Podcasts about Textile museum

  EPISODE 25 - ORNAMENT Ornament has always had an important meta function within the human psyche. It has been "outlawed" for the past 100 years.   RESOURCE LINKS https://www.gadarchitecture.com/en/ornament-in-architecture https://www.artforum.com/features/louis-sullivans-ornament-209337/ https://journals.sagepub.com/doi/abs/10.1177/1354067x13515937?journalCode=capa https://medium.com/the-thinking-of-design/ornament-as-an-abstraction-of-society-853bb29cdf08 https://www.youtube.com/watch?v=5PmydPmwrKA https://dreamswork.co.uk/portfolio/how-ornament-is-functional/ https://designmanifestos.org/adolf-loos-ornament-and-crime/   AK links: Four D Design - Organic Architecture, Geometry of Nature www.fourddesign.com Star Tile - Multidimensional Ceramics www.star-tile.com Star Tile Studio - Joshua Tree, CA https://g.co/kgs/DUMmCLh   Contact: ak@fourddesign.com     WHY DO WE USE ORNAMENT? - SIGNIFIER Social signaling - and this changes over time!  Example tattoos - British nobility 1900-1920 Historically it was the demarcation of class and status - governments had rules about what colors and types of clothing could be worn, so that people could never be socially mobile- Ornament on clothing has always been important for the military and in battle, people wore family crests / telling others who they were The same went for houses - all ornament had meaning that could be learned (this is western) Heraldry   WHY DO WE USE ORNAMENT? - SOCIAL & PSYCHOLOGICAL Belonging is so important that people will go into debt to buy clothing that lets them fit into a social group, or a car, or jewelry etc - people are wildly craving belonging, and ornament is a way to show your tribe.   OTHER REASONS: Repetition causes peace - relaxation of the nervous system By creating the ornament, the maker can embody the energy of the thing that might be feared  Establish historic continuity - memory, legacy. Spiritual Side of Ornament - Adornment, Defense, Totems, Enhancing Consciousness. META FUNCTION, embodied practice Adorning parts of us that are vulnerable - defensive and actively stating who we are / calling in our guides.   HISTORY OF ORNAMENT Industrial Revolution - 1851 - now possible to make cheap ornament / mass production Attempt at standardizing the language - Owen Jones “Grammar of Ornament” - huge interest in revival of styles / what we would now call Cultural Appropriation.. started with Archaeology around 1750, people discovering ruins, Marie Antoinette wearing toile / chinoiserie In victorian era, people started ascribing a moral judgment to the ornament - Augustis Pugin:  ornament should be flat if the floor is flat, not 3d etc.. can't be inappropriate.  He was a CATHOLIC in England - super religious, championed gothic revival because it was faith-based John Ruskin  - wrote on architecture but also on geology, botany, ornithology etc - polymath Said that the moral condition of a society could be determined by the ornament - ornament was being incorrectly applied- Shows what is leading up to the birth of modernism, nothing happens in a vacuum.   What Happened - Loos, Modernism and the 1920s As both Sullivan and Lévi-Strauss indicate, ornament (as well as other factors) becomes a language of social structures, social experience and even social contradictions. It signifies the status and position of the building, which is itself a representation of the importance of its “owners” and users. Here the manipulation of the image, or in architecture the adding of ornamental beauty to a structure, may increase its relative desirability and value. For buildings are models of ourselves and our society, communicating through form and organizational system the character of that society.   BUILDINGS REFLECT THE VALUES AND VALUE OF THE OWNER.   MODERNISM - WHAT HAPPENED? Adolf Loos Ornament and Crime The evolution of culture marches with the elimination of ornament from useful objects", Loos proclaimed, thus linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying evolution to cultural contexts.[2]  "The child is amoral. To us the Papuan is also amoral. The Papuan slaughters his enemies and devours them. He is no criminal. If, however, the modern man slaughters and devours somebody, he is a criminal or a degenerate. The Papuan tattoos his skin, his boat, his oar, in short, everything that is within his reach. He is no criminal. The modern man who tattoos himself is a criminal or a degenerate. There are prisons where eighty percent of the inmates bear tattoos. Those who are tattooed but are not imprisoned are latent criminals or degenerate aristocrats. if a tattooed person dies at liberty, it is only that he died a few years before he committed a murder."   Where do we go from here - how do we start?   (HUMANS ALWAYS START OVER WITH FORMS FROM NATURE) Architectural adornment or ornament, like cooking—that most basic transformation of nature—is a way of being in and representing the world simultaneously, a world that in Sullivan's words “procreates man's own personality, that fits him, that he might feel at home with himself,” a world of natural objects transformed by the hand of man. This is why Sullivan defined the architect's task in a manner that reveals his belief in man's transforming power: the architect as the agent who brings nature into community.   James Trilling - The Language of Ornament Harvard-trained art historian, former Textile Museum associate curator, and independent scholar James Trilling expands here on many of the highly original themes that appeared in his The Language of Ornament (2001). He offers intriguing new views of the modernist movement in art and architecture, its puritanical hostility to ornament, and its manifold relationships to the history of technology, science, and industry in the phenomenon known as modernization. Trilling is a passionate advocate of ornament, and he makes a fervent plea for its revival, largely on the grounds that it gives pleasure and "makes people happy" (p. 227). Ranging widely across cultures, time periods, disciplines, and topics, Ornament: A Modern Perspective is a densely layered book of formidable learning, imagination, and complexity. The argument is deceptively simple and difficult to summarize; as Trilling writes of Comte (p. 177), "it is rarely possible to give the bare bones of a utopian vision without making it sound naive." Ornament for Trilling is a specific, intricate concept. He spends part 1 of his two-part book explicating this concept, by which he means the use of motifs and patterns by skilled artists/craftsmen, "the art we add to art" (p. xiii), in the creation of one-of-a-kind objects laden with cultural meaning and symbol, esteemed as art by collectors, connoisseurs, and knowledgeable art historians. In part 2 Trilling traces the links between modernism and the rejection of ornament. Though the focus is on the period since the pivotal Crystal Palace exhibition of 1851, his book includes an impressive intellectual history [End Page 418] of the many ways in which ornament was repudiated as idolatry and artifice in numerous societies long before modernism. But after the triumph of mechanization and the ascendancy of efficiency, materialism, and positivism, the leading theorists of modernism thoroughly devalued and assaulted ornament. The most famous instance was Viennese architect and critic Adolf Loos's 1908 essay that seemingly equated ornament with crime. Modernism's visionaries instead exalted functionalism and simplicity in architecture and design. They saw ornament as wasteful, inefficient, and, after the Industrial Revolution, as the product of dehumanized, debased workers far removed from the ideal of the skilled artisan/craftsman of the prefactory era. Modernism's subsequent long reign among intellectual and cultural elites (despite the thin, pale revolt of the postmodern movement), Trilling argues, has now all but blinded us to ornament, erased it from our collective memory and from art. Early modernist theorists sought to jettison the wealth of inherited patterns and motifs rather than welcoming their incorporation and reworking, as traditional crafts had done. (Ironically, one of Trilling's most original arguments is that modernism in fact had its own ornamental style, employing materials that had pattern and texture and creating art rooted in indeterminacy, "labile, ambiguous, unpredictable" [p. 217].) Trilling's mission is to restore understanding and appreciation of the rich, lost world of artisanal ornament. His book addresses artists, architects, designers, their clients and collectors, art historians—tastemakers and all who care about taste.                

Tate Modern this week opened a vast exhibition exploring the life and work of the maverick Australian-born performance artist, fashion designer and self-styled “club monster”, Leigh Bowery, as well as the variety of cultural figures in his orbit in London. It coincides with other related London shows: one analysing the fashion work of Bowery and his collaborators and peers at the Fashion and Textile Museum, and another at the National Portrait Gallery about the style and culture magazine The Face, which emerged around the same time as Bowery set foot in the UK capital in the early 1980s. Ben Luke reviews the shows with Louisa Buck, The Art Newspaper's contemporary art correspondent. Three years on from Russia's invasion of Ukraine, and amid fraught international diplomacy following the US's abrupt shift in approach to the war under President Trump, we speak to Sophia Kishkovsky, our international correspondent who has widely reported on Russia and Ukraine, about how Ukraine's art world is responding to this new era. And this episode's Work of the Week is actually a pair of works made more than 400 years apart called The Women's Bath. The first is a woodcut based on a drawing by Albrecht Dürer from around 1500; the second a painting responding to it, made by the German artist Max Beckmann in 1919. They feature in an exhibition opening this week at the National Museum in Oslo, Gothic Modern: From Darkness to Light. Cynthia Osiecki, a curator at the museum, tells us more.Leigh Bowery!, Tate Modern, until 31 August; Outlaws: Fashion Renegades of 80s London, Fashion and Textile Museum, London, until 9 March; The Face Magazine: Culture Shift, National Portrait Gallery, London, until 18 May.Gothic Modern: From Darkness to Light, National Museum, Oslo, 28 February-15 June.Subscription offer: enjoy 3 issues of The Art Newspaper for just £3/$3/€3—subscribe before 21 March to start your subscription with the April bumper issue including our Visitor Figures 2024 report and an EXPO Chicago special. Subscribe here. https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

A bit of a Christmas treat this… Zandra Rhodes is one of the most recognisable and influential figures in fashion, as well as the founder of the Fashion and Textile Museum in London. Describing herself as both ‘chaotic' and ‘fastidious', she possesses a unique sense of colour and pattern. Over the years, she has dressed some of the world's most famous people from Freddie Mercury, Elizabeth Taylor, Debbie Harry and Diana Ross to royals including Princess Anne, Princess Margaret and Princess Diana. She has also appeared on TV shows such as Absolutely Fabulous and Masterchef. Zandra was made a Dame in 2015, while this year, she published an intimate biography, entitled Iconic: My Life in Fashion in 50 Objects, which shines a light on an utterly extraordinary career. In this Yuletide episode, we talk about: Zandra's ‘more is more' home and studio at Christmas; the importance of working with your hands; festive fun with cult actor Divine; her collecting habit; becoming interested in textile design at art college; her love of drawing; nearly meeting Andy Warhol; why pink is a ‘complicated' colour; how print leads the garment in her work; breaking America; Lauren Bacall stepping on a pin in her studio;  working with the royal family and dressing Freddie Mercury; the influence of friendship and travel on her practice; dealing with cancer; and founding London's Fashion and Textile Museum.Support the show

In this week's episode of Style DNA I chat with the original Princess of Punk, the truly extraordinary, iconic and zany, Dame Zandra Rhodes DBE. Known for her fabulously bold prints, she launched her eponymous fashion brand 56 years ago. Rhodes is renowned for perfecting the art-of-print as an intrinsic influence on garment shape. With dramatic designs and her own distinctive look, she paved the way for fashion as theatre and entertainment.   We chat about dressing international stars including Freddie Mercury, Diana Ross, Barbara Streisand and Jackie Kennedy, as well as British Royalty, most notably, Princess Diana and Princess Anne… and I cheekily ask her if, given the opportunity, what she would design for the current Princess of Wales…   She talks about how her big career break was in the 70s, meeting two Ukrainian models who persuaded her to take her collection out to America where they were sure they could find her a backer… she arrived in New York with a letter of introduction to Diana Vreeland who fell in love with her designs and instantly commissioned a huge shoot for Vogue starring Natalie Wood…and the rest, as they say, is history.    Rhodes grew up in Kent and was surrounded by fashion from an early age as her mother was a pattern cutter for The House of Worth. She would quietly watch the bridal fittings and appear in the children's section of the shows. She evolved her own style including her love of pink hair and a dramatic eye…and always has, and still does, wear the clothes she has designed.   In 2020 she formed the Zandra Rhodes Foundation, a charity that ensures future generations of designers, artists, researchers, students and educators are able to study her life and designs, with an emphasis on her methods and techniques. Dating from the mid 1960s to the current day, the Foundation is working to catalogue her six thousand garments, printed textiles, drawings, accessories, fashion films, kodatraces, silk screens, press cuttings, personal memorabilia and collected artworks. A central collection will stay with the Foundation and the remaining material will be donated to permanent collections of major museums across the world, including the Fashion and Textile Museum, the Victoria and Albert Museum, and the Metropolitan Museum of Art in New York.   Now in her 80's her focus more recently has been on strategic collaborations with fashion and lifestyle brands such as IKEA of Sweden, Happy Socks and Poppy Lissiman. In 2003, she founded London's Fashion and Textile Museum, which to this day showcases some of the best in fashion and textile design.   She recently published a book, Iconic - My Life in Fashion in 50 Objects …it's  an insightful memoir told through a variety of mementos collected over the years, in which Zandra shares her life story for the first time…definitely worth a read!   I hope you enjoy this conversation … thank you @Zandra_Rhodes for taking me on your style journey.

