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On this episode, Monty answers Listener Questions…tells you what it's like to have a kidney stone…and gives an update on the new Galactic Cowboys album. Plus…What's On TV?!

This week's guest is comedian Glenn Moore. Glenn is an Edinburgh Comedy Award nominee and one of the country's best joke writers. On TV, you've probably seen him on Mock The Week, House of Games or winning a Pointless trophy. He's about to set off to Edinburgh with his new show Please Glenn, Can I Have Some Moore before beginning a nationwide tour. Based on the hugely successful Scarred for Life books, this is a weekly exploration of the things that scared people growing up and what those things say about us today. Join Andy Bush and Dave Lawrence as each week they talk to a special guest who brings with them three terrors from their childhoods. Email us - contact@scarredforlifebooks.com Follow us on socials: Scarred For Life - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Andy Bush - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Producer - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dane Smith⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Production Company - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lock It In Studio Learn more about your ad choices. Visit podcastchoices.com/adchoices

Once Upon A Coconut Like Nesquik out da can I think it, then I can Need a guru, I'm the man In supply I got demand Need a sample mail it to you I arrive like out the blue dude Do you influence multitudes of groups? Unusual Every day all black Just like I pull up to da funural Respect; I keep it mutual Interests and got intellect, delicable like Ecuadorian bananas in DeLorean Or waffles with some syrup on it Sir up in my stirrups: wanted Not about the gossip But it's possible I'll ponder on it Somber I got calmer on em Sub I put a collar on I pull up in the suburbs in a suburban And get my mother on, For father's sake I put the cock in peacock On my color guard I call that comical Scouts honor I don't go to comicon Unless I gotta talk about the robot that I roll up on Or Show up on the show I wrote But no this ain't no 30 Rock My references out of date And my resources out of order But for the record I sort of shudder When forced to watch that law and order show I just don't SVU Omg I don't envy you, I'd rather NV just to EDC so you could see me On TV or In the booth That would be cool —da guru. JOEL ZIMMERMAN wakes up to find three dead mice all lined up in a row; he is uneasy (despite his expression for the most part, remarkably unchanged) —as this is the sure sign of a nemesis. It may even be SKRILLEX. Immidiately he moves through the kitchen and past at least four SUPERMODELS and into the room Where he keeps his mau5 heads— Each of them have been very specifically mutilated, besides one, kept—again—remarkably— intact. It seems to have been activated by a motion censor. It relays a musical message, then explodes. ☠️ ☠️ ☠️ …yes, this was definitely Skrillex. But then— Who really is Skrillex? who really is anybody? More philosophical questions. It seems time for a long ride with some hot girls— And, maybe— A call to the old “friend” {Enter The Multiverse} DILLON FRANCIS is awaiting a very important call. He should know something about this. The phone isn't ringing yet, but it will. DEADMAU5 crashes though the entire wall in an ARMORED SUPERCAR. …or that. — then the phone rings. …it's JOEL. {Enter The Multiverse} Don't worry, I hate you. Good, Jesus Christ. I'm fucking the God version of you in my half sleep More like, Dead on straight Lovemaking Of light proportions But no problem It is all just another portion of a program, Another fierce projection of obsession— So what? I have four of 'em. (I bore them, And they all ignore me.) I woke up this morning After napping in New York On a walkway between Two okay casinos in Vegas But don't know which ones Or what it's called Somewhere between the Encore And the Fashion Show I probably should get back, you know I got a court date coming up I'm on, New York It's really what you wanted Did I leave another Jim unattended from this show Oh, of course The Jim Crow Era! Now that's relevant And scary isn't isn't it? I'm sober But I told you, bro The show is over I gotta protect my sponsorship orders of Coconut water I work under informants For Nothing under the table I'm so under toxic sonic torture I've been disabled I re-upped on all the pancake But I'm out of maple syrup So here's seven for the sixes; I'm severing all connections, I'm severely out of order And I'm running out of water, Look, Call Mr. remarkable And tell him I'm in a mark up Had a hallmark card for Dillon's mother But gave it a second thought and Sent it as a thank you card for my aunt, —The original sponsor; And I should probably hawk or pawn the rock But that would be a whole total disaster, I fucking promise I T S A N A M Y T H Y S T So— Enjoy the mix; (It's a shit one) It'll be a distant and short hiatus, But either way, I gotta make Electricity and rent Without filling it with my purpose so, I gotta cut the show off I'm toppled over at the plaza Laugh at it if you will, But only if it's real I wrote my will and posted it I live and die inside this show I came to the city to live But it's just dying in New York If you go broke and only does your art support you — there's the notice; Couldn't leave you cold Just cause my heart is. [The Festival Project ™] The Complex Collective © {Enter The Multiverse} L E G E N D S & Tales of a Superstar DJ Returns This Fall on All Platforms. thanks for listening. -Ū

Once Upon A Coconut Like Nesquik out da can I think it, then I can Need a guru, I'm the man In supply I got demand Need a sample mail it to you I arrive like out the blue dude Do you influence multitudes of groups? Unusual Every day all black Just like I pull up to da funural Respect; I keep it mutual Interests and got intellect, delicable like Ecuadorian bananas in DeLorean Or waffles with some syrup on it Sir up in my stirrups: wanted Not about the gossip But it's possible I'll ponder on it Somber I got calmer on em Sub I put a collar on I pull up in the suburbs in a suburban And get my mother on, For father's sake I put the cock in peacock On my color guard I call that comical Scouts honor I don't go to comicon Unless I gotta talk about the robot that I roll up on Or Show up on the show I wrote But no this ain't no 30 Rock My references out of date And my resources out of order But for the record I sort of shudder When forced to watch that law and order show I just don't SVU Omg I don't envy you, I'd rather NV just to EDC so you could see me On TV or In the booth That would be cool —da guru. JOEL ZIMMERMAN wakes up to find three dead mice all lined up in a row; he is uneasy (despite his expression for the most part, remarkably unchanged) —as this is the sure sign of a nemesis. It may even be SKRILLEX. Immidiately he moves through the kitchen and past at least four SUPERMODELS and into the room Where he keeps his mau5 heads— Each of them have been very specifically mutilated, besides one, kept—again—remarkably— intact. It seems to have been activated by a motion censor. It relays a musical message, then explodes. ☠️ ☠️ ☠️ …yes, this was definitely Skrillex. But then— Who really is Skrillex? who really is anybody? More philosophical questions. It seems time for a long ride with some hot girls— And, maybe— A call to the old “friend” {Enter The Multiverse} DILLON FRANCIS is awaiting a very important call. He should know something about this. The phone isn't ringing yet, but it will. DEADMAU5 crashes though the entire wall in an ARMORED SUPERCAR. …or that. — then the phone rings. …it's JOEL. {Enter The Multiverse} Don't worry, I hate you. Good, Jesus Christ. I'm fucking the God version of you in my half sleep More like, Dead on straight Lovemaking Of light proportions But no problem It is all just another portion of a program, Another fierce projection of obsession— So what? I have four of 'em. (I bore them, And they all ignore me.) I woke up this morning After napping in New York On a walkway between Two okay casinos in Vegas But don't know which ones Or what it's called Somewhere between the Encore And the Fashion Show I probably should get back, you know I got a court date coming up I'm on, New York It's really what you wanted Did I leave another Jim unattended from this show Oh, of course The Jim Crow Era! Now that's relevant And scary isn't isn't it? I'm sober But I told you, bro The show is over I gotta protect my sponsorship orders of Coconut water I work under informants For Nothing under the table I'm so under toxic sonic torture I've been disabled I re-upped on all the pancake But I'm out of maple syrup So here's seven for the sixes; I'm severing all connections, I'm severely out of order And I'm running out of water, Look, Call Mr. remarkable And tell him I'm in a mark up Had a hallmark card for Dillon's mother But gave it a second thought and Sent it as a thank you card for my aunt, —The original sponsor; And I should probably hawk or pawn the rock But that would be a whole total disaster, I fucking promise I T S A N A M Y T H Y S T So— Enjoy the mix; (It's a shit one) It'll be a distant and short hiatus, But either way, I gotta make Electricity and rent Without filling it with my purpose so, I gotta cut the show off I'm toppled over at the plaza Laugh at it if you will, But only if it's real I wrote my will and posted it I live and die inside this show I came to the city to live But it's just dying in New York If you go broke and only does your art support you — there's the notice; Couldn't leave you cold Just cause my heart is. [The Festival Project ™] The Complex Collective © {Enter The Multiverse} L E G E N D S & Tales of a Superstar DJ Returns This Fall on All Platforms. thanks for listening. -Ū

Once Upon A Coconut Like Nesquik out da can I think it, then I can Need a guru, I'm the man In supply I got demand Need a sample mail it to you I arrive like out the blue dude Do you influence multitudes of groups? Unusual Every day all black Just like I pull up to da funural Respect; I keep it mutual Interests and got intellect, delicable like Ecuadorian bananas in DeLorean Or waffles with some syrup on it Sir up in my stirrups: wanted Not about the gossip But it's possible I'll ponder on it Somber I got calmer on em Sub I put a collar on I pull up in the suburbs in a suburban And get my mother on, For father's sake I put the cock in peacock On my color guard I call that comical Scouts honor I don't go to comicon Unless I gotta talk about the robot that I roll up on Or Show up on the show I wrote But no this ain't no 30 Rock My references out of date And my resources out of order But for the record I sort of shudder When forced to watch that law and order show I just don't SVU Omg I don't envy you, I'd rather NV just to EDC so you could see me On TV or In the booth That would be cool —da guru. JOEL ZIMMERMAN wakes up to find three dead mice all lined up in a row; he is uneasy (despite his expression for the most part, remarkably unchanged) —as this is the sure sign of a nemesis. It may even be SKRILLEX. Immidiately he moves through the kitchen and past at least four SUPERMODELS and into the room Where he keeps his mau5 heads— Each of them have been very specifically mutilated, besides one, kept—again—remarkably— intact. It seems to have been activated by a motion censor. It relays a musical message, then explodes. ☠️ ☠️ ☠️ …yes, this was definitely Skrillex. But then— Who really is Skrillex? who really is anybody? More philosophical questions. It seems time for a long ride with some hot girls— And, maybe— A call to the old “friend” {Enter The Multiverse} DILLON FRANCIS is awaiting a very important call. He should know something about this. The phone isn't ringing yet, but it will. DEADMAU5 crashes though the entire wall in an ARMORED SUPERCAR. …or that. — then the phone rings. …it's JOEL. {Enter The Multiverse} Don't worry, I hate you. Good, Jesus Christ. I'm fucking the God version of you in my half sleep More like, Dead on straight Lovemaking Of light proportions But no problem It is all just another portion of a program, Another fierce projection of obsession— So what? I have four of 'em. (I bore them, And they all ignore me.) I woke up this morning After napping in New York On a walkway between Two okay casinos in Vegas But don't know which ones Or what it's called Somewhere between the Encore And the Fashion Show I probably should get back, you know I got a court date coming up I'm on, New York It's really what you wanted Did I leave another Jim unattended from this show Oh, of course The Jim Crow Era! Now that's relevant And scary isn't isn't it? I'm sober But I told you, bro The show is over I gotta protect my sponsorship orders of Coconut water I work under informants For Nothing under the table I'm so under toxic sonic torture I've been disabled I re-upped on all the pancake But I'm out of maple syrup So here's seven for the sixes; I'm severing all connections, I'm severely out of order And I'm running out of water, Look, Call Mr. remarkable And tell him I'm in a mark up Had a hallmark card for Dillon's mother But gave it a second thought and Sent it as a thank you card for my aunt, —The original sponsor; And I should probably hawk or pawn the rock But that would be a whole total disaster, I fucking promise I T S A N A M Y T H Y S T So— Enjoy the mix; (It's a shit one) It'll be a distant and short hiatus, But either way, I gotta make Electricity and rent Without filling it with my purpose so, I gotta cut the show off I'm toppled over at the plaza Laugh at it if you will, But only if it's real I wrote my will and posted it I live and die inside this show I came to the city to live But it's just dying in New York If you go broke and only does your art support you — there's the notice; Couldn't leave you cold Just cause my heart is. [The Festival Project ™] The Complex Collective © {Enter The Multiverse} L E G E N D S & Tales of a Superstar DJ Returns This Fall on All Platforms. thanks for listening. -Ū

We're in an era where GLP-1 medications like Ozempic and Wegovy are everywhere. On TV, in social media feeds, at the doctor's office, and in everyday conversations. And while these medications may be helpful or even life-changing for some, they're also bringing up a lot of complicated feelings for many others, especially those who are choosing not to take them, or are trying to navigate their use in a weight-centric world. This episode holds space for those feelings. We're not here to judge anyone's decisions. Whether you're on a GLP-1, thinking about it, or actively avoiding it, this conversation is for you. Because no matter what, you're making decisions in a culture steeped in weight stigma, misinformation, and unrealistic expectations. In this episode: Why seeing GLP-1 use everywhere can be triggering—even if you support body neutrality The influence of diet culture, media, and peer pressure on health decisions Personal reflections on navigating this era in a larger body Questions to ask yourself before making health-related decisions How self-compassion and boundary-setting can protect your mental health Reframing weight loss narratives: why thin doesn't always mean healthy A reminder that you don't know anyone's full story Sign up for Tara's Newsletter: https://mailchi.mp/5290e3f13e08/email-signup The Ultimate Self Care Planner: https://elizabethharrisnutrition.ck.page/9e817ab37e   Elizabeth Harris, MS, RDN, LDN FB: Health and Healing with Intuitive Eating community https://www.facebook.com/groups/healthandhealingwithintuitiveeating Instagram: https://www.instagram.com/ElizabethHarrisNutrition Free download to break up with diet culture: https://elizabethharrisnutrition.com/invisible-diet   Tara De Leon, Master Personal Trainer Email: FitnessTrainer19@hotmail.com Instagram: https://www.instagram.com/tara_de_leon_fitness Join Tara's Newsletter: https://mailchi.mp/5290e3f13e08/email-signup Maria Winters, LCPC, NCC Instagram: https://www.instagram.com/coaching_therapist/ FB: https://www.facebook.com/MWcoachingtherapy Website: www.thecoachingtherapist.com Attend an Emotional Fitness Studio Class: https://thecoachingtherapist.com/emotional-fitness-studio/

