Podcast appearances and mentions of sonya clark

In this episode of Platemark, I talk with Judith Solodkin, a renowned master printer and founder of SOLO Impression. Judith shares her extensive experience, from being the first woman to graduate from the Tamarind Master Printer program to her unique work in digital embroidery. She reflects on her collaborations with notable artists like Louise Bourgeois and Sonya Clark, and her teaching role at various art institutions. We talk bout Judith's passion for wearable art, specifically her creation of one-of-a-kind hats. Additionally, we discuss the technical and collaborative aspects of printmaking and embroidery, as well as the importance of documenting and preserving artistic processes and works. Cover image: Grace Graupe-Pillard USEFUL LINKS https://www.millinersguild.org/ https://www.soloimpression.com/ @judithsolodkin Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Check out Platemark on Instagram Join our Platemark group on Facebook June Wayne. Near Miss, 1996. Lithograph. 26 x 32 ½ in. Printed and published by SOLO Impression, Bronx. Joyce Kozloff. Now, Voyager I, 2007. Color lithograph with glitter. 31 ½ x 31 ½ in. Printed and published by SOLO Impression, Bronx. James Rosenquist (American, 1933–2017). Paper Clip, 1974. Ten-color lithograph. 36 ½ x 69 in. (92.7 x 175.3 cm.). Published and printed by Petersburg Press. Nancy Spero (American, 1926–2009). Torture in Chile, from the A. I. R. Print Portfolio, 1975. Lithograph. Sheet and image: 22 1⁄4 x 30 in. (56.5 x 76.2 cm.). Smithsonian American Art Museum, Washington, D.C. Dotty Attie. The Forbidden Room, 1998. Lithograph. Sheet: 18 x 24 in. Printed and published by SOLO Impression, Bronx. Howardena Pindell. Peters Squares Waterfall Johnson Vermont, 1986. Color woodcut with collage on various Asian papers. 26 1/2 x 36 in. Printed and published by SOLO Impression, Bronx. Lois Dodd. Mirror, 1975. Stone lithograph. 15 x 18 in. Printed and published by SOLO Impression, Bronx. Alice Neel. Portrait of Judith Solodkin, 1978. Lithograph. 30 x 22 in. Printed and published by SOLO Impression, Bronx. Philip Pearlstein (American, 1924–2022). Iron Bed and Plastic Chair, 1999. Oil on canvas. 59 ½ x 39 1/2 in. Judith Solodkin hats at Winterthur Museum, Garden & Library, Winterthur, DE. Judith Solodkin in one of her own creations. Louise Bourgeois (American, born France, 1911–2010). The Song of the Blacks and the Blues, 1996. Lithograph and woodcut with hand additions. Sheet: 21 ¾ x 96 in (55.3 x 243.8 cm.). Printed and published by SOLO Impression. Museum of Modern Art, NY. Louise Bourgeois (American, born France, 1911–2010). Ode à l'Oubli, 2004. Fabric illustrated book with 35 compositions: 30 fabric collages and 5 lithographs (including cover). Overall: 10 5/8 x 13 3/8 x 3 3/16 in. (27 x 34 x 8.2 cm.). Printed by SOLO Impression, published by Peter Blum Edition. Museum of Modern Art, NY. Elaine Reichek (American, born 1943). Collections for Collectors: 2006 Spring, 2006. Portfolio of 17 digital embroideries on linen. Each: 15 ½ x 12 ½ in. (39.4 x 31.8 cm.). Printed and published by SOLO Impression. Ghada Amer and Reza Farkondeh. The Perfumed Garden, 2006. Lithograph with digitized sewing. 20 ½ x 24 in. Printed and published by SOLO Impression, Bronx. Allan McCollum. The Shapes Project: Threaded Shapes Coll No.21–2883, 2005/2009–10. 144 framed ovals with digitized embroidered shapes on cotton fabric (each shape is unique). Each frame: 11 1/4 x 9 1/4 in. Fabricated by Judith Solodkin, Theodore Yemc, and Rodney Doyle; published by SOLO Impression, Bronx. Kent Henricksen (American, born 1974). White Ghost, Black Ghost, 2012. Two digital embroideries. Each: 8 ½ x 5 in. (21.6 x 12.7 cm.). Printed and published by SOLO Impression. Sonya Clark. The Huest Eye, 2023–24. Embroidered thread on Rives BFK paper. 36 x 24 in. Printed by SOLO Impression, Bronx; published by Goya Contemporary/Goya-Girl Press, Baltimore. Liliana Porter. Red Girl, 2006. Digital embroidery and thread on paper. 22 x 17 ½  in. Printed and published by SOLO Impression, Bronx. Howard Hodgkin (British, 1932–2017). Moonlight, 1980. Lithograph on two sheets. 44 x 55 ¼ in. (111.8 x 140.3 cm). Printed by SOLO Impression, published by Bernard Jacobson Ltd. National Gallery of Australia, Canberra. Michael Mazur. Wakeby Night, 1986. Lithograph with chine collé, woodcut, and monoprint. 66 x 30 in. Printed and published by SOLO Impression, Bronx. Françoise Gilot (French, 1921–2023). Music in Senegal, 2017. Color lithograph. 18 x 24 in. Printed and published by SOLO Impression. Robert Kushner (American, born 1949). Nocturne, 1988. Color lithograph. 25 x 37 in. Printed and published by SOLO Impression. Joe Zucker (American, born 1941–2024). The Awful Heat Wastes Man and Beast No. 4, 1985. Lithograph, silver foil, and varnish. 36 x 48 in. Printed and published by SOLO Impression. Christian Marclay. Untitled, 1991. Unique surface print. 39 x 39 in. Printed and published by SOLO Impression, Bronx. John Hejduk. The Flight, from the series Zenobia, 1990. Lithograph. 25 x 17 in. Printed and published by SOLO Impression, Bronx. John Torreano. Emerald, from the series Oxygems, 1989. Color woodcut with embossing. 30 x 36 in. Printed and published by SOLO Impression, Bronx. Judy Chicago (American, born 1939). What if Women Ruled The World?, 2022. Inket print on fabric with digital embroidery. 33 1/2 × 24 in. (85.1 × 61 cm.). Printed and published by SOLO Impression. Betye Saar. Blow Top Blues, The Fire Next Time, 1998. Color lithograph, hand coloring, photo electric collage. 27 x 22½ in. Printed and published by SOLO Impression, Bronx. Beryl Korot. Weaver's Notation – Variation 1,2013. Embroidery and inkjet print. 21 ¼ x 21 ¼ in. Printed and published by SOLO Impression, Bronx. Artist Ivan Forde in his photo-sensitive paper jacket and Powerhouse Arts Printshop director Luther Davis at IFPDA Print Fair, October 2023. Louise Bourgeois (American, born France, 1911–2010). Henriette, 1998. Lithograph and digital print. Sheet: 45½ x 31½ in. Printed and published by SOLO Impression. Museum of Modern Art, NY.    

