Podcasts about digital recording

The Camera can’t be equated with the Phonograph if you consider artists were capturing images and likenesses for centuries. The phonograph is more like the first canvas that can hold a performance or a moment in perpetuity. It came sixty years after the camera. It’s been here for one hundred years. Now the camera and READ MORE The post S2. 3. Music after Digital Recording first appeared on Accelerando Podcast.

"You will tell a different story at the end. One of how miracles have found you through the Grace of God and how it changed your life. Your story will become a testimony of who Jesus is." — Anonymous What an incredible day it is for us to hear not just one but 2 life stories today. As a bonus treat for this Sunday, here's our Second Service with Pastor Leo as he tells his story and how God used it to tell HIS Story. * Our apologies on the Audio of the Sermon Part, our Digital Recording got corrupted so we tried our best to clean and salvage the Audio from our Recorded Video. All the same, we are blessed to hear your message, Pastor Leo. #Whatsyourstory? #Back2BackSunday #AhumanlifeisaSTORYtoldbyGOD #aHeartthatbeatsforJesusbeatsforOthers #itisaONEBEATFamdayFundaySonday! (Credits to the original artists and owners of the media used. No copyright infringement or any illegal means intended)

I recorded the first section of the podcast on my cassette deck very much like I used to as a child. The second section was recorded using my Fostex FD-4 four track. The background music was also recorded on the FD-4. All mixed files were uploaded to Reaper on a POP OS linux machine and rendered to MP3.

Fran Ashcroft is a producer, mix & mastering engineer from the North West of England. He's worked at studios all over the world at many major studios as well as writing his own music. Fran has just released a brand new book 'The Analogue Approach To Digital Recording' where he demonstrates how we can use an analogue mentality in a digital world. Perfect for this podcast! Episode sponsored by Make Noise Pro Audio https://makenoiseproaudio.co.uk/   Click below to open a Spotify playlist featuring some of the music from our guests. https://open.spotify.com/playlist/39vz6t8dhQYe6b1g1S2dFJ?si=c2af54607abd4302   If you have enjoyed this podcast, please don't forget to leave a review!   You can find more information about me, Joe Montague and the remote drum sessions I do on my website below. You can also sign up to receive FREE weekly Beatles 'Isolated Drums' stems. www.allyouneedisdrums.com

With the year coming to an end,  you may be reflecting on the good and bad points of 2022, trying to remember the areas where improvement on your farm is needed.   Recording your farm operation, whether it's fertiliser, pesticides or other inputs, is critical to determining the margin per field or crops.   If you are not able to do this then it will be difficult to put in place the correct measures to rectify any issues.   Teagasc have joined forces with Farmplan to increase the level of digital recording by tillage farmers, and for this week's episode of The Tillage Edge podcast, Michael Hennessy is joined by Ben Hatton from Farmplan to explain more about the programme, how farmers can avail of the software and the benefits they will get from it. For more episodes and information from the Tillage Edge podcast go to:https://www.teagasc.ie/crops/crops/the-tillage-edge-podcast/ Produced on behalf of Teagasc by LastCastMedia.com

Pat Leahy, Former Assistant Garda Commissioner, Liam Herrick, Executive Director, Irish Council for Civil Liberties.

Nah di Episode ini gue bahas tentang seorang Yeko Wibowo yang bisa bantu kalian untuk Recording paket murah meriah tanpa Shift,Harga Flat sudah termasuk Mixing,Mastering & si Om Yeko juga punya Record label,Mungkin dia bisa bantu kalian,Agar bisa rilis di semua platform (Spotify,Deezer,iTunes,dll) Penasaran? Langsung aja dengerin WTF podcasts ini sampe habis,Thank ya #selalujadiberkatuntuksesama

CCATP Lite with Doug Kaye Let's Talk Photography with Doug Kaye Macstock Expo is Going Virtual AND Free This Year on 25 July 2020 Shure Digital Recording Kit – Everything You Need for Good Audio Why I Use 5 Different Apps to Take Notes allison@podfeet.com Tesla Affiliate Link podfeet.com/patreon podfeet.com/slack podfeet.com/facebook podfeet.com/paypal

This week, my guest is my longtime friends and esteemed producer and recording and mix engineer Jonathan Wyman. This episode is pretty audio geek forward.

Benjamin and Vadim go through the entire digital recording signal chain from the perspective of a vocal. They then discuss the gear that's involved at each step and the which gear is most important for getting quality recordings.

Nate takes your questions for this season's last episode. Tune in for tips and tricks.

