Podcasts about miss hannigan

Season 2, Episode 128In this episode, Michael reflects on the surprising gospel themes he discovered while preparing to portray Oliver “Daddy” Warbucks in House Theater's production of Annie. This is not an argument that the musical was intentionally written as a Christian allegory. Rather, it explores how enduring stories often resonate because they reflect truths God has woven into reality—our longing for redemption, adoption, belonging, justice, and hope.Through Warbucks, the episode considers the emptiness of wealth and achievement when they are disconnected from meaningful relationship. Annie's search for her parents becomes a picture of the human desire to be known, loved, and given a true identity, while her rescue from counterfeit parents points toward the security of genuine adoption. Miss Hannigan, Rooster, and Lily reveal that humanity's deepest problem is not poverty or circumstance but the sinful heart, and the contrasting ways the characters value people and possessions expose the dangers of greed, covetousness, and discontent.Finally, Michael examines the musical's defining song, “Tomorrow,” and the subtle shift from tomorrow being “always” a day away to being “only” a day away. What begins as distant optimism becomes confident hope. For Christians, hope rests not in the vague possibility that circumstances may improve, but in the certainty that Christ reigns, death has been defeated, and God holds tomorrow. Annie endures because beneath its music and humor is a story about empty hearts, found children, costly love, and the hope of a better tomorrow.Find our videocast here: https://youtu.be/0f_JKeoNhO0Merch here: https://take-2-podcast.printify.me/Music from #Uppbeat (free for Creators!):⁠https://uppbeat.io/t/reakt-music/deep-stone⁠License code: 2QZOZ2YHZ5UTE7C8Find more Take 2 Theology content at http://www.take2theology.com

'My mother comes here with the girls and hangs around Temple Bar'Dave chats to Claire Sweeney about her role as Miss Hannigan in 'Annie', that's coming to the Bord Gáis Energy Theatre on 11th-16th of August.

"I didn't want to be just another orphan, Mr. Warbucks. I wanted to believe I was special."MAY-usical Month 2026 is coming to an end with a movie chosen by our Patreon supporters, ANNIE (1982). This week, The Wives Colangelo are dissecting everyone's favorite red-headed orphan, dissecting the weirdest politics ever to be found in a movie this catchy, and trying to figure out if Miss Hannigan and Rooster are ... special siblings. It's a hard knock life, so let's sing about it!--------Article MentionedThe Politics of Annie: https://www.newyorker.com/culture/culture-desk/the-politics-of-annie--------Become a Patron! https://www.patreon.com/thisendsatprom--------MONTHLY SPOTLIGHTElection Protection: https://866ourvote.org/--------Social Media Plugs@ThisEndsAtProm@BJColangelo@HarmonyColangelo----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

Send us a textKatie and Bridget sing very loudly and do choreography as they re-watch the Broadway Musical adaptation: Annie! It might have one of the weirdest political messaging of all time, but god damn it do the songs just slap! Come along as we meet Annie, a little orphan with a bad wig and a dream, hoping to escape the orphanage and find her real parents - all while loudly singing about it while everyone's trying to sleep. But when Annie gets adopted (only for a week as a PR stunt LOL) by the rich Daddy Warbucks - real name - she gets to experience what being rich is really about. All while the rest of her friends still at the orphanage with the drunk Miss Hannigan continue to have to do chores and get abused! When Daddy Warbucks offers a reward for Annie's real parents to come forth, the real evil greed of money is shown and Annie almost falls off a building or something. But it's fine because money solves everything and so does SINGING! YAY! We've got hardcore Republican messaging (HELP), gin baths, and banger songs all in this really entertaining movie musical. Released in 1982, it stars Aileen Quinn, Albert Finney, Carol Burnett, Ann Reinking, Tim Curry, and Bernadette Peters.

Jaume Segalés y su equipo comentan asuntos de la actualidad y traen las mejores recomendaciones culturales. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Fundación Cibervoluntarios Este viernes 5 de diciembre se celebra el Día Internacional del Voluntariado. Una ocasión ideal para conocer la labor de la Fundación Cibervoluntarios, que lanza su nueva campaña para impulsar el voluntariado tecnológico. bajo el lema: "Si te encanta ayudar con la tecnología, hazte cibervoluntario, es muy tú". Se trata de una ONG española de ámbito internacional pionera en el voluntariado tecnológico. Desde 2001, ayuda a miles personas al año a obtener las habilidades técnicas digitales necesarias, gracias al tiempo y a la dedicación de los más de 4.500 voluntarios que participan junto a las más de 7.000 entidades nacionales e internacionales colaboradoras. Los objetivos de la Fundación Cibervoluntarios son: facilitar la adquisición de competencias a personas en situación de vulnerabilidad tecnológica, eliminar la brecha digital y promover el uso y el conocimiento de la tecnología como medio para reducir desigualdades sociales, para innovar y para capacitar a la ciudadanía. Cabe destacar que, según esta entidad más del 30% de la población española todavía no tiene las competencias digitales básicas. Entrevistamos al director del área de incidencia social de Fundación Cibervoluntarios, Antonio Pulido. Annie Jr. Glee Club Academy trae a Madrid este célebre musical de Broadway del 6 de diciembre al 4 de enero, con funciones de sábado a martes en el Teatro Bellas Artes. Adaptación de la obra de Thomas Meehan protagonizada por los niños y jóvenes alumnos de la institución. Ambientada en la ciudad de Nueva York durante la Gran Depresión, narra las aventuras de una niña huérfana, Annie Jr., que a pesar de vivir bajo el mando de la temida Miss Hannigan en un orfanato lleno de privaciones nunca pierde la fe en encontrar a sus verdaderos padres. Su vida da un giro inesperado cuando es elegida para pasar unas semanas en la mansión del poderoso empresario Oliver Warbucks, quien pronto queda cautivado por su espíritu alegre y decidido. Una propuesta para toda la familia con magníficas actuaciones, música en directo, talento y una iniciativa solidaria. Entrevistamos a la directora del espectáculo, Sonsoles Rodríguez Villar.

Jack and Eden are joined this week by Debora Krizak. From dazzling audiences in The Producers and Mamma Mia! to her show-stopping performance in A Chorus Line and Sweet Charity, Deb now shines as Miss Hannigan in the Australian tour of Annie.They also touch on the electric opening night of MJ the Musical, and other shows that opened during their brief hiatus from the pod.THE LINKS⁠Our website⁠⁠Our Instagram⁠⁠Our TikTok⁠Deb's InstagramGet your Annie tickets!

It's easy to remember Annie for its catchy tunes and iconic optimism. But what if we told you this classic musical also offers a surprising amount of insight into our education system? In our latest episode of the Better Learning Podcast, we take a fresh look at the 1982 film adaptation of Annie through the eyes of school designers and changemakers. From the harsh institutional feel of Miss Hannigan's orphanage to Daddy Warbucks's transformative environment where Annie's potential flourishes, the movie mirrors a central truth we see in schools every day: the physical and emotional environment matters. We break down key scenes like the group routines, the classroom-like discipline, and the contrasting settings Annie experiences to explore how learning environments shape behavior, engagement, and opportunity. Whether you're an educator, school leader, architect, or just a fan of classic cinema, this conversation is a reminder that when we create spaces and systems built on care, flexibility, and belief in kids' potential, anything, even the impossible, becomes possible.   Takeaways: The stark contrast between the cold, institutional orphanage and the warm, opportunity-filled mansion mirrors how learning environments affect student mindset, behavior, and engagement. Just like Annie, students thrive in spaces where they feel valued and safe. Miss Hannigan's rigid, top-down approach reflects outdated models of control in education. In contrast, the trust and autonomy Annie gains in Warbucks's world show how empowerment fosters confidence, creativity, and curiosity—traits every modern classroom should support. Annie's story reminds us that students often just need one adult to believe in them. Teachers, principals, and support staff can play this vital role—especially for students facing adversity.     About Olivia Graf: As the design visionary and thought leader responsible for conceptualizing innovative learning environments at A4E, Olivia leads the practice in planning, programming and the overall design direction of the firm through an interactive and collaborative process. She believes that outstanding projects begin with a clear concept and should balance aesthetics with curriculum-based innovations to create expressive and functional 21st century educational environments that feature hands-on/ minds-on maker spaces, transdisciplinary settings, and project-based learning. Her commitment and involvement extend through every phase of the design process. Olivia is also on the Leadership Group of the American Institute of Architects' Committee on Architecture for Education (AIA-CAE) and is a frequent speaker at education-focused conferences, including the California STEAM Symposium, California School Business Expo (CASBO), EDspaces, NSTA, and AIA-CAE.   Learn More About Olivia Graf: LinkedIn: https://www.linkedin.com/in/olivia-graf-7a0a8065/   Learn More About Architecture for Education (A4E): Website: https://architecture4e.com/ LinkedIn: https://www.linkedin.com/company/architecture-for-education-incorporated/ Facebook: https://www.facebook.com/Architecture4e/         Connect with host, Carla Cummins: LinkedIn: https://www.linkedin.com/in/carla-cummins-01449659/   Connect with co-host, Matt Rogers: LinkedIn: https://www.linkedin.com/in/matt-rogers-profile/   Learn More About Kay-Twelve: Website: https://kay-twelve.com/ LinkedIn: https://www.linkedin.com/company/kay-twelve-com/ Instagram: https://www.instagram.com/kay_twelve/       Episode 242 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com.     For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website