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In this episode of In the Course of Human Events, historians from Monticello's Getting Word African American Oral History Project share the recent rediscovery of Robert Hemmings's signature, a revelation confirming the literacy and the agency of the man that Thomas Jefferson enslaved as his valet. As a teenage boy, Hemmings was at Jefferson's side in Philadelphia when he wrote the Declaration of Independence, and later gained his own freedom, becoming the first of very few to be freed by Jefferson. Listen as Andrew Davenport, Auriana Woods, and Bernatiae Reed discuss this discovery and describe the life of Robert Hemmings whose story inspired “Descendants of Monticello,” a new exhibition that recently opened at Independence National Historical Park's Declaration House in Philadelphia, PA. By moving Hemmings to the center of this moment in history, this project explores the entangled legacies of freedom and enslavement at the core of our nation's founding. Since 1993, the Getting Word African American Oral History Project has collected and preserved the oral histories of Monticello's enslaved community and their descendants, creating an archive of freedom and a fuller story of Monticello and the United States. Getting Word and other staff from the Thomas Jefferson Foundation worked with Monument Lab, the National Park Service, and other organizations to present “Descendants of Monticello,” which was conceived and developed by artist Sonya Clark.

In this episode, we sit down with the one and only Sonya Clark! Sonya is an Art Professor at Amherst College in Massachusetts. Together, we'll discuss how she got passionate about art, her role as Professor of Art at Amherst College, her creative advice to WayMaker listeners, and so much more.

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Monica Obniski, the High Museum's decorative arts and design curator, discusses the exhibition “Sonya Clark: We are Each Other.” Plus, we hear about NPR's College Student Podcast Challenge, and choreographer Patsy Collins takes the spotlight in our series, “Speaking of Dance.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sonya Clark is a Winifred L. Arms Professor of Art and Humanities at Amherst College in Massachusetts. Her work has been exhibited in over 450 museums and galleries across the globe and she is the recipient of multiple awards and residencies. And you may have seen her work featured in the New York Times, Sculpture, Art in America, Time Magazine, Los Angeles Times and many many others. In this hour long conversation we discuss: Navigating the complexity of humanity in the art world and its relation to marginalized communities.   Embracing different styles and methods in learning and teaching art. And so much more! Sonya's site: sonyaclark.com Sonya's IG: sysclark Noah on Patreon: patreon.com/noahscalin Music by Jantrax

Sonya Clark is a multidisciplinary textile artist, Professor at Amherst College and ACC Fellow. Hosted by ACC Honorary Fellow Stuart Kestenbaum, this interview is one in a series developed by Kestenbaum and  craftschools.us. You can find Sonya's work at https://sonyaclark.com/ and learn more about the artist at https://www.craftcouncil.org/magazine/article/connector.

This episode is also available as a blog post: https://thecitylife.org/2022/05/10/smithsonian-american-art-museum-acquires-more-than-200-artworks-for-its-craft-collection-including-major-works-by-bisa-butler-sonya-clark-roberto-lugo-preston-singletary-and-wanxin-zhang/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

As statues of Generals Robert E. Lee and Stonewall Jackson were taken down in Charlottesville, Virginia this weekend, special correspondent Jared Bowen of GBH Boston explored an exhibit by Sonya Clark in Lincoln, Massachusetts at the deCordova Sculpture Park and Museum, which features a look at the making of, and meaning behind, the Confederate flag. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

As statues of Generals Robert E. Lee and Stonewall Jackson were taken down in Charlottesville, Virginia this weekend, special correspondent Jared Bowen of GBH Boston explored an exhibit by Sonya Clark in Lincoln, Massachusetts at the deCordova Sculpture Park and Museum, which features a look at the making of, and meaning behind, the Confederate flag. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Today on Boston Public Radio: We begin the show by talking with listeners about Facebook’s decision to uphold their ban of former President Donald Trump. Jonathan Gruber weighs in on President Joe Biden’s infrastructure plan, explaining how it could impact the caregiving and nursing home industry. Gruber is the Ford Professor of Economics at MIT. He was instrumental in creating both the Massachusetts health-care reform and the Affordable Care Act, and his latest book is "Jump-Starting America How Breakthrough Science Can Revive Economic Growth and the American Dream." Juliette Kayyem discusses Facebook’s decision to uphold its ban on former President Trump, arguing for increased legislative oversight towards the company. She also talks about the core stage of a Chinese rocket falling to earth, and where it could land upon reentry. Kayyem is an analyst for CNN, former assistant secretary at the Department of Homeland Security and faculty chair of the homeland security program at Harvard University’s Kennedy School of Government. Art Caplan shares his thoughts on sending COVID-19 vaccines abroad, and the FDA’s proposed ban on menthol cigarettes. Caplan is the Drs. William F and Virginia Connolly Mitty Chair, and director of the Division of Medical Ethics at the NYU School of Medicine. Corby Kummer talks about Impossible Foods’ recent national ad campaign, and shares his thoughts on plant-based meat alternatives. He also touches on restaurants’ updated COVID-19 rules. Kummer is the executive director of the Food and Society policy program at the Aspen Institute, a senior editor at The Atlantic and a senior lecturer at the Tufts Friedman School of Nutrition Science and Policy. Jared Bowen updates us on the latest arts and culture events, from costume designer Ruth Carter’s exhibit at the New Bedford Art Museum to Sonya Clark’s “Monumental Cloth” exhibit at the deCordova Sculpture Park and Museum. He also remembers the life and legacy of Olympia Dukakis. Bowen is GBH’s executive arts editor and the host of Open Studio. We wrap up the show by asking listeners what pandemic restrictions they would like to keep post-pandemic.

What speaks more to culture and personal identity than hair? How is a flag that was made for division and strife persevere to be made into art? Today, your favorite hosts dive deep into the illustrious story of Sonya Clark and investigate cultural identity. Join us as we continue to unravel the Black American narrative, one confederate flag at a time; contemplate the many thousands of combs that make up some Sonya Clark installations; beg your hosts to stop with the musical segways; and, delight in how cool it would be to have Sonya Clark as a professor. Things have changed, but we're changing with it. Donate. Sign petitions. Support Black-owned businesses. Challenge racism. Educate yourselves. Listen. Speak. Repatriate. Stay Safe. Don't Touch Your Face. Wash Your Hands. Donate! Donate to Black Lives Matter LA, the Action Bail Fund, Black Visions Collective. Please be sure you've signed petitions. If you like what we do, you can support BYWAP over on our Patreon! Find us online! You can follow BYWAP on Twitter and Instagram. You can also find us over on our website! We want to hear from you, to share this time with you. We're in this together, and we're better together. Please leave us a review wherever you listen to podcasts. Every little bit helps as we grow, and we cannot wait to talk to you all again. This is global. Your voice matters. Systemic change is possible. It will not happen overnight—so keep fighting! We stand with you. Our music was written and recorded by Elene Kadagidze. Our cover art was designed by Lindsey Anton-Wood.

This month, the Lives That Speak podcast spoke to artist Sonya Clark ’85. We discuss the power of Sonya’s art, how curators put objects in conversation with one another, and one of Clark’s favorite media: textiles.

Your child’s educational experience is one of the most important decisions you can make. Learn more about starting with an online learning approach with a Stride/K12-powered school from four experienced kindergarten teachers. Learn about the customized education, mastery-based coursework, and state-certified teachers that ensure you and your student will have a great experience! Joining us on this episode is Shaunda James, Kindergarten Teacher from Tennessee Virtual Academy; Melanie Jenkins, Kindergarten Teacher from Tennessee Virtual Academy; and Sonya Clark, Kindergarten Teacher from Ohio Virtual Academy Learn more at www.k12.com

The New Dr Great Art Podcast, Episode 70. The Grammar of Visual Metaphors Part 3 of 3. The third of three parts of a breakdown of the fourth chapter from my in-the-works philosophy book for Bloomsbury Press titled 'Visual Metaphor in Contemporary Art and Analytic Philosophy.' Conceptual Blending, Foundational Metaphors and Allusciviousness in visual metaphors. Sonya Clark, William Conger, and more.

Khari Turner is an emerging artist currently in Columbia's 2021 MFA program. His work is a celebration of Blackness. While earlier undergraduate works focused on social justice and prison reform, Turner's current paintings are a celebration of Black life and focus on the deeply rooted relationship African-Americans hold to water or a lack thereof while exploring the nuances of love, identity, gender dynamics, and masculinity. Khari Turner @khari.raheem Sonya Clark - www.sonyaclark.com John Gray, Ghetto Gastro - www.ghettogastro.com Band of Vices - www.bandofvices.com Iris Project Residency - www.irisproject.com Original Music @lionkojo | www.soundcloud.com/lionkojo Light Work www.lightworkco.com | @lightworkcompany What We're Listening To: Burna Boy, African Giant

'On the Ground' for June 21, 2019 At a Congressional hearing this week, witnesses offered expert testimony about the need for reparations for the descendants of enslaved Africans living in the United States. And on this month's episode of the F-Word on fascism, an activist says that Americans need to wake up and confront the reality of what this country is becoming.  Plus headlines:--The New York Times reported that Donald Trump approved a missile strike on Iran on Thursday but abruptly halted the operation. --In national news, there were Congressional hearings on reparations and on the national budget.--Jacqueline Luqman joins me to talk about Trump officially kicking off his 2020 re-election campaign and other election news.--Young activists work to prevent police in Prince Georges County, MD from collaborating with officers of the Immigration and Customs Enforcement (ICE).--In DC, the formation of the Save Our Votes Political Action Committee was announced on the anniversary of the day that DC voters approved a measure to increase the pay of restaurant workers.--Chantal James reported from a hearing about tax credits for building affordable housing.--In Culture and media, the Stop Police terror Project DC is holding a liberation fundraiser, June 21, 6-9 pm at the Smith Smith Public Trust in Northeast DC. --The 40th Anniversary of the Great Labor Arts Exchange is happening through June 23rd at the Tommy Douglas Conference Center in Silver Spring, Maryland.-- And visual artist Sonya Clark will give an artist talk on her "Beaded Prayers Project, Wednesday, June 26, 6 PM, at the George Washington University Museum and The Textile Museum.  If you enjoy our grassroots news show, which we provide free online, on podcast and on Pacifica stations and affiliates, please click here or click on the Support-Donate tab on this website to subscribe for as little as $3 a month. We are so grateful for this small but growing amount of monthly crowdsource funding on Patreon. You can also give a one-time donation on PayPal. The show is made possible only by our volunteer energy, our resolve to keep the people's voices on the air, and by support from our listeners. In this new era of fake corporate news, we have to be and support our own media! Thank you!

The Confederate Truce Flag is a little known piece of Americana. It was flown as a white flag of surrender and delivered to the Appomattox Court House, Virginia in April 1865. A piece of it is owned by Smithsonian. It is not as iconic as the Confederate Battle Flag. Artist Sonya Clark wants to change that through her new exhibition Monumental Cloth, The Flag We Should Know at Philadelphia’s Fabric Workshop and Museum.

A new exhibit at the Goya Contemporary Gallery here in Baltimore is inspired by the civil rights activist and entrepreneur Madam CJ Walker, who created a company that manufactured and sold hair-care products for black women – and in the process, became a millionaire a century ago.The exhibition, called Hair/Goods: An Homage to Madam CJ Walker, is a collection of work by the internationally acclaimed fiber artist Sonya Clark, who is a Professor of Art at Amherst College. A’Lelia Bundles is the biographer and great-great-granddaughter of Madam Walker.Amy Raehse is Executive Director and Partner at Goya Contemporary Gallery and the curator of the exhibit.

This podcast is hosted by Dr Shivi Rayar and is a continuation of the previous podcast where she interviews Rachel Meade and Sonya Clark from Injury Matters on additional tips to reduce the risk of falls. This podcast focuses on safety tips regarding medications and alcohol intake. The podcast also gives practical tips on how to improve nutrition and have a healthy mind. Note: This information is general and may not apply to you or another person. If you have any concerns about your health or the health and wellbeing of a child, consult a doctor or other healthcare professional. You should never delay seeking medical advice, disregard medical advice or discontinue medical treatment because of information on this website/podcast/blog. In order to comply with the regulations of the medical board of Australia, please do not leave any comments or testimonials encouraging the use of these medical services.

Falls Prevention Part 1 : This podcast is hosted by Dr Shivi Rayar where she interviews Rachel Meade and Sonya Clark from Injury Matters on reducing hazards indoors and outdoors as well as how a home can be assessed to make it safer. In addition this podcast covers important aspects to consider regarding improving/maintaining balance and strength in terms of falls risk reduction. Resources: 1. https://injurymatters.org.au 2. Falls Risk Checklist:https://www.stayonyourfeet.com.au/home/falls-risk-checklist/ 3. Home Safety Checklist: https://www.stayonyourfeet.com.au/homesafetychecklist/ Remove hazards: https://www.stayonyourfeet.com.au/home/remove-hazards/ Note: This information is general and may not apply to you or another person. If you have any concerns about your health or the health and wellbeing of a child, consult a doctor or other healthcare professional. you should never delay seeking medical advice, disregard medical advice or discontinue medical treatment because of information on this website or podcast. In order to comply with the regulations of the medical board of Australia, please do not leave any comments or testimonials encouraging the use of these medical services.    

http://nasher.duke.edu/southern/ What does it mean to be southern? In this episode of Nasher Museum: Open Studio, you’re listening to Southern Accent artist Sonya Clark, one of 60 artists in the exhibition Southern Accent: Seeking the American South in Contemporary Art. Sonya Clark, who lives and works in Richmond, Virginia, talks about how she thinks about the American South.

Make/Time— conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Stuart Kestenbaum talks with artist Sonya Clark about family, roots, textiles, and the joys of making art in a community.

In this episode of In the Course of Human Events, historians from Monticello's Getting Word African American Oral History Project share the recent rediscovery of Robert Hemmings's signature, a revelation confirming the literacy and the agency of the man that Thomas Jefferson enslaved as his valet. As a teenage boy, Hemmings was at Jefferson's side in Philadelphia when he wrote the Declaration of Independence, and later gained his own freedom, becoming the first of very few to be freed by Jefferson. Listen as Andrew Davenport, Auriana Woods, and Bernetiae Reed discuss this discovery and describe the life of Robert Hemmings whose story inspired “Descendants of Monticello,” a new exhibition that recently opened at Independence National Historical Park's Declaration House in Philadelphia, PA. By moving Hemmings to the center of this moment in history, this project explores the entangled legacies of freedom and enslavement at the core of our nation's founding. Since 1993, the Getting Word African American Oral History Project has collected and preserved the oral histories of Monticello's enslaved community and their descendants, creating an archive of freedom and a fuller story of Monticello and the United States. Getting Word and other staff from the Thomas Jefferson Foundation worked with Monument Lab, the National Park Service, and other organizations to present “Descendants of Monticello,” which was conceived and developed by artist Sonya Clark.