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The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb. Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon. John urged Brian Epstein to sign Billy to an exclusive management contract. Billy jumped at the opportunity to become a full-time entertainer. Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”. From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania. Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers. He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children. Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8. That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history. In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”. Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat. Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”
PopaHALLics #157 "Ho Ho Pop"On our last episode of 2025, we discuss new movies including the latest "Knives Out" and "Hamnet," and books including a great take on the Lennon-McCartney relationship. Plus Kate looks back at "Buffy the Vampire Slayer"!In Theaters:"Hamnet." Academy-Award winning director Chloe Zhao and author Maggie O'Farrell explore how the loss of a son inspires William Shakespeare's "Hamlet." Starring Jessie Buckley and Paul Mescal.Streaming: "Wake up Dead Man: A Knives Out Mystery," Netflix. In the third installment of Rian Johnson's detective series, Benoit Blanc (Daniel Craig, in thumbnail photo) investigates a murder mystery "with biblical proportions" in a small town. With Josh O'Connor, Josh Brolin, and Glenn Close."The Family Plan 2," Apple TV. In this action comedy sequel, the Morgans' trip to London at Christmas is complicated by a "ghost from the past." Starring Mark Wahlberg, Michelle Monaghan, and Kit Harrington ("Game of Thrones")."Buffy the Vampire Slayer," Hulu. Buffy (Sarah Michelle Gellar) and her friends (including Alyson Hannigan and Nicholas Brendon) battle vampires and the terrors of high school in this series (1997-2003).Books:"John & Paul: A Love Story in Song," by Ian Leslie. This fresh take on the Beatles examines Lennon and McCartney's relationship from 1957 to 1980 through songs, both their favorites and their originals."Brightly Shining," by Ingvild H. Rishøi. Two young sisters struggle to make a Christmas for themselves as their father struggles with unemployment and alcoholism."Mr. Splitfoot," by Samantha Harris. This contemporary gothic novel interweaves two timelines, one about two orphans in the 1980s and the other about a mysterious walking pilgrimage decades later.The "fair use" doctrine of U.S. copyright law allows for limited unauthorized use of copyrighted material for purposes such as comment and education.
Prezentownik muzyczny: Co jeśli nie płyta? Co kupić człowiekowi który lubi i słucha muzyki, oprócz płyty? Dobrą podpowiedzią mogą być książki muzyczne. W podcaście usłyszycie trzy książkowe poplecenia Kasi Rodek: Tricky „Piekło tuż za rogiem” autobiografia Trickiego – twórcy/prekursora trip-hopu, jednego z najbardziej wpływowych artystów sceny alternatywnej lat 90 i 00. Artysta bardzo szczerze opisuje swoje życie od pierwszego wspomnienia – pogrzebu mamy, przez trudne dzieciństwo i młodość, aż do sukcesów muzycznych i tragedii osobistych. Ian Leslie „John & Paul, The Beatles i muzyczne love story”. Bardzo ciekawy opis relacji najważniejszego duetu kompozytorskiego Lennon/McCartney w historii muzyki. Chronologicznie, utwór po utworze autor próbuje odtworzyć relacje legendarnych artystów. Wojtek Sokół „Wesołych Świąt” czyli debiut literacki Sokoła. Różne historie i bohaterowie, ale też świetny język, dystans i ironia rapera. Sam Sokół mówi o książce: „Taka tam bajeczka, mordo”.
One on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USThe Lila Code: https://orcid.org/0009-0008-4612-3942
Dans cet épisode de Pop Culture, Mathieu Alterman explore les destins brisés de stars disparues au moment où leur vie allait basculer. De Marilyn Monroe à Elvis Presley, en passant par Coluche et Claude François, découvrez ces artistes à l'aube d'un grand retour qui n'a jamais eu lieu. Entre projets avortés, collaborations rêvées et come-back manqués, ce podcast nous plonge dans la mélancolie des « et si seulement », révélant l'imprévisibilité du destin.À retenir :Marilyn Monroe, Elvis, Coluche… des carrières stoppées net avant un tournant décisif.Des projets mythiques jamais réalisés : contrat chez la Fox, retour sur scène, collaborations Lennon/McCartney.Une réflexion sur la fragilité des rêves et l'impact de ces disparitions sur la pop culture.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Dans cet épisode de Pop Culture, Mathieu Alterman explore les destins brisés de stars disparues au moment où leur vie allait basculer. De Marilyn Monroe à Elvis Presley, en passant par Coluche et Claude François, découvrez ces artistes à l'aube d'un grand retour qui n'a jamais eu lieu. Entre projets avortés, collaborations rêvées et come-back manqués, ce podcast nous plonge dans la mélancolie des « et si seulement », révélant l'imprévisibilité du destin.À retenir :Marilyn Monroe, Elvis, Coluche… des carrières stoppées net avant un tournant décisif.Des projets mythiques jamais réalisés : contrat chez la Fox, retour sur scène, collaborations Lennon/McCartney.Une réflexion sur la fragilité des rêves et l'impact de ces disparitions sur la pop culture.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
ReferencesGuerra, DJ. 2025. Unpublished LecturesBiochimica et Biophysica Acta (BBA) - General Subjects. 2014. Volume 1840, Issue 4, April : 1313-1330J Lipid Res. 2022 May 11;63(6):100224.Lennon/McCartney, Harrison and Starkey. 1969 Abbey Road https://music.youtube.com/playlist?list=OLAK5uy_lqcFZTOPHGwcnP0nYMzNuY0IES0fl7Fe4&si=Q8BB6X-fpXvaqnFM
Os novos livros sobre o ex-primeiro ministro e a dupla Lennon/McCartney fazem parte do lote de propostas desta semana, tal como Daniel Jonas, a série “Task” e ainda Paul Thomas Anderson.See omnystudio.com/listener for privacy information.
Send us a textTim is joined by musician and YouTuber Nancy Howie (aka Fathom) to explore “And Your Bird Can Sing.” They dive into Revolver-era innovation, Paul's shape-shifting basslines, those tightly harmonised dual guitars, lyrical interpretations (from Sinatra to Lennon–McCartney dynamics), and why this two-minute gem feels so complete.Guest linksFathom on YouTube: https://www.youtube.com/@fathommusicnzFathom on Instagram: https://www.instagram.com/fathommusicnz/ Follow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongX (Twitter): https://twitter.com/myfavebeatlesCreditsOriginal music by Joe Kane.Logo design by Mark Cunningham.Solstice version of And Your Bird Can Sing by Tim Tucker, Dave Little & Jenny.
ReferencesFront Nutr. 2020 Jan 31;7:3.Nature .2024 Mar;627(8005):865-872Brain, Behavior, and Immunity .2024 116, February: 140-149Guerra, DJ. 2025. Unpublished Lectures.Lennon/McCartney. 1969. Let it Behttps://music.youtube.com/watch?v=QDYfEBY9NM4&si=URNgYVOl74n7IkNGTchaikovsky., PI. 1880. . Capriccio Italienhttps://music.youtube.com/watch?v=EhSb37hIryY&si=-2N4t8u2YBs9L6DT
This week we play and discuss six (6!) songs by The Mascots, also known as the Swedish Beatles! Before there was ABBA, there were The Mascots, whose songs had that early Lennon/McCartney fairy dust. Tune in and you'll find your new favourite song!!
ReferencesInt J Mol Sci. 2022 Jul 8;23(14):7592. Comparative Biochemistry and Physiology Part B: Biochemistry and Molecular Biology2012. Volume 163, Issue 1, September. Pages 26-36Molecular Neurobiology 2019. v.56, pages 5436–5455, Lennon/McCartney. 1970.. One After 909. From Let It Be lphttps://music.youtube.com/watch?v=t8UeWjynWvE&si=aUHXUFiv315uNWWkPetty/Lynne/Campbell. 1989. Running Down a Dreamhttps://music.youtube.com/watch?v=8MUg8mpnhvQ&si=HgcU5gWoA753gOmCBruce/Brown. .1968. Deserted Cities of the Heart. Live Cream II.https://music.youtube.com/watch?v=kBHh2d4zhV8&si=22Cdzk9XrRK_AUakDavies, R. 1979 Low Budgethttps://music.youtube.com/watch?v=FbCZJbPcJFI&si=EEjUj-QobN04yzOA
Send us a textTim welcomes author Tom Cox for a joyful deep-dive into the rooftop rocker I've Got a Feeling. They trace Tom's earliest Fab Four memories (Paperback Writer on the rug, Yellow Submarine with his Liverpudlian nan), his love of that mid-'60s psychedelic sweet spot, and why McCartney's work ethic and versatility shine here. Together they unpack Lennon–McCartney's last true collaboration: two half-songs woven into one, Billy Preston's spark, George's tasteful lines, Paul's volcanic “scream” vocal, Dylan-ish wordplay, and those chromatic, energy-lifting runs.Along the way they take in the Get Back tensions, the “loose” Let It Be groove, notable covers, and Tom's new novel Everything Will Swallow You (with a delicious cameo from the Beatles).Tom Cox – linksWebsite: https://tom-cox.com/Bluesky: https://bsky.app/profile/dj-acid-reflux.bsky.socialWallflower by RJ McKendree (from Tom's novel Villager): https://rjmckendree.bandcamp.com/album/wallflowerFollow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongX (Twitter): https://twitter.com/myfavebeatlesOriginal music by Joe KaneLogo design by Mark Cunningham
References The Journal of Physical Chemistry 2024. BVol 128/Issue 51 Article B: Biophysical and Biochemical Systems and Processes December 13.EPUB: Neural Regen Res. 2025 Apr29;21(3):1037–1057.Final Pub: Neural Regen Res. 2026 Mar1;21(3):1037-1057. Guerra, DJ. 2025. Unpublished Lectures.Lennon/McCartney, Harrison. 1968. Magical Mystery Tour lp.https://music.youtube.com/playlist?list=OLAK5uy_kxk_lSv8ZOf-eZeqp627XdaEIOozc34Ec&si=O2BHXjB9ht2HUIDhDylan, B. 1969. Girl From the North Country w/ Johnnie Cashhttps://music.youtube.com/watch?v=-PfDSQSWuGI&si=pBmK9LyFuaBH292nHunter/Garcia. 1972. Tennessee Jedhttps://music.youtube.com/watch?v=K5KEQ-sC6vg&si=dGEOG7BjzmMnbcbl
Il a raison Voulzy. Londres en 1966 est véritablement coupée en deux mondes qui semblent ne pas pouvoir se rejoindre. D'un côté vous avez les bobbys, les hommes en costumes noirs, les façades sombres, bref à part le rouge des cabines téléphoniques et des autobus, la capitale de l'ex-empire britannique n'a pas changé malgré la reconstruction d'après-guerre. Et puis de l'autre côté, vous avez quelques quartiers où la folie explose : ça s'appelle la pop. Elle s'écoute sur quelques nouvelles radios de la BBC et de la Mer du Nord embarquant la jeunesse anglaise dans un monde de couleurs. Les jupes sont courtes à faire peur, les cheveux longs à en rire, et puis surtout il a ces danses où les jeunes font n'importe quoi.Dans cette ville où l'industrie du disque règne grâce aux ventes mondiales des Beatles, Tom Jones, Eric Clapton, des Who et autres Rolling Stones, l'argent coule à flots. Tout est permis surtout de rêver dans sa cave, son grenier, le garage des parents, qu'on peut réussir comme eux. C'est tellement possible que même les Américains quittent New York pour Londres afin de se faire connaître chez eux. Ainsi le jeune Jimi Hendrix qui vient de recruter deux Anglais pour former son groupe : the Experience. Il a pour ce faire, dévoyé un certain Noel Redding de son groupe les Lovely Ones qui se retrouve sans claviériste. Je peux le remplacer si vous voulez ? Tu sais jouer de l'orgue ? Bien sûr. Rick Davies, 22 ans, a menti. Mais la perspective de partir enregistrer de la musique en Allemagne l'a poussé à raconter cette carbistouille. Après une solide formation musicale à la batterie, Rick a appris tout seul le piano il y a quelques années pour jouer du rock'n'roll. Mais l'orgue électrique, c'est autre chose. Sauf qu'en 1966 à Londres, tout est possible, je vous l'ai dit. Rick apprend vite. Le groupe ne fait pas d'étincelles mais lors d'une session de studio à Munich, Rick rencontre un riche Hollandais qui lui fait une proposition dingue : tu es vraiment doué. Si tu montes un groupe, je le finance. Je paie tout : matériel, enregistrement.Produire un groupe du pays des Beatles, un hobby de millionaire du continent. Et il tient parole. Rick organise un casting en 1969 en publiant une petite annonce à laquelle répondent de nombreux musiciens dont un multi-instrumentiste à la voix haut perchée nommé Rodger Hodgson. C'est le coup de foudre artistique, un nouveau duo de la trempe Lennon-McCartney vient de naître. Il faudra juste six ans pour que leurs compatriotes en entendent parler et presque dix pour qu'ils soient populaires dans le monde entier. Comment ont-ils tenus tout ce temps ? Tout simplement parce que gagner des fortunes n'était pas leur but. A l'époque, tout ce qu'ils voulaient, c'est créer de la musique et la jouer, si possible devant des salles pleines et accueillantes.
ReferenceseLife 2020;9:e55828 Int J Mol Sci. 2019 Mar; 20(5): 1223.PLoS One. 2014 Nov 25;9(11):e113939Guerra, DJ.2025. Unpublished Lectures.Oncotarget. 2017 Aug 22; 8(34):55967–55983The Journal of Biological Chemistry2012.287, 40924-40937.Lennon/McCartney, Harrison. 1967. SPLHCB lp. BEATLEShttps://music.youtube.com/playlist?list=OLAK5uy_k0N28ttgCjdEqyy02W7h0v1Kg78hs9AnM&si=OvggJwx7xHkB4vaZGreen, C McVie, J. McVie, Fleetwood, Spencer Welch. 1971 Future Games, lp. Fleetwood Machttps://music.youtube.com/playlist?list=OLAK5uy_myXM7dOObGkQ9rtg96p8QDy_mvV_3Nwt0&si=zZrLBLHHYbgF2-gT Strauss, R. 1896. Also Sprach Zarathustra. OP 30.https://music.youtube.com/playlist?list=OLAK5uy_lcbYBHtM1a-0cclaB_xMKI9e9Efma3OkQ&si=FQm7nzrxNPZKNZiu
ReferencesCancer Letters 2024. Volume 593, 1 July.216930Nature Review Genetics 2019. v. 20. November 657-674.Lennon/McCartney. 1965. "Things We Said Today"https://music.youtube.com/watch?v=NItAlTsPuQg&si=oWlkf4sV9HyT5RezRossini, G. "The Italian Girl in Algiers" Overturehttps://music.youtube.com/watch?v=8pf5MdTZZDI&si=Hgcf6vVpwQE6jJzRLewis & Wright. 1966. "When a Man Loves a Woman." Percey Sledge.https://music.youtube.com/watch?v=KwPxhWU1koE&si=zNuoJIZHb1VARi5_Ballard, H. 1958 "The Twist". For Teen Twisters. lp. Chubby Checkerhttps://music.youtube.com/watch?v=-CCgDvUM4TM&si=UP7Uv8xiQ4keAXBwLennon/McCartney. 1965. "Girl" Rubber Soul lp. Beatleshttps://music.youtube.com/watch?v=-8l3ntDR_lI&si=aF2Z3egYapJm3ijv
It was 40 years ago today….On August 10th 1985 Michael Jackson purchased the Beatles song catalog from ATV, beginning one of the most legendary rock feuds of the 20th century. You could argue that it ended with Jackson's death in 2009. But you could also argue that it didn't…Andrew journeys through the entire Beatles recording career and plays one rarity from each year they were active.#paulmccartney #johnlennon #michaeljacksonListen, like and follow! IG: @toptrackpodEmail: toptrackpodcast@gmail.comFacebook: Top Track Bar and GrillBlueSky: @toptrackpod
Rick Flynn Presents, now on our 240th Episode, proudly rolls out the red carpet for our distinguished friend from the UK MICHAEL ARMSTRONG. Appearing in promotion of his brand-new album entitled "10" and his brand-new Lennon/McCartney composed single "Getting Better" now available for all on his website www.MichaelArmstrongMusic.co.uk for a limited number of signed copies and available unsigned wherever records and music is sold.Michael has had 2 USA Top 3 hits, including a 4-week run at No. 1 in the autumn of 2021 with his self-penned song 'Each Others Eyes'. In addition, the late great Terry Wogan on BBC Radio 2 was the first to champion his music on radio and a whole host of other radio stations have since and continue to support him. In the genre of podcasting, Rick Flynn Presents has been promoting Michael for years and is proud to continue to do so. Michael has performed on global stages and worked alongside many of his musical heroes including Paul McCartney, Stevie Wonder, Elton John, Cliff Richard, Chris de Burgh, Glenn Fry (Eagles), Russell Watson, Suzi Quatro and he has even met Her Majesty Queen Elizabeth, the now King Charles and Queen Camilla!
By the time The Beatles released their twelfth and final studio album, Let It Be, the ban had already broken up. Their official break-up was in April 1970, and this album was released in May.Much of the recording dates back over a year, and a project that Paul McCartney developed in an attempt to save the band. The Beatles went into the studio in January 1969 to begin an album, document the development on film, and showcase the band as they return both to a simpler rock 'n' roll style and to live performance. They started in Twickenham Film Studios, but quickly began fighting. George Harrison left the group, only returning after they agreed to returning to Apple Studios and to bringing keyboardist Billy Preston in to assist in the process.Originally entitled "Get Back," the album was delayed multiple times as the group considered aligning with potential televised performances, and eventually postponing the release in favor of the studio album "Abbey Road." As the demise of the group became more clear, Engineer Glyn Johns and producer Phil Spector were brought in to turn the pieces from the "Get Back" sessions into a complete album.These sessions were also the ones which included the final Beatles live performance, the "Rooftop Concert" recorded from the roof of Apple Studios on the afternoon of January 30, 1969. This concert proceeded for 42 minutes until the police arrived and instructed the group to turn the sound down.Contemporary reviews of the album were more negative than previous Beatles albums, but those critiques have been revised upwards over time.Bruce presents this album marking the end of an era for this week's podcast.Two of UsPaul McCartney wrote most of this song which is credited to the Lennon-McCartney partnership. The original idea was inspired by McCartney's travel adventures with Linda Eastman (to whom he was married in March 1969), but it took on more meaning as a gesture of affection to John Lennon after the group broke up. I Me MineOne of the few non Lennon-McCartney songs on the album, this track was written by George Harrison. It was their last new track recorded before their official break-up in April 1970. The lyrics are a cry against the self-centeredness of mankind. The Beatles recorded it in January 1970, by which time Lennon has privately left the group, so the three remaining members recorded it. I've Got a FeelingThis song is actually a medley of two unfinished songs. Paul McCartney wrote "I've Got a Feeling," and John Lennon wrote "Everybody Had a Hard Year." and the two were put together. This was recorded during the Beatles' rooftop concert in January 1969 with Billy Preston on electric piano.Get BackThe concluding song from the album is unusual. because almost every moment of the song's development was recorded from the first riff to final mixing. The concluding quip from John Lennon regarding hope that "we passed the audition," was taken from the Rooftop Concert and worked in by Phil Spector. It was originally released as a single a year before in April 1969, and credited to "The Beatles with Billy Preston." ENTERTAINMENT TRACK:"Burning Bridges" (Main theme from the action comedy film Kelly's Heroes)This World War II comedy stars Clint Eastwood and Telly Savalas revolves around a gold heist as the war draws to a close. STAFF PICKS:Question by The Moody BluesLynch brings us a song in multiple movements. The frantic phase represents the question of why we must go to war, while the more subdued section represents love and peace. Guitarist Justin Hayward wrote this song as a mashup of two unfinished songs which came together after observing the anxiety young US fans were experiencing regarding the draft and the Vietnam War.Proper Stranger by The Guess WhoRob features a deeper cut from the Canadian band off their "American Woman" album. The lyrics depict the feelings of being alone in a big city where "Nobody knows my face or knows my name. Nobody knows where I'm going or how I came. Lost and found, no one claimed me. Alone with a million others."50,000 Miles Beneath My Brain by by Ten Years AfterWayne takes us on another deep cut. This one is a psychedelic journey with the group that gets its name from their being founded ten years after Elvis's start. We noticed the similarity between this song and the Rolling Stones' "Sympathy for the Devil," with which it shares a similar chord progression.Baby Hold On by The Grass RootsBruce closes the staff picks with a group that was big from 1965-1985. The Grass Roots originated in 1965 as a project between the duo P.F. Sloan and Steve Barri. This song went to number 35 and was included on their compilation album, "More Golden Grass," released in the fall of 1970. INSTRUMENTAL TRACK:Genesis by Tangerine DreamWe close out this week's podcast with an early industrial track from the future jazz fusion giants. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
ReferencesJ Neuroinflammation. 2016; 13: 264.Curr Res Struct Biol. 2025 Feb 18;9:100165.Lennon/McCartney; Harrison. 1965. "Help" lp.https://music.youtube.com/watch?v=MKUex3fci5c&si=dvulEXvI8fVdDvsJRocky Marciano 1950'shttps://music.youtube.com/watch?v=NyWROU7_Vlo&si=F75EJ7sVSee3jq_2
In 1987, Paul McCartney invited Elvis Costello to write songs together. Over a series of sessions, they created a body of work from which both artists pulled selections for various albums over the years. The songs written by this partnership were used to augment their own individual work, filling in cracks when either member needed a different voice or perspective while creating the story of a complete album.JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!!https://www.patreon.com/Frumess
This is a Special Episode called THE BRITISH INVASION SHOW. It features the seven following stars from this magical era of the 1960s when English artists ruled the pop world and the charts. Each was previously a guest on the podcast.Peter Noone - Herman of Herman's Hermits. They had a spectacular run of hits including “No Milk Today”, “There's A Kind Of A Hush”, “Mrs. Brown You've Got A Lovely Daughter”, “I'm Henry VIII” and their first smash “I'm Into Something Good”.Rod Argent was the keyboard wizard of The Zombies. The band had two massive hits in the ‘60s, “She's Not There” and “Tell Her No”.Allan Clarke was the lead singer for The Hollies, another band that had a string of hits including “On A Carousel”, “Pay You Back With Interest” and “Long Cool Woman In A Black Dress”.Jim McCarty was the drummer for The Yardbirds, whose hits included “For Your Love” and “Heartful Of Soul”. The band had three famous guitarists in succession: Eric Clapton, Jeff Beck and Jimmy Page.Billy J. Kramer was the lead singer of Billy J. Kramer and the Dakotas. They were managed by Brian Epstein, the manager of The Beatles, and were given several Lennon/McCartney songs to record including “Do You Want To Know A Secret”, “I Call Your Name” and “Bad To Me”.Kenney Jones was the drummer for the Small Faces of “Itchycoo Park” fame, then the Faces starring Rod Stewart, and then joined The Who after the death of Keith Moon.John Lodge was the bassist and a singer and composer for The Moody Blues. Their big hits included “Go Now” and “Nights In White Satin”. John's hits included “Ride My See Saw” and “I'm Just A Singer In A Rock And Roll Band”.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
ReferencesNature 2024. volume 635, pages 1010–1018.Lennon/McCartney, Harrison. 1969. "Abbey Road" full albumhttps://open.spotify.com/album/0ETFjACtuP2ADo6LFhL6HN?si=ElKe_TGhRgC2lFl3z5x8XwTelleman, GP. 1716.Viola Concerto in G Majorhttps://open.spotify.com/album/78pwJLqLPAffK6bLd7wnH8?si=RhuIZhKrQqqg7Y7tMTskSg
durée : 00:59:06 - "A Day in the Life" (Paul Mc Cartney / John Lennon) (1967) - par : Laurent Valero - "A Day in the Life, la combinaison de 2 chansons distinctes du tandem Lennon-McCartney, mises bout à bout et jouées d'un seul tenant dans le 8e album studio du groupe "Sergent Pepper's Lonely Heart Club Band" disque concept des Fab Four, un des albums les plus influents des Beatles !" Laurent Valero
durée : 00:59:06 - "A Day in the Life" (Paul Mc Cartney / John Lennon) (1967) - par : Laurent Valero - "A Day in the Life, la combinaison de 2 chansons distinctes du tandem Lennon-McCartney, mises bout à bout et jouées d'un seul tenant dans le 8e album studio du groupe "Sergent Pepper's Lonely Heart Club Band" disque concept des Fab Four, un des albums les plus influents des Beatles !" Laurent Valero
ReferencesGlia. 2023 Nov;71(11):2679-2695Cell 2015. 160.6: 1061-1071. March 1Plant Signal Behav. 2017 Jan 19;12(2):e1282022.J Chromatogr B Analyt Technol Biomed Life Sci. 2008 Dec 31;877(26):2696–2708.Lennon/McCartney ;Harrison. 1965. "Rubber Soul"https://music.youtube.com/playlist?list=OLAK5uy_lirCIxLpU2odTVLZ_Sbo1wZaeu5IStivs&si=N74HgIimStlNlTEjQMS. 1968. "Happy Trails"https://music.youtube.com/playlist?list=OLAK5uy_k8UyBDJcEQEHx90leh0EQN9STmouMbuDg&si=WZcMR7h1PPCCpX7R
In 1957 John Lennon and Paul McCartney were two ordinary teenagers who met in suburban Liverpool and decided to play rock and roll together. Twenty-three years later that friendship came to a tragic end when Lennon was murdered. But those 23 years changed the world. Lennon and McCartney became global stars, created a body of work that has never been matched in popular music, and arguably had more influence on our culture than any other figures in the past century. InMarch 2025 writer Ian Leslie came to Intelligence Squared to tell a new history of the world's most influential creative relationship and explain why Lennon and McCartney were a combination of friends, rivals and collaborators. Drawing from his new book John and Paul: A Love Story in Songs, Leslie explored how both Beatles had the fabric of their world ruptured at a young age, and longed to make emotional connections – with each other, and with audiences. The pop song was a vessel into which they poured feelings of grief and euphoria and everything in between. When they couldn't speak what they felt, they sang it. After the break-up of their group, they maintained a musical dialogue at a distance, in songs full of recrimination, regret, and affection. Leslie traced the twists and turns of the Lennon/McCartney relationship through the music it produced and the huge impact it still has on the world today. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
In 1957 John Lennon and Paul McCartney were two ordinary teenagers who met in suburban Liverpool and decided to play rock and roll together. Twenty-three years later that friendship came to a tragic end when Lennon was murdered. But those 23 years changed the world. Lennon and McCartney became global stars, created a body of work that has never been matched in popular music, and arguably had more influence on our culture than any other figures in the past century. InMarch 2025 writer Ian Leslie came to Intelligence Squared to tell a new history of the world's most influential creative relationship and explain why Lennon and McCartney were a combination of friends, rivals and collaborators. Drawing from his new book John and Paul: A Love Story in Songs, Leslie explored how both Beatles had the fabric of their world ruptured at a young age, and longed to make emotional connections – with each other, and with audiences. The pop song was a vessel into which they poured feelings of grief and euphoria and everything in between. When they couldn't speak what they felt, they sang it. After the break-up of their group, they maintained a musical dialogue at a distance, in songs full of recrimination, regret, and affection. Leslie traced the twists and turns of the Lennon/McCartney relationship through the music it produced and the huge impact it still has on the world today. This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
Ian Leslie posted his ‘64 Reasons To Celebrate Paul McCartney' in 2020 and the viral reaction to its piercing and original points encouraged him to write ‘John & Paul: A Love Story In Songs'. Do we need another Beatles book? We do if it's this one! It's exceptionally good and highly recommended. The conventional wisdom for decades was that John was the tormented, anti-establishment genius and Paul the effortlessly tune-churning, bourgeois poser. Ian's book points up that their deep devotion to each other and telepathic, close relationship was the root of the supernatural partnership that made those songs possible. The two of them were, as he puts it, “the bubble within the bubble – and the deeper you get, the more mysterious the story becomes.” He talks to us here about … … their powerplays and their underlying rivalries for the leadership of the group. … why the Beatles were in another league - “like Shakespeare versus Johnson or Marlowe”. … how a songwriting duo where both wrote words and music gave them an extraordinary advantage. … the writing of Yesterday and John's fear that Paul might no longer need the group and leave. … Paul's discovery of his “superpowers” between ‘64 and '66. … how current groups now have “intimacy councillors” and in any other band the unmanageable Lennon would have been ejected. … In My Life, Hey Jude and other songs they wrote about each other. … how there was “an element of their fathers about them, of stiff upper lip” and displays of physical affection were rare. … Paul as “the omnivorous culture-vore” in avant garde London while John was horizontal in suburbia. … why Paul's pace and creativity must have been psychologically punishing for the others. … and how the emotional landscape shifted with the arrival of Yoko and Linda. Order Ian's book here:https://www.amazon.co.uk/John-Paul-Story-Beatles-decades/dp/0571376118Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Ian Leslie posted his ‘64 Reasons To Celebrate Paul McCartney' in 2020 and the viral reaction to its piercing and original points encouraged him to write ‘John & Paul: A Love Story In Songs'. Do we need another Beatles book? We do if it's this one! It's exceptionally good and highly recommended. The conventional wisdom for decades was that John was the tormented, anti-establishment genius and Paul the effortlessly tune-churning, bourgeois poser. Ian's book points up that their deep devotion to each other and telepathic, close relationship was the root of the supernatural partnership that made those songs possible. The two of them were, as he puts it, “the bubble within the bubble – and the deeper you get, the more mysterious the story becomes.” He talks to us here about … … their powerplays and their underlying rivalries for the leadership of the group. … why the Beatles were in another league - “like Shakespeare versus Johnson or Marlowe”. … how a songwriting duo where both wrote words and music gave them an extraordinary advantage. … the writing of Yesterday and John's fear that Paul might no longer need the group and leave. … Paul's discovery of his “superpowers” between ‘64 and '66. … how current groups now have “intimacy councillors” and in any other band the unmanageable Lennon would have been ejected. … In My Life, Hey Jude and other songs they wrote about each other. … how there was “an element of their fathers about them, of stiff upper lip” and displays of physical affection were rare. … Paul as “the omnivorous culture-vore” in avant garde London while John was horizontal in suburbia. … why Paul's pace and creativity must have been psychologically punishing for the others. … and how the emotional landscape shifted with the arrival of Yoko and Linda. Order Ian's book here:https://www.amazon.co.uk/John-Paul-Story-Beatles-decades/dp/0571376118Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Ian Leslie posted his ‘64 Reasons To Celebrate Paul McCartney' in 2020 and the viral reaction to its piercing and original points encouraged him to write ‘John & Paul: A Love Story In Songs'. Do we need another Beatles book? We do if it's this one! It's exceptionally good and highly recommended. The conventional wisdom for decades was that John was the tormented, anti-establishment genius and Paul the effortlessly tune-churning, bourgeois poser. Ian's book points up that their deep devotion to each other and telepathic, close relationship was the root of the supernatural partnership that made those songs possible. The two of them were, as he puts it, “the bubble within the bubble – and the deeper you get, the more mysterious the story becomes.” He talks to us here about … … their powerplays and their underlying rivalries for the leadership of the group. … why the Beatles were in another league - “like Shakespeare versus Johnson or Marlowe”. … how a songwriting duo where both wrote words and music gave them an extraordinary advantage. … the writing of Yesterday and John's fear that Paul might no longer need the group and leave. … Paul's discovery of his “superpowers” between ‘64 and '66. … how current groups now have “intimacy councillors” and in any other band the unmanageable Lennon would have been ejected. … In My Life, Hey Jude and other songs they wrote about each other. … how there was “an element of their fathers about them, of stiff upper lip” and displays of physical affection were rare. … Paul as “the omnivorous culture-vore” in avant garde London while John was horizontal in suburbia. … why Paul's pace and creativity must have been psychologically punishing for the others. … and how the emotional landscape shifted with the arrival of Yoko and Linda. Order Ian's book here:https://www.amazon.co.uk/John-Paul-Story-Beatles-decades/dp/0571376118Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Danny and Derek, the greatest news anchors since Lennon/McCartney. This week: Kurdistan Workers' Party (PKK) leader Abdullah Ocalan calls for the group's disarmament (0:32); Syria hosts a “National Dialogue” conference to work through the country's transition (6:34); Israel and Hamas salvage a hostage deal, but the end looms on Saturday (10:07); Yoon's impeachment trial concludes in South Korea (20:46); in Sudan, increased fighting rages around Al-Fashir (23:27), the military makes gains in the country's south (25:13), and the RSF and military set up dueling governments (26:43); Ukraine and the US potentially agree on a minerals deal (29:42); the results of the German election (34:41); Austria's government attempts to form a coalition (38:17); Trump ends a sanctions waiver for Venezuela (40:35); the Trump admin muses kicking Canada out of the Five Eyes intelligence sharing network (42:29); the US announces tariffs on the EU, potentially Canada, and maybe even Mexico (44:20); Trump announces the “gold card” visa plan (46:45); and Trump's attempts at a humanitarian aid blockade continue (48:45). Subscribe now for an ad-free experience and much more content. Join the Discord! Learn more about your ad choices. Visit megaphone.fm/adchoices
Danny and Derek, the greatest news anchors since Lennon/McCartney. This week's American Prestige News Roundup: Kurdistan Workers' Party (PKK) leader Abdullah Ocalan calls for the group's disarmament (0:32); Syria hosts a “National Dialogue” conference to work through the country's transition (6:34); Israel and Hamas salvage a hostage deal, but the end looms on Saturday (10:07); Yoon's impeachment trial concludes in South Korea (20:46); in Sudan, increased fighting rages around Al-Fashir (23:27), the military makes gains in the country's south (25:13), and the RSF and military set up dueling governments (26:43); Ukraine and the US potentially agree on a minerals deal (29:42); the results of the German election (34:41); Austria's government attempts to form a coalition (38:17); Trump ends a sanctions waiver for Venezuela (40:35); the Trump admin muses kicking Canada out of the Five Eyes intelligence sharing network (42:29); the US announces tariffs on the EU, potentially Canada, and maybe even Mexico (44:20); Trump announces the “gold card” visa plan (46:45); and Trump's attempts at a humanitarian aid blockade continue (48:45).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
This week, we are joined by one of the legends of the American Underground, STEVE WYNN (The Dream Syndicate), who picked the jaw-dropping THE TAMI SHOW from 1964 to discuss. We also talk about the excitement of being young in the studio for the first time, the four elements that make a great record and how The Fall inhabited all of them, working with Peter Buck, being a snobby music snob, Chris seeing The Dream Syndicate open for R.E.M. on their Reckoning/Medicine Show Tour, how they evolved from Days to Medicine Show, watching The TAMI Show with the Pasiley Underground members in the theater, how the film and its sequel, the TNT SHOW, were split up into yet a different third film, Van Halen opening for Sparks, the feeling of the music industry hanging in the air in L.A., how the director also made the Elvis Comeback Special and the Star Wars Holiday Special, the narc energy of Jan & Dean, Smokey Robinson's voice going out during his perfomrance int he film, Mick Jagger finding out how to be Mick Jagger in this performance, The Stones vs. James Brown mythology, Marvin Gaye & The Blossoms, how the Velvet Underground lifted a song from Marvin Gaye, the incredible power of Leslie Gore's perfomrance, Dennis Wilson (almost) stealing the film with his drum performance, Keith Moon, Steve seeing The Beach Boys on the Surf's Up tour, Billy Kramers' high creep factor even though Lennon/McCartney kept writing songs for him, the Americana trend over in Europe 84, X, The Supremes, Diana Ross' voice slaying and her eye makeup killing, The Barabrians transcending time, Tony and The Tigers and more!So throw your cape off your back and struggle back to the microphone with us on this week's Revolutions Per MovieSTEVE WYNN:https://www.stevewynn.net REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
Echoes of the trajectory of the Beatles still reverberate through music today, and they loomed quite large over the rock scene in the early 70's. In 1972 a bootleg 4-album set of Beatles songs was produced called "Alpha Omega" which sold well when marketed on TV. In response - in addition to suing - Apple and EMI/Capitol Records produced an authorized collection in two double albums. The first was called 1962-1966, also known as the Red Album, while the second was called 1967-1970, also known as the Blue Album. The Blue Album was a compilation of Lennon-McCartney original songs, avoiding many of the successful cover songs the early group had recorded. Unfortunately it also did not contain any George Harrison compositions from this time period. The Red Album did not contain any covers, as the Beatles were immensely popular on their own by this time. However, it did contain songs from George Harrison and Ringo Starr along with the numerous Lennon-McCartney originals.The album covers are notable, as they are similar photos of the group at different points in life. The cover to the Red Album used an image of the group looking down over the stairwell inside EMI's London headquarters. This was a photograph taken for the group's 1963 debut LP. The Beatles had recreated that shot in 1969 for their planned "Get Back" album, but did not use the image when the album was released in 1970 as "Let It Be."The compilation project was a success, and convinced other groups to release similar retrospective compilations. It is also a terrific way to see the progression of the band in seven short years of their activity. WSB Radio's Eric Von Haessler joins us to highlight these two influential albums in this week's podcast. Love Me DoThe very first single released by the Beatles was this track and the lead-off track from the Red album. John Lennon and Paul McCartney provide duet vocals on this song, and Lennon is the harmonica player. While it is credited as a Lennon-McCartney song, John Lennon provides the bridge, and has stated that it was a McCartney song before they began working together.Tomorrow Never KnowsThe concluding track from "Revolver" is the concluding track for the Red album, and shows how far the Beatles have taken their music in four short years. They are utilizing techniques like looped drums, reverse guitar, and processed vocals that were new to the music scene at the time.Strawberry Fields ForeverThis track opens the blue album. The inspiration for this song was a park in which Lennon played as a child, and evokes a childlike innocence. The music style was a departure from the Beatles' previous style, and is considered the introduction of the psychedelic genre.Let It BeA profound piece after the psychedelic period, "Let It Be" is often considered the swan song for the Beatles, because it was the final single released before McCartney announced his intention to leave the band. The inspiration of the song was a dream Paul McCartney had about his mother. ENTERTAINMENT TRACK:Knocking on Heaven's Door by Bob Dylan (from the motion picture “Pat Garrett and Billy the Kid”)This western movie had a revisionist history and starred a number of celebrities, including James Coburn, Kris Kristofferson, and Bob Dylan himself. STAFF PICKS:Kodachrome by Paul SimonBruce starts out the staff picks with the lead single from Simon's third studio album "There Goes Rymin' Simon." While it did well in the US, it received little airplay in the UK due to strict rules the BBC had in place regarding product endorsements. The idea of the song is that we fit our memories to our worldviews like we frame shots in a camera.Money by Pink FloydRob brings us the lead single from the monster album "Dark Side of the Moon." A rare song in 7/4 time with a 4/4 guitar bridge, the lyrics describe the desire and material trappings that cause people to chase after riches. Peaceful Easy Feeling by the EaglesLynch features an iconic song from the Eagles. It was written long before this time by Jack Tempchen, a prolific singer-songwriter, but appeared on the Eagles debut album. Glen Frey is on lead vocals, and the harmonies are provided by Bernie Leadon and Randy Meisner. Right Place, Wrong TIme by Dr. John Eric finishes the staff picks with a funky tune from New Orleans-influenced Dr. John. It was the first single from "In the Right Place," Dr. John's sixth studio album, and was also his biggest commercial hit, reaching number 9 on the Billboard Hot 100. COMEDY TRACK:The Cover of "Rolling Stone" by Dr. Hook & the Medicine ShowWayne presents the comedy single this week, as Dr. Hook seeks validation by appearing on the cover of Rolling Stone magazine. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
We ran our patent heat-sensing Scrutiniser®️ over the week's news and here's what set the bells off … … are buskers now more expensive live entertainment than Taylor Swift? … a Dickensian oik in Chapel Market and other riddles of modern etiquette. … ‘Holiness and horniness': how Hallelujah rebooted Leonard Cohen and became a one-song industry. … the teenage self-promotional flair of Robert Plant and Marc Bolan. … are singles a social experience and albums a solitary one? … “Would you like a fruit gum?”: the 1950s in a single phrase. … highly recommended: Wendy Waldman, Brian Blade & The Fellowship Band and ‘The Room' by Fabiano do Nascimento. … rock snobs' alarm about the revelations of their Spotify Wrapped. … why the Sherman Brothers are as enduring as Lennon-McCartney. … Hallelujah cover versions - from kd lang and Rufus Wainwright to Johnny Mathis and the Osmonds. ... how King David removed ‘love rival' Uriah the Hittite. … reconnecting with records you haven't heard for 40 years. … whatever happened to She Sherriff?! … Loudon Wainwright's early inference about the YMCA. … plus Lindsey Buckingham, Hugh Lloyd, Tony Hancock and fond memories of “stolen cheese guy”.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We ran our patent heat-sensing Scrutiniser®️ over the week's news and here's what set the bells off … … are buskers now more expensive live entertainment than Taylor Swift? … a Dickensian oik in Chapel Market and other riddles of modern etiquette. … ‘Holiness and horniness': how Hallelujah rebooted Leonard Cohen and became a one-song industry. … the teenage self-promotional flair of Robert Plant and Marc Bolan. … are singles a social experience and albums a solitary one? … “Would you like a fruit gum?”: the 1950s in a single phrase. … highly recommended: Wendy Waldman, Brian Blade & The Fellowship Band and ‘The Room' by Fabiano do Nascimento. … rock snobs' alarm about the revelations of their Spotify Wrapped. … why the Sherman Brothers are as enduring as Lennon-McCartney. … Hallelujah cover versions - from kd lang and Rufus Wainwright to Johnny Mathis and the Osmonds. ... how King David removed ‘love rival' Uriah the Hittite. … reconnecting with records you haven't heard for 40 years. … whatever happened to She Sherriff?! … Loudon Wainwright's early inference about the YMCA. … plus Lindsey Buckingham, Hugh Lloyd, Tony Hancock and fond memories of “stolen cheese guy”.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We ran our patent heat-sensing Scrutiniser®️ over the week's news and here's what set the bells off … … are buskers now more expensive live entertainment than Taylor Swift? … a Dickensian oik in Chapel Market and other riddles of modern etiquette. … ‘Holiness and horniness': how Hallelujah rebooted Leonard Cohen and became a one-song industry. … the teenage self-promotional flair of Robert Plant and Marc Bolan. … are singles a social experience and albums a solitary one? … “Would you like a fruit gum?”: the 1950s in a single phrase. … highly recommended: Wendy Waldman, Brian Blade & The Fellowship Band and ‘The Room' by Fabiano do Nascimento. … rock snobs' alarm about the revelations of their Spotify Wrapped. … why the Sherman Brothers are as enduring as Lennon-McCartney. … Hallelujah cover versions - from kd lang and Rufus Wainwright to Johnny Mathis and the Osmonds. ... how King David removed ‘love rival' Uriah the Hittite. … reconnecting with records you haven't heard for 40 years. … whatever happened to She Sherriff?! … Loudon Wainwright's early inference about the YMCA. … plus Lindsey Buckingham, Hugh Lloyd, Tony Hancock and fond memories of “stolen cheese guy”.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Send us a textSmash Mouth's Zach Goode's John Lennon Story, And Covering Beatles In New Single#smashmouth #beatles #covertunes #beatles #newmusic #johnlennon #punkrock Pop Punk All-Stars Smash Mouth's “Love Me Do” is a Beatles cover deluxe! When Smash Mouth formed in San Jose in 1994, although nobody gave it much thought at the time, it was 32 years since the Beatles released their first British single, “Love Me Do,” in October 1962. Now, 30 further years have elapsed, and the circle is closed as the SoCal punk party legends release their own version of that epochal Lennon-McCartney composition. Recorded for a forthcoming punk Beatles tribute album, “Love Me Do” is the latest in a very select line of classic covers that Smash Mouth have released over the years - their version of the Monkees' “I'm A Believer” remains a breathless delight, alongside a tremendous take on Rick Astley's “Never Gonna Give You Up” and, last year, the Brady Bunch's “Sunshine Day,” featuring none less than Greg Brady. This is not their first go-round with the Beatles, either - back in 2005, they tackled the Fabs' “Getting Better.” “Love Me Do,” however, is special. Bassist and founder member Paul DeLisle says, “Of course Smash Mouth are all massive Beatles fans, and it's such a huge honor to release this single. We were all super stoked to cover “Love Me Do” because we saw an opportunity to give a very different treatment to the Beatles' very first top 20 hit. “I personally hope people will hear the excitement and loving care we put into this recording. I'm pretty sure they will.” SINGLE: https://orcd.co/smashmouth_lovemedoWebsite: https://www.smashmouth.com/Facebook: https://www.facebook.com/smashmouthInstagram: https://www.instagram.com/smashmouthofficial/X: https://twitter.com/smashmouthYoutube: https://www.youtube.com/user/SmashMouthVEVOZach Goode: https://www.zachgoode.com/Instagram: https://www.instagram.com/dividedbyzachFacebook: https://www.facebook.com/Zachary.Goode/X: https://x.com/dividedbyzachYoutube: https://www.youtube.com/user/dividedbyzachThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!
This is a BIG John and Paul episode. We're getting to the essence of something that goes beyond Beatles. Something that affects all of us. No cool stories in rock here, just raw, reactionary music journalism. We are asking the tough questions week in and week out. Bravely going where no Beatles commentary has gone before.
The most streamed Beatles song – 700 million plays more than any other – is not by Lennon/McCartney but George who, as author Seth Rogovoy points out, is still widely considered “an economy-class Beatle” though his contributions were central to the success of their records. Seth's new book ‘Within You Without You: Listening to George Harrison' sets out to right this monstrous wrong! As does this conversation with the two of us which covers … … did My Sweet Lord's court case puncture his sense of ambition? … how he changed Taxman for American audiences. … the statement made by starting All Things Must Pass with a Dylan/Harrison composition. … how he was fleeced by not one but two managers - Allen Klein and Denis O'Brien. … what we learnt from watching ‘Get Back'. … Broadway ballads, Vaudeville, jazz and the solo on ‘Til There Was You. … remortgaging Friar Park for Life Of Brian and pushing for the Anthology “payday”. … his glorious spiritual/material contradiction – “the Pisces sign is two fish going in opposite directions”. … a social mobility that John and Paul both envied. … falling out of love with live performance. … the beliefs of his early ‘20s he sustained all his life. … and the staples of George Harrison's Jukebox. Order Seth's book here:https://www.amazon.co.uk/Within-You-Without-Listening-Harrison/dp/019762782XFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The most streamed Beatles song – 700 million plays more than any other – is not by Lennon/McCartney but George who, as author Seth Rogovoy points out, is still widely considered “an economy-class Beatle” though his contributions were central to the success of their records. Seth's new book ‘Within You Without You: Listening to George Harrison' sets out to right this monstrous wrong! As does this conversation with the two of us which covers … … did My Sweet Lord's court case puncture his sense of ambition? … how he changed Taxman for American audiences. … the statement made by starting All Things Must Pass with a Dylan/Harrison composition. … how he was fleeced by not one but two managers - Allen Klein and Denis O'Brien. … what we learnt from watching ‘Get Back'. … Broadway ballads, Vaudeville, jazz and the solo on ‘Til There Was You. … remortgaging Friar Park for Life Of Brian and pushing for the Anthology “payday”. … his glorious spiritual/material contradiction – “the Pisces sign is two fish going in opposite directions”. … a social mobility that John and Paul both envied. … falling out of love with live performance. … the beliefs of his early ‘20s he sustained all his life. … and the staples of George Harrison's Jukebox. Order Seth's book here:https://www.amazon.co.uk/Within-You-Without-Listening-Harrison/dp/019762782XFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Let the children lose it, let the children use it, and let all the children join in for Strong Songs!Kirk tackles a pair of classics by the great David Bowie: 1969's melancholy "Space Oddity" and 1972's triumphant "Starman." What goes up, as they say, must come down.Written by: David BowieAlbums: David Bowie (1969), The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)Listen/Buy Bowie: Apple Music | Amazon | SpotifyListen/Buy Ziggy: Apple Music | Amazon | SpotifyALSO FEATURED:Audio of the 1969 Apollo 11 moon landing, courtesy NASA"A Day in the Life" by Lennon-McCartney, 1967A cool Guardian interview with Rick Wakeman about playing Mellotron on Space OddityOUTRO SOLOIST: Carlos "Insaneintherainmusic" EieineCarlos Eienie is a prolific multi-instrumentalist and YouTube creator who's done some extremely fun jazz arrangements of great video game music, among other things. You can find him on most social media as some variant of @insaneintherainmusic, and on his website at https://www.insaneintherainmusic.com/.----LINKS-----RECAST RECOMMENDATION: "Duck Ankles" by David Sanborn from Taking Off, 1975SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------OCTOBER 2024 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyOCTOBER 2024 HALF-NOTE PATRONSLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans and Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyRandal VegterRobert Granatdave malloyAlan MaassNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo
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Andy Heaton joins Director Scot Williams, actors Barry Sloane and Jay Johnson alongside Watford Palace Theatre Director Steve Marmion to talk about 'The Two Of Us', a play based the last meeting of John Lennon and Paul McCartney. Get Exclusive NordVPN deal at https://nordvpn.com/TAW - it's risk-free with Nord's 30-day money-back guarantee! Subscribe for more from on Liverpool based cultural events... Learn more about your ad choices. Visit podcastchoices.com/adchoices
Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles. Welcome to Part 4 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, we talk about some of Paul's albums, "Run, Devil, Run", "Venus & Mars", "McCartney II", The Fireman records, and discuss random songs in a lighting round... Do we discuss your favorite Paul McCartney album? Tune in to find out! -- Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.' Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos. Follow Elliot on Twitter: @ElliotRoberts5 If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.
A double-album worth of great content this week. Start off with Moynihan talking to Matt and Kmele about his Free Press piece charting the collapse of Vice and him forthcoming piece charting the collapse of the Black Panther Party. Then the lads chat about the weirdness of the New York Trump trial, Israel in Rafah, and lots more. And stick around for Kmele's conversation with the Lennon-McCartney, the Lieber and Stoller of podcasts, Matt Boll and Andy Mills, the duo who brought you The Witch Trials of JK Rowling, among other modern audio classics. They're back with a new series called Reflector, a “show about the strange experience of being human.” We don't know *exactly* what that means, but we absolutely guarantee that it will be a work of unparalleled brilliance. Check out episode one here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wethefifth.substack.com/subscribe
Turns out some songs stand on their own, however memorable-slash-horrifying their music video might have been.Written by: Chris CornellProduced by: Michael BeinhornAlbum: Superunknown (1994)Listen/Buy via SongwhipALSO DISCUSSED:"Spoonman" and "The Day I Tried to Live" by Chris Cornell and Soundgarden from Superunknown, 1994Kim Thayil interview at SongfactsNorah Jones' cover of "Black Hole Sun," Live in 2021"In My Life" by Lennon/McCartney from Rubber Soul, 1965The 2021 Strong Songs interview with session guitarist Andrew Synowiec"Tom Sawyer" by Rush from Moving Pictures, 1981----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ART Tom Deja, Bossman Graphics--------------------FEBRUARY 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyFEBRUARY 2024 HALF-NOTE PATRONSSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian Johan PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo
Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney's 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney's dissolution ahead of ultimately resolving their differences and rekindling a friendship. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.
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