Achoo! We're falling in love with the one and only Faith Prince. You Might Know Her From Modern Family, Emily in Paris, Melissa & Joey, Spin City, My Father the Hero, The Last Dragon, and Broadway productions of Guys & Dolls, A Catered Affair, Bells Are Ringing, and BOOP!  Faith talked to us about grounding her character, Valentina, in the cartoonish plot of BOOP!, coping with fame during her star-making turn in Guys & Dolls, and leaning on her co-star Gerard Depardieu in one of her first leading roles on camera in My Father the Hero.  Faith also shared stories from working as a Broadway replacement in the cumbersome costume of Ursula in The Little Mermaid and the notoriously “realistic” production of Anne as Miss Hannigan. All that, plus working with theatre legends like Jerome Robbins, Abe Burrows, Betty Comden & Adolph Green, doing dialect work at Joey Lawrence and Lily Collins, doing her best Cyndi Lauper in cult fave The Last Dragon (and making pals with Berry Gordy, and working with Jean Smart and Mary McDonnell in the short-lived High Society.   This one was a HOOT.  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Evergreen topics for Anne and Damian: Tyne Daly in Gypsy, Grease, Spice Girls track listings, we look like cats in Heathcliff, the cast of Mannequin 2 aka is it Jonathan Silverman, no it's William Ragsdale in Herman's Head, Sex and the City/AJLT Cynthia Nixon's kitchen tour Tom and Lorenzo and their SJP adventure Plays Valentina in Boop on Broadway We love Dancer/Choreographer Rachelle Rak Coughing as Adelaide was tougher than talking and singing in character voice Bob Saget used his stand-up to differentiate himself from Danny Tanner  Nathan & Adelaide are famously the SOUBRETTES in Guys & Dolls so Jerry Zaks put them forward instead of Sky and Sarah (this changed how future productions positioned the 2 couples)  Jerry Mitchell says it's important to pass the baton down to the next generation of musical theatre stars Arthur Laurents aka “the meanest man in show-business”, Jerry Gutierrez, Abe Burrows, Comden & Green, Sondheim, Barishnykov, Howard Ashman, Jack Plotnick, Tina Landau,  My Father the Hero w/ Gerard Depardieu “Dirty Books” from The Last Dragon / Suzanne de Passe and Berry Gordy produced the soundtrack. Berry Gordy took her OUT and called her “baby” “One More Time” in First Wives Club “How do you know if someone has lived through trauma — by the way they get someone who doesn't like them, to like them.” Cole Escola of Oh, Mary! on CBS Sunday Morning Was in first 6 episodes of High Society with Jean Smart and Mary McDonnell (based on AbFab and Faith played the Saffy character) Faith Prince's “Men” from Nick & Nora. The show was a notorious flop. Arthur told Faith she was making a big mistake by leaving show to do Guys & Dolls. Mary Rodgers told her she could find a way into Anna through Gertrude Lawrence, who was a comedienne.  Was offered the role of Audrey in the original Off-Broadway production of Little Shop of Horrors Went to CCM with Jim Walton Had taken the revue, Scrambled Feet and was doing an IBM industrial so couldn't' take LSOH Lance Roberts is currently in Just in Time Ellen Greene did Adelaide at The Hollywood Bowl  Studied Donna Murphy who she replaced in The King & I and then did Wonderful Town (at LA Opera) Katie Finneran talked with us about James Lapine's realistic interpretation of Annie and Miss Hannigan in the 2012 revival. Said it was a challenge in the NYT. Re the 2012 revival of Annie: Andrea McArdle said “I didn't know we were doing Secret Garden” Associate Director Wes Grantham LOVES HUMOR, unlike Lapine Martin Charnin & Charles Strouse KISSED HER FEET when they visited her backstage John Doyle who directed A Catered Affair also backs away from the humor We love Bells are Ringing - Faith starred in the 2001 Broadway revival. Difficult because of Mitchell Maxwell who produced Had to ride an actor in Grey's Anatomy because character's IUD got stuck on her ex-husband's Prince Albert penis piercing Does some great character work in the indie film Our Very Own (got gig from doing reading of The Women with Allison Janney) IMDB lists her on an ep of Mad Men. INCORRECT. Martin Short was in Dennis Quaid movie, Innerspace My Favorite Broadway: The Leading Ladies was an incredible, formative concert Managing Ursula costume in The Little Mermaid was worse than managing the wig in her Lifetime movie with Kathleen Turner, Friends at Last Vicki Lewis told us she held Dixie Carter's spit cup in a production of Mame she was in with Faith Christopher Walken kept pickled things in the pockets of his costume during James Joyce's The Dead (Marni Nixon was also in the show) We interviewed Annaleigh Ashford who is maybe made  in the mold of Faith Prince Damian is seeing an Italian production of Cats / Anne is seeing her nephew do Grease Jr.  in Sicily DUCK ASS HAIR for Danny Zuko

ANNIE part 4: Keanu Gonzalez [Grease, West Side Story] stars as Rooster Hannigan and Mackenzie Dunn [Grease, Hairspray] stars as Lily St James for the new Australian production of ANNIE [Crossroads Live], now playing at the Sydney's Capitol Theatre before touring nationwide. Mackenzie is the grand-daughter of Jill Perryman and Kevan Johnston, Australia's first Miss Hannigan and Rooster Hannigan, hear more about growing up knowing about the show, and just off their success starring as Rizzo and Kenicki in Grease [Crossroads Live], I ask Keanu and Mackenzie about their successful duo-ship and character research for Rooster and Lilly in ANNIE.  Watch performances: ~ 'Easy Street' in Annie ~ 'NYC' in Annie ~ Audience reactions watching Annie the musical ~ 'Grease Megamix' Mackenzie & Keanu in Grease  ~ Mackenzie & Keanu (Rizzo & Kenicki) Grease Interview Let Me Entertain You- Instagram | Twitter | Facebook | TikTok | Youtube

ANNIE part 1: Debora Krizak [Sweet Charity, A Chorus Line] stars as Miss Hannigan and original Yellow Wiggle Greg Page stars as President Franklin Roosevelt. Debora was one of my first Podcast guests and Greg makes his professional musical debut, very exciting. Hear more about the new Australian production of ANNIE [Crossroads Live], now playing at the Capitol Theatre before touring, the exciting cast assembled and bringing the Wiggle magic to the world of ANNIE.  Watch performances: ~ 'Easy Street' in Annie ~ 'Hard Knock Life' in Annie ~ Audience reactions watching Annie the musical ~ Audience reactions with Sandy ~ Greg on the Wiggles ~ Debora performing 'Big Spender' at Sydney Cabaret Let Me Entertain You Instagram | Twitter | Facebook | TikTok | Youtube

What does it really take to survive as a professional author? In this refreshingly honest conversation, bestselling and award winning Maz Evans  of 'Who Let the Gods Out' and I pull back the curtain on the realities of writing for a living."We aren't writers floating around in scarves," Maz declares with her characteristic wit. "We're business people running a business." This sentiment sets the tone for a discussion that reveals the genuine struggle behind the glamorous facade of publishing success. From the physical toll of deadline weeks (surviving on Uber Eats and forsaking personal grooming) to the mental exhaustion that accompanies creating a 100,000-word manuscript, both authors share their unfiltered experiences. Yet despite the challenges, Maz Evan's passion for storytelling remains undimmed. Maz shares details about her new comedy crime novel "That'll Teach You". For anyone who loves books or dreams of writing them, this conversation offers valuable perspective on what sustains authors through rejection, financial uncertainty, and creative doubt. As Maz perfectly summarizes: "The biggest success is staying in the game."That'll Teach HerA headmistress is dead. The circumstances are suspicious. And as every parent knows, being on the school group chat can be murder...As educators go, Claudia Stitchwell makes Miss Hannigan look like Miss Honey.But when the reviled headteacher drops dead in the school hall, a group of sceptical parents suspect the nut allergy explanation doesn't add up - they believe someone wanted to teach Miss Stitchwell a lesson. Only four people could have killed Stitchwell: Hattie, the adored school cook; Kiera, the hard-working teaching assistant; Clive, the loathed school bursar and Ben, the popular deputy head. All of them are liars... but only one is the murderer.Piecing together evidence from the daily drama and drudgery of the parents' group chat, local press, police reports, school newsletters, and good, old-fashionedSend us a textSupport the show"Enjoying 'The Conversation'? Support the podcast by buying me a cup of coffee ☕️! Every contribution helps keep the show going.https://ko-fi.com/nadinemathesonDon't forget to subscribe, download and review. You can purchase books by the authors featured in our conversations through my affiliate shop on Bookshop.org. By using this link, you'll be supporting independent bookstores, and I may earn a small commission at no additional cost to you. Follow Me:www.nadinematheson.com BlueSky: @nadinematheson.com Substack: @nadinematheson Instagram: @queennadsThreads: @nadinematheson Facebook: nadinemathesonbooksTikTok: @writer_nadinematheson

The idea of an Annie Part II had actually been floating around since 1982, while the original Annie was still on Broadway, and rather than a traditional sequel, the production was framed as a continuation of the original story, beginning six weeks after the events of Annie, with Miss Hannigan devising her revenge from prison. This continuing story was initially set to open on Broadway in 1983, just months after the original closed. However, it would take until June of 1989 before the show would finally announce an opening date, first in Washington, DC then on Broadway. However, what started out as Miss Hannigan's Revenge became a revenge of a different kind altogether. And the events that followed underscore a broader truth about Broadway (one that resonates throughout the episodes of this podcast): that even the most seasoned and award-winning of creators can still produce a flop. So was the tumultuous journey and hard-knocked life of Annie 2. Click here to find a transcript for this episode and a full list of materials and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 2 of Closing Night is finally here—the theater history podcast that takes you behind the curtain to uncover stories about famous and forgotten Broadway show that closed too soon. While season 1 focused on musicals that came and went from the Marquis Theatre, this season I'm tackling a whole new kind of theatrical heartbreak: shows that never actually opened on Broadway.  These are the productions that fizzled out during out-of-town tryouts or preview performances, including Lone Star Love, The Little Prince and the Aviator, Lolita, My Love, Let My People Come, and Breakfast at Tiffany's, among others. Episodes start at the end of January and will drop once a month throughout the year, with the first episode being all about Annie 2: Miss Hannigan's Revenge, which was actually slated to open at the Marquis Theatre but was canceled after a disastrous run in Washington, DC. Make sure to follow Closing Night on your favorite podcast app and stay connected on Instagram at @closingnightpodcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Goldberg joins "Behind the Table" with executive producer Brian Teta to discuss getting rave reviews for her performance as Miss Hannigan in "Annie" the musical and how it felt to return to the stage, she answers listener questions about staying grounded and when she knew she "made it" in show business, and shares her message to the public about the Los Angeles wildfires. Plus, she dishes on an upcoming trip where she's hitting the runway! Have a question or want advice from Brian or a co-host? Call or text us at (917) 960-3037 or leave us a message here: https://woobox.com/kaoojs. Messages may be used on a future podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, we take you backstage to the Theater at Madison Square Garden for a fresh look at the classic musical "Annie," starring Whoopi Goldberg. We dive into this touring production, exploring how the show's timeless themes of hope and family resonate in today's world. Does Goldberg's star power elevate the show, or is it just another day in the hard-knock life? We'll dissect the performances, from the plucky orphans to the conniving Miss Hannigan, and debate whether this production lives up to the Annie legacy. Plus, we'll share our hot takes on the challenges of staging a Broadway classic in a non-traditional venue. Is the sun really coming out tomorrow for family-friendly theater? Tune in for our candid conversation and insider insights on this beloved musical. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "Annie" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Festival Productions is bringing Annie to The National Concert Hall this Christmas and Pat was joined by some of the people involved in the production: Rebecca Storm, singer and musical theatre actress, playing Miss Hannigan in festival productions of annie in the national concert hall.Tony Finnegan, co-founder of festival productions, director, actor, playing daddy warbucks.Juneta Gasiunaite, one of the actors playing annie.

