Podcast appearances and mentions of Richard Egarr

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

Georg Friedrich Handel (1685-1759) - 6 Concerti Grossi Op. 31.                  Concerto No.1 in si bemolle maggiore/sol minore HWV 312 [-/ -/-] 0:08 2.                  Concerto No.2 in si bemolle maggiore HWV 313 [Vivace/Long/Allegro/-/-] 8:38 3.                  Concerto N.3 in sol maggiore HWV 314 [Long, and staccato-Allegro/Adagio/Allegro] 19:55 4.                  Concerto N.4 in fa maggiore HWV 315 [-/Camminando/Allegro/Allegro] 28:07 5.                  Concerto No.5 in Re minore HWV 316 [-/Fugue.Allegro/Adagio/Allegro,but not too much/Allegro] 41:08 6.                  Concerto No.6 in Re maggiore HWV 317 [-/Improvisation/Allegro] 50:52  Academy of Ancient MusicRichard Egarr, conductor

Programa dedicado a explorar algunas de las más notables composiciones creadas para dúos de instrumentistas de música clásica.  Producción y selección realizada por Carolina Valdés con la locución de Sergio Morales. Martes a las 12:00 hrs en el 95.1 FM y www.radioudec.cl

a cura di Massimiliano Samsa.Arcangelo Corelli (1653-1713)- Concerto No.11 in La bemolle I.Preludio : Andante Largo II.Allemanda : Allegro III.Adagio (1:54:24) IV.Andante Largo V.Sarabanda : Largo VI.Giga : Vivace Concerto No.12 in Fa maggioreI.Preludio : Adagio II.Allegro III.Adagio IV.Sarabanda : Vivace V.Giga : Allegro The English Concert Basso continuo e direttore: Trevor PinnockGeorg Friedrich Händel (1685-1759)- Concerto n. 3 in Sol maggiore HWV 314 [Largo, e staccato-Allegro/Adagio/Allegro] - Concerto n. 4 in Fa maggiore HWV 315 [-/Andante/Allegro/Allegro] Academy of Ancient MusicBasso continuo e direttore: Richard Egarr

On this week’s episode of In Unison, we focus our discussion on a specific composition and its premiere performance:  the remarkable “Mass Observation” by composer https://www.tarikoregan.com/ (Tarik O’Regan), premiered in 2017 by the https://smtd.umich.edu/chamber-choir-and-percussion-ensemble-perform-world-premiere-of-mass-observation/ (University of Michigan Chamber Choir and Percussion Ensemble), under the direction of https://en.wikipedia.org/wiki/Jerry_Blackstone (Jerry Blackstone). http://www.inunisonpodcast.com/episodes/s02e09#transcript (Episode transcript) Music Excerpts https://open.spotify.com/track/4hFqtaxM6eDJvTUk4TQIGB?si=_sL3CAM8SICL7tixUnRkxQ (Mass Observation), by Tarik O’Regan, performed by the University of Michigan Chamber Choir and Percussion Ensemble under the direction of https://en.wikipedia.org/wiki/Jerry_Blackstone (Jerry Blackstone.) Episode references https://www.tarikoregan.com/ (Tarik O’Regan) “https://www.michigandaily.com/uncategorized/04darius-milhaud-preview03/ (Oresteian Trilogy),” by Darius Milhaud   http://www.massobs.org.uk/about/mass-observation-project (British Mass Observation Program) https://www.poetryfoundation.org/poets/kathleen-raine (Poet Kathleen Raine), “http://www.emmanuelmusic.org/notes_translations/translations_motets/t_o'regan_threshold.htm (Threshold of Night)” https://en.wikipedia.org/wiki/Panopticon (Panopticon) “https://www.wisemusicclassical.com/work/35453/The-Ecstasies-Above--Tarik-O'Regan/ (Ecstasies Above),” by http://www.tarikoregan.com (Tarik O’Regan) https://www.blackstonedoc.com/ (We Are the Music Makers) https://www.yaleclubdc.org/upcoming-events (Yale Club of D.C. Events) https://philharmonia.org/about/richard-egarr/ (Philharmonia Baroque & Richard Egarr) https://choralsinging.org/ (Choral Singing in America) (documentary) https://www.facebook.com/theslapbook/about/ (Slapslap) https://www.instagram.com/tanner_tanyeri/?hl=en (Tanner Tanyeri) Theme Song: https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 (Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed by http://www.dynamicjazz.dk/ (Dynamic)