Welcome back to ARTMATTERS: The Podcast for Artists. On today's episode I get a whirlwind tour of the techniques, recipes and studio practices, of the spectacular Cianne Fragione. This conversation will be a two-parter, and will be concluded next episode. Today, in part one, we discuss making your own paints, why lead white is such a fantastic color, chaos vs organization, Cianne's warm-up books, adhesives, “the shake test”, prepping surfaces, rhythm, paper, and the joy of destruction. Cianne also speaks extensively on the making of her massive 24-part painting entitled Heaven and Earth are Dressed in Their Summer Wear, completed in 2012.Cianne Fragione was born in 1952 and currently lives and works in Washington D.C. She has developed her process-oriented work over five decades, crossing boundaries between abstract painting and sculpture, object, and image. She has exhibited extensively in solo and group exhibitions at national and international venues and has been the recipient of many awards, fellowships, and residencies, including the Milton and Sally Avery Arts Fellowship and The Legacy Project sponsored by the Joan Mitchell Foundation to name just a few. Enjoy the episode!P.S. Cianne and I discuss multiple artworks in her studio which were included in the studio visit photo collection and can be found as a free post on my Patreon page. So feel free to click here and you can look while you listen:)About Cianne Fragione:Cianne Fragione b. 1952 (Hartford, CT)  Cianne Fragione, a Washington D.C., D.C.-based artist, has developed process-oriented work for five decades, crossing boundaries between abstract painting and sculpture, object, and image. She has exhibited extensively in solo and group exhibitions at national and international venues including, Isole: A Voyage Among My Dreams (2024-25) St. Mary's College Museum of Art, Moraga, CA; traveling exhibitions, Pocket Full of Promise: Cecelia Coker Bell Gallery, Coker College, Hartsville, SC, and Anne Wright Wilson Gallery, Georgetown College, KY; Wiregrass Museum Biennial 24, Dothan, AL.; Arts-In-Embassies, Geneva, Switzerland; Anya and Andrew Shiva Gallery, New York, NY; American University Museum, Washington, D.C.; Regis College Fine art Center, Weston, MA; John D. Calandra Italian American Institute of Queens College, CUNY, New York, NY; Associazione di Museo D'Arte Contemporaneo Italiano, Catanzaro, Italy;  a ten-year retrospective at Harmony Hall Regional Center, Washington, MD;  the University of Scranton Art Museum, Scranton, PA; The Textile Museum, Washington, D.C.; Art in Embassies, Sofia, Bulgaria, and Vilnius, Lithuania; Elizabeth Foundation, New York, NY; Indianapolis Art Center, IN; San Francisco Museum of Modern Art Gallery, CA; and Gallery Neptune & Brown, Washington, D.C. Her works are held in public collections, recent acquisitions; the Baltimore Museum of Art MD; and DC Commission Art Bank Collection (also in 2017), Art-In-Embassies Permanent Collection, Guadalajara, Mexico, US State Department; as well as St. Mary's College Museum of Art, CA; Italian American Museum, D.C; Department of Special Collections, Cecil H. Green Library, Stanford University, CA; and Comune di Monasterace, Calabria, IT; among others and private collections. Fragione has been the recipient of awards, fellowships, and residencies, Art Omi receiving the Milton and Sally Avery Arts Fellowship; The Legacy Project (Saving the Legacy) sponsored by Joan Mitchell Foundation; Studio dei Nipoti artist residency, Monasterace, Italy; Soaring Gardens, Laceyville, PA; Spoleto Study Aboard in Spoleto, Italy; and an Artist-in-Institution grants, project of the California Arts Council. Sacramento CA. She was nominated for the Joan Mitchell

fWotD Episode 2672: Bäckadräkten Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 28 August 2024 is Bäckadräkten.Bäckadräkten is Sweden's first unisex folk costume, designed in 2022 by musician Fredy Clue and textile designer Ida Björs. The design merges elements that are traditionally considered either male or female, such as the vest that is also a bodice and the culottes that present as a skirt. Bäck is the Swedish word for 'stream', referring to the primary theme of flowing water present throughout the outfit. It otherwise borrows heavily from older folk costumes representing regions throughout Sweden. Clue mentioned that Bäckadräkten aims to encourage broader participation in Swedish folk traditions by offering an outfit that is not limited to a specific gender or geographic region.Discussions about a potential unisex design for Sweden started in the early 2010s, and Clue first devised the idea that led to Bäckadräkten in 2018. Their partnership with the Textile Museum of Borås grew into a six-month design and production process which involved input from non-binary Swedes and assistance from other clothing and accessory specialists. The resulting single copy is for Clue to wear on stage. Clue released a sewing pattern in 2023 and started taking custom orders by 2024, encouraging users to make modifications as they see fit. Because of the geographic distribution of its influences, the outfit is considered more a product of Sweden's national queer community than of any individual region.The design release attracted international press attention and generated discussions on social media, much of the latter about the relationship between folk arts and gender. Many have welcomed the development, saying it provides an opportunity for non-binary Swedes to be more involved in folk culture. Others have reacted negatively, resisting the social change they see as associated with it. Clue said they hope the discussion raises awareness of non-cisgender identities.This recording reflects the Wikipedia text as of 00:57 UTC on Wednesday, 28 August 2024.For the full current version of the article, see Bäckadräkten on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Justin.

Model turned TV personality Katie Price joins Clare McDonnell to talk about her views on young women getting cosmetic surgery, after having several procedures herself.It's 60 years since the first Biba shop opened and the Fashion and Textile Museum in London have just launched a new exhibition: The Biba Story - 1964-1975. On until September, it explores how the fashion phenomenon blossomed to become the world's first lifestyle label. Nuala McGovern speaks to its founder, Barbara Hulanicki, and the curator of the exhibition, Martin Pel.Australian politician Georgie Purcell is the youngest woman in the parliament of the state of Victoria. From posting TikToks about animal rights, politics, and beer, to archiving her life achievements with tattoos and sharing photos of herself pole dancing – she is definitely not your average politician. She's also been a target of almost constant sexist attacks and abuse, which on occasions made her fear for her life. Georgie talks to Nuala about why she's still determined to get more women into politics.Described as a grim portrayal of human nature, Mothers' Instinct is a film about the darker side of maternal love. Academy Award-winning actresses Jessica Chastain and Anne Hathaway play best friends raising sons of the same age in the same neighbourhood. The psychological thriller follows their apparently picture-perfect life in Sixties suburbia. The two friends in real life join Nuala to discuss.TM Payne, or Tina, spent the last two decades working in the criminal justice system, specialising in domestic abuse. She's now turned her hand to writing and is set to publish her first crime novel on the 1 April. She talks about her years in policing and her new-found passion for fiction.And MOBO Award-winning singer and songwriter, Zara McFarlane, one of the UK's leading jazz vocalists. She will be appearing at this year's Cheltenham Jazz Festival. Presenter: Clare McDonnell Producer: Rebecca Myatt Studio manager: Emma Harth

Nearly one in five teachers working in England has been hit by a pupil, according to a new BBC commissioned survey of 9,000 teachers. The survey, gathered between February and March this year, also found that 15% of secondary school teachers say they have experienced sexual harassment from a pupil when working at a school. The teacher workforce is predominantly female, 76% of teachers are women. Nuala McGovern is joined by Dr Patrick Roach, General Secretary of teacher's union NASUWT. It's 60 years since the first Biba shop opened and the Fashion and Textile Museum in London have just opened a new exhibition: The Biba Story - 1964-1975. On until the 8 September, it explores how the fashion phenomenon blossomed to become the world's first lifestyle label. Nuala speaks to its founder - Barbara Hulanicki - and the curator of the exhibition - Martin Pel. Australian politician Georgie Purcell is the youngest woman in the parliament of the state of Victoria. She's also a former stripper who holds degrees in law, and communications and politics. From posting TikToks about animal rights, politics, and beer, to archiving her life achievements with tattoos and sharing photos of herself pole dancing – she is definitely not your average politician. She's also been a target of almost constant sexist attacks and abuse, which on occasions made her fear for her life. Georgie talks to Nuala about why she's still determined to get more women into politics. In the fourth part of our series, Breaking The Cycle, a boy who was groomed and trafficked by a gang tells his story. He was kicking a football with a mate when a man in a flash car pulled up and befriended them. Soon that 14-year-old was going missing from home and selling drugs from a 'trap' house in a seaside town far away. He describes how isolated and frightened he felt and the sheer relief when it was all over. His 'guide' from a new practice called SHiFT has helped him to understand what happened and how to stay out of trouble. Our reporter Jo Morris met them. Today marks 30 years since the beginning of BBC Radio 5 Live. Once having a reputation for being ‘bloke radio', many well loved and respected female broadcasters including Naga Munchetty and Rachel Burden have taken over the airways. Nuala hears from presenter and broadcaster Eleanor Oldroyd, who has been at the station from the very beginning, to discuss what has changed for female broadcasters and women's sport. Presenter: Nuala McGovern Producer: Claire Fox

New Flash: despite what some may want you to believe, queer Catholics exist! Meet the woman who has made it her mission to to tell their stories.Emma Cieslik (she/her) is a queer, disabled, and neurodivergent museum professional, religious scholar, and writer based in Washington, DC. She explores the histories of gender, sexuality, religion, and material culture. She currently directs the Queer and Catholic Oral History Project, and has worked at a variety of museums in the DC area, from the National Museums of American History, the American Indian, and Natural History to the The George Washington University Museum and The Textile Museum. If you or someone you know is interested in learning more about the Queer and Catholic Oral History Project, contributing to the Project, participating in an interview, or just talking more about these topics, feel free to reach out to Emma at eocieslik@gmail.com. COLLECTION BASKET: This week we invite you to donate to thetrevorproject.org Links:https://sojo.net/articles/joy-being-queer-and-christian/mary-mother-god-help-me-find-queer-joyhttps://folklife.si.edu/magazine/appalachian-folk-magichttps://outreach.faith/2022/12/the-need-to-chronicle-and-preserve-queer-catholic-history/https://clgs.psr.edu/multimedia-category/roundtable-resources/clgs-catholic-roundtable/queer-and-catholic-a-clgs-oral-history-project/CONNECT:WE HAVE PATREON! http://www.patreon.com/LapsedPodcast Share your stories, thoughts, and questions with us at lapsedpodcast@gmail.com or at www.lapsedpodcast.com or call us and leave a message at 505-6-LAPSED.Follow us on Instagram (@lapsedpodcast) and Facebook.Subscribe. Rate. Review. Tell your friends!

