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2 episodes with never gonna dance
2 episodes with never gonna dance
Today, I'm thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell's Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn't ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more.
Happy Black History Month! Broadway star T. Oliver Reid joins The Art of Kindness with Robert Peterpaul podcast to discuss the art of listening to others, advice for actors, co-founding The Black Theatre Coalition and much more. Today's guest is Performer, Director, Producer, Teacher, Activist and, overall, Broadway sensation Timothy Oliver Reid. Timothy or T. has spent the past 20 years working on Broadway in acclaimed musicals like Once On This Island, Sunset Boulevard, After Midnight, Sister Act, Mary Poppins, The Wedding Singer; Chicago, La Cage Aux Folles, Never Gonna Dance, Thoroughly Modern Millie, Follies, Kiss Me, Kate, and Hadestown. T. is also an accomplished cabaret artist and multiple award winner for his solo show, “Drop Me Off In Harlem” which he directed, wrote, and starred in. He has produced and directed concerts for iconic places like Feinstein's 54 Below. In addition, he has a glittering breadth of film and television work, as well. Most recently choreographing for films like Netflix's White Noise and the rom-com Bros. Most importantly, T. gives back. He is a co-founder and artistic director for the Black Theatre Coalition, which aims to remove the “ILLUSION OF INCLUSION” in the American Theatre, by building a sustainable ethical roadmap that will increase employment opportunities for Black theatre professionals. He is also a regarded teacher and on faculty at Rider University, NYU-Tisch's Grad Acting Program, and Columbia University School of the Arts' Grad Acting program. He also sits on the Board of Visitors for the University of North Carolina School of the Arts. Got kindness tips or stories? Please email us: artofkindnesspodcast@gmail.com Follow Timothy @toliverreid Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Will the whole squad survive the onslaught on the deadly, multi-headed duo? Make sure to check out the NEW merch at dragonpunchsquadmerch.com Stay up to date with our socials at https://linktr.ee/DragonPunchSquad Theme song made thanks to Tony Chetta @ https://www.tonychetta.com/ Ambiance and music made thanks to www.tabletopaudio.com
The go-home Raw for Survivor Series: War Games has happened. Mike McGuire and Joe Aguinaldo take you through the Red Brand's final push to one of the original "big four" WWE PLEs. Kevin Owens continues to rise, Austin Theory faces Ali, and we hear all about Joe Aguinaldo's "massage experience". Enjoy the BEST DAMN RAW REVIEW ON THE INTERNET!
Hadestown's new Hermes, T. Oliver Reid, drops by the podcast to talk about representation on Broadway, co-founding the Black Theatre Coalition, and teaching the next generation of artists. Director of Marketing Nella Vera hosts. T. Oliver Reid has spent the past 20 years working on Broadway shows, (Hadestown, Once On This Island, Sunset Boulevard, After Midnight, Sister Act, Mary Poppins, The Wedding Singer, Chicago, La Cage Aux Folles, Never Gonna Dance, Thoroughly Modern Millie, Follies, Kiss Me, Kate), which have amassed more than 20 Tony Awards from the American Theatre Wing's Tony Awards. He is also an accomplished cabaret artist and multiple award winner for his solo show, “Drop Me Off In Harlem” which he directed, wrote, and starred in. He has produced and directed concerts for Feinstein's 54 Below and continues to work in film and television (“Inventing Anna,” “GIRLS,” “Ray Donovan,” “The Blacklist”). He has been an adjunct professor at NYU-Tisch's Grad Acting Program