Residentie Orkest Richard Egarr, dirigent Christian Poltéra, cello * J. Haydn - Celloconcert in C * F. Mendelssohn - Symfonie nr.4, 'Italiaanse'

Residentie Orkest Richard Egarr, dirigent Christian Poltéra, cello * J. Haydn - Celloconcert in C * F. Mendelssohn - Symfonie nr.4, 'Italiaanse'

In this week's Gramophone Podcast Richard Egarr tells James Jolly about his new recording of Dussek's Messe Solemnelle with the Academy of Ancient Music on the orchestra's own label.

Playlist: Choir of the AAM, Richard Egarr, Academy of Ancient Music - Bach St. Matthew Passion BWV 244pt. 1: Kommit ihr Tochter, helft mir KlagenLawfarme Violin - Seitz Pupil's Concerto no. 2 in G major op. 13Leonard Bernstein & New York Philharmonic - Schubert Symphony No. 9 in C major "The Grea" 2nd Mov Andante con motoBedrich Smetana, Deutches Symphonie, Orchestre Berlin, Darrell Ang - Smetana The Bartered Bride, JB 1:100 (excerpts) Dance of ComediansAgnes Baltsa, Berlin Philharmoniker, Herbert Von Karajan, Choeur de Theatre National de Paris - Bizet Carmen Act 1: "L'amour est un oiseau rebelle" (Havanaise0

Tom Service is joined by harpsichordist Richard Egarr to explore one of the most mysterious, complex and rewarding pieces in all music, Bach's keyboard work The Goldberg Variations.

Bach’s muziek is een labyrinth vol getallensymboliek. Althans… je kunt het er ‘in’ lezen, horen is sowieso lastig tot onmogelijk. Richard Egarr maakte mij deelgenoot van zijn fascinatie voor Bach en de getallen. Johann Sebastian Bach Partita voor klavecimbel nr.1, BWV.825 Richard Egarr, klavecimbel Harmonia Mundi 907593.94 20’05’’

durée : 01:59:16 - Le Bach du dimanche du dimanche 13 octobre 2019 - par : Corinne Schneider - Une programmation 100% british pour cette 94e émission : avec James Bowman, John Butt, Michael Chance, Charles Daniels, Alfred Deller, Richard Egarr, John Eliot Gardiner, Peter Harvey, Christopher Hogwood, Emma Kirby, Paul Mac Creesh, Andrew Manze, Trevor Pinnock, Rachel Podger, Carolyn Sampson … - réalisé par : Céline Parfenoff

We talk with harpsichordist, conductor, and "general music addict" Richard Egarr, about original performance practice in early music. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Support The Next Track (https://www.patreon.com/thenexttrack). Guest: Richard Egarr (https://www.intermusica.co.uk/artist/Richard-Egarr) Show notes: Richard Egarr on Harmonia Mundi (http://www.harmoniamundi.com/#!/artists/437) Richard Egarr on Linn Records (https://www.linnrecords.com/artist-richard-egarr) Academy of Ancient Music (https://www.aam.co.uk) Goldberg Variations (https://amzn.to/2VUlcLS) Johann Sebastian Bach's tuning (http://larips.com) How Equal Temperament Ruined Harmony (and Why You Should Care) (https://amzn.to/2VU4Gf0) Schubert: Lebenssturme (Richard Egarr's four-hands Schubert recording) (https://amzn.to/3aOGXB3) Livestream: Richard Egarr & Alexandra Nepomnyashchaya: Quatre-Mains, May 5 (https://www.geelvinck.nl/concerten/livestream-richard-egarr-alexandra-nepomnyashchaya-quatre-mains/) Our next tracks: J. S. Bach: Suites for Violoncello Solo, Anner Bylsma (https://amzn.to/2ygLtew) The Electric Flag: A Long Time Comin' (https://amzn.to/35tmDo0) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Richard Egarr.

