Podcasts about underwater moonlight

Hosts Jim DeRogatis and Greg Kot welcome Robyn Hitchcock back to Sound Opinions to discuss the singer-songwriter's book, 1967: How I Got There and Why I Never Left, and the accompanying album, 1967: Vacations in the Past. Plus, the hosts review the new album from SZA.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Soft Boys, "I Wanna Destroy You," Underwater Moonlight, Armageddon, 1980The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967SZA, "Saturn," Lana, Top Dawg, 2024SZA, "Drive," Lana, Top Dawg, 2024SZA, "BMF," Lana, Top Dawg, 2024SZA, "Another Life," Lana, Top Dawg, 2024Robyn Hitchcock and The Egyptians, "Brenda's Iron Sledge," Black Snake Diamond Röle, Armageddon, 1981Robyn Hitchcock, "Trams of Old London," I Often Dream of Trains, Midnight Music, 1984Robyn Hitchcock, "A Whiter Shade of Pale," 1967: Vacations in the Past, Tiny Ghost, 2024Robyn Hitchcock, "Like a Rolling Stone," Robyn Sings, Editions PAF, 2002Robyn Hitchcock, "Trouble in Your Blood," The Man Upstairs, Yep Roc, 2014Robyn Hitchcock, "A Day in the Life," 1967: Vacations in the Past, Tiny Ghost, 2024Robyn Hitchcock, "See Emily Play," 1967: Vacations in the Past, Tiny Ghost, 2024Robyn Hitchcock, "Itchycoo Park," 1967: Vacations in the Past, Tiny Ghost, 2024Robyn Hitchcock, "Vacations in the Past," 1967: Vacations in the Past, Tiny Ghost, 2024Fruit Bats, "We Used to Live Here," A River Running to Your Heart, Merge, 2023See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Esta semana, en Islas de Robinson, nos moveremos entre 1977 y 1981. Coordenadas: pop de guitarras y cruda energía a raudales combinadas con angustia juvenil y espíritu aventurero. Suenan: THE dB'S - "BLACK AND WHITE" ("STANDS FOR DECIBELS", 1981) / THE SOFT BOYS - "POSITIVE VIBRATIONS" ("UNDERWATER MOONLIGHT", 1980) / XTC - "SHE'S SO SQUARE" ("WHITE MUSIC", 1978) / RICHARD LLOYD - "SHOULD HAVE KNOW BETTER" ("ALCHEMY", 1979) / THE ONLY ONES - "WHY DON'T YOU KILL YOURSELF" ("BABY'S GOT A GUN", 1980) / BUZZCOCKS - "LIPSTICK" (1978) / THE SCRUFFS - "YOU, YOU, YOU" ("TEENAGE GURLS", 1978-79/98) / STIV BATORS - "BAD LUCK CHARM" ("DISCONNECTED", 1980) / SUNNYBOYS - "TUNNEL OF LOVE" ("SUNNYBOYS", 1981) / DIRTY LOOKS - "YOU'RE TOO OLD" ("DIRTY LOOKS", 1980) / THE PLIMSOULS - "HOW LONG WILL IT TAKE?" ("ZERO HOUR", 1980) / JO BROADBERY & THE STANDOUTS - "THE ONE THAT GOT AWAY" ("JO BROADBERY & THE STANDOUTS", 1980) / THE JAM - "THE PLACE I LOVE" ("ALL MOD CONS", 1978) / / ROY LONEY & THE PHANTOM MOVERS - "BORN TO BE YOUR FOOL" ("OUR AFTER DARK", 1979) / TYLA GANG - "ON THE STREET" ("YACHTLESS", 1978) / GRAHAM PARKER & THE RUMOUR - "SOUL ON ICE" ("STICK TO ME", 1977).Escuchar audio

The O3L Time Machine has gone berserk...it's landed all the way back in 1967! It's nice here, so we'll stay a while. The love is free, the clothes are groovy, the drugs are psychedelic (but just say no, kids), and the music is jaw-droppingly brilliant! The reason why we've blasted right past our normal era of focus, you ask? Well, it's not every day that we get to welcome living legend, singer, songwriter, guitarist, rock n' roll surrealist - and now author - Robyn Hitchcock to O3L. That particular year is the focus of Robyn's brand new memoir, 1967: How I Got There and Why I Never Left, out now on Little Brown Books (UK) and Akashic Books (US). 1967 explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of 13 - just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles' Sgt. Pepper explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2" tall rabid Dylan fan, whose two ambitions are to get really high and fly to Nashville (spoiler alert: mission accomplished on both fronts!). In between - as the hippie revolution blossoms in the world outside - Hitchcock adjusts to the hierarchal, homoerotic world of Winchester, threading a path through teachers with arrested development, meatheads, groovers, and a sullen old maid - a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 really ever end? Robyn Hitchcock is a master of the absurd, creating "pictures you can listen to" that revel in the beauty of the unexpected. His first publicly visible band, the Soft Boys (1976-81), has remained an influential art-rock touchstone for generations of musicians. With a career spanning nearly five decades, his discography consists of more than 30 albums, including Underwater Moonlight (1980). I Often Dream of Trains (1984), Fegmania! (1985), Globe Of Frogs (1988), Queen Elvis (1989), Perspex Island (1991), Ole! Tarantula (2006), The Man Upstairs (2014), Robyn Hitchcock (2017) and Shufflemania (2022), and classic songs like "I Wanna Destroy You," "My Wife and My Dead Wife," "The Man with the Lightbulb Head," "Heaven," "Balloon Man," "Madonna of the Wasps," "So You Think You're In Love," and so many more. Special thanks to Robyn's wonderful wife Emma Swift, herself a brilliant singer/songwriter...and, it turns out, quite the IT tech; and Holly Watson from Holly Watson PR for the introduction and coordination. Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

The O3L Time Machine has gone berserk...it's landed all the way back in 1967! It's nice here, so we'll stay a while. The love is free, the clothes are groovy, the drugs are psychedelic (but just say no, kids), and the music is jaw-droppingly brilliant! The reason why we've blasted right past our normal era of focus, you ask? Well, it's not every day that we get to welcome living legend, singer, songwriter, guitarist, rock n' roll surrealist - and now author - Robyn Hitchcock to O3L. That particular year is the focus of Robyn's brand new memoir, 1967: How I Got There and Why I Never Left, out now on Little Brown Books (UK) and Akashic Books (US). 1967 explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of 13 - just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles' Sgt. Pepper explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2" tall rabid Dylan fan, whose two ambitions are to get really high and fly to Nashville (spoiler alert: mission accomplished on both fronts!). In between - as the hippie revolution blossoms in the world outside - Hitchcock adjusts to the hierarchal, homoerotic world of Winchester, threading a path through teachers with arrested development, meatheads, groovers, and a sullen old maid - a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 really ever end? Robyn Hitchcock is a master of the absurd, creating "pictures you can listen to" that revel in the beauty of the unexpected. His first publicly visible band, the Soft Boys (1976-81), has remained an influential art-rock touchstone for generations of musicians. With a career spanning nearly five decades, his discography consists of more than 30 albums, including Underwater Moonlight (1980). I Often Dream of Trains (1984), Fegmania! (1985), Globe Of Frogs (1988), Queen Elvis (1989), Perspex Island (1991), Ole! Tarantula (2006), The Man Upstairs (2014), Robyn Hitchcock (2017) and Shufflemania (2022), and classic songs like "I Wanna Destroy You," "My Wife and My Dead Wife," "The Man with the Lightbulb Head," "Heaven," "Balloon Man," "Madonna of the Wasps," "So You Think You're In Love," and so many more. Special thanks to Robyn's wonderful wife Emma Swift, herself a brilliant singer/songwriter...and, it turns out, quite the IT tech; and Holly Watson from Holly Watson PR for the introduction and coordination. Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

For our final episode of Season 6, we're joined by TRGMH super-fan Tom Lawery as we explore a classic of neo-psychedelic post-punk, The Soft Boys' seminal 1980 release: 'Underwater Moonlight'. Robyn Hitchcock's jangly, twisted pop songs were hugely influential to a slew of 80s alternative bands, and we could hardly contain our glee at revisiting this timeless classic of a record! Songs discussed in this episode: Queen Of Eyes -  Fastbacks; My Wife And My Dead Wife - Robyn Hitchcock and The Egyptians; Human Music - The Soft Boys; Moral Kiosk - R.E.M.; Octopus - Syd Barrett; Walking On Sunshine - Katrina & The Waves; I Wanna Destroy You, Kingdom Of Love, Positive Vibrations - The Soft Boys; Pretty Persuasion - R.E.M.; I Got The Hots - The Soft Boys; Peaches - The Stranglers; Insanely Jealous Of You - The Soft Boys; Days - Television; Tonight, You'll Have To Go Sideways - The Soft Boys; Celestial Transgression - Robyn Hitchcock; Old Pervert - The Soft Boys; Bill's Corpse - Captain Beefheart; Old Pervert (Original LP Version), Queen Of Eyes - The Soft Boys; Teenage FBI - Guided By Voices; Underwater Moonlight, Only The Stones Remain, Vegetable Man, Empty Girl - The Soft Boys

The guys are joined by Chris Ballew (Presidents of the United States of America, Caspar Babypants) discuss The Soft Boys record “Underwater Moonlight.”  Plenty of other discussion including Chris's new record “Laying Low,” Robyn Hitchcock (who was part of the Soft Boys), Tacoma and the Sonics (the band, not the team), Young Fresh Fellows, making music for kids AND their parents, and discovering a hidden gem that hopefully everyone also discovers!Check out Chris Ballew at: https://chrisballew.org/Check out Robyn Hitchcock at: https://www.robynhitchcock.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

On this episode of Remake Remodel Drew and David talk about the classic post punk album by The Soft Boys, Underwater Moonlight. We also talk about Rose City Band, William Tyler, Debt Rag, Morgan and the Organ Donors, SQURL, FACS, and other new music from our favorite artists.(2:20)- Rose City Band- Garden Party(3:14)- William Tyler and The Impossible Truth- Secret Stratosphere(5:03) FACS- Still Life In Decay(7:19) Morgan the Organ Donors- M.O.D.S(9:37) SQURL- Silver Haze(12:27) Vessel- "Telephone"(13:01) Certain Times- "Lose Control"(14:35) Debt Rag- Lost To The Fantasy(19:07) QOTSA- "Emotion Sickness"(19:37) The Clientele- "Blue Over Blue"(20:06) PJ Harvey- "A Child's Question, August"(20:46) Blur- "The Narcissist"(23:00) The Soft Boys- Underwater Moonlight

Robyn Hitchcock is an English singer-songwriter and guitarist who led “The Soft Boys” in the late 1970s and released the classic Neo-psychedelic album, “Underwater Moonlight”, which influenced bands such as R.E.M. Robyn also had a successful solo career, with songs like “I Often Dream of Trains”. On this episode, Robyn and Jack talk about Robyn's life and music - and The Beatles!   Check out Robyn's website: https://www.robynhitchcock.com/ Follow Robyn on Twitter: https://twitter.com/RobynHitchcock   Listen to Robyn's new album "Shufflemania": https://open.spotify.com/album/4sJg5nUnMNjzxsGWXcqFy2?si=upx-Dz99QqCiAvP2-m2WiA   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.   With a career now spanning six decades, Robyn Hitchcock remains a truly one-of-a-kind artist –surrealist rock 'n' roller, iconic troubadour, guitarist, poet, painter, performer. An unparalleled, deeply individualistic songwriter and stylist, Hitchcock has traversed myriad genres with humor, intelligence, and originality over more than thirty albums and seemingly infinite live performances. From The Soft Boys' proto-psych-punk and The Egyptians' Dadaist pop to solo masterpieces like 1984's milestone I Often Dream of Trains and 1990's Eye, Hitchcock has crafted a strikingly original oeuvre rife with sagacious observation, astringent wit, recurring marine life, mechanized rail services, cheese, Clint Eastwood, and innumerable finely drawn characters real and imagined.    Born in London in 1953, Hitchcock attended Winchester College before moving to Cambridge in 1974. He began playing in a series of bands, including Dennis and the Experts which became The Soft Boys in 1976. Though light years away from first wave punk's revolutionary clatter, the band still manifested the era's spirit of DIY independence with their breakneck reimagining of British psychedelia.  During their (first) lifetime, The Soft Boys released two albums, among them 1980's landmark second LP, Underwater Moonlight. “The term ‘classic' is almost as overused as ‘genius' and ‘influential,'” declared Rolling Stone upon the album's 2001 reissue. “But Underwater Moonlight remains all three of those descriptions.”   Hitchcock embarked on his solo career with 1981's Black Snake Diamond Röle, affirming his knack for eccentric insight and surrealist lyrical hijinks. 1984's I Often Dream Of Trains fused that approach with autumnal acoustic arrangements which served to deepen the emotional range of his songcraft. Robyn Hitchcock and The Egyptians were born that same year and immediately lit up college rock playlists with albums like 1986's Element of Light. He signed to A&M Records in 1987 and earned early alternative hits with “Balloon Man” and “Madonna of the Wasps.” Hitchcock returned to his dark acoustic palette with 1990's equally masterful Eye before joining the Warner Bros. label for a succession of acclaimed albums including 1996's Moss Elixir and 1999's Jewels For Sophia.    Having first reunited for a brief run of shows in 1994, The Soft Boys came together for a second go-around in 2001, this time releasing Nextdoorland to universal applause. Hitchcock joined the Yep Roc label in 2004, embracing collaboration with such friends and like-minded artists as Gillian Welch and Dave Rawlings (2004's Spooked) and legendary producer Joe Boyd (2014's The Man Upstairs). Beginning in 2006, Hitchcock released a trio of albums backed by The Venus 3, featuring Peter Buck, Scott McCaughey and Bill Rieflin.    Hitchcock moved to Nashville in 2015 where he quickly found a place among the Music City community, recording 2017's self-titled album Robyn Hitchcock with an array of local talent including co-producer Brendan Benson. In 2019, Hitchcock joined forces with XTC's Andy Partridge for the four-song EP, Planet England. Indeed, Hitchcock has proven an irrepressible collaborator throughout his long career, teaming with a boundless series of fellow artists over the years, including R.E.M., Grant-Lee Phillips, Jon Brion, The Decemberists, Norwegian pop combo I Was A King, Yo La Tengo  to name but a very few.  Along with his musical efforts, Hitchcock has appeared in a number of films, among them collaborations with the late Jonathan Demme on 1998's concert documentary Storefront Hitchcock as well as roles in 2004's The Manchurian Candidate and 2008's Rachel Getting Married.    An inveterate traveler and live performer, Hitchcock has toured near constantly for much of the past four decades, playing countless shows around the world, from Africa to the Arctic. Locked down in Nashville and London by the global pandemic of 2020, Hitchcock and his partner Emma Swift began their Live From Sweet Home Quarantine livestream series, performing weekly sets joined by their two cats, Ringo and Tubby. 2021 saw the publication of Hitchcock's first book, Somewhere Apart: Selected Lyrics 1977-1997, featuring 73 songs and 34 illustrations in a beautiful cloth-bound edition from his own Tiny Ghost Press.   His new album Shufflemania! is out on October 21, 2022 on Tiny Ghost Records. 

Hard as it is to believe, the half-decade preceding last year's Shufflemania was the Robyn Hitchcock has gone between albums since 1979's Soft Boys debut, A Can of Bees. That band, while wildly influential, wasn't long for this world, breaking up shortly after their second album, Underwater Moonlight. Within a year, Hitchcock released his first solo album, Black Snake Diamond Röle. Shufflemania, meanwhile, marks his 22nd solo studio album. Were it entirely up to him, he explains, he'd release a constant stream of music, but studios and schedules too often get in the way. Hosted on Acast. See acast.com/privacy for more information.

Robyn has been producing a distinctive flavor of very British rock with surrealist lyrics for 35+ albums since 1979. We discuss "The Raging Muse" (and close by listening to "The Shuffle Man") from Shufflemania (2022), "Mad Shelly's Letterbox" from Robyn Hitchcock (2017), "Television" from Spooked (2004), and "Glass" from Fegmainia! (1985). Intro: "I Wanna Destroy You" by The Soft Boys from Underwater Moonlight (1980). More at robynhitchcock.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Upgrade your showering at nebia.com/nem (code NEM).

Robyn has been producing a distinctive flavor of very British rock with surrealist lyrics for 35+ albums since 1979. We discuss "The Raging Muse" (and close by listening to "The Shuffle Man") from Shufflemania (2022), "Mad Shelly's Letterbox" from Robyn Hitchcock (2017), "Television" from Spooked (2004), and "Glass" from Fegmainia! (1985). Intro: "I Wanna Destroy You" by The Soft Boys from Underwater Moonlight (1980). More at robynhitchcock.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Upgrade your showering at nebia.com/nem (code NEM).

In light of the passing of Olivia Newton-John, thought we'd give folks a chance to check out our take on XANADU - please keep in mind we recorded this 4 years ago - a bit of water under the bridge since then!Queen - The Game, Rolling Stones - Emotional Rescue  The Soft Boys  - Underwater Moonlight  Fela Kuti and Africa 70 - I.T.T. Olivia Newton John and ELO - Xanadu Soundtrack We love Buzzsprout! - Sign up to do your own podcast project using this link, which supports our show, and gets YOU a $20.00 Amazon gift card:https://www.buzzsprout.com/?referrer_id=138874If you dig our work and wanna throw us a bone to keep the lights on -Become a member of 80s Music Exposed:Patreon: https://www.patreon.com/80smusicexposedBuy Us a Coffee!https://www.buymeacoffee.com/80sMusicExposedSpeak and spell back to us here:Email: 80sMusicExposed@gmail.comTwitter: @80sExposedLeave us a voicemail!  https://www.speakpipe.com/80sMusicExposedTwitter Henry: @HankGee / Twitter Chris: @tcidukeHenry Instagram: @HankGee / Chris Instagram:  @tcidukeInstagram: @80s374 Megan Instagram: @bastardsofyoung92Support the show (https://www.patreon.com/80smusicexposed) The Enthusiasm ProjectDeep dives exploring the world of what it means to be an independent creator.Listen on: Apple Podcasts SpotifySupport the show

On June 28th of 1980 The Soft Boys released their 2nd studio album. Recorded in parts during June of 79, and from January to June of 80 on both 4 and 8 track recorders for the low price of £600, the album hearkens back to the psychedelia of the 60s but with its feet firmly planted in the post-punk of it's day. Though not a commercial success upon it's release,the album's influence and legacy cannot be overstated (we see you, R.E.M). Lets talk The Soft Boys, Underwater Moonlight!

Esta semana en Islas de Robinson, nuevo aterrizaje en espiral en la "Era Pop" punzante entre 1977 y 1980. Suenan: THE dB's - "BLACK AND WHITE" ("I THOUGHT YOU WANTED TO KNOW": 1978-1981") / ELVIS COSTELLO & THE ATTRACTIONS - "THE BEAT" ("THIS YEAR'S MODEL", 1978) / JOE JACKSON - "FRIDAY" ("I'M THE MAN", 1979) / THE DISTRACTIONS - "TIME GOES BY SO SLOW" (SINGLE 1979) / SQUEEZE - "IF I DIDN'T LOVE YOU" ("ARGYBARGY", 1980) / XTC - "BATTERY BRIDES" ("GO 2", 1978) / JULES AND THE POLAR BEARS - "THE SMELL OF HOME" ("FENETIKS", 1979) / THE BOOMTOWN RATS - "I CAN MAKE IT IF YOU CAN" ("THE BOOMTOWN RATS", 1977) / TELEVISION - "DAYS" ("ADVENTURE", 1978) / THE ONLY ONES - "PETER AND THE PETS" (SINGLE, 1977) / THE SOFT BOYS - "UNDERWATER MOONLIGHT" ("UNDERWATER MOONLIGHT", 1980) / VAN DUREN - "CHEMICAL FIRE" ("ARE YOU SERIOUS?", 1977) / TOMMY HOEHN - "I KNOW I LOVE YOU NOW" ("LOSING YOU TO SLEEP", 1978) / Escuchar audio

June 1965, 1970, 1975 and 1980 Anniversaries

JUNE 1980 Chris and Henry mix it up looking back to June 1980! Reviewing: Queen - "The Game", Rolling Stones - "Emotional Rescue", The Soft Boys - "Underwater Moonlight", Fela Kuti and Africa 70 - I.T.T. , and Olivia Newton John and ELO - Xanadu Soundtrack!

Mary E., welcomes singer/songwriter Kimberley Rew to ArtSees Diner Radio for a little chat about then and now. We will be spinning 2 of his new songs recorded with Shagrat Records.  Kimberley Rew first came to notice in the late 1970s as a member of Robyn Hitchcock's Soft Boys. In 1981 Rew made a solo single backed by American band the dBs before helping to form Katrina and the Waves, and writing 1985's evergreen Walking on Sunshine (produced by Pat Collier and Scott Litt). The Bangles also recorded Rew's Going Down to Liverpool. Katrina and the Waves toured opening for the Kinks, the Beach Boys, and Squeeze among many others. Rew concurrently guested with Ashley Hutchings, Robyn Hitchcock, Julian Dawson and Boo Hewerdine. In 1997 Katrina and the Waves won the Eurovision Song Contest for the UK with the Rew composition Love Shine a Light. In 1999 Rew rejoined Robyn Hitchcock for the Jewels for Sophia album and tours. In 2001 the Soft Boys reconvened to rerelease their Underwater Moonlight album (now hailed as a gem from the vaults), and to tour and record. Rew has released four solo albums in the present century. "According to a former employee  of EMI "Walking on Sunshine was the crown jewel in EMI's catalog," and that it was one of EMI's biggest earners from advertisers."

Kimberley Rew is probably best known for writing “Walking on Sunshine,” the 1985 smash for Katrina & the Waves. While a member of that band, he also penned “Going Down to Liverpool,” later covered by the Bangles. But before his hit-making success, Rew played guitar in the seminal alternative band the Soft Boys along with Robyn Hitchcock, who had a big impact on bands like REM. Yep Roc Records has just released that influential band’s first two albums, A Can of Bees and Underwater Moonlight, with additional bonus tracks.