and Columbia University School of the Arts Grad Acting program. He sits on the Board of Visitors for the University of North Carolina School of the Arts. He is also co-founder of Black Theatre Coalition (www.blacktheatrecoalition.org). He's currently in the critically acclaimed, Hadestown on Broadway. For more info about T. Oliver Reid's upcoming show, visit 54Below.com/TOliverReid The Feinstein's/54 Below podcast is hosted by Nella Vera and Kevin Ferguson, and produced by Michael Allan Galvez, with support from the Feinstein's/54 Below marketing staff. Original artwork design by Philip Romano. Follow Nella on Twitter and Instagram at @spinstripes Learn more about your ad choices. Visit megaphone.fm/adchoices
What makes the heart, soul, and sound of Hermes? Ask three different Hermes u/s and get three different answers. That speaks to the brilliance of the Hadestown creative team, and their encouragement to anyone who steps into the winged shoes of Hermes to bring their actual selves to the role. With us in this episode are T. Oliver Reid, Trent Saunders, and Eddie Rodriguez (two Broadway and the national tour understudies respectively), three uniquely different individuals who are all joined together in their privilege of being to play Hermes, the messenger. Eddie Noel Rodríguez (Swing, u/s Hermes) is a proud Puerto Rican performer who has lived and worked as a professional artist since he was 14 years old, starting with the folkloric dance company Gíbaro de Puerto Rico traveling the world representing his culture. He has a Bachelor of Arts in Communications from Universidad del Sagrado Corazón with a specialty in telecommunications and theater. He's collaborating with different Broadway artists to bring musical theater workshops to the artists living in Puerto Rico. Eddie is thrilled, honored and grateful to be in his second national tour with the family of Hadestown. Tour: On Your Feet! (Emilio). Regional: Godspell (Jeffrey), Man of la Mancha (Dr. Carrasco), La Cage Aux Folles (Hanna), Footloose (Willard), Rent (u/s Roger), Piaf (Ensemble), Hair (Ensemble). T. Oliver Reid (Swing, u/s Hermes, u/s Hades) Broadway show #13 for this award-winning artist. Broadway: Kiss Me, Kate; Follies; Thoroughly Modern Millie; Never Gonna Dance; La Cage Aux Folles; Chicago; The Wedding Singer; Mary Poppins; Sister Act; After Midnight; Sunset Boulevard; Once on This Island. TV/Film: The Sixth Reel, “Sex & The City,” “The Blacklist.” Educator Trent Saunders (Worker, u/s Orpheus, u/s Hermes) is grateful for the chance, joining this incredible company. He has been building some exciting things with his cohort and family of collaborators, The Saunders Collective (thesaunderscollective.com). Favorite credits: Evita (Che), Aladdin (OBC), American Idiot (St. Jimmy). Love to Tree, the Delfinitas, Mike, the family and all of you. Let's tell the story! In this episode, we talk about: How majoring in telecommunications helped Eddie make it to Broadway Why their unique differences help unify them in the role of Hermes The stress of the vocal ranges required for covering multiple tracks How do get over that "I HAVE TO PEE!" feeling before going on stage Representation of 3 different guys being the same character Connect with Trent, T., and Eddie: IG: @eddienoelr, @toliverreid & @trensaun @nyugradacting @columbiamfaacting @ridermusicaltheatre Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Rutabaga bring the whole cast back for the first time in a few episodes to discuss school dances and the awkwardness inherent to them, American rock band WISER. (FKA Weezer), what is and isn't a condiment, Fortnite's interesting decisions made to garner headlines, driving to Chick-fil-A, monkeys, and much, much more.
Native of the small town of Gastonia North Carolina, T. Oliver has been performing since he could walk and talk. The youngest of 4 children…he began singing in the choir of St. Stephen's AME Zion church, as part of a very musical family. By the age of nine he had terrorized his family enough by singing the entire cast recording of “Annie” every afternoon and soon found himself on the stage of The Little Theater of Gastonia in the musical, “Shenandoah”, T. Oliver performed throughout his childhood and adolescence, with the guidance of George Gray, Andrew Millard, Mark Hyde, Rebecca Rhyne, Debbie Rhyne and Trip McGill. After Graduating from high school, he was awarded a scholarship, talent based of course, to The University of North Carolina School of the Arts. Two days after graduating with a Bachelor's degree in Music, he began work on the 2nd National tour of “Once On This Island” then “Guys & Dolls” before making his way to New York City and Broadway. His Broadway credits include, “Chicago”, “Kiss Me Kate”, “Follies”, “Thoroughly Modern Milllie”, “Never Gonna Dance”, “La Cage Aux Folles”, “The Wedding Singer”, “Mary Poppins”, “Damn Yankees” and the 25th Anniversary concert of “Dreamgirls”. T. Oliver has been lucky enough to work with some of the Great White Way's brightest and best performers including… Chita Rivera, Bryan Stokes Mitchell, Jane Krakowski, Karen Ziemba, Blythe Danner, Judith Ivey, Marin Mazzie, Sutton Foster, and Robert Goulet. Black Theater Coalition: https://blacktheatrecoalition.org/ The Caring Economy made it onto FeedSpots Top 30 CSR Podcasts Don't forget to check out my book that inspired this podcast series, The Caring Economy: How to Win With Corporate Social Responsibility (CSR). --- Support this podcast: https://anchor.fm/toby-usnik/support
Tony Yazbeck (tonyyazbeckonline.com)(IG:@tonyyazbeckofficial)(TW:@tonyyazbeck) is an American actor, singer, and dancer, best known for his work on the Broadway stage including the 2014 revival of On the Town for which he received 2015 Tony Award and Outer Critics Circle Award nominations for lead actor in a musical. He will be appearing in "Flying Over Sunset" this fall as Cary Grant (flying-over-sunset.com). Yazbeck is also known for his principal roles on Broadway including J.M. Barrie in the Broadway production of Finding Neverland, Tulsa in Gypsy starring Patti LuPone, Billy Flynn in Chicago, Phil Davis in White Christmas, Al Deluca in A Chorus Line and the original casts of Broadway’s Never Gonna Dance and Oklahoma (2002 revival). Yazbeck made his Broadway debut at the age of eleven playing a newsboy in the revival of Gypsy starring Tyne Daly. On television he was featured on NBC’s Smash, and he appeared in the feature documentary Every Little Step about the casting process for the 2006 revival of A Chorus Line on Broadway. Yazbeck is on the board of the YOUNG/ARTS program of the National Foundation for Advancement in the Arts.
Tony Yazbeck (tonyyazbeckonline.com)(IG:@tonyyazbeckofficial)(TW:@tonyyazbeck) is an American actor, singer, and dancer, best known for his work on the Broadway stage including the 2014 revival of On the Town for which he received 2015 Tony Award and Outer Critics Circle Award nominations for lead actor in a musical. He will be appearing in "Flying Over Sunset" this fall as Cary Grant (flying-over-sunset.com). Yazbeck is also known for his principal roles on Broadway including J.M. Barrie in the Broadway production of Finding Neverland, Tulsa in Gypsy starring Patti LuPone, Billy Flynn in Chicago, Phil Davis in White Christmas, Al Deluca in A Chorus Line and the original casts of Broadway’s Never Gonna Dance and Oklahoma (2002 revival). Yazbeck made his Broadway debut at the age of eleven playing a newsboy in the revival of Gypsy starring Tyne Daly. On television he was featured on NBC’s Smash, and he appeared in the feature documentary Every Little Step about the casting process for the 2006 revival of A Chorus Line on Broadway. Yazbeck is on the board of the YOUNG/ARTS program of the National Foundation for Advancement in the Arts.