After taking a week off, the PWR Boys are back with a Spotlight with another greatest heel turn! They focus on an underrated 1989 heel turn angle where Jim Cornette was offering his advisory services to a young and up-and-coming team called the Dynamic Dudes. On TV, this caused tension with Corny and the Midnight Express, and it culminated at Clash of the Champions 9! However, something strange happened: the people were begging for this heel turn! They wanted it and POPPED for it! The boys will discuss this dynamic and the shift in the fans cheering for the heels as we entered the 90s for wrestling! This is a great discussion and reflection on the history of wrestling. It's a great discussion Reflectionites!!!   The Professor - @pwhustleprof Tommy Wonder - @TheeTommyWonder Jay B - @TheP1JB The Pro Wrasslin' Reflection - @PWReflection   #tv #television #tvshowreview #tvshow #movies #moviereviews #MovieReview #WWE #WWERaw #Smackdown #TNA #TNAImpactwrestling #impactwrestling #WWENXT #AEW #aewdymamite #aewallout #aewcollision #wrestling #prowrestling #retro #retrowrestling #oldschoolwrestling #WWF #NWA #Wrestlemania #RoyalRumble

In this episode of The Unfolding, presented by The Loveland Foundation, host Rachel Keener sits down with actress and podcaster Jasmin Savoy Brown for a deeply personal and open conversation. Jasmin shares navigating her Saturn Return while weaning off antidepressants, and balancing rest and productivity.They dive into why she created Today in Gay, a podcast celebrating joyful queer stories—offering listeners a space where lightness and community coexist. From Pride Month's roots to finding the right therapist, Jasmin's Black, queer artist perspective brings honesty, warmth, and depth.This isn't just a conversation about mental health or identity—it's about showing up for yourself and others, especially when joy feels like a radical act. If you've been craving a real, grounded, and uplifting conversation, this one's worth a listen.More about Jasmin Savoy Brown:Jasmin Savoy Brown, an Oregon-raised actress, stars as Young Taissa in Showtime's Yellowjackets, an award-winning series whose Season 2 was Showtime's most-streamed debut, with Season 3 recently premiering.She is known for playing Mindy Meeks-Martin, the first openly queer character in the Scream franchise (2022 reboot, Scream VI). She will reprise her role in Scream 7 (Feb 27, 2026) and appear in DREAMS IN NIGHTMARES (Berlin 2025 Film Festival).On TV, Jasmin played ‘Evie Murphy' in HBO's The Leftovers, with recurring roles in TNT's Will and ABC's For The People. Other credits include Stitchers, Love, Grey's Anatomy, LEGO Star Wars: All Stars, Brooklyn Nine-Nine, Lane 1974, and Laggies. In 2021, she starred in The Sound of Violence, earning praise at SXSW.Jasmin launched TODAY IN GAY, a daily news podcast for the queer community. She created, produced, and hosted The Homo Schedule for Netflix's MOST, and produced Queer for Fear: The History of Queer Horror, an Emmy-nominated docuseries.Named to Forbes 30 Under 30 (2024), Elle's Hollywood Rising Class (2023), THR's Next Gen Rising Young Stars (2022), Variety's 55 Queer Artists and Decision-Makers to Know, and The OUT 100. She stars in the MIU MIU L'Été 2025 Campaign opposite Willem Dafoe and Daisy Ridley.–The Unfolding: Presented by The Loveland Foundation podcast is an additional resource not only to the public but also to our therapy fund cohort members. The Loveland Foundation therapy fund and resources are only made possible through support from our community. At The Loveland Foundation, we are committed to showing up for communities of color in unique and powerful ways, with a particular focus on Black women and girls. Our resources and initiatives are collaborative and they prioritize opportunity, access, validation, and healing. Since our founding, the Therapy Fund has provided financial support for therapy to over 13,000 Black women, girls, and non-binary individuals across the country.Links:Support the show: https://give.thelovelandfoundation.org/give/436656/#!/donation/checkoutFollow Jasmin on Instagram: https://www.instagram.com/jasminsavoyFollow The Loveland Foundation on Instagram: https://www.instagram.com/thelovelandfoundation/Visit the website: https://thelovelandfoundation.org/Support the show

3x Emmy Award Winner ~ How can we become a more positively peaceful being in a 24/7 Pop Culture-Social Media World? My Guest this week has some solutions.Dr. Carole Lieberman's multi-dimensional career as an internationally renowned "Media Psychiatrist" is always leading edge! Dr.Carole is "the doctor who helps you stay sane in an insane world!" On TV, Radio, the Internet, in Film, Print, as a Speaker and as the first Shrink on Board airline in-flight entertainment, Dr. Carole's insights help people seize the moment to live happier, more fulfilling lives. Today, called upon more than ever to help people cope with terrorism and other 21st century challenges… the doctor is in!Maintaining a star-studded practice in Beverly Hills, Dr. Lieberman is also well known as a psychiatric expert witness who testifies in high profile trials, and analyzes trials in the media Dr. Lieberman has testified before Congress on several occasions, as well, notably regarding the harmful impact of media violence.A three-time Honoree by The National Academy of Television Arts and Sciences & The Academy of Television Arts and Sciences Daytime Emmy Awards, Dr. Carole Lieberman analyzes the psychological impact of world events, as a guest and/or host on all major media outlets. Her passionate commentary is far more than entertaining and exciting -- it dauntlessly cuts to the heart of the issue! Perhaps that explains why everyone from Oprah to Larry King, Katie Couric and countless others, think of Dr. Carole when they need a 'house call'. Viewers will recognize her from frequent appearances on  CNN, BBC, "The Today Show", "Good Morning America", Court TV, "Entertainment Tonight" and many more.All Rights Reserved © 2025 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud 

MULETALK PODCAST – MULES & DONKEYS IN FILM & ON TV, PT 2MEREDITH HODGES - LUCKY THREE RANCH • Remember, you can't HEEHAW your way into Hollywood!• Listen to the exploits of mules and donkeys in film.• Parachuting mules in film. • Francis the Talking Mule• Death Valley Days, Gunsmoke and more TV shows!• John Wayne & Clint Eastwood riding mules in film.www.MuleTalk.Net or www.LuckyThreeRanch.Com/Podcast-Appearances/Mule Talk is an Every Cowgirl's Dream production - www.EveryCowgirlsDream.Com www.MuleTalk.Net Meredith Hodges Interviews: www.LuckyThreeRanch.Com/Podcast-Appearances/

MULES & DONKEYS IN FILM & ON TV, PT 1 - MEREDITH HODGES - LUCKY THREE RANCH• Animals are trained for scenes in films • Hollywood mules & their trainers • Attributes that are desired in film animals • Working with scripts and production companiesMule Talk is an Every Cowgirl's Dream production - www.EveryCowgirlsDream.Comwww.MuleTalk.Net or www.LuckyThreeRanch.Com/Podcast-Appearances/Mule Talk is an Every Cowgirl's Dream production - www.EveryCowgirlsDream.Com www.MuleTalk.Net Meredith Hodges Interviews: www.LuckyThreeRanch.Com/Podcast-Appearances/

On this episode, Monty gives an update on the new Galactic Cowboys album and tells you about his trip to Nashville for the mix. Also…segments of What's On TV? and Uncle Monty's Listening Corner!

In music, billion-dollar investments in old catalogues are squeezing out new music. In film, Hollywood has become addicted to the regurgitation of familiar IP. In visual art, critics bemoan the straitjacket of political correctness. On TV, as Derek told Bill Simmons, we're in a Gilded Age of television, where every prestigious show looks absolutely amazing—but that gilded veneer often covers up for dull storytelling. What do these trends all have in common? The slow decline of modern media. This month, The Atlantic's Spencer Kornhaber published a blockbuster essay, "Is This the Worst-Ever Era of American Pop Culture?" Today, he joins Derek to answer that question. They discuss the four horsemen of the pop culture apocalypse—stagnation, cynicism, isolation, and brain rot—and the case that, maybe, things aren't quite as bad as they seem. If you have questions, observations, or ideas for future episodes, email us at PlainEnglish@Spotify.com. Host: Derek Thompson Guest: Spencer Kornhaber Producer: Devon Baroldi Learn more about your ad choices. Visit podcastchoices.com/adchoices

Election ads are everywhere. On TV, social media, newspapers and in your letterboxes at home. So, does that mean all ads you’re seeing are true? Are they legally required to be true? Well, that’s what we’re going to answer in today’s podcast, unpacking how political communication occurs during an election, what politicians can say during this time, and whether or not they’re allowed to lie. Hosts: Zara Seidler and Billi FitzSimonsProducer: Orla Maher Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

In this episode, I talk to the brilliant comedian, RICHARD STOTT. Stott is an actor and stand-up comedian, who regularly performs at comedy nights.  He has been runner up in Dave's Jokes of the Fringe, The Guardian Top Ten Jokes of the Fringe, was listed twice in The Times' Best Jokes of the Fringe as well as being shortlisted for the Amused Moose Award 2023. On TV, he has appeared on ITV2s Stand Up Sketch Show and Comedy Central Live.  I have seen Stott perform at the Sofa So Funny showcase in 2023. Thank you so much for listening to my podcast, if you like what you hear, please subscribe and I hope you enjoy the interview. Please read Richard Stott's blog at: www.arichcomiclife.blog/2023/12/16/richard-stott/ Richard Stott's Links: Facebook: www.facebook.com/RichardStottComedy X (Twitter): www.x.com/TheRstott Instagram: www.instagram.com/the_rstott/    

The GGC is teaming up with The Lyceum Theatre for a fantastic giveaway to celebrate the premiere of Wild Rose - The Musical! Join us as we chatted with

Usually found on AM radio, sometimes TV infomercials, sometimes online ads. They involve an "authority" you've never heard of and an interlocutor you've never heard of who's as eager as a puppy, e.g., "Media personality Joe Shmo." The issue is weight loss, erectile disfunction, leg pain, backaches, congestion, hearing impairment, of any other popular problem. There are "studies" and the suggested approach has been "clinically proved." There are eager customers who evangelize. On TV it says in small print either "hired actor" or "actual patient who is compensated for the appearance." The sidekick asks all the "deep" questions (How long have you been investigating this?)" and provides all the deep responses (wow, hooooo, impressive!). Then there are the strange warnings and advisories required by the laws: may cause permanent hearing loss, narcolepsy, kneecap fracture, suicidal tendencies, and urge to commit arson. Do not take if you are allergic to the dug (how would you know?), if you're on drugs in the form of an oval white pill, if you live above 2,000 meters, or have lost your driving privileges in Nebraska, consult your physician first. On TV there are paragraphs of small print on the screen for 3 seconds. These are present, surpassed only by the obnoxious and slimy personal injury lawyers' ads, which cause you to want to shower immediately after, at huge cost, usually in the hundreds of thousands, sometimes in the millions. That means there's a huge buying potential. People want the magic bullet over the hard work. I had a client who continually asked me how she could make millions and not leave her home. Yet as silly as that is, it's also what a thousand people on social media promise every day. What is the diabetes drugs which also promise everything from weight loss to hair growth, from virility enhancement to clearer skin, had a longer-term adverse consequence? - I know what you're thinking: They're tested, there are laws, others are using them, the media approves, even some medical authorities and intermittently supportive or at least passive about them. -That's what you may be thinking. You know what I'm thinking: The treatment for morning sickness and insomnia, two serious medical issues. The answer was approved and utilized for a decade. It was called Thalidomide. And today, we actually have an issue with measles because some parents won't vaccinate their kids against it. One thing medicine in any form can't do is fix "stupid."