"I always knew, knew that tomorrow would come true, I always knew..." Grab your hard knock wigs and constant rewrites because this week we're joined by the brilliant Robbie Rozelle to talk about Annie 2 -- BOTH OF THEM. Credits: Hosts: Jesse McAnally & Andrew DeWolf Podcast Edited By: Andrew DeWolf Theme Songs: Robyn Nash of IOU Music UK Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Check out this Etsy Shop Social Media: Our WEBSITE Musicals with Cheese on Twitter Musicals W/ Cheese on Instagram Email us at musicaltheatrelives@gmail.com Merch!! Jess Socials Jesse McAnally on Twitter Jess McAnally on Instagram Andrew Socials Andrew DeWolf on Instagram Andrew DeWolf on Twitter Use our Affiliate Link Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Our Movie Musicals series reaches its grand finale this week!Join us for the exciting conclusion of this series, featuring our esteemed guest, Max Sopkin, as we explore the unforgettable songs and scenes of our final two picks, Annie and Little Shop of Horrors. Prepare to deep dive into the heart of these timeless classics as Nick, Bella, and Max sing praises to the physical prowess of Carol Burnett's remarkable performance as Miss Hannigan in Annie (1982), and pay homage to the incomparable Ellen Greene, who was truly born to play the role of Audrey in Little Shop of Horrors (1986). But it's not just about these brilliant performances; these two 80s gems also delve into fascinating themes about the darker side of humanity: capitalism and human greed. Max provides some insightful commentary for us on the cultural and socio-political context of the time period these two musicals originated from, and how they evolved into the film adaptations they are today. Don't miss out on this episode, celebrating the magic of movies and musical theater! Bella and Max introduce Annie, a childhood classic, to Nick. While Max and Nick share their beloved film, Little Shop of Horrors, with Bella. The perfect cinematic exchange!Support the Show.Sign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Episode #114 of the Last Call Trivia Podcast kicks off with a round of general knowledge questions. Then, we're joining the best-of-the-best for a round of Hall of Famers Trivia!Round OneThe game begins with a Landmarks Trivia question that asks the Team to identify which of the 7 Natural Wonders of the World stretches over 1,400 miles.Next, we have a Restaurants Trivia question about the original mascot of McDonald's.The first round concludes with a Musicals Trivia question about Miss Hannigan's younger brother from the musical Annie.Bonus QuestionToday's Bonus Question is a follow-up to the Musicals Trivia question from the first round.Round TwoTo be the best you gotta beat the best. And that's just what our Team will try to do in today's theme round of Hall of Famers Trivia!The second round begins with a Sports Trivia question that asks the Team to identify the Hall of Fame NBA player who was known as “The Round Mound of Rebound.”Next, we have a Characters Trivia question about the Disney and Pixar movie title character who was inducted into the Robot Hall of Fame in 2012.Round Two concludes with a People Trivia question about the only person who is in both the Rock & Roll Hall of Fame and the Inventors Hall of Fame.Final QuestionWe've reached the Final Question of the game, and today's category of choice is Companies. Let's get started!The Trivia Team is asked to place four Dow Jones companies in order by when they were founded, from earliest to most recent.To learn more about how Last Call Trivia can level up your events, visit lastcalltrivia.com/shop today!

Welcome to the Instant Trivia podcast episode 1088, where we ask the best trivia on the Internet. Round 1. Category: The Flying... 1: The flying wedge was first used in this sport by Harvard in 1892 but became illegal due to players being brutalized. football. 2: We're not sure if this Bullwinkle pal is biologically a flying squirrel (Glaucomys sabrinus) or a regular gray squirrel who can fly. Rocky. 3: Known as "The Flying Tomato", this snowboarder won his first Olympic halfpipe gold in 2006. (Shaun) White. 4: In 2005 she won a TV Land Award as "Favorite Airborne Character" for her 1960s work as "The Flying Nun". (Sally) Field. 5: In song, "He floats through the air, with the greatest of ease, the daring young man on" this. flying trapeze. Round 2. Category: New York In The Movies 1: On a Manhattan morning, Audrey Hepburn admires the gems in a shop window while eating a roll in this film's opening. Breakfast at Tiffany's. 2: It begins with a voice over: "Chapter One. He adored New York City. He idolized it all out of proportion". Manhattan. 3: The "I'll have what she's having" scene in this romantic comedy took place at NYC's Katz's Deli. When Harry Met Sally.... 4: (Hi. I'm Quvenzhané Wallis.) In an updated version of a beloved musical, I play this title girl as a foster kid--it's the hard knock life with Miss Hannigan in Harlem. Annie. 5: As this title superhero, Tobey Maguire spun his web across New York. Spider-Man. Round 3. Category: New Orleans 1: This Catholic group founded the College of the Immaculate Conception, which evolved into Loyola University. the Jesuits. 2: If you "Desire" to use this type of transportation, a historic one runs along St. Charles Avenue. streetcar. 3: The police aren't allowed leave and work 12-hour shifts during the 12 days of this pre-Lenten festival. Mardi Gras. 4: This last day of Carnival was celebrated with masked balls and street processions as early as the 1700s. Mardi Gras. 5: If this play were written today, Blanche would have to ride the bus; the title vehicle doesn't run any more. A Streetcar Named Desire. Round 4. Category: Songs' Later Verses 1: 19th c. song whose second verse includes "Now it catches the gleam of the morning's first beam". "The Star-Spangled Banner". 2: "He said, 'Let's run and we'll have some fun now before I melt away'". Frosty the Snowman. 3: One verse of this Foster song begins, "Oh, the long-tail filly and the big black horse". "Camptown Races". 4: Oscar-winning song that says, "What's too painful to remember, we simply choose to forget". "The Way We Were". 5: "I don't want clever conversation, I never want to work that hard" in this pop hit. "Just the Way You Are". Round 5. Category: 3-Named People 1: This inventor was one of the founders of the National Geographic Society and succeeded his father-in-law as its president in 1898. Alexander Graham Bell. 2: In command of the Bonhomme Richard, he said, "I have not yet begun to fight". John Paul Jones. 3: In 2016 this "Sling Blade" Oscar winner began playing lawyer Billy McBride in TV's "Goliath". Billy Bob Thornton. 4: Elected to Congress in 1830, he wrote, "My election as President of the United States was not half so gratifying". John Quincy Adams. 5: This lawyer who penned "The Star-Spangled Banner" was later a member of Andrew Jackson's "Kitchen Cabinet". Francis Scott Key. Thanks for listening! Come back tomorrow for more exciting trivia!Specia