Sein Studium absolvierte Egarr bei einem der größten Namen der Alten Musik - heute ist er selbst Dirigent eines der wichtigen Originalklang-Orchester, er spielt Musik für Tasteninstrumente stets auf den "passenden" Instrument und hört nie auf, Fragen zu stellen.

This podcast features an interview with tenor James Gilchrist, in which we discuss a variety of topics relating to being a singer: - psychology of performance, particularly, in somewhere like the Wigmore Hall where he was singing that evening. - the way audiences might perceive song recitals, and what performers can do to engage them regarding such perceptions. - the balance between what artists do on stage to communicate with their audience, e.g., how much is moving around or maintaining eye contact? - interpretation of narrative in lieder repertoire. - the challenges and privileges of being a medical doctor (which James initially started as), and making the transition to becoming a full-time professional performer. - comparing the experience of music college versus university. Many thanks to James for coming especially to London in the morning to record, as well as Tamsin Raitt and the staff at Wigmore Hall for arrangements for the interview! Podcast published on 13th February 2020; recorded on 8th February 2020 in the Gerald Moore Room, Wigmore Hall, London. James Gilchrist began his working life as a doctor, turning to a full-time career in music in 1996. His musical interest was fired at a young age, singing first as a chorister in the choir of New College, Oxford, and later as a choral scholar at King’s College, Cambridge. James’ extensive concert repertoire has seen him perform in major concert halls throughout the world. Bach’s Christmas Oratorio and the St John and Matthew Passions feature prominently in his schedule, and he is celebrated as perhaps the finest Evangelist of his generation. Recent engagements include Elijah in Goteborgs Symfoniker and Masaaki Suzuki, Handel’s Messiah with the Handel & Haydn Society in Boston, with Bernard Labadie, and Beethoven’s Missa Solemnis with Singapore Symphony Orchestra. In the 2019-20 season appearances include the role of Rev. Horace Adams Peter Grimes with Bergen Philharmonic Orchestra conducted by Edward Gardner in London and Norway, St Matthew Passion with City of Birmingham Symphony Orchestra conducted by Richard Egarr, and a tour of Europe with Bach Collegium Japan and Masaaki Suzuki. Listen and subscribe to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. SoundCloud – @talkingclassicalpodcast Facebook – @talkingclassicalpodcast Twitter – @tc_podcasts YouTube - https://bit.ly/2WF4duy Blog – talkingclassicalpodcast.wordpress.com

durée : 01:58:27 - En pistes ! du jeudi 02 janvier 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme : quatorze solistes, un chef, un chœur et un orchestre rendent hommage à Fernand de La Tombelle, le Duo Ingolfsson-Stoupel célèbre la Belle Epoque, Le Concerto Köln revisite les hymnes européens ... - réalisé par : Lionel Quantin

Die schönsten Flöten-Töne kommen auch aus Holland: Lucie Horsch gehört zu den aufstrebenden jungen Künstlerinnen, die uns schon jetzt begeistert! Und für die sympathische Blockflötistin gehört der Erfolg bereits zum Alltag, so wurde sie zuletzt mit dem begehrten Opus Klassik ausgezeichnet. Auch die ehemalige Königin der Niederlande, Beatrix, ist Fan von Lucie Horsch, die im TV fast unmöglich zu meisternde Fernseh-Show-Stunts meistert. Ein facettenreicher Klassik-Star und wunderbar erfrischender Gast in unserem Podcast, jetzt hier reinhören!

durée : 01:59:16 - Le Bach du dimanche du dimanche 13 octobre 2019 - par : Corinne Schneider - Une programmation 100% british pour cette 94e émission : avec James Bowman, John Butt, Michael Chance, Charles Daniels, Alfred Deller, Richard Egarr, John Eliot Gardiner, Peter Harvey, Christopher Hogwood, Emma Kirby, Paul Mac Creesh, Andrew Manze, Trevor Pinnock, Rachel Podger, Carolyn Sampson … - réalisé par : Céline Parfenoff

Viola da gamba player Patricia Halverson, baroque violinist Andrew Fouts, and theorbo and baroque guitar player Scott Pauley are the core members of the Pittsburgh-based group Chatham Baroque. The ensemble specializes in innovative programming of both well-known and lesser known baroque music and musicians, and they promote their work through a thriving concert series, acclaimed recordings, and a well-established outreach program. The three outstanding musicians appreciate the great rapport they share, and are proud of Chatham Baroque's continued growth and expansion. They chatted with Suzanne about their music and their successful business model.

Richard Egarr is an internationally renowned harpsichordist, organist, conductor and baroque music expert. Since 2006 he has been Music Director of the Academy of Ancient Music, founded by Christopher Hogwood in the 1970s. Now he has signed a five-year contract to serve as music director for another prestigious early music group. Suzanne spoke with him about his exciting new gig, his extraordinary career, and a few of his guilty musical pleasures.

Francis sits down to talk with harpsichordist/conductor Richard Egarr! They talk about the harpsichord sound, creating dynamics on the instrument, and thoughts on continuo playing. And he only says f*ck once…(maybe it’s twice) To find out more about Richard Egarr, … Continued

Fine Music Radio — "Vauxhall Pleasure Gardens.'' TRACK: Allegro from Handel’s organ concerto in D minor. ARTIST: Academy of Ancient Music and Richard Egarr. PUBLISHER: Harmonia Mundi 2009.

Conductor Juanjo Mena talks with WCRB's Brian McCreath about a Boston Symphony Orchestra program that includes Mieczyslaw Weinberg's Violin Concerto, as well as Prokofiev's Symphony No. 1 and Tchaikovsky's Symphony No. 4, and Richard Egarr describes his Handel and Haydn Society program of Mendelssohn's Symphony No. 4 and Beethoven's Symphony No. 3.

I programmet diskuterades Dvoráks 8e symfoni med Jansons på pulten, franska sånger med sopranen Véronique Gens, Bibers Rosenkrans-sonater samt Martinus opera Ariadne. Johan väljer Strauss Alpsymfoni. ANTONÍN DVORÁK JOSEF SUK Symfoni nr 8 G-dur - Serenad för stråkorkester Ess-dur Karneval op 92 Bayerska radions symfoniorkester Mariss Jansons, dirigent BR Klassik 900145NÉÈRE Sånger av Reynaldo Hahn, Duparc och Chausson Véronique Gens, sopran Susan Manoff, piano Alpha Classics ALPHA 215HEINRICH IGNAZ FRANZ BIBER Rosenkrans-sonater Rachel Podger, violin, David Miller, teorb m.fl. Channel Classics CCS SA 37315BOHUSLAV MARTINU Ariadne, enaktsopera Dubbelkonsert Simona Saturova, sopran, m.fl. Essens filharmoniker Tomás Netopil, dirigent Supraphon SU 4205-2Johans val Spännande lyssning när Johan Korssell ledsagar oss upp- och nedför den höga alpen. Vi serveras valda delar ur Richard Strauss symfoniska dikt En alpsymfoni från 1915, framförd av Göteborgs symfoniorkester under ledning av Kent Nagano. Inspelad på Farao Records.Andra i programmet nämnda eller rekommenderade inspelningar: Dvoraks åttonde symfoni med Londons symfoniorkester ledd av István Kertesz på Decca samt Berlins filharmoniker under Rafael Kubeliks ledning på DG. Reynaldo Hahns sånger med sopranen Régine Crespin. Bibers Rosenkrans-sonater med Gunar Letzbor och Ars Antiqua Austria på skivmärke Arcana; Andrew Manze och Richard Egarr på Harmonia Mundi samt med Maria Lindal och Saga-ensemblen (Korsfästelsen) på Bis. Martinus Dubbelkonsert med Tjeckiska filharmonin och dirigenten Jiri Belohlavek på Chandos.Inget svep denna vecka

I programmet diskuterar panelen Salonens tolkningar av Bartók, Bachs Goldberg-variationerna med Esfahani, operaarior med Matshikiza o Tippetts fem stråkkvartetter. Sofia möter dirigenten Simone Young, BÉLA BARTÓK Den sällsamme mandarinen, Danssvit, Kontraster Philharmonia Orchestra Esa-Pekka Salonen, dirigent Signum Classics SIGCD 466 J S BACH Goldberg-variationerna Mahan Esfahani, cembalo DG 479 5929 PUMEZA MATSHIKIZA Operaarior m.m. Pumeza Matshikiza, sopran Århus symfoniorkester Tobias Ringborg, dirigent Decca 478 8964MICHAEL TIPPETT Stråkkvartetterna Heath-kvartetten Wigmore Hall WH live 0080 (2 CD)Sofia möter Simone Young Sofia Nyblom träffade och samtalade med den australiska dirigenten när hon gästade Stockholms konserthus i oktober där och då hon ledde Kungliga filharmonikerna i en konsert som  innehöll musik av Alban Berg, Richard Wagner, Anton Webern och Robert Schumann. Andra i programmet nämnda eller rekommenderade inspelningar: Bartóks Den sällsamme mandarinen med BBCs symfoniorkester ledd av Antal Dorati på skivmärke Mercury samt med Budapests festivalorkester dirigerad av Iván Fischer på Philips och Chicagos symfoniorkester ledd av Jean Martinon (sviten) på RCA. Bartóks Kontraster med Béla Bartók, Joseph Szigeti och Benny Goodman på Columbia. Bachs Goldberg-variationerna med Ton Koopman på Erato; Gustav Leonhardt på Teldec; Wanda Landowska på RCA; Glenn Gould på Sony samt med Richard Egarr på Harmonia Mundi. Tippetts stråkkvartetter med Lindsay-kvartetten på ASV. Svepet Johan sveper över ett album med  fransk kammarmusik på vilken violinisten Christian Svarfvar och pianisten Roland Pöntinen spelar musik av Fauré, Debussy och Ravel. Johan bjuder oss smakprov ur Faurés Après un Reve samt ur Ravels violinsonat. Skivan är utgiven på Bis.

Dive into the sparkling story of Gilbert and Sullivan's perennially relevant comic opera 'H.M.S. Pinafore', which will be performed by the Scottish Opera conducted by Richard Egarr, at the Usher Hall on Sunday 23 August.

Sara Mohr-Pietsch invites keyboardist and director of the Acadamy of Ancient Music, Richard Egarr, to share his choral passions

Richard Egarr talks to Martin Cullingford about recording Bach's St John Passion with the Academy of Ancient Music on the ensemble's own label

In deze Vrije Geluiden: klavecinist Richard Egarr; Cumbia orkest Maguaré; en een ensemble rond Qurious en Temper, twee pianospelende honden. Buiten dat hij een meesterlijk dirigent is, bespeelt Richard Egarr welhaast alle denkbare toetsinstrumenten. Vandaag komt hij met zijn eigen klavecimbel naar Vrije Geluiden en zal ons laten wegdromen bij muziek van Louis [...]