You know – God is full of promises. Amazing promises. But so often – it's hard to see how those promises fit into the reality of our lives – here and now.   Promises, Promises, Promises Well, I am really excited because we're starting a new series this week called, "It's Time to Take the Promised Land". What sort of a series title is that? "It's Time to Take the Promised Land". Well, here's my hunch. We live in a world that promises so much: A world of brands and products and experiences and travel and luxury – a world that promises so much. Marketers talk about the brand promise. For example, here's my favourite. On TV, the advertisements for margarine or breakfast cereal or low-fat milk. Right? Have you ever noticed them? Here's what they look like. Here's the setting. It's a kind of trendy, today kind of kitchen and the sun's always streaming in through the windows. It's never raining; it's always sunny. Mum's smiling as she prepares breakfast. She's slim and happy and well-adjusted, and this well-adjusted teenager bounds in smiling and spreads margarine on their bread or pours the milk on their cereal or whatever, and then ... Then this cool-looking forty-something dad strolls in, and he is good-looking, and then he grabs a piece of toast and kisses his wife before he reads the newspaper. This is the sort of family and breakfast that most people would like to have, but the reality ... Well, the reality's a bit different to that ad. I mean, the reality is that there are millions of people watching that ad who don't know where their next meal's coming from. The reality is that a lot of the people watching that ad, their families and marriages are falling apart. The reality is, even if they aren't, they're bringing up teenagers and that's tough and there's dysfunction. The reality is, most people's families and kitchens and lives look nothing like those glossy images on the ad. Images selling margarine or cereal or milk, making a brand promise that if you buy this product ... well ... this is what your life will look like. You look at that in the cold, hard light of day, and it's absolutely nuts. Right? I mean, it's crazy to try to link a margarine to a well-adjusted family. New car ads are the same. They're always out on the open road; there's only ever that one car on the road, and the brand promise is if you buy me, you'll have the freedom to roam. Isn't it funny how the car ads never have someone stuck in peak-hour traffic, ever? See, there are so many things in this world that hold out a promise that they can't deliver. On the one hand, we want to live out those images of success the marketers kind of dangle under our noses. On the other, we so often ... well ... we never do. We never quite get there. It never quite works the way that the advert says it will, and that's the psychology of marketing. You create an image that creates desire, and the person sees the gap between the image and their reality, and so they spend money to buy that thing to buy the brand promise, and they discover it doesn't work, and so the marketers dish up the next image, and round and round and round we go, on this treadmill of broken promises. It makes our consumer economies go round, and here you and I are with this treadmill of broken promises, brands that never really deliver their brand promise, and God comes along with a promise. God makes lots of promises. "I'll be your God, and you will be My people, and I'll walk among you. I'll bless you and keep you and comfort you and guide you" ... Jesus said, "I have come that you may have life in all of its abundance." It's almost like God's painting this picture of a promised land – a land that's almost too good to be true – a land ... a life ... well, to you and me, it seems a bit like the kitchen and that family in the margarine ad. In the reality of our lives, the promises of God can be hard to swallow, especially when we're still on that treadmill of broken promises, going round and round and round ... In this day and age, God's promises are harder to accept than ever. Now ... now we're getting close to the heart of this new series, "It's Time to Take the Promised Land", because God is a God of promise, and brand Jesus is the one brand that actually delivers. God's plan is to lead you and me into His promised land – a land flowing with milk and honey, a land of blessing, but (here's the but) He involves us in that process and we have a part to play. The first step that we're going to talk about today in this whole thing of walking into God's promised land is accepting His promise in the first place; letting Him write that promise on our hearts, and believing it with all that we are; believing it with every fibre of our beings, with our very lives. You see, we can't have the promised land (we can't go there, we can't settle) unless first we believe it in our hearts. God is a God that calls us to faith, and faith means believing before we see it. Now we're going to talk about that very thing today because if we're going to talk about accepting the promises of God, you can't go there without talking about it: Faith. It's when we place our faith in Him. When we place our faith in His promises, then ... then He calls us on to cross over into that land, and to take the land. Now that's a shock and a surprise to me. We're going to be looking at that a bit over the coming weeks. It's really important that we understand the journey. God's promised land isn't like pizza delivery. You know, He doesn't ring the doorbell and deliver the promised land; God actually calls us out of the front door, to take a step of faith, and it can be a tough journey with battles all along the way. We're going to be looking through the book of Joshua over the coming few weeks in the Old Testament, because the book of Joshua is about the time that Israel crossed over into the promised land. They'd been in slavery in Egypt and then on the exodus for forty years, and the book of Joshua begins right on the threshold of the promised land, and they have an upfront decision to make. Do I really want God's promised land, really? And if I do, am I going to let Him write His promise on my heart, and carry it round with me through thick and thin – the bright sunny days, and the cold wet days? Well, today's programme is all about letting Him write His promise on our hearts, His plan for us to dwell in His promised land. As we're going round and round and round on that treadmill of broken promises, where many people have this empty unfulfilled life, we have a decision today to make. We can decide that it's time to step off that treadmill and to take the promised land.   One Man's Promise So where does this term, "The promised land" come from? Well, it all begins when God promises some land to Abraham. Now God first engages with His people, Israel ultimately, through Abraham – the father of Israel. Abraham was living very comfortably indeed. He was quite wealthy, in a place called Ur, which is near Babylon or around modern-day Bagdad, and God calls him out of that place. If you have a Bible, grab it, and open it up at Genesis chapter 12. God calls him out of this place. This is what happens: Now the LORD said to Abram, ‘Go from your country and your family and your father's house to the land that I will show you. I will make of you a great nation, and I will bless you and make your name great so that you will be a blessing. Incredible promise for Abram and Sarai, who were old. I mean, they were well into their seventies; they were childless, and there is a two-part blessing here, two-part promise: Land and children, but there in the comfort and the wealth, they believe God, so they step out. They up and leave all of that. They take their possessions and servants and animals, and they hit the road and head westward to a land called Canaan. Now, what happened when they got there? Well, we read about that in Genesis 12:6-8: When they had come to the land of Canaan, Abram passed through the land to the place at Shechem, to the oak of Moreh. At that time, the Canaanites were in the land. Then the LORD appeared to Abram and said, ‘To your offspring I will give this land.' So Abram built an altar to the LORD who had appeared to him. Now just think about God's promise to this old man. Firstly, your descendants. The guy is seventy years old, and he and his wife have not been able to have children, but God promises him descendants. Not only descendants, but God says, "I will make you a great nation". Really? And, "I will give this land to your descendants". Imagine Abram. "But God, I'm in my seventies. I don't have any children. This land is occupied by the Canaanites". It was a pretty impossible promise, but right here, right in the middle of all this impossibility, the promised land is born. God promised it to Abram, yet Abram believed this promise with his life. How do we know that? Because he actually left his comfortable existence in Ur, and followed down the dusty trail of God's promise, over hill and dale, and he gets to this land of God's impossible promise – a land filled with Canaanites, who weren't about to say, "Well, yeah, sure, Abram. Take our land! We don't mind", and the childless Abram ... what does he do? He builds an altar to God. He honours God. He bows down and says, "Well, God, you know, even though this doesn't make a whole bunch of sense, I'm going to believe You", and God knows what's going on in Abram's heart. He takes him up a hill and makes the promise again. You can read it. Flick over to Genesis 13:14: The LORD said to Abram after Lot had separated from him, ‘Raise up your eyes now, and look from the place where you are: North and south and east and west, for all the land that you see I will give you, and to your offspring forever. I will make your offspring like the dust of the earth so that if one can count the dust of the earth, your offspring also can be counted. Rise up! Walk the length and the breadth of this land, for I will give it to you.' So Abram moved his tent and came and settled by the oaks of Mamre, which were at Hebron, and there he built an altar to the LORD. I love how God lays out the land before Abram. Can you see that picture? They're on-top of the hill and God is speaking to Abram, who's thinking about this impossible promise, and little by little God is breathing this promised land into the man's heart. "Go and walk through it, as far as your eyes can see, and let Me make an outrageous promise," says God, "So many descendants you will have that they will be more than the grains of dust on the earth", and Abram built another altar and honoured God. See what's going on here? God is taking him through a process, a huge leap. He's an old man with no kids, and God is promising him a promised land full of his own descendants, and God's leading Abram gently into a place where he can believe. Like you and me, this guy's a man and he's human. He's struggling with it in his heart. We can read about it in Genesis chapter 15. Abram goes to God and says, ‘Look, I still don't have a son. I mean, this other man will have to be my heir. How's this promise ever going to happen?' Look at what God says and does (Genesis 15:4). God says: 'No, that man won't be your heir. No one but your very own son shall be your heir.' God took Abram outside and said, ‘Look towards the heavens and count the stars if you're able.' Then God said to him, ‘So shall your descendants be', and Abram believed the LORD and the LORD reckoned it unto him as righteousness.” What a beautiful picture! Abram is aching! He wants to believe in God's promises. He wants to believe in the land and descendants and mighty nations, but it's so hard. He just can't see how God could possibly deliver on this promise, so God takes him out to the stars – the Milky Weigh; this unbelievable sight, without the city lights and the smog. There are so many stars there, and finally the word of God, the promise of God, God's promised land drops into Abram's heart. Still he makes plenty of mistakes along the way. You can read about it in the next few chapters of Genesis, but the promised land is written on Abram's heart. Ultimately he has a son, Isaac. That's the only part of the promise he ever sees, and Isaac has a son called Jacob and Jacob has twelve sons, who are the fathers of the twelve tribes of Israel. They ended up in slavery in Egypt and grew into a mighty nation and then Moses led them out through the Red Sea. And they experienced the desert, the exodus for forty years, and all of a sudden one day, this mighty nation of Israel was standing on the banks of the Jordan, ready to cross over into the promised land, but that took centuries to happen. We're going to look at that next week, but there on that night, under the stars alone with God, the promised land was written on Abram's heart, and he believed.   God's Promise to Us I'm always so touched by the story of how God reaches out to Abraham. Sure; it's a story about Abraham, but Abraham's not Mr Perfecto Super-Christian. He's human; he's frail; he has struggles like you and me, and he struggles to believe in this outrageous promise from God. Then gently, and tenderly, the LORD leads him to believe in the promised land – this mighty nation. If you and I put ourselves in Abraham's shoes just for a minute, this old man, wouldn't we struggle too? Next week we're going to be starting in the book of Joshua and looking what it means to cross over into the promised land, and the battles involved in taking that promised land, and why God does it that way. I mean, this promised land was supposed to be flowing with milk and honey. Wouldn't you think you'd just arrive? Wouldn't it be like a summer resort with a swimming-pool and a bellhop to carry your bags up to your suite? Well, that's the next few weeks, but over the next few minutes, it's time for you and me to consider this promised land and whether we'll believe. Faith is the key to the promise. Faith is the gift from God, and the reason you and I are together today (no doubt) is that God wants to unlock the promise in your heart, as He breathes faith into you through His Word. As Israel went from Egypt through the Red Sea, and then forty years in the desert, how many Israelites that crossed through the Red Sea at the beginning of the exodus crossed through the Jordan into the promised land forty years later? Do you know? How many? Out of hundreds of thousands and probably millions, how many? Just two: Joshua and Caleb, and Psalm 106 tells us exactly why: They forgot the God who saved them, who had done great things in Egypt, miracles in the land of Ham and awesome deeds by the Red Sea. So God said He would destroy them, had not Moses His chosen one stood in the breach before Him to keep His wrath from destroying them. Then they despised the pleasant land; they did not believe His promise. They grumbled in their tents and did not obey the Law, so He swore to them with uplifted hand that He would make them fall in the desert. That's why today's message is so important. You and I, like Abraham, we look at the circumstances of our lives and we look around, and it's hard to believe sometimes in God's promises. Maybe we even have a grumble about God and His promises ... That's going to keep us out of His promised land. People sometimes say, "Well, Berni, you talk about this promised land. It's obvious what it meant to the Israelites back then, but what does it mean to you and me here and now?" Well, we need to go from the Old Testament to the New Testament. There's a transition from the physical land to the spiritual one - something that people struggled with when Jesus talked about the kingdom of God. They thought Jesus had come to kick the Roman occupiers out of the promised land, the physical land, but He was talking about something entirely different. There are so many passages we could go through in the New Testament, but a couple that really explain the promised land that God has given to us through Jesus His Son ... Let's have a look at them. Luke 17:20. Flick over to there: Once, having been asked by the Pharisees when the kingdom of God would come, Jesus replied, ‘The kingdom of God doesn't come with your careful observation, nor will people say, “Here it is,” or “There it is”, because the kingdom of God is within you.' The promised land isn't something out there. It's not a new house or a new car or all that stuff. The promised land is the kingdom of God; it's God living and dwelling and ruling in our hearts. Again, Jesus explained it this way in Matthew 13:44: The kingdom of heaven is like treasure hidden in a field. When a man found it, he hid it again, and then in his joy he went and sold all that he had and bought that field. Again, the kingdom of heaven is like a merchant looking for fine pearls. When he found one of great value, he went away and sold everything he had and bought it. The promised land is the treasure of God Himself in our hearts, our relationship with God through Jesus Christ. Our Father in heaven, hallowed be Your name; Your kingdom come. John 14:23. Jesus said: If anyone loves Me, he will obey My teaching. My Father will love him, and we will come to make our home with him. There are plenty of people who believe in Jesus for their eternal life. Jesus died for my sin; therefore I'm forgiven; therefore I have eternal life. Then what they do is, they kind of put it in their filing cabinet and file it under insurance policy, and live a miserable life. Jesus promised a lot of things – a rich, abundant life, as well as trials and persecutions. He didn't promise us it would be easy to follow Him; what He did promise is that our relationship with Him would fill us to overflowing with abundant joy and peace. That's where the promised land is today – in our hearts; in our relationship with Jesus Christ; in that abundance of life that comes through that relationship. Let me take you back to that starry night: Abram, and the LORD led him tenderly to the point where God wrote His promises on Abram's heart – a promise that Abram believed against all odds; a promise that God delivered against all odds. You and I are each under our own patch of starry heaven today, and the LORD is whispering of His promised land in our hearts – a land purchased by Jesus on the cross, a land of blessing that goes on forever. The Spirit of God will write that on our hearts if we let Him. He will give us the faith to believe if we'll ask Him. Is today that day when we open our hearts to God's promised land?