With the fourth word of Genesis, the second inversion arrives. At this rate, I may not get far, because here a long pause is required on this word. “In the beginning, God…” There is no word more argued about, discussed, twisted, bargained over, or rejected than the word God. We all have some idea what it means. But more importantly, what we believe at this top level affects the heart and mind. What we believe about this fourth word of the bible ultimately directs how we live. This acceptance or rejection of God, and what that word means, acts like a compass along the journey of life. Where we end up depends on the compass we use as well. We can have wildly different understandings of it, but let me stop here to address the most common errors: the word God means neither cop nor genie. Many bad understandings regarding God fall into either the cop or the genie category. For some, he is both a genie and a cop. But this inversion suggests to you that he is neither. He is several things that can be asserted with confidence, that is, with faith, which is what the word confidence means:* He is one. He exists. He is first.* He is the sheer act of “being” itself.* He is an all-powerful Creator. * He is a loving father, not a bully, who desires your return.* He is true, good, and beautiful. That is all you need to know for your mental health regarding this inversion. Good night! The end. But clearly more must be said, even though we could (and should) just contemplate all of these in silence. There is much to be said, so starting from the top, this inversion will focus on the oneness of God.He is not many. He is not none. He is one. (Truly, he is three-in-one, but even then he is one. Later inversions will discuss the Trinity.) Genesis is not a shouting match, but it is quietly entering a deadly serious argument at this point. Genesis is in dispute with every other culture and myth in the world. By this fourth word, the first book of Moses sets his belief apart from every culture - literally, every culture - that surrounds him. Before Moses, Abraham believed the same, but Moses and his scribes wrote it down. This is important, because had he not written it down, Jesus would not have said so often, “It is written…” Jesus invokes the written word of Moses and the Prophets rather often, especially to rebuke the devil during the temptations in the wilderness. If you believe Jesus is God, and Jesus quotes what is “written” by Moses and the Prophets, then these words have weight - infinite weight - in how to view the world and, by extension, how we should live our lives. Thus, what we think of God matters greatly in how we view scripture, the world, and the spiritual life. If Jesus is God, and Jesus quotes scripture, and God inspired scripture, then God used human authors to convey his eternal word. This makes for a simple waterfall set of conditions that fall like gravity into place:If Jesus is God… And Jesus quotes scripture as the word of God… Then Jesus inspired the sacred writers… Meaning Jesus authored the scriptures.That was mighty kind of God, in my opinion, to give us the scriptures. Even more kind, he came down to us in the form of man to go ahead and make things more clear to the apostles so they could pass on the tradition and teach us. But this should give you some idea about why we all like to argue about scripture. We argue because we disagree about who or what is God. Further, we argue about how he reveals himself, and to whom. But most of all, we argue because we dislike authority and the Catholic Church believes it has the teaching authority. This is why we argue. Even atheists love to argue about all of this, but they come at scripture wearing a bent pair of glasses, because the word God means something very different if you reject the idea of God. Likewise, you cannot understand the cross of Christ and the resurrection without at least getting the foundational idea of God in place first, not to mention the idea of an ultimate authority in heaven and on earth. Thus, it's no surprise that the “word of God” only makes sense if you believe in the supernatural existence of God. Truly, reading the bible without belief in God is like reading a bike repair manual without believing in bikes. Even if you believe in God, the perception of it leads to wildly different conclusions, which is why we have such wide-ranging belief systems as Islam and Jehovah's Witnesses and thirty-one flavors of Protestant churches. The bible is a difficult read, and this is why the “bible alone” is insufficient as a teaching authority, because we can see with our own eyes how different each group uses that teaching authority.Where we are at in this opening line of the bible is the origin story of all creation. Every culture needs a creation story. Every culture has one, and even atheists have a faith-based creation story. We certainly have our stories about the creation of America, just as the Soviets did (or tried to), or the Italians, or the English, so this should not seem odd to anyone. Comic books have an origin issue. Businesses have foundation narratives. My favorite pie shop, Betty's Pies (“The Best Pies in Minnesota”) has a founding story about Betty. Without a story, we are left stuck in a no-man's-land. We're like the orphan Annie who runs away from Miss Hannigan in search of her real parents. As it turns out, the beginnings of things need a cause, a character, a maker, or doer, or a force. The choices for who lifted the curtain on this grand play called “Creation” come in three sizes: many, one, or none. Also, you cannot mix these - you must pick one, and only one. Genesis declares that the answer is one. And if you think you don't have to choose, you are incorrect. Really, you have already chosen. You may think you have chosen in your mind, but you choose by how you live today and every day. Actions reveal the choice, as Jesus described in the great Parable of the Two Sons. Actions speak louder than words. Every seeker must accept or reject God's oneness. For the seeker, the treasure to be found is the truth, but only one choice is not fool's gold. Every angsty teen, every doubting Thomas, every physicist, every Greek mythologist, every internet atheist, every Christian and Muslim - truly, anyone who is seeking truth must venture into the test of oneness. Genesis is inverting the worldview that accepts the “many gods” and the “no gods” hypotheses. Genesis states that there is one God.This may seem trivial but it's not. Genesis declares a truth that many do not want to be true. And even those who say “Amen” often do not fully understand the implications of what this “oneness” means. Greek myth has a story of creation. The old mythology is a search for the truth, just as astronomy, psychology, and chemistry are also deep investigations into aspects of truth. And we all want the truth, more than anything, except for when we want to do something that requires a different truth. But what is truth? Ah, that is the question. Now we are getting warmer. Hamlet asked the great question of “To be or not to be,” and Hamlet was right. That is indeed the question. He was close to the answer just by using the word “being.” What does it mean “to be”? We are getting warmer still. Pontius Pilate, long before the fictional Hamlet, said it even better when he asked Jesus straight up: “What is truth?” This question of “What is truth?” and “What does it mean to be?” are related. When Moses asks for God's name at the burning bush, God tells him that his name is “I AM”. I found this rather confusing as a child. But just consider what “I AM” means. This is the verb for “to be.” God might have said it another way, as in “I BE.” In fact, that phrase sounds like it could be the name of a modern pop song. “To be” is to have come from God. Being comes from God. Being and truth both come from the simple, beautiful, transcendent oneness of God. God is to be. John Keats said “Beauty is truth,” but God's being and truth go together with beauty. Descartes said “I think, therefore I am,” but thinking is not being. No, God is “to be” and he created us, giving us our being. In any case, it's worth pointing out that Zeus is none of these things: he is not good, true, or beautiful. Zeus is an ugly power-hungry shape-shifting rapist. That is not the God of the bible. This inversion is easy to spot if living in the ancient world. Today, we have different versions of the pagan gods, but they are still around. They have moved into other forms, such as honor, wealth, pleasure, and power - but rest assured, for every god of the ancients, we worship strange versions of it now. More important, however, is the subtle inversion regarding Zeus and every other contender god. None of the other gods are the act of “being.” Again, God's name is “I AM.” In most stories about Zeus, he shifts into the shape of a swan or a bull, so he could say the opposite: “I am who I am not.” This is exactly what the shape-shifting devil presents to Eve: a lie. Once again, like in the first inversion, regarding the nature of time having a beginning, a middle, and an end, there is one Creator, one “sheer act of Being,” and one source of all truth. This, once again, is an inversion upon which you can rest your head, where your finite mind can focus. One true God is much better to aim your meditation toward than nothingness, and much more sane than thinking about the pantheon of Greek and Sumerian gods. However, when in prayer, you can easily find out which gods you worship, because your distractions will lead you there. The distractions reveal your fragmented understanding of God, as they pull you away from the oneness of God. Knowing that God is one is an act of faith, because no amount of proof can sway the mind alone to accept it. But it is an act of faith anchored in reason. And reason can take you to the doorstep that there is one Creator, but faith is needed to knock on the door. As St. John Paul II wrote, faith and reason are the two wings that make us fly. St. Anselm and St.Thomas Aquinas presented rational arguments of the “ways” to know that God is one, and that God is logical, and that God is beautiful. People can and will argue until the end of time over God's existence - and this is a good thing because skeptics often come to believe in the oneness of God in a most profound way, such as Augustine, Dostoyevsky, or Antony Flew. To doubt the oneness of God is not a defect, it is part of the journey back to God. However, argument will only take you to the door. You still have to knock, enter, kneel, and pray. This is a mystery and it is wonderful. God seems to have designed it this way for our own good. The most common doubt today is about God's existence. But there is no existence at all without God, who is the act of being itself. When we doubt God's existence, we are much like the “self-made” billionaire who thinks his fortune came entirely from himself instead of the complex set of circumstances that were needed to allow for his success. In his self-satisfaction, the billionaire ignores the whole and only sees himself. Sure, he may have worked hard, but he didn't create the infrastructure, culture, opportunities, timing, talent, and need that led to his wealth. He did not educate himself or feed himself as a child. In other words, he sees everything in terms of the self. (Hint: we are all the billionaires in this metaphor).The pursuit of wealth is a search for meaning, as are the pursuits of pleasure, honor, and power. But the real search is for the origin story, the place of rest, the giver of life - we are searching for home - but we confuse where that place is at. Seekers who are burdened with the burning need to find the truth will undoubtedly try on the differing hypotheses of “many gods” and “zero gods” before they really look into the possibility of “one God.” With the Zero hypothesis, this leaves only the self and the void to find answers - there is no soul to save. With the Many hypothesis, it leads to a flattening and scattering, a divided mind and separated body and soul, a rudderless chase. With the One hypothesis, there is no confusion. There is a body and a soul, and one source, one origin, one beginning, one ending. This puts solid ground underfoot and a proper heaven overhead. It almost seems too simple of an answer, because there is no struggle. Mythology seems more exciting, more dramatic (but that is the next inversion after this one to discuss). The One hypothesis of Genesis also shrugs off the coercive policemen concept, as God creates out of his goodness. He is the Artist who creates because he can create. Moreover, God creates and does not engage in transactions with his creation, but rather made everything for its beauty. He is a great artist who creates out of love and calls all of this creation to himself. St. Anselm called the Christian search a way of “faith seeking understanding.” You might say that those who believe in Greek myth or pure materialism also have a faith seeking understanding. Even the atheist is a believer in no gods, and that a faith in nothing must seek understanding through reason alone. With all texts, with all searches, we must take something on faith to find the truth. This is unavoidable. To compare a creation story from Greek myth, from Hesiod, against Genesis, let's take just the opening lines:Here's the opening from Hesiod's creation story (after he finishes praising the Muses):In the beginning there was only Chaos, the Abyss, but then Gaia, the Earth, came into being…With that one line, we have a whole cast of characters to consider, and it only expands from there. With Hesiod, we don't just have to bother with the Muses, now we have three more beings, and soon there are about fifty. Genesis starts much cleaner, simpler. In the beginning God created the heavens and the earth.Done. The writer of Genesis starts out with a roundhouse. He says, “Let's cut the nonsense: God was first and created everything.” So much is said in so few words. The first line of Genesis is a masterful sentence that never stops speaking. But what else is the fourth word of the bible saying? What is God? We know there are basically three options: no gods, many gods, or one God. If the bible is declaring one God, which it is, what does that mean for us? Our idea of God has everything to do with where we came from and where we think we are going. I'm not yet talking about the big “why,” but just the where for now: where did we come from and where are we going? I often think of the analogy of trying to fly a rocket to the moon. First, the rocket must be pointed upward, not toward the earth. The Zero gods hypothesis aims the rocket at the ground. That rocket is going nowhere. The One hypothesis and the Many hypothesis is aiming the rocket upward. But clearly, that is not enough, for even a rocket aimed upward must have precise calculations to reach its target. Missing by a single degree will leave the crew lost in outer space. This inversion is about calibrating and setting the sights on the right target, charting the destination. Declaring that there is one God, not many, and not zero, will get you going in the right direction (and later inversions will fine-tune the landing). With this inversion coming so soon in sacred scripture, this sets apart the people of Moses from all surrounding families and nations. The Canaanites and Egyptians of Biblical fame did not have one God, they had many. Abraham must have seemed a strange man in the ancient world and even had to leave his home in order to follow the one God. His city likely worshipped a moon god, meaning their rocket was aimed at the wrong heavenly body. Abraham must depart because he knows that will end in disaster. His faith in God Most High is not the norm. It's not popular. But he knows it is the truth. Even today, Abraham would have to leave home, because we still have many gods. We have believers in no gods and believers in many gods, and then we have believers in the one God. Mythology as we know it today is what we refer to when we want to talk about dead religions. When the Sumerians were worshipping moon gods or the Greeks were rocking out at a Dionysus fest, they were not saying, “Man, I love our mythology!” No, those gods and goddesses were real to them, or at least some of them. The household gods of Romans, which taught men and women to live virtuously, were not like Calico Critter figurines that didn't mean anything to them. These were meaningful objects, symbols of unseen realities. Genesis, in its quiet boldness, states out loud that all of these little gods are ugly babies. Really, the sacred writer just cannot pretend any longer - these are false gods. Thus, these are fighting words for people and nations who have entire lives, rituals, and power structures built around these gods. Every domain of life, from hearth and home to war and sex, all had a god or goddess. Genesis rejects all of them. We have them today too, which we will get to later. Again, we have lived with the idea of one God so long that we cannot comprehend how hard it was for Abraham and Moses to say, “All of your gods are fake. Only one is real.” This is the inversion that brings much hatred against Jews and Catholics to this day. Yet while we nod along about the idea of one God, we often live as if there were Many or Zero. But why? Why is it so irritating to believers in the Zero or Many hypotheses? Why does saying, “There is only one God” irritate us? Why does saying, “There are no gods” bother people? Why does saying “There are many gods” make us do a double-take? The reason is that it matters immensely, because like our view of time, our sanity and cosmology rests upon: 1.) Does God exist? And if the answer is yes, then: 2.) What is the nature of that being (or beings)? The question of whether or not God exists is fundamental to how your life is lived, how your family eats, and how your government operates. This is where we build our lives. Like it or not, upon this rock we stack up all other things. And this choice always requires an act of faith. Even if we select the Zero hypothesis, that is an act of faith. The internet atheists make an act of faith when they say, “There are no gods or God” just as much as when a Catholic says, “Credo in unum Deum” (I believe in one God). The “unbelievers” actually are believers, they just subscribe to the belief that there is only matter and energy. That is a creed, also. There is no proof for either side that can be used to win the other over by pure argument or technique. It is not pure geometry. Nor are feelings enough to prove anything. There is only an act of faith in the end. The act of faith in One God, Many gods, or Zero gods comes down to an act of the will, where we submit our will and intellect to a choice. When I felt there were no gods, never once did I say, “God help me be willing to be willing to believe no gods exist.” Why not? Because I didn't want to believe in God or gods. I wanted to mock the idea that God existed, crown Jesus with thorns, and be unburdened by the consequences of what it means to say “God exists.” Because if you say those words, then it follows that God is not just matter. Then it follows that God matters. Then it matters in how you live your life. But wait - the bible just says “God” in Genesis 1:1, it doesn't give any details. What kind of God is this one God? Is this the clockmaker God of the Deists? Is it a vindictive God? Is it a God merely made in our likeness? Is this an invented God to control people? Is this a God of convenience for power? Is this a God you can barter with? Is this a God who built the universe and then departed, or is he watching us with his many eyeballs right now? These are the questions that the rest of the bible answers. But the Catechism of the Catholic Church has a nice little paragraph to help us here.Since our knowledge of God is limited, our language about him is equally so. We can name God only by taking creatures as our starting point, and in accordance with our limited human ways of knowing and thinking.God transcends all creatures. We must therefore continually purify our language of everything in it that is limited, image-bound or imperfect, if we are not to confuse our image of God--"the inexpressible, the incomprehensible, the invisible, the ungraspable"--with our human representations. Our human words always fall short of the mystery of God. (CCC 40-42) In this inversion, we can start small, without diving into the nature of God too far. It's often easier to say what God is not than to say what God is, because being bound in time and space does not allow us the language to describe God, but it allows us to know there is a God. Once again, we are given all that we need for salvation and sanity, not every last detail that we want out of curiosity. Just as hunger goes with our craving for food, and our thirst matches our need for water, so does our spiritual longing pair nicely with the God that created all things. Our hearts seek God, and God is all that can quench that seeking thirst. But mostly, in this inversion, what Genesis is saying is:* God exists.* God is one.* God was first.* God created. This inversion marks a departure from all other creation stories. It casts out all myth systems and modern atheism. In the Greek creation story, Chaos gets first billing and then mother Earth just pops into being, as if birthed by itself. The point that Genesis makes is that the first mention of any “being” is God, who is “Being Itself.” Chaos is not first. Earth is not first. Nothing is first. But God precedes that nothing. Surely it is proper for the first character of the bible to be God, from whom all being is sustained. “It is right and just,” as we say at the Catholic Mass. This is also why Genesis is so memorable. It's simple. It's beautiful. It's good. No one memorizes Hesiod, not just because it's longer, but because it's not as good, not as simple. We don't memorize Hesiod because it's false. It lacks the three transcendentals of goodness, truth, and beauty. Many people know the opening line of the bible because it is terrific writing and speaks a truth that makes sense, even if many wish it wasn't so. We can't look away from Genesis for a reason: it is a masterpiece, and masterpieces do something to us. The first eleven chapters of Genesis cover massive territory, but there is nothing that says quite so much as the very first line. This is much like the Apostles' Creed, with the opening line of “I believe in God, the Father Almighty, Creator of Heaven and earth.” A lifetime can be spent meditating on that alone. To meditate on Chaos and the Abyss does not satisfy in the same way. In fact, Chaos and Abyss in capitalized letters sound like a couple of rollercoasters at Six Flags or Cedar Point. (What a strange time to be alive, when we name our fun distractions after the things that terrify us - Leviathan, Behemoth, Goliath, Medusa…I suspect an amusement park will just go all in and soon name a rollercoaster “Satan, the Accuser,” but let's not get ahead of future inversions to be discussed.)I realize that there are many differing accounts of the Greek, Sumerian, and Roman creation stories, so Hesiod's writing is not the only version. However, all of them start with something other than one God. This is why the inversion of Genesis is so stark in contrast. This inversion, of coming to know that there is one God, is not like the fleeting thrill of reading about Chaos and Gaia. This is no cheap Double-Bubble parade gum that grows stale after a short time, but rather it is endless food for the mind and the soul. The idea of one God, on its face, does not seem as interesting as a tale that begins with Chaos, the Abyss, and Gaia's spontaneous generation. If I had two movie choices to select from, I would choose the one starring Chaos in the leading role. But Genesis is not a movie. It is not about entertainment. Genesis is going higher and deeper than what Hollywood or Greek myth does. Genesis does not set out to titillate and persuade. So while Chaos may be more exciting in the short term, it makes far more sense logically and spiritually that before all things were, God is. And merely four words into Genesis, the sacred writer has inverted the nature of time, and asserted the existence of one God, and declared the number of God is One. This is why, as these inversions gather together, it becomes increasingly clear why the tribes of Jacob cannot help but be called “the chosen people,” because these differences are not small, not subtle, but glaring and sharp, like a knife that carves them out from a world of very different expressions of faith. In closing, the mention of God in Genesis upends other worldviews. We believe that God needs no pre-existent thing or any help in order to create, nor is creation any sort of necessary emanation from the divine substance. God creates freely "out of nothing":If God had drawn the world from pre-existent matter, what would be so extraordinary in that? A human artisan makes from a given material whatever he wants, while God shows his power by starting from nothing to make all he wants. (CCC 296)God exists. God is one. God is first. Many people have gotten caught up in an academic distraction about the word Elohim being used in various lines of the bible. This is where personal interpretation of the bible can go wild, like college students on spring break. This is where deep dives into Giants and extra-biblical texts like the Book of Enoch and the Divine Council become unhealthy distractions. Interpretation of the bible should never be approached as a research exercise, but as an encounter with God, in a living tradition. If there are two books to keep on your shelf, or to take along to a desert island, to keep from getting lost or going insane, it is these: The Bible and The Catechism of the Catholic Church. Many heresies start when the idea of the oneness of God is discarded or doubted. Rest assured, however, that God is one, even if he is three-in-one. The many and none hypotheses are upside-down worlds. The oneness of the Trinity has fingerprints all over the bible, even in the opening line. The Trinity of Father, Son, and Holy Spirit is still one God. Yes, there are other created spirits, like angels, but there is no other God than the one true God, also known as God Most High. The Trinity is beyond full comprehension, and this is a wonderful mystery to pray on. As always, prayer is the key, as it pleases God and is offered like heavenly incense to Him. To embrace the certainty of God while letting go of the desire for all divine data is a liberating act for your mind, body, and soul. The certainty and mystery of God's oneness is glorious. With that, let's move to the next inversion, which happens in the fifth word of the bible, which is the word “created.” This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit whydidpetersink.substack.com

Continuando con nuestra idea de dedicar un musical de tono navideño a nuestros “Cuentame…” del mes de Diciembre, tras “Mame” en 2020, “White Christmas” en 2021 y “Oliver” en 2022, este 2023 lo dedicamos a “ANNIE”, la pequeña huérfana salida de una tira cómica, publicada en el diario New York Daily News desde 1924 hasta 2010. Annie ha conocido muchas adaptaciones tanto en programas de radio, como en películas, telemovies y por supuesto al musical que hoy vamos a comentar. Estrenado en Broadway en 1977 con enorme éxito se sigue reponiendo con cierta asiduidad e incluso lo hemos visto en España, donde aparece de cuando en cuando de gira por la península. La grabación que hemos utilizado para el podcast es principalmente la de la producción de Broadway de 2012 dirigida por James Lapine con coreografías de Andy Blankenbuehler, con Lilla Crawford como Annie, Katie Finneran como Miss Hannigan, Anthony Warlow como Oliver Warbucks, Brynn O’Malley como Grace Farrell, Clarke Thorell como Rooster Hannigan, y J. Elaine Marcos como Lily St. Regis. 00h 00’00” Maybe / Tomorrow – Audra McDonald 00h 01’59” Presentación 00h 03’23” Cabecera 00h 04’29” Introducción 00h 05’24” Overture 00h 09’36” Maybe 00h 12’50” It’s a hard knock life 00h 15’36” It’s a hard knock life (Reprise) 00h 16’56” Tomorrow 00h 20’18” We’d like to thank you, Herbert Hoover 00h 23’07” Little girls 00h 25’56” Little girls (Reprise) 00h 26’53” I think I’m gonna like it here 00h 31’09” N.Y.C. 00h 38’26” Easy Street 00h 42’16” You won’t be an orphan for long / Finale Act One 00h 44’47” Entr’acte / Maybe (Reprise) 00h 46’16” You’re never fully dressed without a smile 00h 50’34” Easy Street (Reprise) 00h 51’57” Tomorrow (Cabinet Reprise) 00h 56’20” Something was missing 01h 00’35” Annie / We got Annie 01h 02’29” I don’t need anything but you 01h 05’19” Maybe (Second reprise) 01h 08’00” A new deal for Christmas 01h 11’26” Curiosidades y anécdotas 01h 13’26” Why should I change a thing 01h 17’52” You make me happy 01h 22’22” Don’t mes with mother 01h 26’48” Te necesito solo a ti / Annie 01h 31’06” Let’s go to the movies 01h 36’16” Firme 01h 38’51” Tonto – Sandy 01h 43’16” Easy Street 01h 49’21” Little girls 01h 52’43” Tomorrow is now 01h 54’45” It’s Christmas 01h 58’21” Bows

En uke med mye klabb og babb.

Welcome to the show! This is a podcast about all the "WTFs of the Great White Way". The Broadway Bombs. The theatrical catastrophes. That one time there was a musical featuring a group of dancing vampires who looked like Cher from the 1986 Oscars. It's like, "How did this get made?" but with theater and is a show made for EVERYONE, not just the folks who gotta sing, gotta dance. Each week host Julia Prescott is joined by a guest to talk a batshit Broadway flop from Soul Doctor: Journey of a Rock Star Rabbi, Annie 2: Miss Hannigan's Revenge and of course Spider-man: Turn off the Dark (which honestly necessitates a multi-part series). What went wrong? What went right? Why do we keep giving Andrew Loyd Weber second chances? Subscribe now to find out. Hosted on Acast. See acast.com/privacy for more information.

