Podcast appearances and mentions of thomas ad

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

durée : 00:12:51 - Disques de légende du vendredi 13 décembre 2024 - En 2007 paraissait chez EMI l'enregistrement de " La Tempête ", l'opéra de Thomas Adès, créé 4 ans plus tôt et très vite devenu un classique.

durée : 00:12:51 - Disques de légende du vendredi 13 décembre 2024 - En 2007 paraissait chez EMI l'enregistrement de " La Tempête ", l'opéra de Thomas Adès, créé 4 ans plus tôt et très vite devenu un classique.

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durée : 00:15:20 - Journal de la création du dimanche 03 novembre 2024 - par : Laurent Vilarem - Les musiques de Thierry Escaich, Thomas Adès et Violeta Cruz sont à l'honneur dans les prochains jours, et ce dans différents lieux où ils sont en résidence ! - réalisé par : Philippe Petit

Euroopa suurfestivalil BBC Proms kõlavad briti heliloojate Anna Clyne'i ja Thomas Adèsi uued teosed.

We sit down for a HIGH ENERGY visit with Orlandus Thomas - a CAA / RMSAA / RIAA - who is the AD at the Downtown Campus of Intrinsic High School in Chicago. Orlandus shares his journey plus some best practices on this episode of The Educational AD Podcast! --- Support this podcast: https://podcasters.spotify.com/pod/show/educational-ad-podcast/support

We discuss desert island discs as a thought experiment, though we didn't agree on the ground rules. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Episode #130 - Desert Island Discs, Part 1 (https://www.thenexttrack.com/133) Episode #133 - Desert Island Discs, Part 2 (https://www.thenexttrack.com/136) Schubert: Winterreise, Ian Bostridge & Thomas Adès (https://amzn.to/3Absge9) Bach: Goldberg Variations, Glenn Gould 1981 (https://amzn.to/4fbzvlh) Morton Feldman: Piano and String Quartet, Kronos Quartet and Aki Takahashi (https://amzn.to/4h8CX1T) Hume: Musicall Humours, Jordi Savall (https://amzn.to/4eUNgoE) Elastica: Elastica (https://amzn.to/4eSpZ6O) The Who: Quadrophenia (https://amzn.to/4f4whjs) Joe Strummer & The Mescaleros: Streetcore (https://amzn.to/3A98bFh) Gustaf: Package, Pt.2 (https://amzn.to/3NAXwGE) The Rolling Stones: Get Yer Ya-Yas Out (https://amzn.to/3NzLRYB) The Clash: London Calling (https://amzn.to/3Yy72Re) Brian Eno: Music for Airports (https://amzn.to/3YAhkAl) Bang on a Can: Music for Airports (https://amzn.to/3UgVeAd) Grateful Dead: American Beauty (https://amzn.to/3Yz61bi) Bill Evans: The Complete Village Vanguard Recordings, 1961 (https://amzn.to/3YxVRYE) Bob Dylan: Blonde on Blonde (https://amzn.to/4eP8bJN) King Crimson: Red (https://amzn.to/3A9taI2) Castaway (https://amzn.to/3NzMMZ3) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

durée : 00:44:37 - En pistes, contemporains ! du dimanche 20 octobre 2024 - par : Emilie Munera - Cette semaine, dans En pistes, Contemporains !, voyage en Italie avec le nouvel album de la pianiste Claudia Chan puis un détour par l'île mystérieuse de "The Tempest", pour retrouver Shakespeare vu par Thomas Adès - réalisé par : Céline Parfenoff

durée : 00:12:34 - "The Tempest" : Thomas Adès (Keenlyside, Bostridge, Royal) - "The Tempest" est le deuxième opéra de Thomas Adès, une relecture fidèle de la pièce de Shakespeare, aussi mystérieuse que foisonnante. C'est ici le premier enregistrement de l'oeuvre, réalisé en 2007 lors de la reprise de l'opéra au Covent Garden de Londres.

durée : 00:44:37 - En pistes, contemporains ! du dimanche 20 octobre 2024 - par : Emilie Munera - Cette semaine, dans En pistes, Contemporains !, voyage en Italie avec le nouvel album de la pianiste Claudia Chan puis un détour par l'île mystérieuse de "The Tempest", pour retrouver Shakespeare vu par Thomas Adès - réalisé par : Céline Parfenoff

durée : 00:12:34 - "The Tempest" : Thomas Adès (Keenlyside, Bostridge, Royal) - "The Tempest" est le deuxième opéra de Thomas Adès, une relecture fidèle de la pièce de Shakespeare, aussi mystérieuse que foisonnante. C'est ici le premier enregistrement de l'oeuvre, réalisé en 2007 lors de la reprise de l'opéra au Covent Garden de Londres.