In this episode of Centering Centers, Co-Chair of the POD Network's Digital Resources and Innovation committee, Yianna Vovides, engages in a transformative conversation with the POD Network's newly appointed Executive Director, Danielle Gabriel. Danielle Gabriel's professional background encompasses program management in educational and museum settings. At the George Washington University Office of Alumni Relations, she was involved in program development and alumni engagement. She also served as the Assistant Director for Museum Grants and Stewardship at the George Washington University Museum and The Textile Museum, where she managed institutional giving and community support. She earned a B.A. in Art from Lafayette College and an M.A. in Museum Studies from George Washington University. Currently, Danielle is a doctoral candidate in Human Organizational Learning at George Washington University's Graduate School of Education and Human Development, focusing her research on inclusivity and the intersection of social exclusion with organizational routines. As Executive Director, Danielle looks forward to guiding the POD Network into its next phase, collaborating with its leaders, members, and staff to enhance its impact on the educational development community and shape the future of higher education.

John Fluevog has been designing shoes since the 1970s. His unmistakeable footwear has graced not just runway shows around the world, but have been worn by countless celebrities including Madonna, Beyoncé and Lady Gaga. George Clinton, known as Parliament known as Funkadelic, came to prominence in the 60s, revolutionized R&B music in the 70s and continues to make music with a host of artists including Dr Dre, Snoop Dogg, LL Cook J and Drake (one of his latest).Dame Zandra Rhodes has been a fashion designer for over 50 years and is the founder of the British Fashion and Textile Museum. She has dressed countless celebrities from Natalie Wood to Diana Ross to Freddy Mercury to Princess Diana.Clinton and Rhodes were in Toronto to launch their latest Fluevog collaborations. Donna Bishop sat down with them in the flagship Fluevog store in Toronto to chat about:collaborationcreative inspirationthe importance of feelingsand of course, shoesTo learn more about John Fluevog - https://www.fluevog.com/To learn more about George Clinton - https://georgeclinton.com/To learn more about Dame Zandra Rhodes - https://zandrarhodes.com/Host Donna Bishop - https://thisisdonnab.ca/IG - https://www.instagram.com/thisisdonnab/Follow the podcastIG - https://www.instagram.com/fashiontalkspod/To learn more about CAFA - the Canadian Arts and Fashion Awards https://www.cafawards.ca/IG - https://www.instagram.com/cafawards/This episode was produced by Jason PerrierIG - https://www.instagram.com/ajasonperrier/Thank you to Nick Craine for the amazing artwork - https://www.nickcraine.com/

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. On this podcast, Emily chats with Adia Millett, an Oakland based artist working in sculpture, textiles, embroidery, painting, collage, drawing, installation and video.About Artist Adia Millett:Originally from Los Angeles, Adia received her BFA from the University of California, Berkeley and an MFA from the California Institute of Arts. She has exhibited at prominent institutions including the New Museum, New York; P.S. 1, New York; Museum of the African Diaspora, San Francisco; Oakland Museum, CA; Crocker Art Museum, Sacramento; Yerba Buena Center for the Arts, San Francisco; Santa Monica Museum of Art, CA; The Museum of Contemporary Art, Atlanta; The Contemporary Art Center, New Orleans; Barbican Gallery, London, San Jose Quilt and Textile Museum; California African American Museum, Los Angeles and di Rosa Center for Contemporary Art in Napa. Millett has taught at Columbia College in Chicago, UC Santa Cruz, Cooper Union in NY, and California College of the Arts. She is currently based in Oakland, California. Visit Adia's Website: AdiaMillett.comFollow Adia on Instagram: @AdiaMillettLearn more about Adia's current exibits: Wisdom Keepers at the Institute of Contemporary Art San JoseHaines GalleryInventing Truth at The Studio Museum in Harlem--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

This week Maureen Taylor, The Photo Detective, is joined by Dr. Kate Strasdin, author and honorary deputy curator at the Totnes Fashion and Textile Museum. In this episode, Kate examines her upcoming book - inspired by The Dress Diary of Anne Sykes. This is a brilliant look into one of the rarer artifacts Kate has uncovered - a dress diary featuring fabric swatches from the 1800s. These types of diaries are so rare - and hard to find intact - that Kate believes there are only one or two in the United States.Maureen and Kate talk about the importance of diaries like this, and how she'll be covering this story all in her new book entitled The Dress Diary of Mrs. Anne Sykes and how this diary has given immense clues into Victorian fashion. I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

Join the Black Women Stitch PatreonBlack Women Stitch 2023 Wall CalendarAmazon StoreSew Black Info Simone Elizabeth SaundersSimone Elizabeth Saunders (b. 1983, Calgary, Canada) is a textile artist who focuses primarily on punch-needle and tufting tapestries to create allegorical narratives of Blackness and Womanhood using polychrome and textural portraits. Based in Mohkinstsis, Canada, she holds a B.F.A. with Distinction from the Alberta University of Arts in 2020 and a background in the theater arts, with a previous B.F.A. from the University of Alberta's Acting Conservatory. Saunders' practice is anchored in a process that starts with collages or sketches that are then transferred to large-scale frames. From there, they are tufted using a myriad of yarn colors. Saunders' artistic process represents a performative negotiation of weaving and coloring at the same time. This results in detailed portraits that capture nuanced individuality. Recent international exhibitions include the Textile Museum of Canada, Contemporary Calgary, Minneapolis Art Institute (Minnesota), the Mint Museum (North Carolina), and Arts Westchester (NY), among other international museums and prominent collectors. Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation. Insights from this episode:Details on Unearthing UnicornsHow Simone finds a reflection on Black women in the pastWhat it means to create a tapestryHow Simone honors those who came before herThe process of Simone's artShowcasing her work at the Claire Oliver GalleryHow is crafting work in a group Quotes from the show:“The Unicorn to me represents everything dazzling and magical, and all dreams come true and really the purity of what it is to be human and shine your light”  —Simone Elizabeth Saunders in “Stitch Please”“It is very interesting for me, when I'm in the process, I allow for a huge sense of spirituality and honoring those who came before me” —Simone Elizabeth Saunders in “Stitch Please”“The coming together and the nesting of threads to me is also such a spiritual connotation of our history and of me reaching out to this sisterhood” —Simone Elizabeth Saunders in “Stitch Please”“I think that one of the reasons that your work has exploded in these last few years with the BLM movement is because people have started to realize that BLM is more than a call for equity and justice with policing (...) it's also a call to existing in the fullness of ourselves” —Lisa Woolfork  in “Stitch Please”“It's all about the sisterhood: honoring our ancestors, those who came before us, those who are her now, those who are yet to come, it's that connectivity” —Simone Elizabeth Saunders in “Stitch Please”“I do think of all my works as extensions of and extensions of yours to be shared” —Simone Elizabeth Saunders in “Stitch Please”“Be inspired by what inspires you, not what you think that you should be putting out in the world, because everyone's voice is unique and you deserve to be heard” ​​—Simone Elizabeth Saunders in “Stitch Please” Stay Connected:Lisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa Woolfork Simone Elizabeth SaundersWebsite: Contemporary CalgaryInstagram: Simone Elizabeth Saunders This episode was produced and managed by Podcast Laundry.

One of my very favourite podcast guests is back! Textile activist Shams el-Din Rogers and I have a fun and thought-provoking conversation about fabric stashes, storage and space. As always, Shams brings her insight and wisdom as we explore many of the implications of these topics as they relate to sustainability, and we compare notes as an American and a European. Plus! Shams sets herself a goal... Support the podcast over on Patreon! Find Shams el-Din Rogers on Instagram @shamseldinrogers. Listen to her on previous episodes of CYT. Ep.#32: Textile Activism with Shams el–Din Rogers and Ep.#49: Sewing as Art and Political Action with Shams el–Din Rogers. I also highly recommend checking out Shams' episode on Stitch Please: the Black Women Stitch podcast, Ep.#123: Don't Trash it! Sew it!: Sustainable Creativity with Shams el-Din Rogers. Explore ‘Works in Progress Toronto' via their website and on Instagram @works.in.progress.to. Instagram based contests that Shams is participating in: #lastsewiststanding created by @miss.taeschli. #whole30fabricchallenge created by @pinkmimosabyjacinta. Textile Museum of Canada is in Toronto and has a truly epic-looking shop! Shams recently bought some issues of Tauko magazine. Image source: Tauko Magazine Check out two blog posts I made including round-ups of free kid's patterns. There's My Favourite Free Children's Sewing Patterns and Fab Free Kids' Patterns for 6 and Up. Listen to Ep.#11: Kids Vs. Sewing and Ep.#33: Encouraging Kids to Sew and I use the the basic version of the Trello app to catalogue and manage my fabric stash and project ideas. Shams' goal is based on the 2-door Pax wardrobes made by Ikea.

One of the most iconic fashion designers in Britain, Dame Zandra Rhodes has made a name for herself by filling the world around her with color, joy, and plenty of eye-catching patterns. On this episode, Dan speaks with the textile-loving designer about her early days in London, how Diana Vreeland of Vogue changed her life, The Fashion and Textile Museum (which Rhodes founded), and her own unstoppable sense of personal style. Hosted on Acast. See acast.com/privacy for more information.

Kaffe Fassett's textiles are unmistakable: in bright cerise and crimson and cobalt, his stripes and flowers burst onto the scene back in the seventies, and he's been designing ever since. Brought up in a log cabin on the Californian coast, he's lived for fifty years in Kilburn, north-west London, a house where every surface is painted or mosaicked or embroidered – and stuffed full of antique textiles and pots. In fact, it's so full of stuff that his partner, Brandon, had to retreat to a white room of his own. But Kaffe would like us all to get sewing, or embroidering or knitting. He's the author of numerous books which share his designs, and currently has an exhibition of his quilts at the Fashion and Textile Museum that will soon travel around Scotland. In conversation with Michael Berkeley, Kaffe reveals that he first left California for Britain as a young man after a chance meeting with Christopher Isherwood, who so beguiled him that he was determined to see Europe for himself. He talks about growing up gay at a time when it was still illegal, and how he never felt he fitted in – he was the boy at school wearing bright orange corduroy. He reveals that he bought some wool and then begged a woman opposite him on the train home to teach him to knit. Since then, he's never looked back, and however busy he is, he makes time to knit and embroider, finding it a chance to meditate and recover. His music choices include Arvo Pärt, The Beatles and Schumann's “Scenes from Childhood”.