It's 2018. I'm working with a Syrian-born American filmmaker named Sam to get him ready to hit the TEDx stage. We're forming the foundation of his Talk--his idea worth spreading--when I ask him, “Why was making this particular film so important to you?” And he responds, “It's imperative to amplify the voices of what Syrians are going through. Their voices are muted right now and giving voice to the voiceless should be an obligation. That's why people literally risked their lives to make this film.” With that, we have his idea worth spreading: For society to survive, the voices of repressed people must be revived.  By the way, Sam's film, Little Gandhi, becomes the first official Oscar entry for Best Foreign Language Film and goes on to win several awards. And most importantly of all, Sam's willingness to stand up for and speak on what he believes has changed individual and collective stories around the world...which leads me to my special guest today! Lynn Andrews is a versatile artist who has been standing up for what she believes, literally. As a singer, actress, and writer, she has a stake in bringing stories to life as part of her life's work and is fresh off the picket line protesting as part of the SAG-AFTRA strike. In this episode of the Storytelling School Podcast, listen in as she and I dive into the idea of using your story to stand up and speak up, whether your voice matters at all, and how to influence the stories that are told. You'll also discover the answer to questions such as: What's it like participating in a community of storytellers standing up for themselves? What's one thing you need to be mindful of as you speak up for your cause during a protest or strike? What opportunity can you choose to take with an Improv performance, beyond the humor? And why does your profession not matter when it comes to storytelling? And along the way, you'll hear about trimmed trees, strongly-worded umbrellas, memorable theater moments, and more! What you will learn in this episode: Why your voice matters in changing an unfolding story Why people sometimes hesitate to speak up with their story How to get an audience to love a villainous character Who is Lynn? Lynn Andrews, an artist excelling as an actor, singer, and writer, was born in Denver, Colorado. Her passion for the arts led her to pursue training at the American Musical and Dramatic Academy (AMDA) in New York City. Lynn won the coveted role of Miss Hannigan in the national tour of Annie. The New York Times praised her, saying she "has a wonderful way with a shimmy." During her time in New York, Lynn showcased her singer-songwriter abilities as one-third of the girl group The Shirtwaist Sisters, highlighted by the NPR Tiny Desk competition. In 2017, Lynn made her way to Los Angeles, where she appeared in popular television shows like The Big Bang Theory, Modern Family, and Dead To Me, as well as the critically acclaimed film The Dark and the Wicked. Her recent appearances on The Resident and American Auto continue to solidify her status as an accomplished and skillful performer. Links and Resources: @fakelynnandrews on Instagram @fakelynnandrews on Tik Tok The Shirtwaist Sisters on Spotify The Annoyance Theatre & Bar Storytelling School Website @storytellingschool on Instagram @storytellingSchool on Facebook

HEY hobo man, HEY Dapper Dan, you've both got your style - but brother, you're never fully dressed without a SMILE! And we are here, folks, to bring a smile to your face this week as we discuss all things 'Annie'! Maybe far away (or maybe real nearby) we'll hear about how Miss Hannigan really does have a point, some comparisons between filmed versions of the show (and why some are vastly superior to others COUGH COUGH), what Chris wants more than anything else in the world, AND find out why SLP insists on being followed around by a private trumpeter everywhere! (Wait, what?!) Audio podcast and filmed YouTube episodes now available, courtesy of Storyboard Media and the Vox Box bar, Hull. Cheers! x

We are continuing our summer tradition at “Here's The Thing” where members of the staff select their favorite interviews from the archives. This week, we revisit Alec Baldwin's conversations with two amazing women in entertainment, Lena Dunham and Carol Burnett. Lena Dunham, creator and star of the ground-breaking “Girls” and writer/director of the recent film “Catherine Called Birdy,” spoke with Alec in 2013 about making her first film, “Tiny Furniture,” how her work evolved following its success and what it's like to play a version of herself. In 2015, Alec spoke with comedian and actress Carol Burnett about making 11-seasons of the Emmy-winning “The Carol Burnett Show,” navigating being a woman in show business in the 60s and creating her incredible performance as Miss Hannigan in “Annie.”See omnystudio.com/listener for privacy information.

Jen chats to dancer, Strictly Come Dancing judge and actor Craig Revel Horwood about playing Miss Hannigan in 'Annie' which is coming to Bord Gais Energy Theatre from 22nd Aug to 3rd Sep!

This week, a new UK Tour of the musical ANNIE is visiting the New Victoria Theatre in Woking and Mickey-Jo was thrilled to be invited to review! The show stars Strictly Come Dancing judge Craig Revel Horwood as the villainous Miss Hannigan and features such popular songs as 'Tomorrow', 'It's a Hard Knock Life', 'NYC', and 'You're Never Fully Dressed Without a Smile'. Check out the new review for Mickey-Jo's thoughts on this latest tour... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

In this very musical episode (which really isn't that musical), we discuss a childhood favorite and hope and dream along side little orphan Annie (Aileen Quinn). We follow Annie as she escapes drunken house mother Miss Hannigan (Carol Burnett) to a week of luxury at the Warbucks' estate. We get further into Tessa's lust for domineering bald men, Daddy Warbucks (Albert Finney) and explore the possibility of high class cannibalism. In the search for Annie's real parents, Miss Hannigan's brother Rooster (Tim Curry) and his girlfriend Lily St. Regis (Bernadette Peters) attempt to scam Daddy for the 50k reward. Everyone comes together to save the day and to prove that the sun will indeed come out tomorrow. We present Annie - in this episode of Doom Generation. Support this podcast at patreon.com/doomgeneration --- Send in a voice message: https://podcasters.spotify.com/pod/show/doomgeneration/message

Leapin' Lizards! We watched Annie (1982) with our friend Brad Liberti and I think we're gonna like it here! Whether you like it or not, this movie holds a place in our collective consciousness. The story of the little orphan girl who made it out of the slums and into the mansion of a misanthropic oligarch is deeply entrenched in our early movie watching memories. Some of us fantasized about being Annie and going off to live in an estate the size of the Mall of America with a staff peppered with racial stereotypes. Others dreamt of making bathtub gin, while wearing costume jewelry and lingerie. Either way, this movie is iconic. The trio of Carol Burnett, Tim Curry and Bernadette Peters is what gay rights are made of. The opening number of Hard Knock Life featuring orphan girls flipping, stomping and bucking across Miss Hannigan's orphanage give us life (Matilda could never). And I don't care what your orientation is, who didn't fall in love with Ann Reinking as Daddy Warbucks' secretary/love interest Grace? Maybe the movie buried the lead and underplayed “Tomorrow” and maybe the movie differs a little too much from the stage production. This musical might be better in your memory as a child, but it still brings out a smile in the cynic in all of us. Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay (http://www.patreon.com/moviesthatmadeusgay) Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Beth Leavel (bethleavel.net) is a Tony Award-winning stage and screen actor. She recently starred as Miranda Priestly in the Broadway-bound new musical adaptation of The Devil Wears Prada, directed by Anna Shapiro and featuring music by Sir Elton John, lyrics by Shaina Taub and a book by Kate Wetherhead. Most recently, Beth was seen on Broadway as Dee Dee Allen in The Prom, for which she was nominated for Tony, New York Outer Critics Circle and Drama League Awards. She received Tony, Drama Desk, Outer Critics Circle and LA Drama Critics Awards for her performance as the title character in The Drowsy Chaperone. Beth also received Tony, Drama Desk and Outer Critics Circle nominations for her role as Florence Greenberg in Baby, It's You. On Broadway, Beth also originated the roles of June Adams in Bandstand, Emily in Elf, Mrs. Bixby in The Civil War and Tess in Crazy For You. Other Broadway credits include Donna Sheridan in Mamma Mia!, Frau Blucher in Young Frankenstein, Dorothy Brock in the revival of 42nd Street, Ellie in Hal Prince's Show Boat, and Anytime Annie (her Broadway debut) in 42nd Street. Other New York credits include starring as Lucille in the New York City Center Encores! production of No, No, Nanette, as well as the off-Broadway productions of Lone Star Love and Standing on Ceremony: The Gay Marriage Plays. Regionally, Beth has performed some of the most iconic roles in musical theatre – from Mama Rose in Gypsy at The Muny and Dolly Levi in Hello Dolly at Cape Playhouse and The Muny, to Sally Adams in Call Me Madam at the Lyric Theatre of Oklahoma, the Witch in Into the Woods at the Pittsburgh Civic Light Opera, and Miss Hannigan in Annie at the Paper Mill Playhouse. Beth has dazzled and delighted sold-out audiences with her cabaret act, which she has taken from 54 Below in New York City to other venues across the United States. You might also recognize Beth from numerous commercials and TV shows/films, including Ghosts of Christmas Always, The Bite, Walking Dead: World Beyond and the final episode of ER. She holds an MFA and an honorary PhD from the University of North Carolina, Greensboro. Of all the roles she has played, on stage and off, Beth is most proud of being T.J. and Sam's mom. She is helplessly in love with her fiancé, Adam Heller, and thanks her cat, Malcolm, for keeping her sane during the pandemic.

Beth Leavel (bethleavel.net) is a Tony Award-winning stage and screen actor. She recently starred as Miranda Priestly in the Broadway-bound new musical adaptation of The Devil Wears Prada, directed by Anna Shapiro and featuring music by Sir Elton John, lyrics by Shaina Taub and a book by Kate Wetherhead. Most recently, Beth was seen on Broadway as Dee Dee Allen in The Prom, for which she was nominated for Tony, New York Outer Critics Circle and Drama League Awards. She received Tony, Drama Desk, Outer Critics Circle and LA Drama Critics Awards for her performance as the title character in The Drowsy Chaperone. Beth also received Tony, Drama Desk and Outer Critics Circle nominations for her role as Florence Greenberg in Baby, It's You. On Broadway, Beth also originated the roles of June Adams in Bandstand, Emily in Elf, Mrs. Bixby in The Civil War and Tess in Crazy For You. Other Broadway credits include Donna Sheridan in Mamma Mia!, Frau Blucher in Young Frankenstein, Dorothy Brock in the revival of 42nd Street, Ellie in Hal Prince's Show Boat, and Anytime Annie (her Broadway debut) in 42nd Street. Other New York credits include starring as Lucille in the New York City Center Encores! production of No, No, Nanette, as well as the off-Broadway productions of Lone Star Love and Standing on Ceremony: The Gay Marriage Plays. Regionally, Beth has performed some of the most iconic roles in musical theatre – from Mama Rose in Gypsy at The Muny and Dolly Levi in Hello Dolly at Cape Playhouse and The Muny, to Sally Adams in Call Me Madam at the Lyric Theatre of Oklahoma, the Witch in Into the Woods at the Pittsburgh Civic Light Opera, and Miss Hannigan in Annie at the Paper Mill Playhouse. Beth has dazzled and delighted sold-out audiences with her cabaret act, which she has taken from 54 Below in New York City to other venues across the United States. You might also recognize Beth from numerous commercials and TV shows/films, including Ghosts of Christmas Always, The Bite, Walking Dead: World Beyond and the final episode of ER. She holds an MFA and an honorary PhD from the University of North Carolina, Greensboro. Of all the roles she has played, on stage and off, Beth is most proud of being T.J. and Sam's mom. She is helplessly in love with her fiancé, Adam Heller, and thanks her cat, Malcolm, for keeping her sane during the pandemic.

With episodes nearing 350 in the STAGES archive, it's time to revisit conversations featured in our previous seasons. STAGES spotlights such episodes, in case you missed them the first time ‘round - or so you can simply savour, a second listen. Either way, you'll be accessing precious oral histories from the people who were there, on and around our stages. Nancye Hayes is synonymous with Australian show business and her presence in any show guarantees a consummate artist determined to engage, with vast skill and an extensive joy she invests in to every performance. In October, the great lady celebrated 60 years of a life ‘on the boards'. Nancye Hayes started her professional career as a dancer in My Fair Lady. She then progressed through roles in How to Succeed in Business Without Really Trying, Hello Dolly! and The Boys from Syracuse. She scored tremendous personal success as Charity Hope Valentine in her break-out performance in Sweet Charity, establishing herself as a bright new star. The accolades came thick and fast, leading Nancye to great acclaim and on to a career that has seen her conquer all genres and theatrical roles; on and off the stage. She has contributed dynamically to the industry in creative roles too; as Director, Choreographer, Mentor and Teacher. Her vast repertoire of leading and character roles has given us memorable performances as Miss Adelaide, Miss Hannigan, Madame Armfeldt, Mrs Higgins, Mrs Potts, Mrs Lovett, Aunt Eller and Lady Hotham. Her vast repertoire of plays and musicals has given us dynamic performances in Sweeney Todd, Nine, Showboat, Pippin, The Importance of Being Earnest, Same Time Next Year, Steel Magnolias, Six Dance Lessons in Six Weeks and Mary Poppins. Nancye Hayes is one of our great elders. Her tremendous warmth, star quality and enormous contribution to the Arts in Australia, have made her universally adored. STAGES salutes her six decades as a leading lady by revisiting this sparkling 2-episode conversation from 2020, when she visited the podcast to record her remarkable story.

With episodes nearing 350 in the STAGES archive, it's time to revisit conversations featured in our previous seasons. STAGES spotlights such episodes, in case you missed them the first time ‘round - or so you can simply savour, a second listen. Either way, you'll be accessing precious oral histories from the people who were there, on and around our stages. Nancye Hayes is synonymous with Australian show business and her presence in any show guarantees a consummate artist determined to engage, with vast skill and an extensive joy she invests in to every performance. In October, the great lady celebrated 60 years of a life ‘on the boards'. Nancye Hayes started her professional career as a dancer in My Fair Lady. She then progressed through roles in How to Succeed in Business Without Really Trying, Hello Dolly! and The Boys from Syracuse. She scored tremendous personal success as Charity Hope Valentine in her break-out performance in Sweet Charity, establishing herself as a bright new star. The accolades came thick and fast, leading Nancye to great acclaim and on to a career that has seen her conquer all genres and theatrical roles; on and off the stage. She has contributed dynamically to the industry in creative roles too; as Director, Choreographer, Mentor and Teacher. Her vast repertoire of leading and character roles has given us memorable performances as Miss Adelaide, Miss Hannigan, Madame Armfeldt, Mrs Higgins, Mrs Potts, Mrs Lovett, Aunt Eller and Lady Hotham. Her vast repertoire of plays and musicals has given us dynamic performances in Sweeney Todd, Nine, Showboat, Pippin, The Importance of Being Earnest, Same Time Next Year, Steel Magnolias, Six Dance Lessons in Six Weeks and Mary Poppins. Nancye Hayes is one of our great elders. Her tremendous warmth, star quality and enormous contribution to the Arts in Australia, have made her universally adored. STAGES salutes her six decades as a leading lady by revisiting this sparkling 2-episode conversation from 2020, when she visited the podcast to record her remarkable story.

Colossians 3 Nate Carter For more information about Cornerstone Church, visit www.cornerstonemarshfield.com Please join us in our 2022 Bible Reading Plan

We can proudly say that for this one we have come up with a fully original plan - mostly because we doubt that anyone in history has ever tried to cross the paths of Pinhead and Johnny Knoxville. But hey, if it can prepare Jared to endure pain and win this game show then it's worth it! Pour one out for Bam's Dad though, he really didn't deserve to be put in the Hellraiser box. Zach lays out his Jimmy Kimmel spec script, Jared educates us on paella, and Adam knows Miss Hannigan's first name. Talking Points Include: Mr. Bundles' Sexual Resume, A New Deal For Christmas, The Orphan Rags to Riches Challenge, Drew Carey Pulls, The Guillermo Girls, Jackass X Hellraiser

www.lauragardner.orgLaura was born on Saint Patrick's Day with her fraternal twin, Lynn. They began their acting career at 5 as “Lullaby Kids” in THE WIZARD OF OZ at Camp Monroe in the Catskills. Laura left her twin behind in her pursuit of acting and found herself working professionally before she hit her teens.Laura trained at Boston University School of the Arts, Rutgers University and Herbert Berghof Studios where she studied with Uta Hagen, Carol Rosenfeld and Ken McMillan.Laura appeared on Broadway in SMILE with Jodi Benson (the little Mermaid). Her off B'way credits include THE COCKTAIL HOUR with Nancy Marchand, Bruce Davison and Keene Curtis, OTHER PEOPLE'S MONEY with Kevin Conway, and WELDED directed by Jose' Quintero. She toured nationally in SHOWBOAT (with Pat Harrington and Anita Gillette), DOONESBURY (with Greg Edelman and Marin Maisie), OLIVER (with Andrea McCardle and Richard Kline) and MY FAIR LADY (with Jodi Benson and Ian Ogilvy). Her extensive regional credits include the Arena Stage(DC), Huntington Theatre (Boston), Cleveland Playhouse, McCarter Theatre, and the NC Shakespeare Festival in roles that ranged from Lady Macbeth to Miss Hannigan. L.A. credits include 6 plays for the Pasadena Playhouse, Will Geer Botanicum, Westwood Playhouse, Tiffany Theatre, Fountain Theatre, Deaf West and the Celtic Arts Centre. She is a member of the ROAD THEATRE and ROGUE MACHINE.Some of her TV and film credits include SEAL TEAM, ANIMAL KINGDOM, OUTCAST, THE ROMANOFFS, CRIMINAL MINDS, THE GILMORE GIRLS, CASTLE, ER, TORCHWOOD, THE WEST WING, JUDGING AMY, BOSTON PUBLIC, PARTY OF FIVE, LAW AND ORDER LA, LA LAW, ER, CHEERS, FRESH OFF THE BOAT and many morel You may have seen Laura and her actor husband, Frank Collison recurring on the NBC hit, MY NAME IS EARL.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/kHsT75MTHT0 An Impromptu Interview with Mary Lahti!  Mary is a 2014 MAC Award winner for best New York Debut Show for  and was in Lois Morton' s revue show, Twentieth Century Girl that won the 2014 MAC Award for Best Revue. Mary volunteers when she can for the cabaret and theater community especially when it supports special causes. She also performs in musical theater and stage plays (most recent: Miss Hannigan in Annie and Mrs. York in Tennessee Williams's, Why Do You Smoke So Much, Lily?). Other favorite musicals performed: Bebe in A Chorus Line, Amy in Company, Georgia in Curtains. One of her favorite roles in a play was Meg in A Lie of the Mind with The Seeing Place Theater. She also performs in film/TV, voiceovers, writes parodies, has choreographed, is an Artist and Creative Brainstorming coach. Mary also enjoys collaborating with her musically talented and supportive husband, Jim. Oh, and she loves mint chip ice cream. And cats!  Mary Lahti returns to the cabaret stage with her comically tragic new show, Woulda, Coulda, Shoulda, My (Almost) Life on the Wicked Stage at Don't Tell Mama on March 30 @ 7:00pm and April 6 @ 7:00pm.  RESERVATIONS:  donttellmamanyc.com   Woulda, Coulda, Shoulda, shines a light on missed opportunities, shady directors, drunken phone calls, casting by dog, and dreams deferred. Woulda, Coulda, Shoulda is directed by multi award winning director, Lennie Watts, with musical direction by award winning accompanist to the stars, Paul Greenwood. www.MaryLahti.com

Musical Month Begins, as the Siblings revisit a pivotal film from their (especially Arielle's) childhood; the 1982 film adaptation of the Broadway musical Annie, itself an adaptation of the comic strip “Little Orphan Annie”, itself an adaptation of a man's seething hatred for FDR.Discussed: Adapting the adaptation!Arielle versus Annie!Miss Hannigan's Revenge & Annie Warbucks!Space Daddy Warbucks!Racism or good fun? (It's racism)Capitalism!Alas, poor Hannigan!The Legendary Actress Singularity!Contact us at adultsiblingsversus@gmail.comTwitter: @AdultVersus Theme Song: “Sellout” by Zombie Apocalypse NOW!https://antizombierock.bandcamp.com/

Annie: St. Ursula Academy Director, Kirsten Hinshaw and actors, Anni and Nina, sit down with Stage Door to tell us how much fun this show has been to produce and perform. January 27-30 on the Valentine Stage. Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, with a beloved book and score by Tony Award-winners, Thomas Meehan, Charles Strouse and Martin Charnin, Annie KIDS features everyone's favorite little redhead in her very first adventure. With equal measures of pluck and positivity, little orphan Annie charms everyone's hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan's evil machinations, finding a new home and family in billionaire, Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.

The season five playoffs roll on with the San Dimas High division finals! Returning winners Aaron, R. Mike, and Dylan open the face off with their knowledge of title characters who start with B. But the stakes elevate when we identify remade properties on the big and small screens from the scantest details about them. And of course, the lightning round decides it all!Support Us On Patreon

The season five playoffs roll on with the San Dimas High division finals! Returning winners Aaron, R. Mike, and Dylan open the face off with their knowledge of title characters who start with B. But the stakes elevate when we identify remade properties on the big and small screens from the scantest details about them. And of course, the lightning round decides it all! NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

Laura was born on Saint Patrick's Day with her fraternal twin, Lynn. They began their acting career at 5 as “Lullaby Kids” in THE WIZARD OF OZ at Camp Monroe in the Catskills. Laura left her twin behind and found herself working professionally before she hit her teens. Laura appeared on Broadway in SMILE with Jodi Benson (the Little Mermaid). Her off B'way credits include THE COCKTAIL HOUR with Nancy Marchand, Bruce Davison, OTHER PEOPLE'S MONEY with Kevin Conway, and WELDED directed by Jose' Quintero. She toured nationally in SHOWBOAT (with Pat Harrington and Anita Gillette), DOONESBURY (with Greg Edelman and Marin Maisie), OLIVER (with Andrea McCardle and Richard Kline), and MY FAIR LADY (with Jodi Benson and Ian Ogilvy). Her extensive regional credits include the Arena Stage(DC), Huntington Theatre (Boston), Cleveland Playhouse, McCarter Theatre, and the NC Shakespeare Festival in roles that ranged from Lady Macbeth to Miss Hannigan. L.A. credits include 6 plays for the Pasadena Playhouse, Will Geer Botanicum, Westwood Playhouse, Tiffany Theatre, Fountain Theatre, Deaf West, and the Celtic Arts Centre. She is a member of the ROAD THEATRE and ROGUE MACHINE. Some of her TV and film credits include LAW AND ORDER, SVU, SEAL TEAM, ANIMAL KINGDOM, OUTCAST, THE ROMANOFFS, CRIMINAL MINDS, and many morel You may have seen Laura and her actor husband, Frank Collison recurring on the NBC hit, MY NAME IS EARL. Laura was on the faculty of the HOWARD FINE ACTING ACTING STUDIO in Hollywood for over 19 years and then at their satellite school in Australia. She has taught actors with disabilities in Los Angeles and Berkeley. Ms. Gardner has taught in NYC at HB Studio, Stella Adler Institute, and the American Academy of Art. She teaches workshops all over the country as well as in Great Britain. She was the drama consultant for the Compton School District. She has been a Featured Artist at the VALDEZ THEATRE CONFERENCE in Valdez, Alaska for the last 15 years where she created the MONOLOGUE WORKSHOP. http://www.theatreconference.org/other-programs/ monologue-workshop/ She lives in Los Angeles with her husband Frank Collison. www.lauragardner.org FOLLOW her on IG: @thereallauragardner FOLLOW Peggy everywhere @HeadshotsByPeggy and @PeggyMcCartha www.HeadshotsByPeggy.com PLEASE Subscribe to this Podcast wherever you listen to your favorite Podcasts! Thank you

Ann has performed in, vocal directed and played violin in the pit for a number of Muni productions. Ann made her Muni debut in 1982 in the chorus of Kismet. She played Widow Corney later that summer in Oliver! She says her favorite role was Miss Hannigan, which she played in the Muni's first production of Annie in 1985. Going full circle, Ann got to play violin in the orchestra for the Muni's production of that show in 2018. Some of the roles that Ann has also played include Vera Charles in Mame in 1988, Ruth in Pirates of Penzance in 1993 and a pirate in Peter Pan in 2001. Want to get involved in this project? Email history@themuni.org.

