Podcasts about bloomsbury press

Today, and for the past several years, many people both here and abroad have been trying to make sense of the radical right and its financial and ideological grip on the Republican party. Why is it that so many Americans have turned against democracy? What explains the authoritarian reaction of so many American citizens, even when that reaction works so directly against their basic interests? How is it that this anti-democratic trend has escaped the explanatory frameworks of pundits and scholars alike? Perhaps we need to re-frame the narrative about the MAGA movement and the various constituencies that have somehow conspired to undermine democratic values and replace them with radical libertarian principles joined by theocratic, White nationalist, and anti-intellectual ideals. Addressing these concerns, Katherine Stewart has written Money, Lies, and God: Inside the Movement to Destroy American Democracy (Bloomsbury Press, 2025). Casting a light on the religious right's “Funders, Thinkers, Sergeants, Infantry, and Power Players,” Stewart recounts her effort “to record what I have seen and heard from the leaders and supporters of the antidemocratic movement in the auditoriums and breakout rooms at national conferences, around the table at informal gatherings of activists, in the living rooms of the rank and file, and in the pews of hard-line churches. The story features a rowdy mix of personalities: ‘apostles' of Jesus, atheist billionaires, reactionary Catholic theologians, pseudo-Platonic intellectuals, woman-hating opponents of ‘the gynocracy,' high-powered evangelical networkers, Jewish devotees of Ayn Rand, pronatalists preoccupied with a dearth of (White) babies, COVID truthers, and battalions of ‘spirit warriors' who appear to be inventing a new style of religion even as they set about undermining democracy at its foundations.” Over and against the idea that religion is a relatively insignificant factor in the rise of the radical political right, Stewart makes plain how Christian nationalism is “front and center” in the effort to solidify the power of the MAGA movement and Donald Trump's presidency. Richard B. Miller is the Laura Spelman Rockefeller Emeritus Professor of Religion, Politics and Ethics at the University of Chicago. He previously taught in the Department of Religious Studies at Indiana University where he also served as Director of the Poynter Center for the Study of Ethics and American Institutions. The author of numerous articles and books, the most of which is Why Study Religion? (NY: Oxford University Press, 2021). Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Today, and for the past several years, many people both here and abroad have been trying to make sense of the radical right and its financial and ideological grip on the Republican party. Why is it that so many Americans have turned against democracy? What explains the authoritarian reaction of so many American citizens, even when that reaction works so directly against their basic interests? How is it that this anti-democratic trend has escaped the explanatory frameworks of pundits and scholars alike? Perhaps we need to re-frame the narrative about the MAGA movement and the various constituencies that have somehow conspired to undermine democratic values and replace them with radical libertarian principles joined by theocratic, White nationalist, and anti-intellectual ideals. Addressing these concerns, Katherine Stewart has written Money, Lies, and God: Inside the Movement to Destroy American Democracy (Bloomsbury Press, 2025). Casting a light on the religious right's “Funders, Thinkers, Sergeants, Infantry, and Power Players,” Stewart recounts her effort “to record what I have seen and heard from the leaders and supporters of the antidemocratic movement in the auditoriums and breakout rooms at national conferences, around the table at informal gatherings of activists, in the living rooms of the rank and file, and in the pews of hard-line churches. The story features a rowdy mix of personalities: ‘apostles' of Jesus, atheist billionaires, reactionary Catholic theologians, pseudo-Platonic intellectuals, woman-hating opponents of ‘the gynocracy,' high-powered evangelical networkers, Jewish devotees of Ayn Rand, pronatalists preoccupied with a dearth of (White) babies, COVID truthers, and battalions of ‘spirit warriors' who appear to be inventing a new style of religion even as they set about undermining democracy at its foundations.” Over and against the idea that religion is a relatively insignificant factor in the rise of the radical political right, Stewart makes plain how Christian nationalism is “front and center” in the effort to solidify the power of the MAGA movement and Donald Trump's presidency. Richard B. Miller is the Laura Spelman Rockefeller Emeritus Professor of Religion, Politics and Ethics at the University of Chicago. He previously taught in the Department of Religious Studies at Indiana University where he also served as Director of the Poynter Center for the Study of Ethics and American Institutions. The author of numerous articles and books, the most of which is Why Study Religion? (NY: Oxford University Press, 2021). Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is the pod. We're joined by author Mike Miley to discuss his new book David Lynch's American Dreamscape, the dearly departed Lynch's incomparable Mulholland Dr. (2001), and uh, Sonic the Hedgehog. Find Mike's work at https://www.mikemiley.com/. He's on Bluesky at mikemiley and Instagram at mikecmiley. Check out David Lynch's American Dreamscape: Music, Literature, Cinema from Bloomsbury Press: https://www.bloomsbury.com/us/david-lynchs-american-dreamscape-9798765102893/ Follow us on Twitter, Bluesky, Instagram at youretallpod. Follow Ethan on Twitter/Bluesky at Mathissippi and Devin on Twitter/Bluesky at stalecooper. In heaven, everything is fine. We love you David.  

Pádraig returns to TENE with an update on the far-right in Ireland, and some previously undiscovered gems from Ireland's understudied domestic history of fascism. Pre-order her new book, Burn Them Out! A History of Fascism and the Far Right in Ireland available April 10th! Links: Preorder Burn Them Out! from Bloomsbury Press! Closing song: Building Up and Tearing England Down - The Mary Wallopers. Subscribe to patreon.org/tenepod @tenepod.bsky.social  + twitter.com/tenepod

Send us a textDiscover The Man Behind The Mutant Trumpet And Author Of, "Diffusing Music"#music #musician #composer #author #mutanttrumpetComposer/performer and author Ben Neill is the inventor of the Mutantrumpet, a hybrid electro-acoustic instrument, and is recognized as a musical innovator who “uses a schizophrenic trumpet to create art music for the people” (Wired Magazine). In his engaging new book Diffusing Music, released last month by Bloomsbury Press, Neill explores how technology is reshaping music, enabling unprecedented levels of creativity and transforming how we share and experience sound. From digital tools that let anyone become a music maker to AI systems that write, mix, and master songs, Neill breaks down how these advancements empower creators and reshape the relationship between artists and audiences. Part history, part personal story, and part look at what's next; Diffusing using Music is a must-read for anyone curious about the future of music.Buy the book: https://www.bloomsbury.com/us/diffusing-music-9798765109205/code: GLR AT8 for 20% discount Website: https://benneill.com/Facebook: https://www.facebook.com/ben.neill.10/X: https://x.com/ben_neillInstagram: https://www.instagram.com/mutantrumpetLinkedin: https://www.linkedin.com/in/ben-neill-a223342/TikTok: https://www.tiktok.com/ @mutantrumpet  Youtube: https://www.youtube.com/ @mutantrumpet  Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Ben Neill's new book Diffusing Music and musical democratization Composer/performer and author Ben Neill is the inventor of the Mutantrumpet, a hybrid electro-acoustic instrument, and is recognized as a musical innovator who “uses a schizophrenic trumpet to create art music for the people” (Wired Magazine). In his engaging new book Diffusing Music, released last month by Bloomsbury Press, Neill explores how technology is reshaping music, enabling unprecedented levels of creativity and transforming how we share and experience sound. From digital tools that let anyone become a music maker to AI systems that write, mix, and master songs, Neill breaks down how these advancements empower creators and reshape the relationship between artists and audiences. Part history, part personal story, and part look at what's next; Diffusing using Music is a must-read for anyone curious about the future of music. Link: https://www.bloomsbury.com/us/diffusing-music-9798765109205/ Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription. The best tool for getting podcast guests: https://podmatch.com/signup/phantomelectricghost Subscribe to our Instagram for exclusive content: https://www.instagram.com/expansive_sound_experiments/ Subscribe to our YouTube  https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRpr PEG uses StreamYard.com for our live podcasts https://streamyard.com/pal/c/6290085463457792 Get $10.00 Credit for using StreamYard.com when you sign up with our link RSS https://anchor.fm/s/3b31908/podcast/rss

Wir reden in dieser Folge über die Verbreitung von Missinformation, Desinformation und Fake News zum Thema Erderwärmung und Global Warming. Dabei beziehen wir uns auf die USA und schauen an, wie schon ab den 1970er bewusste Fehlinformation zum Thema verbreitet wurde und wie die als politische Strategie von den Republikanern seit spätestens den 1990er benutzt wurde. LiteraturProctor, R. N., & Schiebinger, L. (2008). Agnotology : the making and unmaking of ignorance.Müller, Ella: Die amerikanische Rechte und der Umweltschutz, Hamburg 2023.Zwischen zwei Deckeln: https://zwischenzweideckeln.de/058-merchants-of-doubt-von-naomi-oreskes-erik-m-conway/Oreskes, N., & Conway, E. M. (2010). Merchants of doubt : how a handful of scientists obscured the truth on issues from tobacco smoke to global warming (1. U.S. ed.). Bloomsbury Press.Keefe, Patrick Radden: Das Imperium der Schmerzen. Wie eine Familiendynastie die weltweite Opioidkrise auslöste, 2022.Oreskes, Naomi & Conway, Erik M.: Challenging Knowledge: How Climate Science Became a Victim of the Cold War. In: Proctor, Robert N. & Schiebinger, Londa: Agnotology. The Making & Unmaking of Ignorance. Stanford: Stanford University Press, 2008, pp. 55-90.

L'art contemporain a lui aussi sa géopolitique. À Paris, vient de se terminer Art Basel Paris ou Paris+ foire qui a succédé, il y a deux ans déjà à la FIAC, Foire Internationale d'Art Contemporain. L'occasion de se pencher sur les grandes tendances 2024 en matière d'Art Contemporain. 2023 avait connu un refroidissement notamment dû à la hausse des taux d'intérêt et à l'environnement géopolitique instable après deux années de vif rebond suite au choc de la pandémie de Covid-19. Certains évoquent une phase de recalibration du marché de l'art, de prudence. Il est vrai que d'instable l'environnement géopolitique est passé cet automne à chaotique. Regard.   Invités : Nathalie Obadia, galeriste spécialisée dans l'art contemporain, avec deux espaces à Paris et un à Bruxelles. Nathalie Obadia expose des artistes émergents et reconnus de la scène artistique contemporaine internationale.  Enseignante à Sciences Po. « Géopolitique de l'Art Contemporain »  éditions le Cavalier Bleu. « Figures de l'art contemporain », éditions le Cavalier Bleu, à paraître prochainement. Alain Quemin, professeur de sociologie de l'art à l'Université Paris VIII. Contributeur de la presse artistique. Son dernier ouvrage « Le monde des galeries. Art contemporain, structure du marché et internationalisation », éditions du CNRS.  Et en anglais chez Bloomsbury Press. 

Mike is a 2002 graduate of The U.S. Military Academy at West Point where he was commissioned as an officer and went on to serve three combat tours with the First Cavalry Division and 3rd Special Forces Group.  Mike continues to serve the nation as a Lt. Colonel in the U.S. Army Reserves, assigned to the United States Military Academy at West Point, where he is an Assistant Professor. He is the co-author of LEAD YOURSELF FIRST by Bloomsbury Press (2017).  Mike and his wife Genevieve live on a 32-acre farm in North Carolina, where they raise their five young children. Mike is helping organize a project slated for May 2025, where a group of 12 veterans will run from San Diego to DC in relay style. Endurance Training Simplified Series Zach's Low Carb Endurance Approach Series SFuels: sfuelsgolonger.com code: BITTER5 (FREE SAMPLE PACK LIMITED OFFER) Janji: janji.com code: Bitter10 LMNT: drinkLMNT.com/HPO deltaG: deltagketones.com - IG: @deltag.ketones Code: BITTER20 HPO Website: zachbitter.com/hposponsors Support HPO: zachbitter.com/hpo  Zach's Coaching: zachbitter.com/coaching Zach's Newsletter: substack.com/@zachbitter Find Zach: zachbitter.com - IG: @zachbitter - X/Tw: @zbitter - Substack: zachbitter.substack.com - FB: @zbitterendurance - Strava: Zach Bitter - TikTok: @zachbitter Mike: mikeerwin.net - teamrwb.org - IG: @erwinRWB - X: @erwinRWB - Linkedin: Mike Erwin

My recently released philosophy book, A Philosophy of Visual Metaphor in Contemporary Art, from Bloomsbury Press, features short descriptions of artists and their works which I find important to visual metaphor. Here is one, one of several times I discuss the great William Conger. Get the book and read it! But here is an excerpt. Link to page for my book on Bloomsbury Press: US: https://www.bloomsbury.com/us/philosophy-of-visual-metaphor-in-contemporary-art-9781350073838/ Europe: https://www.bloomsbury.com/uk/philosophy-of-visual-metaphor-in-contemporary-art-9781350073838/

Jon Grinspan has done something remarkable: in his new book, Wide Awake, he tells a thoroughly researched and brilliantly crafted story that may change your understanding of the origins of the American Civil War. In this episode, Jon joins us for a conversation about the Wide Awakes, the anti-slavery youth movement that played an instrumental role in electing Abraham Lincoln in 1860 and took part in some of the first acts of violence between pro and anti-slavery Americans in 1861. Jon also discusses the ways that the past and present interact in powerful ways, and how politics can evolve, step-by-step, into violence.   To quote Jon's recent article in The Smithsonian: “The most consequential political organization in American history….began when a few working-class kids designed a costume, which grew into a movement and ultimately an army. And it ended with a civil war.”   Dr. Jon Grinspan is a curator of political and military history at the National Museum of American History. His book Wide Awake: The Forgotten Force that Elected Lincoln and Spurred the Civil War is out May 14, 2024 from Bloomsbury Press. Click here to order your copy!   You can hear Jon's previous appearance on The Road to Now in episode #220 Processing the Past w/ John Grinspan.   This episode was edited by Gary Fletcher.

The Triplex Cinema will present author and cultural critic Philip Gefter along with a screening of “Who's Afraid of Virginia Woolf?” — Mike Nichol's award-winning film based on Edward Albee's play. Gefter will discuss his new book “Cocktails with George and Martha,” recently published to great acclaim by Bloomsbury Press, followed by a book-signing. Joining Gefter for conversation will be Lisa Schwarzbaum, former film critic of Entertainment Weekly Magazine.The event will take place at the Triplex at 3:00 pm on March 16.

“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week, we're shifting gears a bit with our guest Jane Savidge. Yes, there was a time when she was in a band called Kill Devil Hills, but ultimately she started a PR company called Savage & Best which promoted a slew of the biggest British bands of the 90s, including Suede, Pulp, Elastica, and so many others. There's even a legend that Jane coined the phrase “Britpop.” Her first book, Lunch With The Wild Frontiers: A History Of Britpop And Excess in 13 and a 1/2 Chapters, was a fantastic read. Her second book, Here They Come With Their Make Up On: Suede, Coming Up And More Adventures Beyond The Wild Frontiers, was released in 2022 and her third book on Pulp's “This is Hardcore” will be released March 7th. It's part of the brilliant 33 1/3 series from Bloomsbury Press.   You can order hernew book, "Pulp's This Is Hardcore" here. Musical credits: "Shelftop Speech" from Blue Dot Sessions Be sure to look out for my books, "Lived Through That" and "80s Redux" where ever you buy your books! You can find out more about my work and the 80s and 90s books at my website ⁠here. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a “bonus episode,” not part of our regular schedule, but a conversation that nonetheless deepens and expands the ideas about education that ground the podcast.  In mid-December, Bloomsbury Press published Responsibility, a book  authored by Dr. Barbara Stengle for their Philosophy of Education in Practice series.  To help launch the book, Barb decided to sit down with 4 colleagues and invite them to make sense of what she has said and done. 

Ming China in 1642 had suffered a series of disasters. Floods, and then drought had destroyed successive rice crops, sending the price of grain to astronomical levels. As one schoolteacher wrote: “There was no rice in the market to buy. Even if a dealer had grain, people passed by without asking the price. The rich were reduced to scrounging for beans or wheat, the poor for chaff or rotting garbage. Being able to buy a few pecks of chaff or bark was ecstasy.” The Ming Dynasty collapsed two years later. Timothy Brook, in his latest book The Price of Collapse: The Little Ice Age and the Fall of Ming China (Princeton University Press: 2023), points to environmental disaster as the spark that helped cause the Ming Dynasty's fall, relying on a history of surging prices to show how the over-275 year dynasty eventually fell to the Qing. In this interview, Timothy and I talk about inflation in Ming China, how it connects to climate change, and how short-term environmental shocks can cause a market to break down. Timothy Brook is professor emeritus of history at the University of British Columbia and a fellow of the British Academy. His many books include Great State: China and the World (Harper: 2020), Mr. Selden's Map of China: Decoding the Secrets of a Vanished Cartographer (Bloomsbury Press: 2013), and Vermeer's Hat: The Seventeenth Century and the Dawn of the Global World (Bloomsbury Publishing: 2009). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Price of Collapse. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception. The thrilling experience of tuning in to the live sounds of this new medium prompted strong affective responses in its listeners. This book introduces a new concept of "radiophilia," defined as the attachment to, or even a love of radio. Treating radiophilia as a dynamic cultural phenomenon, it unpacks the various pleasures associated with radio and its sounds, the desire to discover and learn new things via radio, and efforts to record, re-experience, and share radio. Surveying 100 years of radio from early wireless through to digital audio formats like podcasting, Carolyn Birdsall's Radiophilia (Bloomsbury Press, 2023) engages in debates about fandom, audience participation, listening experience, material culture, and how media relate to affect and emotions. Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception. The thrilling experience of tuning in to the live sounds of this new medium prompted strong affective responses in its listeners. This book introduces a new concept of "radiophilia," defined as the attachment to, or even a love of radio. Treating radiophilia as a dynamic cultural phenomenon, it unpacks the various pleasures associated with radio and its sounds, the desire to discover and learn new things via radio, and efforts to record, re-experience, and share radio. Surveying 100 years of radio from early wireless through to digital audio formats like podcasting, Carolyn Birdsall's Radiophilia (Bloomsbury Press, 2023) engages in debates about fandom, audience participation, listening experience, material culture, and how media relate to affect and emotions. Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception. The thrilling experience of tuning in to the live sounds of this new medium prompted strong affective responses in its listeners. This book introduces a new concept of "radiophilia," defined as the attachment to, or even a love of radio. Treating radiophilia as a dynamic cultural phenomenon, it unpacks the various pleasures associated with radio and its sounds, the desire to discover and learn new things via radio, and efforts to record, re-experience, and share radio. Surveying 100 years of radio from early wireless through to digital audio formats like podcasting, Carolyn Birdsall's Radiophilia (Bloomsbury Press, 2023) engages in debates about fandom, audience participation, listening experience, material culture, and how media relate to affect and emotions. Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In addition to denying the existence of a substantial, enduring self, Buddhists are usually understood to deny the existence of a God or gods. However, in Classical Theism and Buddhism: Connecting Metaphysical and Ethical Systems (Bloomsbury, 2022), Tyler Dalton McNabb and Erik Baldwin argue that there is conceptual space to affirm both basic Buddhist metaphysical claims and Classical Theism without contradiction. Their book argues that three fundamental commitments are generally agreed upon by Buddhists: all things are interdependent, impermanent, and empty of "own-being" (svabhāva). However, since Classical Theists like Aquinas deny that God—who is eternal, immutable, impassible, and metaphysically simple—is a thing among other things, accepting the existence of such a God poses no problem for a Buddhist. The book unpacks this thesis, also taking up historical Buddhist and contemporary philosophical objections to a divine being, arguing for a synthesis of Buddhist and theistic ethics and soteriology, and closing with a discussion of the problem of religious pluralism for Christians and Buddhists. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

À remonter le fil du temps, on constate qu'il y des aprioris très tranchés envers les roux. La femme rousse souffre d'un dérèglement interne, notamment de ses règles, raison pour laquelle sa chevelure porte cette couleur. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use.   Sources et pour aller plus loin: X. Fauche, Roux et rousses. Un éclat très particulier, Paris, Gallimard, 1997. J. Colliss Harvey, Red, A History of the Redhead, New York, Black Dog & Leventhal Publishers, 2015. E. Pauly, Rousses ! Les flamboyantes à travers l'Histoire, Noisy-le-Sec, Quai des brumes, 2018. V. André, La rousseur infamante, Histoire littéraire d'un préjugé, Bruxelles, Académie Royale de Belgique, 2012. V. André, Réflexions sur la question rousse, Paris, Tallandier, 2007. M. Pastoureau, « Tous les gauchers sont roux », Le Genre Humain, vol. 16-17, 1988, p. 343-354. M. Pastoureau, « Les roux sont faux et sentent mauvais », dans Histoire des préjugés, sous la dir. de J. Guérout et X. Maudit, Paris, Les Arènes, 2023, p. 69-73. M. Pastoureau, Rouge. Histoire d'une couleur, Paris, Points, 2019 (2016). M. Pastoureau, Figures et couleurs. Étude sur la symbolique et la sensibilité médiévales, Paris 1986. S. Jahan, Les Renaissances du corps, Paris, Belin, 2004. Pourquoi les roux puent ? | Léa Bello | Le Vortex #40 https://youtu.be/pUdJ5BphNz4?si=Gt1La3H37d0KmrhK A. Marshall, « La malédiction des roux, un lointain héritage de l'Égypte antique », Archéologia, no 574, 2019, p. 54-61. M. Kolopp, « Les Roux : mythes et réalités », thèse en médecine, Unité Louis-Pasteurm Faculté de médecine de Strasbourg, 1983. P. Lafargue, « Un rouquin à la tête de la cité ? Sur l'ambivalence de la rousseur chez les Anciens », Revue des Études Ancienne, t. 113, 2011, p. 365-390. R. Mellinkoff, « Judas's Red Hair and the Jews », Journal of Jewish Art, vol. 9, 1982, p. 31-46. https://www.jhom.com/topics/color/judas.htm P.F. Baum, « Judas's Red Hair », Journal of English and Germanic philology, 21, 1922, p. 520-529. A. Best, D.M. Heckert, « Ugly Duckling to Swan: Labeling Theory and the Stimatization of Red Hair », Symbolic Interaction Journal of the Society for the Study of Symbolic Interaction, vol. 20, 4, 1997, p. 365-384. S. Haskins, Mary Magdalen: Myth and Metaphor, New York, Riverhead, 1995. E. La Rose, The Big Redhead Book. Inside the Secret Society of Red Hair, St. Martin's Grififn, 2017. M. Roach, The Roots of Desire, the myth, meaning and power of red hair, Bloomsbury Press, 2005. Pourquoi les roux puent ? | Léa Bello | Le Vortex #40, https://youtu.be/pUdJ5BphNz4 N.R. Scott. An Esoteric History of Red Hair, 2018. C.C. Garnier, « Pourquoi déteste-t-on les roux ? », Slate, 15 mars 2018. https://www.slate.fr/societe/pourquoi-detester/pourquoi-deteste-on-roux-rousses-cliches-stereotypes Les roux dans l'histoire de l'art, É Étudiantes en L2 Histoire de l'art à l'université Paris 1, 2012 https://lesrouxdanslhistoiredelart.wordpress.com Les causes génétiques, les origines ethniques et l'histoire des cheveux roux. Maciamo Hay, https://www.eupedia.com/genetics/origine_des_cheveux_roux.shtml Les roux dans l'histoire: les 15 dates qui décoiffent! Février 2023, Jessica https://www.lavieenrousse.fr/prejuges/2640-les-roux-dans-lhistoire-les-15-dates-qui-decoiffent/ Roux: la couleur du défi, Isabelle Grégor, 2020 https://www.herodote.net/La_couleur_du_defi-synthese-2532.php Etre roux: une histoire de préjugés, février 2023, Jessica https://www.lavieenrousse.fr/prejuges/737-etre-roux-une-histoire-de-prejuges/ The unexpectedly violent history of red hair, Natasha Sheldon, march 2018 https://historycollection.com/unexpectedly-violent-history-red-hair/ The violent history of red hair, K.Thor Jensen, august 2017 https://medium.com/omgfacts/the-violent-history-of-red-hair-2c609aa485ac The mysterious history of red hair, Rachel Gibson, April 2021 https://therighthairstyles.com/history-of-red-hair/ Redheads have been Feared and Vilified Throughout History – Here's Why, Mar 1, 2019, S. Palace https://www.thevintagenews.com/2019/03/01/red-hair/ https://wp.unil.ch/aessp/2019/06/pourquoi-se-moque-t-on-des-roux/ M. Gasc, « Histoire de la rousseur, pourquoi les roux sont-ils pointés du doigt », Raconte-moi l'Histoire, 17 août 2019. http://www.racontemoilhistoire.com/2019/08/roux/ La malédiction des roux, un héritage de l'Egypte antique, ToutankaTube, 7 mai 2021. https://www.youtube.com/watch?v=_uGOmbh5_G0 The Redhead Onscreen | How We Respond To Difference, The Take Autres références disponibles sur demande #histoire #documentaire #roux #red-hair #ginger