Irish Breakdown answers listener/subscriber submitted questions about Notre Dame women's basketball on today's show. IB's Sean Stires, who is also the radio announcer for Irish women's hoops, is joined by Vince DeDario to answer questions. Some of today's questions include: * What needs to happen during the tournament for the team to win the national championship? * Has freshman post Kate Koval exceeded expectations, or simply met them so far? * Who is out of eligibility after this year, and who is likely to leave early? In other words, who will likely need to be replaced for next year? * Is the “we're all good” attitude on playing time, and ball possession starting to tarnish? Seems like the Louisville, and Va Tech game there were a handful of times, with an open shooter, a player had a face like no-no I'm getting mine. * Has Sonia Citron's role been reduced a little. Seems like she rarely gets 30+ minutes. * How much fun is it to watch Hannah Hidalgo? On TV it's like did she really just do that. Does it look more impressive in person? * Not surprised Liatu King is playing well. Do you think the offense should balance a little more to the inside? * This season ND football took a very aggressive approach to forcing depth to play in order to keep the team as fresh as possible for the playoff season. What does NDWBB do to get the players in peak physical condition for the postseason? Do these concerns impact Niele Ivey's substitution strategies? If yes, how do concerns affect her strategies? * What is the status of Emma Risch? Should we be concerned with her durability? Will she be able to take some minutes off the trio of Hannah, Olivia Miles & Sonia down the stretch? * Per ESPN's stats, ND has committed 325 turnovers in 21 games (15.47 avg per game). Having watched every game, the turnovers often come in bunches & are caused by various issues. Sometimes the lineups don't look comfortable working together yet; sometimes ball handling's an issue; sometimes passes are off target or are made without seeing a defender; sometimes the mental focus seems to drift. What can and should NDWBB be doing to cleanup this issue? As one example, to get you started, Cassandre Prosper has had dozens of turnovers where a pass goes offer hand(s) and out of bounds. Seems to me she needs to do some of those Pistol Pete drills where you rotate the ball around your torso & tap the ball from hand to hand. * With UCLA absolutely rolling & South Carolina looking dominant in all their games except the double digit loss to UCLA, how does ND matchup against those teams? * Niele Ivey has done a good job of utilizing our depth this year, but it's been hard to keep track of which players are playing on the court at the same time. Does Niele tend to play a limited number of lineups that have the same players in together at the same time? Or has she mixed and matched? * Liatu King has been phenomenal in many ways this season. Her addition to the team seems like a near perfect marriage based on her strengths & the role NDWBB needed King to play. Yet, she's only 20 for 44 shooting FTs, which is 45.5%. Once the postseason comes, teams with depth and size may play extra physical & force the referees to call fouls which could put Liatu on the line a lot in close games. Is NDWBB doing anything to improve her free throw shooting? Can ND sub in bigger lineups anytime she gets to the FT line in order to increase their chances of getting a rebound on her missed FTs? How else can ND minimize the damage of her missed free throws turning into easy rebounds for the other team? * I was trying to come up with a comparison for Hannah, and the best I came up with is that she is a female Allen Iverson. What are your thoughts? * Would you rather a backcourt of Jackie Young and Arike Ogunbowale or Miles and Hidalgo? * Do you think the team is having a hard time adjusting to the Hannah's playing style and Olivia's playing style. They are both amazing floor generals and at the same time very different players. * What is Coach Ivey's strategy for recruiting? It seems like she targets a few high level players and either gets them or not. Also her classes seem to usually be pretty small. * Also how are we losing out on a lot of top 100 in state recruits? * Lauren Betts UCLA-If ND ends up playing UCLA in the tournament, how much of a problem will she be (with her size 6'7” and game)? * What is our biggest weakness as a team? * What team or teams do you think will give ND the toughest matchup? Shop for Irish Breakdown gear at our online store: https://ibstore.irishbreakdown.com/ Join the Irish Breakdown premium message board: https://boards.irishbreakdown.com Stay locked into Irish Breakdown for all the latest news and analysis about Notre Dame: https://www.irishbreakdown.com​ Subscribe to the Irish Breakdown podcast on iTunes: https://podcasts.apple.com/us/podcast/irish-breakdown/id1485286986 Like and follow Irish Breakdown on Facebook: https://www.facebook.com/groups/irishbreakdown Sign up for the FREE Irish Breakdown daily newsletter: https://www.subscribepage.com/irish-breakdown-newsletter

Send us a textMyron Mixon's won over 200 grand championships resulting in over 1,800 total trophies, 30 state championships, 8 Team of the Year awards, and 11 national championships. Mixon's teams have taken three first place whole hogs at the Jack Daniels World Championship Invitational Barbeque Competition; has been the Grand Champion at the World Championship in Memphis three times: 2001, 2004 and 2007; and has also taken first place in the Whole Hog category at the World Championship in: 2001, 2003, 2004 and 2007. And, his team is the only team to win Grand Championships in Memphis in May, Kansas City BBQ Society, and Florida BBQ Association in the same year. In 2013, he was inducted into the Barbecue Hall Fame in Kansas City. In 2018, he was awarded the Carolyn and Gary Well “Pioneer of Barbeque” Award by the Jack Daniel's World Championship Invitational Barbecue.On TV, Myron is the Executive Producer and host of “BBQ Rules,” host of “Smoked,” and star of two other hit shows “BBQ Pitmasters” and “BBQ Pitwars”.  www.bbqradionetwork.com www.holsteinmfg.com

On this episode, Monty gives an update on the new Galactic Cowboys album and looks back at The Horse That Bud Bought. Also, a big segment of What's On TV?…a CD Review…and Monty makes a big announcement!

Actress Anna Deavere Smith is known for her roles on TV series like The West Wing, Nurse Jackie and Black-ish. She's also the playwright and performer behind more than fifteen one-woman shows including the Tony-nominated Twilight: Los Angeles, 1992 and the new This Ghost of Slavery: A Play of Past and Present. She writes scripts based on her interviews with real people in a style she pioneered called “verbatim theatre.” Host Khalilah Brown-Dean spoke with Anna about the politics of art at a live event in New Haven in late-October. The event was part of the Artistic Congress, organized by Long Wharf Theatre and Yale Schwarzman Center. We discussed doubt, courage and her hope that her art inspires people to take action. GUEST:  Anna Deavere Smith: Actress and playwright. On TV she is known for roles on The West Wing, Nurse Jackie and Black-ish. One stage, she has written and performed in more than fifteen one-woman shows, including the Tony-nominated Twilight: Los Angeles, 1992 and the new This Ghost of Slavery: A Play of Past and Present. She is also a professor at NYU and founded the Institute on the Arts and Civic Dialogue. See omnystudio.com/listener for privacy information.

Ira Ingber is a celebrated guitarist and singer-songwriter. He's played with Bob Dylan, Bonnie Raitt, J.D. Souther, Karla Bonoff, Jennifer Warnes and Andrew Gold. He's had a long association with Van Dyke Parks. He played on the “Midnight Run” movie soundtrack. On TV he's played on “Battlestar Gallactica”, “The Walking Dead” and “Outlander”. His latest album is There Goes My Compass by Baring All, his band with Steve Bartek.My featured song is “Chasing The Light” from the album Bobby M and the Paisley Parade. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Ira at:www.iraingber.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

On this October episode, Monty talks about the progress on the new Galactic Cowboys album…tells Scary Stories. Plus, What's On TV?…a concert review, he and gives his thoughts on a new song from Dream Theater.

CALM AND CONNECTED - EPISODE 166How do you encourage your kids to be more independent? When do you as a parent step back to give them the space to step up? Lenore Skenazy joins Janine today to discuss some of these questions. They discuss: The importance of play and how it relieves stressBodily reaction to fear and avoidance to fearPlaying across mixed age groupsThe skills you learn when you play The Let Grow ProgramSetting tasks for your kids to do on their own without a parent there Passive kids and problem solving Kids having the concierge lifeHow Lenore likes to rest and relax About The Guest - Lenore SkenazyAfter her newspaper column “Why I Let My 9-Year-Old Ride the Subway Alone” created a media firestorm, Lenore got the nickname “America's Worst Mom.” (Google it!) She went on to write Free-Range Kids, the book-turned-movement that says our kids are smarter, safer, and stronger than our culture gives them credit for! Lenore has lectured everywhere from DreamWorks to Microsoft to Harvard Med School, Yale Child Study Center -- and the Bulgarian Happiness Festival! (For real.) On TV, you may have seen her on The Today Show, The Daily Show or her own reality show, World's Worst Mom. In 2017 Lenore co-founded Let Grow, the nonprofit promoting childhood independence, with three others, including Jonathan “The Anxious Generation” Haidt. She is its president. Lenore lives in New York City with her husband and beloved computer. Her children are gainfully employed. (Phew!) And, for the record, she used to write for Mad Magazine. Yep. MAD. But now she's so serious that here is her piece on "Independence as Therapy" in The New York Times. Website - https://letgrow.org/For parents: https://letgrow.org/program/parents-and-families/For schools/teachers/admins/counselors: https://letgrow.org/program/educators/For therapists: https://letgrow.org/program/independence-therapy/Facebook Group - https://www.facebook.com/groups/759938234394061About The Host - Janine HalloranJanine Halloran is a Licensed Mental Health Counselor, an author, a speaker, an entrepreneur and a mom. As a Licensed Mental Health Counselor, Janine has been working primarily with children, adolescents, and their families for over 20 years. She is the Founder of 'Coping Skills for Kids', where she creates products and resources to help kids learn to cope with their feelings in safe and healthy ways. Janine also founded 'Encourage Play' which dedicated to helping kids learn and practice social skills in the most natural way - through play!If you're interested in learning more about how to teach kids coping skills, download your free Coping Skills Toolkit:https://copingskillsforkids.com/newsletterIf you're interested in joining the Coping Skills Community Hub, an ever-expanding resource library and community of families and professionals teaching kids how to cope, learn more at https://copingskillsforkids.com/hubIf you'd like to purchase Janine's products, including the Coping Skills for Kids Workbook, Coping Skills for Teens Workbook, Social Skills for Kids Workbook, Coping Cue Cards, and more, visit https://store.copingskillsforkids.com or https://amazon.com/copingskillsforkidsConnect with Janine on Social MediaInstagram: @copingskillsforkidsFacebook: facebook.com/copingskillsforkids and facebook.com/encourageplayYoutube: https://www.youtube.com/c/JanineHalloranEncouragePlay

Veteran theater and film actor James Sutorius has performed for the most prestigious regional and repertory theater companies including The Old Globe, La Jolla Playhouse, Center Theatre Group, South Coast Repertory, and Pasadena Playhouse. He's also performed at Lincoln Center, Yale Repertory, Long Wharf Theatre, Seattle Repertory, and many more. In 2007, he won two San Diego Theatre Critics Awards for his performance as George in "Who's Afraid of Virginia Woolf?" and for his multiple supporting roles in John Strand's play "Lincolnesque." James made his Broadway debut in 1973 in "The Changing Room." In his very first entrance as a member of a rugby team, he had to walk downstage and strip off all his clothes! Instead of finding the experience terrifying, he actually found it liberating. And he played Laertes opposite Sam Waterston's Hamlet at the Vivian Beaumont Theater, alongside a cast of rising stars including Jane Alexander, Mandy Patinkin, George Hearn and John Heard. Most recently James was seen on Broadway in Aaron Sorkin's play "The Farnsworth Invention" that was directed by Des McAnuff and produced by Steven Spielberg. James was the voice for Ragu Spaghetti Sauce for 17 years, spawning the national catchphrase "Now, THAT'S Italian!" He continues to pitch other products for Coca Cola and Wrangler Jeans. He also lends his distinctive voice to audio books and short story anthologies on tape.On TV, James' break came when he starred as investigative reporter Mike Andros in The Andros Targets. He's also appeared on such well-known TV series as Dynasty, Cannon, Kojak, St. Elsewhere, Family Ties, 21 Jump Street, Murder, She Wrote, L.A. Law, The X Files, Judging Amy, and many others. And he was a regular on Bob Crane's short-lived sitcom, The Bob Crane Show. Additionally, he's appeared in such notable TV movies as: A Death in Canaan, A Question of Love, Skokie, Space, and On Wings of Eagles. In feature films, James can be seen in Dancing as Fast as I Can starring Jill Clayburgh and Windy City with John Shea and Kate Capshaw.

This heartfelt episode features the multi-talented Laura Benanti, a Tony Award-winning actress known for her unforgettable performances on Broadway and TV. From her powerful roles in Gypsy and My Fair Lady to her hilarious portrayal of Melania Trump on The Late Show with Stephen Colbert, Laura shares the ups and downs of her diverse career. This conversation goes deep as Laura opens up about the challenges of balancing motherhood and a thriving career, her struggles with postpartum depression, and how becoming a parent has shaped her approach to acting. Beyond the stage and screen, Laura is a dedicated activist, working with theater maker Miranda Ferris Jones to present benefit concerts in support of political and social causes. A mother of two, Laura speaks openly about the struggles and joys of balancing parenthood with her career, and how these experiences have made her a more empathetic and dynamic performer. Laura Benanti is a Tony Award-winning actress with an illustrious career that spans Broadway, TV, and film. Known for her roles in Gypsy, She Loves Me, and My Fair Lady, Laura has captivated audiences with her stunning vocal range and emotional depth. On TV, she's appeared in series such as Younger, Supergirl, and The Good Fight, while her portrayal of Melania Trump on The Late Show with Stephen Colbert has brought her comedic talents to a whole new audience. Connect with Laura: On the web: laurabenanti.com IG & TikTok: @laurabenanti Voices for Victory Benefit Concert (September 25, 2024) at City Winery, NYC Spiral Bound Benefit Concert (September 30, 2024) at Racket, NYC Laura's one-woman show on Audible: Nobody Cares Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics discussed on today's show: Where's Kevin and Sluggo?, Boeing Union Deal, Pop Quiz: 9's, Gaybraham, Birds Catching Fire, NFL Beer and Hot Dog Prices, Billionaire Gomez, Brain Stimulation Seizures, Debate Watch Party, On TV, Birthdays, History Quiz, Exploding Oven, Stuck in Nose, Food News, 20 in 24, My Ex is a Psycho, Overrated Positions, Get The Fake Out, and Apologies.

fWotD Episode 2684: KNXV-TV Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Monday, 9 September 2024 is KNXV-TV.KNXV-TV (channel 15) is a television station in Phoenix, Arizona, United States, affiliated with ABC. It was established in 1979 as the Phoenix area's second independent station with part-time subscription television programming from ON TV. It was originally owned by the New Television Corporation, which had attempted to set up the station for nearly five years prior to its launch. In 1985, Scripps-Howard Broadcasting, the broadcast division of the E. W. Scripps Company, acquired KNXV-TV. Channel 15 affiliated with Fox in 1986 and became the leading independent in the market, one of Fox's strongest affiliates. In 1994, Fox announced a multi-city affiliation agreement with New World Communications which included Phoenix's then-CBS affiliate, KSAZ-TV, and mostly CBS affiliates in several other major markets. CBS expressed interest in affiliating with Scripps's ABC affiliates in other cities and Scripps used this as leverage to force ABC to move its Phoenix affiliation from market leader KTVK to KNXV-TV beginning in January 1995. The station was already organizing a local newsroom when the switch was announced and aired its first newscast on August 1, 1994; News 15 received critical acclaim in its early years but sank in ratings and quality in the late 1990s and early 2000s. The news department recovered, expanding the number of local newscasts it produced, and has since received three George Foster Peabody Awards. In 2019, Scripps acquired a second Phoenix station, KASW (channel 61), which was the CW affiliate for Phoenix. The CW affiliation briefly moved to a subchannel of KNXV-TV to allow channel 61 to air Arizona Coyotes hockey games. The two stations share studios on 44th Street on Phoenix's east side; KNXV-TV's transmitter is located atop South Mountain. Its signal is relayed across northern Arizona through a network of low-power translators.This recording reflects the Wikipedia text as of 00:49 UTC on Monday, 9 September 2024.For the full current version of the article, see KNXV-TV on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Ruth.