durée : 00:44:37 - En pistes, contemporains ! du dimanche 20 octobre 2024 - par : Emilie Munera - Cette semaine, dans En pistes, Contemporains !, voyage en Italie avec le nouvel album de la pianiste Claudia Chan puis un détour par l'île mystérieuse de "The Tempest", pour retrouver Shakespeare vu par Thomas Adès - réalisé par : Céline Parfenoff

durée : 00:12:34 - "The Tempest" : Thomas Adès (Keenlyside, Bostridge, Royal) - "The Tempest" est le deuxième opéra de Thomas Adès, une relecture fidèle de la pièce de Shakespeare, aussi mystérieuse que foisonnante. C'est ici le premier enregistrement de l'oeuvre, réalisé en 2007 lors de la reprise de l'opéra au Covent Garden de Londres.

Thomas Adès is one of the UK's foremost and most successful composers. His first opera, Powder Her Face, was premiered in 1995, when he was just 24. With its racy subject matter, based on the life of the Duchess of Argyll, it put him squarely on the musical map, winning widespread critical acclaim. His catalogue now includes almost 90 works, with commissions from the world's leading orchestras and festivals, two further operas, The Tempest and The Exterminating Angel, and an epic ballet score for Wayne McGregor, Dante, based on the Divine Comedy.To anticipate the UK premiere of his new work, Aquifer, at the 2024 BBC Proms, Thomas Adès talks to Michael Berkeley about his musical inspirations and passions, including works by Schubert, Chopin, Walton, Stravinsky, Berg and Harrison Birtwistle.Producer Graham Rogers

durée : 00:39:14 - Affaires culturelles - par : Arnaud Laporte - Il a beau être l'un des compositeurs contemporains les plus installés, Thomas Adès continue de surprendre. Rencontre avec un musicien qui porte le surréalisme en héritage. - invités : Thomas Adès Compositeur anglais (Londres 1er mars 1971 - …)

durée : 01:58:53 - France Musique est à vous du samedi 20 avril 2024 - par : Gabrielle Oliveira-Guyon - Après une émission où nous avons donné la parole aux jeunes lycéens, reprenons nos pérégrinations musicales avec le théorbiste Michel Lambert, le symphoniste Joseph Haydn, le poète Georges Brassens, l'arrangeuse et parolière Michiru Ōshima et le compositeur contemporain Thomas Adès. - réalisé par : Jeanne Cherequefosse

We are in the thick of mock draft season and there are plenty of compelling mock drafts to reflect on when it comes to the Buffalo Bills. On today's episode, Host Joe Marino breaks down 5 different mock drafts to include the latest from Dane Brugler, Adam Caplan, Sam Monson, The AP and Peter Schrager. The show is focused on the Buffalo Bills, Sean McDermott, Brandon Beane, Joe Brady, Josh Allen, Stefon Diggs, Gabe Davis, Khalil Shakir, Justin Shorter, Curtis Samuel, Dalton Kincaid, James Cook, Von Miller, AD Mitchell, Adonai Mitchell, Brian Thomas, Brian Thomas Jr., Troy Franklin, Marvin Harrison Jr., Cole Bishop, Brandon Dorlus, Javon Baker, Kimai Vidal, NFL Draft, 2024 NFL Draft, Mock Draft, Bills Mock Draft and more! JOIN THE LOCKED ON BILLS SUBTEXT COMMUNITY: https://joinsubtext.com/lockedonbillsFollow & Subscribe on all Podcast platforms…

Indianapolis Colts fans have tons of questions surrounding a quiet free-agent period that has potentially created a must-hit 2024 NFL Draft class. What is the state of the team? The Indy Draft Guide's Pre-Orders are now open! For $8.99 with code DRAFTMAS, you get access to 225+ in-depth scouting reports, features, and much more. Click the link to Pre-Order today: https://draftguide.gumroad.com/l/indy24 Find and follow Locked On Colts on your favorite podcast platforms:

durée : 00:05:30 - Classic & Co - par : Anna Sigalevitch - Aujourd'hui, Anna Sigalevitch, nous parle ce matin d'un opéra contemporain "The Exterminating Angel" de Thomas Adès d'après le film de Luis Buñuel, ça se joue à l'Opera Bastille jusqu'au 23 mars prochain…

