nadie sabe si esa lágrima de diamante que rueda por su mejilla es auténtica. Nadie pondría en duda esa amarga gota escenográfica, que brilla lentejuela en el ojo de la última escena. Esas manos apenas temblorosas, que van midiendo cada pésame, cada condolencia, como si tomaran las medidas de un traje de noche. Como si cada gesto de pena fuera hilvanado en una basta de contención, en pliegues de dolor, que se ajustan al teatro mortuorio con los alfileres de la complicidad maricueca. El sepelio de una loca sidada es para filmarlo. Acuden al evento las amigas revoltosas que tratan de amarrarse las trenzas con cintas de nerviosa seriedad. Un poco preocupadas, miran el reloj, pensando que la lista corre rápido. «Hoy por ti, mañana por mí», es el responso. Nadie sabe quién tiene pasaje de ida en el Boeing Z.A.Z, vuelo siete cero positivo. Ninguna puede reírse tanto. Menos esa flaca cabello de ángel que hizo el teatro del desmayo en el cementerio, y sus quejidos de perra asmática partían el alma. Menos ella, que antes de sellar el cajón, como al descuido, le echó adentro cigarros y fósforos porque su amiga no podía dormir sin fumar.

British film composer Ilan Eshkeri joins us to talk about his third collaboration with actor/director Ralph Feinnes, The White Crow. The film tells the story of famed Soviet ballet dancer Rudolf Nureyev and his defection to France in 1961. Eshkeri's soundtrack, which features violinist Lisa Batiashvili, is meant to mingle with and compliment the ballet music of Tchaikovsky, which bore an important presence in Nureyev's career.

On this week's MPU podcast, Kevin interviews his fiancée, Jessica Wallraff, about what it's like to be an international ballerina at the age of 16. It's a very personal and revealing look at the life of a young woman driven by her passions and talents, and how it led to his new novel, "Pas de Deux."

Mais uma vez, os brasileiros fizeram bonito no Prix de Lausanne, uma das competições mais importantes de balé do mundo, realizada na Suíça. Neste ano, 70 jovens bailarinos provenientes de vários continentes participaram da seleção.  Valéria Maniero, correspondente da RFI na Suíça Luciana Sagioro, de 15 anos, e Miguel Oliveira, de 16, são os dois representantes do Brasil na lista de vencedores do Prix Lausanne de balé. Eles ganharam bolsas para estudar em renomadas escolas e companhias de dança internacionais.  Luciana ganhou o prêmio de terceiro lugar na competição, além de ter sido eleita como a melhor bailarina pelo público na web. Ela recebeu oito bolsas de estudo em escolas europeias. "Escolhi ingressar na Ópera de Paris, já assinei meu contrato. Agora, eu já tenho novos sonhos, novas metas. Esse sonho novo na minha carreira é fazer o meu melhor lá na Ópera de Paris e um dia ser 'étoile' de lá, que é o cargo mais alto da dança”, conta Luciana, que é da escola Petite Danse, do Rio de Janeiro.  A jovem bailarina disse à RFI que escolheu o balé muito cedo, “quando tinha 8 aninhos de idade”. “Eu tinha a certeza de que queria a dança como minha profissão. Abdiquei de muita coisa, da família, de festa, dos meus amigos, tudo em busca de meu sonho”, ela lembra.  Sonho realizado A bailarina saiu de Juiz de Fora, Minas Gerais, quando tinha 10 anos, para fazer balé no Rio.  “Tudo isso porque eu sonhava participar do Prix de Lausanne, na Suíça, a maior competição de dança do mundo. E, dentro desse festival, meu sonho era conseguir uma bolsa de estudos na Europa, ingressar em uma grande companhia de dança. Mas nada disso foi fácil, a saudade apertava muito no meu coração, a rotina era muito, muito pesada. E tudo isso para realizar esse sonho de participar do Prix. Hoje, com 15 anos eu consegui, estou muito feliz, muito realizada”, afirma.  Bailarino é melhor talento jovem da competição Já Miguel Oliveira, que é de Brasília, mas mora em Goiânia, ganhou bolsa para estudar balé em Hamburgo, na Alemanha.  “Eu ganhei o prêmio da Fundação Nureyev, que se chama melhor jovem talento. Eles oferecem esse prêmio aos jovens que têm um aspecto artístico relevante na dança. Ainda bem que eu ganhei. Estou muito feliz por ter ganhado”, diz.  Miguel falou à RFI sobre a sua relação com a dança e o que ela representa em sua vida.  “Eu comecei a dançar numa escola de balé, de 5 para 6 anos, em Brasília, e quando eu completei 13, fui para Goiânia para um curso no Basileu França, onde fiquei até hoje. Sempre tive vínculo com a dança, porque minha mãe foi bailarina e minha família toda dança. Meus irmãos todos já dançaram. Comecei a minha vida na dança assim, com vínculo, desde cedo, com apoio dos meus pais, dos meus irmãos, da minha família. O balé é uma explosão de emoções. Eu acho que é meio inexplicável”, afirma.   Não é de hoje que o Brasil se destaca na competição suíça. Em 2020, por exemplo, João Vitor Santana e Vitor Augusto Vaz ficaram entre os oito vencedores do Prix de Lausanne.

Welcome to our Russian Nationals recap episodes! This week, Men and Ice Dance brought the big drama, as we have a (wonderful!) somewhat-surprise Men's gold medalist in Mark Kondratiuk, and a celebration that the Backstreet Boys, Justin Bieber, and Shawn Mendez (and Alexandra Stepanova and Ivan Bukin) will likely be going to the Olympics together.We again wondered where J-Lo was in Mikhail Kolyada's SP, but were very happy to see the return of Nureyev in his FS. The mystery intensified about Dmitri Aliev's vague statements, but we wish him well as we move into the second half of the season. In the Ice Dance event, we talked about Russian athletes vs Russian officials and the absolute cluster the latter creates, and talked about teams with Good Packaging vs teams with Needs to be Improved Packaging.Timestamps:(00:00) - Intro(01:24) - News (Dmitri Soloveiv, vaccinations)(04:06) - ICE DANCE(05:05) - Tiffany Zahorski & Jonathan Guerreiro (Тиффани Загорски & Джонатан Гуейро)(11:06) - Anastasia Skoptsova & Kirill Alëshin (Анастасия Скопцова & Кирилл Алёшин)(12:54) - Elizaveta Shanaeva & Devid Naryzhnyy (Елизавета Шанаева & Дэвид Нарижный)(14:07) - Annabelle Morozov & Andrei Bagin (Аннабель Морозов & Андрей Багин)(17:55) - Elizaveta Khudaiberdieva & Egor Bazin (Елизавета Худайбердиева & Егор Базин)(20:50) - Diana Davis & Gleb Smolkin (Диана Дэвис & Глеб Смолкин)(25:39) - Aleksandra Stepanova & Ivan Bukin (Александра Степанова & Иван Букин)(29:53) - Victoria Sinitsina & Nikita Katsalapov (Викториа Синицина & Никита Катсалапов)(33:23) - MEN(34:00) - Makar Ignatov (Макар Игнатов)(36:56) - Dmitri Aliev (Дмитрий Алиев)(40:29) - Gleb Lutfullin (Глев Лутфулин)(42:28) - Alexei Erokhov (Алексей Ерохов)(46:32) - Alexander Samarin (Александр Самарин)(49:30) - Pëtr Gumennik (Пётр Гуменник)(52:16) - Evgeni Semenenko (Евгений Семененко)(56:27) - Andrei Mozalëv (Андрей Мозалёв)(58:50) - Mikhail Kolyada (Михаил Коляда)(1:03:19) - Mark Kondratiuk (Марк Кондратюк)(1:08:45) - Kiss & Cry Segment - Team announcements and discussion(1:12:54) - Outro------------------------------------------------Follow our figure skating podcast on:Instagram: https://www.instagram.com/lutzgetdownpod/   Twitter: https://twitter.com/lutzgetdownpod And to work with us please contact lutzgetdownpod@gmail.com Logo design by @dezisartvibes on Instagramxx Joce & Clauds

In 1961 the great ballet dancer Rudolf Nureyev stunned the world by defecting from the Soviet Union. Nureyev escaped his KGB minders at an airport in Paris - with the help of French dancer Pierre Lacotte. Pierre Lacotte spoke to Louise Hidalgo in 2011. PHOTO: Rudolf Nureyev at a press conference in the 1960s (Getty Images)

In an obituary of David Gulpili penned for the BBC, Monique Grbec says she wanted to highlight what is missing in David Gulpilil's work and how it took up to 30 even 50 years for David Gulpilil to be credited for the work that he did for white fella films.

Polly Lee discusses her contributions to art in the State and in Petersburg as well as her exhibit currently on display at the library- Stoneware Pots by Pauline Lee 1955-2005. This podcast includes a Listening Project recorded in 2010 titled Art in Such A Place when Polly Lee came in to talk with Susan Christensen about her life as an artist here in Petersburg. Polly describes the Civic Improvement Committee she joined to beautify the town back in the 1950s and the daunting mission they were first given by the City Council. Polly tells Susan how the Civic Improvement Committee became the Petersburg Arts and Crafts guild, and eventually the Arts Council. She describes her early life as an artist, teaching ceramics as a young mother, with a baby in her arms. Then she describes many of the local art projects she either designed or collaborated on including the “Fisk” fountain at the Clausen Museum, the concrete impressions in the sidewalks and the “Sea Song” which adorns the municipal building. She talks about fabricating “Sea Song” with Ronn Buschmann, who she describes as “The Nureyev of the Band Saw”. Polly has been an artist and champion of the arts and mentor for many people throughout her life in Petersburg. In this interview she talks about her philosophy of art and the importance of art in our lives and community.

Born in Providence, Rhode Island and trained at Festival Ballet of Rhode Island and Canada's National Ballet School, Greta Hodgkinson joined The National Ballet of Canada in 1990, where she has been a Principal Dancer since 1996. Greta retired as a Principal Dancer at the end of the 2019/20 season and assumed the position of Artist-in-Residence for the 2020/21 season, teaching and coaching the National Ballet's next generation of dancers.An artist acclaimed for her dazzling technical virtuosity, dramatic intensity and articulate characterization, she is the complete ballerina, par excellence. Greta has performed every leading role in the classical repertoire and her talents extend to the contemporary repertoire as well. She has had numerous roles created for her by world renowned choreographers and has worked closely with such icons as William Forsythe, Jiří Kylián, Glen Tetley, John Neumeier, Alexei Ratmansky, Christopher Wheeldon, Wayne McGregor, James Kudelka and Crystal Pite.  As a guest artist, Greta has appeared with The Mariinsky Ballet, Teatro alla Scala, The Royal Ballet, The Australian Ballet, Stuttgart Ballet, Munich Ballet, Teatro Comunale di Firenze, Gala des Étoiles, Stars of the 21st Century and International Ballet Galas in the US, Russia, Japan, Europe and Canada. Greta was invited to tour Japan dancing Swan Lake with K-Ballet, partnered by Tetsuya Kumakawa. She also performed at The World Ballet Festival in Tokyo, with frequent partner Roberto Bolle.Greta has graced the covers of Dance Magazine and Dance International Magazine and has been featured in various fashion publications including Vanity Fair, Lucky, W, GQ Italia, ELLE, NUVO, Flare and FASHION among others.Greta's film credits include a collaboration with director Moze Mossanen in the title role in the film Roxana, based on the novel by Daniel Defoe, the role of Margot Fonteyn in the Bravo! TV docudrama, Nureyev, CBC's Romeos and Juliets and The Rings of Saturn. She also appeared in the title role in The Firebird, The Four Seasons (starring in Summer), A Dancer's Story-50 Years of The National Ballet of Canada (dancing The Sleeping Beauty pas de deux) and as a guest star on the premiere of the Canadian comedy television series Baxter. In 2013, Gretaperformed Giselle in Emerging Pictures' film, Ballet's Greatest Hits, a ballet gala filmed and presented in over 200 cinemas throughout North America.Greta has received two Citations from the State of Rhode Island. One of the highest honours given by the state, the Citations are in recognition of her extraordinary talents, accomplishments and outstanding contribution to arts and culture in the US. Greta was also appointed to the Order of Ontario in 2017.

Cynthia Harvey is the guest on Episode 6, Season 2 of A Body's Language.Cynthia Harvey's style marked her as one of the most versatile and valued artists. Harvey danced nearly every ballerina role with American Ballet Theatre and had the distinction of being invited by Sir Anthony Dowell to be a principal ballerina of The Royal Ballet-the first American dancer to have that honor. Harvey performed as guest artist with Baryshnikov and Company, Nureyev and Friends and numerous internationally renowned ballet companies around the world before retiring from the stage in 1996.On video, Harvey appears as Kitri opposite Mikhail Baryshnikov in his production of Don Quixote, in a variation from Paquita in Natalia Makarova's The Ballerina and the “Waltz” variation in Les Sylphides, a variation from Paquita (American Ballet Theatre dances Petipa)and, in the documentary, Tchaikovsky's Women for Britain's Channel 4.  She is a featured artist in the Fred Weisman's documentary Ballet and Darcey Bussell's Ballerina Heroines, featured on the BBC.Co-author of Physics of Dance & the Pas de Deux, Harvey has been guest teacher for The Norwegian National Ballet Company, where beyond teaching and coaching, she helped re-stage a production of The Sleeping Beauty in 2008 and staged her own complete production of the ballet Giselle in 2009.In October 2010, the premiere of her full-length production of The Sleeping Beauty for The Hong Kong Ballet was met with acclaim. She staged the Shades section from La Bayadère for The Royal Ballet of Flanders, and in December 2014, her production of Don Quixote, for Singapore Dance Theatre, was said by Dance Europe to be one of the best premieres of the year worldwide.As a guest teacher and ballet mistress, Harvey has taught for American Ballet Theatre, The Australian Ballet, Teatro alla Scala in Milan, The Royal Swedish Ballet and The Zürich Ballet, and she is a regular guest ballet mistress at the Semperöper Ballett, Dresden. She has also taught regularly at The Royal Ballet School in London, as well as the School for the Basel Ballet, San Francisco Ballet School and as Principal Guest teacher for the English National Ballet School.As a sought after teacher and jury member, Harvey has appeared at several competitions, including the Rosetta Mauri, The Tanzolymp, the First International Competition in Sitges, Spain, and in 2013,  for Dance World Cup Spain.  Harvey is a long time attendee of he Prix de Lausanne, where she has taught, served as jury president and in 2016 will be the coach for the ladies.Harvey has been on the board of DanceEast, the National Agency for Dance in England and was a prominent member of the committee that saw major ballet directors and ballet school directors from around the world gather to discuss issues relating to improving life for ballet companies and schools. She was standards assessor for The Council for Dance Education and Training in the U.K. until 2010.  She is a member of the International Council of Dance. In early 2014, Miss Harvey formed “En Avant Foundation”, a non-profit foundation for mentoring and coaching ballet for prodigious young dancers.

Paul Saliba has been described as ‘a man of fire'. His dance and choreographic work radiates a sense of energy, light and warmth. The man himself is excitable, committed and vital. A conversation with Paul is enlightening and re-affirming.Paul was only guest No:7 when he talked with STAGES. He reflected on his time with The Australian Ballet, and a car accident that could have put an end to his career. He expanded on his work with The Sydney Dance Company and a key period studying in New York with the great Martha Graham. He danced in the celebrated film of the ballet ‘Don Quixote' alongside Nureyev, Aldous and Helpmann.Paul's work is fed by a fascination with world cultures and their employment of dance as personal expression, as storytelling and as history. He is one of our treasured custodians of dance in Australia. Everyone who has worked with Paul, or been taught by him, recognise a resounding brilliance and passion.These qualities are contagious and evidenced beautifully in this joyous conversation. What a delight to talk dance with Paul Saliba.

Kanye's long awaited new album is finally out, and launched with his most provocative live streaming event so far. What does DONDA say about him as an artist, and the art he's communicating to the world? Meanwhile, a longread on pop producer Dr Luke is a thorough case study on how the music industry is broken, and what we need to do to fix it. But also a discussion on how we as fans make ethical choices about the music we enjoy. And while we're sinking our teeth into some heavy stuff, never fear, we've got good news stories on pandemic dating and a great watch on beautiful ballet, too.   Show notes: The Independent's review of DONDA: https://www.independent.co.uk/arts-entertainment/music/reviews/kanye-west-review-donda-marilyn-manson-b1911087.html How Do You Solve a Problem Like Dr Luke? https://junkee.com/longform/dr-luke-boycott-cancellation Pandemic Dating: https://www.theguardian.com/commentisfree/2021/sep/01/my-radical-love-experiment-shows-there-is-light-at-the-end-of-pandemic-dating-and-it-isnt-a-laptop-screen Blak, Black, Blackfulla: https://www.smh.com.au/national/blak-black-blackfulla-language-is-important-but-it-can-be-tricky-20210826-p58lzg.html Nureyev: https://www.netflix.com/au/title/81117554 Email us: bangon.podcast@abc.net.au   Bang On is recorded on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Kanye's long awaited new album is finally out, and launched with his most provocative live streaming event so far. What does DONDA say about him as an artist, and the art he's communicating to the world? Meanwhile, a longread on pop producer Dr Luke is a thorough case study on how the music industry is broken, and what we need to do to fix it. But also a discussion on how we as fans make ethical choices about the music we enjoy. And while we're sinking our teeth into some heavy stuff, never fear, we've got good news stories on pandemic dating and a great watch on beautiful ballet, too.   Show notes: The Independent's review of DONDA: https://www.independent.co.uk/arts-entertainment/music/reviews/kanye-west-review-donda-marilyn-manson-b1911087.html How Do You Solve a Problem Like Dr Luke? https://junkee.com/longform/dr-luke-boycott-cancellation Pandemic Dating: https://www.theguardian.com/commentisfree/2021/sep/01/my-radical-love-experiment-shows-there-is-light-at-the-end-of-pandemic-dating-and-it-isnt-a-laptop-screen Blak, Black, Blackfulla: https://www.smh.com.au/national/blak-black-blackfulla-language-is-important-but-it-can-be-tricky-20210826-p58lzg.html Nureyev: https://www.netflix.com/au/title/81117554 Email us: bangon.podcast@abc.net.au   Bang On is recorded on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

On the first episode of the second season of 'A Body's Language' we speak to David McAllister. This episode was recorded late last year, in Davids final week as director of The Australian Ballet Company.David shares stories about his dancing days with The  Australian Ballet, working with the likes of Nureyev and Glen Tetley, speaks about pieces of music still make him feel sick with nerves and provides great insights into his philosophies on directorship- reflecting on how The Australian Ballet chose to prioritize the mental health of their dancers during the pandemic while maintaining their world leading physical healthcare program.A graduate of The Australian Ballet School, Perth-born David McAllister began his training with Evelyn Hodgkinson and joined The Australian Ballet in 1983. He was promoted to senior artist in 1986 and to principal artist in January 1989.During his time with the company, he danced many principal roles, including those in The Sleeping Beauty, Don Quixote, Coppélia, Manon, La Sylphide, John Cranko's Onegin and Romeo and Juliet, and Jiří Kylián's Stepping Stones; in 1985 he won Bronze at the Fifth International Ballet Competition in Moscow.Throughout his career, David made numerous guest appearances worldwide, dancing with Bolshoi Ballet, the Kirov Ballet, the Georgian State Ballet, The National Ballet of Canada, Birmingham Royal Ballet, Singapore Dance Theatre and, in 1992, as part of a Royal Gala performance in London in the presence of the Princess of Wales. In 2000, he completed a Graduate Diploma in Arts and Entertainment Management and in 2001, took his final bow as a dancer after a performance of Albrecht in Giselle at the Sydney Opera House, partnering Miranda Coney. In July of that year, David became artistic director of The Australian Ballet. He was awarded a Member of the Order of Australia in the 2004 Australia Day Honours List.Over the next two decades, on his way to becoming The Australian Ballet's longest-serving artistic director, David invigorated the company's repertoire with a series of new commissions from the world's foremost choreographers, including Alexei Ratmansky, Graeme Murphy and Wayne McGregor. He appointed two new resident choreographers, Tim Harbour and Alice Topp, and, through co-productions with leading international companies, secured major works such as Christopher Wheeldon's Alice's Adventures in Wonderland© and Yuri Possokhov's Anna Karenina. As a director/choreographer, he gifted the company with a lavish and widely acclaimed new production of The Sleeping Beauty, funded largely through donations from philanthropic supporters, and three works in the Storytime Ballet series, made especially for young children.Since stepping down as director in January of 2021, David has created a new 'Swan Lake' for Finnish National Ballet, is currently staging Lucas Jervies 'Spartacus', created for The Australian Ballet in 2018 and is in high demand as a guest teacher and choreographer in Australia and abroad.

This week on 5.6.7.EIGHT, Aleksandra speaks with Gil Boggs, Artistic Director at Colorado Ballet. Boggs began his career with the Atlanta Ballet before joining American Ballet Theatre, where he served a remarkable 17-year tenure. Boggs has also performed with the Twyla Tharp Dance Company, Baryshnikov and Company, Nureyev and Friends, and has made several guest appearances around the world. Boggs has also presented 15 world premieres and 15 Colorado Ballet premieres by renowned choreographers such as Twyla Tharp and Lar Lubovitch. From the outset, Gil has been in love the state of Colorado. Having lived and worked in the New York City area for decades, a move to America's heartland was a welcome change. However, from the outset, Gil had to overcome some serious hurdles — not the least of which was leading the company out of its financial struggle. But, because of some grit and determination, Gil did just that. On the podcast, he tells his whole story, including dancing with some of the world's brightest and best, being in a single company for 17 years, and more.    Moving Quotes: "With my staff, we are nurturing dancers. We're not telling them what's wrong and that you have to do this and you have to do that. We are collaborating with these people and getting the best out of them." "People ask me, 'What does it take to get into a company?' You have to be confident. You have to show confidence in yourself... And find inspiration in what you're doing, and you'll grow quickly." [On dancing with American Ballet Theatre] "The choreographers that came through. The rep that came in. It was all so inspiring. And I was able to grow as an artist there." "Over time, I want to see dancers maintain their integrity to the artform. There's a way you go about training yourself, learning a ballet, and performing a ballet. And I'd hate to see people deviate from that form and do it halfway."   Bullet Points (w/ timestamps) - Highlighting key topics discussed: 3:15: Gil discusses his current position as Artistic Director at Colorado Ballet and how he came to join the company. 8:14: Gil explains his earliest moves at the helm of Colorado Ballet and how he turned the company from financial struggle to thriving business, even during a recession. 13:02: Boggs, who took some financial risks early in his time as artistic director, discusses why he decided to “roll the dice” on performing some lesser known works. 14:20: Gil describes some of his earliest hurdles as artistic director and how he overcame. 16:38: Boggs explains why he decided to stay at American Ballet Theatre for so much of his career — a 17-year-long tenure. 20:30: Boggs shares some advice for aspiring dancers that are currently plotting their career paths. 22:59: Gil, who has danced underneath some of the world's best, describes his experience learning from Mikhael Baryshnikov and Twyla Tharp.  25:17: Boggs shares his perspective on how ballet is changing and why certain aspects of the art must remain intact. 26:33: Gil discusses what's next for his company and his eagerness to return to the stage once again. 28:51: Gil shares some extremely practical advice for anyone looking to make a career inside of the world of dance.   Bullet List of Resources –  Gil Boggs LinkedIn Bio on ColoradoBallet.org Colorado Ballet Company Website Instagram Twitter Facebook YouTube

The Royal Ballet's principal dancer speaks to Danielle Radojcin about responding to Black Lives Matter through his choreography and dressing up in Nureyev's costumes.

Today is the 83rd birthday of the ballet dancer Rudolf Nureyev. His strength and grace are unparalleled. The world is a better place because he was in it and still feels the loss that he has left. This episode is also available as a blog post. --- Send in a voice message: https://anchor.fm/waldina/message

Yazarlar, dansçılardan ne öğrenir? Ritm, duruş ve akış bir yazıya nasıl aktarılabilir? Baryshnikov, Nureyev, Madonna, Beyoncé, Michael Jackson ile Virginia Woolf, Shakespeare, Jane Austen arasında nasıl bir benzer okuma yapılabilir? Adnan Bostancıoğlu Köşedeki Kitapçı'nın bu bölümünde sırasıyla üç kitap ve yazarları hakkında bilgiler paylaşıyor. Zadie Smith - Yazarlar İçin Dans Dersleri Mehmet Sabri Genç - Dünya Bir Gelindir Cicero - Kader Üzerine İyi dinlemeler.