Tiffany's involvement with Muni began when she was cast as Marty in 2000's Grease. Tiffany has performed in many shows over the years. She has performed such favorite roles as Aida in 2006's Aida and Miss Hannigan in 2018's Annie. She has also performed in the orchestra for Jekyll & Hyde and Little Shop of Horrors. She has also been a volunteer working in concessions, ushering and driving the golf cart. Tiffany is currently serving on the Muni's Board of Managers. Want to get involved in this project? Email history@themuni.org

On this week's episode, Jamie and Rob return to the world of famous (and infamous!) Broadway flop musicals with part two of our look at these flawed and fabulous gems. We investigate Dude(s), space travel, sequels, VAMPIRES and much, much more. And, we finish out the show with a bit more about “Carrie” from the legendary Betty Buckley. This week's music: “So Long Dude” and “Pears and Apples”, from “Dude”, “In A Little Town”, from “The Human Comedy”, “Movin' Out” and “Well, I'm Not” from “Bring Back Birdie”, “But You Go On”, from “Annie 2: Miss Hannigan's Revenge”, ”I'm Leaving Texas” from “The Best Little Whorehouse Goes Public”, “Overture”, and “Garlic” from “Dance of the Vampires”, “Who Will Love Me As I Am?” from “Side Show”,“Tell My Father” from “The Civil War”, “Everything Taboo”, and “Stranger In This World”, from “Taboo”, and “Eve Was Weak” from “Carrie”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com    Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc  Rob Russo Twitter/Instagram: @StageLeft_NYC  Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

  Hey mamas! Wow, I can't believe the feedback from all of you brave and bold mamas! First thank you so much. It means the world to me because I am on the other end of the microphone and want to be sure what is coming to your ears is what you want to hear. So keep it coming!!   Another way to say thank you in addition to letting me, is to leave a rating or review. This will help the podcast reach other mamas that need it.  THANK YOU!  Now, on to episode 4....... Hey mamas!  How are you doing, if you live in the northeast, it is still summer, your kids are still home.  I saw this great meeem/meme? On Facebook that so sums up how the summer goes with kids.  You start the summer as Mary Poppins and end the summer as Miss Hannigan - lol.  When my kids were little, I would NEVER have felt that way and I may even have even been shocked a mom could feel that way.  Trust me, we all get there lol I do love summer, but it loses its luster by mid August! While I love the spontaneous lazy days of summer. But then I crave the structure of September! I also always end up buying myself new notebooks and pens too! Lol So I hope you have been enjoying and finding value in the first 3 episodes of Divorced Mommy.  It would mean the world if you could leave a review or rating as that helps immensely in getting Divorced Mommy out to more moms out there who need it.  Part of the iTunes algorithm :). Also, if you would like to reach out directly, ask me any questions, or request certain topics, send me an email at julie@divorcedmommy.blog. and also feel free to read more on my actual blog www.divorcedmommy.blog Looking forward to connecting with you! So today's topic may be a tough one.  It is about your kids dad. I will preface this episode by saying, that I know there are real bad guys out there. I know that there are dads that truly do not deserve the title. There are dads that are abusive or toxic for a child's life.  Those guys are not included in this discussion.  This is about the dad that truly loves his kids. The kids truly love him. And in your heart you know you want your kids and their dad to have an amazing relationship, or at least the opportunity to develop one. So, no matter how and why you and your ex-husband ended your marriage, he will always be their dad. This is where it can get so tricky.  You, as YOU, as your own person with a life, feelings and emotions may be having an incredibly difficult time seeing, communicating or frankly being nice to him. I get it. On the flip side, you have these kids, who are already feeling what they are feeling that their parents are no longer together (or will have these feelings once they grasp the change in their lives). They want their daddy around, they want to see him and not have it be something else taken away. You know what I am going to say, it requires you to be stronger than you have ever been in your life.  It will require you to compartmentalize the feelings you have right now about your ex and shift your thoughts and feelings about him as your kids father. It may seem simple, but it is not always easy.  I am going to give you some tips that will help you navigate this minefield of emotions. 1.) The number one tip I want you to embrace and try to implement immediately, is to stop calling him or referring to him as your ex.  Instead call him your kids dad.  This simple almost subtle shift is anything but. But calling him your kids dad, in your head, to others, in front of your kids will have an impact you can't even begin to imagine. Think about it, when you start a sentence with “my ex-husband…..” It is an immediate negative. There is nothing positive in the term ex-husband.  That title immediately puts your brain and heart in self defense or anger mode even if it is subconcious.  It also makes the receiver of that term have emotions of pity, judgement, sadness.  By referring to him as your kids dad, it is an incredibly positive term. It tells your brain over and over again that that is who he is regardless of anything else he may be. It also tells your brain to prioritize that feeling you have about him.  It has an incredibly positive impact on those you are talking to about him.  And most importantly, when your kids hear this, it makes them HAPPY even if that too is subconscious for now. But it matters for the long term. And even though you may not feel it to be possible now, I can tell you 11 years later of constantly referring to my ex-husband and my kids dad that is 100% how I see him, how I feel about him. And I truly care about his happiness and that of his fiancee.  Truly I say that with no ill feelings in my bones.   It is actually so WEIRD to me to call him my ex when I just said it. I truly don't see him that way. I don't even call his mom my ex-mother in law. I call her my kids grandma.  POWERFUL So tip one, refer to him immediately going forward as your kids dad. 2.) Be careful who and what you say about your kids dad to others. This one is a big one and will be much harder than tip #1.  I am not talking about sharing the nitty gritty truths and issues with your best friends.  You have to, but obviously out of any reach of your kids or theirs.  You would be amazed what kids pick up when you think they are absorbed with playing. But don't talk ill or throw shade about your kids dad to people outside that small circle.  I would even say be super careful with family too. Family and parents of your kids friends can be dangerous to share too much about your kids dad. Think about it, just like you will always be around him for the rest of your life (remember birthdays, graduations, weddings, being grandparents together), so will a lot of your family. Do you want your mom, dad, siblings to eye him with anger and hatred at gatherings? Do you want them to slip and say something they shouldn't around your kids? No, not at all.  Same goes for your kids friends' parents.  As a mom of two teenagers, let me tell you the pipeline of rumors and gossip that stems from kids hearing their parents discussions in their homes and then sharing it with their friends.  IT HAPPENS ALL THE TIME.  You don't want your kid to feel like crap because they heard something about their dad from another kid. The hardest part in all this is when your family or friends go there.  They want to put in a dig or ask you a question about your kids dad that isn't the nicest. This not only happened to me in the beginning, but it still happens 11 years later! It happens even though everyone can see that we all get along very well. It happens about my kids dad, about his fiancee.  I DO NOT GO THERE. I will not feed gossip, I always take the high road.  And to be clear, I am human, I have feelings and I may go to my tight circle to get advice or share something, but I put my kids first at all times in these scenarios. I don't say anything that I wouldn't want them to hear.   I mess up, you will mess up, we are not perfect, but put this guiding principle into practice. 3.) The last tip I am going to share with you is to train your mind to see the goodness in your kids dad in the way he fathers.  If your kids love him so much and he is a great dad and they have fun together, focus on that.  If you keep a journal or a gratitude journal write down 1-2 things per day you are thankful for how he treats your children. This mindset work will pay off big time. As your kids get older they need the uniqueness of you as a mom and he as a dad more and more.  My daughter who is turning 15, needs me in a way right now that her dad can't be there for. Likewise my 13 year old son needs his dad more than ever. Teenage years are no joke. Parenting through them is not easy, and being divorced can add to the complexity. If you work hard now on this mindset work, it will pave the path for the kids to turn to the parent they may need at the moment.  It also helps in monumental ways when you hit an issue or need to set some rules or limits.  For the most part my kids dad and I can get on the same page (after discussion) to make a joint decision on what our 5'10” gorgeous 15 year old daughter can and can't do!   Sometimes we are the counterpoint to the other as we try to advocate for one of the kids on something they want to do.  It is worth it I promise. So to summarize the three tips to implement immediately: 1.) Shift from calling him your ex-husband to your kids dad 2.) Be careful what you say and to whom you say it 3.) Focus on the things that your kids dad does for them that you are thankful for It is the more acceptable belief that you can't have a good relationship with my ex than a better belief that I can be thankful for my kids dad and the coparenting relationship we have I want so much for you for the new belief to be just that.  Our thoughts create our feelings which create our actions.  Shift your thoughts using the tips above and I know your feelings will begin to change. Love you all and if you found this episode helpful, please consider leaving a review or rating I would be so thankful and it will help get this podcast out to the other moms who need it. Don't forget to connect with me on instagram @divorcedmommy or email me directly at julie@divorcedmommy.blog. I would love to hear from you and any questions, topics featured on the podcast. Be sure to check out Episode 1,  Episode 2,  and Episode 3 of the podcast if you haven't already! Would you like to know what your kids want you to understand as you navigate the waters of co-parenting? Click the link below and you will get an email with a downloadable PDF that my daughter wrote, The Top 10 Things Your Child Wants You To Know Now.  It is full of gold! Top 10 Things Your Child Wants You to Know Email me if you have questions or are interested in specific topics! julie@divorcedmommy.blog  

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