Doug Messenger was born in New York on Long Island on March 9, 1942. After his dad got a new job opportunity, his family decided to made a big move to Mexico City, Mexico where he spent most of his younger years from the age of 4 to 17. Doug's passion for learning landed him back in the United States where he studied at Princeton in New Jersey, earning a Bachelor of Science in Engineering. While traveling back to visit family in Mexico in the summer of 1962, Doug met the love of his life, Jeanne Thompson. Doug and Jeanne soon married after he graduated from Princeton and he worked at Bethlehem Steel's Export Office in New York City. Doug knew he was destined for more so he quit his job and decided to move to Boston, Massachusetts to enroll in the esteemed Berklee College of Music. Unfortunately, Doug's wife, Jeanne became very sick so he was only able to attend the music school for 2 years, but he knew he wanted to play music so played in R&B bands all over Boston, one of which was the best band in town with Roger Pace, considered to be the white James Brown. As a side musician, Doug had the thrill of backing up some of the best soul and R&B legends of our time including Al Green (1965), Chuck Berry (1966 & 1971),Etta James (1967), Dee Clark (1966) and a 415lb singer called Lotsa Poppa (1966). In 1968, Doug also played guitar for Darrell Banks for the song,"Open The Door To Your Heart" and Dyke & The Blazers, "Shotgun Slim," in 1970. One of the biggest songwriters Doug worked with was Van Morrison from 1971-1973, where he played guitar and arranged songs for Van's album, St Dominic's Preview and got the chance to collaborate with piano legend, Vince Geraldi. After one of his house band shows, as fate would have it, Doug ended up playing Monopoly with Jimi Hendrix (Doug is still bitter that Jimi landed on Boardwalk his first time around the board), known at the time as Jimi James. They would meet again in 70s, a few months before Hendrix passed away. Over the years, Doug played in over 20 house bands from 1965-1975 and was hired for sessions for Warner Brothers, MGM, ABC, Original Sound and a few for Motown in 1971 & 1972. Doug also played with songwriter/composer, Jackie De Shannon and also played in a band called Mudd with Willie Weeks on bass and also backed up Carly Simon on "Speak Out To Me," but now Doug wanted to start his own band. Ironically called The Police, Doug's first band came to a halt when his lead singer died of a heroin overdose. It took him 5 years to find the next 3 members of his next band, The Pickles, who were making waves on the LA scene and just as they were about to get signed, one of his lead singers died in a car accident. Doug knew he had enough of playing in a band so he turned his rehearsal space into a recording studio in 1984. By the time he acquired enough gear in 1988, Doug officially opened Hard Drive Analog & Digital Studios in 1990. He got his Stephens tape machine that Pink Floyd THE WALL & Steely Dan’s AJA was recorded on and Fleetwood Mac “Rumors” was mixed on in 1987. Since 1990, some of the incredible music talents who have come through to record at Hard Drive Analog & Digitial Recording include Joe Pass, Jimmie Eat World, Joe Bonamassa, Cindy Blackman, The Plain White Ts, At the Drive In, Mars Volta, Neon Trees, New Found Glory, Nikhil Korula Band, Robben Ford and Beck's first single, "Loser" was also recorded here. Doug has also recorded the background music for the American Music Awards, Billboard Music Awards and Country Music Awards. Over the years, Doug has also recorded 7 albums with the blues label, Delta Groove Records, one of which won the WC Handy Foundation Blues Album of the Year. Currently, Doug Messenger is working with Paul Denman, Sade’s producer and Daniel Ash from Bauhaus and will be recording the 8th album of the Nikhil Korula Band in January 2020. For more information, contact Hard Drive Analog & Digital Recording: (818) 588-1817 4814 Vineland Ave North Hollywood yelp.com/biz/harddrive-analog-and-digital-recording-north-hollywood?osq=hard+drive+analog

Nate lays out the baseline for successful drum tracking. Tune in for mic recommendations on Mid/Side stereo configurations, overheads, snare drums and more.

A transcript of Alameda's secret audio recording will be released to the public. How should the two Alameda councilmembers recorded in the conversation react to the fallout? Also a bonus appreciation for Alameda builder Ron Cowan and how Willie Brown once met with us and declared way before the 2014 Oakland mayoral election that Libby Schaaf would win. 

Nate sits down with Drue Olsen from BlaqVoid to talk about their new twist on record labels, social media marketing, and s'mores. Also, Nate apparently has an opinion on punters.