Before the pandemic, T. Oliver Reid was in the Tony Award winning musical Hadestown. Now, this powerhouse performer joins me for a great conversation about Broadway re-opening, being a black performer on Broadway, Black Theatre Coalition & his latest project Black Writers Amplified. Black Writers Amplified is an album that will be released by Broadway Records featuring all black musical theatre writers. If you want to be featured on this album, submissions are due by Monday, May 17. Visit Black Theatre Coalition for more information. Connect with T. Oliver Reid: Facebook Twitter Instagram Spotify Connect with Black Theatre Coalition: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on T. Oliver Reid: T. Oliver Reid has spent the past 20 years working on Broadway (Hadestown; Once On This Island; Sunset Boulevard; After Midnight; Sister Act; Mary Poppins; The Wedding Singer; Chicago; La Cage Aux Folles; Never Gonna Dance; Thoroughly Modern Millie; Follies; Kiss Me, Kate), which have amassed more than 20 Tony Awards from the American Theatre Wing’s Tony Awards. He is also an accomplished cabaret artist and multiple award winner for his solo show, Drop Me Off In Harlem which he directed, wrote and starred in. He has produced and directed concerts for Feinstein’s 54 Below and continues to work in film and television. He is on faculty at NYU-Tisch’s Grad Acting Program and Columbia University School of the Arts’ Grad Acting program. He sits on the Board of Visitors for the University of North Carolina School of the Arts. He’s currently in the critically acclaimed, Hadestown on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hope you had great week so far! On today's episode, Davie and Ed express their love for 80s soft rock, recap our Valentine's Day Weekend (shoutout to Allure Art Studio), Trump's Impeachment trial, is playing the national anthem before sporting events necessary, Draymond's critiques of NBA Teams, WandaVison, what we've been watching, uncancelling Daniel Caesar, and much more.
KAREN ZIEMBA has appeared in 11 Broadway shows. She received the Tony, Drama Desk, and Outer Critics Circle Awards for her performance in CONTACT at Lincoln Center Theatre and garnered three other Tony Award nominations for STEEL PIER, CURTAINS, and NEVER GONNA DANCE. She received the Drama Desk (AND THE WORLD GOES ‘ROUND), The Outer Critics Circle Award (NEVER GONNA DANCE, CURTAINS), and Chicago’s JEFF Award for her performance in the 1 st national tour of CRAZY FOR YOU. She’s starred at the New York City Opera, New York City Center Encores, and at Carnegie Hall for PBS’ Great Performances. On TV she’s appeared on Madam Secretary, The Good Wife, Elementary, Law and Orders’ S.V.U. / Criminal Intent, and The Kennedy Center Honors in tributes to Angela Lansbury and Julie Harris. Select off-Broadway and regional credits include KID VICTORY (Vineyard Theatre), HERESY (Flea Theater), MUCH ADO ABOUT NOTHING (Shakespeare Theatre Company DC/The Hartford Stage), SYLVIA, OTHER PEOPLE’S MONEY (New Haven’s Long Wharf), SWEENEY TODD (Opera Theatre of St. Louis w/The St. Louis Symphony and Michigan Opera Theatre), HELLO DOLLY! (Drury Lane Oakbrook, Chicago), GYPSY (Sharon Playhouse, CT), A LITTLE NIGHT MUSIC (A.C.T., San Francisco), and BRIGHTON BEACH MEMOIRS, BROADWAY BOUND, SIX DEGREES OF SEPARATION (San Diego’s Old Globe). https://www.karenziemba.com/
Julio Agustin is an accomplished director/choreographer, audition coach, author, and educator. He is a Broadway veteran, having appeared in Kiss of the Spider Woman (starring Chita Rivera), Fosse (with Ann Reinking and Ben Vereen), Steel Pier, Never Gonna Dance, Chicago, Bells are Ringing and Women on the Verge of a Nervous Breakdown (with Patti Lupone). Now, as a director/choreographer, he has added a Latinx flair to many of his productions, including a spiced up version of Sweet Charity at the New Harlem Arts Theatre and a Latin inspired Guys & Dolls at Theatre Under The Stars in Houston. He is co-author (with Kathleen Potts) of The Professional Actor's Handbook: From Casting Call to Curtain Call and he is the creator of The Transition Workshop, a monthly NYC audition studio. He is currently associate professor and director of Music Theatre at Elon University and has two forthcoming, peer-reviewed articles on radical inclusivity and the absence of Latinx creatives on Broadway
It's a bonus episode!!!! We Give our review on Taemin's 3rd album Never Gonna Dance Again: Act 2. If you enjoy this episode, make sure to subscribe and rate us.Connect with us on Instagram and Twitter @The_ampodcast Instagram: https://instagram.com/the_ampodcast Twitter: https://twitter.com/The_ampodcast Anchor: https://anchor.fm/TheAMpodcast1/message Email: the.ampodcast1@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
From July 23rd-28th, North Carolina Theatre will be presenting a production of the beloved 1977 award-winning musical, ANNIE. I recently had the great pleasure of interviewing actress Karen Ziemba, who is currently getting ready to star as the villainous Miss Hannigan. Karen’s previous Broadway credits include A CHORUS LINE, 42ND STREET, TEDDY & ALICE, CRAZY FOR YOU, CHICAGO, BULLETS OVER BROADWAY, and most recently, PRINCE OF BROADWAY. She has also earned three Tony Award nominations for her performances in STEEL PIER, NEVER GONNA DANCE, and CURTAINS as well as a win in the year 2000 for CONTACT. Her TV credits include ELEMENTARY, MADAM SECRETARY, THE GOOD WIFE, LAW & ORDER, SCRUBS, and has also performed on The Tony Awards, PBS’ Great Performances, and the Kennedy Center Honors. For more information regarding the production, please visit: https://nctheatre.com/shows/annie%20 Follow Karen Ziemba at her website and on Instagram: www.karenziemba.com and @karenmziemba Follow Kare Reviews at www.karereviews.com and on Twitter: @KareReviews Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor, Apple, Google, SoundCloud, Spotify, Breaker, Overcasts, Pocket Casts, and RadioPublic. --- Support this podcast: https://anchor.fm/jeffrey-kare/support
Hear what Tony Award-winner Karen Ziemba (CONTACT) has to say about music, dance, her first Broadway show, A CHORUS LINE, and of course, the North Carolina Theatre production of ANNIE. About the Guest Karen Ziemba received the Tony, Drama Desk, and Outer Critics Circle Award for her performance in CONTACT at Lincoln Center Theatre. For some of her other NYC and regional appearances, she’s garnered three Tony Award nominations, the Drama Desk, the Outer Critics Circle, the Bay Area Theatre Critics, and Chicago’s Joseph Jefferson Awards. Select theatre credits: PRINCE OF BROADWAY, STEEL PIER, CURTAINS, CRAZY FOR YOU, BULLETS OVER BROADWAY, NEVER GONNA DANCE, AND THE WORLD GOES ROUND, KID VICTORY, 110 IN THE SHADE, DO I HEAR A WALTZ, A LITTLE NIGHT MUSIC, GYPSY, SWEENEY TODD, MUCH ADO ABOUT NOTHING, OTHER PEOPLES MONEY, SIX DEGREES OF SEPARATION, BRIGHTON BEACH MEMOIRS and BROADWAY BOUND. TV: MADAM SECRETARY, ELEMENTARY, THE GOOD WIFE, LAW AND ORDER, THE KENNEDY CENTER HONORS, and PBS GREAT PERFORMANCES. Resources https://nctheatre.com/ (NC Theatre) https://www.karenziemba.com/ (Karen Ziemba Webpage) Credits Musical excerpts used in this episode are from the 2010 North Carolina Theatre production of ANNIE, music by Charles Strouse, lyrics by Martin Charnin. Connect with RDU on Stage Facebook – @rduonstage Twitter – @rduonstage Instagram – @rduonstage Web http://www.rduonstage.com/ (www.rduonstage.com) Support this podcast