durée : 00:14:45 - avec Jules Cavalié - par : Philippe Venturini - Jules Cavalié rédacteur en chef d'Avant-Scène Opéra est invité au micro de Philippe Venturini à l'occasion du  338 numéro. Au programme : The Exterminating Angel de Thomas Adès, opéra à l'affiche dès le 29 février à l'opéra Bastille à Paris - réalisé par : Laurent Lefrançois

durée : 00:57:45 - Affaires culturelles - par : Arnaud Laporte - Il a beau être l'un des compositeurs contemporains les plus installés, Thomas Adès continue de surprendre. Son opéra, The Exterminating Angel, adapté d'un film de Luis Buñuel, est présenté à l'Opéra Bastille. Rencontre avec un musicien qui porte le surréalisme en héritage. - invités : Thomas Adès Compositeur anglais (Londres 1er mars 1971 - …)

durée : 02:04:53 - Musique matin du jeudi 29 février 2024 - par : Jean-Baptiste Urbain - C'est une première en France : Thomas Adès présente, dès ce jeudi à Paris, "The Exterminating Angel", son troisième opéra tiré du film éponyme de Luis Buñuel. Egalement pianiste et chef, celui que l'on compare souvent à Benjamin Britten est sans doute l'un des grands compositeurs de notre temps. - réalisé par : Yassine Bouzar

ÖVERSÄTTNING: Salomon Schulman UPPLÄSNING: Harald Leander Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: ”Hur?” av Abraham SutzkeverDIKTSAMLING: Natten läser stjärnor - Jiddischdikter från ett desperat sekel (Korpen 2022). Dikten är daterad 1942.MUSIK: Sergej Rachmaninov: Melodi för cello och pianoEXEKUTÖR: Steven Isserlis, cello och Thomas Adés, piano

Jūsų dėmesiui Domanto Razausko geriausių praėjusių metų albumų apžvalga. Klasika, džiazas ir pasaulio muzika. Pirmoje dalyje - geriausi klasikos ir šiuolaikinės akademinės muzikos leidiniai!Albumų sąrašas:Ryuichi Sakamoto. Išleido „Milan“;Missy Mazzoli: Dark with Excessive Bright. Peter Herresthal (smuikas), Bergen Philharmonic Orchestra, James Gaffigan, Arctic Philharmonic, Tim Weiss. Išleido BIS;Dante. Thomas Adès. Išleido „Nonesuch“;Broken Branches. Karim Sulayman (tenoras), Sean Shibe (gitara). Išleido „Pentatone“.J. S. Bach: Goldberg Variations. Vikingur Ólafsson. Išleido „Deutsche Grammophon“;Monteverdi: Vespro della Beata Vergine. Pygmalion, Raphaël Pichon. Išleido „Harmonia Mundi“;Music By Henrik Ødegaard. Vox Clamantis. Išleido ECM;Polygon. Galya Bisengalieva. Išleido „One Little Independent“;Debussy: Études & Pour Le Piano. Steven Osborne. Išleido „Hyperion“;Songs for Our Times. Sphinx Virtuosi. Išleido „Deutsche Grammophon“;Ved. Domantas Razauskas

17th-21st CenturiesThis week we hear works by Johann Sebastian Bach, Dmitry Kabalevsky, Giuseppe Tartini, Fritz Kreisler, Franz Liszt, Camille Saint-Saëns, Eugen d’Albert, Gustav Mahler, Hamish MacCunn, Henry Kimball Hadley, Sergei Prokofiev, Béla Bartók, Aulis Sallinen, and Thomas Adès.199 Minutes – Week of 2023 October 23

Briti helilooja Thomas Adès'i uuel kontsertalbumil "Dante" kõlab balletimuusika, mis on inspireeritud "Jumalikust komöödiast". Esitavad Los Angelese Filharmoonikud dirigent Gustavo Dudameli juhatusel.

durée : 01:00:14 - En pistes, contemporains ! du dimanche 02 juillet 2023 : Spécial Coup de cour de la saison - par : Emilie Munera - Ce dimanche, les producteurs du Carrefour de la création vous vont part de leurs coups de cœur de l'année. De Martin Matalon en passant par Thomas Adès et Anna Thorvaldsdottir, dernier tour de piste de la saison chez les contemporains ! - réalisé par : Céline Parfenoff