We're firing up the zombie cars once again as we talk about The Fate of the Furious with Joshua Gulam, Fraser Elliott, and Sarah Feinstein, the co-editors of Full-Throttle Franchise! We talk about their book -- an academic book about Fast & Furious (published with Bloomsbury Press) -- where the idea came from, new descriptions and theories found within the text, and how they incorporate it (and the franchise) into the teaching. We also talk about the action highlights of The Fate of the Furious, how easy it was for Cipher to lure in Dom, and when the idea of "fate" was added to the screenplay. We explore some of the weirder lines of dialogue in Fate, whether our guests approve of Rita Ora's role in Fast & Furious 6, and who they'd cast as Papa Shaw. Also: we get three sets of rankings and three character quizzes! Email us: family@cageclub.me Visit our Patreon page at patreon.com/2fast2forever.  Show your support at the 2 Fast 2 Forever shop! Extra special shout-out to Alex Elonen, Nick Burris, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Mike Gallier, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above! Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

A Lasting Vision: Dandin's Mirror in the World of Asian Letters (Oxford University Press, 2023) is a collaborative, interdisciplinary volume that introduces a remarkably long-lasting poetic treatise, the Mirror on Literature (Kavyadarsha), whose impact extended far beyond its origins in the south of India in 700 CE. Editor Yigal Bronner does not merely collect distinct, single-authored essays but rather interweaves the voices of the other twenty-four contributors (and his own voice) through chapters that are edited collections in miniature, as typically the subsections are written by different authors who engage with each other's material. This unusual structure comes partly out of the book's treatment of a wide range of languages, regions, and methodologies. Dandin's treatise is in Sanskrit, but understanding it and its history requires Kannada, Pali, Prakrit, Tamil, Sinhala, Burmese, Bengali, and Chinese; it came from India but spread to Sri Lanka, Tibet, Mongolia, Burma, Bengal, Java, Bali, and China; engagement with the text includes both close readings of poetry and attention to theories of poetics, inquiries into direct commentary on the Mirror and investigations of resistance to it. This open-access work, the outcome of a decade's worth of collaboration, is intended to spark a new field--Dandin studies--and to prompt new approaches to the literary traditions across the complex of languages and cultures today known as "Asia." Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

This week, Michael has invited his good friend Baroness Bryony Worthington to guest-host Cleaning Up! Bryony was the lead author of the UK's ground-breaking 2008 Climate Change Act, and is now on sabbatical from her role in the House of Lords, where she has been scrutinising legislation. She's now over in California. See the shownotes below for a link to her appearance on Cleaning Up (episode 25!) Bryony is interviewing Naomi Oreskes, Henry Charles Lea Professor of the History of Science and Affiliated Professor of Earth and Planetary Sciences at Harvard University. A world-renowned earth scientist, historian and public speaker, she is the author of the best-selling book, Merchants of Doubt (2010) and a leading voice on the role of science in society, the reality of anthropogenic climate change, and the role of disinformation in blocking climate action. Her new book, with Erik Conway, is The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market, published by Bloomsbury Press. Links: Read Naomi and Erik's 2010 book Merchants of Doubt How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming here: https://www.amazon.co.uk/Merchants-Doubt-Handful-Scientists-Obscured/dp/1408824833Read Naomi's 2013 book Plate Tectonics: An Insider's History Of The Modern Theory Of The Earth here: https://www.amazon.co.uk/Plate-Tectonics-Insiders-History-Frontiers/dp/0813341329Read Naomi and Erik's 2014 book The Collapse of Western Civilization: A View From the Future here: https://www.amazon.co.uk/Collapse-Western-Civilization-View-Future/dp/023116954X Read Naomi's 2019 book Why Trust Science? here: https://www.amazon.co.uk/Trust-Science-University-Center-Values/dp/069117900X Read Naomi and Erik's brand new book The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market here: https://www.bloomsbury.com/us/big-myth-9781635573572/ Read Naomi's 2004 paper The Scientific Consensus on Climate Change here: https://www.science.org/doi/10.1126/science.1103618 Read the DeSmog article on heat pump disinformation here: https://www.desmog.com/2023/07/20/revealed-media-blitz-against-heat-pumps-funded-by-gas-lobby-group/  Related Episodes:Check out Bryony's appearance on Cleaning Up here: https://www.cleaningup.live/episode-25-bryony-worthington/  Guest Bio Naomi Oreskes is Henry Charles Lea Professor of the History of Science and Affiliated Professor of Earth and Planetary Sciences at Harvard University. A world-renowned earth scientist, historian and public speaker, she is the author of the best-selling book, Merchants of Doubt (2010) and a leading voice on the role of science in society, the reality of anthropogenic climate change, and the role of disinformation in blocking climate action. Oreskes is author or co-author of 9 books, and over 150 articles, essays and opinion pieces, including Merchants of Doubt (Bloomsbury, 2010), The Collapse of Western Civilization (Columbia University Press, 2014), Discerning Experts (University Chicago Press, 2019), Why Trust Science? (Princeton University Press, 2019), and Science on a Mission: American Oceanography from the Cold War to Climate Change, (University of Chicago Press, 2021). Merchants of Doubt, co-authored with Erik Conway, was the subject of a documentary film of the same name produced by participant Media and distributed by SONY Pictures Classics, and has been translated into nine languages. A new edition of Merchants of Doubt, with an introduction by Al Gore, was published in 2020. Her new book, with Erik Conway, is The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market, published by Bloomsbury Press

On his way to Rome to be martyred, Ignatius of Antioch urges the Christians there not to interfere with his impending fate: “Don't hinder me from living,” he wrote. “Let me attain the pure light; then I will be a human being.” Drawing on early Christian sources, especially the newly edited and translated volume, On the Human Image of God, by the fourth-century theologian St. Gregory of Nyssa, this workshop features John Behr, Natalie Carnes, and Thomas Breedlove exploring what it means for human beings to be made in the image of God. What does it look for human beings, as “images of the Image,” to be a work in progress—growing in Christ until we attain the “full measure of Christ.”The Very Rev. Dr. John Behr is Regius Professor of Humanity at the University of Aberdeen. He previously taught at St. Vladimir's Seminary, where he served as Dean from 2007-2017. He is a leading expert on the early church and has translated many seminal texts from the patristic era. His doctoral work focused on issues of asceticism and anthropology in St. Irenaeus of Lyons and Clement of Alexandria, and was published by Oxford University Press in 2000. Fr. John then began the publication of a series on the Formation of Christian Theology: The Way to Nicaea (SVS Press, 2001), and The Nicene Faith (SVS Press, 2003). Synthesizing these studies is the book The Mystery of Christ: Life in Death (SVS Press, 2003). Fr. John also edited and translated the fragments of Diodore of Tarsus and Theodore of Mopsuestia, setting them in their historical and theological context (OUP, 2011). Next, Fr. John published a more poetic and meditative work entitled Becoming Human: Theological Anthropology in Word and Image (SVS Press, 2013) and a full study of St. Irenaeus: St. Irenaeus of Lyons: Identifying Christianity (OUP, 2013). He then completed a new critical edition and translation of Origen's On First Principles, together with an extensive introduction (OUP, 2017), and John the Theologian and His Paschal Gospel: A Prologue to Theology (OUP, 2019). Most recently, he is the editor and translator of Gregory of Nyssa's On the Human Image of God (often titled, “On the Making of Humankind” or “De Hominis Opificio”) (OUP, 2023).Dr. Natalie Carnes is Professor of Theology at Baylor University. She holds a Ph.D. from Duke University, an M.A. in Religion from University of Chicago, and a B.A. from Harvard University in Comparative Religious Studies. A constructive theologian who reflects on traditional theological topics through somewhat less traditional themes, like images, iconoclasm, beauty, gender, and childhood, Natalie draws on literary and visual works as sites of theological reflection to explore questions of religious knowledge and authority. In addition to authoring articles in Modern Theology, Journal of Religion, and Scottish Journal of Theology, among other journals, she is the author of Beauty: A Theological Engagement with Gregory of Nyssa (Cascade, 2014), Image and Presence: A Christological Reflection on Iconoclasm and Iconophilia (Stanford University Press, 2017), and Motherhood: A Confession (Stanford University Press, 2020). For more information on events, blogposts, and other writings, you can visit her website: nataliecarnes.com.Dr. Thomas Breedlove is a Postdoctoral Fellow at Baylor University's Institute for Studies. He holds a Ph.D. in Theology from Baylor University, an M.Div. from Duke Divinity School, and a B.A. from the University of North Carolina-Chapel Hill. His primary research topics include issues of human nature, embodiment, and divine image in the fourth-century theology of Gregory of Nyssa and contemporary French phenomenology. He has published on these topics and theology and the arts in Modern Theology, St. Vladimir's Theological Quarterly, Religion and Literature, Literature and Theology, Political Theology, Anglican Theological Review, Heythrop Journal, and a forthcoming volume on phenomenology and art with Bloomsbury Press.

Late Classical Chinese Thought (Oxford University Press, 2023) is Chris Fraser's topically organized study of the Warring States period of Chinese philosophy, the third century BCE. In addition to well-known texts like the Zhuangzi, Xunzi, and Mencius, Fraser's book introduces readers to Lu's Annals, the Guanzi, the Hanfeizi, the Shangjun Shu, and excerpts from the Mawangdui silk manuscripts. Beginning with a chapter on "The Way," or the dao, Late Classical Chinese Thought explores topics in metaphysics, metaethics, ethics, political philosophy, epistemology, and philosophy of language and logic. By focusing on topics rather than texts, the book aims to show how philosophical discourse happened in the philosophically productive period of the third century. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Tarence Ray (Trillbilly Worker's Party) and the lads jot down their devotionals and sing praises to the mid-90s as they cover DC Talk's seminal 1995 grunge-as-worship album: Jesus Freak. Topics include the band's Liberty University origins, the impressive sonic palette, and what it takes to make art in the world of corporate evangelicalism. Tarence Ray - Twitter // Instagram // The Baffler // The Nation Trillbilly Worker's Party - Trillbilly Worker's Party is a podcast about a town called Whitesburg, Kentucky. Apple Podcasts // Spotify // Patreon Want more TWOAPW? Get access to our full back catalogue of premium/bonus episodes and add your name to the masthead of our website by subscribing for $5/month at Patreon.com/worstofall! Media Referenced in this Episode: Jesus Freak by DC Talk - Spotify // Apple Music 33 1/3's DC Talk's Jesus Freak by Will Stockton and D. Gilson. Bloomsbury Press, 2018. DC Talk: Jesus Freak-The Pitchfork Review by Brad Shoup. Pitchfork.com. August 1st, 2021. “Finding Hip-Hop's Sacred Ground” by Natalie Hopkinson. The Washington Post, April 20th, 2003. intermission: a decade of dc Talk. PAX TV Special. November 17th, 2000. Michael Tait thanks President Trump President Trump gives Michael Tait (of #NewsboysUnited) a shout out! TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com

In Vatsyāyāna's Commentary on the Nyāya-Sūtra: A Guide (Oxford University Press, 2023), Matthew Dasti unpacks a canonical classical Indian text, the Nyāyabhāṣya, while simultaneously demonstrating its relevance to contemporary philosphy. The commentary, the earliest extant on the Nyayasūtra, ranges over topics in metaphysics, epistemology, philosophy of language, dialectics, and value theory. Dasti's guide includes his own translations of selections of the text and engagement with select interpretive controversies, such as a focused treatment of Vatsyāyāna's approach to logic in an appendix. Another appendix includes a reading plan and survey of relevant scholarship for readers looking to learn more about Vatsyayana and early Nyāya. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Vatsyāyāna's Commentary on the Nyāya-Sūtra: A Guide (Oxford University Press, 2023), Matthew Dasti unpacks a canonical classical Indian text, the Nyāyabhāṣya, while simultaneously demonstrating its relevance to contemporary philosphy. The commentary, the earliest extant on the Nyayasūtra, ranges over topics in metaphysics, epistemology, philosophy of language, dialectics, and value theory. Dasti's guide includes his own translations of selections of the text and engagement with select interpretive controversies, such as a focused treatment of Vatsyāyāna's approach to logic in an appendix. Another appendix includes a reading plan and survey of relevant scholarship for readers looking to learn more about Vatsyayana and early Nyāya. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In the southern Philippines, the Bohol community speaks a language they say one man, Pinay, created long ago, leaving it for a modern Filipino named Mariano Datahan to rediscover and reenliven. The Last Language on Earth: Linguistic Utopianism in the Philippines (Oxford University Press, 2023) by Piers Kelly tells the story of the Eskayan language through linguistic, ethnographic, and historical analysis. Kelly investigates the origins of the Eskayan language as well as its role in political and conceptual controversies around language diversity and colonial contact. Carefully avoiding—and problematizing—dichotomies such as “real or fake,” “invented or natural,” the book explores not only the nature of Eskayan, its writing system, lexicon, and syntax, but also its relationship to other languages employed in the Philippines and to strategies of colonial resistance across Southeast Asia. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the southern Philippines, the Bohol community speaks a language they say one man, Pinay, created long ago, leaving it for a modern Filipino named Mariano Datahan to rediscover and reenliven. The Last Language on Earth: Linguistic Utopianism in the Philippines (Oxford University Press, 2023) by Piers Kelly tells the story of the Eskayan language through linguistic, ethnographic, and historical analysis. Kelly investigates the origins of the Eskayan language as well as its role in political and conceptual controversies around language diversity and colonial contact. Carefully avoiding—and problematizing—dichotomies such as “real or fake,” “invented or natural,” the book explores not only the nature of Eskayan, its writing system, lexicon, and syntax, but also its relationship to other languages employed in the Philippines and to strategies of colonial resistance across Southeast Asia. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the southern Philippines, the Bohol community speaks a language they say one man, Pinay, created long ago, leaving it for a modern Filipino named Mariano Datahan to rediscover and reenliven. The Last Language on Earth: Linguistic Utopianism in the Philippines (Oxford University Press, 2023) by Piers Kelly tells the story of the Eskayan language through linguistic, ethnographic, and historical analysis. Kelly investigates the origins of the Eskayan language as well as its role in political and conceptual controversies around language diversity and colonial contact. Carefully avoiding—and problematizing—dichotomies such as “real or fake,” “invented or natural,” the book explores not only the nature of Eskayan, its writing system, lexicon, and syntax, but also its relationship to other languages employed in the Philippines and to strategies of colonial resistance across Southeast Asia. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

In this episode we speak with Philosophy, Cosmology and Consciousness core faculty, Jack Bagby about his engagement with the philosophy of music, from Socrates, to Schopenhauer, and Bergson. We discuss Jack's recent PCC class called The Philosophy of Music and the Attunement of the Soul and dive into the complex ideas of these thinkers regarding the transformative powers of music. Jack explains how the ancient Greek's developed a complex set of tuning systems and alternative temperaments with powerful attributes and psychic properties, in which one can attune themselves to through the development of an affective psychology. Jack, and myself have been experimenting composing and improvising in these these modes and we share 3 pieces based on ancient Greek modes. PCC Forum with Jack Bagby: Tuning, Caring for, and Recollecting the Soul in Socrates' Swansongs Musical Compositions in the Episode by Jack Bagby and Jonathan Kay 1. A Paean of Apollo the Healer in Archytas' Dorian Diatonic 2. Ptolemy soft diatonic 3. A prelude to the compromises of universality. Ptolemy's Even Diatonic John (Jack) Bagby received his PhD. in philosophy from Boston College in 2021, and a B.A. in philosophy and ancient Greek language, from the Pennsylvania State University in 2013. Professor Bagby conducts research on the history of philosophy, focusing on problems related to consciousness, nature, and evolution. He has published in Epoché and Journal for the British Society of Phenomenology, on ancient Greek philosophy and phenomenology (especially Henri Bergson) and has strong research interests in Baruch Spinoza, 19th-20th century European philosophy, process philosophy, philosophy of music, and aesthetics. He is currently working on a translation of Bergson's 1902-3 Lectures at the Collège de France The History of The Idea of Time (Bloomsbury Press), and finishing up the manuscript of his monograph Integrals of Experience: Aristotle and Bergson. When thinking about complex concepts or solving textual problems, Jack loves to construct diagrams and concept maps. Between 2016-2018 he combined his love for creating visualizations with his love of Spinoza to create a website that maps the complex textual citations used in his magnum opus, the Ethics. The EWP Podcast credits East-West Psychology Podcast Website Connect with EWP: Website • Youtube • Facebook Hosted by Stephen Julich (EWP Core Faculty) and Jonathan Kay (PhD student, EWP assistant) Produced by: Stephen Julich and Jonathan Kay Edited and Mixed by: Jonathan Kay Introduction music: Mosaic, by Monsoon on the album Mandala Introduction Voiceover: Roche Wadehra Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode we speak with Philosophy, Cosmology and Consciousness core faculty, Jack Bagby about his engagement with the philosophy of music, from Socrates, to Schopenhauer, and Bergson. We discuss Jack's recent PCC class called The Philosophy of Music and the Attunement of the Soul and dive into the complex ideas of these thinkers regarding the transformative powers of music. Jack explains how the ancient Greek's developed a complex set of tuning systems and alternative temperaments with powerful attributes and psychic properties, in which one can attune themselves to through the development of an affective psychology. Jack, and myself have been experimenting composing and improvising in these these modes and we share 3 pieces based on ancient Greek modes. PCC Forum with Jack Bagby: Tuning, Caring for, and Recollecting the Soul in Socrates' Swansongs Musical Compositions in the Episode by Jack Bagby and Jonathan Kay 1. A Paean of Apollo the Healer in Archytas' Dorian Diatonic 2. Ptolemy soft diatonic 3. A prelude to the compromises of universality. Ptolemy's Even Diatonic John (Jack) Bagby received his PhD. in philosophy from Boston College in 2021, and a B.A. in philosophy and ancient Greek language, from the Pennsylvania State University in 2013. Professor Bagby conducts research on the history of philosophy, focusing on problems related to consciousness, nature, and evolution. He has published in Epoché and Journal for the British Society of Phenomenology, on ancient Greek philosophy and phenomenology (especially Henri Bergson) and has strong research interests in Baruch Spinoza, 19th-20th century European philosophy, process philosophy, philosophy of music, and aesthetics. He is currently working on a translation of Bergson's 1902-3 Lectures at the Collège de France The History of The Idea of Time (Bloomsbury Press), and finishing up the manuscript of his monograph Integrals of Experience: Aristotle and Bergson. When thinking about complex concepts or solving textual problems, Jack loves to construct diagrams and concept maps. Between 2016-2018 he combined his love for creating visualizations with his love of Spinoza to create a website that maps the complex textual citations used in his magnum opus, the Ethics. The EWP Podcast credits East-West Psychology Podcast Website Connect with EWP: Website • Youtube • Facebook Hosted by Stephen Julich (EWP Core Faculty) and Jonathan Kay (PhD student, EWP assistant) Produced by: Stephen Julich and Jonathan Kay Edited and Mixed by: Jonathan Kay Introduction music: Mosaic, by Monsoon on the album Mandala Introduction Voiceover: Roche Wadehra Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new contribution to the Bloomsbury Introductions to World Philosophies, Sikh Philosophy: Exploring Gurmat Concepts in a Decolonizing World (Bloomsbury, 2022), Arvind-Pal Singh Mandair introduces readers to a tradition often ignored by contemporary philosophers. While simultaneously arguing for the fecundity of Sikh categories and concepts from a philosophical vantage point, Mandair scrutinizes the characterization of Sikh ideas as unified -ism, also problematizing the philosophy/religion divide. And, at the same time as he tracks the historical and intellectual development of Sikh philosophy, examining the reasons for its marginalization, he introduces readers to the main contours of its epistemology, ontology, philosophy of mind, and ethics, in particular bioethics. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

This week marked the anniversary of what has been considered by many to be one of the most important cultural events of the twentieth century. Tonight, we try to recapture that moment and explore why its power to move still remains today. Journal entry:18th May, Thursday,“Is there anything more beautiful Than the softness Of April and May light While the clouds scramble For height Amid a sky of towering blue?”Episode Information:In this episode I read from:Charlie Connelly (2020) Last Train to Hilversum: A Journey in the search of the magic of radio published by Bloomsbury Press.Seán Street (2012) The Poetry of Radio: The colour of sound published by Routledge.The nightingale song was recorded by ‘reinsaba'. You can access the full recording at Freesound. With special thanks to our lock-wheelersfor supporting this podcast.Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life on the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

I'm continually amazed by the immensity of the world that a small poem can conjure. In just a few lines or words, or even just a line break, a poem can travel across time and space. It can jump from the minuscule to the incomprehensible vastness of the universe. And in these inventive leaps, it can create, in our minds, new ideas and images. It can help us see connections that were, before, invisible.John Shoptaw has conjured such magic with his poem, “Near-Earth Object,” combining the gravity of mass extinction on Earth with the quotidian evanescence of his sprint to catch the bus.John Shoptaw grew up in the Missouri Bootheel. He picked cotton; he was baptized in a drainage ditch; and he worked in a lumber mill. He now lives a long way from home in Berkeley, California, where I was lucky enough to visit him last summer. John is the author of the poetry collection, Times Beach, which won the Notre Dame Review Book Prize and the Northern California Book Award in poetry. He is also the author of On The Outside Looking Out, a critical study of John Ashbery's poetry. He teaches at the University of California, Berkeley.John has a new poetry collection coming out soon, also called Near-Earth Object.This episode of Chrysalis is part of the Chrysalis Poets series, which focuses on a single poems from poets who confront ecological issues in their work.You can listen on Substack, Apple Podcasts, and other podcast platforms.Please rate, review, and share to help us spread the word!John ShoptawJohn Shoptaw is a poet, poetry reader, teacher, and environmentalist. He was raised on the Missouri River bluffs of Omaha, Nebraska and in the Mississippi floodplain of “swampeast” Missouri. He began his education at Southeast Missouri State University and graduated from the University of Missouri at Columbia with BAs in Physics and later in Comparative Literature and English, earned a PhD in English at Harvard University, and taught for some years at Princeton and Yale.  He now lives, bikes, gardens, and writes in the Bay Area and teaches poetry and environmental poetry & poetics at UC Berkeley, where he is a member of the Environmental Arts & Humanities Initiative. Shoptaw's first poetry collection, Times Beach (Notre Dame Press, 2015), won the Notre Dame Review Book Prize and subsequently also the 2016 Northern California Book Award in Poetry; his new collection, Near-Earth Object, is forthcoming in March 2024 at Unbound Edition Press, with a foreword by Jenny Odell.Both collections embody what Shoptaw calls “a poetics of impurity,” tampering with inherited forms (haiku, masque, sestina, poulter's measure, the sonnet) while always bringing in the world beyond the poem. But where Times Beach was oriented toward the past (the 1811 New Madrid earthquake, the 1927 Mississippi River flood, the 1983 destruction of Times Beach), in Near-Earth Object Shoptaw focuses on contemporary experience: on what it means to live and write among other creatures in a world deranged by human-caused climate change. These questions are also at the center of his essays “Why Ecopoetry?” (published in 2016 at Poetry Magazine, where a number of his poems, including “Near-Earth Object,” have also appeared) and “The Poetry of Our Climate” (forthcoming at American Poetry Review).Shoptaw is also the author of a critical study, On the Outside Looking Out: John Ashbery's Poetry (Harvard University Press); a libretto on the Lincoln assassination for Eric Sawyer's opera Our American Cousin (recorded by the Boston Modern Orchestra Project); and several essays on poetry and poetics, including “Lyric Cryptography,” “Listening to Dickinson” and an essay, “A Globally Warmed Metamorphoses,” on his Ovidian sequence “Whoa!” (both forthcoming in Ovid's Metamorphoses and the Environmental Imagination at Bloomsbury Press in July 2023).“Near-Earth Object”Unlike the monarch, though the asteroid also slipped quietly from its colony on its annular migration between Jupiter and Mars, enticed maybe by our planetary pollen as the monarch by my neighbor's slender-leaved milkweed. Unlike it even when the fragrant Cretaceous atmosphere meteorized the airborne rock, flaring it into what might have looked to the horrid triceratops like a monarch ovipositing (had the butterfly begun before the period broke off). Not much like the monarch I met when I rushed out the door for the 79, though the sulfurous dust from the meteoric impact off the Yucatán took flight for all corners of the heavens much the way the next generation of monarchs took wing from the milkweed for their annual migration to the west of the Yucatán, and their unburdened mother took her final flit up my flagstone walkway, froze and, hurtling downward, impacted my stunned peninsular left foot. Less like the monarch for all this, the globe-clogging asteroid, than like me, one of my kind, bolting for the bus.Recommended Readings & MediaJohn Shoptaw reading from his collection Times Beach at the University of California, Berkeley.TranscriptionIntroJohn FiegeI'm continually amazed by the immensity of the world that a small poem can conjure. In just a few lines or words, or even just a line break, a poem can travel across time and space. It can jump from the minuscule to the incomprehensible vastness of the universe. And in these inventive leaps, it can create, in our minds, new ideas and images. It can help us see connections that were, before, invisible.John Shoptaw has conjured such magic with his poem, “Near-Earth Object,” combining the gravity of mass extinction on Earth with the quotidian evanescence of his sprint to catch the bus.I'm John Fiege, and this episode of Chrysalis is part of the Chrysalis Poets series.John Shoptaw grew up in the Missouri Bootheel. He picked cotton; he was baptized in a drainage ditch; and he worked in a lumber mill. He now lives a long way from home in Berkeley, California, where I was lucky enough to visit him last summer. You can see some of my photos from that visit at ChrysalisPodcast.org, alongside the poem we discuss on this episode.John is the author of the poetry collection, Times Beach, which won the Notre Dame Review Book Prize and the Northern California Book Award in poetry. He is also the author of On The Outside Looking Out, a critical study of John Ashbery's poetry. He teaches at the University of California, Berkeley.John has a new poetry collection coming out soon, also called Near-Earth Object.Here is John Shoptaw reading his poem, “Near-Earth Object.”---PoemJohn Shoptaw “Near-Earth Object”Unlike the monarch, thoughthe asteroid also slippedquietly from its colonyon its annular migrationbetween Jupiter and Mars,enticed maybe byour planetary pollenas the monarch by my neighbor'sslender-leaved milkweed.Unlike it even whenthe fragrant Cretaceousatmosphere meteorizedthe airborne rock,flaring it into what mighthave looked to the horridtriceratops like a monarchovipositing (had the butterflybegun before the periodbroke off). Not much likethe monarch I met when Irushed out the door for the 79,though the sulfurous dustfrom the meteoric impactoff the Yucatán took flightfor all corners of the heavensmuch the way the nextgeneration of monarchstook wing from the milkweedfor their annual migrationto the west of the Yucatán,and their unburdened mothertook her final flitup my flagstone walkway,froze and, hurtlingdownward, impactedmy stunned peninsularleft foot. Less likethe monarch for all this,the globe-clogging asteroid,than like me, one of my kind,bolting for the bus.---ConversationJohn Fiege Thank you so much. Well, let's start by talking about this fragrant Cretaceous atmosphere that metorizes the airborne rock, which is is really the most beautiful way I've ever heard of describing the moment when a massive asteroid became a meteor, and impacted the earth 66 million years ago, on the Yucatan Peninsula. And that led to the extinction of about 75% of all species on Earth, including all the dinosaurs. This, of course, is known as the fifth mass extinction event on earth now, now we're in the sixth mass extinction. But but this time, the difference is that the asteroid is us. And, and we're causing species extinctions at even a much faster rate than the asteroid impact did, including the devastation of the monarch butterfly, which migrates between the US and Mexico not far from the Yucatan where the asteroid hit. And in your poem, these analogies metaphors parallels, they all bounce off one another. parallels between extinction events between humans and asteroids between planets and pollen, between monarch eggs and meteors between the one I absolutely love is the annular migration of asteroids in the annual migration of monarchs. But in some ways, the poem puts forward an anti analogy a refutation of these parallels you know, you say multiple times things like unlike the, monarch unlike it, not much like the monarch less like the monarch. So So what's going what's going on here? You're you're giving us these analogies and then and then you're taking them away.John Shoptaw The ending of Near Earth Object is a culmination of fanciful comparisons. In this regard it resembles Shakespeare's Sonnet 130. And you probably know this, John, And that poem proceeds—Shakespeare's—through a series of negative similarities, which I call dis-similes. And at the end, the poem turns on a dime in the final couplet, which is, “and yet, by heaven, I think my love as rare as any she belied with false compare.” Now, I didn't have Shakespeare's poem in mind—probably good—when I wrote Near Earth Object, but I was certainly familiar with it. And my poem goes through a series of far-fetched similarities between a monarch butterfly and the Chicxulub asteroid, we follow the lifecycles of these two and then a third character, the first person I enters the poem comes out the door, and then gets, you know, hit by the asteroid monarch on penisular left foot. That turn at the end, to comparing the asteroid to me, one of my kind, would seem equally farfetched. What can I have to do with the globe-clogging asteroid? Before climate change, the answer would have been nothing. This poem couldn't have been understood, wouldn't have made sense. Now, we're caught out by the unlikely similarity that, you know, humankind has the geologically destructive potential of the life-altering asteroid.John Fiege I love that the idea of that turn partially because it's so much pulls out the power of poetry, and the power of poetic thinking, where, you know, so much environmental discourse is around rationality, of making rational, reasonable arguments about this is how things are, this is how things ought to be. But when you have this kind of turn, you're you're kind of highlighting the complexity, and the complicated nature of understanding these things, which are really complex. And it really, you know, in such a short poem, you can encapsulate so much of that complexity, which I think benefits our ultimate understanding of, of what we're grappling with, with these environmental questions.John Shoptaw Yeah, that's very well put. I think that this poem is a kind of psychological poem as well, and that I'm playing on the readers expectations. And I think the reader probably has less and less faith in this persona, who keeps keeps being lured into these weird comparisons between the asteroid and and the and the monarch butterfly. And then at the end, we're thinking, well, this, too, is absurd. And then we're caught up, like I say, and that's the psychological turn, you know, early on, when people and people still many people doubt. The existence of climate change. It's just  because of a matter of scale. How can we affect Mother Nature, right? It's so big, it's so overwhelming. It does what it wants. We're just little features on this big, big planet. So that it's so counterintuitive. So that's why yes, we grapple and this poem is meant to take you through that kind of experience. That without saying that explicitly, and I think that's something that, yeah, it sets this apart from both the psychological essay and an environmental essay,John Fiege Right the other line I want to pull out of this is slender leaved milkweed. Which I love. and there is a musicality to it. How do you about that? sonorous aspect of the poem and the musicality and the rhythm of it.John Shoptaw Yeah, Thank you for that question. Its one of the ways I beleive that poetry is like music. We do have a musicality and one of the wonderful things about poetry and music is that it it works below the level of meaning. A way a song often does. You know you often will before you even know all the words will get the song. And understand what the song is comunicating and sometimes I am communicating delicacy in slender leaved milkweed. Not only by the image, but by the sound. Its a quiet line. Whereas when I say airborne rock, that's very tight. And very definitive, like globe clogging asteroid or bolting for the bus. These are dynamics that I can play with, and I can accentuate them by changing the rhythms making to very hard plosive as an explosion, you know, b sounds far from each other. And this is something that poetry can do, that prose can't. So well. And that, you know, it's one reason why you have soundtracks and film to help bring things across.John Fiege Yeah, and then in the midst of, of some of these grand images that you have in the poem of like monarch colonies and asteroid colonies, there's also your presence, and the glimpse of them of what seems like a moment in your life, potentially, you run out the door and catch the 79 bus, which goes through Berkeley where you live. And and you encounter a monarch butterfly, which also has a California migration route. The monarch impacts your, as you say, stunned, peninsular left foot. And so now you're shifting the metaphor from human as asteroid to human as Yucatan peninsula, which is the site the site of the impact. And the way you you play with scale. In this poem, I find quite remarkable moving from the asteroid belt between Jupiter and Mars to your foot. And in your peninsular foot makes me feel as if humans are both the perpetrators of the sixth mass extinction, but also one of its victims. And so I was curious, was this moment with the butterfly is something that actually happened? And how do you understand it? In relation to that, you know, this small moment with the butterfly? How do you understand that in relation with the broader context of the poem?John Shoptaw Yeah, thank you. I, I think, one way I proceed. And in poetry, which is something like chance operations that John Cage and poets following John Cage would use as I become very receptive to things happening around me. And if something happens around me while I'm writing a poem, then it gets to come in the poem, at least I am receptive to that possibility. And as I was going for the bus one day, on the walkway, I came across a dead monarch butterfly was very startled to see it. And I thought, Oh, my God, that pet needs to be in the poem, this butterfly has fallen out of the sky like the asteroid. And so and it turned out that the third thing I needed to link our personal, small felt scale with the astronomical and the geological timescale. And it's exactly the problem of scale, both in space and time. I'm constantly zooming in and zooming out. I actually wrote one poem in which I compare this surreal or unreal feeling that we have, if not a knowledge but a feeling of climate change behind the weather as a hit the Hitchcock zoom, where the background suddenly comes into the foreground, right?John Fiege Yeah, and it seems like, you know, the problem of climate change is a problem of scale like, like it's so it's so foreign to our kind of everyday human senses of, of what is danger, and what is something we should be concerned about or care about it. And that problem of scale both, both spatially and temporally. It really prevents us from wrapping our heads around what it means and how to respond.John Shoptaw It does. That's our challenge. I take it as my challenge, for the kind of poetry I write. And I think of of poetry as a science of feelings. And one of the feelings I'm thinking about and trying to understand and work through is denial. You know, people usually think of denial as refusal, you refuse to admit, but look at the facts just face the facts. But as you say, climate is on such a different scale. It's often a problem of incomprehension.John Fiege Yeah, and I think this idea of denialism I mean, we tend to talk about it in very narrow terms of, you know, people of particular political persuasions deny the existence of climate change. And that's one like, very narrow view of denialism. But it really pervades everything in our culture, you know, anyone who eats a hamburger, or flies on a plane, or, or even turns on their, their heat in their house, you know, is is in is kind of implicated in some system of denial. That, you know, ultimately, our societies completely unsustainable. And we have to function we have to move forward, even though even if we know how problematic those various things are. And so just living in the world requires, you know, some sense of denialism.John Shoptaw It does, if you think of the word we commonly used today, adaptation, though, it's really another word for denial. If you see what I mean, we're, we're moving into accepting, partially accepting the reality as it is, so we can live into it. And again, if we think of relativity, flying less, not giving up flying, emitting less, not stopping all the way emissions on a dime, right, but moving as fast as we possibly can, these are things we can do and without being incapacitated by despair. And again, I think, you know, hope and despair are two other very fundamental concepts that poets if they're serious about feeling, can think about and think through and help people we understand.John Fiege Yeah, and I love this idea of impurity that you bring in. Not just with poetry, but, you know, I feel like environmentalism in general is, it's really susceptible to this kind of ideology of purity. And it becomes about, you know, checking all the boxes of, of, you know, lifestyle and beliefs and votes and all kinds of things where solutions, solutions don't come with some kind of attainment of purity. They come with it a shift of a huge section of the way the culture works. And that's never going to be perfect or consistent or anything. It's going to be imperfect, and it's going to be partial, but it can still move.John Shoptaw That's right. So when people say net zero, carbon offsets, recycling, this is all greenwashing. I say, listen to the word all. Yes, there is some greenwashing going on there. There is some self promotion and maintenance of one's corporate profile at work. But there's also good being done. You can recycle aluminum, and you get 90% aluminum back. You can recycle plastic, you get 50% back, but you still get 50% back.John Fiege Well, in the poem, you also give life to what we ordinarily see as inanimate objects. So let me let me reread a section of the poem enticed maybe by our planetary pollen as the monarch by my neighbor's slender leaves milkweed unlike it, even when the fragrant Cretaceous atmosphere media rised the airborne rock, flaring it into what might have looked to the horrid Triceratops like a monarch ovipositing. So in your words, the lifeless, inanimate asteroid is given life and a soul really? Why take it in that direction?John Shoptaw To make it real, to make it real for us. And you will see poets, giving a voice to storms to extreme weather events, seeing things from potentially destructive point of view. And that's what I was doing here is seeing things fancifully from the the meteor's point of view, but I wanted to give that personification to make the link that this is personal. What's happening at this scale, is still personal, it still has to do with us and links with us.John Fiege Yeah, and you wrote this great piece for Poetry Magazine called “Why Eco Poetry” and you bring up these these topics a bunch. And there's one line. I really love, you say, to empathize beyond humankind, eco-poets  must be ready to commit the pathetic fallacy and to be charged with anthropomorphism could could you explain this, this concept of John Ruskin's pathetic fallacy and how you've seen these issues play out?John Shoptaw I think Ruskin had certainly the good sense of what the natural world was. And many artists and poets laziness, when it came to the describing the natural world. storms were always raging, winds were always howling, the words were always that's really what he was getting at. And I appreciate that. You want to make these things real, right. But there is there is a place for pathetic fallacy. But on the other hand, strategically, we often need for that monologue of the lyric poem, to be overtaken by this larger voice, almost like a parental voice from on high, speaking to us and saying, Listen to me, this is real. This is happening. I'm out here. Right? So you've forced me to take over your poem and talk to you about anthropomorphism is, is related phenomenon. And it's it's a word that I, I still find useful and making us really consider and experience the outside world, the world, particularly of other creatures, as they actually are. However, it's a belief it's not a scientific idea. And the idea being that we are ascribing qualities or human qualities to animals or plants, or even inanimate objects, like like meteors. When in fact, when it comes to animals, for instance, we're often identifying qualities behaviors, actions, motivations, we share anyone who owns pets knows pet they have a range of feelings that to say, my dog is happy. My dog is bored. My dog is feeling bad because it feels it's disappointed me in some way, you know, these things are real. And you need to act accordingly to keep things going along. In the canine / human cup, you know, partnership that you have going there.John Fiege Yeah, Descartes must not have had any dogs or cats or ever encountered another animal besides a human in his life.John Shoptaw That's right. It's partly, you know, one feels, how can we know that other world? We shouldn't be so arrogant in our knowledge. And so it seems like we're being modest, and it's a good thing. And we have this anthropological attitude toward the relativity of, you know, consciousness. On the other hand, it's a form of denial, right? anthropomorphism is a form of denial of what we share and poets need to overcome that denial.John Fiege You mean, you mean anti-human anti-anthropomorphism?John Shoptaw Yeah, it's what I know. We don't have the language for it. We don't have that word of the problem.John Fiege Anti-anthropomorphism, it just slips right off your tongue.John Shoptaw That's right.John Fiege Well this point you make about anthropomorphism reminds me really strongly of a story. I've heard Jane Goodall tell many times, she was hired to observe chimpanzees in the wild, and she gave them names. But she was reprimanded by by many in the scientific community, who said, a researcher should use numbers to identify chimps or any other animals they're studying, because scientists must be dispassionate to not confuse animal behavior with human behavior. And she identifies one of her most significant contributions to science as recognizing the individuality and personality and really the souls of non human animals. And that recognition fundamentally changed. Our scientific understanding of chimps and other animals in allow these massive breakthroughs in the field. And you seem to be arguing that with poetry, we're in a similar place in relation to the Earth where we need to find a new language that allows us to empathize more profoundly with the other than human residence of the planet. Does that sound? Does that sound right to you?John Shoptaw Very much, and really, with thinking and realizing that I'm an animal, as a human being. brought on a conceptual paradigm shift for me, unlike anything I've experienced, in my adult life, everything changed. And when I think, what are the animals think about this? How are they dealing with climate change? Etc. It's always revelatory for me to ask that kind of question. I'm looking at a book by Jane Goodall right now on my shelf called the Book of Hope. And something I've been thinking about a lot in relation to this, because animals have not given up and they don't give up until they they have to. An animal with say, a song bird in the clutch of a hawk knows it's over, and you shut down in order to minimize the pain and suffering. They know that, but they know not to do that prematurely. And I think, you know, often we met we think of hope and despair, as antonyms, but they're very intertwined with each other. I mean, the word despair, contains hope. It means that the loss of hope and there as there is a sense of false hope, where you, you keep hoping beyond the point of hope, where reality tells you there's no point in hoping there's also what I would call a premature despair. I don't know if you have run across the Stockdale paradox. I find it helpful. There's a writer on Jim Collins, who talked to Admiral Stockdale who was taken prisoner of war in Vietnam. And he, he survived through seven years and several incidents of torture. And he said, he was asked by Jim Collins, well, who didn't survive? And he said, well, the optimists who said the optimists were saying, Oh, we're going to because we're gonna be led out by Christmas. In the winter that didn't happen and say, Oh, well, we'll be released by Easter. When that doesn't happen and Christmas comes around again. They die. They die of a broken heart.John Fiege Oh, wow. I have heard that in broad terms. I don't remember that story, though. That's great.John Shoptaw Yeah, and the paradox is that you have hope, which is resolute. It's not pie in the sky hope, but it's hope that faces reality. And it's hoped that is more like courage. It's more like resoluteness hope. Hope is not easy. And it does not deny despair, and even allows you to relax for a moment and maybe weep. Maybe you say, Oh, my God, it's over. Before you come back and say, No, I'm still here. I can still help I can do what I can.John Fiege Right, right. Yeah, and I love how you say that. Eco poetry can be anthropomorphic, but it cannot be anthropocentric, which which flips both of these assumptions that are so deeply embedded in our culture.John Shoptaw Now, maybe I could say something about anthropocentrism.John Fiege Yeah, for sure.John Shoptaw It's a word that, I think is maybe in the dictionary now, but maybe not so familiar word, but you know, thinking of everything in the world, a revolving around us and and the universe. We're the universe's reason for being right. That would be the kind of the strongest sense of anthropocentrismJohn Fiege Another another form of heliocentrism.John Shoptaw Yes, that's right. That's absolutely right. That's why I one reason why I, at the beginning of Near Earth Objects, see things for the asteroids point of view, right? To give that kind of scale, but also shifting perspective. On the other hand, lyric poetry is inevitably anthropocentric. We as humans are inevitably anthropocentric. So our moving out of anthropocentrism in poetry is always going to be relative and strategic, and rhetorical and persuasive, never absolute.John Fiege Right and totally. Well, another interesting issue you confront in the article is didacticism and the risks of moralism in eco-poetry. And in talking about this, you evoke two poets. The first is Archibald MacLeish, the renowned modernist poet who wrote "a poem should not mean but be." But then you write, poetics wasn't always this way, for Horace, a poem both pleases and instructs. And I feel like this issue of moralism, and didacticism goes way beyond poetry to encompass environmentalism more broadly. How can a poem please instruct without preaching and being didactic?John Shoptaw Yes, that's, that's a question. Where there's no single answer every poem, for me poses the question differently. And part of the excitement part of the experimental nature of poems is you find a new answer every time to that problem, how not to be preachy, but to leave readers in a different place at the end of the poem, than they were at the beginning. my poem to move people from unlike to less like., if I if I can get them there, in a poem, I have moved him in a way and that's enough for me.John Fiege Well, let's look at the end of the poem. You write less like the monarch for all this, the globe clogging asteroid than like me, one of my kind bolting for the bus? It seems in some ways that you might be settling on an analogy in the midst of of all these intersecting parallels, the asteroid is less like the monarch and more like us, us who have killed the monarchs. Where Where do you feel like the poem lands in terms of making a statement like this and and offering up many conflicting ideas that readers have to contemplate themselves?John Shoptaw What would I say? I think when it comes to guilt or responsibility, as I was saying before, we don't want to think in absolute terms, where I'm as guilty as Exxon, I am not. But I still am right. I am still part of this, this world. That monarch butterfly died naturally after it planted its eggs. Its its, its days, her days were numbered. So, that that is part of this. But yet, I do. I do want to say and this is part of, I think, part of the one of the gestures of poetry in the Anthropocene, the era of climate change, a gesture of saying, I take responsibility, I take responsibility. And this is, this is one of the problems of saying, I give up, you know, there's no point in doing any more. We don't have that option. It's irresponsible to give up to ever give up. So I still, though want to say, even something who that has global potential for damage is connected with me good little me, had taking taking the bus because I'm wondering, I'm one of humankind, and we have this destructive potential. And on the other hand, we have this corresponding responsibility.John Fiege Yeah. And looking back on the title of the poem, it feels as if we, as humans, have what you might call like, a dual contradictory existence? As, as both we're both Earth objects. And we're near Earth objects. Oh, what do you what do you think about that?John Shoptaw Yes, I do. I like that ambiguity. I think, one of the, one of the chances, and the happy accidents of the monarch appearing in my poem, as I was writing it, without planning to have a monarch in it, one of the accidents was to take the monarch also, as a Near Earth Object Near Earth Object is one of these scientific concepts of usually a very large object, like a, like a comet, or an asteroid entering the Earth's gravitational pull. With potentially hazardous effects. But, you know, it can be anything near the earth. And if you take object, also in the title as a goal, my object is to bring us near the earth. not have us simply abstract ourselves, how do we do that - we abstract ourselves by saying, we're special.John Fiege I really like that too, because that also ties into this question of scale. You know, you can be near the earth by being, you know, 1000 miles away. Or you can be near the earth by hovering, you know, centimeters over it. And it can be conceptual to, you can be oblivious to the fact that you live on Earth, or you can be extremely aware that you are of in within and near the earth at all times. Yeah, I really like that. That's beautiful. I love how so many meanings come from this tiny little poem?John Shoptaw Well, may I say I was not in a godlike position with this poem. For me. poems are like gardens and that they're less intended and tended, and they they grow of their own and I just tried to be the best collaborator with the poem that I can and not to ignore when it's trying to tell me something like, I need a monarch in here. Not to ignore that.John Fiege Yeah. Well, can you end by reading the poem once again. I can thank you very much.John Shoptaw Poem“Near-Earth Object”Unlike the monarch, thoughthe asteroid also slippedquietly from its colonyon its annular migrationbetween Jupiter and Mars,enticed maybe byour planetary pollenas the monarch by my neighbor'sslender-leaved milkweed.Unlike it even whenthe fragrant Cretaceousatmosphere meteorizedthe airborne rock,flaring it into what mighthave looked to the horridtriceratops like a monarchovipositing (had the butterflybegun before the periodbroke off). Not much likethe monarch I met when Irushed out the door for the 79,though the sulfurous dustfrom the meteoric impactoff the Yucatán took flightfor all corners of the heavensmuch the way the nextgeneration of monarchstook wing from the milkweedfor their annual migrationto the west of the Yucatán,and their unburdened mothertook her final flitup my flagstone walkway,froze and, hurtlingdownward, impactedmy stunned peninsularleft foot. Less likethe monarch for all this,the globe-clogging asteroid,than like me, one of my kind,bolting for the bus.ConversationJohn Fiege John, thank you so much for joining me today. This has been fabulous.John Shoptaw Thank you, John, for the opportunity. And I love conversing with you.---OutroJohn Fiege Thank you so much to John Shoptaw. Go to our website at ChrysalisPodcast.org, where you can read his poem “Near-Earth Object” and also see some of my photographs of him at his house in Berkeley and find our book and media recommendations.This episode was researched by Elena Cebulash and Brodie Mutschler and edited by Brodie Mutschler and Sofia Chang. Music is by Daniel Rodriguez Vivas. Mixing is by Sarah Westrich.If you enjoyed my conversation with John, please rate and review us on your favorite podcast platform. Contact me anytime at ChrysalisPodcast.org, where you can also support the project, subscribe to our newsletter, and join the conversation. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.chrysalispodcast.org

Season 2, Episode 4: "Can Anyone Tell If I'm A Virgin..." For transcripts, follow the link here   Please support our show! Please consider a tax-deductible donation to our podcast via the Foundation for Delaware County, a 501c3 organization.   Every purchase of RWQ merch also helps support our show!    Please rate and review us on Apple Podcasts–and tell your friends about us!   Show Notes:  Huge shout out to Mercury Stardust (https://mercurystardust.com/merctree), Jory (@alluringskull), and Point of Pride (https://www.pointofpride.org/about) who raised over $2 MILLION during a 30hr live stream / Tik-Tok-A-Thon to support gender-affirming care at the end of March! Historical Sources Blank, Hanne. Virgin: The Untouched History. Bloomsbury Press, 2007. Moslener, Sara. Virgin Nation: Sexual Purity and American Adolescence. New York: Oxford University Press, 2015. Reinarz, Jonathan. Past Scents: Historical Perspectives on Smell. University of Illinois Press, 2014. https://www.jstor.org/stable/10.5406/j.ctt7zw5zg. Rodriguez, Sara. "Restoring 'Virginal Conditions' and Reinstating the 'Normal': Episiotomy in 1920," in Heterosexual Histories, Rebecca Davis and Michele Mitchell, eds. (New York University Press, 2021), 303-330.   Medical References Rosa M. Laterza, Mario De Gennaro, Andrea Tubaro, Heinz Koelbl.  Female pelvic congenital malformations. Part I: embryology, anatomy and surgical treatment.  European Journal of Obstetrics & Gynecology and Reproductive Biology, Volume 159, Issue 1, 2011, Pages 26-34, Scarleteen https://www.scarleteen.com/ Jen Gunter's Twitter thread about hymens/virginity: https://twitter.com/DrJenGunter/status/1192143613947457537?s=20 Moussaoui, D., Abdulcadir, J. and Yaron, M. (2022), Hymen and virginity: What every paediatrician should know. J Paediatr Child Health, 58: 382-387. https://doi-org.ezproxy.library.wisc.edu/10.1111/jpc.15887 https://www.who.int/news/item/17-10-2018-united-nations-agencies-call-for-ban-on-virginity-testing Olson RM, García-Moreno C. Virginity testing: a systematic review. Reprod Health. 2017 May 18;14(1):61. doi: 10.1186/s12978-017-0319-0. PMID: 28521813; PMCID: PMC5437416.

An Indian Theory of Defeasible Reasoning: The Doctrine of upādhi in the Upādhidarpaṇa (Harvard University Press, 2022) is the first translation of this anonymous Navya-Nyāya treatise predating Gaṅgeśa. Eberhard Guhe's book includes a translation as well as an introduction to the important idea of upādhi, which vitiates inferential reasoning. (Suppose smoke accompanies fire only when the fuel being burnt is wet. This fact would be an upādhi for the inference “There is smoke on the mountain because there is fire on the mountain,” since smoke's existence doesn't guarantee fire.) In his quest to define the upādhi as a vitiator of inferential reasoning, the author of the Upādhidarpaṇa takes a controversial position on self-dependence, that the general defining characteristic of an upādhi is property of itself, which Guhe explicates as a non-wellfounded property concept. Beyond the English translation and edition of the Sanskrit text, An Indian Theory of Defeasible Reasoning introduces readers to the basics of Nyāya epistemology and logic, beginning with the idea of inference in early texts and moving through more sophisticated reconstructions by comparison with enumerative induction and set-theoretic approaches to logic. Malcolm Keating is Associate Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit works of philosophy in Indian traditions, in the areas of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras & Stuff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Last episode, I discussed the ins-and-outs of the front cover of my new book from Bloomsbury Press, A Philosophy of Visual metaphor in Contemporary Art. This episode we have a few discussion points about the recommendation blurbs on the back cover by three very important and creative scholars Dr Daniel F. Ammann, Dr James Elkins, and Dr Philip Ursprung. Link to page for the book on Bloomsbury Press: US: https://www.bloomsbury.com/us/philosophy-of-visual-metaphor-in-contemporary-art-9781350073838/ Europe: https://www.bloomsbury.com/uk/philosophy-of-visual-metaphor-in-contemporary-art-9781350073838/

A year into Russia's invasion of Ukraine and nine years since its annexation of Crimea and occupation of Ukraine's far east, why are so many Russians still behind this brutal and disastrous project? Where are the mass protests? Why is President Vladimir Putin still apparently popular and secure? In Russia's War (Polity Press, 2023), Jade McGlynn uses a decade of research into Russia's politics of memory and propaganda and close to 60 post-invasion interviews with prominent Russians to explain why: "historical nationalism" and an autocratic method that breeds a special form of apathy. “The risk and pointlessness sit on people's resolve like a sediment, deliberately laid and carefully layered over the years," she writes. Jade McGlynn is a Leverhulme Early Career Post-Doctoral Fellow at the Department of War Studies at King's College London. A frequent contributor to the BBC, Deutsche Welle, The Telegraph and The Spectator her next book – Memory Makers: The Politics of the Past in Putin's Russia – will be published by Bloomsbury Press in June. *Her own book recommendations are The Naked Year by Boris Pilnyak (Ardis, 2013 - translated by Alexander Tulloch, first published in Russian in 1922) and The Long Hangover: Putin's New Russia and the Ghosts of the Past by Shaun Walker (OUP, 2018). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the Twenty-Four Two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A year into Russia's invasion of Ukraine and nine years since its annexation of Crimea and occupation of Ukraine's far east, why are so many Russians still behind this brutal and disastrous project? Where are the mass protests? Why is President Vladimir Putin still apparently popular and secure? In Russia's War (Polity Press, 2023), Jade McGlynn uses a decade of research into Russia's politics of memory and propaganda and close to 60 post-invasion interviews with prominent Russians to explain why: "historical nationalism" and an autocratic method that breeds a special form of apathy. “The risk and pointlessness sit on people's resolve like a sediment, deliberately laid and carefully layered over the years," she writes. Jade McGlynn is a Leverhulme Early Career Post-Doctoral Fellow at the Department of War Studies at King's College London. A frequent contributor to the BBC, Deutsche Welle, The Telegraph and The Spectator her next book – Memory Makers: The Politics of the Past in Putin's Russia – will be published by Bloomsbury Press in June. *Her own book recommendations are The Naked Year by Boris Pilnyak (Ardis, 2013 - translated by Alexander Tulloch, first published in Russian in 1922) and The Long Hangover: Putin's New Russia and the Ghosts of the Past by Shaun Walker (OUP, 2018). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the Twenty-Four Two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

A year into Russia's invasion of Ukraine and nine years since its annexation of Crimea and occupation of Ukraine's far east, why are so many Russians still behind this brutal and disastrous project? Where are the mass protests? Why is President Vladimir Putin still apparently popular and secure? In Russia's War (Polity Press, 2023), Jade McGlynn uses a decade of research into Russia's politics of memory and propaganda and close to 60 post-invasion interviews with prominent Russians to explain why: "historical nationalism" and an autocratic method that breeds a special form of apathy. “The risk and pointlessness sit on people's resolve like a sediment, deliberately laid and carefully layered over the years," she writes. Jade McGlynn is a Leverhulme Early Career Post-Doctoral Fellow at the Department of War Studies at King's College London. A frequent contributor to the BBC, Deutsche Welle, The Telegraph and The Spectator her next book – Memory Makers: The Politics of the Past in Putin's Russia – will be published by Bloomsbury Press in June. *Her own book recommendations are The Naked Year by Boris Pilnyak (Ardis, 2013 - translated by Alexander Tulloch, first published in Russian in 1922) and The Long Hangover: Putin's New Russia and the Ghosts of the Past by Shaun Walker (OUP, 2018). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the Twenty-Four Two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

A year into Russia's invasion of Ukraine and nine years since its annexation of Crimea and occupation of Ukraine's far east, why are so many Russians still behind this brutal and disastrous project? Where are the mass protests? Why is President Vladimir Putin still apparently popular and secure? In Russia's War (Polity Press, 2023), Jade McGlynn uses a decade of research into Russia's politics of memory and propaganda and close to 60 post-invasion interviews with prominent Russians to explain why: "historical nationalism" and an autocratic method that breeds a special form of apathy. “The risk and pointlessness sit on people's resolve like a sediment, deliberately laid and carefully layered over the years," she writes. Jade McGlynn is a Leverhulme Early Career Post-Doctoral Fellow at the Department of War Studies at King's College London. A frequent contributor to the BBC, Deutsche Welle, The Telegraph and The Spectator her next book – Memory Makers: The Politics of the Past in Putin's Russia – will be published by Bloomsbury Press in June. *Her own book recommendations are The Naked Year by Boris Pilnyak (Ardis, 2013 - translated by Alexander Tulloch, first published in Russian in 1922) and The Long Hangover: Putin's New Russia and the Ghosts of the Past by Shaun Walker (OUP, 2018). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the Twenty-Four Two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Today, I'm sitting down with Dr. Jason Gilmore, Associate Professor of Communication Studies at Utah State University to discuss his recently published Bloomsbury Press book written with Charles Rowling, Exceptional Me: How Donald Trump Exploited the Discourse of American Exceptionalism (Bloomsbury, 2021). Donald Trump has forged a unique relationship with American exceptionalism, parting ways with how American politicians have long communicated this idea to the American public. Through systematic comparative analyses, this book details the various ways that Trump strategically altered and exploited the discourse of American exceptionalism to elevate not the nation, but himself personally, professionally, and politically.  Jason Gilmore and Charles Rowling call this Trump's Exceptional Me Strategy and they document how it made Trump different from every president in modern American history. Beginning with the 2016 election, the authors show how Trump broke with tradition and instead of championing American exceptionalism, he actively portrayed the nation as an un-exceptional mess in need of a savior. Placing blame at the feet of politicians-both Democrats and Republicans-for America's decline, Trump set himself up to be seen as the one person who could “Make America Exceptional Again.” The authors then document how throughout his presidency and the 2020 presidential election Trump sought to convince Americans that he was the exceptional president, making the case at every turn how American exceptionalism had returned under his presidency and that he, and he alone, was to thank for it. Gilmore and Rowling illustrate how from the outset Trump's conception of American exceptionalism had almost nothing to do with the country's institutions, ideals, or its people. Dr. Julia M. Gossard is Associate Dean for Research in the College of Humanities and Social Sciences and Associate Professor of History at Utah State University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, I'm sitting down with Dr. Jason Gilmore, Associate Professor of Communication Studies at Utah State University to discuss his recently published Bloomsbury Press book written with Charles Rowling, Exceptional Me: How Donald Trump Exploited the Discourse of American Exceptionalism (Bloomsbury, 2021). Donald Trump has forged a unique relationship with American exceptionalism, parting ways with how American politicians have long communicated this idea to the American public. Through systematic comparative analyses, this book details the various ways that Trump strategically altered and exploited the discourse of American exceptionalism to elevate not the nation, but himself personally, professionally, and politically.  Jason Gilmore and Charles Rowling call this Trump's Exceptional Me Strategy and they document how it made Trump different from every president in modern American history. Beginning with the 2016 election, the authors show how Trump broke with tradition and instead of championing American exceptionalism, he actively portrayed the nation as an un-exceptional mess in need of a savior. Placing blame at the feet of politicians-both Democrats and Republicans-for America's decline, Trump set himself up to be seen as the one person who could “Make America Exceptional Again.” The authors then document how throughout his presidency and the 2020 presidential election Trump sought to convince Americans that he was the exceptional president, making the case at every turn how American exceptionalism had returned under his presidency and that he, and he alone, was to thank for it. Gilmore and Rowling illustrate how from the outset Trump's conception of American exceptionalism had almost nothing to do with the country's institutions, ideals, or its people. Dr. Julia M. Gossard is Associate Dean for Research in the College of Humanities and Social Sciences and Associate Professor of History at Utah State University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Today, I'm sitting down with Dr. Jason Gilmore, Associate Professor of Communication Studies at Utah State University to discuss his recently published Bloomsbury Press book written with Charles Rowling, Exceptional Me: How Donald Trump Exploited the Discourse of American Exceptionalism (Bloomsbury, 2021). Donald Trump has forged a unique relationship with American exceptionalism, parting ways with how American politicians have long communicated this idea to the American public. Through systematic comparative analyses, this book details the various ways that Trump strategically altered and exploited the discourse of American exceptionalism to elevate not the nation, but himself personally, professionally, and politically.  Jason Gilmore and Charles Rowling call this Trump's Exceptional Me Strategy and they document how it made Trump different from every president in modern American history. Beginning with the 2016 election, the authors show how Trump broke with tradition and instead of championing American exceptionalism, he actively portrayed the nation as an un-exceptional mess in need of a savior. Placing blame at the feet of politicians-both Democrats and Republicans-for America's decline, Trump set himself up to be seen as the one person who could “Make America Exceptional Again.” The authors then document how throughout his presidency and the 2020 presidential election Trump sought to convince Americans that he was the exceptional president, making the case at every turn how American exceptionalism had returned under his presidency and that he, and he alone, was to thank for it. Gilmore and Rowling illustrate how from the outset Trump's conception of American exceptionalism had almost nothing to do with the country's institutions, ideals, or its people. Dr. Julia M. Gossard is Associate Dean for Research in the College of Humanities and Social Sciences and Associate Professor of History at Utah State University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The podcast is back after a break of about one year. I was extremely wrapping up my book titled A Philosophy of Visual Metaphor in Contemporary Art for Bloomsbury Press. This is the first of an arc of podcast episodes where I will be working my way somewhat improvisationally through the book. Not reading it out-loud, though. I will go through and find certain details, points, examples, artists and ideas that I want to expand on or use as springboards. Bloomsbury link: https://www.bloomsbury.com/uk/philosophy-of-visual-metaphor-in-contemporary-art-9781350073838/

David Rothenberg is a writer, philosopher, ecologist, and musician, speaking out for nature in all aspects of his diverse work. He investigates the musicality of animals and the role of nature in philosophy, with a particular interest in understanding other species by making music with them. As a professor of philosophy and music at the New Jersey Institute of Technology, he “teaches engineers nonquantifiable things.” He is also an acclaimed composer and jazz clarinetist known for his integration of world music with improvisation and electronics. Originally intending to be a scientist, music pulled Rothenberg away during his high school years – ultimately becoming the modality through which he would explore nature and deep ecology. Looking back at those high school years of the 1970s, Rothenberg told The New York Times, "I was influenced by saxophonist Paul Winter's Common Ground album, which had his own compositions with whale and bird sounds mixed in. That got me interested in using music to learn more about the natural world." As an undergraduate at Harvard, Rothenberg created his own major to combine music with communication. He traveled in Europe after graduation, playing jazz clarinet. Listening to the recorded song of a hermit thrush, he heard structure that reminded him of a Miles Davis solo. Because of Rothenberg's study of animal song and his experimental interactions with animal music, he is often called an "interspecies musician." He is said to "explore the sounds of all manner of living things as both an environmental philosopher and jazz musician." Rothenberg's book Why Birds Sing: A Journey into the Mystery of Bird Song (Basic Books 2005) was inspired by an impromptu duet in March 2000 with a laughingthrush at the National Aviary in Pittsburgh. A CD accompanying the book also featured Rothenberg's duet with an Australian lyrebird. The book served as the basis for a 2006 feature-length BBC documentary of the same name. His next book, Thousand Mile Song (Basic Books 2008), reflects similar curiosity about whale sounds considered as music, from which both scientific and artistic insights emerge. It was turned into a film for French television. Philip Hoare of The London Telegraph said of the book, "while Rothenberg's madcap mission to play jazz to the whales seems as crazy as Captain Ahab's demented hunt for the great White Whale, it is sometimes such obsessions that reveal inner truths...I find myself more than a little sympathetic to the author's faintly bonkers but undoubtedly stimulating intent: to push at the barriers between human history and natural history." His book Survival of the Beautiful: Art, Science and  Evolution (Bloomsbury Press 2011) was described by the journal Nature as exploring the theme that beauty is not random but is intrinsic to life—and that evolution proceeds by sumptuousness, not by utility alone.  His remarkable output in books is matched by his creative output in other areas. As a composer and jazz clarinetist, Rothenberg has sixteen CDs out under his own name over the past 30 years. His 2020 releases include In the Wake of Memories and They Say Humans Exist, named best jazz album of the year by Stereo+ Magazine in Norway. He has performed or recorded with Peter Gabriel, Pauline Oliveros, Ray Phiri and Suzanne Vega. As a musician, Rothenberg tries to blend the indigenous energy of the world's primal music with the exploratory spirit of improvisation. He has studied jazz clarinet professionally, as well as Tibetan ritual wind music in Nepal and folk music in Norway. Since 2014, Rothenberg has been an Ambassador of the international non-governmental humanitarian mission, the Dolphin Embassy, participating in non-invasive research of the possibilities of free dolphins and whales – playing music for them. In 2017, the Dolphin Embassy released the full-length documentary Intraterrestrial, which received awards from international film festivals. The film's soundtrack features music by Rothenberg. Links to his extensive work, global press coverage, and extended recognition can be found on his website. Please join us in conversation with this remarkable philosopher and interspecies musician who combines art and science to make nature come alive in remarkable ways!

Trained as an actress and theatrical director, Marian has spent over 30 years designing and delivering playful social therapeutic workshops and programs.  An accomplished improvisational actor, Marian has performed improv comedy with This is Your Ridiculous Life and The Proverbial Loons, stand-up comedy at Caroline's Comedy Club (NYC), and traveled to Central America exploring humanitarian clowning with her clown mentor, Dr. Patch Adams. A lifelong community organizer, and longtime builder of the nonprofit All Stars Project, Marian has taught improvisation to non-actors of all ages from the poor communities of color at the All Star's free university-style school in New York City. She is a co-founder and Artistic Associate of the Castillo Theatre.  As a faculty member of the East Side Institute, her joyful and philosophical sessions during International Class residencies have impacted activists, educators and scholars from around the world who are looking for ways to infuse their work with the power of performance.  She is the co-author (with Carrie Lobman) of “Playing Around with Changing the World,” a chapter about this work in The Applied Improvisation Mindset, Bloomsbury Press (2021). Her website: https://www.marianrich.com Her next workshop - Collage Play: https://www.eventbrite.com/e/collage-play-tickets-429349735617 Info about Nippy Bottoms Is Not Going Back to Normal: https://www.marianrich.com/blog/nippy-bottoms

Minter Dialogue with Ian MacRae Ian MacRae is a work psychologist and psychometrician, author of six books, including the recent award-winning, "Dark Social, Understanding the darker side of work, personality and social media," published by Bloomsbury Press. In this discussion, we explore some of the core concepts in his book, how social media shapes behaviors, defining one's true self off- and online, self-responsibility, the difference between management by surveillance, oversight or for performance and the trickiness of hybrid work.  If you've got comments or questions you'd like to see answered, send your email or audio file to nminterdial@gmail.com; or you can find the show notes and comment on minterdial.com. If you liked the podcast, please take a moment to rate/review the show on RateThisPodcast. Otherwise, you can find me @mdial on Twitter.