Have you wondered about what the costs are involved in starting a fashion business or what you should be doing first? Today on Start Scale Succeed Nicole is chatting with Alison Lewy MBE, founder of Fashion Angel, mentor, consultant, and author of ‘Design Create Sell – a guide to starting and running a successful fashion business'.   KEY TAKEAWAYS Fashion Angel is a fashion industry support service offering business mentoring, events and access to funding, to fashion start-ups and established fashion business entrepreneurs. Their mission is to give fashion designers and entrepreneurs the tools to enable them to connect their creativity with the entrepreneurial skills they need, to start up and grow sustainable fashion businesses. A lot of people come into fashion thinking it's quite a sexy, glamorous industry and they don't realise what goes on behind the scenes and that you need quite deep pockets to make it work. Things don't happen by accident, so you need to have a really clear purpose for what you are trying to do. A strong, unique selling point for what, whatever your brand is and you need to research the market and understand where your brand is going to sit amongst your competitors. A business plan doesn't need to be war and peace, but there are certain key sections that you would always be thinking about. What is the unique selling point of what you're trying to do? What is the purpose of it? Can you explain it in a couple of sentences because you've got to get your message over really quickly. For a fashion brand, the biggest cost to start with will be your sampling development, to create your new styles, patterns, and prototypes that can be very costly. What is your budget for your initial stock? When it comes to sustainability, you often have amazing ideas and you've got a particular idea of how you want to do something. But then when you try and source that sustainably, that can be challenging.   BEST MOMENTS  ‘I realised that there was some amazing talent out there and lots of people with great ideas, but there was a big gap between the creative bit and the business side' ‘So many brands we come across just literally run out of money before they really get anywhere because they haven't done the planning' ‘People don't buy products, they buy stories behind brands' ‘Product and marketing costs are the two biggest ones'   EPISODE RESOURCES   Fashion Angel   ABOUT THE GUEST   Alison Lewy is a social entrepreneur and founder of Fashion Angel. Alison ran her own design and manufacturing business for 15 years producing under her own label as well as consulting on sourcing and production for designers including Matthew Williamson and Preen. Alison became the Commercial Director of the Fashion and Textile Museum in 2006 which she positioned as a hub for the fashion and textile sector, and continued to run mentoring and business support programmes as part of the museum's offer, as well as setting up the Shop@FTM to showcase new designers. In 2016 Alison was awarded an MBE for founding Fashion Angel and in recognition of her services to the fashion industry. She is also the best-selling author of Design Create Sell – a guide to starting and running a successful fashion business.   ABOUT THE HOST   Buying & retail expert Nicole Higgins spent the last 18 years working for companies such as Primark, M&S, Debenhams and Asda, sourcing & developing products from all over the world, building strategies for blue chip businesses, and increasing bottom line sales and profit, adding over £40 million in incremental business to the bottom line. Nicole now uses that experience and works as a consultant and coach for entrepreneurs and small to medium sized business owners, helping them start and scale their product businesses as The Buyer And Retail Coach (TM) Join the Start Scale Succeed waitlist. How to start & scale a product business. A 12 Week programme: thebuyerandretailcoach.com/startscalesucceedwaitlist   CONTACT METHOD   Website http://www.thebuyerandretailcoach.com IG https://www.instagram.com/thebuyerandretailcoach/ TikTok www.tiktok.com/@thebuyerandretailcoach LinkedIn linkedin.com/in/nicolehigginsuk Email nicole@thebuyerandretailcoach.com Newsletter https://thebuyerandretailcoach.com/newsletter-sign-up/ Book a call with me https://thebuyerandretailcoachltd.as.me/discoverycall  See omnystudio.com/listener for privacy information.

Taking yourself on a creative date is one of the best ways to nurture yourself as an artist: we all need to give ourselves time to "refill the well", regain perspective, and open ourselves to new ideas, influences and thoughts. But what makes a good creative date is different for everybody: here's what works for us. Welcome to our podcast for all stitchers, embroiderers, textile artists and creative souls, where we have friendly informal conversations about what it actually means to be an artist working in textiles. Isobel and Gina are both practicing artists and tutors specialising in machine embroidery, but we're still figuring it all out! We chat about combining the creative process with running a business and hope that you will find inspiration and support for your own creative journeys. Mentioned in this episode: Andy J Pizza podcast https://www.andyjpizza.com/ TED talks https://www.ted.com/talks Esme Young https://en.wikipedia.org/wiki/Esme_Young Louise Baldwin https://www.62group.org.uk/artist/louise-baldwin/ Cas Holmes https://casholmes.wordpress.com/ Native Hands https://nativehands.co.uk/ Zoe Intermittent Fasting Study https://joinzoe.com/learn/covid-the-big-if-study Maidstone Museum (including the Solomon Island canoe!) https://museum.maidstone.gov.uk/explore/collections/ethnography/ Stained Glass Museum Ely https://stainedglassmuseum.com/ Fashion and Textile Museum https://fashiontextilemuseum.org/ Welsh Quilt Centre https://www.jen-jones.com/about/welsh-quilt-centre Ceredigion Museum https://ceredigionmuseum.wales/ Fences App https://www.stardock.com/products/fences/ Fabric Coaster on YouTube https://youtu.be/2BTcJGSq0ao Raymond Blanc's Le Manoir aux Quat'Saisons https://www.belmond.com/hotels/europe/uk/oxfordshire/belmond-le-manoir-aux-quat-saisons/ You can find us at: Gina Ferrari https://www.ginaferrari-art.co.uk/ Izzy Moore https://isobelmoore.co.uk/ The music is Dear Autumn by Ikson and you can find it at https://soundcloud.com/ikson --- Send in a voice message: https://anchor.fm/izzyandginainstitches/message

In this episode of The Living Artist, Preston sits down with Morgan Fox. Morgan is a curatorial assistant with Art in Embassies, an office of the U.S. Department of State in Washington, D.C. She holds a Bachelor of Arts degree in History at Furman University, and received her Master of Arts degree in Art and Museum Studies at Georgetown University in 2017. She has also studied and worked at many prestigious institutions, such as Sotheby's Institute of Art in London, the National Archives, the Smithsonian American Art Museum, and the George Washington University Museum and Textile Museum, to highlight just a few. During this conversation, Morgan shares her origins falling in love with the arts from an early age, her numerous studies and positions within the art world, landing a position with Art In Embassies, what AIE is and does as an organization, her love for connecting artists with ambassadors and communities around the world, how she discovered Preston's work, advice to artists and art professionals, the importance of perseverance, and much more. Please enjoy this in-depth conversation with Morgan Fox! Art in Embassies' statement: “Art is, in essence, visual diplomacy. It accelerates cultural connection, sparks conversation, and helps diplomats convey who we all are as Americans. Art in Embassies creates exhibitions, installations, exchanges, and public programming that convey how art can transcend national borders and foster connections among people around the world.” Visit Art In Embassies at https://www.art.state.gov for more information, or to submit your artwork. Find out more about Morgan Fox at https://www.linkedin.com/in/morgan-fox-926621b1/ For more information on Preston M. Smith and his artwork, visit https://www.pmsartwork.com, or follow him on Instagram at https://www.instagram.com/pmsartwork (social media everywhere @pmsartwork). You can also now subscribe to his YouTube channel at https://www.youtube.com/c/pmsartwork. You can now support the Podcast with a donation. Go to https://www.pmsartwork.com/podcast to check it out and donate. Huge thank you to Feedspot for choosing The Living Artist for their list of the Top 60 Art Podcasts You Must Follow in 2021. It is a huge honor to have made this amazing list (coming in at #11) with so many other wonderful podcasts. Big thank you to Feedspot! You can check out this list and more of Feedspot at https://blog.feedspot.com/art_podcasts. Podcast theme music: "Music by Jason Shaw on Audionautix.com"

Dame Zandra Rhodes is an English fashion and textile designer who has designed garments for Diana, Princess of Wales and numerous celebrities such as rock stars Freddie Mercury and Marc Bolan. In 2003, she founded the Fashion and Textile Museum in London. Her signature, recognizable design aesthetic has left an indelible mark on the history of fashion. In 2019, Rhodes celebrated her 50th year as a legendary figurehead of British fashion with a retrospective exhibition at the Fashion and Textile Museum titled “Zandra Rhodes: 50 Years of Fabulous,” and a book published by Yale University Press. Over the course of her groundbreaking career she has won numerous awards including a 1979 Emmy for Outstanding Individual Achievement in the Performing Arts – Costume Design. Who better than this provocative, towering artist to take the Proust Questionnaire and share with us where she draws her motivation and creativity, how she discovered that mortality holds no fear for her, and how she views the world. Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Intragram. Caroline Weber is a specialist of French literature, history, and culture. She is Professor of French and Comparative Literature at Barnard College and Columbia University in New York City. Twitter: @CorklinedRoom. Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dame Zandra Rhodes is an English fashion and textile designer who has designed garments for Diana, Princess of Wales and numerous celebrities such as rock stars Freddie Mercury and Marc Bolan. In 2003, she founded the Fashion and Textile Museum in London. Her signature, recognizable design aesthetic has left an indelible mark on the history of fashion. In 2019, Rhodes celebrated her 50th year as a legendary figurehead of British fashion with a retrospective exhibition at the Fashion and Textile Museum titled “Zandra Rhodes: 50 Years of Fabulous,” and a book published by Yale University Press. Over the course of her groundbreaking career she has won numerous awards including a 1979 Emmy for Outstanding Individual Achievement in the Performing Arts – Costume Design. Who better than this provocative, towering artist to take the Proust Questionnaire and share with us where she draws her motivation and creativity, how she discovered that mortality holds no fear for her, and how she views the world. Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Intragram. Caroline Weber is a specialist of French literature, history, and culture. She is Professor of French and Comparative Literature at Barnard College and Columbia University in New York City. Twitter: @CorklinedRoom. Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dame Zandra Rhodes is an English fashion and textile designer who has designed garments for Diana, Princess of Wales and numerous celebrities such as rock stars Freddie Mercury and Marc Bolan. In 2003, she founded the Fashion and Textile Museum in London. Her signature, recognizable design aesthetic has left an indelible mark on the history of fashion. In 2019, Rhodes celebrated her 50th year as a legendary figurehead of British fashion with a retrospective exhibition at the Fashion and Textile Museum titled “Zandra Rhodes: 50 Years of Fabulous,” and a book published by Yale University Press. Over the course of her groundbreaking career she has won numerous awards including a 1979 Emmy for Outstanding Individual Achievement in the Performing Arts – Costume Design. Who better than this provocative, towering artist to take the Proust Questionnaire and share with us where she draws her motivation and creativity, how she discovered that mortality holds no fear for her, and how she views the world. Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Intragram. Caroline Weber is a specialist of French literature, history, and culture. She is Professor of French and Comparative Literature at Barnard College and Columbia University in New York City. Twitter: @CorklinedRoom. Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This week Maureen Taylor, The Photo Detective, is joined by Dr. Kate Strasdin, author and honorary deputy curator at the Totnes Fashion and Textile Museum. She was behind the exhibition in Bath, England, that was named one of the top twelve exhibitions of the year by Vogue Magazine.The two discuss historical fashion, and how our ancestors worked with textiles to modify their wardrobes, as well as how we can preserve these garments, and even how the people of the past tried to.Related Episodes:Episode 85: Pin-Up Photos and Modern WomenEpisode 72: Wearing the Past: A Modern Woman's Fascination with Period DressLinks:Dr. Kate StrasdinSign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Dr. Kate Strasdin joined Falmouth University in 2009 as an associate lecturer teaching histories and theories to students in BA(Hons) Fashion Design and BA(Hons) Performance Sportswear Design. She is the author of  Inside the Royal Wardrobe: A Dress History of Queen Alexandra.  She became a historical consultant for the exhibition Royal Women at the Fashion Museum, Bath in 2018 (named as one of Vogue's top 12 exhibitions of the year).  In 2011 she received the annual Gervers Fellowship given by the Royal Ontario Museum in Toronto. Dr. Stasdin is honorary deputy curator at the Totnes Fashion and Textile Museum in Devon.About Maureen Taylor:Maureen is a frequent keynote speaker on photo identification, photograph preservation, and family history at historical and genealogical societies, museums, conferences, libraries, and other organizations across the U.S., London, and Canada.  She's the author of several books and hundreds of articles and her television appearances include The View and The Today Show (wherTaking a DNA test is a fun summer activity for the whole family. You can discover new relatives through MyHeritage DNA, learn about your origins, and expand your family history research. MyHeritage DNA is on sale for $44 if you use the code Photo5 at myheritage.com/DNA. This is a special offer for Photo Detective listeners from August 22 until August 25, 2022. I wanted to remind you all that I run one-on-one Photo Consultations, that help identify photo clues that you may have missed, in order to help you better understand your family history. Not many people realize that the saying is true - and that a photo can tell a million stories. All sessions are recorded, and there's a discount for bulk image sessions. Find out more on my website at https://maureentaylor.com. Support the show

In this episode, Isabella interviews Dennis Nothdruft, Head of Exhibitions at the Fashion and Textile Museum in London. The two discuss the museum's current exhibition, "150 Years of the Royal School of Needlework: Crown to Catwalk."Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com.