Marking the centenary of Hungarian composer György Ligeti, Tom Service talks to musicians who knew him and who love his music. Violinist Patricia Kopatchinskaja and composer and conductor Thomas Adès explore the musical universe of the Violin Concerto; pianist Tamara Stefanovich describes meeting the composer and the intensity and fragility required to perform his music; Tom joins composer Anna Meredith in her studio to listen to one of his last works, the Hamburg Concerto; and György Ligeti's son, the composer and instrumentalist Lukas Ligeti reveals the passion he shared with his father for creating imaginary worlds, both musical and non-musical. Tom also talks to conductor Iván Fischer - the founder of the acclaimed Budapest Festival Orchestra - ahead of his appearances at the BBC Proms and at Edinburgh International Festival this summer. They discuss the difficulties of changing how symphony orchestras work, how his orchestra's mission to bring music to the communities of Budapest translates when they're on tour, and why mistakes are a very good thing. Plus musicians and noise. With recent stories about noise complaints against both musicians rehearsing at home and long-established music venues, we talk to Clara Cullen from the Music Venues Trust, Stuart Darke from the Independent Society of Musicians and Lisa Lavia from the Noise Abatement Society about the law, the psychology and how to balance the needs of musicians with the rights of communities for peace and quiet.

En esta emisión del podcast Allegro con batuta, el director Iván López Reynoso nos platica sobre las coincidencias, casualidades y puntos en los que ha encontrado una sinergia especial, dos de las más importantes fuentes artísticas (expresiones artísticas) de nuestros días: la ópera y el cine. Con grandes ejemplos en los que se mezcla la herencia del enorme Verdi con el cine de grandes realizadores del celuloide como Luis Buñuel, David Lynch, Alfred Hitchcock, Ingmar Bergman, con las adaptaciones a la ópera de importantes compositores como Benjamin Britten, Jake Heggie, Nico Muhly, Sebastian Fagerlund, Thomas Adés, Gustavo Dudamel, Olga Neuwirth e incluso el importante compositor mexicano Daniel Catán, entre otros.

What are the challenges and surprises that have faced St. Thomas as they've transitioned to a Division I athletic department? AD Phil Esten joined Jason to talk about it. 

UPPLÄSNING: Etienne Glaser ÖVERSÄTTNING: Anna Svenson och Per Svenson DIKTSAMLING: Stoftets tyngd (Ellerströms 2001)MUSIK: Igor Stravinsky: Eglogue 2 ur Duo concertantEXEKUTÖR: Anthony Marwood, violin och Thomas Adès, piano

durée : 00:59:41 - En pistes, contemporains ! du dimanche 07 mai 2023 - par : Emilie Munera - Aujourd'hui, nous ouvrons avec Beethoven...Oui, car son septet a inspiré le compositeur et chef d'orchestre Simone Fontanelli. Egalement au programme : Thomas Adès, Arvo Pärt et Thierry Escaich. - réalisé par : Fanny Constans

CSO Artist-in-Residence Hilary Hahn returns for Sarasate's brilliant and sultry arrangement of Bizet's Carmen and two beguiling serenades by the late Finnish master Einojuhani Rautavaara. Returning conductor Thomas Adès frames the program with Richard Strauss' Der Rosenkavalier Suite — a loving and graceful tribute to the Viennese waltz — and the profoundly stirring and vivid Night Ride and Sunrise by Sibelius. Please note: Conductor Thomas Adès will step in for Mikko Franck, who had to withdraw due to a knee injury, and lead the Orchestra in this program. Learn more: cso.org/performances/22-23/cso-classical/hilary-hahn-carmen-fantasy

Come along for an engrossing program of musical storytelling as Thomas Adès conducts Liszt's swirling treatment of the Faust legend, Janáček's depiction of a 17th-century Cossack warrior and Sibelius' incidental music to Shakespeare's The Tempest. Kirill Gerstein presents Adès' own Piano Concerto, “an affectionate, joyous, remarkably uncomplicated tribute to tradition” (The New York Times). Learn more: cso.org/performances/22-23/cso-classical/ades-conducts-ades-with-gerstein

Un día como hoy, 1 de marzo: Nace: 1810: Frédéric Chopin, compositor y pianista polaco (f. 1849). 1886: Oskar Kokoschka, artista austriaco (f. 1980). 1904: Glenn Miller, compositor y trombonista estadounidense, de la Glenn Miller Orchestra (f. 1944). 1939: Leo Brouwer, músico, guitarrista, director de orquesta y compositor cubano. 1954: Ron Howard, cineasta, productor, guionista y actor estadounidense. 1969: Javier Bardem, actor español. 1971: Thomas Adès, pianista, director de orquesta y compositor británico. Fallece: 1633: George Herbert, poeta, orador y sacerdote inglés (n. 1593). 1875: Tristan Corbière, poeta francés (n. 1845). Conducido por Joel Almaguer Una Producción de Sala Prisma Podcast. 2023