MATÍAS SANTOS A poco de comenzar sus estudios de Danzas Clásicas, a los 18 años, en Entre Ríos, su provincia natal, ingresó al instituto Superior de Arte del Teatro Colón, integrando así el Ballet Joven del ISA, con el que realizó diversas giras como Bailarín principal por el país y el exterior, interviniendo en el “Aberdeen International Youth Festival”, realizado en Escocia, dirigidos por Lidia Segni; como también en el "Festival Barrio Antiguo" en México, entre otros. En el año 2005, ingresa por concurso abierto, y ante jurado internacional al “Ballet Estable del Teatro Colón”, donde se destacó como solista en diversas obras tales como “Who Cares”, “Symphony in C”, “Allegro Brillante” de G. Balanchine, “La Bella Durmiente del Bosque”, “Don quijote”, “El Combate”, “El Lago de los Cisnes”, “Giselle” “Raymonda”, “Pulsaciones”, “El Cascanueces” de R. Nureyev, “Sylvia” de F. Ashton, “Petrushka”, “Adagietto” de O. Araiz, “Por vos Muero” de N. Duato. Como bailarín principal, protagonizó “Before Nightfall” de Nils Christe, “Cenicienta” de Renato Zantella, “Bruch” de Clark Tippet, “Rodín” de Boris Eifman, “Onieguin” de John Cranko, entre otros. Asimismo, intervino en las giras internacionales del BETC por Muscat, Omán, y del Festival Internacional de La Habana, Cuba. Es convocado para realizar una gira por Centroamérica como bailarín principal de la Compañía Tango Pasión y, seguidamente, fue invitado al festival de Cabo Frío, Brasil junto a Estrellas Internacionales de la Danza. En el año 2016, fue elegido y preparado por los maestros Victor y Agneta Valcu en el rol de Onieguin, para el ballet homónimo de John Cranko. Formado artística y académicamente por el Maestro Martín Miranda, ha preparado junto a él, como protagonista, las versiones integrales de “Giselle”, “Coppelia”, “Chopiniana” y “El Corsario”, entre otros; realizando diversas giras. En Junio de 2013, se presentó en el “XII Concurso Internacional de Ballet del Teatro Bolshoi de Moscú” acompañando a Luana Brunetti, recibiendo el premio a la Maestría Artística. Seguidamente, participa en representación del BETC en la Gala Internacional de Ballet en Asunción, Paraguay. En el año 2019, realiza una extensa gira por la República Popular de China como bailarín principal del “Roma City Ballet”. Actualmente, continúa con su formación actoral. Además, como coreógrafo, ha creado las obras "Balletango" y "Sumaj Pachamama", estrenada en el CETC del Teatro Colón junto a La Charo y su música.

New Instant freedom brings new changes

We talk about this years Rostelecom including our favourite mini- Nureyev.

In this episode, Jessica and I conclude our conversation on Eminem and Nureyev. We also begin our series on the Christmas story when we discuss the life of Joseph, the father to Jesus.  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/beautifulfeetent/message

In this episode, Jessica and I continue our comparison on Eminem and Rudolf Nureyev. We also conclude our discussion of the book of Romans by reading and studying  Romans chapter 16.  I’ve published my first book! A book of poetry entitled, “ the Sanctuary of my Solitude” You can grab a copy at: Iuniverse.com at https://tinyurl.com/wauwqfd Amazon.com at https://tinyurl.com/rk86o72 Follow me on social media: Twitter @beautfeetent Instagram @beautiful_feet_entertainment Visit beautifulfeetentertainment.com for more! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/beautifulfeetent/message

In this episode, Jessica and I begin a three part discussion on the comparisons between Hip-Hop star Eminem and Ballet star Rudolf Nureyev. We also discussion unity within our community through the context of Romans chapter 14.  I’ve published my first book! A book of poetry entitled, “ the Sanctuary of my Solitude” You can grab a copy at: Iuniverse.com at https://tinyurl.com/wauwqfd Amazon.com at https://tinyurl.com/rk86o72 Follow me on social media: Twitter @beautfeetent Instagram @beautiful_feet_entertainment Visit beautifulfeetentertainment.com for more!   --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/beautifulfeetent/message

In this episode Martin Kamer tells where he finds and acquires his collection objects. He remembers a red silk and gold embroidered court dress (sack dress) that he bought in Florence. Kamer travels via London to New York, the dress in the bag. He calls his friend, the famous ballet dancer Rudolf Nureyev, who, among many other things, collected historical dresses. Kamer sells the Italian dress to Nureyev before the dress makes a remarkable journey. Today, the dress is in the Fashion Museum in the Residenzschloss Ludwigsburg.

From the moment the seven-year-old Rudolf Nureyev saw a ballet on stage in his local theatre, he lived and breathed dance. That overwhelming desire to be on stage carried him throughout his life – from his student days in Leningrad to his defection to the West in a blaze of publicity, from theatres around the world to his final curtain in 1992 when his gaunt body was ravaged by Aids. He made good on his promise: “the main thing is dancing, and before it withers away from my body, I will keep dancing till the last moment, the last drop.” In a career spanning more than three decades, he brought new audiences to ballet, and gave new meaning to the role of male dancers. He was a pin-up, a performer whose stage presence and artistry was so mesmerising that those who saw him perform in the 1960s have never forgotten the experience. His leaps defied gravity; he gave the impression of floating through the air. But his demands for perfection could make him a difficult person to be with. His temper was as legendary as his dancing. Bridget Kendall explores how Nureyev's commitment to transcend his childhood in grinding poverty made him one of the world's most celebrated dancers, with writer Julie Kavanagh, author of Rudolf Nureyev: The Life; writer and translator, Irina Klyagin, who looks after Harvard University's extensive theatre collection and specialises in Russian ballet; and Thierry Fouquet, vice chair of the board of trustees of the Rudolf Nureyev Foundation who worked with Nureyev during his time at the Paris opera, the home of France's leading ballet company. (Photo: Rudolf Nureyev In 'Aureole'. Credit: Linda Vartoogian/Getty Images)

con Maurizio Porro e Roberto Festi

Il cinegiornale di ScreenWeek oggi propone Toy Story 4, La mia vita con John F. Donovan, Wolf Call – Minaccia in alto mare, Nureyev – The White Crow, Il segreto di una famiglia e Carmen y Lola.

Jamie McCourt, the U.S. Ambassador to France and Monaco, joins Christiane Amanpour to discuss the 75th anniversary of D-Day. David Morris, co-director of "Nureyev", discusses the process of making the film with his sister Jacqui, which portrays Russian ballet dancer Rudolph Nureyev. Dame Sian Phillips, who narrated the film, describes her friendship with the infamous dancer who defected during the cold war. Our Hari Sreenivasan talks to Patton Oswalt, writer, comedian and actor, about how he uses comedy to heal his grief.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

British film composer Ilan Eshkeri joins us to talk about his third collaboration with actor/director Ralph Feinnes, The White Crow. The film tells the story of famed Soviet ballet dancer Rudolf Nureyev and his defection to France in 1961. Eshkeri's soundtrack, which features violinist Lisa Batiashvili, is meant to mingle with and compliment the ballet music of Tchaikovsky, which bore an important presence in Nureyev's career.

Strap on your pointe shoes and join Anna, Henry and Pete as they hit the floor with an episode about the Soviet ballet dancers who defected to the west. Inspired by Ralph Fienne's The White Crow, a biopic of the ballet supremo and defector Rudolf Nureyev, the gang track the careers of Nureyev, Mikhail Baryshnikov and the contemporary Ukrainian dancer Sergei Polunin, asking what it takes for these dancefloor geniuses to make it in western pop culture.The Bigger Picture, presented by the BFI, is...BFI Southbank Programmer Anna Bogah...Anna Bogurts... Anna Bogutskaya. BFI Digital editor Henry BarnesProducer Peter SaleNext steps:• The Guardian's Simon Hattenstone interviews Sergei Polunin: https://www.theguardian.com/stage/2019/mar/07/sergei-polunin-sacked-putin-tattoo-interview• Four great Soviet ballet dancers (via Russia Beyond): https://www.rbth.com/arts/2015/08/11/dancing_their_way_to_freedom_4_great_soviet_ballet_defectors_48425.html• Gregory Hines and Mikhail Baryshnikov strut their stuff: https://www.youtube.com/watch?v=0qDGVHy5iTM See acast.com/privacy for privacy and opt-out information.

La directora del documental: Nureyev, Libertad, Revolución y Danza, habla con De Película sobre esta visión, al desconocido mundo del bailarín ruso. Con motivo del aniversario número 25 de la muerte del bailarín más importante del siglo XX, Rudolf Nureyev, la realizadora británica Jacqui Morris, con el apoyo de la Fundación Nureyev, presentan al mundo un documental que revela esas muchas facetas desconocidas del hombre que llevo el baile artístico a unos niveles de grandeza. Con una puesta teatral y a partir de miles de imágenes encontradas en decenas de horas grabadas en cintas de VHS, se construye esta vibrante retrospectiva sobre uno de los genios incomprendidos del arte universal. @caracoldepeli

Ordets Filmpodcast chasséer i dette afsnit igennem 7 film, hvoraf mange af dem indeholder masser af dans. Karoline og Claus lægger dog ud med Fantastiske Skabninger: Grindelwalds forbrydelser, hvorefter den skønne Morten kommmer forbi for at snakke den kommende Ordet nr.42 bladudgivelse og de to film, I krig og kærlighed og Suspiria. Karoline skoler Claus i dans når de snakker Nureyev og karaoke-stemmerne smurt til Bohemian Rhapsody. Et sukkerchock af de store følger i Nøddeknækkeren og de fire kongeriger inden det hele ender i ekstase til Gaspar Noes Climax. Et helt nyt segment runder afsnittet af, når Claus finde en film som Karoline skal se til næste afsnit i Challenge Accepted. Timecodes:00:00 - 03:12 - Intro og Ordet 42 m. Morten03:16 - 10:12 - Fantastiske Skabninger: Grindelwalds forbrydelser10:15 - 16:02 - I krig og kærlighed m. Morten16:06 - 26:48 - Suspiria m. Morten26:52 - 37:14 - Nureyev37:17 - 45:51 - Bohemian Rhapsody45:55 - 54:24 - Nøddeknækkeren og de fire kongeriger54:33 - 01:04:08 - Climax01:04:14 - 01:08:47 - Challenge acceptedTak til Morten Kildebæk, Uniradioen, UIP, Disney, Scanbox, og Another World Entertainment

Cary Fukanaga, recently announced director of the next James Bond film, discusses his new Netflix series Maniac. The show explores the minds of two strangers, played by Emma Stone and Jonah Hill, who take part in a mysterious drug trial in the hope of changing their lives for the better.The Royal Opera House has unveiled the results of its £50m, two-and-a-half-year Open Up project. For the first time it will be open to the public daily, with a new programme of free and ticketed events. Royal Opera House CEO Alex Beard explains what's new and improved about the Covent Garden building.'In one section he's polishing a scaffolding pole in the most provocative way imaginable' is how director Jacqui Morris describes the previously unseen footage of Rudolph Nureyev she has uncovered. Along with her brother David, the pair have created a new documentary film about the legendary ballet dancer's life through this new archival footage, his own memoirs and a newly-commissioned interpretive dance.Presenter Stig Abell Producer Ben Mitchell

A watershed moment for Canada's indigenous people as Mohawks take on the developers, the birth of UKIP in Britain, memories of the poet Irina Ratushinskaya who died earlier this month - plus dance music with ballet star Nureyev's defection and illegal raving in England's countryside. (PHOTO: A Mohawk activist confronts a soldier. Credit: IATV NEWS)

As Shirley MacLaine releases a new film about a woman curating her obituary, she reflects on her long career in Hollywood, including working with Alfred Hitchcock, being the only female member of the Rat Pack and starring in Downton Abbey alongside Maggie Smith.As the Bolshoi Ballet cancels the eagerly awaited adaptation about Nureyev, ballet critic Ismene Brown discusses what might have caused this to come about.For our Queer Icons series, trans rights activist and journalist Paris Lees chooses Neil Jordan's 1992 film The Crying Game, about an IRA man's relationship with a British soldier's lover. The baritone and composer Roderick Williams talks about his upcoming performances at the Cheltenham Music Festival and at the Proms where a world premiere of his new BBC commission, inspired by the text of a well-known aria from Mozart's Don Giovanni, will be performed.

An active member of the dance community for more than 35 years, Risa Steinberg served as the associate director of The Juilliard School from 2009 to 2016. As a solo artist, teacher, rehearsal coach, and director of the works of José Limón, she has toured the world performing and teaching extensively. Risa is a former principal dancer with the José Limón Dance Company, Bill Cratty Dance Theater, Annabelle Gamson, Anna Sokolow's Player's Project, Colin Connor, and American Repertory Dance Company of Los Angeles. She has been a guest artist with choreographers including Wally Cardona, Sean Curran, and Danzahoy of Caracas, Venezuela. Her solo concert, A Celebration of Dance, features repertory from Isadora Duncan and Doris Humphrey to contemporary choreographers Wally Cardona and Ann Carlson. As a reconstructor of the works of Limón, Risa has worked with companies and dancers around the world including Nureyev and Friends, Frank Augustyn, Karen Kain, and the Pennsylvania Ballet. She was a dance panelist for the N.Y.S. Council on the Arts and presently sits on the Artists Advisory board for Danspace Project at St. Marks Church. In this episode we cover the following topics: Talent recruitment (objective vs. subjective characteristics, adherence to standards) The importance of skill development early in a performer’s career Limitations of fear based learning When coaches are the problem Capturing emotion and feeling without being overcome with emotion to the point that it detracts from execution Part vs. whole learning/periodization of dance Do generational changes require different educational approaches How do performers (and their directors) avoid complacency despite adhering to the same "script" night in and night out

We chat about our National Capital Canberra, and its genesis, we comment about our recent public holiday Moomba for the Labour Day Weekend and we salute St Patrick – the patron saint of Ireland. Having […] http://media.rawvoice.com/joy_beentheredonethat/p/joy.org.au/beentheredonethat/wp-content/uploads/sites/90/2017/03/2017-03-14-BeenThereDoneThat-MoombaStPatrickS.GatelyR.NureyevM.KirbyR.Mapplethorpe.mp3 Podcast: Play in new window | Download (Duration: 36:33 — 16.7MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Moomba, St Patrick, S.Gately, R.Nureyev, M.Kirby, R.Mapplethorpe appeared first on Been There Done That.

Who is Peter Nureyev? The question has dogged Juno Steel, Private Eye for six months now, ever since he first met that master of disguises. It doesn’t help that he changes identities like most people change clothes: Rex Glass, Duke Rose, Miasma’s anonymous “the Thief…” How is Juno supposed to know who he is? How is Juno supposed to trust him? He needs to know he can, because the clock is ticking. Miasma’s experiments on Juno won’t last forever, and once his usefulness has passed she’ll kill the both of them. And once they’re gone, who will stop her from using the Egg of Purus, the Martian superweapon she now has under her control? Juno needs to trust Nureyev, but he hardly knows him. And so, that same old question remains: who is Peter Nureyev? Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay. (Note: Trigger warnings for all episodes will now be posted at the bottom of the episode description. In this way, we hope to accommodate those of our fans for whom emotional triggers are a significant concern without causing inconvenience for any listeners worried about spoilers. If this is a concern for you, please scroll down to the bottom of this description now.) We’d like to thank our Patreon supporters: Elizabeth Miller, Angel Acevedo, Hannah Tsim, Ivy Keller, Savannah Patterson, Marilene Desrosiers, Sarah, Marina Snowden, Rachel McLean, Jason Mellin, Alice Card, Sarah D, Kai Blake, Maeve Moon, Naomi Snelson, Alice Chuang, Shannon, Christoffel Engelbrecht, Laura, Carla Lange, Lauren, Jennifer Troemner, Laura Wagner, Kristen Koopman, Madison Lindsley, Rose Saia, Sue Stewart, Anna Meehan, Emily Marazzo, Peter Staley, Sienna Warecki, Aslee Graves, Timothy LaGrone, Kes L. Radford, Mandy Grady, Tales of THATTOWN, Delaney Messer, Damian Salizar, Emily Becnel, Arsit Rouke, Genesis Aguirre, Allison K, Veronica Borders, Nic Duhamel, Sean Toland, Kate Mraz, Emily Jones, Scott Galica, Melissa Mosley, Toby MGK, Adrienne Diehl, Sarah Brink, Allen Grevey, M R Clay, Mershon Moore, Tygr, Ben Stanfield, Emily Olivieri, Mitchell Ferree, Sara Spookystitch, Annie Mosity, Sierra Netz, Phoebe Nowak, Jeremy Holstein, Jon Fortune for World Dominator Promotional Campaign, David Spain, Maureen Vibert, Debra Simes, Duncan Whincup, and Kian Alvane! With Patreon, you can support us by scheduling a small donation for each episode we release. If you’d like to show the artists behind the Penumbra that you appreciate their work, you can do so here: https://www.patreon.com/user?u=3386677 Attribution: Licensed under a Creative Commons Attribution (3.0) license. http://creativecommons.org/licenses/by/3.0/legalcode "Kind of Girl" by Jeris, featuring spinningmerkaba: http://ccmixter.org/files/VJ_Memes/35657 “High pitched drilling.wav” by Satoration http://freesound.org/people/Satoration/sounds/54970 “VillagePark Birds Coast NL 130503_00.flac” by klankbeeld http://freesound.org/people/klankbeeld/sounds/187597 “Door Open And Close” by rivernile7 http://freesound.org/people/rivernile7/sounds/234244 “Atmosphere Cave (Loop)” by xDimebagx http://freesound.org/people/xDimebagx/sounds/232685 “chair_sitting_8.wav” by FreqMan http://freesound.org/people/FreqMan/sounds/25931 “Thuds on Window” by zerolagtime http://freesound.org/people/zerolagtime/sounds/245033 “a good kick in the head sound.aif” by mwl500 http://freesound.org/people/mwl500/sounds/54807 “SpaceEngine_ControlRoom_Loop_00.wav” by LittleRobotSoundFactory http://freesound.org/people/LittleRobotSoundFactory/sounds/274187 “Alarm-04-Short.wav” by Lalks http://freesound.org/people/Lalks/sounds/316847 “Scanning sound” by Projects U012 http://freesound.org/people/ProjectsU012/sounds/340959 “ClothFoleyGrab.aif” by bennychico11 http://freesound.org/people/bennychico11/sounds/44408 “Computer Scan.wav” by spoonsandlessspoons http://freesound.org/people/spoonsandlessspoons/361332 “Various Scifi Elevator Door Sounds” by Nicistarful http://freesound.org/people/Nicistarful/sounds/344224 “Scifi Elevator Start Moving and Stop” by Nicistarful http://freesound.org/people/Nicistarful/sounds/344223 “chair_sitting_5.wav” by FreqMan http://freesound.org/people/FreqMan/sounds/25928 “Alien Soundscape.wav” by dingo1 http://freesound.org/people/dingo1/sounds/161383 TRIGGER WARNINGS: Please be advised that this episode includes the following potential triggers: Torture Death Some gore/"body horror" Sudden loud noises

Who is Peter Nureyev? The question has dogged Juno Steel, Private Eye for six months now, ever since he first met that master of disguises. It doesn’t help that he changes identities like most people change clothes: Rex Glass, Duke Rose, Miasma’s anonymous “the Thief…” How is Juno supposed to know who he is? How is Juno supposed to trust him? He needs to know he can, because the clock is ticking. Miasma’s experiments on Juno won’t last forever, and once his usefulness has passed she’ll kill the both of them. And once they’re gone, who will stop her from using the Egg of Purus, the Martian superweapon she now has under her control? Juno needs to trust Nureyev, but he hardly knows him. And so, that same old question remains: who is Peter Nureyev? Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay. (Note: Trigger warnings for all episodes will now be posted at the bottom of the episode description. In this way, we hope to accommodate those of our fans for whom emotional triggers are a significant concern without causing inconvenience for any listeners worried about spoilers. If this is a concern for you, please scroll down to the bottom of this description now.) We’d like to thank our Patreon supporters: Elizabeth Miller, Angel Acevedo, Hannah Tsim, Ivy Keller, Savannah Patterson, Marilene Desrosiers, Sarah, Marina Snowden, Rachel McLean, Jason Mellin, Alice Card, Sarah D, Kai Blake, Maeve Moon, Naomi Snelson, Alice Chuang, Shannon, Christoffel Engelbrecht, Laura, Carla Lange, Lauren, Jennifer Troemner, Laura Wagner, Kristen Koopman, Madison Lindsley, Rose Saia, Sue Stewart, Anna Meehan, Emily Marazzo, Peter Staley, Sienna Warecki, Aslee Graves, Timothy LaGrone, Kes L. Radford, Mandy Grady, Tales of THATTOWN, Delaney Messer, Damian Salizar, Emily Becnel, Arsit Rouke, Genesis Aguirre, Allison K, Veronica Borders, Nic Duhamel, Sean Toland, Kate Mraz, Emily Jones, Scott Galica, Melissa Mosley, Toby MGK, Adrienne Diehl, Sarah Brink, Allen Grevey, M R Clay, Mershon Moore, Tygr, Ben Stanfield, Emily Olivieri, Mitchell Ferree, Sara Spookystitch, Annie Mosity, Sierra Netz, Phoebe Nowak, Jeremy Holstein, Jon Fortune for World Dominator Promotional Campaign, David Spain, Maureen Vibert, Debra Simes, Duncan Whincup, and Kian Alvane! With Patreon, you can support us by scheduling a small donation for each episode we release. If you’d like to show the artists behind the Penumbra that you appreciate their work, you can do so here: https://www.patreon.com/user?u=3386677 Attribution: Licensed under a Creative Commons Attribution (3.0) license. http://creativecommons.org/licenses/by/3.0/legalcode "Kind of Girl" by Jeris, featuring spinningmerkaba: http://ccmixter.org/files/VJ_Memes/35657 “High pitched drilling.wav” by Satoration http://freesound.org/people/Satoration/sounds/54970 “VillagePark Birds Coast NL 130503_00.flac” by klankbeeld http://freesound.org/people/klankbeeld/sounds/187597 “Door Open And Close” by rivernile7 http://freesound.org/people/rivernile7/sounds/234244 “Atmosphere Cave (Loop)” by xDimebagx http://freesound.org/people/xDimebagx/sounds/232685 “chair_sitting_8.wav” by FreqMan http://freesound.org/people/FreqMan/sounds/25931 “Thuds on Window” by zerolagtime http://freesound.org/people/zerolagtime/sounds/245033 “a good kick in the head sound.aif” by mwl500 http://freesound.org/people/mwl500/sounds/54807 “SpaceEngine_ControlRoom_Loop_00.wav” by LittleRobotSoundFactory http://freesound.org/people/LittleRobotSoundFactory/sounds/274187 “Alarm-04-Short.wav” by Lalks http://freesound.org/people/Lalks/sounds/316847 “Scanning sound” by Projects U012 http://freesound.org/people/ProjectsU012/sounds/340959 “ClothFoleyGrab.aif” by bennychico11 http://freesound.org/people/bennychico11/sounds/44408 “Computer Scan.wav” by spoonsandlessspoons http://freesound.org/people/spoonsandlessspoons/361332 “Various Scifi Elevator Door Sounds” by Nicistarful http://freesound.org/people/Nicistarful/sounds/344224 “Scifi Elevator Start Moving and Stop” by Nicistarful http://freesound.org/people/Nicistarful/sounds/344223 “chair_sitting_5.wav” by FreqMan http://freesound.org/people/FreqMan/sounds/25928 “Alien Soundscape.wav” by dingo1 http://freesound.org/people/dingo1/sounds/161383 Transcript: A transcript of the spoken lines in this episode can be found here: https://drive.google.com/open?id=19BX4E9OoSE7V4TKI8VJQJkjlvaqVSrgmrDEbduQt6xE Production scripts with behind-the-scenes direction, character insights, notes for actors, and ridiculous jokes are available on Patreon at the $7 level. (Transcript by Wendy Wang and edited by Kevin Vibert.) Trigger warnings: Please be advised that this episode includes the following potential triggers: Torture Death Some gore/"body horror" Sudden loud noises

Somewhere in this desert lies the greatest weapon Mars has ever seen. It’s on board the Utgard Express, a mobile lockbox that shatters the speed of sound at its slowest setting, a train that no one has ever entered… until today. The plan is set. Juno and Nureyev know exactly what they must do to board that train. If there are no surprises they’ll just wake up, drive to a drone launch site in the desert, hijack a drone, and then ride off into the sunset, Martian Weapon in hand. If there are no surprises, that is. But someone in this desert doesn’t much like the idea of things going smoothly for Juno and Nureyev, and the first of his surprises should be arriving at their door right about… now. Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay. We’d like to thank our Patreon supporters: Elizabeth Miller, Angel Acevedo, Jason Mellin, Alice Card, Sarah D, Kai Blake, Maeve Moon, Naomi Snelson, Alice Chuang, Shannon, Christoffel Engelbrecht, Laura, Carla Lange, Kristen Koopman, Madison Lindsley, Rose Saia, Sue Stewart, Anna Meehan, Hannah Tsim, Emily Marazzo, Peter Staley, Sienna Warecki, Mandy Grady, Tales of THATTOWN, Delaney Messer, Damian Salizar, Emily Becnel, Arsit Rouke, Genesis Aguirre, Allison K, Veronica Borders, Nic Duhamel, Sean Toland, Scott Galica, Melissa Mosley, Toby MGK, Adrienne Diehl, Sarah Brink, Allen Grevey, M R Clay, Merson Moore, Tygr, Ben Stanfield, Emily Olivieri, Mitchell Ferree, Sara Spookystitch, Annie Mosity, Sierra Netz, Phoebe Nowak, Jeremy Holstein, Jon Fortune for World Dominator Promotional Campaign, David Spain, Maureen Vibert, Debra Simes, Timothy LaGrone, Duncan Whincup, and Kian Alvane! With Patreon, you can support us by scheduling a small donation for each episode we release. If you’d like to show the artists behind the Penumbra that you appreciate their work, you can do so here: https://www.patreon.com/user?u=3386677 Attribution: "Kind of Girl" by Jeris, feat. spinningmerkaba http://ccmixter.org/files/VJ_Memes/35657 “Interior Rally Racing Car.wav” by efksound http://freesound.org/people/efksound/sounds/193679 “Destruction, Wooden, A.wav” by InspectorJ http://freesound.org/people/InspectorJ/sounds/352513 “Plunk” by OwlStorm http://freesound.org/people/OwlStorm/sounds/209011 “Nuerburgring-Pit-Lane.flac” by Erdie http://freesound.org/people/Erdie/sounds/34526 “Airplane Ambience” by SeanSecret http://freesound.org/people/SeanSecret/sounds/251653 “thing.rocket.02.mp3” by dobroide http://freesound.org/people/dobroide/sounds/15463 “Key out of the pocket.wav” by BarkersPinhead http://freesound.org/people/BarkersPinhead/sounds/274669 “Light Metal Gate Close” by qubodup http://freesound.org/people/qubodup/sounds/219587 “Indy Blow Darts Cue 3.wav” by pscsound http://freesound.org/people/pscsound/sounds/71260 “Clothing_ShirtsandPants_Rustling.wav” by duckduckpony http://freesound.org/people/duckduckpony/sounds/204016 “underwater ambience” by akemov http://freesound.org/people/akemov/sounds/255597 “Large Earthquake” by LoafDV http://freesound.org/people/LoafDV/sounds/148002 “metal door close.wav” by Tomlija http://freesound.org/Tomlija/sounds/98946 “kitchen metal.wav” by offthesky http://freesound.org/people/offthesky/sounds/34654 “good kick in the head sound.aif” by mwl500 http://freesound.org/people/mwl500/sounds/54807 TRIGGER WARNINGS: Violence Gunfire Deception and gaslighting Sudden loud noises Alcohol Threats

At the end of a glorious career, the defiant legend takes refuge in his most cherished partner—himself.

He arrived in the night: Peter Nureyev, the burglar who got away, the thief Juno Steel couldn’t catch. Until he returned, things had been so simple: solving crimes, chasing a killer with her eye on Ancient Martian artifacts, and not letting personal business get in the way. With Nureyev, though, things always seem to get personal very quickly. But Juno has no choice. Nureyev’s the only one with a lead on the killer Juno’s after. He knows exactly what she plans to take next, and according to him it’s something very big, and very dangerous. According to Nureyev, anyway. But the question remains: can Juno trust Peter Nureyev? Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay. If you miss us between episodes, remember to follow us on Facebook (The Penumbra Podcast), Twitter (@thepenumbrapod), and our website (thepenumbrapodcast.com) for updates, information about the cast and crew, and irresistible witticisms. We’d like to thank our Patreon supporters: Angel Acevedo, Hannah Tsim, Naomi Snelson, Alice Chuang, Shannon, Christoffel Engelbrecht, Laura, Carla Lange, Madison Lindsley, Jason Mellin, Rose Saia, Sue Stewart, Anna Meehan, Peter Staley, Sienna Warecki, Emily Becnel, Maeve Moon, Arsit Rouke, Genesis Aguirre, Allison K, Veronica Borders, Nic Duhamel, Sean Toland, M R Clay, Mershon Moore, Tygr, Ben Stanfield, Emily Olivieri, Mandy Grady, Kayla Mullins, Mitchell Ferree, Sara Spookystitch, Annie, Sierra Netz, Phoebe Nowak, Jeremy Holstein, "The Jon Fortune Promotional Campaign," and David Spain! With Patreon, you can support us by scheduling a small donation for each episode we release. If you’d like to show the artists behind the Penumbra that you appreciate their work, you can do so here: https://www.patreon.com/user?u=3386677 Attribution: Music: "Kind of Girl" by Jeris, featuring spinningmerkaba: http://ccmixter.org/files/VJ_Memes/35657 “Underwater ambience.WAV” by ben_jamin0 http://freesound.org/people/ben_jamin0/sounds/116657 “I Feel Like Dancing” by Steven M Bryant © 2012 Licensed under a Creative Commons Attribution Share-Alike (3.0) license. http://dig.ccmixter.org/files/stevieb357/35149 Ft: Jeris & Copperhead “J.S. Bach – Cantante Profane No.205 – 1.Chouer des Vents,” European Archive. Public Domain Mark 1.0 “Antonio Vivaldi – Concerto in C major Op. 8 No. 12 – I. Allegro II. Largo III. Allegro,” Europen Archive. Public Domain Mark 1.0 “Organ Concerto in C major, BWV 595 (For Trumpet and Organ – Rondeau,” Johann Sebastian Bach, performed by Michel Rondeau. Creative Commons Attribution 3.0 Unported “MacBook Pro Feedback” by ejgvibes http://freesound.org/people/ejgvibes/sounds/198459 “Café connection” by morgantj, copyright 2009. Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/morgantj/18947 Ft: Morusque “Growing” by Jeris © copyright 2012 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/VJ_Memes_35240 Ft: Mykleanthony “Concerto No. 4 in F minor, Op. 8, RV 297, ‘L’inverno’ (Winter) = Allegro non molto,” Antonio Vivaldi, performed by the US Air Force Band. Public Domain Mark 1.0 “Concerto Gross in B flat major no. 7, HWV 325 – III. Andante,” Georg Friedrich Handel, European Archive. Public Domain Mark 1.0. Transcript: A transcript of the spoken lines in this episode can be found here: https://docs.google.com/document/d/1yGUMR-aqGQvoTvpPykmLfaAFwFsdgNOUlmgoi15h7Ws/ Production scripts with behind-the-scenes direction, character insights, notes for actors, and ridiculous jokes are available on Patreon at the $7 level. TRIGGER WARNINGS: Violence Gunfire Deception and gaslighting Sudden loud noises Alcohol Threats

Andrew Lloyd Webber favorite, Loni Ackerman, drops by the studio to reveal to Rob and Kevin what it was like playing Evita in LA, Grizabella on Broadway, and Norma Desmond in Maine! Also, Loni sets the record straight on No, No, Nanette, steals from Nureyev, and pummels the Prince of Broadway. Plus: Unpaid Dinner Theatre in Florida, Martha Raye's panties, and why Loni should be the Equity Deputy of Life!

www.Wonder.land is Damon Albarn's re-imagining of Lewis Carol's tales of Alice, the White rabbit et al, transferred from The Manchester International Festival to London's National Theatre. Lily Tomlin plays the feisty Grandma who has to help her granddaughter find the money needed for an abortion Nureyev - Dance to Freedom, is a BBC4 drama-documentary which tells the story of the famous dancer's dramatic defection to The West in 1961 Adam Roberts' novel The Thing Itself deals with Emmanuel Kant, the search for extra-terrestrial life, time-hopping and so much more London's V+A Museum has reopened refurbished European Galleries. With an embarrassment of riches from which to choose, how have they updated the display? Tom Sutcliffe's guests are John Tusa, Louise Doughty and Lynn Nead. The producer is Oliver Jones.

A great sign for the still sluggish US economy - manufacturing is really beginning to pick up, aided by extraordinary technology and a highly skilled and productive workforce. We are still a few years away from manufacturing really hitting its bootstraps, but it is on the way. We also salute a nine-year-old app entrepreneur and talk about the monetization of Instagram. We also talk about Apple's Passbook app and how retailers can use it to their advantage and also how to use social media to increase interaction with customers and how to develop better relationships and deliver a positive customer experiences. We speak with Marie France Lévesque, a prima ballerina who danced with Baryshnikov and Nureyev until a tragic car accident 14 years ago. Now, at 50, she formed the Los Angeles dance company and has a wonderful production in Los Angeles in November. We also have a great interview with INXS legendary saxophonist, guitarist and singer Dirk Pengilly. INXS has sold over 40 million albums.

Quando la passione non ha confini.

Sul torpedone assieme al nostro conducente "innamorato" anche Vasco, Elvis e il grande Nureyev.

Dame Monica Mason has spent all of her working life at the Royal Ballet in London. Now 70 she is about to start her final season as Director of the Royal Ballet. In conversation with Norman Lebrecht she talks frankly and warmly of the experiences her various roles in the company have given her. Born in South Africa she first encountered ballet in Johannesburg and began to dance. After the sudden death of her father when she was just 13 she tells Norman how her mother brought her to London where they lived frugally in a bedsit in Finsbury Park. Monica got a place at the Royal Ballet School and then unexpectedly was put in the company. Here she immediately encountered some of the great figures in international ballet whom she talks about in this interview.. The founder of the Royal Ballet was Dame Ninette de Valois who was then at the helm and a figure who fought for the company throughout the war years but who inspired fear in many. Frederick Ashton was the founder choreographer of the company and later held the post of Artistic Director. Monica Mason tells of dancing in his full length ballet Ondine to music by Henze which he found difficult to work to, but generally she was not one of his favourite dancers. Monica also talks about Margot Fonteyn who for many years danced many of the best roles and continued past the normal age when dancers retire partly due to the arrival of Rudolf Nureyev with whom she formed a memorable partnership. Mason also talks of dancing with Nureyev herself. She found a more direct working partnership with Ashton's successor Kenneth Macmillan who built his version of Rite of Spring around her . Macmillan was a troubled man subject to dark moods who, when he discovered Monica was considering leaving as her dancing years came to an end, persuaded her to stay as his assistant. She agreed and worked closely with him and was there when he died suddenly backstage during an evening performance. Monica Mason remained during the difficult years of the 90s when the Royal Opera House went through a troubled period, continuing as assistant to Norman Morrice, Anthony Dowell and then Ross Stretton. And it was only after Stretton's sudden dismissal that she went into the role of Director herself, at first she thought, on a temporary basis. Soon after she was offered the job. She reflects on her experiences as Director and how she has tried to move the company on, appointing Wayne McGregor as resident choreographer and commissioning a new full length ballet from Christopher Wheeldon. Producer Tony Cheevers.

Margot Fonteyn and Rudolf Nureyev dance an extract from Kenneth MacMillan's Romeo and Juliet, seen in this exclusive archived footage.

Margot Fonteyn and Rudolf Nureyev dance an extract from Kenneth MacMillan's Romeo and Juliet, seen in this exclusive archived footage.

Margot Fonteyn and Rudolf Nureyev dance an extract from Kenneth MacMillan's Romeo and Juliet, seen in this exclusive archived footage.

Margot Fonteyn and Rudolf Nureyev dance an extract from Kenneth MacMillan's Romeo and Juliet, seen in this exclusive archived footage.

On 16 June 1961 the great ballet dancer Rudolf Nureyev cut his ties with the Soviet Union. He escaped his KGB minders at an airport in Paris. Nureyev and Fonteyn in 1963.

Margot Fonteyn and Rudolf Nureyev dance an extract from Kenneth MacMillan's Romeo and Juliet, seen in this exclusive archived footage.

Margot Fonteyn and Rudolf Nureyev dance an extract from Kenneth MacMillan's Romeo and Juliet, seen in this exclusive archived footage.

Margot Fonteyn and Rudolf Nureyev dance an extract from Kenneth MacMillan's Romeo and Juliet, seen in this exclusive archived footage.

Dancer (Metropolitan) Colum McCann deserts the working-class backgrounds of his Irish novels to write a fictional life of Rudolph Nureyev. He invents a dancing prose style-floating, glittering, suspended in bright air. We discover how the subject, Nureyev, taught McCann a new way to write.

Sue Lawley's guest this week is the artistic director of the Rambert Dance Company Christopher Bruce. As a child he was sent to dance lessons to strengthen his legs after polio had left them severely weakened. Ten years later he was the star of Ballet Rambert. Not content with being dubbed 'the Nureyev of contemporary dance' he went on to become one of the great choreographers, working all over the world before returning to the company as Director in 1994.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Piano Concerto No.2 by Sergei Rachmaninov Book: Teach yourself French Luxury: Suncream

Sue Lawley's guest this week is the artistic director of the Rambert Dance Company Christopher Bruce. As a child he was sent to dance lessons to strengthen his legs after polio had left them severely weakened. Ten years later he was the star of Ballet Rambert. Not content with being dubbed 'the Nureyev of contemporary dance' he went on to become one of the great choreographers, working all over the world before returning to the company as Director in 1994. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Piano Concerto No.2 by Sergei Rachmaninov Book: Teach yourself French Luxury: Suncream

It's difficult to stay sane while you're in two simultaneous life-or-death situations, but Juno Steel is doing his best. With the Ruby 7 psychically splitting his attention between two places -- one where he is imprisoned and experimented on by Dokana executives; another where Nureyev must argue to save Juno's life -- things are looking pretty grim. And with each passing day, the executives draw closer to isolating what they need from Juno... which means that each day, they draw closer and closer to disposing of him entirely.Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay.(Trigger warnings can be found at the bottom of this episode description and at the end of the transcript.)-------You can find all of our transcripts here: https://drive.google.com/drive/folders/1OLddnnYamZuglgZc8pM2gqToPOwEBccM?usp=sharingTranscripts will come out along with the public release of the episode.On staff at the Penumbra:Ginny D'Angelo -- Head of Merchandise and OutreachMelissa DeJesus -- Script editing teamHarley Takagi Kaner -- Co-creator, Head of Episode Development, Director, Sound designerJoelle Kross -- TranscriptionistNoah Simes -- Production managerGrahame Turner -- Script editing teamKevin Vibert -- Co-creator, Head of Operations, Lead writerRyan Vibert -- Composer and performer of original musicJeff Wright -- Graphic designer--------Attribution: Licensed under a Creative Commons Attribution (3.0) license.“great-dark-caverns-of-machinery_futuristic_by_OnlyTheGhosts.ogg” by OnlyTheGhosts https://freesound.org/people/OnlyTheGhosts/sounds/251478/“MachinesWhirring.wav” by jamesgilsenan https://freesound.org/people/jamesgilsenan/sounds/388370/“Space Hulk Engine room.wav” by Badgie42 https://freesound.org/people/Badgie42/sounds/398790/“Keyless lock.wav” by theplax https://freesound.org/people/theplax/sounds/618144/--------TRIGGER WARNINGS:- Violence and threats of violence- Sudden loud noises- Death and murder- Blood- Medical abuse and abuse of authority- Torture- Intent to self-harm and suicidal ideation- Armed conflictAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Juno Steel has worked some cold cases before... but to find a lead in his search for Nureyev, he's going to have to solve his coldest case yet. Twenty-seven years cold, to be precise.Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay.(Trigger warnings can be found at the bottom of this episode description and at the end of the transcript.)-------You can find all of our transcripts here: https://drive.google.com/drive/folders/1OLddnnYamZuglgZc8pM2gqToPOwEBccM?usp=sharingTranscripts will come out along with the public release of the episode.On staff at the Penumbra:Ginny D'Angelo -- Head of Merchandise and OutreachMelissa DeJesus -- Script editing teamHarley Takagi Kaner -- Co-creator, Head of Episode Development, Director, Sound designerJoelle Kross -- TranscriptionistNoah Simes -- Production managerGrahame Turner -- Script editing teamKevin Vibert -- Co-creator, Head of Operations, Lead writerRyan Vibert -- Composer and performer of original musicJeff Wright -- Graphic designer--------Attribution: Licensed under a Creative Commons Attribution (3.0) license.“Waves and seagulls.wav” by justkiddink https://freesound.org/people/juskiddink/sounds/149488/"Drone Scifi hollow airy.wav" by ztitches https://freesound.org/people/ztitchez/sounds/370316/0450am by airtone (c) copyright 2022 Licensed under a Creative Commons Attribution (3.0) license. https://dig.ccmixter.org/files/airtone/65028--------Trigger warnings:-Abusive relationship-Alcohol-Animal death-Emotional abuseOur Sponsors:* Check out Factor: http://factor75.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy