Podcast appearances and mentions of grant lee phillips

#1 ACS #1022 (feat. Grant Lee Phillips, Dave Dameshek, Alison Rosen and Bryan Bishop) Recorded 02-25-2013 – Release Date 02-26-2013 #2 ACS #2720 (feat. Gina Grad and Bryan Bishop) Recorded 12-19-2019 – Release Date 12-20-2019 Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

Happy Holidays from The Indicator! For the next week, we're running some of our favorite shows from this year. On today's show, we fire up the gas logs and pour a mug of cocoa to discuss the made-for-TV rom-com machine, and how television executives learned to mass produce seasonal romance. This piece originally aired October 21, 2024. Related episodes: Love Week series page TV holiday rom coms and the alpaca bubble that burst (PM+ only)Special thanks to Grant-Lee Phillips for our Love Week theme song and Kaitlin Brito for episode artwork. For sponsor-free episodes of The Indicator from Planet Money, subscribe to Planet Money+ via Apple Podcasts or at plus.npr.org. Fact-checking by Sierra Juarez. Music by Drop Electric. Find us: TikTok, Instagram, Facebook, Newsletter. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

⁠⁠⁠⁠Join our PATREON for bonus episodes.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This week we have Joshua English of Six Going On Seven, Attempt Survivors, and Unionsuit on the pod to talk about the Grant Lee Buffalo album Mighty Joe Moon. We also touch on: Christmas songs, Wings, the Pogues, Portland (revisited), pnw secession, DQ baseball helmets, Heatmiser, thirty ought six, Bitch Magnet, the industry, big wheel recreation, Iodine Records, six going on seven, Brian McTernan, Mark Kozelek, Neurosis, Attempt Survivors, a masterclass in songwriting, Grant Lee Phillips, and so much more.  ________ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out the Merch Table!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ // Follow us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@danbassini⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mysprocalledlife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠ @joshuaenglishjoshuaenglish and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@runintotheground⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

#1 ACS #1024 (feat. Elliot Gould, Alison Rosen and Bryan Bishop) Recorded 02-27-2013 – Release Date 02-28-2013 #2 ACS #1022 (feat. Grant Lee Phillips, Dave Dameshek, Alison Rosen and Bryan Bishop) Recorded 02-25-2013 – Release Date 02-26-2013 #3 ACS #637 (feat. Jordan Rubin, Alison Rosen and Bryan Bishop) Recorded 08-14-2011 – Release Date 08-15-2011 #4 ACS #1042 (feat, Dave Dameshek, Jay Mohr, Sonny Carolla, Lynette Carolla, Alison Rosen and Bryan Bishop) Recorded 03/25/2013 - Release Date 03/26/2013 #5 ACS #1917 (feat. Kevin Pollak, Dr. Drew, Jo Koy, Gina Grad and Bryan Bishop) Recorded 10-04-2016 – Release Date 10-05-2016 Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

#1 ACS #1024 (feat. Elliot Gould, Alison Rosen and Bryan Bishop) Recorded 02-27-2013 – Release Date 02-28-2013 #2 ACS #1022 (feat. Grant Lee Phillips, Dave Dameshek, Alison Rosen and Bryan Bishop) Recorded 02-25-2013 – Release Date 02-26-2013 #3 ACS #637 (feat. Jordan Rubin, Alison Rosen and Bryan Bishop) Recorded 08-14-2011 – Release Date 08-15-2011 #4 ACS #1042 (feat, Dave Dameshek, Jay Mohr, Sonny Carolla, Lynette Carolla, Alison Rosen and Bryan Bishop) Recorded 03/25/2013 - Release Date 03/26/2013 #5 ACS #1917 (feat. Kevin Pollak, Dr. Drew, Jo Koy, Gina Grad and Bryan Bishop) Recorded 10-04-2016 – Release Date 10-05-2016 Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

Unanswered messages. Endless swiping. An opaque algorithm. The backlash to online dating feels like it's reached a fever pitch recently. For today's Love Week episode, why people are unhappy with online dating and what Hinge's CEO is trying to do about it. Also, a Nobel Prize economist delivers a little tough love. Related listening:How American heiresses became Dollar Princesses (Apple / Spotify)Why the publishing industry is hot (and bothered) for romance (Apple / Spotify) It's Love Week! How the TV holiday rom-com got so successful (Apple / Spotify) Hinge: Justin McLeod (How I Built This) The dating app paradox The economics behind sorority rush Special thanks to Grant-Lee Phillips for our Love Week theme song and Kaitlin Brito for episode artwork. For sponsor-free episodes of The Indicator from Planet Money, subscribe to Planet Money+ via Apple Podcasts or at plus.npr.org. Music by Drop Electric. Find us: TikTok, Instagram, Facebook, Newsletter. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Once relegated to supermarket aisles, romance books are now mainstream. And authors, an often-maligned group within publishing, have found greater commercial success than many writers in other genres. On today's episode of Love Week, our series on the business of romance, we find out how romance novelists rode the e-book wave and networked with each other to achieve their happily-for-now status in the industry. Read more by Christine Larson, Priscilla Oliveras and Natalie Caña. Thanks to Grant-Lee Phillips for our theme song and Kaitlin Brito for artwork. Related listening: It's Love Week! How the TV holiday rom-com got so successful (Apple / Spotify) Rufaro Faith's 'Let the Games Begin' is a rom-com set in the Olympic villageLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Welcome to Love Week on the Indicator, our weeklong series exploring the business and economic side of romance. On today's show, we fire up the gas logs and pour a mug of cocoa to discuss the made-for-TV rom-com machine, and how television executives learned to mass produce seasonal romance. Special thanks to Grant-Lee Phillips for our Love Week theme song and Kaitlin Brito for episode artwork. For sponsor-free episodes of The Indicator from Planet Money, subscribe to Planet Money+ via Apple Podcasts or at plus.npr.org. Music by Drop Electric. Find us: TikTok, Instagram, Facebook, Newsletter. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Music plays a key role in Gilmore Girls, especially in the romances! We're counting down the top 10 most romantic musical moments in Stars Hollow. Which, yes, include a lot of Luke and Lorelai, but some other surprises, too. We're forever grateful for the musical contributions of Sam Phillips (famously known for her “la-las”) and Grant Lee Phillips (the town troubadour) to Gilmore Girls.You'll find the Top 10 Most Lighthearted Music Moments in Episode 26, if you missed that one. And stay tuned, this isn't the last music episode you'll hear from us!Correction to #10: Someone to Watch Over Me written by George and Ira Gershwin, performed by Rickie Lee Jones.

From the Bay Area to the Central Valley to the Redwood Forest, this punk rock was made for you and me. Since the late '70s, Northern California has been a hotbed of punk rock activity. San Francisco sat at the epicentre of the first wave, with bands like Crime, Dead Kennedys, Avengers, Chrome, The Mutants, and The Nuns bringing the house down at the legendary Mabuhay Gardens. East Bay bands like Green Day, Operation Ivy, Rancid, and The Mr. T Experience ruled the punk revival of the late '80s and beyond. But, all over the northern part of California, great bands sprouted up in cities like Stockton, Santa Cruz, Davis, and Fulton. This week, we'll cover some of the great punk singles from the area, from familiar favorites to obscure treasures. What better Third Lad for this assignment than Northern California alternative music legend Jeffrey Clark?!? Jeffrey got his start as the singer/songwriter in early '80s Stockton garage/psych/synth combo The Torn Boys, whose recordings were recently released by Independent Project Records as 1983. Following the demise of the band, Jeffrey departed for LA with Torn Boys bandmade Grant-Lee Phillips (later of Grant Lee Buffalo fame) and formed the moody, mystical, marvelous Shiva Burlesque, who released two LPs - their eponymous debut in 1987 and Mercury Blues in 1990. Jeffrey subsequently released two cinematic, gorgeous solo records - Sheer Golden Hooks in 1996 and If Is in 2009. But wait, there's more: This renaissance man also founded one of the most acclaimed film festivals in North America, the Nevada City Film Festival; he revitalized the legendary Independent Project Records with label founder/Savage Republic guitarist Bruce Licher; and, he co-produced the documentary Louder Than You Think: A Lo-Fi History of Gary Young & Pavement. Oh, and did we mention that he's practically a member of the Wu-Tang Clan?? Speaking of Louder Than You Think, you may recall our recent episode where we chatted with director Jed I. Rosenberg and co-producer Brian Thalken. We made sure to chat with Jeffrey about the film as well, so stay tuned for a separate mini-episode on Thursday for more of our discussion! Special thanks to Paul Richison for the amazing guest suggestion, and to Josh Mills from It's Alive! Media for the incredible coordination. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest exemplifies perseverance; and not just with his music but with this podcast. There were a few technical issues which have, hopefully, been overcome with clever editing. Welcome the one and only Robyn Hitchcock. He's written a memoir about his life in 1967. In fact, it's called 1967, How I Got There And Why I Never Left. It's a very unique take on a memoir that works so well. But before we hit on the book, Robyn helps me set things up by going over his life BEFORE 1967. He also talks about things that happened AFTER 1967, like forming The Soft Boys and why they broke up and then reunited at one of Matthew Seligman's parties.  Robyn talks about his solo career, why he went solo in the first place, and why he considers himself the reverse of an innovator. We also discuss some of the unique aspects of his solo work; like teaming up with Grant Lee Phillips, doing a film project with the late, great Jonathan Demme, and after decades of being a singer/songwriter, releasing an album that is entirely instrumental. Once we do get into the book, itself, there are even more amazing stories, like discovering Bob Dylan, learning a bit about guitar, and attending The Happening with Brian Eno. Did you know Eno was the app, developed in 1967? That's a science fact.  Another science fact is how good his memoir is. So go grab it from Akashic Books, Little Brown Books, or wherever you buy books these days. Follow Robyn @robynhitchcockofficial on Instagram & @robynhitchcock on X. Follow us @PerformanceAnx on both. Grab merch at performanceanx.threadless.com. Contribute to our coffee fund at ko-fi.com/performanceanxiety. Let's take a trip back to 1967 with Robyn Hitchcock and maybe we won't leave either on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest exemplifies perseverance; and not just with his music but with this podcast. There were a few technical issues which have, hopefully, been overcome with clever editing. Welcome the one and only Robyn Hitchcock. He's written a memoir about his life in 1967. In fact, it's called 1967, How I Got There And Why I Never Left. It's a very unique take on a memoir that works so well. But before we hit on the book, Robyn helps me set things up by going over his life BEFORE 1967. He also talks about things that happened AFTER 1967, like forming The Soft Boys and why they broke up and then reunited at one of Matthew Seligman's parties.  Robyn talks about his solo career, why he went solo in the first place, and why he considers himself the reverse of an innovator. We also discuss some of the unique aspects of his solo work; like teaming up with Grant Lee Phillips, doing a film project with the late, great Jonathan Demme, and after decades of being a singer/songwriter, releasing an album that is entirely instrumental. Once we do get into the book, itself, there are even more amazing stories, like discovering Bob Dylan, learning a bit about guitar, and attending The Happening with Brian Eno. Did you know Eno was the app, developed in 1967? That's a science fact.  Another science fact is how good his memoir is. So go grab it from Akashic Books, Little Brown Books, or wherever you buy books these days. Follow Robyn @robynhitchcockofficial on Instagram & @robynhitchcock on X. Follow us @PerformanceAnx on both. Grab merch at performanceanx.threadless.com. Contribute to our coffee fund at ko-fi.com/performanceanxiety. Let's take a trip back to 1967 with Robyn Hitchcock and maybe we won't leave either on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the Bay Area to the Central Valley to the Redwood Forest, this punk rock was made for you and me. Since the late '70s, Northern California has been a hotbed of punk rock activity. San Francisco sat at the epicentre of the first wave, with bands like Crime, Dead Kennedys, Avengers, Chrome, The Mutants, and The Nuns bringing the house down at the legendary Mabuhay Gardens. East Bay bands like Green Day, Operation Ivy, Rancid, and The Mr. T Experience ruled the punk revival of the late '80s and beyond. But, all over the northern part of California, great bands sprouted up in cities like Stockton, Santa Cruz, Davis, and Fulton. This week, we'll cover some of the great punk singles from the area, from familiar favorites to obscure treasures. What better Third Lad for this assignment than Northern California alternative music legend Jeffrey Clark?!? Jeffrey got his start as the singer/songwriter in early '80s Stockton garage/psych/synth combo The Torn Boys, whose recordings were recently released by Independent Project Records as 1983. Following the demise of the band, Jeffrey departed for LA with Torn Boys bandmade Grant-Lee Phillips (later of Grant Lee Buffalo fame) and formed the moody, mystical, marvelous Shiva Burlesque, who released two LPs - their eponymous debut in 1987 and Mercury Blues in 1990. Jeffrey subsequently released two cinematic, gorgeous solo records - Sheer Golden Hooks in 1996 and If Is in 2009. But wait, there's more: This renaissance man also founded one of the most acclaimed film festivals in North America, the Nevada City Film Festival; he revitalized the legendary Independent Project Records with label founder/Savage Republic guitarist Bruce Licher; and, he co-produced the documentary Louder Than You Think: A Lo-Fi History of Gary Young & Pavement. Oh, and did we mention that he's practically a member of the Wu-Tang Clan?? Speaking of Louder Than You Think, you may recall our recent episode where we chatted with director Jed I. Rosenberg and co-producer Brian Thalken. We made sure to chat with Jeffrey about the film as well, so stay tuned for a separate mini-episode on Thursday for more of our discussion! Special thanks to Paul Richison for the amazing guest suggestion, and to Josh Mills from It's Alive! Media for the incredible coordination. Learn more about your ad choices. Visit megaphone.fm/adchoices