Leigh Silverman is a director for the stage, both Off-Broadway and on Broadway. She was nominated for the 2014 Tony Award, Best Direction of a Musical for the musical Violet and the 2008 Drama Desk Award, Outstanding Director of a Play for the play From Up Here. She directed the Lisa Kron play Well Off-Broadway. On Broadway, she was the Associate Director for the musical Never Gonna Dance in 2003 and directed Chinglish by David Henry Hwang. She directed the world premiere of the Neil Labute play The Way We Get By. Some other Off-Broadway plays she has directed are Blue Door by Tanya Barfield, From Up Here by Liz Flahive, David Greenspan's Go Back to Where You Are, and In the Wake. Not only was I taken by Leigh’s passion for the theater and her methodology for shaping plays and musicals, I was so impressed by how she has shaped her own career. Instead of majoring in directing in college? She majored in writing . . . knowing full well she wanted to direct. She understood that knowing the ins and outs of the structure of a play and how it was built from the ground up would serve her more than just studying directing. It’s like an architect choosing to work construction for a few years to understand what keeps a building in place. #Genius. We talked all about that choice and so much more including: Why she’s glad someone told her she was a terrible Actor when she was just 15. How she decides if a new play is “viable.” Why she makes her Designers act. The difference between working on a play and a musical . . . and what her two new musical projects are. Why television is the reason the new American play is thriving. Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome back to the Front Row Movie Reviews Podcast! The podcast for people who actually like movies! Front Row Classics returns to its musical roots today to bring you the oldest film we've reviewed at the Front Row yet: 1936's "Swing Time". This classic musical staring Fred Astaire and Ginger Rogers at their absolute best features classic songs like "Cheek to Cheek" and "Never Gonna Dance" and some of the best dances ever put to film. Sit back and let our host Brandon Davis and special guests Anna McFarland and Kevin Kulavic bring this Front Row Classic. ______________________________________________________________________ If you haven't subscribed to us on iTunes yet, please do! - https://itunes.apple.com/us/podcast/the-front-row-movie-reviews/id1005302379 We are also now on Instagram! Just search for "The Front Row Movie Reviews" - https://instagram.com/thefrontrowmoviereviews/ Also find us on Facebook and Like us there as well! You know, if you actually do.... - https://www.facebook.com/pages/The-Front-Row-Movie-Reviews/267899814323 And of course follow us on Twitter to get the latest news on the Front Row! - https://twitter.com/FrontRowReviewz Please enjoy this episode of FRONT ROW CLASSICS and as always, we'll see you in the front row!
Download the episode. Classics returns to its musical roots today to bring you the oldest film we’ve reviewed at the Front Row yet: 1936’s “Swing Time”. This classic musical staring Fred Astaire and Ginger Rogers at their absolute best features classic songs like “Cheek to Cheek” and “Never Gonna Dance” and some of the best … Continue reading Ep. 8 – Swing Time →
Download the episode. Classics returns to its musical roots today to bring you the oldest film we’ve reviewed at the Front Row yet: 1936’s “Swing Time”. This classic musical staring Fred Astaire and Ginger Rogers at their absolute best features classic songs like “Cheek to Cheek” and “Never Gonna Dance” and some of the best … Continue reading Ep. 8 – Swing Time →
Prolific playwright Jeffrey Hatcher talks about seeing one of his recent plays "Compleat Female Stage Beauty" come to the screen as "Stage Beauty"; his years developing plays at Connecticut's O'Neill Theatre Center; and his work creating "Never Gonna Dance", a "new" Jerome Kern musical adapted from the Fred Asaire film "Swing Time". Original air date – October 15, 2004.
Prolific playwright Jeffrey Hatcher talks about seeing one of his recent plays "Compleat Female Stage Beauty" come to the screen as "Stage Beauty"; his years developing plays at Connecticut's O'Neill Theatre Center; and his work creating "Never Gonna Dance", a "new" Jerome Kern musical adapted from the Fred Asaire film "Swing Time". Original air date – October 15, 2004.
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