Podcast appearances and mentions of Richard Lloyd

In the ever-evolving landscape of rock music, where authenticity often takes a backseat to fleeting trends, Elephants and Stars emerge as a beacon of genuine artistry. Hailing from Canada's Golden Horseshoe region, with roots deeply embedded in both Hamilton and Toronto, this quartet crafts music not out of obligation, but from an intrinsic need to express, connect, and resonate.​ The Genesis of Elephants and Stars At the heart of Elephants and Stars lies the enduring partnership between singer-guitarist Manfred Sittmann and bassist Mike MacMillan. Their musical journey began in the early 2000s with the formation of Soap Opera, a band that quickly garnered attention and secured a deal with Bullseye Records, leading to the release of two albums: Poised and Welcome to the Tangiers. Not content to rest on their laurels, the duo ventured into new sonic territories with The First Time. Their 2004 debut, It's On, produced by the esteemed Warne Livesey (known for his work with Midnight Oil and Matthew Good), was a faster, heavier evolution of their previous pop-punk sound. The album's acclaim was underscored when it clinched the Best Punk Record at the 2005 Toronto Independent Music Awards, with singles like "Goodbye Harlowe" and "New Day Dawning" receiving widespread radio play and television licensing.​ A Sound That Resonates Elephants and Stars are not just another band in the crowded rock scene. Their music is a testament to maturity, experience, and a profound understanding of the genre's roots. Eschewing the typical grind of endless touring for minimal returns, they focus on delivering performances that matter—sharing stages with luminaries like Television's Richard Lloyd, Against Me!'s Laura Jane Grace, and indie legends Lowest of the Low. Such collaborations not only elevate their profile but also place them in front of audiences that appreciate depth, nuance, and authenticity in music. 'Under The Earth And Above Heaven' February 2025 marked a significant milestone for Elephants and Stars with the release of their album, Under The Earth And Above Heaven. Produced by the legendary Ian Blurton, the album is a masterclass in blending high-energy rock with heartfelt lyricism and anthemic melodies. The lead singles, "The Ceiling" and "Strangers on a Train," have already captivated listeners, showcasing the band's knack for big hooks and guitar-driven energy. Blurton's production amplifies the band's dynamic range, resulting in what many critics hail as their most powerful release to date.​ The album's title carries a unique backstory. After sharing a stage with Richard Lloyd of Television, Sittmann was inspired by Lloyd's autobiography. "We got the title from the Richard Lloyd (Television) autobiography after we played a show with him last year," Sittmann recalls. "When I told him we were thinking of using the title, he thought it was a great name—and that was pretty much that." ​ Critical Acclaim and Audience Reception The release of Under The Earth And Above Heaven has been met with widespread acclaim. Cashbox Canada highlighted the album's fusion of high-energy rock and heartfelt lyricism, noting that it marks an exciting evolution for the band. Similarly, Dropout Entertainment praised the album as a bold new chapter, emphasizing its anthemic melodies and raw, heartfelt lyricism. ​ A Commitment to Authenticity What sets Elephants and Stars apart is their unwavering commitment to authenticity. They eschew the trappings of the modern music industry, choosing instead to focus on crafting songs that resonate on a deeper level. Their approach is evident in their recording process, opting for old-school studios and seasoned producers like Ian Blurton to capture the raw essence of their sound. This dedication ensures that each track is not just heard but felt, leaving an indelible mark on the listener Looking Ahead With Under The Earth And Above Heaven now available on all major streaming platforms,

In this episode of Future Proof, recorded at Cannes Lions week, Jane Ostler, Global EVP Thought Leadership at Kantar, sits down with Richard Lloyd, Meta's Director of Marketing Science, Global Clients and Agencies. They discuss the evolving landscape of digital media, the rise of online video, and the critical importance of attention in advertising. Richard shares insights on how brands can stand out in a crowded market, the role of AI in media planning, and the future of attention measurement. Richard also discusses the significance of human connection in digital advertising, emphasising the need for emotional hooks and distinctive brand assets to capture and retain consumer attention. He highlights the challenges and opportunities presented by shorter video formats and the importance of creative optimisation in driving campaign effectiveness. Listen to discover how to navigate the complexities of modern advertising and stay ahead in the digital age. Hosted on Acast. See acast.com/privacy for more information.

Marquee Moon, the debut album by Television, released in 1977, is widely regarded as a cornerstone of punk rock and post-punk. With its angular, intricate guitar work and poetic lyrics, the album broke away from the fast-and-furious energy of typical punk, offering a more artful and complex sound. The title track, "Marquee Moon," with its extended guitar solos, became a defining moment in rock history. The band's interplay of guitars, especially between Tom Verlaine and Richard Lloyd, along with Verlaine's distinct vocal delivery, made Marquee Moon a critically acclaimed work that continues to influence musicians across genres.Listen to the album Apple Music Listen to the album on Spotify What did you think of this album? Send us a text! Support the showPatreonPolyphonic Press SubredditFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

Harvest Sunday | Richard Lloyd - 6 October | 6PM - Luke 17: 11-19 by Holy Trinity Claygate

Esta semana, en Islas de Robinson, nos moveremos entre 1977 y 1981. Coordenadas: pop de guitarras y cruda energía a raudales combinadas con angustia juvenil y espíritu aventurero. Suenan: THE dB'S - "BLACK AND WHITE" ("STANDS FOR DECIBELS", 1981) / THE SOFT BOYS - "POSITIVE VIBRATIONS" ("UNDERWATER MOONLIGHT", 1980) / XTC - "SHE'S SO SQUARE" ("WHITE MUSIC", 1978) / RICHARD LLOYD - "SHOULD HAVE KNOW BETTER" ("ALCHEMY", 1979) / THE ONLY ONES - "WHY DON'T YOU KILL YOURSELF" ("BABY'S GOT A GUN", 1980) / BUZZCOCKS - "LIPSTICK" (1978) / THE SCRUFFS - "YOU, YOU, YOU" ("TEENAGE GURLS", 1978-79/98) / STIV BATORS - "BAD LUCK CHARM" ("DISCONNECTED", 1980) / SUNNYBOYS - "TUNNEL OF LOVE" ("SUNNYBOYS", 1981) / DIRTY LOOKS - "YOU'RE TOO OLD" ("DIRTY LOOKS", 1980) / THE PLIMSOULS - "HOW LONG WILL IT TAKE?" ("ZERO HOUR", 1980) / JO BROADBERY & THE STANDOUTS - "THE ONE THAT GOT AWAY" ("JO BROADBERY & THE STANDOUTS", 1980) / THE JAM - "THE PLACE I LOVE" ("ALL MOD CONS", 1978) / / ROY LONEY & THE PHANTOM MOVERS - "BORN TO BE YOUR FOOL" ("OUR AFTER DARK", 1979) / TYLA GANG - "ON THE STREET" ("YACHTLESS", 1978) / GRAHAM PARKER & THE RUMOUR - "SOUL ON ICE" ("STICK TO ME", 1977).Escuchar audio

The audio Panini album of this general election gets five more stickers, all of which we needed! Today's shinies are...Jess Phillips, Labour, Birmingham YardleyX: @jessphillipsW: https://jessphillips.net/ Will Sapwell, Lib Dem, Sheffield Brightside and HillsboroughX: @WillSapwellW: https://www.shefflibdems.org.uk/news/article/will-sapwell-selection Lilian Greenwood, Labour, Nottingham SouthX: @LilianGreenwoodW: https://www.liliangreenwood.co.uk/ Jenny Johnson, Conservative, Wirral WestX: @JennyJohnson4WWW: https://www.jennyjohnson.uk/ Richard Lloyd, Lib Dem, Boston and SkegnessX: @RichLLoyd Just 584 to go...If you are a candidate or know one who'd like to come on the show, email politicalpartypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

The dB's debut album Stands for Decibels was released in 1981, the album was praised by critics and over time, came to be loved by many fans who consider it a landmark power pop jangle classic. Stands for Decibels has now been reissued through Propeller Sound Recordings digitally and on CD, but also for the first time in the US on vinyl. My guest today on Frets is singer-songwriter, keyboardist, guitarist, multi-instrumentalist – the one and only Peter Holsapple.You can purchase the reissue of the dB's Stands for Decibels from Propeller Sound here.This episode was fueled by Stringbean Coffee. Find out more here.Find or Sell Guitars and Gear at ReverbFind great deals on guitars, amps, audio and recording gear. Or sell yours! Check out Reverb.comBuzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms. If you play guitar and are interested in being a guest, or have a suggestion for one, send me an email at davefey@me.com. You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned…

What's your most loved and least favorite song on Matthew Sweet's third album, Girlfriend?! We finally get back into power pop territory as Sam picks one of his big 90s favorites and we all tell tales of seeing Matthew live in California during the glory days. Extreme differing opinions abound and there's a first-ever in rank math history. Longtime Matthew Sweet Band member Paul Chastain, from the Velvet Crush & the Small Square chimes in as an expert guest ranker all the way from Japan. Rookie Card/Geezer drummer Nas Helewa offers an expert anime opinion as well. Edited by Sam. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite Sweet Shoppe.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod .   Altered Beast, alternative pop, anime, The Beatles, BMG Music, blues rock, breakups, Paul Chastain, Lloyd Cole, Cortez the Killer, Day for Night, Divine Intervention, Does She Talk?, Don't Go, Evangeline, Girlfriend, Goodfriend, guitar freak outs, harmonies, Susanna Hoffs, Holy War, I Want To Tell You, I Wanted to Tell You, Icicle Works, Indigo Girls, I've Been Waiting, jangle, the Jayhawks, Ivan Julien, Greg Leisz, Richard Lloyd, Looking at the Sun, Fred Maher, Ric Menck, New York, Nothing Lasts, 100% Fun, pedal steel, power pop, Robert Quine, rebound, Winona Rider, the Small Square, Matthew Sweet, Television, Thought I Knew You, the Velvet Crush, the Voivoids, Tuesday Weld, Winona, You Don't Love Me, Neil Young, Your Sweet Voice, Zoo Entertainment, 1990US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Class is in sessions and Marc Kapetan is excited to welcome Grammy Award winning artist & Director of Jazz Studies at Fresno State, Richard Lloyd Giddens Jr.  Giddens Jr. talks about his move to NY at age 17 to attend a prestigious music program, performing Off-Broadway and his work with world renowned artists like Charlie Haden and more.   Please Like, Comment and Follow 'The Marc Kapetan Show' on all platforms.  The Marc Kapetan Podcast is available on the KMJNOW App, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts.     ---   Kapetan Brothers Law | Website  | Facebook | YouTube    -   Everything KMJ    KMJNOW App | Podcasts |  Facebook | Twitter/X | Instagram   See omnystudio.com/listener for privacy information.

Darin sits down with Katherine Lewin, the founder of the store Big Night and the author of the upcoming cookbook Big Night, which is all about dinners, parties and dinner parties. He talks to Katherine about the opening of her store, how you don't need to be perfect to throw a dinner party, and what she puts on her playlist for a night of having friends over.Then we head into the archives for the New York Rocker band NO ICE. They played with the likes of Television and Black Lips and they were stopping by to play acoustic songs from their latest album "Come On Feel The NO ICE." If the sounds of New York rockers, NO ICE, are new to you, it's certainly not due to the band's lack of effort. Deemed one of the “Hardest Working Bands” of 2016 and 2017 by the site, Oh My Rockness, NO ICE has performed with the likes of Richard Lloyd of Television and Ian Saint Pé of the Black Lips over the years. The band stops in for a live acoustic performance of songs from their latest album, "Come On Feel The NO ICE."Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is now on shelves at bookstores around the world. It features 77 of the world's top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It's an anthology of memories, meals and mixtapes. Pick up your copy by ordering directly from Phaidon, or by visiting your local independent bookstore. Visit our site, www.snackytunes.com for more info.Heritage Radio Network is a listener supported nonprofit podcast network. Support Snacky Tunes by becoming a member!Snacky Tunes is Powered by Simplecast.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Joshua Treviño. Joshua works and writes at the Texas Public Policy Foundation and spent the entire 1990s listening a lot to Matthew Sweet. Joshua's Music Pick: Matthew SweetFor listeners of a certain age, just the name Matthew Sweet will evoke a particular memory, and it's likely one that involves heartbreak. Breaking through with the power-pop masterpiece, Girlfriend, Sweet channeled the inner thoughts and emotions of Gen-Xers everywhere and married them to killer hooks and melodies. Of course, his career is more than just that.Matthew Sweet bridges the gap between sweet, melodic power pop and the edgy alternative rock sound of the 1990s, leveraging the guitar work of Robert Quine and Richard Lloyd on his best music. His influences are clear -- you hear some Beatles, sure, but also influences of Big Star, the Byrds, and even Neil Young in the guitar tones.  His run of albums from Girlfriend to In Reverse (or roughly 1990–2000) is what we focus on in this show, though additional time is spent on his first two solo efforts and some of his later-career output, particularly the trio of Under the Covers albums recorded with ex-Bangle Susanna Hoffs.It's great music and for many, including one co-host, it's essentially brand-new music for the ears. They say nothing is certain in life, but we can guarantee you 100 percent fun when you tune in for this Matthew Sweet edition of Political Beats.

As Rhino Records' senior director for A&R, Patrick Milligan oversees ambitious packages such as the Joni Mitchell archival series; deluxe releases from Warner Music Group artists such as the Ramones, the Doors and Crosby, Stills & Nash; and the recently launched, limited-edition High Fidelity vinyl series. That last one, which features audiophile pressings mastered by recurrent Caropop guest Kevin Gray, has included acclaimed versions of the Cars' debut album, which sold out, and Television's Marquee Moon, which Television guitarist Richard Lloyd discussed here last week. Milligan shares his reaction to the praise and pushback these releases receive, explains the selection process of the High Fidelity titles, previews upcoming albums, and tells of how the company and business have changed during his two stints at Rhino. Is his job a crate-diggers' dream?

If you ranked rock's great two-guitar tandems, Television's Richard Lloyd and Tom Verlaine would be at or near the top. Verlaine was the poetic songwriter, idiosyncratic singer and improvisatory guitarist, but Television would not have been Television without Lloyd's dazzling counterpunches and composed solos that take melodic leaps no one could anticipate. Television launched the mid-1970s art-punk scene at the grungy East Village club CBGB and produced arguably the greatest album from that era, Marquee Moon. How did the band capture such combustible magic in songs like “See No Evil” and the epic title track? Why did Television make only two more studio albums, and why was Lloyd dissatisfied with each? Why did Jimi Hendrix punch out a teenage Lloyd? What impact did drugs and alcohol have on Lloyd'? How did he wind up making more great music with Matthew Sweet? And how did he feel when Television moved on without him? Was he in touch with Verlaine before the Television leader died a year ago?

BEAUTIFUL PEOPLE (STAY HIGH) - The Black Keys GOTTA MOVE - Jonathan Pushkar SADNESS AS A GIFT - Adrianne Lenker WHO WILL YOU BELIEVE - Pernice Brothers ALL COMES DOWN TO THIS - A Certain Ratio DON'T FADE AWAY - J.P. Bimini, The Black Belts NEON PILL - Cage the Elephant MASSAMBA AFUNDANCE - Jahari Massamba Unit, Karriem Riggins, Madlib BIRDS TALK TOO - Laura Jane Grace WILMER - Tourneforte FANTASNEEZE - Bombay Bicycle Club w/Matilda Mann WE BOTH WON - Bory WE MAKE HITS - Yard Act ASYLUM - Salt Collective (Juliana Hatfield, Richard Lloyd, Chris Stramey, Peter Holsapple, Mitch Easter, Susan Cowsill, et al) from the salt collective album from last year NO, THERE'S NO HOPE FOR YOU - Remo Drive CAPE MAY DIAMOND - Barrence Whitfield & the Savages SOMETHING'S RATTLING (COWPOKE) - Benjamin Gibbard YOU HAVE BOUGHT YOURSELF A BOAT - MJ Lenderman RIGHT BACK TO IT - Waxahatchee, MJ Lenderman FALLING SHORT - Vial THAT'S LIFE (LIVE) - Graham Parker & the Goldtops w/The Ladybugs

TELEVISION – MARQUEE MOON with special guest Will Sergeant. This interview took place before and after we listened to the vinyl album. 'Marquee Moon' is a revolutionary album, but it's a subtle, understated revolution. Without question, it is a guitar rock album – it's astonishing to hear the interplay between Tom Verlaine and Richard Lloyd, but it is a guitar rock album unlike any other. Where their predecessors in the New York punk scene, most notably the Velvet Underground, had fused blues structures with avant-garde flourishes, Television completely strip away any sense of swing or groove, even when they are playing standard three-chord changes. Marquee Moon is comprised entirely of tense garage rockers that spiral into heady intellectual territory, which is achieved through the group's long, interweaving instrumental sections, not through Verlaine's words. That alone made Marquee Moon a trailblazing album – it's impossible to imagine post-punk soundscapes without it. Of course, it wouldn't have had such an impact if Verlaine hadn't written an excellent set of songs that conveyed a fractured urban mythology unlike any of his contemporaries. From the nervy opener, "See No Evil," to the majestic title track, there is simply not a bad song on the entire record. And what has kept 'Marquee Moon' fresh over the years is how Television flesh out Verlaine's poetry into sweeping sonic epics. Stephen Thomas Erlewine.  With special guest WILL SERGEANTWill is best known for his work as songwriter and guitarist with Echo & The Bunnymen with whom he has recorded and performed world-wide for thirty years. He also has long-term ties with the experimental side of life, in the fields of performance, recording and the visual arts. Here he talks about his life as a Bunnyman and more besides before waxing lyrical about his favourite album – Television's ‘Marquee Moon.' Ryan Walker was in the interviewer's chair. This event took place on 14th December 2023 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire. To find out more about the CAT Club please visit: www.thecatclub.co.uk This podcast has been edited for content and for copyright reasons. Happy Trails.

Television came out of the CBGB's scene in New York (in fact, they were the first rock band to play the legendary club), but they never fit the "Punk" or "New Wave" label. They were unique, which is why their debut album Marquee Moon sounds timeless, as fresh today as the day it was released in 1977. Fronted by two great guitarists-- the mercurial Richard Lloyd and the enigmatic Tom Verlaine, who also provided unorthodox vocals and most of the songwriting-- Television would influence generations of bands that followed. Though they never achieved commercial success, Marquee Moon regularly appears on virtually every "Greatest Albums Of All Time" list. On this episode, we explore the track that opens the album, "See No Evil". "See No Evil" (Verlaine) Copyright 1977 Double Exposure Music Ltd. ASCAP Learn more about your ad choices. Visit megaphone.fm/adchoices

BEST SHOW BLASTS INTO 2024, BABY!!! Tom welcomes DANNY TAMBERELLI to talk about growing up in Jersey, his days on The Adventure of Pete & Pete, and playing bass and touring with Richard Lloyd! Phones ring on the topic: 2024 PREDICTIONS! The crew sets resolutions and much more! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show Learn more about your ad choices. Visit megaphone.fm/adchoices

Television came out of the CBGB's scene in New York (in fact, they were the first rock band to play the legendary club), but they never fit the "Punk" or "New Wave" label. They were unique, which is why their debut album Marquee Moon sounds timeless, as fresh today as the day it was released in 1977. Fronted by two great guitarists-- the mercurial Richard Lloyd and the enigmatic Tom Verlaine, who also provided unorthodox vocals and most of the songwriting-- Television would influence generations of bands that followed. Though they never achieved commercial success, Marquee Moon regularly appears on virtually every "Greatest Albums Of All Time" list. On this episode, we explore the track that opens the album, "See No Evil". "See No Evil" (Verlaine) Copyright 1977 Double Exposure Music Ltd. ASCAP — Looking for more music-related podcasts? check out the other shows on the Pantheon Podcast network! And don't forget to follow our show, so you never miss an episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

A founding member of the profoundly influential band Television, Richard Lloyd has led a fascinating life. He covers a lot of that life in his book Everything Is Combustible: Television, CBGB's and Five Decades of Rock and Roll: The Memoirs of an Alchemical Guitarist. In addition to his time with Television, he played on albums by Matthew Sweet and John Doe and has produced many albums. It was great, and a great honor to talk with Richard Lloyd.Find tickets for Richard's upcoming shows by linking here. Photo by Ed Rode. See more of Ed's beautiful photography here. And follow him on Instagram here.Save on certified Pre-Owned iPhones, Androids, AirPods, Macs, Smartwatches, accessories, and more at Plug Tech. Enter code DJFEY at checkout to help support Frets with DJ Fey by linking from http://plug.tech/DJFEYEpisode fueled by Stringbean Coffee.Find or Sell Guitars and Gear at Reverb Find great deals on guitars, amps, audio and recording gear. Or sell yours! Check out Reverb.comBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms. If you play guitar and are interested in being a guest, or have a suggestion for one, send me an email at davefey@me.com. You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned…

Matthew Sweet, an American guitarist, has had a criminally understated career, marked by a sensational solo album, “Girlfriend”, three terrific albums with Susanna Hoffs from The Bangles, “Under the Covers” (Vols 1, 2 and 3) and some very tasty soundtrack work, including the Austin Powers movies. In 2014, he also appeared as Apu's singing voice in an episode of The Simpsons.   Our “Album you Must Hear Before you Die” is “Rid of Me” by P J Harvey.  We hated it and can't pretend otherwise!  She was, at one point, in a relationship with Nick Cave, who admitted that he “still had a certain amount of work to do on (his) understanding of the concept of monogamy.”    Jeff is totally impressed that Kid Rock's built his own personal copy of The White House, with a gold elevator right in the middle.  Of course, Kid Rock's claim to fame is that he had a hit single which sampled Warren Zevon's “Werewolves of London”.  We also try some of Mr Beast's chocolate – pricey but available at your local supermarket. Not very good, really. Enjoy.  ___________________________________________________________ References:  Michael Stipe, “Girlfriend”, “Evangeline”, “I've Been Waiting”, Girlfriend – musical/stage show, Robert Quine, Richard Lloyd, Television, Tuesday Weld, Susanna Hoffs, Under the Covers, “How Soon Is Now?”, “Austin Powers in Goldmember”, Lloyd Cole, "Chelsea Hotel", I'm Your Fan: The Songs of Leonard Cohen, “The Simpsons” P J Harvey Rid of MeGirlFriendUnder the Covers Mathew Sweet and Susanna Hoffs

Date: October 11, 2023Name of podcast: Backstage Pass RadioEpisode title and number:  S5: E8 - Dave Roe (Johnny Cash, Dwight Yoakum, John Mellencamp, Jerry Reed, Chet Atkins) - The Legacy Lives OnBIO:Born David Roe Rorick, bassist/vocalist/songwriter Dave Roe grew up in Hawaii and started playing bass in funk and R&B bands in the late '60s and '70s. After moving to Nashville in the early '80s, he joined Jerry Reed's band.  Over the next several years Dave toured the world with several country artists including Mel Tillis, Vern Gosdin, Charlie Louvin, Dottie West, Chet Atkins, Vince Gill, and others.In the early '90s,  Johnny Cash hired Dave to play in his band the Tennessee Three.  Dave has said ‘That started my love affair with the upright bass, and slap bass in particular, that lingers till this day.'  Dave worked with Cash for eleven years, and toward the end, he played bass on most of the American Recordings sessions produced by Rick Rubin.After Cash passed away,  Dave toured and recorded for five years with Dwight Yoakam. He got off the road after that, since his recording session work had picked up substantially. Coinciding with this, he was a member of the Don Kelley Band for 13 years, considered one of America's best honky-tonk bands.With over 500 album credits, including numerous platinum, gold, and Grammy-winning records, over the years Dave has worked with such diverse artists as John Mellencamp, Sturgill Simpson, Chrissie Hynde, Taj Majal, Loretta Lynn,  Merle Haggard, Kris Kristofferson, Ian Hunter, Brian Setzer, Dan Auerbach, CeeLo Green, Kurt Vile, Yola, John Anderson, Carrie Underwood, Marcus King, Malcolm Holcombe, Brandy Clark, Joe Ely, Gretchen Peters, Ray LaMontagne, Jake Bugg, Richard Lloyd, Don Schlitz, Faith Hill, Duane Eddy, Kathy Mattea, Rodney Crowell and others.These days, Dave continues to work sessions and play live regionally with a few artists.  He has his own band, the SloBeats, formed with guitar great from Marty Stuart's band Kenny Vaughan, and drummer Pete Abbott from the Average White Band. Dave also regularly books sessions in his own studio, Seven Deadly Sins, located right outside Nashville in Goodlettsville, TN. He is a life member of AFM Local 257 in Nashville, TN.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.daveroe.comCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey 

Baxie talks to legendary guitarist Richard Lloyd of Television! Richard not only talk about the Television and the early days of the New York Punk and New Wave scene, he also talks about the band's legendary 1977 debut album Marquee Moon. Richard talks about the very early days of CBGB's, the late Tom Verlaine, and about spending time with some of the biggest names in music such as Keith Richards, Jimi Hendrix and Keith Moon. Amazing stuff! Be sure to check out Richard and his band at the Parlor Room in Northampton, Mass on September 16th! Listen on Apple Podcast, SoundCloud, Google, Spotify, and on the Rock102 website! Brought to you by Z&M Home Buyers!

Richard joined Television in 1973 and has released three albums with them, plus seven solo albums starting in 1980. He has also played with Matthew Sweet, John Doe, Rocket from the Tomb, and others, and has a 2019 memoir Everything Is Combustible. We discuss "So Sad" from The Countdown (2018), "Glurp" from Radiant Monkey (2007), "Pleading" from Field of Fire (1985), and "Misty Eyes" from Alchemy (1980). We conclude by listening to "May This Be Love" from The Jamie Neverts Story, Richard's album of Jimi Hendrix covers. Intro: "Venus" by Television from Marquee Moon (1977). More at richardlloyd.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

On episode 22 of Past Prime, and with the passing of Tom Verlaine still very much a recent event, Steve and Matty return to the third (and final) album from New York proto-punk legends, Television. Released in 1992, just before the world wide web became a source for instant information, but fourteen years after the band had broken up, "Television" arrived as a complete surprise to fans of the band. Matty, an avowed devotee, and Steve, a reluctant victim of his co-host's aesthetic intimidation, reflect on the merits of the album and the enduring significance of its elusive lead singer. Though Television soldiered on right up until Verlaine's death (albeit without Richard Lloyd for many of those years) and though Tom Verlaine released two modest solo albums in the Aughts, "Television" is the band's swan song. Whereas Matty received the arrival breathlessly, eager to decode its poetry, its noir and its horror, Steve found it to be a "Low T," tossed off fade out. Where Matty sees beauty, Steve sees depression. Where Matty hears invention and precision, Steve hears a bunch of middle-aged guys dozing off. This album that united two friends decades ago as college freshman, threatens to divide them decades later. Will they find common ground? Will they resolve the mystery of Tom Verlaine? Stay tuned for another episode of Past Prime! To read more about Television's self-titled reunion album, check out the full essay at Past Prime.

This week, we delve into what many contend is the blue print for 1990's power pop, the 1991 LP by Matthew Sweet, Girlfriend. Things were not looking particularly up for Sweet as he worked on his third album. Professionally he had no label, and personally his marriage was falling apart.  Having released two competent, but commercial disappointing albums for 2 different labels, no one expected what came next. Tentatively titled Nothing Lasts, the album was rechristened Girlfriend after actress Tuesday Weld objected to her image being used for an album called Nothing Lasts. Having used a drum machine on his previous albums, Sweet decided to go with real drums and to record most of the album live in he studio. With the help of guitar virtuosos  Television's Richard Lloyd, and former Voidoid guitarist and Lou Reed sideman, Robert Quine, Girlfriend is equal parts loud and jangly. Its the perfect soundtrack for Sweet's sweet vocals and harmonies (pun intended) and an unparalleled guitar pop tour de force. 

Episode 74 features Keith, Scott, & Larry taking turns drafting the greatest songs of 1977. Link to Spotify playlist for this episode: https://open.spotify.com/playlist/7vJA41U0htJmoNIO7bQX3Y?si=7e5ce0707e26448e Link to Spotify honorable mentions playlist for this episode: https://open.spotify.com/playlist/60ps5AfmiD5tGpw1IYxAGl?si=f67e1a3108a74c87 Notes: The book we referenced, 31 Songs, is also called Songbook and was written by Nick Hornby (who also wrote High Fidelity). To be clear, Tom Verlaine not Richard Lloyd was Patti Smith's ex-boyfriend, and her "thousand bluebirds screaming" description was primarily in reference to Verlaine's playing.

“Marquee Moon” é uma música de mais de 10 minutos do Television, que também dá nome ao primeiro disco da banda dos guitarristas Richard Lloyd e Tom Verlaine. O último também era vocalista da banda e faleceu em 28/01/2023. Por isso, nesse episódio, além dos fãs famosos que foram influenciados pelo Tom Verlaine e sua banda, a gente conta o caminho do Television até gravar o Marquee Moon e tudo sobre o disco. --- Send in a voice message: https://podcasters.spotify.com/pod/show/musicacronica/message

On this week's podcast, we have another “Listener's Choice,” the 1977 debut by Television - Marquee Moon.  Recorded in the fall of 1976 and released in February of 1977, Marquee Moon was a critical darling and a minor hit in the UK. Music fans in the US outside of New York were indifferent. Which is unfortunate because Marquee Moon is an album worthy of attention.  Over the melodic yet solid rhythm section of drummer Billy Ficca and bassist Fred Smith, duel lead guitarists Tom Verlaine and Richard Lloyd bring their own distinctive styles to the band's music, and create something unlike anything coming out of New York or anywhere else at the time.  Add Verlaine's quirky vocal whine, and you have one of the most incredibly innovative and unique albums ever recorded, and one that influenced the music of late 20th century well beyond the limits of its commercial success. Sadly, Tom Verlaine passed away on January 28, 2023. He was 73 years old.  

On this week's show, we... bid adieu to David Crosby & Tom Verlaine spend quality time with the new Joe Henry record spin fresh tracks from boygenius, Fucked Up & Nickel Creek  all this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

(First aired on WUTC 11/12/2022)CBGBs and the 1970s New York City's punk scene are the stuff of legends - and right in the mix of it all was the band Television.Join us as we interview Television's co-founding member and guitarist Richard Lloyd about his time at CBGB's, the recording of the band's innovative first album "Marquee Moon" - and how Television transformed the punk music genre.Richard Lloyd also performs a short set with our house band, Zowie & the Vanguard. Hosted on Acast. See acast.com/privacy for more information.

This week Ed and Tom chat with Richard Lloyd of Bloody Miniatures about all things English Civil war and a bit of 30 years war as well

Richard Lloyd is one of the leading Strategy Change Coaches in the Supply Chain space. Throughout his storied career Richard has worked for companies such as Unilever, the Optel Group and o9 Solutions. More recently he has been helping leaders to craft messages that will resonate throughout their business. Finally, Richard is also the Author of, Successful Integrated Planning for the Supply Chain: Key Organisational and Human Dynamics, which provides an invaluable guide for those looking to implement change in their supply chain.  On this week's episode Richard and Maria discuss:  His early career in theatre  Why most transformation projects fail  The human factors holding back the supply chain  Bias in supply chain management  Managing data  Make sure to like and subscribe to the Transform Talks podcast never to miss the supply chain conversations that matter. New episodes are released every Wednesday. ↓ Richard Lloyd ↓ https://www.linkedin.com/in/richardlloydsupplychain/ ↓ FOLLOW US ON LINKEDIN ↓ Maria Villablanca (Host) https://www.linkedin.com/in/mariavillablanca/ Transform Talks  https://www.linkedin.com/showcase/transform-talks/ ↓ FIND US ONLINE ↓ https://futureinsights.org/ https://futureinsights.org/transform-talks/ Get more on-demand supply chain content https://sctvplus.com/pages/sctv-individual Apply to be a guest on the show https://futureinsights.org/speaker-form/ Apply be a sponsor on the show https://futureinsights.org/sponsor-form/

This service of Choral Evensong, sung by the Choir of St. Paul's Episcopal Church, Chattanooga, Tennessee, observes the Reign of Christ. The officiant and preacher is the Rev. Canon Julia Mitchener. Choral repertoire includes:William Smith (c. 1603-1645), Preces & ResponsesHerbert Murrill (1909-1952) in EC. Armstrong Gibbs (1889-1960), arr. Richard Lloyd (1953-2021), Thee will I love, my God and KingWilliam Walton (1902-1983), Jubilate Deo

From Dick Clark's unbelievable middle name to Jimi Hendrix to late night radio trips, this (Pace picante sauce-voice) New York City-centric edition of Click Vortex with special guest DJ Johnny Volume has it all. Dive into Will Hermes' Love Goes To Buildings On Fire: Five Years in New York That Changed Music Forever, Richard Lloyd of Television's power pop gem Alchemy, legendary radio deejay Alison Steele, "The Nightbird," The Chordettes, and the Killer himself, Jerry Lee Lewis. Plus, Sam breaks out the conspiracy code book and gets numerological about Jason's new album, and Johnny talks Untappd. About Click Vortex:  The world wide web, like the universe itself, is constantly expanding. With each episode of Click Vortex, Sam Means (The Format) and Jason Woodbury (Aquarium Drunkard) bring you a biweekly survey of their online adventures. What's your favorite song from the Angus soundtrack? Call and tell us: 1-877-WASTOIDS.

We normally present short musical pieces, but today, in our annual observation of the day Jimi Hendrix died, I decided to present instead a story, audiobook-style, of how guitarist Richard Lloyd met Jimi Hendrix while Lloyd was still a teenager.  Long time listeners will note this isn't what we usually do. which is combine other people's words (mostly poetry) with original music we compose and record ourselves.  You can find over 600 examples of that in our archives at frankhudson.org    

In this podcast Sustainable Wine's Toby Webb talks to Richard Lloyd of Accolade Wines. Richard is the general manager of European operations and supply chain at The Park, Accolade's multi-award-winning drinks manufacturing, warehousing, and distribution facility. The Park, which packages 25% of all wine sold in the UK, is leading on a number of sustainability initiatives at their facilities. Toby and Richard discuss circular approaches, sustainable innovations in industrial manufacturing, cross-industry learnings on accelerating sustainability, addressing the issue of bottle weight, consumer education, and more.

#KöşedekiKitapçı'da bugün

In 1990 Matthew Sweet - who was going through a divorce and was just dropped by his record label - assembled a band that included iconic guitarists Richard Lloyd and Robert Quine and released what would be his breakout album, 1991's 'Girlfriend'. Singer/songwriter Paul Roub sat down with Rob to discuss this stripped-down slab of noisy pop goodness. Songs featured in this episode: Be Human - Paul Roub; Three Little Pigs - Green Jelly; Blank Generation - Richard Hell & The Voidoids; Alive - Pearl Jam; Divine Intervention, I've Been Waiting, Girlfriend, Looking at the Sun, Winona, Evangeline, Day for Night, Thought I Knew You, You Don't Love Me, I Wanted to Tell You, Don't Go, Your Sweet Voice, Does She Talk?, Holy War, Nothing Lasts - Matthew Sweet; Undone - Weezer; Galileo - Indigo Girls; Wicked Little Town - John Cameron Mitchell; Hesitating Beauty - Billy Bragg & Wilco; Don't Stop Me Now - Queen; Marquee Moon - Television; Rape of the Vespers - The Holy Terrors; No Flowers - Paul Roub; Christmas - The Buzz of Delight featuring Matthew Sweet

Our ambition every week is to introduce you to the music of at least 3 artists / bands who are new to you and whose music you'll want to explore.Our ALBUM OF THE WEEK, this week, is 'Area 52 Truck Stop' by Sylvia Bullett."I have been visualising post plague dance parties spinning this!"It features two members of iconic band Television – Fred Smith on bass and Richard Lloyd on guitar. The album is so named because she recorded it during Covid time and actually finished one of the earliest songs pulling up her truck alongside the legendary Area 52 Studios: Dave "Loveshack" Cook ran cables out to the truck cab for vocal mic and earphones- thus the inspiration for the album's name.In our LUVVA COVER feature, we will be playing an amazing instrumental cover of an iconic Radiohead song by a Lebanese violinist. Ara Malikian was a child prodigy, studied in Hanover and London, and now includes classical, experimental, ethnic (e.g. gipsy, Klezmer, Spanish and Argentinian) and modern compositions. This cover, released about 5 years ago, is so exciting, original and energetic! Give it a listen!Playlist:LTWYLM – Abi OciaGeneration Calling – BluhauzRun – edapollo, AkaciaDelusions of Grandeur – Bad WaitressFire & Ice – Sylvia Bullett (Album of the Week)Pipe Dreams- Lonely Guest, Rina MushongaMove Right Through Me (Slowly remix) – Anushka, SlowlyReminders – BECAHProdigal Daughter – Aoife O'Donovan, Allison RussellThe Limes – Sarah GoodsonNo Surprises – RadioheadNo Surprises – Ara Malikian (Luvva Over feature)Romance – Miryam SolomonThe Resilience Born in Fire – Those Who Ride With GiantsArea 52 Truck Stop – Sylvia BullettTaking Flight – Zar, SahalaCome Together – Malone SibunFreaky Boys and Freaky Girls – TbellyParadise – LYRAS1.am – WovesGirls & Boys – Sylvia BullettUnder – Lonely Guest, Oh Land

Our ambition every week is to introduce you to the music of at least 3 artists / bands who are new to you and whose music you'll want to explore.Our ALBUM OF THE WEEK, this week, is 'Area 52 Truck Stop' by Sylvia Bullett."I have been visualising post plague dance parties spinning this!"It features two members of iconic band Television – Fred Smith on bass and Richard Lloyd on guitar. The album is so named because she recorded it during Covid time and actually finished one of the earliest songs pulling up her truck alongside the legendary Area 52 Studios: Dave "Loveshack" Cook ran cables out to the truck cab for vocal mic and earphones- thus the inspiration for the album's name.In our LUVVA COVER feature, we will be playing an amazing instrumental cover of an iconic Radiohead song by a Lebanese violinist. Ara Malikian was a child prodigy, studied in Hanover and London, and now includes classical, experimental, ethnic (e.g. gipsy, Klezmer, Spanish and Argentinian) and modern compositions. This cover, released about 5 years ago, is so exciting, original and energetic! Give it a listen!Playlist:LTWYLM – Abi OciaGeneration Calling – BluhauzRun – edapollo, AkaciaDelusions of Grandeur – Bad WaitressFire & Ice – Sylvia Bullett (Album of the Week)Pipe Dreams- Lonely Guest, Rina MushongaMove Right Through Me (Slowly remix) – Anushka, SlowlyReminders – BECAHProdigal Daughter – Aoife O'Donovan, Allison RussellThe Limes – Sarah GoodsonNo Surprises – RadioheadNo Surprises – Ara Malikian (Luvva Over feature)Romance – Miryam SolomonThe Resilience Born in Fire – Those Who Ride With GiantsArea 52 Truck Stop – Sylvia BullettTaking Flight – Zar, SahalaCome Together – Malone SibunFreaky Boys and Freaky Girls – TbellyParadise – LYRAS1.am – WovesGirls & Boys – Sylvia BullettUnder – Lonely Guest, Oh Land

MonoSupreme is a YouTube channel dedicated to all things Doctor Who!

In the new episode of the RBP podcast, hosts Barney, Mark & Jasper welcome the great Nelson George into "the cupboard", all the way from his native Brooklyn. Nelson talks about his long and distinguished career, from interning at Billboard via his Village Voice column to his recently-published collection The Nelson George Mixtape, Vol. 1. His hosts ask him specifically about his essential 1988 book The Death of Rhythm & Blues, as well as about hip hop & the Average White Band.The conversation then turns to the week's new audio interview(s) with Nelson favourites Jimmy Jam & Terry Lewis — and to the Minneapolis duo's peerless productions of Janet Jackson, Alexander O'Neal and the S.O.S. Band. Mark then talks us through new library pieces about Lee Dorsey, Television's Richard Lloyd and Public Enemy, while Barney highlights Sheila Weller's Vanity Fair retrospective on Haight-Ashbury and Jasper quotes from Mal Peachey's 2004 Independent appreciation of Eric Dolphy's jazz classic Out to Lunch.Many thanks to special guest Nelson George. Visit his website at http://www.nelsongeorge.net/bio for details of his books and other work.Pieces discussed: Nelson George, The Death of Rhythm & Blues, Hip Hop America, Bruce Springsteen, Arthur Lee, Average White Band, Jimmy Jam audio, Terry Lewis audio, The Who, Byrds, Miles Davis, Germaine Greer, Richard Lloyd, Public Enemy, Lee Dorsey, Suede, Summer of Love, Eric Dolphy and Run the Jewels.

In the new episode of the RBP podcast, hosts Barney, Mark & Jasper welcome the great Nelson George into "the cupboard", all the way from his native Brooklyn. Nelson talks about his long and distinguished career, from interning at Billboard via his Village Voice column to his recently-published collection The Nelson George Mixtape, Vol. 1. His hosts ask him specifically about his essential 1988 book The Death of Rhythm & Blues, as well as about hip hop & the Average White Band. The conversation then turns to the week's new audio interview(s) with Nelson favourites Jimmy Jam & Terry Lewis — and to the Minneapolis duo's peerless productions of Janet Jackson, Alexander O'Neal and the S.O.S. Band. Mark then talks us through new library pieces about Lee Dorsey, Television's Richard Lloyd and Public Enemy, while Barney highlights Sheila Weller's Vanity Fair retrospective on Haight-Ashbury and Jasper quotes from Mal Peachey's 2004 Independent appreciation of Eric Dolphy's jazz classic Out to Lunch. Many thanks to special guest Nelson George. Visit his website at http://www.nelsongeorge.net/bio for details of his books and other work. Pieces discussed: Nelson George, The Death of Rhythm & Blues, Hip Hop America, Bruce Springsteen, Arthur Lee, Average White Band, Jimmy Jam audio, Terry Lewis audio, The Who, Byrds, Miles Davis, Germaine Greer, Richard Lloyd, Public Enemy, Lee Dorsey, Suede, Summer of Love, Eric Dolphy and Run the Jewels. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the new episode of the RBP podcast, hosts Barney, Mark & Jasper welcome the great Nelson George into "the cupboard", all the way from his native Brooklyn. Nelson talks about his long and distinguished career, from interning at Billboard via his Village Voice column to his recently-published collection The Nelson George Mixtape, Vol. 1. His hosts ask him specifically about his essential 1988 book The Death of Rhythm & Blues, as well as about hip hop & the Average White Band.The conversation then turns to the week's new audio interview(s) with Nelson favourites Jimmy Jam & Terry Lewis — and to the Minneapolis duo's peerless productions of Janet Jackson, Alexander O'Neal and the S.O.S. Band. Mark then talks us through new library pieces about Lee Dorsey, Television's Richard Lloyd and Public Enemy, while Barney highlights Sheila Weller's Vanity Fair retrospective on Haight-Ashbury and Jasper quotes from Mal Peachey's 2004 Independent appreciation of Eric Dolphy's jazz classic Out to Lunch.Many thanks to special guest Nelson George. Visit his website at http://www.nelsongeorge.net/bio for details of his books and other work.Pieces discussed: Nelson George, The Death of Rhythm & Blues, Hip Hop America, Bruce Springsteen, Arthur Lee, Average White Band, Jimmy Jam audio, Terry Lewis audio, The Who, Byrds, Miles Davis, Germaine Greer, Richard Lloyd, Public Enemy, Lee Dorsey, Suede, Summer of Love, Eric Dolphy and Run the Jewels.

In the new episode of the RBP podcast, hosts Barney, Mark & Jasper welcome the great Nelson George into "the cupboard", all the way from his native Brooklyn. Nelson talks about his long and distinguished career, from interning at Billboard via his Village Voice column to his recently-published collection The Nelson George Mixtape, Vol. 1. His hosts ask him specifically about his essential 1988 book The Death of Rhythm & Blues, as well as about hip hop & the Average White Band. The conversation then turns to the week's new audio interview(s) with Nelson favourites Jimmy Jam & Terry Lewis — and to the Minneapolis duo's peerless productions of Janet Jackson, Alexander O'Neal and the S.O.S. Band. Mark then talks us through new library pieces about Lee Dorsey, Television's Richard Lloyd and Public Enemy, while Barney highlights Sheila Weller's Vanity Fair retrospective on Haight-Ashbury and Jasper quotes from Mal Peachey's 2004 Independent appreciation of Eric Dolphy's jazz classic Out to Lunch. Many thanks to special guest Nelson George. Visit his website at http://www.nelsongeorge.net/bio for details of his books and other work. Pieces discussed: Nelson George, The Death of Rhythm & Blues, Hip Hop America, Bruce Springsteen, Arthur Lee, Average White Band, Jimmy Jam audio, Terry Lewis audio, The Who, Byrds, Miles Davis, Germaine Greer, Richard Lloyd, Public Enemy, Lee Dorsey, Suede, Summer of Love, Eric Dolphy and Run the Jewels.

From Billy Inman: When I was a teenager discovering punk rock, I learned about Television's “Marquee Moon” and the band's history before I ever heard the record. I knew they were seminal to the '70s New York punk scene and one of the first bands to play CBGBs. In my muddled adolescent mind, I imagined their sound was like the “three chords and the truth” minimalist punk of their contemporaries, The Ramones.Then I listened to “Marquee Moon,” and it turned everything I thought “punk” was on its ear. Turns out, you can be punk and be supremely talented musicians (guitarist Richard Lloyd palled around with Velvert Turner, a student of Jimi Hendrix. Or so goes the legend). You can be punk and have an almost 10-minute title track (so not punk that it is punk). And you can be punk and record a timeless opus that is as sonically relevant, authentic and influential today as it was in 1977.“Marquee Moon” is an absolute classic — lightning struck itself. It transcends punk or any other label or idiom. More than any other recording, it set a teenage me on down a path of musical discovery that has never stopped. I'm sure I'm not alone in that regard.

Facebook: https://www.facebook.com/thebestmusicpodcast Blog: https://bestmusiccoach.blogspot.com Twitter: https://www.twitter.com/thebestmusicpod Instagram: https://www.instagram.com/thebestmusicpodcast/ The Best Music Podcast #1 | Gregg Hollister | Rock Follies, Living a Creative Lifestyle, Music is its Own Reward Gregg Hollister Gregg's Facebook: https://www.facebook.com/vocalbassdudeGman Gregg Playing: https://www.youtube.com/watch?v=owGAYN6KRh4 The Brian Druxx Project: http://briandruxproject.com/ Gregg has toured recorded or performed with Al Kooper, Richie Havens, Ron Dante, Tommy James, The Rockspurs, Paul Schaefer, Max Weinberg, Bernard Purdie, Phoebe Snow, Ian Hunter, Tico Torres, Joey D, Vicki Sue Robinson, Anthem, Masayoshi Takanaka, Terry Silverlight, Ben E. King, Cory Daye, Tom Verlaine, Paul Schaefer, and Richard Lloyd to name a few. Commercial work includes jingles such as Sony, Kodak, Budweiser, Lifesavers, Mars Candy, Club Med, Yamaha Motorcycles, GM, Ciba Geigy, Schering Plough, and Hertz. TV and film work includes work for PBS the made for TV CBS documentary Julissas Hands (the craigslist killer) movie work such as the Bad Lieutenant and the Driller Killer with Joe Delia/Abel Ferrar and countless musical projects supplying background vocals including Austin Powers movie trailers and Grownups with John Stamos. Gregg can currently be seen and heard playing with Hollister & Friends and The Brian Drux Project. 0:00 Intro 1:46 Warm-Up Questions 4:47 How Gregg Got Into Music 8:55 Rock Follies 1 & The Value of Owning Your Master Recordings 11:50 Perfume Commercials and Bad Contracts 12:55 How Music Publishing Works, How the Money is Divided 16:30 Rock Follies 2 & Managers Stealing from the Band, Getting Robbed 22:41 Joe Delia and the Rockspurs 24:31 Rock Follies 2.5 and 3 26:30 The 80s and Chaka Khan 31:23 The Darryl Canada Project & Rock Follies 4 & What is a Showcase? 34:22 Getting Smart, ASCAP 36:17 What is an Artist Showcase? 38:20 Rock Follies 5 41:56 Phoebe Snow and Al Kooper 45:00 What is a Spec Deal? 47:00 Shopping the Record - Yamaha 51:00 Ben E. King & Background Singer Session Work 52:07 Masayoshi Takanaka 56:00 How Gregg Makes Jingles & Brushing Philip Glass 1:01:30 Music is a Part of Me 1:02:15 Jimmy Leahey, The Brian Druxx Project, Hollister and Friends 1:14:35 Enter Drew Nagal 1:16:14 Max Weinberg Jukebox 1:19:22 Greatest Hits 1:24:20 Lifestyle: Sleep 1:31:54 Lifestyle: Mindfulness and Meditation 1:33:28 How Trans Siberian Orchestra Discovered Ashley Hollister 1:34:54 Paying Your Dues Past vs. Present 1:37:03 Creativity is a Lifestyle 1:40:22 Creativity: The Great Outdoors 1:41:42 Practice: How Many Hours a Day? 1:43:37 Practice: How much Time is Effective? 1:48:05 Performance: Performance Anxiety 1:50:48 Burn out Logo, Intro Video, and Branding: Arron Leishman Audio and Video: Zach Ramey zacherylramey@gmail.com Video Thumbnail: Jean Tomasulo https://www.behance.net/jeantomasulo Dan's Thumbnail Photo: John Mollura Photography

On episode 4 of the podcast we have guest Steve Kravac AKA Steven Bradley and we talk all about recording his debut album, what its like being a producer, working with blink-182 and MxPx, running a record label and a whole lot more! One of my favorite interviews I've ever done on the show! Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile app Stay connected with the show! email me - powerchordhour@gmail.com Facebook - https://www.facebook.com/powerchordhour Instagram - https://www.instagram.com/powerchordhour/ Twitter - https://twitter.com/powerchordhour/ Youtube - https://www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8Lgg Spotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg Check out Steve Kravac/Steven Bradleyhttp://www.stevekravac.com http://porterhouserecords.com https://twitter.com/Porterhouse_Rec https://www.facebook.com/Porterhouse.Records?ref=search&sid=132501208.3915546022..1 https://www.instagram.com/porterhouserecords https://www.instagram.com/stvn_bradley/ https://twitter.com/stvn_bradley 

This week's Performance Anxiety features guitarist Richard Lloyd. Richard played with the band Television and recorded what is widely regarded as one of the best albums to be put on tape, in Marquee Moon. We also talk about blowing up Chinese laundries, getting punched by Jimi Hendrix, playing with Matthew Sweet, and his new album, The Countdown. Follow us @PerformanceAnx on Twitter & IG. Remember to rate & review us on iTunes. Check out Richard's new album here: http://plowboyrecords.com/artists/richard-lloyd/