Thank a straight person today for your existence straight pride shirt: Cult, Culture, Subversion, which opens on 9 February and runs until 6 May at the Fashion and Textile Museum in Bermondsey, south London, will examine the garment's evolution from a utilitarian tunic in medieval times to a medium for political and social messaging in the Thank a straight person today for your existence straight pride t-shirt. According to curator Dennis Nothdruft, “the Thank a straight person today for your existence straight pride shirt has taken on a function as a signifier, a statement of purpose for the wearer.” “It has evolved an incredible ability to communicate and generate a conversation between the user and the rest of the world.” A gallery exploring why the gender-neutral Thank a straight person today for your existence straight pride shirt is one of the few really democratic fashion products is one of the exhibition's 12 parts, which cover issues such as ethics and environment, merchandising, and advertising. There will be more than 200 artifacts on show, ranging from a 500AD relic to Christian Dior's “Thank a straight person today for your existence straight pride” T-shirt, which was displayed on the Paris catwalk in 2017. Buy it: https://rosetta-campaign.net/thank-a-straight-person-today-for-your-existence-straight-pride-shirt/ https://www.linkedin.com/pulse/thank-straight-person-today-your-existence-pride-shirt-tran-hoai-kha/

We talk about London's Fashion & Textile Museum's exhibition: ‘Beautiful People: The Boutique in 1960s Counterculture'. See links below. Don't forget to check out Patreon page: https://www.patreon.com/bandeapartpodcast The Courtauld Gallery, London: https://courtauld.ac.uk/gallery/ ‘Beautiful People: The Boutique in 1960s Counterculture', Fashion & Textile Museum, London (1 October 2021 - 13 March 2022): https://fashiontextilemuseum.org/exhibitions/beautiful-people-the-boutique-in-1960s-counterculture Mark Butterfield, ‘Granny Takes A Trip, Golden Lily Jacket, 1966', C20 Vintage Fashion (20 September 2020): https://www.c20vintagefashion.co.uk/post/granny-takes-a-trip-golden-lily-jacket-1966 and other posts: https://www.c20vintagefashion.co.uk/blog The Peter Feely Experience, Perfumed Garden Productions, YouTube: https://www.youtube.com/channel/UCDZKLKwxbpv1vc9lfBO0kAw/featured Malcolm Hall: http://malcolmhall.london/gallery/#category_id_48 Paul Reeves: https://www.instagram.com/paul_reeves_london/ Marisa Martin: https://www.marisamartin.com/tutors.html Raphael Samuel, ‘Theatres of Memory: Past and Present in Contemporary Culture', Verso (first published 1994): https://www.versobooks.com/books/1098-theatres-of-memory

This week's episode is a cut above the rest, as we explore the history and cultural significance of scissors. Join Jonathan and design historian Teresa Collenette as they talk ancient spring scissors, Victorian-era chatelaines, Jonathan's go-to hair shears, and Teresa's incredible collection of more than 100 pairs of scissors. Teresa Collenette is a design historian, curator and collector. Teresa has curated several exhibitions with the Fashion and Textile Museum, including The Secret Life of Scissors in 2018 and Beautiful People: The Boutique in 1960s Counterculture, which is up now! You can follow her on Instagram @thehouseofscissors. Want to learn more about scissors? Check out these resources: Handmade scissors in Sheffield at Ernest Wright Scissors being made at Ernest Wright Scissors maker William Whiteley & Sons, Sheffield Scissor Collecting MagazineDial M For Murder The Secret Life of Scissors exhibition in The New York Times Find out what today's guest and former guests are up to by following us on Instagram and Twitter @CuriousWithJVN. Transcripts for each episode are available at JonathanVanNess.com.Check out Getting Curious merch at PodSwag.com.Listen to more music from Quiñ by heading over to TheQuinCat.com.Jonathan is on Instagram and Twitter @JVN and @Jonathan.Vanness on Facebook.

Russell & Robert meet the LEGENDARY Dame Zandra Rhodes DBE!!! We celebrate more than 50 years of creativity and FABULOUS!!!We discuss childhood memories of her mother and growing up in Kent, her early experiments with textile design and printmaking inspired by Andy Warhol and travelling to America in 1969 which led to her huge success during the 1970s. We discover her memories of designing clothes for icons as varied as Princess Diana and Freddy Mercury, her friendship with Andrew Logan and Divine plus making numerous costumes for The Alternative Miss World!!! In this special episode, Zandra remembers her dear friend the artist Duggie Fields who passed away in March 2021. We explore Duggie's artworks, including the first painting Zandra bought from him in 1967, and we celebrate his influence on her work, their lasting friendship and ongoing legacy.Dame Zandra Rhodes has been a notorious figurehead of the UK fashion industry for five decades, celebrating her 50th year in fashion in September 2019 with a retrospective exhibition at the Fashion and Textile Museum – founded by Zandra – entitled Zandra Rhodes: 50 Years of Fabulous and a retrospective book published by Yale. Her notoriety as a print designer combined with an affinity for fine fabrics and colour has resulted in a signature aesthetic that is undeniably unique and continues to stand the test of time.An eponymous pioneer of the British and international fashion scene since the late 60's, Zandra's career has seen her collaborate with brands such as Valentino, Topshop and Mac Cosmetics. Continuing to collaborate with brands that inspire her, 2021 will see the launch of Zandra Rhodes x IKEA amongst many other exciting partnerships and projects.Follow @Zandra_Rhodes_ on Instagram. Visit Zandra's official website: https://ZandraRhodes.com/ To learn more about the work of Duggie Fields visit http://www.DuggieFields.com/ or @DuggieFields on Instagram. Visit the Fashon Textile Museum in London's Bermondsey: https://www.FTMLondon.org/ and their instagram @FashionTextileMuseumFor images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Lloyd Kofi Foster (b.1990, Washington, DC) is a Ghanaian-American visual artist born in Washington, DC . Foster's work are inspired by personal experiences, memories, and ancestral curiosity. Foster uses authentic perception to capture daily life through photography and film. Foster's works have exhibited at the National Geographic Museum, BWI Airport International Art Gallery, The Textile Museum, Prince George's African American Museum, and IA&A at Hillyer, among other exhibition spaces within the United States. Foster is currently a graduate student at New York University pursuing an MFA in Studio Art. www.Lloydfoster.com Instagram : Lloydfoster --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/creative-habits/message Support this podcast: https://anchor.fm/creative-habits/support

We talk about the mesmerising Jean Dubuffet exhibition at Barbican Art Gallery in London and the wonderful works of mediumistic artist Madge Gill. See links below. ‘Chintz: Cotton in Bloom', Fashion and Textile Museum, London (18 May – 12 September 2021): https://www.ftmlondon.org/ftm-exhibitions/chintz-cotton-in-bloom/ ‘Jean Dubuffet: Brutal Beauty', Barbican Art Gallery, London (17 May 2021 – 22 August 2021): https://www.barbican.org.uk/whats-on/2021/event/jean-dubuffet-brutal-beauty Fondation Jean Dubuffet: https://www.dubuffetfondation.com/ Audiovisual biography of Dubuffet: https://www.dubuffetfondation.com/savie_videolistplayer.php Collection de L'Art Brut, Lausanne: https://www.artbrut.ch/en_GB/exhibition/dubuffet-art-brut Madge Gill: http://madgegill.com/ and https://worksby-madgegill.co/ Madge Gill, Sans Titre (not dated): https://www.artbrut.ch/en_GB/author/gill-madge Dress by Madge Gill at MAAS, Sidney (1940s): https://collection.maas.museum/object/167418 Madge Gill, Newham Heritage Month (May 2021): https://www.newhamheritagemonth.org/contributors/madge-gill/

“Ser realmente una persona abierta y dispuesta a que tu éxito, no es tu éxito, sino es el éxito compartido con muchísima gente que colabora o que te ha apoyado en la vida”, Lydia Lavin. Diseñadora gráfica y textil por la Universidad Iberoamericana, con Maestría en Historia del Arte por la misma institución. Cuenta con estudios de moda en Nueva York e Italia. Fundó y dirige, desde hace 17 años, la marca homónima Lydia Lavin. Ha sido profesora y académica de la Universidad Iberoamericana desde hace más de 45 años, siendo maestra fundadora de las licenciaturas de Diseño Textil y Diseño de Indumentaria y Moda. Es reconocida a nivel nacional e internacional, ha participado en MBFW México desde 2005 y en plataformas promotoras de la moda en Nueva York, Berlín, Buenos Aires, Madrid, entre otras, exponiendo su trabajo en espacios como el Fashion and Textile Museum de Londres. Entre sus publicaciones más destacadas se encuentran los seis libros del Museo del Traje Mexicano con editorial Clío. ¡Lydia Lavin nos platica cómo ha sido su trayectoria! Desde su comienzo, hasta como nace la idea de emprender su propia marca, los retos que se le presentaron en el camino y las oportunidades que ella ha generado para los talentos emergentes actuales. Planea tu ruta digital y crece tu negocio a través de tus redes sociales, tu página web, Marketplace y tu tienda en línea. En nuestro canal encontrarás consejos y entrevistas con expertos y casos de éxito en temas de e-Commerce, Negocios y Moda. Laura eRRe es coach de negocios y estratega digital. Busca revolucionar la industria de la moda a través de alianzas y el posicionamiento de marcas SIEMPRE a la moda. ¡No te puedes perder nuestro próximo congreso Fashion Digital Talks! El congreso #1 en México sobre e-Commerce, Negocios y Moda. Para obtener más información visita nuestro sitio web: www.fashiondigitaltalks.com

Is your university alma mater a city?  On this episode of The Future City Podcast, we speak with Jay Deshmukh, an award-winning architect and Associate Manager in Architecture at IBI Group; a global technology-driven design firm focused on the future of cities. She is also a member of the Board of Trustees at the Textile Museum of Canada.  Jay speaks with us about the social nature of learning, how university campuses have become intrinsic to places and the value of integrated campus life.

The 22nd episode was recorded remotely with Ingrid Mida, and Alexandra Kim, two Toronto-based fashion historians, who co-authored The Dress Detective together in 2015. Their book is a great resource for object-based research in Fashion Studies and Fashion History. They both have a lot of experience working with fashion archives and collections at various institutions in Toronto, Canada. Ingrid just published her second book, entitled, Reading Fashion in Art (2020) and is currently working on her third book for Bloomsbury. For many years, Ingrid was she fashion curator of the Ryerson Fashion School collection of fashion, textiles, and accessories. She is currently a Research Fellow at the Modern Literature and Culture Centre at Ryerson, and holds Board Trustee appointments in several arts organizations, including the Textile Museum of Canada and with the Art Gallery of Ontario (AGO). Alexandra is the curator at Montgomery’s Inn Museum, in Toronto, she is also the editor of Costume, the academic journal of the British Costume Society, as well as a member of ICOM Costume Committee, and has taught Costume History courses at Ryerson University.

A conversation with Elizabeth Dospěl Williams (Dumbarton Oaks, Museum Department) on how people in Byzantium experienced the materiality of the objects they used, especially jewelry and textiles. We look at some of those objects together, discuss their qualities, and situate our engagement with material culture in broader discussions of historical theory. You can see the objects that we discuss for yourself, including this earring and ring pair; a St. Demetrios reliquary; a child's tunic; and a garment with a clavus. The conversation is based partly on Betsy's study 'Appealing to the Senses: Experiencing Adornment in the Early Medieval Eastern Mediterranean,' in the volume Sensory Reflections: Traces of Experience in Medieval Artifacts (Berlin 2019) 77-96; and the textile exhibition Woven Interiors: Furnishing Early Medieval Egypt (The George Washington University Museum and The Textile Museum, 2019).