durée : 00:59:51 - En pistes, contemporains ! du dimanche 08 janvier 2023 - par : Emilie Munera - Pour ce premier tour de piste de l'année chez les contemporains, nous irons faire un tour du côté de la Finlande. L'orchestre symphonique de la radio finlandaise et son nouveau chef, Nicholas Collon, ont enregistré les oeuvres orchestrales du compositeur Thomas Adès. - réalisé par : Céline Parfenoff

durée : 00:11:27 - Adès : Orchestral Works - The Finnish Radio Symphony Orchestra - À l'automne 2021, l'Orchestre symphonique de la radio finlandaise et son nouveau chef d'orchestre, Nicholas Collon, ont organisé un festival Thomas Adès à Helsinki consacré à la musique du compositeur de renommée mondiale en plus d'œuvres d'autres compositeurs choisis et dirigés par Thomas Adès.

Prieškalėdiniame „Kitame laike“ jūsų laukia paskutinės šiais metais muzikinės leidybinės naujienos su Domanto Razausko pristatymais. Jau netrukus – visų metų geriausiųjų leidinių sąrašai! O kol kas: Simono Rattle'o diriguojama Mahlerio 9-oji su Bavarijos radijo simfoniniu orkestru, Thelonious Monkas pagal pianistą iš Graikijos, Thomas Adèsas Suomijoje, 50 metų neišleistas Donaldo Byrdo koncertas iš Montrė džiazo festivalio, Wagnerio „Parsifalio siuita“ pagal Londono filharmoninį orkestrą, džiazo milžinas Benny Carteris ir audiofilinis jo albumo perleidimas, o pačioje pabaigoje – Moczarto fortepijoninės sonatos pagal puikiąją Angelą Hewitt!

Jess Gillam and composer Daniel Elms swap the tracks they love. Daniel's choices include a string quartet by Thomas Adès, a song by My Bloody Valentine, and the crazy cabaret of HK Gruber; Jess brings lush orchestral scores by Prokofiev and Sibelius, and a souful song from Lorraine Ellison. Playlist: DANIEL ELMS: Consolations in travel [BBC Concert Orchestra/Robert Ames] THOMAS ADES: Arcadiana - VI: "O Albion" [Endellion String Quartet] PROKOFIEV: Romeo & Juliet: Act 3, XLVII: Juliet alone [Oslo Philharmonic/Vassily Petrenko] MY BLOODY VALENTINE: Sometimes DONNY McASLIN: Body blow HK GRUBER: Frankenstein!! - Rat song and Crusoe song [BBC Philharmonic/HK Gruber] SIBELIUS: The Bard [Gothenberg Symphony Orchestra/Neeme Jarvi] KITAMURA MASASHI & PHONOGENIX: 'Variation III' LORRAINE ELLISON: Stay with me, baby

Cellist and IMS Artistic Director Steven Isserlis explores the creative vision behind IMS Prussia Cove. With contributions from some of the many musicians who are associated with the creative spirit of the music seminars: Thomas Adès, Adrian Brendel, Dame Imogen Cooper, Robin Ireland, András Keller, Ulrika-Anima Mathé, Krysia Osostowicz, Charles Owen, and András Schiff and Yuuko Shiokawa. Artistic Director: Steven Isserlis  @StevenIsserlis Contributors in order of appearance: Charles Owen Ulrika-Anima Mathé Imogen Cooper Robin Ireland Krysia Osostowicz Adrian Brendel András Schiff Thomas Adès András Keller Yuuko Shiokawa Music in order of appearance: Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Schubert Piano Sonata in A, played by Charles Owen, 2013/4 at the Wigmore Hall. Rachmaninov's second Trio Élégiaque in D minor, Op. 9, played by Steven Isserlis, with Sini Simonen and Charles Owen, IMS Prussia Cove, St Hilary Church, 12th September 2020. György and Marta Kurtág playing ‘Dirge' from 'Games', by Kurtág, IMS, April 2004. Bach-Kurtág transcriptions played by György and Marta Kurtág, IMS, April 2004. Brahms Quintet Op. 34 Sandor Végh; Keiko Wataya; Garfield Jackson; Marcy Rosen; and András Schiff, recorded at an Open Chamber Music concert in St Ives, Cornwall, 22 September 1979. György and Marta Kurtág playing ‘Bells. Hommage a Stravinsky' from ‘Games' by Kurtág, IMS, April 2004. Bach Violin Partita No. 3 in E Major, Gigue played by Sándor Végh. Haydn String Quartet No. 26 in G Minor, Op. 20 No. 3, Minuet: Allegretto played by the Végh Quartet. Narrator: Samuel West @exitthelemming Series Producer: Melissa FitzGerald @Melissafitzg With thanks to Chris Doggett for the archive digitisation. Special thanks to Capriccio for the use of the recording of the Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Cover Artwork: Bananadesign Ltd Follow us on Instagram @ims_pc Twitter @ims_pc www.i-m-s.org.uk  

Thomas Adès ist nicht nur einer der erfolgreichsten und meistgespielten Komponisten unserer Zeit, sondern auch ein überaus energetischer Dirigent und virtuoser Pianist.  Als Composer in Residence bei Lucerne Festival konnte er seine Dreifach-Begabung ausspielen und passte nicht nur deshalb ausgezeichnet zum diesjährigen Motto «Diversity». Die Musik des britischen Komponisten ist äusserst «sophisticated» und von diversen Einflüssen geprägt. Seine Inspiration entzündet sich etwa, wenn er mit seinen mächtigen Pranken in die Tasten greift und Stücke der grossen Meister spielt. Mit seiner Übersicht über das Repertoire fühlt sich Thomas Adès manchmal beim Komponieren so, als ob er mehrere Radios um sich herum hätte, die ihm zusätzliche musikalische Ideen zuspielen. Neben seinen eigenen Klangideen baut er gerne auf älterer Musik auf, hinterfragt sie, denkt sie weiter oder amalgamiert sie in seine brillante und hintersinnige Tonsprache. So ist die in Luzern uraufgeführte «Air» für Violine und Orchester eine Umformung der Passacaglia: Den üblichen Ostinatobass erhebt er in elysische Geigenhöhen und macht ihn so zu einer sich verselbstständigenden Ostinatomelodie. Im Gespräch erzählt der 51-jährige Brite ausserdem, wie er während seiner Schulzeit gemobbt wurde - weil er Männer liebt. In der Musik aber fand er einen Ort der Freiheit und entdeckte in der Musikgeschichte Seelenverwandte wie Pjotr Iljitsch Tschaikowsky. Wie prägend diese Erfahrungen waren und wie viel Autobiografisches in Werken wie seiner tragikomischen Kammeroper «Powder Her Face» oder seinem Erfolgsstück «Asyla» steckt, verrät er ebenfalls in diesem sehr persönlichen Interview.

(00:00:23) Beim grössten Klassikfestival der Schweiz gab es eine gross angekündigte Uraufführung: Thomas Adès, diesjähriger «Composer in Resicence» beim Lucerne Festival, hat ein neues, elegisches Violinkonzert geschrieben, bei dem Anne-Sophie Mutter ihre Stärken voll ausspielen konnte. Weitere Themen:  (00:05:21) Lucerne Festival: Eine Gesamtaufführung von «Porgy and Bess» von George Gershwin begeistert mit exzellenter Besetzung. (00:11:25) Was ist ein Museum? Der Internationale Museumsrat ICOM hat nach langem Ringen eine neue Definition verabschiedet. (00:16:05) Seine Bücher wurden posthum zu Bestsellern: John Williams würde heute 100 Jahre alt.

Award-winning pianist talks her career as a classical performer specialized in contemporary repertoire and her many collaborations with John Williams, including her solos on Munich and The Adventures of Tintin, and the recent premiere of ‘Prelude and Scherzo' for Piano and Orchestra Hosted by Maurizio Caschetto Pianist Gloria Cheng belongs in the category of instrumentalists who are true favourites of John Williams to the point of being even an inspiration for the composer. One of the most acclaimed musicians of his generation and an advocate of the contemporary repertoire and new-music, Gloria Cheng performed as pianist for John Williams in many film scores since the mid-2000s and has been spotlighted as soloist on such scores as Munich (2005), The Adventures of Tintin (2011) and War Horse (2011). She also performed on other Williams' scores including The BFG, The Post, and the Star Wars sequel trilogy. In addition to the film work, Cheng also had the unique honour of performing Williams' rare piano compositions for the concert hall: the 4-movement Conversations for solo piano (written and dedicated to her between 2013 and 2014), and the Prelude and Scherzo for piano and orchestra, which premiered in Barcelona in 2021 with the Orquesta Sinfónica del Vallès under Marc Timón, and later for its American premiere with the Albany Symphony Orchestra conducted by David Alan Miller. Gloria Cheng is one of the world's leading interpreters of piano works by major composers and a true advocate for new music, establishing fruitful partnerships with such contemporary music icons as Gyorgy Ligeti, Pierre Boulez, Esa-Pekka Salonen, Terry Riley, Thomas Adès and Steven Stucky. Gloria Cheng also works frequently as pianist and keyboardist for film scores and has performed on soundtracks by by such composers as Randy Newman, James Horner, Michael Giacchino. In 2005, she began a fruitful association with John Williams that continues until this day. In this conversation, Gloria talks about her career as a classical performer and her path that led to perform as pianist for film scores; she recollectes her first experience playing for John Williams on Munich, the challenges of playing the solo on Tintin and her views on the Maestro's style when writing for piano, reflecting upon her experiences playing Conversations and the Prelude and Scherzo. For more information, visit https://thelegacyofjohnwilliams.com/2022/08/05/gloria-cheng-podcast/

Synopsis For their February 2013 cover story, the editors of BBC Music Magazine, came up with a list of the 50 most influential people in the history of music.  Bach was on it, as you might expect – but so was Shakespeare. Any music lover can see the logic in that, and cite pieces like Mendelssohn's music for “A Midsummer Night's Dream” or Tchaikovsky's Overture-Fantasy entitled “Romeo and Juliet,” or all the great operas based on Shakespeare's plays, ranging from Verdi's “Falstaff” to a recent setting of “The Tempest” by Thomas Adès. And speaking of “The Tempest,” in New York on today's date in 1981, Sharon Robinson premiered a new solo cello suite she commissioned from the American composer Ned Rorem,  a work titled “After Reading Shakespeare.” “Yes,” says Rorem,  “I was re-reading Shakespeare the month the piece was accomplished… Yet the experience did not so much inspire the music itself as provide a cohesive program upon which the music be might formalized, and thus intellectually grasped by the listener.” Rorem even confessed that some of the titles were added AFTER the fact, “as when parents christen their children.“   After all, as Shakespeare's Juliet might put it, “What's in a name?” Music Played in Today's Program Ned Rorem (b. 1923) — After Reading Shakespeare (Sharon Robinson, cello) Naxos 8.559316 On This Day Births 1835 - Austrian composer and conductor Eduard Strauss, in Vienna; He was the youngest son of Johann Strauss, Sr.; 1864 - Norwegian composer, conductor and violinist Johan Halvorsen, in Drammen; 1901 - American composer Colin McPhee, in Montréal, Canada; 1926 - American composer Ben Johnston, in Macon, Ga.; 1928 - American composer Nicolas Flagello, in New York City; Deaths 1842 - Italian composer Luigi Cherubini, age 81, in Paris; 1918 - French composer Lili Boulanger, age 24, in Mezy; 1942 - Austrian composer Alexander von Zemlinsky, age 70, in Larchmont, N.Y.; Premieres 1807 - Beethoven: Symphony No. 4 (first public performance), in Vienna, at a benefit concert conducted by the composer; 1885 - Franck: symphonic poem "Les Dijinns" (The Genies), in Paris; 1897 - Rachmaninoff: Symphony No. 1 (Gregorian date: Mar. 27); 1908 - Ravel: "Rapsodie espagnole" (Spanish Rhapsody), in Paris; 1911 - Scriabin: Symphony No. 5 ("Prometheus: Poem of Fire"), in Moscow, conducted by Serge Koussevitzky and with the composer performing the solo piano part (Julian date: Mar. 2); 1981 - Stockhausen: opera "Donnerstag, aus Licht" (Thursday, from Light), in Milan at the Teatro alla Scala; This is one of a projected cycle of seven operas, each named after a day of the week; 1994 - Peter Maxwell Davies: "Chat Moss" (the name of a quagmire in Lancashire) for orchestra, in Liverpool by the orchestra of St. Edward's College, John Moseley conducting; 2000 - Corigliano: "Mr. Tambourine Man: Seven Poems of Bob Dylan," at Carnegie Hall, by soprano Sylvia McNair and pianist Martin Katz; An orchestrated version of this song-cycle premiered in Minneapolis on October 23, 2003, with soprano Hila Plitmann and the Minnesota Orchestra conducted by Robert Spano; Others 1895 - Italian tenor Enrico Caruso, age 22, makes his operatic debut at the Teatro Nuovo in Naples, singing the lead tenor role in Domenico Morelli's comic opera "L'Amico Francesco." Links and Resources On Ned Rorem An essay on "Shakespeare and Music"

Saturday 6th February. Thomas Adès's Shanty and Steve Reich's Drumming, half a century apart.

Skoski gítarleikarinn Sean Shibe (frbr: Sjon Sjíbe) hefur vakið mikla athygli fyrir túlkun sína á lútu- og sembaltónlist eftir Jóhann Sebastían Bæjarfógeta. En hann er jafnvígur á rafgítarana og spilar einnig tónlist eftir David Lang, Steve Reich og marga fleiri. Dæmi um það hljóma í þættinum. Breski píanistinn, tónskáldið og hljómsveitarstjórinn Thomas Adés er einn afkastamesti tónlistarmaður dagsins í dag. Nýr konsert hans fyrir píanó og hljómsveit virðist ætla að verða vinsælasta verkið á alþjóðlegum hljómsveitarpöllum klassískrar tónlistar næstu misserin. Í þættinum hljómar kafli úr þessum konserti auk fleiri tóndæma um list Tómasar Adés.

故事FM ❜ 第 277 期如果你是故事FM 的老听众，你一定知道我们制作的「铁窗泪」系列故事。在这个系列里，我们收集到了不少在世界各地「坐牢」的故事。今天的这期节目有些特别，故事的主人公 River 是在中国坐的牢，准确的说，是蹲了看守所。River 因为她的老公，涉及了当时一个比较大的经济案，以窝藏罪的案由被抓进了看守所。在案件走法律程序的过程中，River 在看守所待了大概两年时间。从适应看守所里的食宿环境，到每日「坐板儿」，叠卫生纸应对生理期，再到遇见形形色色的「女号儿」。两年时间在经历一个个「新号儿」的故事中慢慢拉长，当 River 快要忘记真正的蓝天是什么样子的时候，她的案件终于进入到了最后的庭审阶段，等来了「犯罪情节轻微，不予处罚」的判决。二十年后，River 的记忆已经有些模糊了。本以为一辈子不会忘记的细节，后来又被生命中经历的其他痛苦所覆盖。但那本在看守所里写下的摘抄本，River 一直留在身边。在最绝望的时候，River 曾经这样写道：「回想曾经的日子，太阳照常升起，树木依然葱绿，人们也像往常一样面无表情地走过，万物在我们身边的变换是那么司空见惯，我们开始变得有一些麻木」/Staff/讲述者 | River主播 | @寇爱哲制作人 | 也卜声音设计 | 孙泽雨文字 | 也卜、翌辰运营 | 翌辰/BGM List/01.Thomas Adès – Darknesse visible02.LA2- moby03.Angelo Badalamenti – Packard's Vibration04.Goldmund – Procreant05.György Ligeti – Éudes Pour Piano06.Thomas Adès – Darknesse visible

故事FM ❜ 第 235 期不知道你有没有在网上看到过类似这样的小广告：「我公司是一家私人侦探公司，专门为您提供：外遇咨询、婚姻挽救、商务调查、寻人找人等服务。本着诚实守信的原则，我们为您提供最真实的调查真相，欢迎您的来电！ 」今天的讲述者告诉我们，这样的小广告，几年前，他在网上发过几千条。 /讲述者/ 王凯旋 /主播/ @寇爱哲/制作人/ @梁珂/声音设计/ @孙泽雨 /BGM List/01.ButGuai – Gustavo Santaolalla02.Story FM Main Theme – 彭寒03.Darknesse visible – Thomas Adès04.Hasta La Otra México! – túrána hott kurdís05.LA1- Moby06.Biutiful – Gustavo Santaollala

Best known for her performances in the 1978 film Grease and in the 1990s TV series The West Wing, the Emmy and Tony-winning actor Stockard Channing talks about her new role in Alexi Kate Campbell's Apologia at the Trafalgar Studios in London. Channing plays a famous art historian who has written a memoir which does not mention her two sons. The action takes place at a birthday party to which the sons - and their girlfriends - are invited. An installation in an old Roman fort near Hexham recreates the sound of 500 cavalry horses, and the Royal British Legion are commemorating the centenary of the Battle Of Passchendaele with immersive online videos. The poet and historian Katrina Porteous reviews both 360-degree representations of war.Matisse in the Studio is a new exhibition at the Royal Academy which focuses on the artist's personal collection of treasured objects, and how they were both subject matter and inspiration for his paintings, sculptures, drawings, prints and cut-outs. Ann Dumas, the exhibition's curator, explains the relevance and importance of the 35 objects that are on display alongside 65 of Matisse's works.For Front Row's Queer Icons series, composer Thomas Adès explores the character of Countess Geschwitz in Alban Berg's opera Lulu, the first explicitly gay character in opera.Presenter: Samira Ahmed Producer: Rachel Simpson.