We sit down with Heavy and Nick from the band Black Magic Caravan to discuss their (somewhat) unconventional marketing approach, why acting like a professional is important in every stage of your career, and how to communicate your mix needs to live sound engineers. Plus: Sunset Boulevard is a dirty street, and it's Motley Crue's fault.

Jeff has been in Australia 12 years and now owns and runs Redback Connect - a digital recording agency of sorts. Hear about his story from grocery stores, to recruiting agencies, professional sales to setting up and selling out a conference telecom business that was Venture Capital backed. Now running Redback he explains the swings and roundabouts in running business in today's market.

Nate sits down with Myke Johnson for tips on making a living as a musician and the importance of networking. Plus: an in-depth look at writing music from an initial inspiration into a completed work.

Nate talks with Greg "Stryke" Chin from Avid about Pro Tools' inception, how it made an immediate impact on the recording world, and how it continues to influence music creation and sound recording. Plus: demos sound way too good these days.

Brayden from Performance Audio's Repair Department dolls out pro tips on prolonging the life of your speakers, and weighs in on an important issue from Nate's past.

Nate sits down with local music producer and audio engineer, Harley Anderson, to talk music tech, how he finds inspiration, and how he's able to meet crazy deadlines. Plus, we need to better define the role of the 'producer' and what ever happened to the concept album?

Nate sits down with local Pop Punk artist, Logan Dallimore, to talk DIY recording, where he finds inspiration, and what his process looks like. We also talk about his vocal chain, his love affair with Pro Tools, and plugins versus hardware. Plus, should you be giving away your music?

Nate sits down with Haydon Anderson, the lighting director at one of Salt Lake City's more well-known venues, The Complex. We discuss the hard work and payoff involved with carving out your own career path into the entertainment industry--and how he knocked down the door to get in..

On this episode, we check in with Sean from Rode Microphones and discuss the secret to their continued success as an industry tech leader.

I played this version of Tenor Madness unaccompanied. My students at Haverford High recorded the performance and edited the recording for a Digital Recording class project.

This week, I take on the long-standing debate over which is superior: analog or digital. Also, I give a review of the new album from BadBadNotGood.

This is another file by Lindsey Koma, a former Digital Recording student at HHS who is still in high school. I'm quite proud of her continued work in music recording and wanted to share this with everyone. She keeps me updated on her work that she does on her own at home and sends me finished MP3 files. Very impressive work in my opinion!

This is another file by Lindsey Koma, a former Digital Recording student at HHS who is still in high school. I'm quite proud of her continued work in music recording and wanted to share this with everyone. She keeps me updated on her work that she does on her own at home and sends me finished MP3 files. Very impressive work in my opinion!

This is another file by Lindsey Koma, a former Digital Recording student at HHS who is still in high school. I'm quite proud of her continued work in music recording and wanted to share this with everyone. She keeps me updated on her work that she does on her own at home and sends me finished MP3 files. Very impressive work in my opinion!

This is an original composition by Lindsey Koma, a Digital Recording 1 student in my class at Haverford High School. She worked on this at home on her own. Here's a brief explanation from Lindsey about what she did to create the composition: "I create songs in chunks. I started out with this song using the string loop from garageband. That was what i based everything off of. I then added MIDI synths and bass to go along with the strings. I added drums and extra loops including one called Fat Pad which i re-pitched the second half of to match the rest of the song. I created the lyrics and tune as i went. I used Elastic Audio to do the voice editing. What i usually do is i create the chorus first and then i go and figure out the rest based on the chorus."

I created this file using Logic Express 8 as an example for my Digital Recording 2 class at Haverford High School. In this file I used loops and a few tracks that I recorded from my MIDI keyboard. This is a complete example file with ABA form, texture (meaning loops come in and out), automation/mixing, and modified audio/MIDI loops all of which add creativity to a loop project. Refer to my podcast "Looping with Creativity" for my full presentation of all the ideas I developed to make a creative loop song.

I created this file using Logic Express 8 as an example for my Digital Recording 2 class at Haverford High School. In this file I used loops and a few tracks that I recorded from my MIDI keyboard. This is an example of an "A" section with texture meaning that it is a cohesive sections with loops coming in and out. Refer to my podcast calling "Looping with Creativity" for my full presentation of all the ideas I developed to make a creative loop song. From this point, I would develop a "B" section using a different set of loops and create an ABA form.

Audio posted by Chooch Schubert for his Random Acts of Chooch Podcast. Quoting the original show notes: This is the audio from a panel I spoke on at Balticon 43 over Memorial Day weekend. A special thanks to my fellow … Continued