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

1967: How I Got There and Why I Never Left (Akashic Books, 2024) explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes. When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville. In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno. At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end? Robyn Hitchcock is a rock 'n' roll surrealist. Born in London in 1953, he describes his songs as "pictures you can listen to." Hitchcock has floated at a tangent to the mainstream for nearly five decades, and his songs have been performed by R.E.M., the Replacements, Neko Case, Gillian Welch & David Rawlings, Lou Barlow, Grant-Lee Phillips, Sparklehorse, and Suzanne Vega with the Grateful Dead, among others. Hitchcock lives in London with his wife Emma Swift and two cats, Ringo and Tubby. Robyn on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

"Fuzzy" by Grant Lee Buffalo, released in 1993, captivates with its blend of folk rock and alternative country, showcasing Grant Lee Phillips' distinctive vocals and poetic lyricism. The record resonates with introspective themes of identity, longing, and the complexities of human connection, all set against a backdrop of lush instrumentation and evocative melodies. Tracks like the title song "Fuzzy" and "Jupiter and Teardrop" exemplify the band's ability to intertwine heartfelt storytelling with rich musical arrangements, creating a sonic landscape that is both intimate and expansive. "Fuzzy" remains a quintessential piece of 1990s alternative rock, celebrated for its depth and emotional resonance.Listen to the album: ⁠SpotifyApple MusicLinks:Official websiteContactSupport us on PatreonDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience. 

Pearl Jam, The War on Drugs, Beth Orton, Giant Sand, Cat Power, Arcade Fire, The Killers, Bruce Springsteen, Nick Cave, Grant-Lee Phillips, Tom Waits

Salty Dog's WIPED! Podcast, January 2024 We're wiping down the inside of the cabin. and ready to launch! Holy Moses!.. The WIPED! show is go. Great cuts from Mike Morgan, Julian Taylor, Southern River Band, Neil Young, Jon Cleary, Fiona Boyes, David Nance, Madi Diaz, Dana Gehrman, Mick Thomas, The Pleasures, Dig 3, Robert Connelly, Chris O'Leary, Billy Boy Arnold, Ashley Davies, Judith Hill, Lisa O'Neill, Madison Cunningham, Sara Tindley, Waxahatchee, Grant-Lee Phillips, Jimmie Vaughan, Endless Boogie, Duke Robillard. ARTIST / TRACK / ALBUM ** Australia 1. Mike Morgan N The Crawl / Out In The Jungle / The Lights Went Out In Dallas 2. Julian Taylor Band / Zero To Eleven / Anthology Vol 1 3. ** The Southern River Band / Busted Up / Live From Rada Studios 4. Neil Young / Powerfinger / Chrome Dreams 5. Jon Cleary N Absolute Monster Gentlemen / Zulu Coconuts / Live at 2023 New Orleans Jazz Fest 6. ** Fiona Boyes / Blues Ain't Hard To Find / Ramblified 7. David Nance / Mock The Hours / David Nance N Mowed Sound 8. Madi Diaz / Man In Me / History of a Feeling 9. ** Dana Gehrman / Perfect Imperfection / Down In Hollywood 10. ** Mick Thomas N The Roving Commission / Rising Sun / Where Only Memory Can Find You 11. ** The Pleasures / Mutual Friends / The Beginning of the End 12. The Dig 3 / All The Love That I Got / Damn The Rent 13. Robert Connelly Farr / Just Jive / Dirty South Blues 14. Chris O'Leary / Lost My Mind / The Hard Line 15. Billy Boy Arnold / I Wish You Would / Hits of Harmonica Blues 16. ** Ashley Davies / The Level / The Level 17. Judith Hill / Runaway Train / Runaway Train 18. Lisa O'Neill / Silver Seed / All Of This Is Chance 19. Madison Cunningham / Pin It Down / Who Are You Know 20. ** Sara Tindley / Golden / Time 21. Waxahatchee / Right Back To It / Tiger's Blood 22. Grant-Lee Phillips / Rolling Pin / The Narrows 23. Jimmie Vaughan / Like A King / Out There 24. Endless Boogie / Occult Banker / Long Island 25. Duke Robillard / Gambler's Blues / Guitar Groove-A-Rama

Episode 2 of The Great American Folk Show podcast features singer-songwriter Grant-Lee Phillips, frontman of the band Grant Lee Buffalo, who you also may recognize as the Town Troubadour from Gilmore Girls. Plus, we'll hear from fingerpickin' ragtime guitarist Mary Flower, and musician Leo Rondeau sings a couple humorous holiday songs. Then, we chat with Rick Gion about his booming Facebook group: Fargo-Moorhead Eats, and Tom unveils a couple of live holiday shows he has scheduled this year. — The Great American Folk Show is written, recorded, and hosted by folksinger and songwriter Tom Brosseau and produced by Erik Deatherage at Prairie Public Broadcasting in Fargo, North Dakota. Podcast artwork design by DLT. Find Prairie Public (@prairiepublic) and The Great American Folk Show (@greatamericanfolkshow) on Facebook and Instagram.

#1 ACS 3137 - AJ Benza (2021) #2 ACS 2480 - Calean The House Sitter (2019) #3 ACS 2360 - Grant Lee Phillips (2013) Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

#1 ACS 3137 - AJ Benza (2021) #2 ACS 2480 - Calean The House Sitter (2019) #3 ACS 2360 - Grant Lee Phillips (2013) Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

I 1999 lærte alle med et radioapparat nærmest fra den ene dag til den anden Marie Frank at kende. Sange som "Symptom of My Time", først og fremmest, "Save a Little Love", "Worth it" (2001) og "Under the Water" i et remix blev spillet igen og igen. Også i udlandet. Nu, 24 år senere udsender Marie Frank en EP med titler som "Det bedste ud af alting", "Hvem ved hvad vej det går" og "Stenslag". POV Mediano Musics Jan Eriksen har besøgt Marie Frank i Langå, hvor hun med en fantastisk udsigt til Langå sø bor sammen med sin mand, musikeren Anders Pedersen og deres to børn. I podcasten taler de om alt det, der skete dengang, hvor hun rejste rundt i verden, og bl.a. øvede sit håndværk i New York – og hvad der er sket siden og, hvor de nyeste sange kommer fra. ”Måske havde Danmark brug for en pige med en guitar dengang,” siger hun selv som en mulig forklaring på det pludselige gennembrud. I USA havde de Sheryl Crow, Suzanne Vega og Joni Mitchell. Det handler om tilfældige møder som blaffer bl.a. med bossen for Spot Festivalen og en DR radiovært, der skulle komme til at hjælpe hende videre. Indspilningen af debut-albummet ”Ancient Pleasures” i et studie i New York med det funky navn Dan's House of Love. Det handler om en turne, som Marie måtte gennemføre i en kørestol og på krykker. Efter et par hektiske år i begyndelsen af 0'erne blev Marie Frank selvstændig – hverken hun eller det tidligere pladeselskabet havde særlig travlt med at forhandle ny kontrakt – og selvstændig har hun været siden. Så det er også historien om kampen for at bevare sin integritet i en branche hvor alle flår i en. ”Jeg følte, at jeg blev modarbejdet af mit pladeselskab, der gerne ville flytte rundt med mig. Du bliver hele tiden stillet overfor det spørgsmål: hvis du bare vil det og vil det. Det konstante pres. Der var så mange, der havde en holdning, vi synes du skal gøre det og det. Jeg synes på en måde det er en barsk måde at henslæbe sine tyvere på.” Det handler om et gedigent benspænd, da festivalen Wig Wam krakkede med et brag og efterlod en række uskyldige musikere uden penge. Men det handler Ikke mindst om mødet med Howe Gelb, lederen af et af første markante alt-country bands, Giant Sand, og andre amerikanske musikere som Grant Lee Phillips og legenden Lucinda Williams. Møder som naturligt har påvirket hendes sangskrivning og betydet en masse gode oplevelser og rejser. Albummene "Where the Wind Turns the Skin to Leather" og "Kontinua", Franks første dansksprogede album, er ganske udmærkede danske americana-album. Og selvfølgelig taler Marie og Jan om arbejdet med at etablere et musikmiljø i Langå. "Det er en lille smule mere hillbilly-agtigt herude i Langå," som hun siger. Dette og meget mere i denne podcast.

I 1999 lærte alle med et radioapparat nærmest fra den ene dag til den anden Marie Frank at kende. Sange som "Symptom of My Time", først og fremmest, "Save a Little Love", "Worth it" (2001) og "Under the Water" i et remix blev spillet igen og igen. Også i udlandet. Nu, 24 år senere udsender Marie Frank en EP med titler som "Det bedste ud af alting", "Hvem ved hvad vej det går" og "Stenslag". POV Mediano Musics Jan Eriksen har besøgt Marie Frank i Langå, hvor hun med en fantastisk udsigt til Langå sø bor sammen med sin mand, musikeren Anders Pedersen og deres to børn. I podcasten taler de om alt det, der skete dengang, hvor hun rejste rundt i verden, og bl.a. øvede sit håndværk i New York – og hvad der er sket siden og, hvor de nyeste sange kommer fra. ”Måske havde Danmark brug for en pige med en guitar dengang,” siger hun selv som en mulig forklaring på det pludselige gennembrud. I USA havde de Sheryl Crow, Suzanne Vega og Joni Mitchell. Det handler om tilfældige møder som blaffer bl.a. med bossen for Spot Festivalen og en DR radiovært, der skulle komme til at hjælpe hende videre. Indspilningen af debut-albummet ”Ancient Pleasures” i et studie i New York med det funky navn Dan's House of Love. Det handler om en turne, som Marie måtte gennemføre i en kørestol og på krykker. Efter et par hektiske år i begyndelsen af 0'erne blev Marie Frank selvstændig – hverken hun eller det tidligere pladeselskabet havde særlig travlt med at forhandle ny kontrakt – og selvstændig har hun været siden. Så det er også historien om kampen for at bevare sin integritet i en branche hvor alle flår i en. ”Jeg følte, at jeg blev modarbejdet af mit pladeselskab, der gerne ville flytte rundt med mig. Du bliver hele tiden stillet overfor det spørgsmål: hvis du bare vil det og vil det. Det konstante pres. Der var så mange, der havde en holdning, vi synes du skal gøre det og det. Jeg synes på en måde det er en barsk måde at henslæbe sine tyvere på.” Det handler om et gedigent benspænd, da festivalen Wig Wam krakkede med et brag og efterlod en række uskyldige musikere uden penge. Men det handler Ikke mindst om mødet med Howe Gelb, lederen af et af første markante alt-country bands, Giant Sand, og andre amerikanske musikere som Grant Lee Phillips og legenden Lucinda Williams. Møder som naturligt har påvirket hendes sangskrivning og betydet en masse gode oplevelser og rejser. Albummene "Where the Wind Turns the Skin to Leather" og "Kontinua", Franks første dansksprogede album, er ganske udmærkede danske americana-album. Og selvfølgelig taler Marie og Jan om arbejdet med at etablere et musikmiljø i Langå. "Det er en lille smule mere hillbilly-agtigt herude i Langå," som hun siger. Dette og meget mere i denne podcast.

Robyn Hitchcock is an English singer-songwriter and guitarist who led “The Soft Boys” in the late 1970s and released the classic Neo-psychedelic album, “Underwater Moonlight”, which influenced bands such as R.E.M. Robyn also had a successful solo career, with songs like “I Often Dream of Trains”. On this episode, Robyn and Jack talk about Robyn's life and music - and The Beatles!   Check out Robyn's website: https://www.robynhitchcock.com/ Follow Robyn on Twitter: https://twitter.com/RobynHitchcock   Listen to Robyn's new album "Shufflemania": https://open.spotify.com/album/4sJg5nUnMNjzxsGWXcqFy2?si=upx-Dz99QqCiAvP2-m2WiA   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.   With a career now spanning six decades, Robyn Hitchcock remains a truly one-of-a-kind artist –surrealist rock 'n' roller, iconic troubadour, guitarist, poet, painter, performer. An unparalleled, deeply individualistic songwriter and stylist, Hitchcock has traversed myriad genres with humor, intelligence, and originality over more than thirty albums and seemingly infinite live performances. From The Soft Boys' proto-psych-punk and The Egyptians' Dadaist pop to solo masterpieces like 1984's milestone I Often Dream of Trains and 1990's Eye, Hitchcock has crafted a strikingly original oeuvre rife with sagacious observation, astringent wit, recurring marine life, mechanized rail services, cheese, Clint Eastwood, and innumerable finely drawn characters real and imagined.    Born in London in 1953, Hitchcock attended Winchester College before moving to Cambridge in 1974. He began playing in a series of bands, including Dennis and the Experts which became The Soft Boys in 1976. Though light years away from first wave punk's revolutionary clatter, the band still manifested the era's spirit of DIY independence with their breakneck reimagining of British psychedelia.  During their (first) lifetime, The Soft Boys released two albums, among them 1980's landmark second LP, Underwater Moonlight. “The term ‘classic' is almost as overused as ‘genius' and ‘influential,'” declared Rolling Stone upon the album's 2001 reissue. “But Underwater Moonlight remains all three of those descriptions.”   Hitchcock embarked on his solo career with 1981's Black Snake Diamond Röle, affirming his knack for eccentric insight and surrealist lyrical hijinks. 1984's I Often Dream Of Trains fused that approach with autumnal acoustic arrangements which served to deepen the emotional range of his songcraft. Robyn Hitchcock and The Egyptians were born that same year and immediately lit up college rock playlists with albums like 1986's Element of Light. He signed to A&M Records in 1987 and earned early alternative hits with “Balloon Man” and “Madonna of the Wasps.” Hitchcock returned to his dark acoustic palette with 1990's equally masterful Eye before joining the Warner Bros. label for a succession of acclaimed albums including 1996's Moss Elixir and 1999's Jewels For Sophia.    Having first reunited for a brief run of shows in 1994, The Soft Boys came together for a second go-around in 2001, this time releasing Nextdoorland to universal applause. Hitchcock joined the Yep Roc label in 2004, embracing collaboration with such friends and like-minded artists as Gillian Welch and Dave Rawlings (2004's Spooked) and legendary producer Joe Boyd (2014's The Man Upstairs). Beginning in 2006, Hitchcock released a trio of albums backed by The Venus 3, featuring Peter Buck, Scott McCaughey and Bill Rieflin.    Hitchcock moved to Nashville in 2015 where he quickly found a place among the Music City community, recording 2017's self-titled album Robyn Hitchcock with an array of local talent including co-producer Brendan Benson. In 2019, Hitchcock joined forces with XTC's Andy Partridge for the four-song EP, Planet England. Indeed, Hitchcock has proven an irrepressible collaborator throughout his long career, teaming with a boundless series of fellow artists over the years, including R.E.M., Grant-Lee Phillips, Jon Brion, The Decemberists, Norwegian pop combo I Was A King, Yo La Tengo  to name but a very few.  Along with his musical efforts, Hitchcock has appeared in a number of films, among them collaborations with the late Jonathan Demme on 1998's concert documentary Storefront Hitchcock as well as roles in 2004's The Manchurian Candidate and 2008's Rachel Getting Married.    An inveterate traveler and live performer, Hitchcock has toured near constantly for much of the past four decades, playing countless shows around the world, from Africa to the Arctic. Locked down in Nashville and London by the global pandemic of 2020, Hitchcock and his partner Emma Swift began their Live From Sweet Home Quarantine livestream series, performing weekly sets joined by their two cats, Ringo and Tubby. 2021 saw the publication of Hitchcock's first book, Somewhere Apart: Selected Lyrics 1977-1997, featuring 73 songs and 34 illustrations in a beautiful cloth-bound edition from his own Tiny Ghost Press.   His new album Shufflemania! is out on October 21, 2022 on Tiny Ghost Records. 

Veteran singer/songwriter Grant-Lee Phillips is touring on his 11th studio album All That You Can Dream. He was joined by Nashville musician Jarrod Dickenson in a JPR Live Session.

Met ditmaal: Life, Sharon Van Etten, The Dream Syndicate, Destroyer, Horsegirl, Pink Mountaintops, Warpaint, Shearwater, Bobby Oroza, Lenny Kravitz, Grant-Lee Phillips, Angel Olsen, Vieux Farka Touré, plus een exclusieve instore van Wouter Hamel. Concerto Radio, aflevering 444 (17 juni 2022): Life, Big Moon Lake: North East Coastal Town Sharon Van Etten, Anything: We’ve Been Going […]

Help produce Basic Folk by contributing at https://basicfolk.com/donate/Former Grant Lee Buffalo frontman, Grant-Lee Phillips' latest solo album, All That You Can Dream, is -quite- dreamy. During the pandemic, Grant's been contemplating many things and figuring out how to spend his time away from the road. One interest he's been cultivating is painting. He's been sharing his paintings on social media and even used a painting of his beloved silver headphones, which you can also find on the liner notes for Grant Lee Buffalo's Mighty Joe Moon. He worked on this album from his home in Nashville where he produced, engineered, mixed, and recorded himself. And in addition to a few other musicians, he's joined by the crack team of bassist Jennifer Condos and drummer Jay Bellerose. It's always a treat to hear this dynamic duo! He said working on the album at home "pushed me to take the wheel as an engineer, mixer and producer. Consequently, so many nuances remain in the final mix, all the weird stuff that sometimes gets lost in the polishing stages of production." I'm all about that on a GLP recording. It sounds rich and raw at the same time, which feels very good in the chest. All That You Can Dream is filled with his signature songwriting: “using rich historical references to illuminate modern truths.” Grant says "I'm always juxtaposing the events that we're all going through with similar events in history.”In our conversation, we talk about Grant's early life in Stockton, CA. He grew up knowing his family included Native American on both parents' sides. He made an album in 2012, Walking in the Green Corn, which explored his indigenous heritage. He gets into how David Bowie opened up his world, why he started playing guitar and what he likes about playing a 12 string versus a 6 string guitar. He talks about how acting has been a constant in his life; from being a professional magician at age 10 to appearing regularly as The Town Troubadour on Gilmore Girls. Hope you enjoy this interview with one of my favorite people!Advertising Inquiries: https://redcircle.com/brands

"All that you can dream" ("Tot el que puguis somiar")

Альбомы, про которые идет речь в подкасте Они все новые: Tess Parks — And Those Who Were Seen Dancing Alex Izenberg — I'm Not Here Uffie - Sunshine Factory Porridge Radio — Waterslide, Diving Board, Ladder To The Sky Harry Styles — Harry's House Grant-Lee Phillips — All That You Can Dream Испанский стыд — Компрачикос Brandon Coleman - Interstellar Black Space Yungblud — Yungblud M Huncho — Chasing Euphoria Сборник свежих клипов тут, спасибо bit.ly/3wiO16Y Про Кендрика Ламара, подписывайтесь на Дзен bit.ly/3yEQ2vQ

Abrimos el programa de esta semana con la noticia de que Belle and Sebastian publicarán nuevo disco el próximo mes de mayo y te lo contamos mientras escuchamos el primer adelanto que nos han dado a conocer. Además te adelantamos otros discos que están por llegar con la firma de Wet Leg, Lucius, Rolling Blackouts C.F, Mallrat, Suki Waterhouse, Flower Face, Grant-Lee Phillips, Pond, Barrie, Soledad Vélez, My Idea, Calexico, La Villana, Sexy Zebras, Carlos Gris, Las Ganas y Dorian, para el que su vocalista Marc hace aparición en el programa y nos cuenta los detalles del nuevo single. Nuestro colaborador Colin Peters recupera a Delorean y Meseta firma nuestra versión de la semana adaptando un clásico de Jose Luis Perales. Y además suenan otras novedades como las que protagonizan Haim, Kali, Dashboard Confessional, Amatria, Mentira, Mariagrep, Ocata, Lunáticos, Finde Fantasma y The Grannies.

Media Monarchy plays Orville Peck, Grant-Lee Phillips, Michaela Anne and more on #PumpUpThaVolume for February 23, 2022. ♬

This bonus solo episode with Steve contains all songs that were the product of a mad genius working alone, playing all of the instruments.  You could also call them one-man bands, especially since, by coincidence, these are all men. Artists with songs in this episode: Todd Rundgren, Howard Jones, Roger Joseph Manning Jr., Icehouse, Passion Pit, Bubblegum Lemonade, Grant-Lee Phillips, Bill Nelson, Prince, Washed Out, Paul McCartney, Foo Fighters, Nine Inch Nails.   On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ Twitter: @SUBedford1051 Facebook: SuburbanUndergroundRadio Instagram: SuburbanUnderground And available on demand on your favorite podcast app!  

For a television show like Gilmore Girls, marketing and promotion are of the utmost importance. James Pettit worked on Gilmore Girls from the very beginning and still does to this day...and he has stories galore! Plus, he loves this episode and wants to discuss The Road Trip To Harvard. James grabbed his close friend Karl T. Wright to join in, who portrays the Harvard Professor in the pivotal scene in this episode! Don't miss our I AM ALL IN Friendsgiving ...Thursday, November 11th with special guests Emily Kuroda, Grant Lee Phillips, Jackson Douglas, and Sally Struthers. LoopedLive.com for tickets! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.

Reading Se Paddy fosse un uomo, Speciale Cat Power, Grace Jones, Big Thief, Mogwai, J Rock for the Masse (Makita Mashiro) Dry Cleaning Sharon Van Etten, Angel Olsen, Okay Kaya, They hate changes, Grant Lee Phillips, Karin Park , Bauhaus, Nirvana, Muzz, Lana del Rey

1. Adam predicts Trump presidency in 2008 2. Jo Koy as Kobayashi sleeping with American women 3. Waterlube with Derek Waters 4. Jo Koy as a cheese basket 5. Grant Lee Phillips on the Doobie Brothers 6. Possible blacksimile origin 7. Adam street fight story Help Sponsor Corolla Classics By Supporting The Following Sponsors Geico Lifelock Pluto TV Tommy John Undergarment Request clips: Classics@adamcarolla.com TWITTER: https://twitter.com/chrislaxamana https://twitter.com/giovannigiorgio INSTAGRAM: http://instagram.com/chrislaxamana1 https://twitter.com/giovannigiorgio Website: https://www.podcastone.com/carolla-classics Apple Podcasts: https://itunes.apple.com/us/podcast/carolla-classics/id1454001697?mt=2

Singer Grant-Lee Phillips is the first 12 Songs guest to have worked as a mall Santa. The solo artist who rose to fame in the alternative rock band Grant Lee Buffalo had Christmas songs talks about that experience this week, as well as what he learned about songwriting from Christmas songs.  In 2020, Phillips released the Winterglow EP, and he talks about the role the Gilmore Girls television show played in the title track, as well as how he selected the infrequently covered songs he also recorded for it. In the episode, Alex also talks about the Texas Western swing band Asleep at the Wheel and music from their two Christmas albums, Merry Texas Christmas Y'all and Lone Star Christmas Night. If you have any questions, suggestions, or favorites you want to share, I'm at alex@myspiltmilk.com. If you haven't already done so, please do what you have to do to get Twelve Songs in your podcast feed. You can find us at Apple Podcasts, Google Play, Stitcher, Pandora, and Spotify. 

Scott Patterson comenta sobre la química entre Luke y Lorelai, además de sus primeras impresiones sobre Christopher. Como invitado especial esta Grant Lee Phillips, el trovador del pueblo.

Episode 406 also includes an E.W. Essay titled "Ancient Flow." We share some Real Statistics compiled and published by "Harpers Magazine" from their September 2020 edition. We have an E.W. poem called "Goddess." Our music this go round is provided by these wonderful artists: Django Reinhardt, Stephane Grapelli, the Black Pumas, the New York Dolls, Jason Isbell & the 400 Unit, Antonio Vivaldi, Devon Gilfillian, Grant-Lee Phillips & Josh Rouse, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors... 

This episode was a BLAST! Loved loved loved spending a little bit of time with Grant-Lee Phillips, and we think you will, too!The Long Ride Gear Guide reviews Bin There Dump That!Your creative prompt for Episode 6 is Banjos, Juggling, and Magic. Make a picture, write a poem, create a cocktail - anything inspired by Banjos, Juggling, and Magic. You're creative. We just know it. Prove it, by sharing your creations with us by using #ponycast on Facebook and Instagram!Massive thanks to our show sponsors - Leuchtturm 1917 and The Russell Nashville hotel.All of the live audio from The Bowery Vault was recorded with a single Ear Trumpet Labs Myrtle microphone. Pretty amazing, huh?For extended content and a few special behind the scenes pieces, check out our patreon- you can sign up for just a buck.Thanks for tuning in. We'd love for you to leave us a review on Apple Podcasts. It helps us get this content to more people. We appreciate you!

On episode 2 of the Comfort Monk Podcast, Eddie Newman talks to Grant-Lee Phillips about his recent Exile Follies tour (with Kristin Hersh and John Doe), an upcoming album this fall, and his forays into visual art. The post Ep. 2 – Grant-Lee Phillips (Grant Lee Buffalo/Shiva Burlesque) first appeared on comfort monk.

This 32-minute episode takes a look back at a few of this year's best stories and reflections.  In the following order, we have:  Shelly Spiegel-Coleman on the need for a dignified and humane approach to the treatment of illegal immigrants and their families;  Sabrina Fendrick of Berkeley Patients Group on the domination of women in the cannabis industry;  Emily Burns of Save the Redwoods Alliance on how carbon is measured in giant Sequoia and Redwood trees. Alan Hess on William Pereira's reputation among the East Coast elite and how he was “Hollywood's version of an architect”;  Magnus Torén of the Henry Miller Library on the development challenges of Big Sur - “it's being loved to death”;  multi-instrumentalist Louise Goffin on why the piano is her favourite instrument.  Daniel Ostroff on how he inadvertently started collecting Charles and Ray Eames; Jon Christensen on Reyner Banham and why living in LA is actually better than visiting it.  Justin Akers Chacon on the irony of how drastic immigration legislation had a dramatic economic effect in some towns;  Samantha Schoech of Independent Bookstore Day comparing books with the vinyl revival and the staying power of paper books. Grant Lee Phillips recounting his salad days as a 13-year old magician in bars and clubs off of Route 99;  Mary Colwell on John Muir's theory of glaciers as to the real reason why Yosemite is so spectacular;  Tom Williams on “catching a glimpse” of his subject when reading a series of unreleased letters from Raymond Chandler to his childhood friends; Kevin Break on the peace, quiet and bustling nature of the LA River at 2am.  Next episodes include US parking guru Donald Shoup and Reb Kennedy of Wild Records.  Thanks for listening to the show this year. Please don't forget to leave a review.  Have a good holiday and a great new year. Feed your soul. Keep listening.   

Grant Lee Phillips has been a staple on the California, and indeed the national, music scene for the last two decades. Fronting Grant Lee Buffalo in the 1990s, he ventured out on his own in 2000 and has just released The Narrows, his eighth solo adventure. In this 41-minute interview, Grant-Lee discusses a few tracks off of The Narrows and songwriting more generally (min. 9). He then reflects on the recent passing of Merle Haggard, the influence of the Bakersfield sound (min. 14) and the musical differences between Nashville (his current home) and Bakersfield. Grant-Lee recounts his first brushes with the entertainment industry as a 13-year old magician in the night clubs of Stockton, just off Route 99, getting ideas across in his music, mixing up performances and closes with the influence that California has on his work. Thanks for listening, subscribing and sharing.   

The buzz: Giving at the office. The UN's post-2015 Sustainable Development Goals (SDGs) require a multi-stakeholder collaboration recognizing diverse issues around the world. Goal 8 – “Good jobs and economic growth” for developing and developed countries – targets private sector companies that integrate sustainability and corporate social responsibility into their business plan. How can your organization help? The experts speak. Sue Stephenson, The Ritz-Carlton: “A small group of thoughtful committed citizens can change the world…it is the only thing that ever has” (Margaret Mead). Ahsiya Posner Mencin, Ph.D., PULSE Volunteer Partnership, GSK: “Collaboration is…the kind of thing that would never be born from just one of us sitting down with a guitar” (Grant-Lee Phillips). Alicia Lenze, SAP: “In the long history of humankind…those who learned to collaborate and improvise most effectively have prevailed” (Darwin, Megginson). Join us for Sustainable Development and Your Organization.

The buzz: Giving at the office. The UN's post-2015 Sustainable Development Goals (SDGs) require a multi-stakeholder collaboration recognizing diverse issues around the world. Goal 8 – “Good jobs and economic growth” for developing and developed countries – targets private sector companies that integrate sustainability and corporate social responsibility into their business plan. How can your organization help? The experts speak. Sue Stephenson, The Ritz-Carlton: “A small group of thoughtful committed citizens can change the world…it is the only thing that ever has” (Margaret Mead). Ahsiya Posner Mencin, Ph.D., PULSE Volunteer Partnership, GSK: “Collaboration is…the kind of thing that would never be born from just one of us sitting down with a guitar” (Grant-Lee Phillips). Alicia Lenze, SAP: “In the long history of humankind…those who learned to collaborate and improvise most effectively have prevailed” (Darwin, Megginson). Join us for Sustainable Development and Your Organization.