Welcome to a new podcast for all stitchers, embroiderers, textile artists and creative souls, where we have friendly informal conversations about what it actually means to be an artist working in textiles. Isobel and Gina are both practicing artists and tutors specialising in machine embroidery, but we're still figuring it all out! We chat about combining the creative process with running a business and hope that you will find inspiration and support for your own creative journeys. As it was through following each other's blogs that we first met, it seemed appropriate to take a closer look at our blogs and our blogging habits. We look back at our reasons for starting a blog and what we were writing then, compared with our reasons for continuing, and what we are writing now. We also discuss whether there's even still a place for blogs within how we communicate as artists, and talk about how we decide what's appropriate for sharing in a blog, compared to what we may or may not share on other social media platforms. Finally, we consider the sometimes tricky question of knowing when, how and if to say something, and when to keep schtum - something we don't always get right! Also mentioned in this episode: Sky Portrait Artist of the Week Artist Kayoon Anderson The Crafter's Companion Izzy's upcoming Swirls course Izzy's new blog Gina's new blog Fashion and Textile Museum blog Automatic drawing Nigel Slater's chard & feta tart recipe can be found in his book Kitchen Diaries II (p378) We'll leave you with this excellent quote from artist Anish Kapoor: "Art isn't always about having something to say, sometimes it's about doing something and seeing what happens" The music is Dear Autumn by Ikson and you can find it at https://soundcloud.com/ikson

Did you miss the video interview with Barbara Gray of the Shetland Textile Museum? Watch it on the Jamieson and Smith YouTube channel, or listen to the audio in this special bonus episode. Links to Things Mentioned in the Episode Shawls, Wraps, and Scarves by Louisa Harding Morehouse Farm Yarn Learn more about what you’ll need for the Tansie KAL starting January 1 by watching the Facebook Live with Anne and Erin Follow I Thought I Knew How on Instagram for the upcoming Yarn Stash Destash starting December 26. The Shetland Textile Museum is available on Facebook and Instagram. Also, check out their current competition that has been carried forward to 2021!  

Ami Zanders is a Bermudian multimedia artist, currently based in Liverpool UK. She has been an enthusiastic and unconventional artist since the age of two years old when she made her first masterpiece on the living room wall with crayons.  Since then, Ami has explored countless other art mediums, including; silkscreen, intaglio, weaving, painting, papermaking, and metal work.   An honors graduate of  International Fine Arts College and Kean University,  Ami works intuitively using bright colours, mix mediums and themes from her childhood to create her art.   Zanders has been in countless art exhibits and has won a few awards while in the process.  In 2010 she won a Charmin Prize for Innovation at the Masterworks Museum of Bermuda Art. In 2013 Zanders won the City of Hamilton’s Art Festival Competition with her collaborative piece with fellow artist Milton Hill.  Zanders art installation, When the Bough Breaks, was featured in the Bermuda Biennial. When the Bough Break was also chosen by the Textile Museum of Canada to represent Bermuda at the 2015 Pan Am Games. Zanders is also the founder of the St. George's Art Walk and was the event's organiser between the years of 2011 - 2015.   Zanders has also volunteered her time teaching art at the Mid-Atlantic Wellness Institute to service users with intellectual disabilities, service users recovering from mental illness as well as service users in addiction recovery.    Zanders works mostly with textiles and screen printing. However, since arriving at Liverpool John Moore’s University in Liverpool, UK.  Zanders practice has shifted focus and she is currently exploring art performance, ritual, costume, video and sculpture. Ami is currently a volunteer at Bluecoat in Liverpool working with artists with intellectual disabilities. She also teaches classes as a guest art instructor for Red Cross's SNAP programme which supplies support for refugees and asylum seekers in Liverpool and Manchester.    If you would like to connect with Ami, you can find her on Instagram at www.instagram.com/amizanders

La semana pasada hablamos de algunos personajes que han sido ignorados en los relatos tradicionales de la historia de la moda. Quienes hayan escuchado el episodio recordarán que conversamos brevemente sobre la representación de la cultura indígena en la moda latinoamericana pero realmente nos faltó mucho por discutir. En este episodio queremos profundizar un poco más en el tema, hablando de la la representación de las comunidades indígenas en los museos de moda. Conversamos con Sandra Mathey García-Rada sobre su investigación para su Tesis de Maestría en Estudios de moda. Para su tesis, Sandra analizó la representación de la cultura textil peruana en dos exposiciones: “Weavers of the Clouds” en el Fashion & Textile Museum de Londres y “Alta Moda” en el Museo Mario Testino, o MATE, en Lima. Aquí nos da algunos detalles de su análisis y sus conclusiones. Referencias: 21 YEARS of Fashion with South African Fashion Week, Zeitz Museum of Contemporary Art Africa (curadores Erica De Greef, Lesiba Mabitsela y Githan Coopoo), Cape Town, Sudáfrica, 14 de noviembre de 2018 al 16 de enero de 2019, https://zeitzmocaa.museum/exhibition/exhibitions/21-years-making-histories-with-south-african-fashion-week/. Alta Moda, Museo Mario Testino (colección permanente), https://www.mariotestino.com/exhibitions/mario-testino/exhibition-alta-moda/. Fernando Villegas, “El costumbrismo americano ilustrado: el caso peruano. Imágenes originales en la era de la reproducción técnica,” Anales del Museo de América 19 (2011): 7–67. Gary Urton, “Khipu Database Project,” https://khipukamayuq.fas.harvard.edu/Home.html. Jeffrey Quilter y Gary Urton, Native Threads: Accounting and Recounting in Andean Khipu (Austin: University of Texas Press, 2002). Laura Beltran-Rubio, “Fashioning Femininity: Gender, Dress and Identity in Nineteenth-Century Colombia” (MA Thesis, Parsons School of Design, 2016). Laura R. Bass and Amanda Wunder, “The Veiled Ladies of the Early Modern Spanish World: Seduction and Scandal in Seville, Madrid, and Lima,” Hispanic Review (2009), 97–144. Nancy P. Appelbaum, Dibujar la nación: La Comisión Corográfica en la Colombia del siglo XIX, trad. Juan Manuel Pombo (Bogotá: Ediciones Uniandes y Fondo de Cultura Económica, 2017). Sandra Mathey García-Rada, “Un-Fashioning Peruvian Stereotypes: Exploring Hidden Multifaceted Identities in Fashion Exhibitions” (MA Thesis, Parsons Paris, 2019). Weavers of the Clouds, Fashion and Textile Museum (curadora Hilary Simon), Londres, Inglaterra, 21 de junio al 8 de septiembre de 2019, https://www.ftmlondon.org/ftm-exhibitions/weavers-of-the-clouds-textile-arts-of-peru/. Encuéntranos en: http://culturasdemoda.com/ | http://www.modadospuntocero.com/Instagram: @moda2_0 @culturasdemoda @camila_abisambra @jenvrod @laurabelru @sandramgr @mezuba Twitter: @moda2_0 @CulturasDeModa @JenVRod @sandramgr90 @laurabelru @mezuba Facebook: https://www.facebook.com/culturasdemoda/ | https://www.facebook.com/BlogModa2.0/#SalonDeModa Agradecemos a Fair Cardinals (@faircardinals) por la música, a Jhon Jairo Varela Rodríguez por el diseño gráfico y a Maca Rubio por la edición del audio.

In this episode, we speak with Emma Quin, Executive Director of The Textile Museum of Canada about re-opening and how organizations like Museums will have to evolve and adapt as they reopen in waves.

The 7th episode was recorded on a trip to Herning, the textile hub in central Jutland, in Denmark. Together with some of my students from my Fashion Theory and Fashion History courses at SDU, we got a special tour of the Textile Museum in Herning. That same day, we also got to see the Via Design School with state-of-the-art textile, fashion, graphic, and furniture design labs, talk to some of the teachers and students there, and watch some of their design pieces come into being. We then made a stop-over at the Sewing Lab (Sylab) in the nearby town of Ikast, one of the few remaining sewing facilities still operating in Denmark, and producing custom orders for big and small Danish and international brands, working on new prototypes, renting out work-space and equipment to start-up designers, and collaborating with the local textile suppliers in the area.

We are busy recording series two of That's Not My Age: The Podcast, and as a small but delicious taster of what's to come, I am delighted to introduce the legendary fashion designer Dame Zandra Rhodes. Legendary is an overused word but Zandra is a true legend, so what better way to describe her? In celebration of an impressive, five-decade career, the Fashion and Textile Museum has just opened Zandra Rhodes: 50 Years of Fabulous. A brilliant retrospective of the designer's work, highlighting more than 50 key looks, original textiles and never-seen-before garments and accessories. We meet in the library of Zandra's wonderful penthouse, piled high with beautiful books, photographs and mementoes. With her unmissable fuchsia bob, bold blue eyeshadow and super-sized jewellery, her singular style is even better in real life. With no plans to retire, and more plans to keep on creating, we discuss what Zandra Rhodes has been up to - curating her exhibition, appearing on Celebrity Masterchef, and collaborating with Ikea, for starters. Oh, and her fondness for throwing dinner parties and making bread and butter pudding. Stay tuned, because Zandra's best advice comes right at the very end...Thank you for listening. It's great to be back, sort of (more podcasts coming towards the end of October).Producer and audio engineer: Linda Ara-TebaldiHost: Alyson WalshGuest: Dame Zandra RhodesArtwork: Ayumi TakahashiMusic: David SchweitzerDigital technician: Tom Hole at StirtingaleCoordinator: Helen Johnson

'On the Ground' for June 21, 2019 At a Congressional hearing this week, witnesses offered expert testimony about the need for reparations for the descendants of enslaved Africans living in the United States. And on this month's episode of the F-Word on fascism, an activist says that Americans need to wake up and confront the reality of what this country is becoming.  Plus headlines:--The New York Times reported that Donald Trump approved a missile strike on Iran on Thursday but abruptly halted the operation. --In national news, there were Congressional hearings on reparations and on the national budget.--Jacqueline Luqman joins me to talk about Trump officially kicking off his 2020 re-election campaign and other election news.--Young activists work to prevent police in Prince Georges County, MD from collaborating with officers of the Immigration and Customs Enforcement (ICE).--In DC, the formation of the Save Our Votes Political Action Committee was announced on the anniversary of the day that DC voters approved a measure to increase the pay of restaurant workers.--Chantal James reported from a hearing about tax credits for building affordable housing.--In Culture and media, the Stop Police terror Project DC is holding a liberation fundraiser, June 21, 6-9 pm at the Smith Smith Public Trust in Northeast DC. --The 40th Anniversary of the Great Labor Arts Exchange is happening through June 23rd at the Tommy Douglas Conference Center in Silver Spring, Maryland.-- And visual artist Sonya Clark will give an artist talk on her "Beaded Prayers Project, Wednesday, June 26, 6 PM, at the George Washington University Museum and The Textile Museum.  If you enjoy our grassroots news show, which we provide free online, on podcast and on Pacifica stations and affiliates, please click here or click on the Support-Donate tab on this website to subscribe for as little as $3 a month. We are so grateful for this small but growing amount of monthly crowdsource funding on Patreon. You can also give a one-time donation on PayPal. The show is made possible only by our volunteer energy, our resolve to keep the people's voices on the air, and by support from our listeners. In this new era of fake corporate news, we have to be and support our own media! Thank you!

Adia Millett, originally from Los Angeles, received a BFA from the UC Berkeley and an MFA from Cal Arts. In addition to Millett’s current exhibit at CAAM, she has a show opening at The San Jose Quilt and Textile Museum next month.  She has been included in exhibitions at the Oakland Museum, The Museum of African Diaspora, PS1, The Studio Museum in Harlem, The Craft Contemporary in LA; The New Museum, The Museum of Contemporary Art in Atlanta; The Contemporary Art Center, New Orleans, the Contemporary Art Center of Virginia. Millett has taught at Columbia College in Chicago, UC Santa Cruz, Cooper Union in NY, and California College of the Arts. Millett currently lives and works in Oakland, California.  The book mentioned in the interview is White Fragility. Black Quicksand 2018 Acrylic, paper, and glitter on wood Golden Shower 2016 Textiles 104”x 92”

006: I Went to London and All I Got Was This Yarn Released April 23, 2019 In this episode, Anne announces the winner of the last giveaway, talks about her trip to London, and announces another giveaway! Winner! Congratulations to Euphistic81 on Instagram, who won the giveaway announced in episode 5 from Dragonfly Fibers and Knitter's Pride! London! Anne and her daughter visited two fashion-related sites in London, the Victoria and Albert Museum and the Fashion and Textile Museum, as well as the Fashion Museum in Bath. The V&A was hosting special exhibits about Dior and Mary Quant, but also has a permanent exhibit that includes knitwear. The Fashion and Textile Museum rotates it's exhibits frequently. Even if they aren't showing knitwear at the time, this small museum is very informative! The Fashion Museum in Bath walks you through centuries of fashion through 100 representative outfits, as well as hosting an additional exhibit that changes from time to time. The Mary Quant exhibit at the Victoria and Albert Museum featured a hand-knit dress surrounded by several of the knitting and sewing patterns Quant created so people could make their own versions of her designs. Some of her knitting patterns are available as PDFs from sellers on Etsy. Three Yarn Shops to Visit The Village Haberdashery is located in the West Hampstead area of London, just a short walk from the nearest Underground station. It focuses mainly on yarn and fabric crafts, but is a great little all-around craft store. Liberty London is well known for their Liberty fabrics, but it's also the flagship store for Rowan yarns. For many of us, this is a rare opportunity to take a gander at Rowan's entire line! My sweater's worth of Erila Knight's British Blue 100 from Wool in Bath, UK. Also, the project bag gifted to Anne by Wool's owner, Laura, as a thank you for contributing hats for The Big Knit 2019. Wool is a cozy, welcoming yarn shop just a short walk from the Bath Spa train station in Bath, England. They have an extensive collection of British yarns, a welcoming staff, and a gentle shop dog names Toby. Be sure to stop by on your way to or from the Roman Baths to give Toby a pat and take the time to peruse their extensive pattern offerings! Upcoming Events April 27, 2019 is Local Yarn Store Day. Be sure to check the listings to see if your LYS is participating. Whether they are officially involved of now, consider swinging by to show some support for your local brick-and-mortar stores that day! For those in New England, April 27 is also the day of the Connecticut Sheep, Wool, and Fiber Festival. Anne will be there with her family. Will you? Say hi if you see her there! Giveaway Be sure to listen to the episode to learn how to enter our newest episode for a Japanese Knot bag from LittleComfortsAtoZ and a hank of handspun alpaca from Peru. The episode 6 giveaway is a project bag from LittleComfortsAtoZ (Look for her on Etsy), a hank of handspun alpaca yarn, and a set of stitch markers! Featured Music The first song featured was "The Can't Find Kelly" sung by Billy Merson and is available at the Free Music Archive. The second song was "Ca Bages Ca Beans and Car Rots," sung by Florrie Ford, also available from the Free Music Archive. If you are a musician who would like a song featured on the program, or if you have comments or feedback, please contact the show at anne@familypodcasts.com. Support the Show You can help support this show by buying your laundry detergent through Dropps, like I do! It comes to my door every quarter without my having to worry about it. The pods use no plastic--not even in their packaging--and they work. And at half the price I had been paying for pods, the switch was a no-brainer for me. Give them a try and a portion of the price will support the podcast at no additional cost to you! Social Media You can follow Anne on Instagram or Ravelry as @ithoughtiknewhow. She posts articles related to knitting and yarn on the Facebook Group and on Twitter as @ThoughtIKhewHow. Subscribe to the podcast through iTunes or the podcast app of your choice. There is now a Ravelry Group for the show. Be sure to join and introduce yourself!

004: Slow Down, Buckaroo Released: March 12, 2019 In this episode, Anne shares what she learned while knitting the first and second swatches of the Master Hand Knitting Program. Thank You for your Pattern Help Anne asked, and listeners responded. A couple of great recommendations came in for Anne's request for a good beginner's sock pattern. Michelle recommended Anne try the Hermione's Everyday Socks pattern, available for free on Ravelry. Nancye from Dragonfly Fibers suggested she pick up a copy of Knitting Rules by Stephanie Pearl-McPhee. It hadn't arrived by the time this episode was recorded, but Anne has it now. It has both a "recipe" for socks and an actual pattern, so Anne will be drawing from that as well! Thank you! Knitting Techniques The first two swatches involve knitting K2, P2 and K1, P1 ribbing. In the podcast, Anne discusses three techniques that helped her neaten up ribbing. Listen to the episode to learn more about why ribbing can be tricky and how these techniques might help you. Asking the Questions Anne was a little too hasty in knitting the first few swatches for the program and learned her lesson about taking the time to exhibit some humility and accept she does not, in fact, know everything. Honey This week's affiliate is Honey, an app for your desktop that tracks price changes on Amazon, applies coupon codes for the best deals when you shop online, and earns points to apply toward gift cards when you shop at major retailers. Anne has used it for over a year now and Honey has found many ways to save. Join through this link, and Anne will receive a modest finder's fee to apply toward the cost of running the show. Product Review Nostepinnes are specially formed dowels used to wind yarn into center-pull balls for knitters. Knitter's Pride was very kind to send Anne a selection of products to test in exchange for her honest review. The first product she got to play with was a nostepinne. As promised in the episode, here's the YouTube video that she found the most helpful when she was learning: https://youtu.be/toNeWx0FOjA Anne found the nostepinne to be a helpful addition to her knitting tool kit. It saves the hassle of setting up a ball winder and swift for smaller winding jobs. It's also lightweight and wooden, which makes it a handy tool for those who knit while traveling. For people who are new to knitting, it's an economical option compared to buying a ball winder and swift combo. If you end up sticking with the hobby, those can come later, and the nostepinne can become something you use for the joy of it. The Knitter's Pride nostepinnes are available at many local yarn stores, or you can find them on Amazon, available in two varieties. Help for England! Bath, England: A knitter's paradise? Anne and her aspiring-fashion-designer daughter will be traveling to London at the beginning of April. Anne, the knitter, and Abby, the seamstress, are trying to pack their itinerary with appropriately-themed destinations. Aside from the typical tourist destinations, they will be visiting the Victoria and Albert, Fashion and Textile Museum, Camden Market, and the Village Haberdashery while they are in London, and Wool, Country Threads, and the Fashion Museum while they are in Bath. If you have any other recommendations for them within a 2-hour train ride of Paddington Station, please get in touch! Featured Music The first song featured was "Solo Acoustic Guitar" by Jason Shaw and available at the Free Music Archive. The second song was "Ready to Go" by Arthur Nicholson, a folk singer from Shetland. Arthur's work is insightful and mellow. You'll find yourself singing his choruses to yourself through the day. Find his work on Soundcloud or YouTube, or visit his website to buy a CD for yourself. If you are a musician who would like a song featured on the program, or if you have comments or feedback, please contact the show at anne@familypodcasts.com. Social Media You can follow Anne on Instagram or Ravelry as @ithoughtiknewhow. She posts articles related to knitting and yarn on the Facebook Group and on Twitter as @ThoughtIKhewHow. Subscribe to the podcast through iTunes or the podcast app of your choice.

Comedian and podcaster Cariad Lloyd takes her mum Ruth along to the Fashion and Textile Museum in London, where the pair get to indulge their shared love of fashion, visit founder Zandra Rhodes’ exclusive penthouse suite, and sample the delights of the museum’s café. See acast.com/privacy for privacy and opt-out information.

We discuss two exhibitions that opened in London this week: Anni Albers at Tate Modern and Night & Day: 1930s Fashion and Photographs at the Fashion & Textile Museum. See links below. Anni Albers, Tate Modern, London: https://www.tate.org.uk/whats-on/tate-modern/exhibition/anni-albers Stiftelsen Almgrens Sidenväveri & Museum, Stockholm: http://www.kasiden.se/english-summary/ Paridise Mill and The Silk Museum, Macclesfield: https://macclesfieldmuseums.co.uk/ Night & Day: 1930s Fashion and Photographs, Fashion & Textile Museum, London: https://www.ftmlondon.org/

In this week’s episode, we talk with frequent guest of the podcast Kerri Na Basaria about the exhibit Ulos, Hangoluan, & Tondi — an exhibition that features a collection of rare and old ulos, the iconic textile of the Batak people of North Sumatra. Kerri has planned and organized this exhibit that’s being held in the Textile Museum in Jakarta for the last few months, and we chat with her about the significance and meaning of ulos in the lives of the Bataknese, including its ceremonial and protective qualities. We also discuss the socio-economic circumstances that surround the production and sale of ulos such as the lives of the weavers, their aspirations and needs, and how they’re financially exploited by middlemen and other figures in power. Finally, we discuss the rich & diverse heritage and history of ulos as emblematic of the highest aspirations of Indonesian identity — one that genuinely celebrates its diverse cultures and backgrounds and recognizes the melting pot that makes up our unique shared history and society.

Designer Orla Kiely is famous for her distinct Stem-patterned bags and a global brand that includes fashion, accessories and homeware. Now the first exhibition dedicated to her opens at the Fashion and Textile Museum in London. She discusses the origins of her work at a kitchen table in Ireland and why she thinks that pattern can make you happy without even noticing. Crime novelist Belinda Bauer talks about her new novel Snap. Based loosely on the real-life murder of Marie Wilks in 1988, it begins with three children left at the side of the road in a broken-down car as their mother goes to find an emergency telephone. Twice winner of the Crime Novelist of the Year, Belinda considers the importance of childhood memory, landscape and the ordinary fears that haunt us in her writing. What is the identity of British South Asian theatre today? As the Royal Court Theatre holds a series of evenings celebrating the canon of British South Asian theatre going back 50 years, theatre directors Sudha Bhuchar and Prav MJ consider the importance of that legacy, how you preserve and honour the past while looking at the future, and how the preoccupations of South Asian theatre makers has changed in the last 50 years.

Welcome to our episode focusing on the exhibition Queer Fashion and Style: Stories from the Heartland. Dana interviews Dr. Kelly Reddy-Best, the creator and co-curator of the exhibition about the unique exhibition method used to create the exhibition, as well as the installation, response and future of fashion exhibitions. The Queer Fashion and Style exhibition is currently at the Iowa State University's Clothing and Textile Museum and features the stories and objects of 12 Queer Midwestern Women. Queer Fashion and Style: Stories from the Heartland will be open until April 14, 2018 and can be viewed in the Textiles and Clothing Museum in Morrill Hall on the Iowa State University campus.  You can find more about the exhibition here: Fashion and Culture Research Lab: www.kellyreddy-best.com/lab/ Fashion and Culture Research Lab Facebook Page: @fashionandcultureresearchlab ISU Textile and Clothing Museum: www.aeshm.hs.iastate.edu/tc-museum/mary-alice-gallery/current-exhibit-2/ Follow us on: Website: www.unravelpodcast.com Instagram: @unravelpodcast Twitter: @unravelpodcast Facebook: www.facebook.com/unravelpodcast/ Pinterest: unravel: a fashion podcast www.pinterest.com/afashionpodcast/ Stitcher: www.stitcher.com/podcast/unravel-podcast  In the mood for giving our GoFundMe is still open: www.gofundme.com/csaunravel2017

David Hare's first episodic television drama Collateral is a BBC and Netflix co production starring Carey Mulligan, John Simm, and Billie Piper. Set in contemporary London it explores the challenges posed by mass migration as a result of war, poverty and persecution. Hare references ground breaking television such as Cathy Come Home, The Boys From The Blackstuff and A Very British Coup as inspiration: will Collateral prove as innovative and as game changing? Winner of the Jury Prize at Cannes and Best Film at the London Film Festival, Andrey Zvyagintsev's Loveless tells the story of a divorcing couple whose 12 year old son goes missing after an argument. Drawing parallels with Ingmar Bergman's Scenes From a Marriage, Loveless is a probing look at the state of modern Russian society. Gundog marks the Royal Court debut of writer Simon Longman and is directed by Vicky Featherstone, recently named the most influential person working in British theatre by The Stage newspaper. Gundog is set on a remote farm where sisters Becky and Anna are holding it together after the death of their mother when a stranger enters their midst. Emily Fridlund's debut novel History of Wolves was shortlisted for the Man Booker Prize in 2017. Born in Minnesota, her new collection of short stories Catapult is a wry look at the trials and tribulations of American family life. T-shirt: Cult - Culture - Subversion at the Fashion and Textile Museum in London explores the T-shirt in the 20th Century, charting the history, culture and subversion of the most affordable and popular item of clothing on the planet. From men's underclothes to symbol of rock and roll rebellion, through punk and politics to luxury fashion item, T-shirts broadcast who we are and who we want to be.

Dr. Valerie Steele, director and chief curator of The Museum at the Fashion Institute of Technology (FIT), surveys the global history of fashion, including Ottoman court dress. Co-sponsored with the Textile Museum. Presented in conjunction with the exhibition Style and Status: Imperial Costumes from Ottoman Turkey. Recorded live at the Freer Gallery of Art’s Meyer ...

European fascination with the textile and costume arts of the Ottoman Empire has shaped design and clothing for centuries. Professor Walter B. Denny from the University of Massachusetts, Amherst, is the Charles Grant Ellis Research Associate for Oriental Carpets at the Textile Museum. Co-sponsored with the Textile Museum. Presented in conjunction with the exhibition Style ...

Dr. Valerie Steele, director and chief curator of The Museum at the Fashion Institute of Technology (FIT), surveys the global history of fashion, including Ottoman court dress. Co-sponsored with the Textile Museum. Presented in conjunction with the exhibition Style and Status: Imperial Costumes from Ottoman Turkey. Recorded live at the Freer Gallery of Art’s Meyer ...

European fascination with the textile and costume arts of the Ottoman Empire has shaped design and clothing for centuries. Professor Walter B. Denny from the University of Massachusetts, Amherst, is the Charles Grant Ellis Research Associate for Oriental Carpets at the Textile Museum. Co-sponsored with the Textile Museum. Presented in conjunction with the exhibition Style ...

Listeners, us heritage nerds are in our element this month. We’re playing on the dual meaning of “preserve” and talking jams, jellies, and the Canadian Conservation Institute – an obvious grouping. Torey took a field trip to the Textile Museum of Canada and will not stop talking about it, while Steph is equally enamoured with a book by a one Mrs. Beeton, who’s teaching her how to keep a 19th century household. Torey is obsessed with: Franklin: Death in the Ice, an exhibit currently at the Greenwich Museum (coming to the Canadian Museum of History in March 2018) and its spectacular companion book. Steph is obsessed with: the aforementioned Beeton’s Book of Household Management, a workplace text so good she bought it for herself. (Steph has a cool workplace.) Listen online or find us on Apple Podcasts, Google Play, or wherever you get your podcasts. Thanks for listening! Fashionably Ate is on Instagram and Facebook @fashionablyateshow, and we've got photos from this and every episode on Pinterest @fashionablyate. Feel free to email us at fashionablyateshow@gmail.com, and if you haven't already found us on iTunes, now's your chance! Download and subscribe -- and if you would be so kind, please leave us a star rating or review. We'd love the feedback. CHECK OUR FACTS PRESERVATION: Textile Museum of Canada (Torey viewed two exhibitions. Diligence and Elegance: The Nature of Japanese Textiles is on until January 2018 and Huicholes: A People Walking Towards the Light is ending Sept 4, 2017.) TMC also has a textile research library open to the public during weekdays, and resources for textile owners looking to conserve their own treasures. ICOM's Clothes Tell Stories initiative  CCI's Textiles and Fibres Notes  CCI: Mould Growth on Textiles CCI: Stitches used in Textile Conservation  Some extra resources for the especially interested (recommended by the Textile Museum of Canada): Preserving Textiles: A Guide for the Nonspecialist by Harold F. Mailand and Dorothy Stites Alig. Published by Indianapolis Museum of Art.  The Textile Conservator’s Manual, Second Ed. By Sheila Landi. Published by Butterworth-Heinemann.   Unravelling Textiles: A Handbook for the Preservation of Textile Collections by A. Brokerhof, Foekje Boersma, and S. Van Den Berg. Published by Archetype Books.  Laundry: The Whys and Hows of Cleaning Clothes by Robert Doyle. Published by Sartorial Press. PRESERVES: Beeton's Book of Household Management (Full-text online) FIND US ONLINE: Stream online Facebook Instagram @fashionablyateshow Pinterest

This is the first of three parts detailing Kelly's fiber adventures while she is in DC as an E. Kika de la Garza Fellow with the USDA.  She talks about what she is knitting during her travels, and she reviews the the current exhibit at the Textile Museum associated with The George Washington University.  She also talks about textiles at the Smithsonian Museum of American History.  Due to length restrictions of Garageband for iPad, her portion of the episode is broken into three parts--20a1, 20a2, and 20a3.  Marsha was also traveling for fiber adventures this week and the Two Ewes hope to be able to post "the B side" of episode 20 as well!   This series is brought to you raw and uneditied because we couldn't wait until we got home to share our adventures with you!  So if you are a new listener, first of all, welcome!  But also you may want to start with a more typical episode. Also, be sure to listen to these segments in order, starting with 20a1.  Don't forget to visit our blog at http://twoewesdyeing.blogspot.com

This is the second of three parts detailing Kelly's fiber adventures while she is in DC as an E. Kika de la Garza Fellow with the USDA.  She talks about what she is knitting during her travels, and she reviews the the current exhibit at the Textile Museum associated with The George Washington University.  She also talks about textiles at the Smithsonian Museum of American History.  Due to length restrictions of Garageband for iPad, her portion of the episode is broken into three parts--20a1, 20a2, and 20a3.  Marsha was also traveling for fiber adventures this week and the Two Ewes hope to be able to post "the B side" of episode 20 as well!   This series is brought to you raw and uneditied because we couldn't wait until we got home to share our adventures with you!  So if you are a new listener, first of all, welcome!  But also you may want to start with a more typical episode. Also, be sure to listen to these segments in order, starting with 20a1.  Don't forget to visit our blog at http://twoewesdyeing.blogspot.com

This is the third of three parts detailing Kelly's fiber adventures while she is in DC as an E. Kika de la Garza Fellow with the USDA.  She talks about what she is knitting during her travels, and she reviews the the current exhibit at the Textile Museum associated with The George Washington University.  She also talks about textiles at the Smithsonian Museum of American History.  Due to length restrictions of Garageband for iPad, her portion of the episode is broken into three parts--20a1, 20a2, and 20a3.  Marsha was also traveling for fiber adventures this week and the Two Ewes hope to be able to post "the B side" of episode 20 as well!   This series is brought to you raw and uneditied because we couldn't wait until we got home to share our adventures with you!  So if you are a new listener, first of all, welcome!  But also you may want to start with a more typical episode. Also, be sure to listen to these segments in order, starting with 20a1.  Don't forget to visit our blog at http://twoewesdyeing.blogspot.com

Dame Zandra Rhodes is one of Britain's best-known fashion designers, putting London at the forefront of the international fashion scene in the 1970s. Her extensive list of clients has included Princess Diana and Freddie Mercury. Rhodes now lives with her partner, the 94 year old film producer Salah Hassanein and former head of Warner Bros. In 2003 Zandra founded The Fashion and Textile Museum, the only museum in the UK solely dedicated to showcasing developments in contemporary fashion, as well as providing inspiration, support and training for those working in the industry. Since 2000 Zandra's career has diversified into designing sets and costumes for the opera. She first worked for San Diego Opera, who invited her to do costumes for The Magic Flute. After The Magic Flute, she was asked to design both sets and costumes for Pittsburgh Bizet's Pearl Fishers in 2004. Still the woman with the pink hair, Zandra joins Aasmah Mir and Richard Coles in the studio. Also in the studio is Chilly Gonzales, a classically trained pianist from Montreal, Canada. He's a composer, and self-proclaimed musical genius who has co-authored musicals; pursued an alternative rock career; set a Guinness records for longest-ever solo piano performance; tried his hand at rapping, soft rock, and electronic music as a solo artist; and collaborated with Daft Punk, Bjork and rapper Drake. He has made a career out of bridging the gap between classical and pop music. He lives in Cologne, Germany and has just released his new album, Chambers. From music to mullets. Hairdresser extraordinaire Jon-Paul Holt gave Kevin Keegan his curly perm, helped launch what became Europe's biggest chain of hairdressing salons and even sang in a band that played at The Cavern in the '60s. After leaving Liverpool for Canada where he set up two salons, he was awarded North American Hairdresser of the year in 1996. He set up his Avant Garde Hair Studio, where he has looked after the hair of film stars such as Meg Ryan and rock star friends like Vancouver's own Bryan Adams. Mark Cockram is a book binder and has bound books for seven Man-Booker prize award ceremonies. He was elected Fellow of Designer Bookbinders in 2001 and Brother of the Art Workers Guild in 2008. Member of the Society of Bookbinders and the Tokyo Bookbinding Club. After studying art and design at Lincolnshire College of Art, Mark worked as a free lance artist and designer. He discovered his passion for bookbinding and book arts whilst working in Paris restoring Art Deco loos. Sharing his Inheritance Tracks this week is Academy Award and Golden Globe nominee, Tom Conti. He inherits the Scarlatti Sonata in G major played by Yuja Wang and is passing on Piangerò la sorte mia sung by coloratura soprano Simone Kermes (from Handel's Giulio Cesare) Tom Conti is currently reprising his role in acclaimed courtroom play Twelve Angry Men and is on tour from Monday 13th April beginning in York. Producer: Maire Devine Editor: Karen Dalziel.

Libby Purves meets circus performers Alain and Antoine Carabinier; former police officer James Bannon; pianist James Rhodes and fashion designer Zandra Rhodes. Father and son Alain and Antoine Carabinier are members of Cirque Alfonse, a Canadian company which was formed in Quebec. They are performing at London's Southbank Centre in their show, Timber!, which is inspired by the remote forests where the family is based. Highlights of the show include axe juggling and stunts with lumberjack saws all set to traditional music from Quebec. Timber! is at Southbank Centre, London. James Bannon is a former police officer who went undercover as a hooligan to infiltrate Millwall Football Club back in the late Eighties. His book, Running with the Firm, tells of his experiences inside one of English football's most brutal and fearless gangs. He has since gone on to become an actor and a stand-up comedian. Running With The Firm is published by Ebury. James Rhodes is a classical pianist who has made a name for himself by performing in non-traditional classical venues. For a Channel 4 documentary, Notes from the Inside, he takes his piano into a psychiatric hospital, where he spent time himself, to perform for the patients. Notes from the Inside is part of Mad4Music, a classical music season on Channel 4. He is also playing at the Latitude Festival and at London's Soho Theatre. Zandra Rhodes is one of Britain's best-known fashion designers who helped put London at the forefront of the international fashion scene in the 1970s. To celebrate ten years of London's Fashion and Textile Museum - which she founded - she has created a new exhibition, Unseen. Through sketches, designs and garments, the exhibition shows how she has experimented with colour, print and fabric - as well as with her own image - over the last fifty years. Producer: Annette Wells.

San Jose Quilt and Textile Museum struts her stuff at their annual fundraising Gala. Visit the Museum at 520 South First Street San Jose, CA 95113 (they would also welcome a donation).