Podcast appearances and mentions of Jackie Wilson

Sintonía: "Come On Baby" - The Youngtones"That´ll Be The Day" - Buddy Holly & The Crickets; "Hey Baby Let´s Go Downtown" - Joe Therrien & His Rockets; "Reet Petite" - Jackie Wilson; "Watch Your Step" - Chuck & Bill; "This Is It" - The Paris Brothers; "Ten Little Women" - Terry Noland; "Early In The Morning" - The Ding Dongs; "Is That All To The Ball Mr. Hall" - Billy Lee Riley; "The Wild One" - Johnny O´Keefe; "Lookie Lookie Lookie" - Ronnie Smith; "Not Fade Away" - Buddy Holly & The Crickets; "Hey Ruby" - Arthur Osborne; "That´s Why (I Love You So)" - Jackie Wilson; "Cast Iron Arm" - Peanuts Wilson; "I Wanna Bop" - Billy Harlan; "Listen Kitten" - Freddie Neil; "When Sin Stops" - Waylon Jennings; "When You Ask About Love" - The Crickets; "Whistle My Love" - The PipsEscuchar audio

GRAMMY®  Nominated Artist with an Amazing Life Journey! He started from Humble Upbringing in a Foster Home @ not Knowing He was he Son of a Legendary singer till he was into Adulthood.Bobby Brooks Wilson, " Mr. Entertainment", is the son of Legendary R&B/Soul Singer, Jackie Wilson. Bobby shares the same amazing traits and talents of his father; many say Jackie's legacy lives on through him. His adoring fans have dubbed him as “Mr. Entertainment” from his natural ability to entertain and bring crowds to life.One of His Best Hit's is "I Can't Love You Any More".The Four Tops, Jackie Wilson, Bruno Mars, Paul Revere & many More Music Artists  he mentions in  his Music JourneyAfter a stint in the Navy, Bobby's musical journey began in Honolulu, Hawaii. He was invited to join the world-famous Doo-Wop Group “The Love Notes” by Papa Mars and son, Little Bruno (now known as Pop Star Bruno Mars.)While Bobby was emerging as an entertainer, he came across many opportunities to recreate the persona of Jackie Wilson because of his uncanny resemblance, voice, and moves that were almost identical to Jackie's. During this time, he learned that he was actually Jackie Wilson's biological son!Since that time, Bobby has emerged into a Global Entertainer with his own shows including: “Jackie Wilson, The Legacy Continues,” “Bobby Brooks Wilson, The Motown Years,” and his latest show, “Bobby Brooks Wilson's Red Tie Tour.”Bobby has opened for his friend Bruno Mars, and now stars in Clubs, Theaters, Casinos, and Cruise Ships around the world. Many watch with anticipation as Bobby Brooks Wilson's success continues to soar through the “Grace of God”, he says as the singer, the entertainer and the artist!© 2025 All Rights Reserved© 2025 BuildingAbundantSuccess!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Phil & David love it when they're Cruisin' together with the great Smokey Robinson and their buddy Brad Paisley. Hear great stories about The Temptations, The Funk Brothers, Smokey's late great guitarist and co-writer Marv Tarplin, Jackie Wilson, Marvin Gaye, the amazing stories of how Smokey and Stevie Wonder created "Tears of a Clown," how Berry Gordy went to incredible lengths to make The Miracles' "Shop Around" sell, plus Brad's amazing story of how Charlie Pride changed his life. And to learn more about Smokey's new album, "What The World Needs Now" which will be released April 25th and upcoming tour dates celebrating the 50th Anniversary of his classic "Quiet Storm" album, go to: https://smokeyrobinson.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. 

Bobby Delvecchio currently represents The Franchise Consulting Company and has founded, and acts as CEO/President for Drumming Up Business, which conducts motivational seminars for organizations and corporations. And the Beat goes on… As a World Class Drummer; Bobby was the Featured Drummer on Dick Clark's “Caravan of Stars” and Rich Nader's “1950's Rock-n-Roll Revival,” backing major music artists such as Little Richard, Chuck Berry, Chubby Checker, Ricky Nelson, Jackie Wilson, Bo Diddley, The Dovells, The Shirelles, The Coasters, The Drifters, The Five Satins and Gary U.S. Bonds. He has played with The Edgar Winter Group, Rick Derringer, and Hall & Oates. He is passionate about giving back, through his “Beating The Odds” Foundation. Beating The Odds Foundation provides financial and therapeutic support for children with cancer and other debilitating diseases through the healing power of rhythm. website https://www.BobbyDelvecchio.com  About Music Matter with Darrell Craig Harris Music Matters Podcast is hosted by globally published music journalist, Pro musician, and Getty Images photographer Darrell Craig Harris! Music Matters with Darrell Craig Harris is now on Spotify, iTunes, Podbean and more! Darrell interviews globally known artists, musicians, music journalists, music business insiders, and more on a weekly basis!  https://www.MusicMattersPodcast.com https://www.Twitter.com/musicmattersdh contact: musicmatterspodcastshow@gmail.com   

It's that time again, folks - It Happened One Year has (nearly) reached the end of another season, and so it's time to again honor those lost in the subject year. Listen as Sarah & Joe discuss a wide range of celebrities who said goodbye some forty-one years ago now, including Richard Burton, Peter Lawford, Ethel Merman, Indira Gandhi, Truman Capote, Francois Truffaut, Jackie Wilson, Count Basie, James Mason, and many more!

Spring is knock-knock-knocking…and our Supreme Court is push-push-pushing back on the idea of Emperor Grandpa McFuddlepants. And why not? They created it. But here, we're busy painting the town with hope and there's a sense that there's something in the air as this week's show leans on the fabric of Americana sounds to get us through yet another week of hate speech from Pennsylvania Avenue. We'll apply an salve of sweet sounds from Jerry Garcia, Jackie Wilson, Townes Van Zandt, Billie Holiday, and that late local luminary and bard about town Dan Hicks in this week's show. It's a free form dance we're taking on so I hope you make time or, if you can't catch us live on KOWS, you can catch up on our archives posted on Podomatic at https://deeperroots.podomatic.com

**Smiffy's A To Z Of Soul Music Replay On www.traxfm.org. This Week Smiffy Featured Trax From First Touch, Mard Broussard, Miss Disco, Earnie & The Family McKone, Ginny Brown & The Collective, Chaka Khan, Cymande, Bokker Newbury III, Jackie Wilson, Joey Negro/Dave Lee & More. #originalpirates #boogie #contemporarysoul #70ssoul #80ssoul #danceclassics #raregrooves #disco Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Con Van Morrison, Sister Rosetta Tharpe and Marie Knight, Trio Matamoros, Jackie Wilson, Fred Buscaglione, Pájaro, Dúo Los Compadres, Machito y su orquesta ft Graciela, los Panchos, Baby Washington, Gladys Knight & The Pips, Roberta Flack y Carlos Lyra.

Cuti Vericad abre su consulta para recordar a los que murieron sobre un escenario. Suenan David Olney, Curtis Mayfield, Jackie Wilson o The Crows.

#179 Broadcast 179 - Episode 172 - The Crooners - 20250125 - 3 in 1 = Jackie Wilson by Jim Reeves

Con The Drifters , the Hitters, Rita Coolidge, Azucar Moreno, Jackie Wilson, Elvis Presley, Ricky Nelson, The Hollies, Shocking Blue, Status Quo, Tito Ramirez, Vieja Trova Santiaguera, Ismael Rivera, Pablo Milanés, Pedro Guerra ft. Marta Gómez, Valeria Castro y Fangoria.

EP. 530 Mzhiphop talks about the passing of her dad and his favorite song "Danny Boy" by Jackie Wilson and how his death changed the rest of her life. Please share if you want fun facts about the legendary artist Jackie Wilson and more.

Cover Story of the Week - Chain Gang by Jackie Wilson & Count Basie Connect the Dots This Week in Music History The Five Second Quiz Behind the Hits - American Woman by the Guess Who

Más vientos y metales para alegrar almas universales. Música de ahora y de las últimas series décadas. Descubrimos a Jerome Albino o Ray Collins’ Hot Club o recuperamos discos perdidos en el tiempo: Linda Bia co, Jennifer Brown, Harry Nilsson, Tina Turner…DISCO 1 NEIL LARSEN Mere La Rue DISCO 2 DURAND JONES & THE INDICATIONS SmileDISCO 3 JENNIFER BROWN Tuesday AfternoonDISCO 4 JEROME ALBINO Struggling With The BottleDISCO 5 TINA TURNER Under The TumbDISCO 6 ABC When Smokey SingsDISCO 7 JACKIE WILSON Baby Work Out (SWEET NOVEMBER)DISCO 8 MATT BIANCO Get Out Of Your Lazy BeadDISCO 9 RAY COLLINS’ HOT-CLUB Mr. Right DISCO 10 HARRY NILSSON Over The Rainbow (YOU’VE GOT@MAIL)DISCO 11 LUCKY PETERSON Black Midnight Sun DISCO 12 LINDA FRANCO The Look Of Love DISCO 13 BOBBY DARIN The Other Half Of Me (SWEET NOVEMBER)Escuchar audio

This is a sort of "marker" podcast -- my 400th. It's kind of my summing up on the subject of human identity and the origin of human satisfaction. The cast cites a recent interview (https://www.spectator.co.uk/article/im-a-new-kind-of-christian-jordan-peterson-on-faith-family-and-the-future-of-the-right/) with Jordan Peterson, and do note that the interviewer is almost as interesting as the interviewee I also quote John Zahl's distillation sermon from December 29th (https://events.locallive.tv/events/148984) -- which happened to be Mrs. Zahl's and my 51st Anniversary. The cast finishes with a little James Hilton (i.e., one's current fave) and... a 1978 cover of Maurice Williams & the Zodiacs. You'll see. I want you to think about the origins of your own psychic self. From where does "self-hood" come? Did you create yours? What do you want for yourself more than anything else in the world? What would you do anything to acquire? Oh, and is satisfaction in life about loving or being loved? When have you been happiest? (When have you been happy at all?) "All You Need Is (Be-)Love(dness)". Nothing else really matters -- or at least at the start of life (I mean infancy), and also at the end of (mortal) life (I mean death). Oh, and also at every felt point of need you have ever had to face. At the end of the day, a baby, a "disheartened" person (to quote Jackie Wilson from '68), and a dying person need one thing: Love From Outside. And may that Love ever "STAY" (J. Browne, '78). Podcast 400 is dedicated to Mary Cappleman Zahl.

Con Universal Production Music, Al Dual, the Marvelettes, Jackie Wilson, the Four Aces, Larry Clinton & Bea Wain, Jan & Dean, Lita Torelló, the Cleftones, Tony Ronald, Boyce & Hart, los Ángeles, Mari Trini, Raphael, Enmanuel, los Bunkers ft. Mon Laferte, Bambino, Rocío Jurado y Juan Bau.

Buon annoLettura al solo scopo di intrattenimento. La clip musicale è "Reet Petite" cantata da Jackie Wilson (autori Berry Gordy, Billy Davis e Gwen Gordy Fuqua, etichetta Brunswick, 1958 all rights reserved)

GRAMMY®  Nominated ArtistLIVE from the Royal Caribbean About his Christmas Shows this Week & Thru the Holiday's for the Next Two Weeks & Documentary " The Last Tear Drop" on Amazon. also His Career Connnection to Bruno Mars Classic MusicBobby has an Amazing Life Journey! He started from Humble Upbringing in a Foster Home @ not Knowing He was he Son of a Legendary singer till he was into Adulthood.He has shared the stage with Rock & Soul Royalty & Bruno Mars!Bobby Brooks Wilson, " Mr. Entertainment", is the son of Legendary R&B/Soul Singer, Jackie Wilson. Bobby shares the same amazing traits and talents of his father; many say Jackie's legacy lives on through him. His adoring fans have dubbed him as “Mr. Entertainment” from his natural ability to entertain and bring crowds to life.One of His Best Hit's is "I Can't Love You Any More",  Love for the Holiday's -This ChristmasAfter a stint in the Navy, Bobby's musical journey began in Honolulu, Hawaii. He was invited to join the world-famous Doo-Wop Group “The Love Notes” by Papa Mars and son, Little Bruno (now known as Pop Star Bruno Mars.)While Bobby was emerging as an entertainer, he came across many opportunities to recreate the persona of Jackie Wilson because of his uncanny resemblance, voice, and moves that were almost identical to Jackie's. During this time, he learned that he was actually Jackie Wilson's biological son!Since that time, Bobby has emerged into a Global Entertainer with his own shows including: “Jackie Wilson, The Legacy Continues,” “Bobby Brooks Wilson, The Motown Years,” and his latest show, “Bobby Brooks Wilson's Red Tie Tour.”Bobby has opened for his friend Bruno Mars, and now stars in Clubs, Theaters, Casinos, and Cruise Ships around the world. Many watch with anticipation as Bobby Brooks Wilson's success continues to soar through the “Grace of God”, he says as the singer, the entertainer and the artist!© 2024 All Rights Reserved© 2024 BuildingAbundantSuccess!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

**Chris Stewart's Soulful Etiquette Show Replay On traxfm.org. This Week Chris Featured Soul/Boogie/Reggae/Contemporary Soul From MS1 Project, MJ Soul, Tuxedo, Wayne Smith, The Elgins, Jackie Wilson, Anthony White, Tommy Stewart, Shaila Prospere, Funk Therapy, Norma Jean Wright, Whitney Jones, Moment Of Truth, Glez & Effe & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #reggae Catch Chris Stewart's Soulful Etiquette Show Every Tuesday From 12:00PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Dancefloor Memories with Patrick Hawkins, 60 Minutes of Classic 1960'S Soul Podcast. Classic tracks, from, The Bar Kays, The Capitols, Robert Parker, Shirley Ellis, Jackie Wilson, Arthur Conley, Sam and Dave, Booker T and the Mg's, Otis Redding, Fontella Bass, Motown tracks from Mary Wells, The Supremes, Marvin Gaye, Jr Walker and the All Stars, The Four Tops, Stevie Wonder, and Jimmy Ruffin, more classic tracks from Ben E King, Percy Sledge, and The Impressions. Just settle down with a long drink and chill or boogie around your kitchen to tracks others would never dream of playing! Spread the word, give me a like and follow my Podcasts. Much Love Pat

Jackie Wilson from Deschutes County Solid Waste shares some practical tips, common recycling mistakes, and how we can all make the holidays a little greener. Whether you're wondering what to do with all that gift wrap or how to properly dispose of a Christmas tree, we've got you covered.

Today's show features music performed by Johnnie Taylor and Jackie Wilson

GRAMMY®  Nominated ArtistBobby has an Amazing Life Journey! He started from Humble Upbringing in a Foster Home @ not Knowing He was he Son of a Legendary singer till he was into Adulthood.He has shared the stage with Rock & Soul Royalty & Bruno Mars!Bobby Brooks Wilson, " Mr. Entertainment", is the son of Legendary R&B/Soul Singer, Jackie Wilson. Bobby shares the same amazing traits and talents of his father; many say Jackie's legacy lives on through him. His adoring fans have dubbed him as “Mr. Entertainment” from his natural ability to entertain and bring crowds to life.One of His Best Hit's is "I Can't Love You Any More",  Love for the Holiday's -This ChristmasAfter a stint in the Navy, Bobby's musical journey began in Honolulu, Hawaii. He was invited to join the world-famous Doo-Wop Group “The Love Notes” by Papa Mars and son, Little Bruno (now known as Pop Star Bruno Mars.)While Bobby was emerging as an entertainer, he came across many opportunities to recreate the persona of Jackie Wilson because of his uncanny resemblance, voice, and moves that were almost identical to Jackie's. During this time, he learned that he was actually Jackie Wilson's biological son!Since that time, Bobby has emerged into a Global Entertainer with his own shows including: “Jackie Wilson, The Legacy Continues,” “Bobby Brooks Wilson, The Motown Years,” and his latest show, “Bobby Brooks Wilson's Red Tie Tour.”Bobby has opened for his friend Bruno Mars, and now stars in Clubs, Theaters, Casinos, and Cruise Ships around the world. Many watch with anticipation as Bobby Brooks Wilson's success continues to soar through the “Grace of God”, he says as the singer, the entertainer and the artist!© 2024 All Rights Reserved© 2024 BuildingAbundantSuccess!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Label: Brunswick 55239Year: 1963Condition: MLast Price: $30.00. Not currently available for sale.Here's a beautiful Mint copy of this essential early Soul classic, which Dave Marsh pegs at #758 in his Top 1,001 Singles list. The B side, by the way, is a non-album cut. Note: This 45 comes in a vintage Brunswick Records factory sleeve. It has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

On the October 15 edition of the Music History Today podcast, Chuck Berry gives his final performance, as does CBGB, plus Rick Nelson gets booed & writes a song about it. Also, happy birthday to Chris de Burgh. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: In 1937, singer Jo Stafford married singer John Huddleston. * In 1955, the Grand Ole Opry TV show premiered on ABC TV. * In 1956, Little Richard recorded the song Good Golly Miss Molly. * In 1958, Jackie Wilson recorded his smash hit Lonely Teardrops. * In 1960, the Beatles, with Ringo Starr on drums instead of Pete Best, recorded together for the first time. * In 1963 Mary Travers of Peter, Paul, & Mary married photographer Barry Feinstein. * In 1965, Jimi Hendrix signed his first recording contract. * In 1966, The Four Tops hit #1 with the song Reach Out I'll Be There. * In 1966, The Monkees recorded the Neil Diamond - written song I'm a Believer. * In 1968, Led Zeppelin performed together for the first time, in England. * In 1971, Rick Nelson was booed at Madison Square Garden when he tried to perform newer songs instead of old hits during his concert. The experience went on to inspire him to write his comeback song Garden Party. * In 1973, Elvis entered the hospital for treatment of respiratory problems, which is where his doctor realized that Elvis was addicted to Demerol. * In 1977, Debbie Boone hit #1 with the song You Light Up My Life. * In 1981, Metallica formed. * In 1988, UB40 hit #1 with a cover version of Neil Diamond's song Red Red Wine. * In 1992, Madonna held her infamous Sex party in Manhattan to promote her Sex photo book. * In 2000, Dave Edmunds had triple bypass heart surgery. * In 2001, Slash of Guns N Roses married his wife Perla Ferrar. * In 2003, the Louis Armstrong House Museum opened in Queens, NY. * In 2006, Patti Smith was the final performer at the original New York City club CBGB. * In 2014, Chuck Berry played his final performance. It was at the Blueberry Hill Club in St Louis. * In 2016, the Lifetime Channel music docu-movie Surviving Compton: Dre, Suge, & Michel'le premiered. * In 2016, Winston Marshall of Mumford & Sons married singer and actress Dianna Agron. * In 2017, the music documentary series The Platinum Life premiered on the E! TV channel. In the world of classical music: * In 1886, Modest Mussorgsky's classical piece Night on Bald Mountain premiered in St. Petersburg, Russia. It would later become famous to an entire generation of kids in the Disney movie Fantasia. * In 1905, classical composer Claude Debussey's La Mer premiered. In 1925, the opera Beatrice from Willem Landre was performed for the first time. In 1994, Philip Glass premiered his Symphony No. 2 for string orchestra. In award ceremonies held on this date: * In 1969, Tammy Wynette & Johnny Cash won at the Country Music Association awards. * In 1973, Roy Clark won at the Country Music Association awards. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Today's show features music performed by Jackie Wilson and Kenny Neal

Gamble & Huff, Philadelphia International Rock & Soul ClassicCharlie Ingui,  Original Lead Vocalist still records & tours  go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020.Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label.I am a Music Lover of All Styles, Generations. This Week I Flashback.......The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS.Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969.During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

In this episode, we dive into Deschutes County Solid Waste Department's exciting new initiative—the inaugural Drop It, Swap It event!  Designed to reduce waste through community donation and thrifting, the event encourages people to donate unwanted items and swap them for something new-to-you. We sit down with Susan Baker and Jackie Wilson from Solid Waste to learn how this event fosters sustainability, builds community, and helps keep useful items out of the landfill.

Bobby Brooks Wilson has an incredible story. He was brought up in foster homes, served in the Navy, and then became a professional singer and entertainer. He began to perform as an impersonator - a tribute artist - for the late, great Jackie Wilson, who had so many hits including “Lonely Teardrops”, “Higher and Higher” and “To Be Loved”. He was such a dead ringer for Jackie Wilson that people thought he must be related somehow. Sure enough, he eventually discovered that he was in fact Jackie Wilson's son. His career continues to this day.My featured song is my reimaged version of Dobie Gray's “The ‘In' Crowd”. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Bobby at:www.bobbywilsonmusic.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Today's show features music performed by Freddie King and Jackie Wilson

Summer 1992 didn't yield much in the way of Stock and Waterman productions. But in August that year, there was a sudden rush of releases, kicked off by a curious novelty record: a remake of "Summer Holiday" by Fat Slags, characters from Viz. Former PWL engineer Pete Day helps us get to the bottom of who exactly performed on the track. Meanwhile, Kylie Minogue got one step closer to departing the Hit Factory with new single "What Kind Of Fool (Heard All That Before)", which was included on her Greatest Hits album. Mike Stock and Terry Blamey tell us about the song, which sounded like classic SAW. Speaking of classics, Nancy Davis had another shot at success with a cover version of Jackie Wilson's "(Your Love Keeps Lifting Me) Higher And Higher". And the new-look Bananarama returned to work with Mike and Pete Waterman on "Movin' On", their first single as just the duo of Sara Dallin and Keren Woodward. Support the Show.Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses...... Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Under the Bridge by Red Hot Chili Peppers (1991)Song 1: Sweet Home Chicago by Robert Johnson (1936)Song 2: Heaven by Calum Scott (2022)Song 3: Tell It to the Volcano by Miniature Tigers (2008)Song 4: Been It by The Cardigans (1996)Song 5: Walk the Dinosaur by Was (Not Was) (1987)Song 6: The Right Thing to Do by Carly Simon (1972)Song 7: Diggy Liggy Lo by Doug Kershaw & Rusty Kershaw (1961)Song 8: Lies by Peter, Bjorn and John (2011)Song 9: He's a Mighty Good Leader by Beck (1994)Song 10: (Your Love Keeps Lifting Me) Higher and Higher by Jackie Wilson (1967)

Segunda entrega de canciones que alcanzaron su puesto más alto en el Billboard Hot 100 de EEUU en el mes de agosto de hace 60 años. Voces del Deep soul procedentes de Memphis, Nueva Orleans o Muscle Shoals, bandas de frat rock, pioneros de los años 50, country o los últimos coletazos del surf conviven en las listas de éxitos.(Foto del podcast; Irma Thomas)Playlist;(sintonía) BOOKER T. and THE MG’S “Soul dressing” (top 95)CARLA THOMAS “I’ve got no time to lose” (top 67)IRMA THOMAS “Anyone who knows what love is (will understand)” (top 52)JIMMY HUGHES “Steal away” (top 17)SOLOMON BURKE “Everybody needs somebody to love” (top 58)JAN and DEAN “Little old lady (from Passadena)” (top 3)BRUCE and TERRY “Summer means fun” (top 72)BOBBY FREEMAN “C’mon and swim” (top 5)THE PREMIERS “Farmer John” (top 19)THE KINGSMEN “Little latin Lupe Lu” (top 46)THE CHARTBUSTERS “She’s the one” (top 33)LULU and THE LUVVERS “Shout” (top 94)LITTLE RICHARD “Bama Lama bama Loo” (top 82)ELVIS PRESLEY with THE JORDANAIRES “Such a night” (top 16)JACKIE WILSON “Squeeze her-tease her (but love her)” (top 89)DEL SHANNON “Handy man” (top 22)AL (HE’S THE KING) HIRT “Sugar lips” (top 30)RUBY and THE ROMANTICS “Baby come home” (top 75)ROGER MILLER “Dang me” (top 7)RAY CHARLES “No one to cry to” (top 55)Escuchar audio

Label: Brunswick 55402Year: 1969Condition: MPrice: $16.00No, it wasn't a hit in 1969, and no, Northern Soul fans don't seem to have discovered it yet. But believe me, there's a whole lotta dance magic in these two rare Jackie Wilson tracks, and the pristine audio on this beautiful copy will blow you away! So will Jackie's vocal prowess, if you're not already a "pre-blown" fan (as they might say on Big Bang Theory!). Check out the mp3 snippet, if you doubt me. :-) Note: This 45 record has a drillhole and comes in a vintage Brunswick Records factory sleeve. Aside from the drillhole, the labels look Mint. The vinyl looks untouched, and the audio sounds pristine Mint!

GRAMMY®  Nominated Artist with an Amazing Life Journey! He started from Humble Upbringing in a Foster Home @ not Knowing He was he Son of a Legendary singer till he was into Adulthood.Bobby Brooks Wilson, " Mr. Entertainment", is the son of Legendary R&B/Soul Singer, Jackie Wilson. Bobby shares the same amazing traits and talents of his father; many say Jackie's legacy lives on through him. His adoring fans have dubbed him as “Mr. Entertainment” from his natural ability to entertain and bring crowds to life.One of His Best Hit's is "I Can't Love You Any More".After a stint in the Navy, Bobby's musical journey began in Honolulu, Hawaii. He was invited to join the world-famous Doo-Wop Group “The Love Notes” by Papa Mars and son, Little Bruno (now known as Pop Star Bruno Mars.)While Bobby was emerging as an entertainer, he came across many opportunities to recreate the persona of Jackie Wilson because of his uncanny resemblance, voice, and moves that were almost identical to Jackie's. During this time, he learned that he was actually Jackie Wilson's biological son!Since that time, Bobby has emerged into a Global Entertainer with his own shows including: “Jackie Wilson, The Legacy Continues,” “Bobby Brooks Wilson, The Motown Years,” and his latest show, “Bobby Brooks Wilson's Red Tie Tour.”Bobby has opened for his friend Bruno Mars, and now stars in Clubs, Theaters, Casinos, and Cruise Ships around the world. Many watch with anticipation as Bobby Brooks Wilson's success continues to soar through the “Grace of God”, he says as the singer, the entertainer and the artist!© 2024 All Rights Reserved© 2024 BuildingAbundantSuccess!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

This week's show, after a 1997 Gerry Love lullaby: brand new X, Bevis Frond, Redd Kross, Fontaines D.C., Umbrellas, Trans-Canada Highwaymen, and Federale, plus Jackie Wilson, Paul McCartney, Lord Creator (with Tommy McCook & the Supersonics), Sandy & t...

The sun has finally been shining in France and so Andy kicks off with a few to take on that summer heat with The Isley Brothers, Jackie Wilson, Martha and The Vandellas and The Lovin' Spoonful. The three Northern Soul Stonkers are chosen by fellow Face Radio DJ Brendan Farrell, there's a new one from Thee Sacred Souls and we reach the end of the alphabet of songs with women's names as Andy played you Y and Z.For more info and tracklisting, visit :https://thefaceradio.com/groovy-soulTune into new broadcasts of Groovy Soul, LIVE, Sundays 12 - 2 PM EST / 5 - 7 PM GMT.https://thefaceradio.com/archives/groovy-soul//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Uwe's got some hot new records, including knocking at least one long-time want off his list. James has been too busy to get his new finds lately cleaned up and ready to play, so he's dug through some old favorites from his collection. You'll hear upbeat 1960s soul and R&B dance tunes from Jimmy Cliff, Nina Simone, The Exciters, Jackie Wilson & Count Basie, Ruth Brown, Clyde McPhatter, Little Milton, Jimmy Radcliff, Charlie Rich, Etta James, and more! -Originally broadcast June 23, 2024- Willie Mitchell / That Driving BeatHarold Melvin & The Blue Notes / Get Out (and Let Me Cry)Nina Simone / Work SongThe Danleers / Baby You've Got ItThe Baby Dolls / Now That I've Lost YouChristine Quaite / In The Middle of The FloorPeggy March / If You Loved Me (Soul Coaxing-Ame Caline)R. Dean Taylor / Let's Go SomewhereBilly Butler / Burning Touch Of LoveJimmy Cliff / Give and TakeThe Exciters / You Know It Ain't RightJohnny Holiday / TormentedClarence Murray / Let's Get On With ItAl Henderson with Boyd Bennett Orchestra / She Says "Crazy"Nicoletta / 32 SeptembreMassachusettes Assembly / Run Like The DevilJohnny Moore / Walk Like a ManCurtis King / Bad HabitsEugene Church / Good NewsThe Vanguards / I Can't Use You GirlJohnny Watson / Gangster Of LoveCharlie Rich / I Can't Go OnJimmy Radcliff / (There Goes) The Forgotten ManAlice Rozier / George, BB and RoyRuth Brown with the Milestone Singers / Mama (He Treats Your Daughter Mean)Etta James / You Got ItDebbie Devole / Hey LoverJane Morgan / MaybeTom Storm and the Peps / That's The Way Love IsClyde McPhatter / In My TenementDon Covay & Goodtimers / 40 Days - 40 NightsCurtis Knight / Ain't Gonna Be No Next TimeAnita Humes & The Essex / What Did I Do?Deon Jackson / You Said You Loved MeJackie Wilson And Count Basie / UptightThe Hesitations / Soul Kind of LoveLittle Milton / Grits Ain't Groceries (All Around the World)Jackie Ross / Dynamite Lovin'Lee LaMont / I'll Take Love Hosted on Acast. See acast.com/privacy for more information.

Episode 108- Join host Troy Saunders as he takes a look into the world of the multitalented Chester Gregory!Troy and Chester met back in 2008 and by that time Chester had already solidified his name in the annuals as one of  Broadway's finest performers; and was in the process of releasing his first independent soul album, "In Search Of High Love". Prior to this Chester taught in the Chicago public school system & performed around Chicago in several plays. This led him to the lead role in "The Jackie Wilson Story" which toured the country. The performance brought Chester and the cast to The Apollo Theater in Harlem NY, where it was met with rave reviews. Chester shorty after landed a major role on Broadway in "Hairspray" and the rest is history.  In this episode Troy and Chester discuss Chester's reverence for his home town Gary, Indiana and the role it played in his career choices. As we all know Michael Jackson  (one of Chester's biggest influences) was from Gary. Chester explains how playing Jackie Wilson & Berry Gordy brought him to meeting Michael himself. It was a full circle moment. Chester also tell Troy his feelings on getting a Honorary Doctorate from his alma mater, Columbia College Chicago.Throughout the conversation the guys play snippets from Chester's 2008 album "In Search Of High Love" and his latest offering "Retrograde". Chester tells the listening audience to be on the look out for a new album but wouldn't give a release date but explains the premise behind the project.Chester is one of the most talented people in entertainment. Tune in to get a glimpse into what makes this incomparable genius tick. It was a wonderful conversation full of insight, history and of course music.Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

Anita is joined by DJ John Mullaney this week for 2 hours of eclectic tunes including some artists not usually played on Blow Up.Featuring tracks from Jackie Wilson, Lisa Stansfield, Freez, James Brown & Dusty Springfield.For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up, Sundays from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Faith producing works is an adage often shared in conversation, and Drey Skonie has witnessed it throughout his life. As a soul singer, he adds the feel of hip-hop, funk, house, and dance to the legacy of legends like Eddie Kendricks (of the Temptations), Philippé Wynne (of the Spinners), and Ron Banks (of the Dramatics). Drey stands out with his unique style, and his music reflects the vibe of his band, the Klouds. In this episode of Detroit is Different, we explore how he saw his grandparents build a church from the ground up with church funds and delve into much more of his experiences. Drey, a contestant on MTV's Making the Band with Diddy, shares insights beyond the infamous cheesecake run, discussing the intricacies of the music industry. He also reveals his vision for his music and style and opens up about his role playing Mr. Entertainment, Jackie Wilson. Check out Drey Skonie on Detroit is Different for a deeper look into his journey. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co Send us your feedback online: https://pinecast.com/feedback/detroit-is-different/eaa1795b-52d0-44de-bdb7-14bb7fcfcbc7

It's time for your weekly vintage soul dance party, with hits and forgotten gems from Willie Hightower, the Platters, Jackie Wilson, Edwin Starr, Gloria Taylor, Ruby & The Romantics, a Four Tops flipside, a Québécois girl group covering a Motown smash hit, two backing groups stepping to the front with the Raeletts and Brownettes, and so much more! All original vinyl 45 rpm singles, all with That Driving Beat! Originally broadcast June 2, 2024Willie Mitchell / That Driving BeatWillie Hightower / Walk A Mile in My ShoesThe Holidays / I Keep Holding OnGloria Taylor / You Got to Pay the PriceThe Fabulous Peps / So FineFour Tops / I Got a FeelingJ.J. Barnes / Don't Bring Me Bad NewsRodge Martin / Lovin' MachineLarry Barnes / Rags is RagsThe Climates / Breaking Up AgainSteve Alaimo / I Told You SoLittle Milton / Who's Cheating Who?Elvis Presley / Rubberneckin'Edwin Starr / Agent Double-O-SoulZ.Z. Hill / Don't Make Promises (You Can't Keep)Billy Harner / She's Almost YouGene Chandler / A Song Called SoulArthur Conley / I Can't Stop (No, No, No)The Diplomats / I Can Give You LoveJimmy Delphs / Don't Sign The Paper Baby (I Want You Back)Les Miladys / Donne-Moi Ton AmourRuby and the Romantics / We Can Make ItPatti & The Emblems / Mixed-Up, Shook-Up, GirlJackie Wilson / I Believe I'll Love OnWilson Pickett / Baby Call On MeThe Buena Vistas / Hot ShotGail Anderson / I Can't Stop ItRaeletts / Keep It To YourselfThe Platters / Sweet, Sweet Lovin'Baby Ray / The House On Soul HillThe Brownettes / Baby, Don't You KnowWillie Mitchell / 30-60-90The Pat Rebillot Exchange / Oh Happy DayThe Hideaways / Hide OutBaja Marimba Band / Along Comes MarySpiral Starecase / More Today Than YesterdayShades of Blue / Oh How HappyThe C.O.D.'s / MichaelRuby & The Romantics / Twilight Time Hosted on Acast. See acast.com/privacy for more information.

Gamble & Huff, Philadelphia International Rock & Soul ClassicCharlie Ingui,  Original Lead Vocalist still records & tours  go check him out! ~ thesoulsurvivors.comR.I.P. Ritchie Ingui, original vocal half of the Soul Survivors. He transitioned in early 2017.Original group member Kenny Jeremiah Transitioned in December of 2020.Memorable Intro, AWESOME Classic Hit, a Kenny Gamble &Leon Huff hit that Helped launch the Legendary Philadelphia International Record Label.I am a Music Lover of All Styles, Generations. This Week I Flashback.......The Soul Survivors, originally from New York City, grew up listening to the R & B groups of the 1950's. The sounds of groups like the Moonglows, Heartbeats, and Frankie Lymon and the Teenagers had a great influence on brothers Charlie and Rich Ingui. With various street corner groups, they developed their vocal skills. While in high school, Charlie joined the vocal group from Queens, N.Y. the Dedications. When, a year later the group's lead singer decided to leave, brother Rich was recruited. While performing at clubs in the New York area, they found themselves at the mercy of various house bands and decided to find a group of musicians who would become permanent members of the group therefore creating a self contained unit. The group would be renamed THE SOUL SURVIVORS.Shortly thereafter, the group began to build a strong following, playing venues in Atlantic City and Philadelphia. Enjoying great success in Philadelphia, they attracted the attention of record producers Kenny Gamble and Leon Huff. Into the recording studio they went, emerging with " Expressway To Your Heart " a song that would climb to #3 on Billboard's R&B chart and #4 on it's Top 100 list. The success of " Expressway " became Gamble and Huff's first "crossover" hit when it began to be played on both black and white radio stations. It's success enabled Gamble and Huff to reach the large audiences they sought in order to bring their " Sound Of Philadelphia " to the mass Market. In polls taken by both the Philadelphia Inquirer and Philadelphia's City Paper, " Expressway" was voted the number one record ever to come out of Philadelphia. "Expressway " was followed by two other chart records, "Explosion In My Soul" and " Mission Impossible". Their first album, released in 1968, was " When The Whistle Blows ". A second LP, on Atco Records, called "Take Another Look" appeared in 1969.During this time, the group toured extensively throughout the U.S. appearing with many different types of artists...everyone from Jackie Wilson, Smokey Robinson and The Miracles to Janis Joplin, the Beach Boys, Buffalo Springfield, Sly and the Family Stone and countless others. In 1974, the Soul Survivors reunited with Gamble and Huff to record their self titled album "The Soul Survivors" on TSOP Records. It was written and performed in a style that would define the unique sound of The Soul Survivors.The album produced "City Of Brotherly Love" which would show up on Billboard's R&B Top 100 and become the group's fourth charted outing.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Mixcloud will be up with the next episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. Motown: The Golden Years is another Motown encyclopaedia. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 693 tracks released on Motown singles. For information on Marvin Gaye, and his relationship with Norman Whitfield, I relied on Divided Soul: The Life of Marvin Gaye by David Ritz. I’ve also used information on Whitfield in  Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations by Mark Ribowsky, I’ve also referred to interviews with Whitfield and Strong archived at rocksbackpages.com , notably “The Norman Whitfield interview”, John Abbey, Blues & Soul, 1 February 1977 For information about Gladys Knight, I’ve used her autobiography. The best collection of Gladys Knight and the Pips’ music is this 3-CD set, but the best way to hear Motown hits is in the context of other Motown hits. This five-CD box set contains the first five in the Motown Chartbusters series of British compilations. The Pips’ version of “I Heard it Through the Grapevine” is on disc 2, while Marvin Gaye’s is on disc 3, which is famously generally considered one of the best single-disc various artists compilations ever. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a brief note — this episode contains some brief mentions of miscarriage and drug abuse. The history of modern music would be immeasurably different had it not been for one car breakdown. Norman Whitfield spent the first fifteen years of his life in New York, never leaving the city, until his grandmother died. She’d lived in LA, and that was where the funeral was held, and so the Whitfield family got into a car and drove right across the whole continent — two thousand five hundred miles — to attend the old lady’s funeral. And then after the funeral, they turned round and started to drive home again. But they only got as far as Detroit when the car, understandably, gave up the ghost.  Luckily, like many Black families, they had family in Detroit, and Norman’s aunt was not only willing to put the family up for a while, but her husband was able to give Norman’s father a job in his drug store while he saved up enough money to pay for the car to be fixed. But as it happened, the family liked Detroit, and they never did get around to driving back home to New York. Young Norman in particular took to the city’s nightlife, and soon as well as going to school he was working an evening job at a petrol station — but that was only to supplement the money he made as a pool hustler. Young Norman Whitfield was never going to be the kind of person who took a day job, and so along with his pool he started hanging out with musicians — in particular with Popcorn and the Mohawks, a band led by Popcorn Wylie. [Excerpt: Popcorn and the Mohawks, “Shimmy Gully”] Popcorn and the Mohawks were a band of serious jazz musicians, many of whom, including Wylie himself, went on to be members of the Funk Brothers, the team of session players that played on Motown’s hits — though Wylie would depart Motown fairly early after a falling out with Berry Gordy. They were some of the best musicians in Detroit at the time, and Whitfield would tag along with the group and play tambourine, and sometimes other hand percussion instruments. He wasn’t a serious musician at that point, just hanging out with a bunch of people who were, who were a year or two older than him. But he was learning — one thing that everyone says about Norman Whitfield in his youth is that he was someone who would stand on the periphery of every situation, not getting involved, but soaking in everything that the people around him were doing, and learning from them. And soon, he was playing percussion on sessions. At first, this wasn’t for Motown, but everything in the Detroit music scene connected back to the Gordy family in one way or another. In this case, the label was Thelma Records, which was formed by Berry Gordy’s ex-mother-in-law and named after Gordy’s first wife, who he had recently divorced. Of all the great Motown songwriters and producers, Whitfield’s life is the least-documented, to the extent that the chronology of his early career is very vague and contradictory, and Thelma was such a small label there even seems to be some dispute about when it existed — different sources give different dates, and while Whitfield always said he worked for Thelma records, he might have actually been employed by another label owned by the same people, Ge Ge, which might have operated earlier — but by most accounts Whitfield quickly progressed from session tambourine player to songwriter. According to an article on Whitfield from 1977, the first record of one of his songs was “Alone” by Tommy Storm on Thelma Records, but that record seems not to exist — however, some people on a soul message board, discussing this a few years ago, found an interview with a member of a group called The Fabulous Peps which also featured Storm, saying that their record on Ge Ge Records, “This Love I Have For You”, is a rewrite of that song by Don Davis, Thelma’s head of A&R, though the credit on the label for that is just to Davis and Ron Abner, another member of the group: [Excerpt: The Fabulous Peps, “This Love I Have For You”] So that might, or might not, be the first Norman Whitfield song ever to be released. The other song often credited as Whitfield’s first released song is “Answer Me” by Richard Street and the Distants — Street was another member of the Fabulous Peps, but we’ve encountered him and the Distants before when talking about the Temptations — the Distants were the group that Otis Williams, Melvin Franklin, and Al Bryant had been in before forming the Temptations — and indeed Street would much later rejoin his old bandmates in the Temptations, when Whitfield was producing for them. Unlike the Fabulous Peps track, this one was clearly credited to N. Whitfield, so whatever happened with the Storm track, this is almost certainly Whitfield’s first official credit as a songwriter: [Excerpt: Richard Street and the Distants, “Answer Me”] He was soon writing songs for a lot of small labels — most of which appear to have been recorded by the Thelma team and then licensed out — like “I’ve Gotten Over You” by the Sonnettes: [Excerpt: The Sonnettes, “I’ve Gotten Over You”] That was on KO Records, distributed by Scepter, and was a minor local hit — enough to finally bring Whitfield to the attention of Berry Gordy. According to many sources, Whitfield had been hanging around Hitsville for months trying to get a job with the label, but as he told the story in 1977 “Berry Gordy had sent Mickey Stevenson over to see me about signing with the company as an exclusive in-house writer and producer. The first act I was assigned to was Marvin Gaye and he had just started to become popular.” That’s not quite how the story went. According to everyone else, he was constantly hanging around Hitsville, getting himself into sessions and just watching them, and pestering people to let him get involved. Rather than being employed as a writer and producer, he was actually given a job in Motown’s quality control department for fifteen dollars a week, listening to potential records and seeing which ones he thought were hits, and rating them before they went to the regular department meetings for feedback from the truly important people. But he was also allowed to write songs. His first songwriting credit on a Motown record wasn’t Marvin Gaye, as Whitfield would later tell the story, but was in fact for the far less prestigious Mickey Woods — possibly the single least-known artist of Motown’s early years. Woods was a white teenager, the first white male solo artist signed to Motown, who released two novelty teen-pop singles. Whitfield’s first Motown song was the B-side to Woods’ second single, a knock-off of Sam Cooke’s “Cupid” called “They Call Me Cupid”, co-written with Berry Gordy and Brian Holland: [Excerpt: Mickey Woods, “They Call Me Cupid”] Unsurprisingly that didn’t set the world on fire, and Whitfield didn’t get another Motown label credit for thirteen months (though some of his songs for Thelma may have come out in this period). When he did, it was as co-writer with Mickey Stevenson — and, for the first time, sole producer — of the first single for a new singer, Kim Weston: [Excerpt: Kim Weston, “It Should Have Been Me”] As it turned out, that wasn’t a hit, but the flip-side, “Love Me All The Way”, co-written by Stevenson (who was also Weston’s husband) and Barney Ales, did become a minor hit, making the R&B top thirty. After that, Whitfield was on his way. It was only a month later that he wrote his first song for the Temptations, a B-side, “The Further You Look, The Less You See”: [Excerpt: The Temptations, “The Further You Look, The Less You See”] That was co-written with Smokey Robinson, and as we heard in the episode on “My Girl”, both Robinson and Whitfield vied with each other for the job of Temptations writer and producer. As we also heard in that episode, Robinson got the majority of the group’s singles for the next couple of years, but Whitfield would eventually take over from him. Whitfield’s work with the Temptations is probably his most important work as a writer and producer, and the Temptations story is intertwined deeply with this one, but for the most part I’m going to save discussion of Whitfield’s work with the group until we get to 1972, so bear with me if I seem to skim over that — and if I repeat myself in a couple of years when we get there. Whitfield’s first major success, though, was also the first top ten hit for Marvin Gaye, “Pride and Joy”: [Excerpt: Marvin Gaye, “Pride and Joy”] “Pride and Joy” had actually been written and recorded before the Kim Weston and Temptations tracks, and was intended as album filler — it was written during a session by Whitfield, Gaye, and Mickey Stevenson who was also the producer of the track, and recorded in the same session as it was written, with Martha and the Vandellas on backing vocals. The intended hit from the session, “Hitch-Hike”, we covered in the previous episode on Gaye, but that was successful enough that an album, That Stubborn Kinda Fellow, was released, with “Pride and Joy” on it. A few months later Gaye recut his lead vocal, over the same backing track, and the record was released as a single, reaching number ten on the pop charts and number two R&B: [Excerpt: Marvin Gaye, “Pride and Joy”] Whitfield had other successes as well, often as B-sides. “The Girl’s Alright With Me”, the B-side to Smokey Robinson’s hit for the Temptations “I’ll Be In Trouble”, went to number forty on the R&B chart in its own right: [Excerpt: The Temptations, “The Girl’s Alright With Me”] That was co-written with Eddie Holland, and Holland and Whitfield had a minor songwriting partnership at this time, with Holland writing lyrics and Whitfield the music. Eddie Holland even released a Holland and Whitfield collaboration himself during his brief attempt at a singing career — “I Couldn’t Cry if I Wanted To” was a song they wrote for the Temptations, who recorded it but then left it on the shelf for four years, so Holland put out his own version, again as a B-side: [Excerpt: Eddie Holland, “I Couldn’t Cry if I Wanted To”] Whitfield was very much a B-side kind of songwriter and producer at this point — but this could be to his advantage. In January 1963, around the same time as all these other tracks, he cut a filler track with the “no-hit Supremes”, “He Means the World to Me”, which was left on the shelf until they needed a B-side eighteen months later and pulled it out and released it: [Excerpt: The Supremes, “He Means the World to Me”] But the track that that was a B-side to was “Where Did Our Love Go?”, and at the time you could make a lot of money from writing the B-side to a hit that big. Indeed, at first, Whitfield made more money from “Where Did Our Love Go?” than Holland, Dozier, or Holland, because he got a hundred percent of the songwriters’ share for his side of the record, while they had to split their share three ways. Slowly Whitfield moved from being a B-side writer to being an A-side writer. With Eddie Holland he was given a chance at a Temptations A-side for the first time, with “Girl, (Why You Wanna Make Me Blue)”: [Excerpt: The Temptations, “Girl (Why You Wanna Make Me Blue)”] He also wrote for Jimmy Ruffin, but in 1964 it was with girl groups that Whitfield was doing his best work. With Mickey Stevenson he wrote “Needle in a Haystack” for the Velvettes: [Excerpt: The Velvettes, “Needle in a Haystack”] He wrote their classic followup “He Was Really Sayin' Somethin’” with Stevenson and Eddie Holland, and with Holland he also wrote “Too Many Fish in the Sea” for the Marvelettes: [Excerpt: The Marvelettes, “Too Many Fish In The Sea”] By late 1964, Whitfield wasn’t quite in the first rank of Motown songwriter-producers with Holland-Dozier-Holland and Smokey Robinson, but he was in the upper part of the second tier with Mickey Stevenson and Clarence Paul. And by early 1966, as we saw in the episode on “My Girl”, he had achieved what he’d wanted for four years, and become the Temptations’ primary writer and producer. As I said, we’re going to look at Whitfield’s time working with the Temptations later, but in 1966 and 67 they were the act he was most associated with, and in particular, he collaborated with Eddie Holland on three top ten hits for the group in 1966. But as we discussed in the episode on “I Can’t Help Myself”, Holland’s collaborations with Whitfield eventually caused problems for Holland with his other collaborators, when he won the BMI award for writing the most hit songs, depriving his brother and Lamont Dozier of their share of the award because his outside collaborations put him ahead of them. While Whitfield *could* write songs by himself, and had in the past, he was at his best as a collaborator — as well as his writing partnership with Eddie Holland he’d written with Mickey Stevenson, Marvin Gaye, and Janie Bradford. And so when Holland told him he was no longer able to work together, Whitfield started looking for someone else who could write lyrics for him, and he soon found someone: [Excerpt: Barrett Strong, “Money”] Barrett Strong had, of course, been the very first Motown act to have a major national hit, with “Money”, but as we discussed in the episode on that song he had been unable to have a follow-up hit, and had actually gone back to working on an assembly line for a while. But when you’ve had a hit as big as “Money”, working on an assembly line loses what little lustre it has, and Strong soon took himself off to New York and started hanging around the Brill Building, where he hooked up with Doc Pomus and Mort Shuman, the writers of such hits as “Save the Last Dance for Me”, “Viva Las Vegas”, “Sweets for My Sweet”, and “A Teenager in Love”.  Pomus and Shuman, according to Strong, signed him to a management contract, and they got him signed to Atlantic’s subsidiary Atco, where he recorded one single, “Seven Sins”, written and produced by the team: [Excerpt: Barrett Strong, “Seven Sins”] That was a flop, and Strong was dropped by the label. He bounced around a few cities before ending up in Chicago, where he signed to VeeJay Records and put out one more single as a performer, “Make Up Your Mind”, which also went nowhere: [Excerpt: Barrett Strong, “Make Up Your Mind”] Strong had co-written that, and as his performing career was now definitively over, he decided to move into songwriting as his main job. He co-wrote “Stay in My Corner” for the Dells, which was a top thirty R&B hit for them on VeeJay in 1965 and in a remade version in 1968 became a number one R&B hit and top ten pop hit for them: [Excerpt: The Dells, “Stay in My Corner”] And on his own he wrote another top thirty R&B hit, “This Heart of Mine”, for the Artistics: [Excerpt: The Artistics, “This Heart of Mine”] He wrote several other songs that had some minor success in 1965 and 66, before moving back to Detroit and hooking up again with his old label, this time coming to them as a songwriter with a track record rather than a one-hit wonder singer. As Strong put it “They were doing my style of music then, they were doing something a little different when I left, but they were doing the more soulful, R&B-style stuff, so I thought I had a place there. So I had an idea I thought I could take back and see if they could do something with it.” That idea was the first song he wrote under his new contract, and it was co-written with Norman Whitfield. It’s difficult to know how Whitfield and Strong started writing together, or much about their writing partnership, even though it was one of the most successful songwriting teams of the era, because neither man was interviewed in any great depth, and there’s almost no long-form writing on either of them. What does seem to have been the case is that both men had been aware of each other in the late fifties, when Strong was a budding R&B star and Whitfield merely a teenager hanging round watching the cool kids. The two may even have written together before — in an example of how the chronology for both Whitfield and Strong seems to make no sense, Whitfield had cowritten a song with Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”, in 1962 — when Strong was supposedly away from Motown — and it had been included as an album track on the That Stubborn Kinda Fellow album: [Excerpt: Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”] The writing on that was originally credited just to Whitfield and Gaye on the labels, but it is now credited to Whitfield, Gaye, and Strong, including with BMI. Similarly Gaye’s 1965 album track “Me and My Lonely Room” — recorded in 1963 but held back – was initially credited to Whitfield alone but is now credited to Whitfield and Strong, in a strange inverse of the way “Money” initially had Strong’s credit but it was later removed. But whether this was an administrative decision made later, or whether Strong had been moonlighting for Motown uncredited in 1962 and collaborated with Whitfield, they hadn’t been a formal writing team in the way Whitfield and Holland had been, and both later seemed to date their collaboration proper as starting in 1966 when Strong returned to Motown — and understandably. The two songs they’d written earlier – if indeed they had – had been album filler, but between 1967 when the first of their new collaborations came out and 1972 when they split up, they wrote twenty-three top forty hits together. Theirs seems to have been a purely business relationship — in the few interviews with Strong he talks about Whitfield as someone he was friendly with, but Whitfield’s comments on Strong seem always to be the kind of very careful comments one would make about someone for whom one has a great deal of professional respect, a great deal of personal dislike, but absolutely no wish to air the dirty laundry behind that dislike, or to burn bridges that don’t need burning. Either way, Whitfield was in need of a songwriting partner when Barrett Strong walked into a Motown rehearsal room, and recognised that Strong’s talents were complementary to his. So he told Strong, straight out, “I’ve had quite a few hit records already. If you write with me, I can guarantee you you’ll make at least a hundred thousand dollars a year” — though he went on to emphasise that that wasn’t a guarantee-guarantee, and would depend on Strong putting the work in. Strong agreed, and the first idea he brought in for his new team earned both of them more than that hundred thousand dollars by itself. Strong had been struck by the common phrase “I heard it through the grapevine”, and started singing that line over some Ray Charles style gospel chords. Norman Whitfield knew a hook when he heard one, and quickly started to build a full song around Strong’s line. Initially, by at least some accounts, they wanted to place the song with the Isley Brothers, who had just signed to Motown and had a hit with the Holland-Dozier-Holland song “This Old Heart of Mine”: [Excerpt: The Isley Brothers, “This Old Heart of Mine (Is Weak For You)”] For whatever reason, the Isley Brothers didn’t record the song, or if they did no copy of the recording has ever surfaced, though it does seem perfectly suited to their gospel-inflected style. The Isleys did, though, record another early Whitfield and Strong song, “That’s the Way Love Is”, which came out in 1967 as a flop single, but would later be covered more successfully by Marvin Gaye: [Excerpt: The Isley Brothers, “That’s the Way Love Is”] Instead, the song was first recorded by the Miracles. And here the story becomes somewhat murky. We have a recording by the Miracles, released on an album two years later, but some have suggested that that version isn’t the same recording they made in 1966 when Whitfield and Strong wrote the song originally: [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] It certainly sounds to my ears like that is probably the version of the song the group recorded in 66 — it sounds, frankly, like a demo for the later, more famous version. All the main elements are there — notably the main Ray Charles style hook played simultaneously on Hammond organ and electric piano, and the almost skanking rhythm guitar stabs — but Smokey Robinson’s vocal isn’t *quite* passionate enough, the tempo is slightly off, and the drums don’t have the same cavernous rack tom sound that they have in the more famous version. If you weren’t familiar with the eventual hit, it would sound like a classic Motown track, but as it is it’s missing something… [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] According to at least some sources, that was presented to the quality control team — the team in which Whitfield had started his career, as a potential single, but they dismissed it. It wasn’t a hit, and Berry Gordy said it was one of the worst songs he’d ever heard. But Whitfield knew the song was a hit, and so he went back into the studio and cut a new backing track: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine (backing track only)”] (Incidentally, no official release of the instrumental backing track for “I Heard it Through the Grapevine” exists, and I had to put that one together myself by taking the isolated parts someone had uploaded to youtube and synching them back together in editing software, so if there are some microsecond-level discrepancies between the instruments there, that’s on me, not on the Funk Brothers.) That track was originally intended for the Temptations, with whom Whitfield was making a series of hits at the time, but they never recorded it at the time. Whitfield did produce a version for them as an album track a couple of years later though, so we have an idea how they might have taken the song vocally — though by then David Ruffin had been replaced in the group by Dennis Edwards: [Excerpt: The Temptations, “I Heard it Through the Grapevine”] But instead of giving the song to the Temptations, Whitfield kept it back for Marvin Gaye, the singer with whom he’d had his first big breakthrough hit and for whom his two previous collaborations with Strong – if collaborations they were – had been written. Gaye and Whitfield didn’t get on very well — indeed, it seems that Whitfield didn’t get on very well with *anyone* — and Gaye would later complain about the occasions when Whitfield produced his records, saying “Norman and I came within a fraction of an inch of fighting. He thought I was a prick because I wasn't about to be intimidated by him. We clashed. He made me sing in keys much higher than I was used to. He had me reaching for notes that caused my throat veins to bulge.” But Gaye sang the song fantastically, and Whitfield was absolutely certain they had a sure-fire hit: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine”] But once again the quality control department refused to release the track. Indeed, it was Berry Gordy personally who decided, against the wishes of most of the department by all accounts, that instead of “I Heard it Through the Grapevine” Gaye’s next single should be a Holland-Dozier-Holland track, “Your Unchanging Love”, a soundalike rewrite of their earlier hit for him, “How Sweet It Is”. “Your Unchanging Love” made the top thirty, but was hardly a massive success. Gordy has later claimed that he always liked “Grapevine” but just thought it was a bit too experimental for Gaye’s image at the time, but reports from others who were there say that what Gordy actually said was “it sucks”. So “I Heard it Through the Grapevine” was left on the shelf, and the first fruit of the new Whitfield/Strong team to actually get released was “Gonna Give Her All the Love I’ve Got”, written for Jimmy Ruffin, the brother of Temptations lead singer David, who had had one big hit, “What Becomes of the Brokenhearted” and one medium one, “I’ve Passed This Way Before”, in 1966. Released in 1967, “Gonna Give Her All the Love I’ve Got” became Ruffin’s third and final hit, making number 29: [Excerpt: Jimmy Ruffin, “Gonna Give Her All the Love I’ve Got”] But Whitfield was still certain that “Grapevine” could be a hit. And then in 1967, a few months after he’d shelved Gaye’s version, came the record that changed everything in soul: [Excerpt: Aretha Franklin, “Respect”] Whitfield was astounded by that record, but also became determined he was going to “out-funk Aretha”, and “I Heard it Through the Grapevine” was going to be the way to do it. And he knew someone who thought she could do just that. Gladys Knight never got on well with Aretha Franklin. According to Knight’s autobiography this was one-sided on Franklin’s part, and Knight was always friendly to Franklin, but it’s also notable that she says the same about several other of the great sixties female soul singers (though not all of them by any means), and there seems to be a general pattern among those singers that they felt threatened by each other and that their own position in the industry was precarious, in a way the male singers usually didn’t. But Knight claimed she always *wished* she got on well with Franklin, because the two had such similar lives. They’d both started out singing gospel as child performers before moving on to the chitlin circuit at an early age, though Knight started her singing career even younger than Franklin did. Knight was only four when she started performing solos in church, and by the age of eight she had won the two thousand dollar top prize on Ted Mack’s Amateur Hour by singing Brahms’ “Lullaby” and the Nat “King” Cole hit “Too Young”: [Excerpt: Nat “King” Cole, “Too Young”] That success inspired her, and she soon formed a vocal group with her brother Bubba, sister Brenda and their cousins William and Eleanor Guest. They named themselves the Pips in honour of a cousin whose nickname that was, and started performing at talent contests in Atlanta Chitlin’ Circuit venues. They soon got a regular gig at one of them, the Peacock, despite them all being pre-teens at the time. The Pips also started touring, and came to the attention of Maurice King, the musical director of the Flame nightclub in Detroit, who became a vocal coach for the group. King got the group signed to Brunswick records, where they released their first single, a song King had written called “Whistle My Love”: [Excerpt: The Pips, “Whistle My Love”] According to Knight that came out in 1955, when she was eleven, but most other sources have it coming out in 1958. The group’s first two singles flopped, and Brenda and Eleanor quit the group, being replaced by another cousin, Edward Patten, and an unrelated singer Langston George, leaving Knight as the only girl in the quintet. While the group weren’t successful on records, they were getting a reputation live and toured on package tours with Sam Cooke, Jackie Wilson, and others. Knight also did some solo performances with a jazz band led by her music teacher, and started dating that band’s sax player, Jimmy Newman. The group’s next recording was much more successful. They went into a makeshift studio owned by a local club owner, Fats Hunter, and recorded what they thought was a demo, a version of the Johnny Otis song “Every Beat of My Heart”: [Excerpt: The Pips, “Every Beat of My Heart (HunTom version)”] The first they knew that Hunter had released that on his own small label was when they heard it on the radio. The record was picked up by VeeJay records, and it ended up going to number one on the R&B charts and number six on the pop charts, but they never saw any royalties from it. It brought them to the attention of another small label, Fury Records, which got them to rerecord the song, and that version *also* made the R&B top twenty and got as high as number forty-five on the pop charts: [Excerpt: Gladys Knight and the Pips, “Every Beat of My Heart (Fury version)”] However, just because they had a contract with Fury didn’t mean they actually got any more money, and Knight has talked about the label’s ownership being involved with gangsters. That was the first recording to be released as by “Gladys Knight and the Pips”, rather than just The Pips, and they would release a few more singles on Fury, including a second top twenty pop hit, the Don Covay song “Letter Full of Tears”: [Excerpt: Gladys Knight and the Pips, “Letter Full of Tears”] But Knight had got married to Newman, who was by now the group’s musical director, after she fell pregnant when she was sixteen and he was twenty. However, that first pregnancy tragically ended in miscarriage, and when she became pregnant again she decided to get off the road to reduce the risk. She spent a couple of years at home, having two children, while the other Pips – minus George who left soon after – continued without her to little success. But her marriage was starting to deteriorate under pressure of Newman’s drug use — they wouldn’t officially divorce until 1972, but they were already feeling the pressure, and would split up sooner rather than later — and Knight  returned to the stage, initially as a solo artist or duetting with Jerry Butler, but soon rejoining the Pips, who by this time were based in New York and working with the choreographer Cholly Atkins to improve their stagecraft. For the next few years the Pips drifted from label to label, scoring one more top forty hit in 1964 with Van McCoy’s “Giving Up”, but generally just getting by like so many other acts on the circuit. Eventually the group ended up moving to Detroit, and hooking up with Motown, where mentors like Cholly Atkins and Maurice King were already working. At first they thought they were taking a step up, but they soon found that they were a lower tier Motown act, considered on a par with the Spinners or the Contours rather than the big acts, and according to Knight they got pulled off an early Motown package tour because Diana Ross, with whom like Franklin Knight had something of a rivalry, thought they were too good on stage and were in danger of overshadowing her. Knight says in her autobiography that they “formed a little club of our own with some of the other malcontents” with Martha Reeves, Marvin Gaye, and someone she refers to as “Ivory Joe Hunter” but I presume she means Ivy Jo Hunter (one of the big problems when dealing with R&B musicians of this era is the number of people with similar names. Ivy Jo Hunter, Joe Hunter, and Ivory Joe Hunter were all R&B musicians for whom keyboard was their primary instrument, and both Ivy Jo and just plain Joe worked for Motown at different points, but Ivory Joe never did) Norman Whitfield was also part of that group of “malcontents”, and he was also the producer of the Pips’ first few singles for Motown, and so when he was looking for someone to outdo Aretha, someone with something to prove, he turned to them. He gave the group the demo tape, and they worked out a vocal arrangement for a radically different version of the song, one inspired by “Respect”: [Excerpt: Gladys Knight and the Pips, “I Heard it Through the Grapevine”] The third time was the charm, and quality control finally agreed to release “I Heard it Through the Grapevine” as a single. Gladys Knight always claimed it had no promotion, but Norman Whitfield’s persistence had paid off — the single went to number two on the pop charts (kept off the top by “Daydream Believer”), number one on the R&B charts, and became Motown’s biggest-selling single *ever* up until that point. It also got Knight a Grammy nomination for Best R&B Vocal Performance, Female — though the Grammy committee, at least, didn’t think she’d out-Aretha’d Aretha, as “Respect” won the award. And that, sadly, sort of summed up Gladys Knight and the Pips at Motown — they remained not quite the winners in everything. There’s no shame in being at number two behind a classic single like “Daydream Believer”, and certainly no shame in losing the Grammy to Aretha Franklin at her best, but until they left Motown in 1972 and started their run of hits on Buddah records, Gladys Knight and the Pips would always be in other people’s shadow. That even extended to “I Heard It Through the Grapevine” when, as we’ll hear in part two of this story, Norman Whitfield’s persistence paid off, Marvin Gaye’s version got released as a single, and *that* became the biggest-selling single on Motown ever, outselling the Pips version and making it forever his song, not theirs. And as a final coda to the story of Gladys Knight and the Pips at Motown, while they were touring off the back of “Grapevine’s” success, the Pips ran into someone they vaguely knew from his time as a musician in the fifties, who was promoting a group he was managing made up of his sons. Knight thought they had something, and got in touch with Motown several times trying to get them to sign the group, but she was ignored. After a few attempts, though, Bobby Taylor of another second-tier Motown group, the Vancouvers, also saw them and got in touch with Motown, and this time they got signed. But that story wasn’t good enough for Motown, and so neither Taylor nor Knight got the credit for discovering the group. Instead when Joe Jackson’s sons’ band made their first album, it was titled Diana Ross Presents the Jackson 5. But that, of course, is a story for another time…

La música clásica es la auténtica madre del cordero. Y si no que se lo digan a muchas de las estrellas del pop que han saboreado el éxito versionando o inspirándose en grandes piezas de ese género. Artistas de la talla de Joan Baez, Jackie Wilson, Joan Manuel Serrat o Eric Carmen han versionado y se han inspirado en las obras de leyendas de la clásica como Heitor Villa-Lobos, Rafael Guastavino, Ruggero Leoncavallo o Rachmaninoff. Para descubrirnos y asombrarnos con todas esas melodías, unen fuerzas en esta gran celebración en el Teatro Monumental dos de nuestros colaboradores más cómicos y entrañables: José Ramón Pardo y José Manuel Zapata. Escuchar audio

GRAMMY®  Nominated Artist Bobby has an Amazing Life Journey! He started from Humble Upbringing in a Foster Home @ not Knowing He was he Son of a Legendary singer till he was into Adulthood.He has shared the stage with Rock & Soul Royalty & Bruno Mars!Bobby Brooks Wilson, " Mr. Entertainment", is the son of Legendary R&B/Soul Singer, Jackie Wilson. Bobby shares the same amazing traits and talents of his father; many say Jackie's legacy lives on through him. His adoring fans have dubbed him as “Mr. Entertainment” from his natural ability to entertain and bring crowds to life.One of His Best Hit's is "I Can't Love You Any More",  Love for the Holiday's -This ChristmasAfter a stint in the Navy, Bobby's musical journey began in Honolulu, Hawaii. He was invited to join the world-famous Doo-Wop Group “The Love Notes” by Papa Mars and son, Little Bruno (now known as Pop Star Bruno Mars.)While Bobby was emerging as an entertainer, he came across many opportunities to recreate the persona of Jackie Wilson because of his uncanny resemblance, voice, and moves that were almost identical to Jackie's. During this time, he learned that he was actually Jackie Wilson's biological son!Since that time, Bobby has emerged into a Global Entertainer with his own shows including: “Jackie Wilson, The Legacy Continues,” “Bobby Brooks Wilson, The Motown Years,” and his latest show, “Bobby Brooks Wilson's Red Tie Tour.”Bobby has opened for his friend Bruno Mars, and now stars in Clubs, Theaters, Casinos, and Cruise Ships around the world. Many watch with anticipation as Bobby Brooks Wilson's success continues to soar through the “Grace of God”, he says as the singer, the entertainer and the artist!© 2023 All Rights Reserved© 2023 BuildingAbundantSuccess!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