On this episode, Monty talks about the Galactic Cowboys getting funded to make a new album! He also gives a full review of the Megadeth show in Denver and meeting Dirk Verbeuren…as well as segments of What's On TV, and … Continue reading →

The Big Drive Boys are back for a halfway home episode of the 2024 Olympic Golf Competition in France. Greg Gomez has boots on the ground and gives the inside scoop to the golf course and the atmosphere from Le Golf National. 00:00 - Intro 01:44 - Welcoming on Greg Gomez from Paris 10:58 - What is the infrastructure of the Olympics 18:32 - On TV scores and stats 19:50 - Merch tent 24:09 - Grass condition 32:55 - What kinda beer do they have in Paris 37:11 - Predictions for gold An ALLCITY Network Production SUBSCRIBE: https://www.youtube.com/@bigdriveenergygolf ALL THINGS BDE: https://linktr.ee/bdegolf BIG DRIVE ENERGY PODCAST: Apple - https://podcasts.apple.com/us/podcast/big-drive-energy/id1524856425 Spotify - https://open.spotify.com/show/6EmulJBSOENPdTBjboQMOI?si=HdvT81gzSpejQDRYW96D_g FOLLOW ON SOCIAL: Tik Tok: @BigDriveEnergy X: @BigDriveEnergy Instagram: @Bigdriveenergypod LUCY Nicotine: Let's level up your nicotine routine with Lucy. Go to https://lucy.co/whatchaos and use promo code (WHATCHAOS) to get 20% off your first order. Lucy offers FREE SHIPPING and has a 30-day refund policy if you change your mind. Lucy products are ONLY for adults of legal age, and every order is age-verified. WARNING: This product contains nicotine. Nicotine is an addictive chemical. Get Coors Light delivered straight to your door with Instacart by going to https://coorslight.com/DNVR. Celebrate Responsibly. Coors Brewing Company, Golden, Colorado. bet365: Go to https://www.bet365.com/olp/open-accou... or use code DNVR365 when you sign up! Must be 21+ and physically located in CO. Please gamble responsibly. If you or someone you know has a gambling problem and wants help call or TEXT 1-800-GAMBLER Shady Rays is giving out their best deal of the season. Head to https://shadyrays.com and use code: AC35 for 35% off polarized sunglasses. Try for yourself the shades rated 5 stars by over 300,000 people. When you shop through links in the description, we may earn affiliate commissions. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Harvey Brownstone conducts an in-depth Interview with Andrew Stevens, Actor, Producer, Director & Author About Harvey's guest: Today's guest, Andrew Stevens, is a highly respected actor, writer, songwriter, producer, director, author, educator and film company executive.    The fact that he has show business in his blood comes as no surprise, given that he's the son of screen legend Stella Stevens.   On the big screen, you've seen him in “The Boys in Company C”, which earned him a Golden Globe Award nomination for Best Male Newcomer, and he also received the Star of Tomorrow award from the National Association of Theatre Owners.  He also appeared in “Shampoo”, “The Fury”, “Death Hunt”, “The Seduction”, “Double Threat”, “Pop Star”, “Missionary Man”, and many more.    On TV he appeared in dozens of shows and movies including “Once an Eagle”, “Topper”, “Code Red”, “Hollywood Wives”, “Hotel”, “Dallas”, and many more.  He's also written many screenplays and composed numerous songs for movies and TV shows.  He's directed over a dozen feature films, including world premieres on HBO and SHOWTIME, as well as multiple episodes of popular TV series.    But beyond all of that, our guest is one of the most prolific and successful producers in Hollywood.  He has co-founded and run numerous film production companies, and is currently President and CEO of Andrew Stevens Entertainment and Stevens Entertainment Group.   He's produced hundreds of enormously successful feature films including “The Whole Nine Yards”, “Angel Eyes”, “The Pledge”, “City by the Sea”, “The Big Kahuna”, “Green Dragon”, “Get Carter”, “The Marksman”, “Black Dawn”, and dozens more.     As an educator, he created a fully accredited Associate of Applied Arts college degree program in Motion Picture Production, which formed the basis of an online certificate program called “Foolproof Film School”, based on his best selling 2014 book entitled, “Foolproof Filmmaking: Make a Movie That Makes a Profit”.  His other books are “Producing for Profit: A Practical Guide to Making Independent and Studio Films”, and “Screenwriting for Profit: Writing for the Global Marketplace.”   And if all of that weren't enough, our guest also serves on the board of directors of the International Film and Television Alliance, and until recently served as Chairman of the Independent Producers Association. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Andrew Stevens, go to:https://andrewstevens.info/https://www.facebook.com/andrewstevensffilmhttps://twitter.com/astevensenthttps://www.youtube.com/user/astevensent/videos #AndrewStevens   #harveybrownstoneinterviews

On this SPECIAL episode, Monty talks about the Galactic Cowboys Kickstarter Campaign for a new GC album! Also, Listener Emails…and reviews of new CD's by Lacy Sturm, and The Warning. Plus, What's On TV? and a new documentary about Nickelback. … Continue reading →

Harvey Brownstone conducts an in-depth Interview with Steve Guttenberg, Award Winning Actor, Author, “Time to Thank:  Caregiving for my Hero” About Harvey's guest: Today's special guest, Steve Guttenberg, is a beloved and multi-award winning actor, producer, director and author who's brought us dozens of memorable performances in classic movies including “The Boys From Brazil”, “Diner”, “Cocoon”, “Short Circuit”, “Bedroom Window”, “Surrender”, “Three Men and a Baby”, “Roe v. Wade” and of course, the four great “Police Academy” movies.   He also wrote, directed, produced and starred in “PS Your Cat is Dead”.  And for his performance in “A Novel Romance”, he won a Best Actor Award from the New York International Independent Film and Video Festival.    On TV you've seen him in many shows and movies including “To Race the Wind”, “Miracle on Ice”, “The Day After”, “Veronica Mars”, “Law and Order: Criminal Intent”, “Sons of Liberty”, “Ballers”, “The Goldbergs” and “Party Down”, for which he was nominated for a Gold Derby Award for Best Guest Comedy Actor.   And of course, we all remember his amazing performances on Season 6 of “Dancing with the Stars”.   And on the stage, he starred in “The Boys Next Door” in London's West End, and “Prelude to a Kiss” and “Honeymoon Motel” on Broadway, as well as “Furthest From The Sun”, “Henry the 4th” and numerous other theatrical productions.  He earned a Daytime Emmy Award nomination for producing an episode of the CBS Schoolbreak Special called “Gangs”.  And in 2011, he received a Star on the Hollywood Walk of Fame.    And if all of that weren't enough, our guest is also a best selling author.  His first book, “The Guttenberg Bible”, is a comedic account of his first 10 years in the film industry.  He then wrote a terrific children's book called “The Kids from DISCO”, and on May 21, his brand new book, entitled, “Time to Thank:  Caregiving for my Hero”, will be released.  The book is a heartwarming and at times heart wrenching memoir of our guest's unbreakable bond with his wise, loving and devoted father – his hero – as he chronicles his newfound role as a caregiver in his father's final years, reflecting on their eventful life together, and the enduring impact of their extraordinarily close relationship.  Our guest is also a renowned philanthropist.   He started the Guttenhouse Project, which provides housing in Los Angeles for foster care youth when they turn 18.  He also organized a campaign to provide glasses for children whose families cannot afford vision care.  In fact, the Entertainment Industry Foundation selected him to be Ambassador for Children's Issues, because of his work on behalf of children and the homeless.   In addition, he has served as an honourary board member of the Lymphatic Education & Research Network.  And he's also a passionate advocate for animal welfare, through his work with the Fun Paw Care organization.   In 2008, he received the Tony Randall Lifetime Achievement Award for his work in the entertainment industry, as well as his community service.   For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Steve Guttenberg, go to:https://www.facebook.com/steveguttenbergofficialhttps://www.instagram.com/steveguttenberg/ #SteveGuttenberg    #harveybrownstoneinterviews

This week, the team chats about VIDEO GAMES! Dead Space is on hold again, Blizzard's back in China, Prince of Persia is going rogue, and Fallout is kicking butt. On TV! For real! WHOA! Subscribe and rate us via iTunes Subscribe on: Amazon Podcasts, Google Play, Spotify, Stitcher Radio, iHeartRadio DISCORD LINK Watch us on TWITCH! RSS feed: http://sidequesting.podbean.com/feed Hosts: Dali, J.J., Zach, Taylor, Sam, Tom With Special Guest: No One NEWS: Apple allowing some emulators Dead Space is on hold again Blizzard and Netease have a new deadl for China Rogue Prince of Persia announced WHAT WE'RE ENJOYING: Jordan Mechner's Replay (review unit provided Story Blocks: The King (review code provided) Outcast: A New Beginning (review code provided) Stardew Valley 1.6 Fallout on Amazon Prime Civil War SnackQuesting: Nothing! Music Intro: Professor Kliq – Bust This Bust That Music Outro: N.I.M. – Choice Comments? Questions? Email us at: podcast @ sidequesting.com Image courtesy: Bethesda and Amazon

On this episode, Monty gives the Awful Truth about The Awful Truth, and tells his side of the story of that band and album. Also, segments of Listener Questions, What's On TV?, and Uncle Monty's Listening Corner. Plus, CD reviews … Continue reading →

Harvey Brownstone conducts an in-depth Interview with John Rubinstein, Iconic Stage, Movie & TV Star About Harvey's guests: Today's guest, John Rubinstein, is a highly acclaimed, multi-award winning actor, composer and director whose illustrious career and body of work have made him a respected and beloved icon.   He made his Broadway debut starring in “Pippin”, for which he won a Theatre World Award, followed by “Children of a Lesser God”, for which he won a whole slew of awards including a Tony and a Drama Desk Award.  He also starred in “The Caine Mutiny Court Martial”, for which he received a Drama Desk Award nomination, “M. Butterfly”, “Love Letters”, “Ragtime” and “Charlie and the Chocolate Factory”.  Off-Broadway, he starred in “Rosencrantz and Guildenstern are Dead” and “Counsellor at Law”, for which he received the Lucille Lortel Award for Best Lead Actor in a Play, as well as nominations for both the Outer Critics' and Drama League Awards.   He's appeared in over 200 movies, TV shows, made-for-TV movies and miniseries.  Some of his most popular feature films are “Getting Straight”, “The Boys From Brazil”, “Someone to Watch Over Me”, “Another Stakeout”, “21 Grams”, “The Candlelight Murders” and “Being the Ricardos”.  On TV you've seen him in dozens of TV shows including “Family”, for which he received an Emmy Award nomination, “Crazy Like a Fox”, “Bureau of Alien Detectors”, “Star Trek Enterprise”, “The Young and the Restless”, “Desperate Housewives”, “Dear White People”, “Claws” and many more.    His TV movies include “The American Clock”, for which he received a Cable Ace Award nomination for Best Supporting Actor, “M.A.D.D.: Mothers Against Drunk Drivers”, “The Gift of the Magi”, “Norma Jean and Marilyn”, and “Liberace”.   And some of his noteworthy miniseries are “The French Atlantic Affair”, “Roots: The Next Generations”, “The Two Mrs. Grenvilles”, “When we Rise”, “Feud”, and “Headless: A Sleepy Hollow Story”.   He's directed many stage productions, including “Les Liaisons Dangeureuses”, “Macbeth”, “Wait Until Dark”, “Brigadoon”, “Guys and Dolls” and many other shows.  Our guest is also a brilliant composer, which comes as no surprise, given that he's the son of the greatest pianist of all time, in my opinion, Arthur Rubinstein.  And he's the grandson of the renowned Polish violinist, conductor and composer Emil Młynarski.   He's written the music scores for a number of movies and TV shows including “Jeremiah Johnson”, “The Candidate”, “Family”, “The Ordeal of Patty Hearst”, “Johnny Belinda”, “China Beach” and “A Walton Wedding”.  And believe me, I'm just scratching the surface of this man's prodigious body of work. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about John Rubinstein and the film, go to: https://www.imdb.com/name/nm0748270/https://www.playbill.com/person/john-rubinstein-vault-0000020233 #JohnRubinstein    #harveybrownstoneinterviews

Belgica Rodriguez is an actress and Youtube content creator based in Los Angeles and San Francisco. She is known for her many commercials and short films such as Land of Opportunity which premiered at the SF Latino Film Festival and Creature Comforter that will be premiering at the 2024 BraveMaker Halloween Party in October. On TV, she played Ted Bundy's wife, Carole Ann Boone on Reelz in Ted Bundy: Serial Monster. To learn more about how she has broken into acting and continues to learn about the industry, you can subscribe to her youtube channel!    / belgicapaola   --- Send in a voice message: https://podcasters.spotify.com/pod/show/bravemaker/message Support this podcast: https://podcasters.spotify.com/pod/show/bravemaker/support

Jon Holmes is a comedian, writer, presenter, producer and broadcaster who has won two BAFTAs, nine Gold Sony Radio Awards and two British Comedy Awards. He's presented major radio shows on BBC Radio 1, BBC Radio 2, BBC 6Music, Virgin Radio, XFM, Takradio, LBC and Radio X. On Radio 4, he co-created Dead Ringers, he wrote and appearing in The Now Show and The 99p Challenge where he first worked with Armando Iannucci. He also worked with Armando on Gash on Channel 4 and Time Trumpet on BBC2 and in 2006 he received his sixth Sony Award for his work on Armando Iannucci's Charm Offensive on Radio 4. On TV he co wrote Horrible Histories for BBC One for which he won two BAFTAs, he presented the fifth series of The Eleven O'clock Show on Channel 4 and wrote for the award-winning Channel 4 show V Graham Norton. He has been a Sunday Times columnist and has written for The Guardian, The Times and the Radio Times. He is now an award winning travel writer for the Sunday Times .Jon Holmes is guest number 367 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow Jon Holmes on Twitter & Instagram @jonholmes1 .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

SDUT's Kevin Acee gives updates from Peoria, AZ, What's On TV, Jim shares his weekend in the hospital on The Fusion.

On TV last night Liz Warren sang a little Taylor Swift in praise of the fake border bill, and shed a tear for the undocumented workers who "helped save this nation" during COVID and that's why mass amnesty is a good thing.  Watch my fab music vid about jackals like Liz here: https://www.youtube.com/watch?v=NWD-x3GIUFA

Episode 303: I will discuss the comparisons of the ON-TV and Spectrum subscriptions TV services and The Harvest House Cafeterias in Chicago. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pete-kastanes/message

Myron Mixon's won over 200 grand championships resulting in over 1,800 total trophies, 30 state championships, 8 Team of the Year awards, and 11 national championships. Mixon's teams have taken three first place whole hogs at the Jack Daniels World Championship Invitational Barbeque Competition; has been the Grand Champion at the World Championship in Memphis three times: 2001, 2004 and 2007; and has also taken first place in the Whole Hog category at the World Championship in: 2001, 2003, 2004 and 2007. And, his team is the only team to win Grand Championships in Memphis in May, Kansas City BBQ Society, and Florida BBQ Association in the same year. In 2013, he was inducted into the Barbecue Hall Fame in Kansas City. In 2018, he was awarded the Carolyn and Gary Well “Pioneer of Barbeque” Award by the Jack Daniel's World Championship Invitational Barbecue.On TV, Myron is the Executive Producer and host of “BBQ Rules,” host of “Smoked,” and star of two other hit shows “BBQ Pitmasters” and “BBQ Pitwars”.  www.bbqradionetwork.com www.holsteinmfg.com

Get set for an enlightening journey into the world of voice acting as we promise to help you crush confusion and self-doubt. Prepare to discover the significance of being in the present, letting your improvisation skills shine, and understanding how overthinking can interfere with your ability to take instructions and deliver exceptional performances for your clients. We also delve into the realm of imposter syndrome and how script comprehension can drastically boost your confidence. Listen closely as we walk you through techniques on warming up, shattering negative thought patterns, and building the courage to ask those essential questions that could transform your voice-acting career. 00:01 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a V-O boss. Now let's welcome your host, Anne Ganguzza.  00:20 - Anne (Host) Hey everyone, welcome to the V-O Boss Podcast and the business superpower series. I am here with my wonderful, awesome bossy co-host, law Lapidus. Hey Lau, how are you?  00:33 - Lau (Host) Hey Annie, how are you?  00:35 - Anne (Host) I'm great, it's so good to be back chatting with you. I mean, I feel like it's been forever. It's been forever.  00:41 - Lau (Host) I know, before we start, I have to give you just a quick direction. I hope you don't mind. We're on Riverside right now Okay. I just need you to hit button one so I can hear you a little clearly which button.  00:53 - Anne (Host) I'm sorry, which button?  00:54 - Lau (Host) There's a button there and it says one. Could you just hit it One?  00:58 - Anne (Host) But wait, there's multiple buttons, there's like three buttons.  01:03 - Lau (Host) Okay, your sound confused, I know, but I'm asking for one. Okay, but why not?  01:07 - Anne (Host) So if you could find the one and hit it, that would be great. Okay, but two, isn't two supposed to be the one that starts it, are you sure?  01:13 - Lau (Host) you don't want two. What If you do two? You're going to find that it's not the right button.  01:18 - Anne (Host) So if you could hit one, that would be great, okay, so should I press it now? Anne, you sound really confused, I am.  01:27 - Lau (Host) Law. I know it sounds like you need to be a member of our new Confucius Club.  01:33 - Anne (Host) The Confucius Club. I love it. Oh Law, you know, I'll tell you what we should talk about the Confucius Club. And when, let's say, your clients or students kind of challenge your direction and ask you and are very confused and are not necessarily listening, I would say to direction from.  01:56 - Lau (Host) It's frustrating. It is, I'll tell you, it's very frustrating for the onlooker, the listener, the audience, the director, whoever you're working with is very frustrating process and I want to talk to you today about maybe some of the reasons behind why that is happening and how to troubleshoot that, and why some people seem confused all the time about everything.  02:17 - Anne (Host) Yes, let's talk about that. Let's talk about that. First of all, I want to talk about the confusion, and I'll also talk. Part of the confusion is when you've got somebody that you're directing and they'll say but that's not the way I hear it in the commercials, or I don't hear it that way online, and so therefore it turns into almost like a challenge to the director. And I think number one we are artists, we are actors and we are paid to do a job that essentially is for our client right, and the client is giving us direction, so why would we not follow direction?  02:55 - Lau (Host) Well, it brings us back to the old skill that we talk about incessantly, and that is the skill of improv, which is really the skill of living life moment to moment and being able to accept suggestion of stimuli around you that we don't always understand. Like we go into the natural world, we go into the technical world, we go into the human world. Do we always know what's happening around us?  03:21 - Anne (Host) No, of course not.  03:22 - Lau (Host) Right, but there's that element of moment to moment problem solving it, figuring it out, trying things, taking risks. So I think one of these areas that we're really hitting head on is, if you find you're that person that is confused constantly and just doesn't get it, are you stuck in your head? Analysis is paralysis zone.  03:46 - Anne (Host) That's a great point. Are you stuck in your head? Are you stuck with the sound that you hear in your head that you think it should sound like really, and not able to get that out of your ears so that you can be in the story and immersed in the story? And I will say that for a director or for a coach it's almost like but why? It's like those questions, but why? But I don't hear it that way and I think there's a whole scientific reason as to why we hear things differently.  04:17 When we're voicing something, then, let's say, the person that's directing us. Right, because we have to develop an ear. And what does that mean? To develop an ear for knowing when you're sounding the same or sounding like, you know, a commercial, or sounding not when you're immersed in a story. I think if you have the time to evaluate whether you sound a particular way, then you've spent way too much time thinking about your sound and not enough time thinking about the story that you're in or the character you're playing, or how you're going to be immersed in that, to story, tell or educate the listener.  04:50 - Lau (Host) Right and just basic biz 101 that we've covered a million times is who is this all about? Anyway, it's about your client, it's about your audience, it's about your target demographic, it's about the person you're speaking to. Thank you, the scenario that you're in is really about helping solve a problem, fill a need from an actor's point of view, but also from a business owner's point of view. If I'm stuck in my head and I'm in that confusion state, I'm literally not problem-solving for that client because I'm not actively listening, I'm not picking up cues and I'm not asking really important questions that need to be asked in order to serve them. It's really about who am I serving. Am I serving me? Am I serving my intellect, my ego, so I can understand what's going on, or am I serving you by clarifying it and giving you exactly what you?  05:45 - Anne (Host) want. And I think there comes a time too, when actors are in the moment they're being directed, live directed where they become so in their head determined to give a sound right that they can't get out of their head. How is it? Because I know my students have been like well, how do you get out of your head? How do you step outside of your head and get into the story? And I'm going to say, I'm going to ask you that question, but I'm going to preempt it with saying, from my point of view, you've got to do your research before. If you can research that script, analyze that copy, figure out who you are, who you're talking to, I think that's a good start. What sort of tips do you have? Law, when you're in the middle of a live session, how do you get out of the way? How do you get out of your head?  06:28 - Lau (Host) Yeah, it's so funny. It's reminding me about actor technique and having either an inside, locked in, psychological approach to the work or having more externalized, outside, communicative and oftentimes physicalized approach to the work. I find that both can work hand in hand. I don't think one is right or wrong, but I do think American actors it is a North American thing that we have been trained in the methodology of method for generations now to lock inside from here up and so all the stress, all the tension, all the worry, all the Confucius concern is here and really just not trusting the rest of your sphere that your brain is in your whole body, your heart is in your whole body, everything is flowing and connected. So if I'm locked in here then I'm shutting you out, but I'm also shutting out the lower hemisphere of my being.  07:25 - Anne (Host) Oh, I love that Law. That's wonderful. Your being is all a part of telling that story and being the actor and immersing yourself in that character I love that.  07:35 You're right, getting locked in your head. So are there some techniques that you have to? When you're in the middle of a session and I think you're right you're locked in your head and you get frantic. You're like, okay, this is not working, I'm not able to provide what the director is asking for. And then I think what happens is it just escalates, right, and then it just becomes worse. Until you can get yourself out of that. Oh my God, oh my God, oh my God. Okay, that didn't work. Okay, so now what do I do? And so tips, techniques.  08:03 - Lau (Host) Law. Yes, one tip I have is a very old and dear broadcasting friend of mine, who did very well in the broadcasting field, who's a major newscaster, actually suffered from anxiety and depression for many years, especially after she retired, before she started her company. And one of the tips she talked about that seems so simple and yet to do it is magic is, she would say, when I wake up in the morning and I get out of bed and I'm a busy person, I always have things cooking and lined up I get up and I move and I physically do tasks. I don't stay in my head, I don't think about things, I don't sit in a chair, I get up and, whether it's making my bed or making my breakfast or showering, whatever, I physically move, and then somewhere in there I reach out to someone else. When I reach out to someone else, it breaks the negative energy that I have already recorded in my head, patterned after years and years and years of getting locked in my head, my brain. It breaks that energy and it forces me to think about the other person.  09:10 So one of the tips I have is get up and do tasks and then go connect to another person. It could be your mom or your best friend or your child or whoever it is, or your cat, and find out if they have. Or your cat, your dog? I was going to say that Do they have what they need? Do they have what they want? Are they happy? Did they have a walk? Did they get their bone? Has their water changed? Right, because it breaks that negative cycle of being locked in and getting confused, because then, all of a sudden, a lot of people talk about imposter syndrome and feeling like I don't know if I should be doing this. I'm all confused because you're locked in the negative recording pattern in your brain that is tricking you into thinking this is wrong, this is incorrect, You're not doing it right, you're not doing it right.  09:56 - Anne (Host) You're not good enough and all of that. Yeah, I love that.  09:59 Those are two tips I love that because that gives me a good excuse. I mean, lately I've been really working on it, but I've been working on getting up and as soon as I get up and just have oh, I have to have a couple of sips of coffee, but I try to get out and exercise for just 30 minutes to kind of just blow off the steam and to just get everything going and warmed up. And I think not only does that help me warm up my voice, because I think it's not just about your vocal cords, it's warming up your entire body, I mean every your head, your neck, your body, as you said, your whole being to allow that to flow. And I think, if you are just getting up and running into your studio and locking yourself into your head and then trying to deliver what you think the director wants and this is not easy bosses I mean we understand this that it's not easy to get out of your head sometimes it really really isn't, and it's just something that I think takes practice.  10:52 And again, it's one of those things that I think that sometimes we are just so impatient with ourselves and we think that it should just be easy, and it should, we should just be able to do it, and then, if we can't, we get frustrated and then we just keep that vicious cycle in our head, and so I think you just have to give yourself some grace as well to know that you're not going to be able to accomplish this by tomorrow.  11:14 I mean, if you're just starting out today, it is one of those things that evolves.  11:18 I mean, as humans, we are constantly growing, evolving and being, and I think that this is again one of those things where we have to allow ourselves to evolve, allow ourselves to really become the character, understand the scene and really just try to. If you're in the middle of a session, let's say, after you've gone out and I love the tips that you gave law got your body moving and then connected with somebody else and then came into the studio, and I think almost always well, I shouldn't say that, but a lot of times we do have the script a little bit in advance I think there's a lot you can do in five minutes with a script to really familiarize yourself and try to create a scene. Or even if you're not creating a scene, you're there and you're being live directed. You can certainly ask about the scene right, and that can help you to be in the scene versus to be in the sound. Like be in the scene, don't be in the sound. I love that.  12:16 - Lau (Host) I also would say too, when you're in those moments, give yourself one necessary question to ask If there's one necessary question that you cannot answer on your own. Your coach, your husband, whatever, cannot answer it for you. Give yourself the necessary question and write down the answer. When you hear what that answer is, but don't allow it to go into a slippery slope of questions. Allow it to sink in and, just like you would try any risk taking, move, like you would step off a cliff to go hair-sailing right. Well, you jump off the cliff and you float and you fly. Just understand. There is going to be that nuanced period for you of literally not understanding fully what someone is saying to you, but trying hard to problem solve it on your own. Yeah, yeah, because they're hiring you. They're hiring you to figure it out. They're not hiring you to have them figure it out for you. Yeah, absolutely, they really are, and I also think to.  13:15 - Anne (Host) I've had a few students that have said this. Where I'll be directing them. I'll say but I don't hear it that way. On TV when I watch the commercial, it doesn't sound like that. A lot of times I'll give references to, let's say, youtube videos of like real world, let's say corporate narration or real world commercials. And my student will say to me but I don't hear it that way.  13:37 And I always say to them well, that doesn't necessarily mean that I think it's well done or I think it's telling a story, or it really is how the director at the time wanted the piece to sound or to come out. And so it doesn't necessarily mean that you have to compare sounds and then say, well, because my sound doesn't equal that. Therefore, I don't understand what you're asking me to do. Why do I have to be in a scene I don't understand? Why do I have to ask questions? Why do I have to react? Well, essentially, because that's what's going to be giving your unique point of view, is going to be your interpretation on behalf of the company or the product. And again, as you mentioned before a lot, it's not about you or your sound, it's about how you're serving the listener and the client that you're also performing for.  14:22 - Lau (Host) Right, you're not an automaton, you're not an inanimate object. People want to work with you because they like you or you, they like your voice or they like what you're delivering. So they are running on assumption, a professional assumption that you know what you're doing. So the more you give it away that you are absolutely clueless yes, you're in the Confucius Club, you have no idea what you're doing the more they doubt your product and your value. You have to be careful. There's like a fine line there between investigating really smart questions to get the answers and then applying them and then just asking questions for attention or because you feel insecure, because you're unsure. You have to be really careful of that. They're hiring you for an expertise, of knowledge that they themselves oftentimes don't have. They don't have that craft. They're not an actor, they're not a voice talent, they're not oftentimes right.  15:16 - Anne (Host) You have to know what you're doing, and you certainly don't want those questions to be challenges to them. I mean, you're there to make their lives easier and to hopefully give them the performance that they're looking for, and maybe something that they don't even know that they want, right, exactly.  15:33 I think, if we start to really think that we're not being hired because of our voice and our sound and I keep going back to that, I feel like I'm harping on it but in reality they didn't hire us necessarily for the fact that we can sound a particular way, but mostly interpret the script and bring it to life yes, and that is really what we're being hired to do. So don't go in a session thinking that I want to make it sound a particular way. They're looking for a particular sound. No, you need to be immersed in the acting, to deliver the performance that makes it believable, authentic, and that is what you're being paid to do.  16:11 - Lau (Host) You took the words Annie out of my mouth, because how many times throughout the years that we've been in a session and we heard someone say something like I want you to sound like a rhinoceros, okay. And the talent says or maybe we're the talent, you and I were talent for many years and I'm thinking I have no idea what a rhinoceros sounds like. But instead of saying what does a rhinoceros sound like, I rely on my expertise and my vocabulary to say I don't know what that sounds like, but I know what they look like. I get a sense of them. So I'm gonna go with a really big animal. I'm gonna do my best elephant. See how they feel about that and they go. That's awesome, I love that great rhinoceros.  16:51 - Anne (Host) Yeah right, but you didn't tell them it was an elephant.  16:53 - Lau (Host) No, because right because they don't care about your process. They're not asking you for that. They're asking you for what you're outputting to them and they're gonna decide on that. But if I brought them in to my confusion, process of problem solving the difference between an elephant and rhinoceros, they'd be very irked by that. They'd be very annoyed by that. To say we're hiring you, we're paying you 500 bucks or 1,000 bucks or 2,000 bucks. You can't make it up, you can't figure it out right. So I mean, I'm using a simple example. But that could be a medical textbook, that could be an educational portal question that I've never heard before. That could be any kind of esoteric language that is not in my sphere. That I now have to quickly do my research, of course, do my research. But I'm not gonna learn a whole industry. I'm just gonna get some cues and clues and then I'm gonna create it, because that's what we do we create.  17:50 - Anne (Host) That's what they call us creatives.  17:52 - Lau (Host) We have to be creative in nature, right, In order to make people feel like that's what we're doing. And then one more tip I wanna give, and this is a toughie because it's a very non-PC tip. Sometimes you have to give in the old razzle dazzle. And that is you're an actor Act Exactly, act like you know what you're doing.  18:11 - Anne (Host) You may not know at all, but just try, just try.  18:15 What's the worst? That happens Absolutely. Now we've just spoken about okay, this is during a live session, right? And you're feeling like challenged and maybe panicked and not being able to deliver what they're asking for, and so how are you getting out of your own way? Now let's talk about you're in your studio and you're by yourself and nobody's live directing you and you are self-directing.  18:36 How do you get out of your own way when you're self-directing? Right, I have a lot of experience with that. I do a lot of non-broadcast, I do a lot of stuff that isn't directed and it's self-directed, and a lot of times I'll give my students homework, right, that is not live directed. So how are you, in your studio, all by yourself, getting out of your own way? That, I think, can sometimes be tougher. You're not necessarily under the gun, so much to do it under a certain amount of time, but now you might have all the time in the world and then you'll second guess yourself to death, right? So tips for when you are self-directing how to get out of your head and allow yourself your being to be.  19:14 - Lau (Host) Well, I got two right off the top of my head. The first one is like you, annie, are to me. I have a professional network of very close people that I love, adore, trust and work with. I don't want to drive them crazy and I don't want to call them every day because they don't want to hear from me every day, but when I get in that mode I can pick up the phone or jump on Zoom. I will have one of those people there who go Law. What are you talking about?  19:40 Just get out of your head try this, do this and I'm like thank you, that's all I needed. Thank you, that's all I needed. I also will jump on Google or Bing or DuckDuckGo whatever you're using and have some visual and soundscape inspiration. I like that, again, to get me out of what I think it is. I'm going to go to the library, go to the museum, go to the reservoir so that I can start choosing images visual, vocal that I can pull from. That'll help me get out of the paralysis that I'm in.  20:12 - Anne (Host) Absolutely Visual and audio. I love that Law because visual and audio external references are going to get you out of your head, because you'll be focused on something else other than just sitting there looking at your microphone and your head going oh my god, okay, I got it. Oh, that didn't sound good. And the soundscape, too, is very interesting, because a lot of times people can play music softly in their headphones and really get a different read depending on the type of music that's being played underneath, and so that, I think, is some really good hints. Go to Google research, research, research that product, that company, and you can get a lot of hints and clues from understanding what their brand is like and getting a visual look at their brand, because that might evoke oh, I'm a busy mom, or it's bright and happy, or maybe it's more serious, or whatever that is. It can get you into a different mood and that mood can affect your performance.  21:05 Right, going to be channeling a different character. I'm going to say I don't want to say voice. You're going to be channeling a different character, and as long as that character makes sense, right for the product and for the company, I think that that will give you that rather than let's make it a different sounding take. Let's make it a different take where you're in a different scene, you're in a different emotion, you're not busy and harried and hectic. You are now thoughtful and reflective. That can give you a couple of really different reads.  21:33 And then, ultimately, when you can showcase that to any casting director or talent agent that understands oh, there's an actor, that's what's going to get you hired. And then law I say this all the time you don't need me to teach you how to read pretty or to sound a particular way, because we all have that in our head. It's funny because I always say let me read it to you the way that everybody pretty much hears it in their head. And whenever I do that, my student will be like oh yeah, that's exactly how I recorded it. And I'm like good, I want you to give me something different, right? So how?  22:01 - Intro (Announcement) are you going to give me something different, right? I don't want it to be predictable.  22:05 - Anne (Host) I want you to bring your eating spin on it. And how is that going to happen? Change your scene, channel a different character. I love the whole getting out of your head and that was such a visual thing, law, that you did getting out of your head and allowing the whole being, because that just brings into play your whole body, getting into the character right, and that will have so much to do with a good performance.  22:27 - Lau (Host) Yeah, and what you're doing should be in a three dimensional sphere in your world. Unfortunately, it's all one dimensional if you're in a box and you're on a piece of paper. Hopefully, gone are not the days but when you had like actors, like Johnny Depp, who is trained in method technique, would go into the culture, into the scenario, into the environment, to live in the environment for a little while in order to figure out who the character is. Well, you may or may not have time to do it, but if you do have time to do it, go to the store and look at Play-Doh again. Get Play-Doh.  23:00 Go to the movies and remember what AMC is. Go to the company and see what the company culture is Like. It could only take you 30 minutes or an hour to enrich your whole reservoir to pull from when you're doing this kind of work and say, oh, I know what that is, I know what their attitude is, I know how they dress, I know how they talk to each other. I'm going to start to feel that and embody that so I can connect with you in a slightly more authentic way. Versus how do I sound.  23:29 Do I sound good? Do I sound like? One more thing, annie, I wanted to point out. This drives me crazy. This is one of my pet peeves that I've heard several clients say over and over and over again over the course of a long period of time Say I don't know what you're saying to me. I don't understand your feedback law. I'm not an actor. You're treating me as if I know what you're talking about in regards to acting or being a voiceover talent. I'm not really that and I said well, why are you standing here with a credit card asking me or others to work with you and become that? So this comes from my dear friend, joanne Yarrow. One of the great tips that she gives and exercises she does which I love is, even if you're just starting out, like just starting out, you're listening to this and you're going I haven't done anything. Call yourself what you envision yourself to be yes amen.  24:22 Today, say I am a business owner. Today, I am a voice over talent.  24:25 - Anne (Host) today, I am an actor. I am an actor, I am an entrepreneur and I run a voice over business.  24:31 - Lau (Host) Right, because it's not about making money or how many jobs you've had or who you know, yet it's about embodying the psychology of belief systems and manifesting you have limiting belief values. Yeah, if you're not manifesting an abundant belief system in yourself, then you're not playing in the sandbox yet. You're just not in the sandbox. You've got to get in there and play with the dolls and the trucks and the sand and figure out what it all is. But if you say, oh, I don't get dirty, I don't play in sand, I don't like trucks, I don't know why you're asking me about dolls. And I'll say, well then, why do you want to be a talent? Because talent loves getting dirty. Talent loves playing.  25:14 - Anne (Host) Yeah, I love that and I'm not even interested in that. I want to bring up a point that, no matter what genre you're studying these days so, so important these days no matter what genre, you need to be a voice actor. I don't care if you're doing e-learning, if you're doing like everybody that thinks well for corporate narration, you don't need to be an actor. I mean, oh my gosh, yes, even more so I think.  25:34 Because, corporate narration. You've got to hold somebody's attention for longer than a minute and so, literally no matter what you're doing, you need to be the actor and you need to study how you can be an actor in all different scenarios, all different pieces of copy. How can you bring those words, whether it's an e-learning module, a corporate manifesto or a medical pharmaceutical? How can you make those words sound authentic and believable and be in a world that can engage your listener? You have to, no matter what. So when you're studying with any coach, that's what you should be focusing on on the acting part of it, not just okay, I just want to get my demo and I want it to sound great so I can get work and that's it. In reality, no matter what genre you're studying, you should be studying to be an actor, and then those acting skills will carry over into every genre. Then you just have to the differences between the genres, understand the market, understand the nuances between the genres, but the acting is still acting, no matter what genre you're in.  26:40 - Lau (Host) And understanding that nothing you do is real, nothing. It's like I remember years ago when I was in the theater and the director would say you guys realize that you're standing in a box and people are paying a ticket to see you on a lifted stage and there's nothing that's real here and just that acknowledgement that, oh yeah, nothing in media is real. Nothing is real. It's the facsimile of life, but it is not actual real life. So what I'm doing is the old truth under imaginary circumstances it really is. I have to bring the authentic reservoir from my heart, my head, my body, my soul, my spirit, my history to a very artificial place. I can't mistake this artificial place as saying oh well, this is real, it's a real thing, I'm, I'm being. No, it's not a real thing. Right, the audience thinks it's real because they're suspending their disbelief. You're setting a really profound convention for them where they can believe it. But you know, it's technical, it's all technical, right, If you don't do that groundwork and you're confused all the time about it.  27:51 Then how can you bring any kind of truth into a technical, artificial, imaginary circumstance? Well said.  27:58 - Anne (Host) Well said, woo Woo, my bossy co -host. I love it, I'll tell you Good stuff.  28:04 - Lau (Host) I think we said it all and after all that, I'm still confused. Are you confused? Which button did you want me? To push, I think, a one. Can you press one? Yeah, you know what Law.  28:14 - Anne (Host) I'm going to push one now. After that, all right, awesome, yeah, just push one. Oh goodness, bosses, as individuals it can seem difficult to make a huge impact, but as a group and together, we can contribute to the growth of our communities in ways that we never thought possible. Get 100 VoicesWhoCareorg to find out more. Big shout out to our sponsor, ipdtl. I love IPDTL and the fact that I get to connect up with bosses like my awesome, amazing friend, law Lapitas, and all my clients. You guys can find out more at IPDTLcom. You guys, bosses, have an amazing week and we'll see you next week. See you next week, enjoy, bye.  28:59 - Intro (Announcement) Join us next week for another edition of VoBoss with your host, ann Gangusa, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Pre-distribution with permission. Coast to coast connectivity via IPDTL.  29:48 - Lau (Host) That was interesting.   

Ryan Budds is a comedian, trivia host, TV producer, and actor who has hosted over 10,000 in-person trivia events and comedy shows. ======= Thanks to my Sponsors : If you or know some body you know is struggling with anxiety and want to know how to be 100% anxiety free, in 6 weeks, without therapy or drugs, fully guaranteed - then let me tell you about our sponsor Daniel Packard. His research company spent 8 years testing to develop an innovative process that solves your anxiety permanently in just 6 weeks - with an astounding 90% success rate.  Because their program is so effective, people who join their program only pay at the end, once they have clear, measurable results. If you're interested in solving your anxiety in 6 weeks - fully guaranteed  - and you want to learn more and have a free consultation with Daniel, go to https://anxietysolutionprogram.com/ -------------------------- Do you have High Blood Pressure and/ or want to get off the Meds Doctors are amazed at what the Zona Plus can do $50 Discount with my Code ROY https://www.zona.com/discount/ROY  ------   Speaking Podcast Social Media / Coaching My Other Podcasts ⁠https://bio.link/podcaster⁠   ============ About Ryan Budds : Ryan Budds is a comedian, trivia host, TV producer, and actor who has hosted over 10,000 in-person trivia events and comedy shows in LA and Chicago since 2006 and over 1,000 virtual trivia, bingo, and game shows since March 2020. He's hosted trivia for the cast of Ted Lasso, Family Guy, & even Harrison Ford! Before starting his hosting biz, Budds worked as a segment producer for Super Jacket Productions and Rob Dyrdek's Ridiculousness on MTV and also appeared in the first Sharknado movie. He's also appeared in other crazy movies like Airplane VS. Volcano, Jurassic Planet, and Snake Outta Compton, just to name a few more of the more ridiculous titles. On TV, he's been on Beverly Hills Pawn, How I Met Your Mother, and FOX's Laughs. What we Discussed:   - Who is Ryan Budds ( 2 mins) - How he creates the Trivia ( 4:30 mins) - How to stay Energetic with 8 event calls in a day ( 11 mins) - How to Connect better with Audience live or Online ( 15 mins) - His Family Guy trivia show ( 22 mins) - How to Navigate people different beliefs (25:30 mins) - How to Deal with Drunks when Performing ( 30 mins) - After so many show is it now a chore (34 mins) - His Podcast (39 mins) - His Acting Career ( 42 mins) - Social Media Tips (49 mins)   and more  ====================   How to Contact Ryan Budds : www.triviawithbudds.com https://www.instagram.com/ryanbudds Podcast https://podcasts.apple.com/us/podcast/trivia-with-budds/id1139115219 https://www.facebook.com/TriviaWithBudds/ https://www.youtube.com/triviawithbudds =============== Donations  ⁠⁠https://www.podpage.com/speaking-podcast/support/⁠⁠   Speaking Podcast Social Media / Coaching My Other Podcasts ⁠https://bio.link/podcaster   --- Send in a voice message: https://podcasters.spotify.com/pod/show/roy-coughlan/message

On TV it looks so easy: CPR done right saves lives. But that's not the whole story. Dr. Sunita Puri is program director of the Hospice and Palliative Medicine Fellowship at the University of Massachusetts Chan School of Medicine, where she is an associate professor of clinical medicine. She joins host Krys Boyd to discuss why the aftermath of CPR is rarely talked about – usually because it involves a life that has been saved but not fully restored. Her article in The New Yorker is “The Hidden Harms of CPR.”

This is Garrison Hardie with your CrossPolitic Daily News Brief for Wednesday, June 28th, 2023. Armored Republic The Mission of Armored Republic is to Honor Christ by equipping Free Men with Tools of Liberty necessary to preserve God-given rights. In the Armored Republic there is no King but Christ. We are Free Craftsmen. Body Armor is a Tool of Liberty. We create Tools of Liberty. Free men must remain ever vigilant against tyranny wherever it appears. God has given us the tools of liberty needed to defend the rights He bestowed to us. Armored Republic is honored to offer you those Tools. Visit them, at ar500armor.com Before we get to the news, how about a little on this day in history? On this day in history June 28th: 1776 Final draft of Declaration of Independence submitted to Continental Congress 1778 Battle of Monmouth, New Jersey (General Washington beats Clinton) 1820 Tomato is proven to be non-poisonous by Colonel Robert Gibbon eating a tomato on steps of courthouse in Salem, New Jersey 1838 Coronation of Queen Victoria in Westminster Abbey, London 1870 U.S. Congress creates federal holidays (New Year's Day, Independence Day, Thanksgiving Day, and Christmas Day), initially applicable only to federal employees 1894 Labor Day established as a holiday for US federal employees 1902 Germany, Italy, and the Austro-Hungarian Empire renew their Triple Alliance for six more years 1910 1st airship with passengers makes its maiden voyage; the Zeppelin LZ7-Deutscheland and gets stuck in some trees in Mount Limberg, Lower Saxony, injuring one crew member 1919 Treaty of Versailles, ending WWI and establishing the League of Nations, is signed in France 1965 1st US ground combat forces in Vietnam authorized by President Lyndon B. Johnson 1996 Remake of "The Nutty Professor" starring Eddie Murphy opens in theaters in the USA 2000 NBA Draft: Cincinnati power forward Kenyon Martin first pick by New Jersey Nets https://dailycaller.com/2023/06/27/nyc-shelters-homeless-people-migrants/ NYC Is Housing More Illegal Migrants Than Homeless People The number of migrants in New York City’s care has outpaced the homeless population in local shelters, according to NBC4 New York. As of Sunday, the city had 50,000 migrants in its care, including in local hotels and temporary shelters, and 49,700 local homeless residents, NBC4 reported. The influx of migrants crossing the southern border illegally has led to more migrants arriving in the Big Apple, some of whom have been bused in by Republican Texas Gov. Greg Abbott. The city has turned the historic Roosevelt Hotel, which closed three years ago, into a migrant shelter. “My heart breaks a little bit, and I have these conflicting feelings,” Deputy Mayor Anne Williams-Isom said during a tour of the hotel, according to NBC4. Democratic New York City Mayor Eric Adams has floated asking his residents to help shelter migrants in their homes, he said in early June. “It is my vision to take the next step to this, to go to the faith-based locales and then move to private residents, there are residents who are suffering right now because of economic challenges,” Adams said at the time. “They have spare rooms, they have locales and if we can find a way to get over the 30-day rule and other rules that government has in its place, we can take that $4.2 billion, $4.3 maybe now, that we potentially will have to spend, and we can put it back in the pockets of everyday New Yorkers, everyday houses of worship, instead of putting it in the pockets of corporations,” Adams added. Adams has also taken matters into his own hands by busing some of the arriving migrants to New York suburbs, including an area near the northern border, where the Daily Caller News Foundation previously observed some of them crossing into Canada illegally. Adams has also transported dozens of migrants to Republican-run states, like Florida and Texas, South America and one to China, Politico reported Friday. Adams’ office didn’t immediately respond to a request for comment. https://dailycaller.com/2023/06/26/fox-news-fires-remaining-tucker-staffers/ Fox News Fires Remaining Tucker Staffers In Show’s Final Stroke Fox News has fired the remaining staffers from Tucker Carlson’s show as the network announces a new primetime lineup, Daily Caller confirmed Monday. The network let go of at least nine remaining staffers, including long-standing producers, in a move described as “shockingly callous” by one former Fox News producer who spoke to the Daily Caller. “Some of the producers fired have been at Fox for well over a decade,” the producer told the Daily Caller. Another former Fox producer told the Daily Caller that staffers on Carlson’s team were repeatedly told following his departure that their jobs were safe, including as recently as last week when two of Carlson’s producers left the network. The remaining staffers were told they could apply for any jobs throughout the company, the former producer told the Daily Caller, noting that employees who once staffed Bill O’Reilly and Dan Bongino’s show were simply reassigned on other shows after both hosts left the network. Staffers told the former producer the terminations were clearly an “anti-Tucker move to purge any of his remaining stamp he had on the network as Fox begins this new lineup change.” The news comes after Fox News announced that Jesse Watters will replace Carlson in the 8:00 p.m. time slot. Watters, who originally started his career at the 8:00 p.m. time slot hosting a Man on the Street segment during Bill O’Reilly’s program, is slated to take over the hour, Fox News said in a press release. Laura Ingraham will take over Watters’ 7:00 p.m. time slot while Greg Gutfeld will move his show to the 10:00 p.m. time slot. Sean Hannity will remain in his 9:00 p.m. slot. Fox announced in late April it was parting ways with Carlson just days after the network announced it was also parting ways with Dan Bongino. Carlson has since started hosting his own show on Twitter, prompting a public legal battle between Fox News and the Daily Caller co-founder. Fox News issued a “cease and desist” to Carlson in mid-June after accusing him of breaching his contract by violating its non-compete clause when he posted the first episode of his show on Twitter. https://www.npr.org/2023/06/27/1149982782/julian-sands-dead-a-room-with-a-view Actor Julian Sands found dead in California after going missing on hike The San Bernardino County Sheriff's office has confirmed the death of Julian Sands after human remains were found on Southern California's Mount Baldy. He was 65 years old. He was hiking Mount Baldy when his family reported him missing on January 13, 2023. Sands had a wide and varied career but was best known for his role in the 1985 movie A Room with a View, starring opposite Helena Bonham Carter. Sands learned acting at the Central School of Speech and Drama in London. In A Room with a View, he played George Emerson, a love interest to the young upper-class Lucy Honeychurch, played by Carter. In 1986, he told NPR in an interview that he was well aware of the class dynamics at play in the movie. "Nobody's actually seen to do anything other than live some leisurely life which allows them to pursue their own indulgences," he said. Sands' acting career brought him an eclectic array of roles. His film credits include Arachnophobia, Leaving Las Vegas, and the Jackie Chan movie The Medallion. On TV, he appeared in small roles on shows such as Castle, Smallville and Dexter. In Season 5 of the action drama 24, he played the main villain Vladimir Bierko, a terrorist in possession of a deadly nerve gas. He loved the outdoors. In a 2020 interview with The Guardian, he was asked when he was happiest. His answer was: "Close to a mountain summit on a glorious cold morning." Now in entertainment news… https://boundingintocomics.com/2023/06/26/the-flash-collapses-in-its-second-weekend-at-the-box-office-with-massive-72-drop-analyst-predicts-film-will-lose-at-least-150-million/ ‘The Flash’ Collapses In Its Second Weekend At The Box Office With Massive 72% Drop, Analyst Predicts Film Will Lose At Least $150 Million Ezra Miller’s The Flash completely collapsed at the box office with an enormous 72% drop from its opening weekend. The Flash had a long row to hoe after it’s extremely poor opening weekend of $55 million at the domestic box office. And it does not look like it’s going to be reaping anything but losses following its second weekend collapse of 72%. The-Numbers reports the film only grossed $15.2 million in its second weekend despite adding another 22 more theaters compared to its first weekend. The per theater gross declined from $13,000 in its opening weekend to $3,587 in its second weekend. The film’s second weekend much like its first underperformed predictions. Box office tracking website Box Office Pro predicted the film would have a 69% drop and bring in $17.3 million. The-Numbers predicted the film would only have a 59% decline and would bring in $22.5 million. Comparing the film to other DCEU films, The Flash is one of the worst performing films as it stands right now. The only films it’s outperformed at the worldwide box office are Birds of Prey, The Suicide Squad, Wonder Woman 1984, and Shazam! Fury of the Gods. Following this second weekend, box office analyst OMB Reviews predicts The Flash will only bring in a total gross between $300 million to $400 million worldwide in its entire theatrical run. However, he goes on to note, “roughly between $300 and $350 million dollars if the film performs as a typical bad movie.” That means it will likely stay in the same position it is on the DCEU list given Shazam! grossed $363.5 million and Black Adam brought in $391.2 million. OMB Reviews then points to the reported cost of the film being between $200 million and $220 million. He notes this means the film will likely lose around $150 million due to his estimated predictions that the film’s total cost with marketing is approximately $330 million. Factoring in the film’s split with theaters, he predicts the film’s break even point is $550 million. Thus if the film performs at the top of his estimates at $400 million, it would lose $150 million.

Matt Loughlin has been with the New Jersey Devils organization for 27 years. The last 17 have been as the radio/audio broadcaster. First, on WFAN Radio, and now on the Devils Hockey Network. Loughlin started with the team as their pre/post-game host on SportsChannel, FOX Sports Net, and ultimately MSG Network and did that for 10 years before transitioning to play-by-play. On TV, he also worked on New York Mets broadcasts. In this episode, Loughlin discusses his time with the Devils franchise. He explains the transition from TV to radio. The second half of the show is a breakdown of the current NJ Devils squad. They discuss superstar Jack Hughes and his brother Luke. They also address questions in coaching and goaltending situations. Follow Matt Loughlin on social media @MattLoug.

Casey and Danielle sit down with gorgeous, HILARIOUS and impassioned Real Housewives fan and co-host of Entertainment Tonight, Nischelle Turner! Nischelle spills some breaking news out of our garbage world that takes us on a ride and reveals she was in the room when it happened- ON TV in Beverly Hills, during a horrifying scene this past season. She gets to confront Casey and Danielle about some of their views of the different wives which she has heretofore only been able to yell into the void, while listening to the podcast. Cathartic for all. Enjoy! 

Themes: Parenting, Safetyism, Fragility, Resilience, Childhood Independence, Autonomy, Technology Summary:  After her newspaper column “Why I Let My 9-Year-Old Ride the Subway Alone” created a media firestorm, Lenore Skenazy got the nickname “America's Worst Mom.” Nice. She went on to write Free-Range Kids, the book-turned-movement. (Second Edition just out!) She has been profiled in The New Yorker and lectured everywhere, from DreamWorks to Microsoft HQ to schools across America. On TV, you may have seen her on The Today Show, The Daily Show or her own reality show, World's Worst Mom. Now Lenore is co-founder and president of Let Grow, the national nonprofit promoting childhood independence. I was struck by Lenore's story, and as I step into fatherhood this year, I knew I had to have her on the podcast. Tune in to learn how parenting has changed over the past few decades, why safety has become a top priority for parents nowadays, and how unsupervised play and letting go a little are key in raising resilient, confident and independent children. Discover: Why Lenore let her nine-year-old son ride the subway alone in NYC Why the degree of independence and autonomy parents give their kids has changed drastically over the past couple of decades Safetyism: what it is and how it contributes to fragility in our kids The massive benefits of unsupervised play & tech-free play Why tracking your kids erodes trust and can actually cause more harm than good How to overcome parental anxiety 00:00 Intro 00:31 Parenting then vs. now 03:00 Letting her son ride the subway alone 06:43 Why are we so afraid for our kids? 10:52 The problem with prioritizing safety 24:09 Tech-free play 37:23 Why keeping kids safe has become a top priority 44:00 Is tracking your kids worth it? 51:21 How to overcome parental anxiety Links: Website | letgrow.org Book | Free-Range Kids: How Parents and Teachers Can Let Go and Let Grow Twitter | @freerangekids Facebook | Raising Independent Kids The Coddling of the American Mind Sponsors: Create the Love Cards | Use code CTLCARDS15 for 15% off at createthelove.com/cards See omnystudio.com/listener for privacy information.