GRAMMY®  Hall of Fame Honoree Iconic Hit Writer: "At The Hop", "Rockn Roll is Here to Stay", "You Don't Own Me" "1-2-3" & MoreJohn Madara was born & grew up in Philadelphia, PA at a time when the city was teeming with groups and artists such as The Spaniels, the Clovers, Harvey and the Moonglows, Billy Ward and the Dominos and the great Jackie Wilson. Rock and Roll was starting to take root and John Madara was destined to make rock and roll history. In 1957, John launched his solo career, with his first record, "Be My Girl," reaching the national charts. That same year, John co-wrote with Dave White a song called “Do The Bop." On the advice of Dick Clark, whose local show, American Bandstand, had just gone national, the title and lyrics were changed to “At The Hop." Danny and the Juniors, recorded it, and by Christmas of 1957, it had reached the top of the pop and R&B charts worldwide. “At The Hop” remained #1 for an astounding 7 weeks, the first record ever to reach that success, and it has remained a rock and roll classic to this day. Following “At The Hop," John produced and co-wrote with Dave such mega-hits as “The Fly” (Chubby Checker)“You Don't Own Me” (Lesley Gore) among other smash hits. He also produced for Danny and The Juniors, “Rock and Roll Is Here To Stay." He also discovered one of the most prolific duos of all time, Daryl Hall and John Oates. With them he produced two albums. John moved to L.A. in the ‘70s, where he found success writing and producing for movies and television. He produced the soundtrack for the James Caan/Marsha Mason movie, “Cinderella Liberty," and also produced the title song for the Cliff Robertson movie “Ace Eli and Roger of the Sky.” In the mid ‘70s, he was music supervisor for the hugely successful “Sid and Marty Kroft Comedy Hour." This was in conjunction with an ABC Comedy Hour and network special which launched the new ABC season Madara/White songs have reached millions of people through radio, films and television. Worldwide sales of their songs and productions have reached over 2 hundred million records. Their songs have appeared on some of the biggest grossing soundtrack albums of all time, including “American Graffiti” and “Woodstock” (At The Hop), “Grease” (Rock and Roll is Here to Stay), “Hairspray” (The Fly and You Don't Own Me), “Mr. Holland's Opus” (1-2-3), and “Dirty Dancing” and “The First Wives Club” (You Don't Own Me). It was the 1996 hit film, “The First Wives Club," that paid the contemporary power of their talent the ultimate compliment by not only featuring “You Don't Own Me” but by making it the theme of the movie. John has continued to write and produce music, working with young, up-and-coming artists. At The Hop” was voted by the Recording Industry Association of America as one of the top 100 songs of the century. The soundtrack album, “Grease," was voted one of the top albums of the century. “Rock and Roll Is Here To Stay” is featured on that album. John recently finished producing an album with Tony Danza, following a hugely successful radio hit single that he also produced, “The House I Live In.” He is also working on a feature film, “At The Hop.” In 2016, his song with the late singer ,songwriter Dave White "You Don't Own Me" was made a #1 Hit all over again  19 year old Australian singer " Grace" and features G-EAZY. It was Produced by Quincy Jones.~ thatphillysound.com© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Música de ambiente para inyectar en vena, la aguja en el surco y un revólver del 38....”, los ingredientes para un crimen siguiendo las instrucciones de Alfred Hitchccok.”Vertigo”, “Psicosis” o “Con la Muerte en los Talones”, el asesinato siempre pero del “otro”, de los demás, no el propio. Candelabro y blanco piano, pués, para la "vieja ceremonia” junto a Los Platters de “My Prayer" o el Jackie Wilson de “Night” en el club Babel y un “jukebox” con los éxitos de Brenda Lee, Ray Charles o las Chordettes “para que disfrutes, mientras acaban contigo”, en palabras de “Hitch”."Si al final de la escucha no has sido asesinado, otra vez será y si no "buenas noches”. Thomas de Quincey (“El Asesinato como una de las bellas Artes”) no lo hubiera dicho mejor. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

In this first show of 2024, we have some great new music from Tru Thoughts, Mr Bongo and the Big Crown labels. Plus classics from Massive Attack, Air and Prince and a great cover of Jackie Wilson's 'Higher & Higher'!Tune into new broadcasts of Vision On, LIVE, Opposite Sunday from 6 – 8 AM EST / 11 - 1 PM GMT.For more info visit: https://thefaceradio.com/vinyl-reality//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Comedian, author and actress Loni Love returns bringing the exhuberant joy of R&B pioneer Jackie Wilson's 1992 compilation album Mr. Excitement! with her. Follow Loni on Instagram: https://www.instagram.com/comiclonilove/ Follow Loni on Twitter: https://mobile.twitter.com/lonilove Check out Loni's podcast "This Week in Love": https://podcasts.apple.com/us/podcast/this-week-in-love/id603393538 Check out Loni's book "I Tried to Change So You don't Have To": https://www.amazon.com/Tried-Change-You-Dont-Have/dp/0306873729/ref=asc_df_0306873729/?tag=hyprod-20&linkCode=df0&hvadid=509436355622&hvpos=&hvnetw=g&hvrand=135371050306251462&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9007540&hvtargid=pla-919759123405&psc=1 Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices