Podcasts about Keith Moon

This won't be the last time you hear the Rolling Stones but this is the episode wherein we discuss "The Last Time" from early 1965. After acknowledging the chorus copped from the Staple Singers, we move on to the riff, the riff, the riff! We also note the strange connection to German Oompah music. The second in the parade comes from their producer and manager Andrew Oldham and his Orchestra. Obviously, this is a rearrangement rather than a cover, and obviously, it's infamous in the wake of Verve's "Bittersweet Symphony." It's totally tubular! In '66 to North Carolina's Nomads gave the song the garage treatment and the vocals are snottier and the kick drum is busier! The same year Phil & The Frantics authored a version with strange strangled vocals, an added organ with "Gloria" flourishes and it's the most oompah of all. We break the mold for "Do You Understand Me" by The Jujus, a song which steals the riff but scrambles it a bit - it's a classic! The last word goes the Who, who covered the song in 67 who underplay the riff and focus on Pete Townshend's thundering chords and Keith Moon's wild drumming. Oompah!

This is a Special Episode called THE BRITISH INVASION SHOW. It features the seven following stars from this magical era of the 1960s when English artists ruled the pop world and the charts. Each was previously a guest on the podcast.Peter Noone - Herman of Herman's Hermits. They had a spectacular run of hits including “No Milk Today”, “There's A Kind Of A Hush”, “Mrs. Brown You've Got A Lovely Daughter”, “I'm Henry VIII” and their first smash “I'm Into Something Good”.Rod Argent was the keyboard wizard of The Zombies. The band had two massive hits in the ‘60s, “She's Not There” and “Tell Her No”.Allan Clarke was the lead singer for The Hollies, another band that had a string of hits including “On A Carousel”, “Pay You Back With Interest” and “Long Cool Woman In A Black Dress”.Jim McCarty was the drummer for The Yardbirds, whose hits included “For Your Love” and “Heartful Of Soul”. The band had three famous guitarists in succession: Eric Clapton, Jeff Beck and Jimmy Page.Billy J. Kramer was the lead singer of Billy J. Kramer and the Dakotas. They were managed by Brian Epstein, the manager of The Beatles, and were given several Lennon/McCartney songs to record including “Do You Want To Know A Secret”, “I Call Your Name” and “Bad To Me”.Kenney Jones was the drummer for the Small Faces of “Itchycoo Park” fame, then the Faces starring Rod Stewart, and then joined The Who after the death of Keith Moon.John Lodge was the bassist and a singer and composer for The Moody Blues. Their big hits included “Go Now” and “Nights In White Satin”. John's hits included “Ride My See Saw” and “I'm Just A Singer In A Rock And Roll Band”.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Step into the story of Gene Krupa, the drumming legend who shaped the sound of classic rock and inspired icons like John Bonham, Keith Moon, Ringo Starr, and more. Let's celebrate the man behind the beat with author Elizabeth Rosenthal!Purchase a copy of The Master of Drums: Gene Krupa and the Music He Gave the WorldVisit Elizabeth Rosenthal's website---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

This episode of Across The Margin : The Podcast features an interview with Mark Lo. Mark has worked on films and TV across many genres for over twenty years, first as a music agent and supervisor, collaborating with composers and artists to bring music to films, and then as an Executive Music Producer. As an Executive Music Producer, he worked on films including Todd Hayne's Carol (Cate Blanchett and Rooney Mara), Paul Haggis's Third Person (Liam Neeson, Mila Kunis, and James Franco), and The Railway Man (Colin Firth, Nicole Kidman and Stellan Skarsgard), amongst others. Mark set up the production company Asylum Giant as a creative hub to develop and produce a slate of Film and TV projects, tell stories that celebrate our humanity and create projects that deepen our relationship with the non-human world. He recently produced and directed the feature music documentary Count Me In — the focus of this episode. Count Me In takes viewers behind the kit with some of the world's most iconic drummers, featuring insightful interviews and narration from Taylor Hawkins, Stewart Copeland, Chad Smith, Emily Dolan Davies, Roger Taylor, Nick Mason, Cindy Blackman Santana, and more. In their own words, they share the passion that took them from banging on pots and pans as kids to performing on some of the world's biggest stages. Along the way, these legendary drummers discuss the dedication that fuels their craft and pay tribute to the musical icons who influenced and inspired them, including Ringo Starr, Charlie Watts, Keith Moon, John Bonham, Ginger Baker and others. Count Me In is available on streaming services everywhere including Apple TV, Amazon, and Fandango at Home. Hosted on Acast. See acast.com/privacy for more information.

Ci sono musicisti segnati da eventi che hanno avuto impatti drammatici sulle loro vite e soprattutto su quelle degli altri; occhio all'incredibile vicenda di Keith Moon, il batterista degli Who e del suo autista e guardia del corpo

In this episode, we explore the life and career of Kenney Jones, the legendary drummer who played a crucial role in shaping the sound of British rock music during the '60s and '70s. From his early days with The Small Faces, through the raucous years with The Faces, to his tenure with The Who, Jones's rhythmic prowess and adaptability made him a sought-after musician in the evolving rock landscape.Born in Whitechapel, London, Kenney Jones grew up immersed in the vibrant music scene of post-war Britain. Influenced by the burgeoning British Invasion, Jones was drawn to the energetic rhythms of bands like The Beatles and The Rolling Stones, as well as the soulful sounds of American R&B. His early exposure to these genres laid the foundation for his distinctive drumming style, characterized by a blend of precision and flair.In 65, Jones co-founded The Small Faces alongside Steve Marriott, Ronnie Lane, and Jimmy Winston. The band quickly became emblematic of the Mod movement, delivering hits like "Itchycoo Park," "Tin Soldier," and "All or Nothing." Their music, a fusion of psychedelic rock and soulful melodies, resonated with a generation seeking a fresh, dynamic sound.Jones's drumming provided a solid backbone for the band's intricate arrangements. The Small Faces' influence extended beyond their music, impacting fashion and youth culture in '60s Britain.The departure of Steve Marriott in '69 marked a turning point for the band. The remaining members—Jones, Lane, and keyboardist Ian McLagan—joined forces with Rod Stewart and Ronnie Wood, both from the Jeff Beck Group, to form The Faces. The Faces quickly gained a reputation for their electrifying live performances and unpretentious style. Albums like "A Nod Is As Good As a Wink... to a Blind Horse" and "Ooh La La" captured their energetic spirit and musical prowess. Rod Stewart's simultaneous solo career, particularly the success of "Every Picture Tells a Story" and the hit single "Maggie May," brought additional attention to The Faces. However, this dual focus eventually led to tensions within the group.The Faces' blend of rock, soul, and blues, combined with their charismatic stage presence, earned them a devoted fan base. Tracks like "Stay with Me," "Cindy Incidentally," and "Ooh La La" became anthems of the era, showcasing the band's versatility and Jones's dynamic drumming.Despite their success, internal tensions and the members' individual pursuits led to the band's dissolution in '75. In '78, following the death of drummer Keith Moon, Jones was invited to join The Who. His tenure with the band included contributions to albums like Face Dances and It's Hard, as well as performances at significant events such as Live Aid in '85.While his drumming style differed from Moon's, Jones brought a steady, reliable rhythm to the band's music during a period of transition. His professionalism and experience were invaluable assets to The Who during this time.Beyond his musical endeavours, Jones authored an autobiography titled "Let the Good Times Roll: My Life in Small Faces, Faces, and The Who", providing an in-depth look at his life and career. Kenney Jones's contributions to music have been recognised with inductions into the Rock and Roll Hall of Fame as a member of both The Small Faces and The Faces. His influence continues to inspire musicians and fans alike, ensuring his legacy endures in the annals of music history.Join us as we delve into the remarkable journey of Kenney Jones, exploring his impact on British rock music and the enduring legacy of The Small Faces, The Faces, and The Who. Whether you're a longtime fan or new to his story, this episode offers a comprehensive look at one of rock's most influential drummers.#thesmallfaces #thefaces #thewho #britishinvasion

Join us on a journey through musical touchstones and cultural milestones, weaving together fascinating stories that connect the dots between film, music, and innovation.• The 1985 film "Girls Just Want to Have Fun" featured Sarah Jessica Parker and Helen Hunt• "We Are the World" by USA for Africa reached #1 on April 13, 1985, featuring an unprecedented lineup of 21 solo vocalists including Michael Jackson, Bruce Springsteen, and Bob Dylan• A&M Studios in Hollywood began as Charlie Chaplin Studios in 1917 before housing Hanna-Barbera cartoons, "Perry Mason" filming, and countless classic album recordings• Ronnie Wood joined the Rolling Stones in April 1975• Bush's album "Sixteen Stone" dominated alternative radio from 1994-1996 through their strategy of releasing songs to radio before making them available as singles• Blondie drummer Clem Burke, who recently passed away, brought a Keith Moon-inspired style that defined classics like "Heart of Glass""Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with your friends on social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

By 1980, Pete Townshend was 34 or 35, regarded as a true legend of rock music and a revered songwriter. He was one of the true pied pipers of rock n roll. The only problem was, there was no such thing as a middle-aged rock star. In 1978, the death of Keith Moon hit him hard and put in the question the future of The Who. Punk music was railing against old bands like The Who and while Pete was with them in spirit, he realized that they may have had a point. Meanwhile, Pete was battling alcohol and heroin addictions while his marriage to his first wife was on the rocks. He was looking for spiritual fulfillment and yearning for peace of mind. But out of all that came Empty Glass, a marvelous album with vivid melodies, personal lyrics and Pete Townshend's heart on his sleeve. He dedicated the album to his wife, Karen, and some of the songs could be in her voice. Pete takes on the personality of different people to get his points of view across with lyrics that can be ambiguous but deeply personal. The opening track Rough Boys is seen by some as a coming out for Townshend but it's a rockin' way to kick off a record. The alltime great Let My Love Open The Door is an instant pick me up that outsold the platinum (in the US) Empty Glass several times over and remains a favorite for movie soundtracks aimed at the children of the 1980s. But songs like I Am An Animal and I Moved showcase Pete's softer side before the ranting Jools and Jim aimed at authors who dismissed Keith Moon's death as inevitable and even warranted. Keep On Working shows Pete trying to channel The Kinks and A Little Is Enough may have been a minor hit but Townshend regards it as one of the best songs he's ever written. The title track is a man desperate for his soul to be saved, an empty vessel looking for someone to fulfill him. Would he ever find that peace? Would any of us? It's a strong record with incredible melodies with killer musicians like Simon Phillips, Tony Levin and Pete himself arranging the songs into beautiful classics. This was a fun one to do and if you don't know the album, we think you're gonna like it. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

By 1980, Pete Townshend was 34 or 35, regarded as a true legend of rock music and a revered songwriter. He was one of the true pied pipers of rock n roll. The only problem was, there was no such thing as a middle-aged rock star. In 1978, the death of Keith Moon hit him hard and put in the question the future of The Who. Punk music was railing against old bands like The Who and while Pete was with them in spirit, he realized that they may have had a point. Meanwhile, Pete was battling alcohol and heroin addictions while his marriage to his first wife was on the rocks. He was looking for spiritual fulfillment and yearning for peace of mind. But out of all that came Empty Glass, a marvelous album with vivid melodies, personal lyrics and Pete Townshend's heart on his sleeve. He dedicated the album to his wife, Karen, and some of the songs could be in her voice. Pete takes on the personality of different people to get his points of view across with lyrics that can be ambiguous but deeply personal. The opening track Rough Boys is seen by some as a coming out for Townshend but it's a rockin' way to kick off a record. The alltime great Let My Love Open The Door is an instant pick me up that outsold the platinum (in the US) Empty Glass several times over and remains a favorite for movie soundtracks aimed at the children of the 1980s. But songs like I Am An Animal and I Moved showcase Pete's softer side before the ranting Jools and Jim aimed at authors who dismissed Keith Moon's death as inevitable and even warranted. Keep On Working shows Pete trying to channel The Kinks and A Little Is Enough may have been a minor hit but Townshend regards it as one of the best songs he's ever written. The title track is a man desperate for his soul to be saved, an empty vessel looking for someone to fulfill him. Would he ever find that peace? Would any of us? It's a strong record with incredible melodies with killer musicians like Simon Phillips, Tony Levin and Pete himself arranging the songs into beautiful classics. This was a fun one to do and if you don't know the album, we think you're gonna like it. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Who at two very different stages of their career is presented not only visually (this book has over 500 pictures!) but also with an engaging narrative. Teenage Wasteland: The Who at Winterland, 1968 and 1976 is an innovative approach. One that succeeds because it found a way of delivering all these pictures with comprehensive coverage of The Who during a pivotal time in the bands career. *Want to win a free copy of Mike Campbell's memoir Heartbreaker?  It's easy, just send me an email to sign up. You can find a link to my email address below. *Reminder this is for US citizens only**Want to stay on top of the world of Rock N Roll Book and Documentaries? That's also easy. Sign up for the Monthly BLAST!! the newsletter that comes out on the last Friday of the month that features book buzz and doc news, recently released titles, top 5 lists, and more. Just shoot me over an email at the address below and say Big Rick, send me that Blast!!Support the showemail Big Rick at:info@rocktalkstudio.com

Entourage star Jeremy Piven is coming to Perth in August for a stand-up show at The Astor and gave Clairsy & Lisa a buzz about it... he, of course, talked about his time on Entourage and his desire to play Keith Moon of The Who.See omnystudio.com/listener for privacy information.

This CORNDOWN is all over the place—dropped pepperoni, scattered candies, and way too many questions about toilet paper and diarrhea stats. Lobby motion sickness keeps coming up, and we get weird about magnesium. Snappy Bakes brings hotel twerking into the mix, and whuppy has some elevator issues. Meanwhile, there’s some confusion over keys under mats, lifting things, and unexpected furniture fees. Just another real normal one. This show is made possible by donations from listeners like you. If you enjoy what you hear, please consider donating via patreon or paypal! join the prank call discord server !! powered by rogueserver.com

In this episode of Talk2TheHand, we dive into the wild and eccentric life of Screaming Lord Sutch, the rock 'n' roll pioneer who became one of Britain's most notorious political pranksters. From his early days fronting the horror-infused rock band The Savages to his countless bids for public office as the leader of the Monster Raving Loony Party, Sutch carved out a career that was equal parts music, mischief, and madness. But behind the flamboyant costumes and outlandish policies was a man with a deep love for shaking up the establishment. We'll explore his influence on the British music scene, where he rubbed shoulders with legends like Jimmy Page, Ritchie Blackmore, and Keith Moon. Despite never landing a chart-topping hit, Sutch's theatrical stage presence and macabre-themed songs left an undeniable mark on rock history. His early performances, featuring coffins, skulls, and bloodcurdling screams, predated the shock-rock antics of Alice Cooper and Ozzy Osbourne by years, making him one of the genre's true pioneers. Of course, no discussion of Lord Sutch would be complete without delving into his political escapades. With policies ranging from mandatory pogo sticks for public transport to opening pubs for 24 hours, his satirical campaigns mocked the rigidness of British politics while endearing him to the public. But was he just a joke candidate, or did his absurdity hold a mirror up to the establishment? We'll examine the legacy of the Monster Raving Loony Party and how its spirit lives on in modern political satire. Beyond the larger-than-life persona, we'll also discuss the struggles that plagued Sutch later in life. Despite his public bravado, he faced personal demons, battling depression and financial difficulties. His tragic death in 1999 shocked fans and left many wondering about the toll of a lifetime spent in the limelight. Was his eccentricity a shield, or was he truly the eternal optimist he portrayed? Join us as we celebrate the highs, the lows, and the sheer lunacy of Screaming Lord Sutch—a man who blurred the lines between rock, politics, and performance art like no other. Whether you know him as the original shock rocker or Britain's most loveable political rebel, this episode is a deep dive into the unforgettable world of one of the UK's greatest cult figures. Talk2TheHand is an independent throwback podcast run by husband and wife, Jimmy and Beth. Obsessed with 90s nostalgia and 90s celebrities, we'll rewind the years and take you back to the greatest era of our lives.   New episodes bursting with nostalgia of the 90s released on Tuesdays. Please subscribe to our podcast and we'll keep you gooey in 1990s love. Find us on Twitter @talk2thehandpod or email us at jimmy@talk2thehand.co.uk or beth@talk2thehand.co.uk

Have you ever had a Rock & Roll Fantasy? The Kinks did. So did Bad Company. And nobody hated Bad Company more than rock music's Stephen Sondheim. #FireElaineStritch Some Rock & Roll fantasies are quite dangerous, like the troubling, cancel-worthy ones Rick Rubin has about feet. ALLEGEDLY. But others are healthy enough to dream out loud, on, by any reasonable metric, one of America's most acclaimed podcasts. Inspired by an inspiring suggestion from longtime listener, Patreon supporter, and singer/songwriter, Montreal's own Max "Como" Comeau (which translates loosely in ‘Murican to "Max, how"?), Tony and T.J. dare to dream: what would have a Beatles reunion concert been like in the late 1970's? Would George wear his silly stache from his self titled LP? Would Paul arrive on a laconic boat from London Town? Would John bake bread as Yoko verbally assaults Chuck Berry? And would Ringo be sober enough to zug-zug his way from Monte Carlo to the venue? These questions will NOT be answered in this fairly insane excursion in to fantasyland  - you'll thank us for the two drink minimum, folks - but don't fret; neither will these:

Interview with Kevin Shields Of Detention. Detention was one of the first and best bands of the ‘80s New Jersey hardcore punk explosion. Their wonderfully tasteless “Dead Rock 'n Rollers” single became the college radio cult classic of 1983. The song's 97 seconds of primal Ramones-style speed-punk mocked the demise of Jimi Hendrix, Janis Joplin, John Lennon, Keith Moon, Elvis Presley, Jim Morrison, Sid Vicious, John Belushi, and John Bonham — who “played the drug game and couldn't maintain.” They even foretold the drug-related heart attack of Jim Carroll, famous for “All The People Who Died,” screaming, “What are you waiting for? Do it!” Saving the best for last, “Dead Rock 'n Rollers” raised the obvious question: “Why couldn't it be Barry Manilow?” The Detention story goes back to Central Jersey, to the Shields family home in Hillsborough Township, about 20 minutes from the “culture capital” of New Brunswick. Kevin Shields, the fourth of five sons, grew up listening to his older brothers' sophisticated record collection of hippie music that ranged from Blue Cheer to King Crimson. Kevin recalls: “Early on, I knew that rock ‘n roll was something special. I was fascinated.”  “I enlisted in the Coast Guard when I was 17. I was out on my own. I was always a music guy and realized music was getting stale with Genesis and whatnot. I read all the magazines, and the ads in the back, so I sent money to these labels, and came home with albums like Never Mind the Bollocks and Rocket to Russia, and singles by the Slickee Boys and MX-80 Sound. But the coup d'grace was when we stationed in Alameda and I went wild in San Francisco. I went to the Mabuhay Gardens like three nights a week, seeing all the legendary West Coast bands: DKs, DOA, Black Flag. I got thrashed on the education of seeing live bands.”   When Kevin returned home in 1981, he was inspired to make music. “Detention came about because I decided to be a player not a spectator,” he explains. “The easiest way was to recruit my family, so I turned to my brothers. I bought a bass, but I didn't know how to play it. My brother Paul suggested I get in touch with this guitarist Rodney Matejek. He showed me how to play simply, and within months we started coming up with riffs, and what would become songs came very quickly.”  The band — Kevin, Rodney, frontman Paul Shields, and drummer Daniel Shields — played their first show at Raritan Manor on the Somerville Circle, hosted by a young Matt Pinfield in his first radio DJ gig at WRSU (Rutgers). It was a noisy and chaotic affair, with people rolling on the floor — until police arrived and stopped the mayhem. “We were given 100 bucks, and we promised never to play there again,” Kevin says with a grin.  Kevin offers some backstory: “Rob Roth, god bless his pointed head, he had a vision. He got us into the studio in Roselle Park, and he paid for it. All we had to do was get good recordings of the two songs, including the B-side “El Salvador.” It came out great. My brother Paul certainly had the lungs for the job! Those 500 copies got us gigs and got us a lot of notice.” In 1985, Detention released a self-produced self-titled album before disbanding. Kevin's Info https://www.leftfordeadrecords.com dead-rock-n-rollers    

Black leather, Britain's Area 51, a dinosaur, a Ferrari, witch trails, the Black Death and Keith Moon. What could all these possibly have in common?Well dear listener, prepare to be baffled by The Damned. Possibly the most adventurous outing yet, but is it any good?Listen on, but beware: there be spoilers ahead!Weymouth in all it's glory: https://youtu.be/8MBxu0VAAWE?si=Z1f-aLpjFaDACdBa“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells

This week, we are joined by one of the legends of the American Underground, STEVE WYNN (The Dream Syndicate), who picked the jaw-dropping THE TAMI SHOW from 1964 to discuss. We also talk about the excitement of being young in the studio for the first time, the four elements that make a great record and how The Fall inhabited all of them, working with Peter Buck, being a snobby music snob, Chris seeing The Dream Syndicate open for R.E.M. on their Reckoning/Medicine Show Tour, how they evolved from Days to Medicine Show, watching The TAMI Show with the Pasiley Underground members in the theater, how the film and its sequel, the TNT SHOW, were split up into yet a different third film, Van Halen opening for Sparks, the feeling of the music industry hanging in the air in L.A., how the director also made the Elvis Comeback Special and the Star Wars Holiday Special, the narc energy of Jan & Dean, Smokey Robinson's voice going out during his perfomrance int he film, Mick Jagger finding out how to be Mick Jagger in this performance, The Stones vs. James Brown mythology, Marvin Gaye & The Blossoms, how the Velvet Underground lifted a song from Marvin Gaye, the incredible power of Leslie Gore's perfomrance, Dennis Wilson (almost) stealing the film with his drum performance, Keith Moon, Steve seeing The Beach Boys on the Surf's Up tour, Billy Kramers' high creep factor even though Lennon/McCartney kept writing songs for him, the Americana trend over in Europe 84, X, The Supremes, Diana Ross' voice slaying and her eye makeup killing, The Barabrians transcending time, Tony and The Tigers and more!So throw your cape off your back and struggle back to the microphone with us on this week's Revolutions Per MovieSTEVE WYNN:https://www.stevewynn.net REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On the December 19 edition of the Music History Today podcast, Keith Moon collapses, Carl Perkins records, Ronnie Wood leaves, & happy birthday to Maurice White & Edith Piaf For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Liberty DeVitto has long been recognised as one of the most influential drummers in rock history, renowned for his explosive energy, innovative rhythms, and deep connection to the music. Born in Brooklyn, New York, he was captivated by drumming at an early age, inspired by legends like Ringo Starr, Dino Danelli, and Keith Moon. Raised in a vibrant, music-loving family, DeVitto honed his craft by playing along to records and developing his signature style—a mix of finesse, power, and an uncanny ability to elevate a song's emotional impact. DeVitto's career reached new heights when he joined Billy Joel's band in 1974, a partnership that spanned over three decades. As Joel's drummer, DeVitto was the driving force behind countless hits, including "Piano Man," "Scenes from an Italian Restaurant," and "My Life." His intuitive understanding of Joel's songwriting allowed him to craft drum parts that became as iconic as the melodies themselves. Albums like The Stranger, 52nd Street, and Glass Houses showcased his ability to balance technical brilliance with raw emotion, solidifying his place in music history. Beyond Billy Joel, DeVitto has collaborated with a wide range of iconic artists, including Paul McCartney, Stevie Nicks, Carly Simon, and Karen Carpenter, displaying his versatility and adaptability across genres. He has also performed on numerous studio sessions, further contributing to his impressive discography. In addition to his illustrious career as a sideman, DeVitto formed The Slim Kings, a band that combines classic rock influences with a fresh, modern sound. The Slim Kings have released several critically acclaimed tracks, earning a loyal following for their authentic and energetic performances. He also has The Lords of 52nd St which is the original band behind Billy Joel - a band that has sold more than 150 million records and helped establish Billy Joel's formidable sound. In recent years, DeVitto has shared his incredible journey through his memoir, Liberty: Life, Billy, and the Pursuit of Happiness. The book provides an intimate, behind-the-scenes look at his life on and off the stage, detailing his childhood in Brooklyn, his experiences with Billy Joel, and his personal struggles and triumphs. It's a testament to his resilience and passion for music. DeVitto continues to be an active presence in the music industry, performing live, recording new music, and mentoring aspiring musicians. His latest project is recording with Studio D'Lux - a supergroup led by keyboardist-vocalist Doug Kistner (Trans-Siberian Orchestra/Blood Sweat & Tears/John Waite). Liberty Devitto is joined by guitarist Jon Herington (Steely Dan), New Brunswick singer Glen Burtnik (Styx), Asbury Park singer Reagan Richards (Williams Honor), bassist Malcolm Gold (Sheryl Crow) and saxophonist Tom Timko (Gloria Estefan).   Liberty remains a vocal advocate for drummers, regularly appearing at drum clinics and industry events to inspire the next generation of percussionists. With a career that spans decades and a legacy that continues to grow, Liberty DeVitto is more than a drummer—he is a cornerstone of modern music, whose beats will echo for generations to come. Liberty joins us this week to share what continues to be an amazing ride through the music industry. A ride he has dedicated his entire life to.

In todays episode of the podcast I speak with 'Rock and Roll - Hall Of Fame inductee' - Mr Kenney Jones. Kenney is a British drummer/musician who rose to fame in the 60's as part of the famous 'mod scene' with his group 'The Small Faces', eventually went on to play alongside Ronnie Wood and Rod Stewart in 'The Faces' and even took up the drum position in 'The Who', after the unfortunate passing of original drummer Keith Moon. In addition to backing some of the biggest names on the planet - including Jerry Lee Lewis, Chuck Berry and Jeff Beck. In the eary 90's, Kenney also went on to form 'The Law' with Bad Company frontman, Paul Rodgers and even has an excellent book out called 'Let The Good Times Roll', which you can get via his website linked below. Lastly, please remember to leave us a rating, review and/or follow if you're getting anything from these interviews and don't forget to check out our partnership with the lovely folks over at Soundbrenner - ⁠https://www.soundbrenner.com/pages/affiliate-travis-marc⁠ For all additional info on Kenney Jones please visit - www.kenneyjones.com For all additional info on Travis Marc or The Musicians Mentor, please visit - www.musicians-mentor.com --- Support this podcast: https://podcasters.spotify.com/pod/show/musiciansmentor/support

In this epic episode, we embark on a sonic exploration of The Who's towering anthem "Won't Get Fooled Again." We explore the song that encapsulates the very essence of rock music-- its intensity, grandeur, and unyielding spirit. We dive deep into the tumultuous history behind one of the most ambitious projects in rock history, The Who's Lifehouse, and how it gave rise to an album that, despite its fraught genesis, stands as a masterpiece of the genre. From Pete Townsend's futuristic visions to the band's quest for a universal musical connection, we unravel the tapestry of a song that has been both celebrated and misunderstood. With a careful ear, we dissect the iconic keyboard riff, Keith Moon's explosive drumming, John Entwistle's virtuosic bass lines, and Roger Daltrey's soul-stirring vocals. This episode isn't just a tribute to a classic track; it's a deep dive into the heart of rock music and the relentless pursuit of artistic vision. "Won't Get Fooled Again" Pete Townshend Copyright 1971 Towser Tunes, Inc., Fabulous Music Ltd. and ABKCO Music Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Formed in 1964, The Who's original lineup has been hailed as one of the most influential rock bands of the 20th century. Their seminal albums - Tommy (1969), Who's Next (1971), and Quadrophenia (1973) - cemented their status as rock 'n' roll legends. The band's drummer, Keith Moon (23 August 2046 - 7 September 1978), is often celebrated as the greatest drummer in rock history, with his dynamic drumming still earning acclaim from critics and fellow musicians. In this episode, UK recording artist and friend of the podcast, Matt Saxton, joins Team Derringer to share his top five favorite songs by the band. Matt, a self-proclaimed super-fan of The Who, brings his enthusiasm for The Who's music to what promises to be an exciting countdown. Besides his talent as a recording artist, Matt has also captivated audiences as a guest host, contributing to two episodes of the Team Derringer podcast. His dynamic presence adds a unique flair to the show, making each episode a must-listen event.  Be sure to join us! INFO and SHOW NOTES: www.derringerdiscoveries.com/075 THE WHO - web: www.thewho.com - Instagram: @officialthewho MATT SAXTON - Instagram: @mattsaxtonmusic - Facebook: @mattsaxtonmusic DERRINGER DISCOVERIES - Website: www.derringerdiscoveries.com - Newsletter: www.derringerdiscoveries.com/subscribe The theme song for Derringer Discoveries is Your Sister's Room by Ho Jo Fro. If you enjoyed this episode, please "Follow" our podcast and tell others about Derringer Discoveries. Find all Derringer Discoveries episodes on our website: www.derringerdiscoveries.com/episodes. You can also follow us on social media: Instagram, Facebook, Threads, and X.  You can also keep up with all things Derringer by signing up for our newsletter.  Thank you for listening to Derringer Discoveries!

Formed in 1964, The Who's original lineup has been hailed as one of the most influential rock bands of the 20th century. Their seminal albums - Tommy (1969), Who's Next (1971), and Quadrophenia (1973) - cemented their status as rock 'n' roll legends. The band's drummer, Keith Moon (23 August 2046 - 7 September 1978), is often celebrated as the greatest drummer in rock history, with his dynamic drumming still earning acclaim from critics and fellow musicians. In this episode, UK recording artist and friend of the podcast, Matt Saxton, joins Team Derringer to share his top five favorite songs by the band. Matt, a self-proclaimed super-fan of The Who, brings his enthusiasm for The Who's music to what promises to be an exciting countdown. Besides his talent as a recording artist, Matt has also captivated audiences as a guest host, contributing to two episodes of the Team Derringer podcast. His dynamic presence adds a unique flair to the show, making each episode a must-listen event.  Be sure to join us! INFO and SHOW NOTES: www.derringerdiscoveries.com/075 THE WHO - web: www.thewho.com - Instagram: @officialthewho MATT SAXTON - Instagram: @mattsaxtonmusic - Facebook: @mattsaxtonmusic DERRINGER DISCOVERIES - Website: www.derringerdiscoveries.com - Newsletter: www.derringerdiscoveries.com/subscribe The theme song for Derringer Discoveries is Your Sister's Room by Ho Jo Fro. If you enjoyed this episode, please "Follow" our podcast and tell others about Derringer Discoveries. Find all Derringer Discoveries episodes on our website: www.derringerdiscoveries.com/episodes. You can also follow us on social media: Instagram, Facebook, Threads, and X.  You can also keep up with all things Derringer by signing up for our newsletter.  Thank you for listening to Derringer Discoveries!

In this epic episode, we embark on a sonic exploration of The Who's towering anthem "Won't Get Fooled Again." We explore the song that encapsulates the very essence of rock music-- its intensity, grandeur, and unyielding spirit. We dive deep into the tumultuous history behind one of the most ambitious projects in rock history, The Who's "Lifehouse," and how it gave rise to an album that, despite its fraught genesis, stands as a masterpiece of the genre. From Pete Townsend's futuristic visions to the band's quest for a universal musical connection, we unravel the tapestry of a song that has been both celebrated and misunderstood. With a careful ear, we dissect the iconic keyboard riff, Keith Moon's explosive drumming, John Entwistle's virtuosic bass lines, and Roger Daltrey's soul-stirring vocals. This episode isn't just a tribute to a classic track; it's a deep dive into the heart of rock music and the relentless pursuit of artistic vision. "Won't Get Fooled Again" Pete Townshend Copyright 1971 Towser Tunes, Inc., Fabulous Music Ltd. and ABKCO Music Inc. Take advantage of our discount code lovethatsong and save 15% off t-shirts & merch from your favorite bands at OldGlory.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Date: October 30, 2024Name of podcast: Backstage Pass RadioS7: E7: Carmine Appice (Vanilla Fudge, Rod Stewart, Ozzy Ozbourne) - Mastermind Behind Modern Rock Drumming SHOW SUMMARY:Legendary drummer Carmine Appice invites us into his world of rock drumming, sharing captivating stories from his celebrated career with bands like Vanilla Fudge, King Cobra, and Rod Stewart. Alongside special co-host Guy Gelso, Carmine reflects on the rich musical legacy of his family, including his brother Vinny's work with Black Sabbath. Together, we celebrate the passage of time, the rhythms that define our lives, and reminisce about the shared history among rock drumming elites, with anecdotes about industry icons and unforgettable tours.  Explore the evolution of drum gear with Carmine as he recounts his pioneering efforts in transforming rock drumming equipment. Hear firsthand about his interactions with legendary drummers like Keith Moon and John Bonham, and how his collaboration with Ludwig led to groundbreaking innovations such as larger drums and the Octa Plus set. This episode reveals the inventive spirit of the 1960s and 70s, offering a behind-the-scenes look at the camaraderie and creativity that shaped modern rock drumming.  Discover Carmine's dynamic music career, from the early inspirations of drumming greats Gene Krupa and Buddy Rich to collaborating with iconic artists like Jimi Hendrix and Rod Stewart. Learn about his role in co-writing hits like "Do Ya Think I'm Sexy" and "Young Turks," and gain insights into his perspective on the evolving music industry. Carmine shares personal stories about the essence of being a musician, balancing studio and touring experiences, and the enduring influence of rock icons. This episode promises a nostalgic journey through rock history, celebrating the legacy and continued impact of drumming legends.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COM Backstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web PageCarmine Appice Call to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.   Thank you for being a part of Backstage Pass Radio  Your Host, Randy Hulsey 

VAT on private schools, duty on rolling tobacco, employers clobbered by increased contributions on small businesses, who is this cruel Labour budget for and why does Sarah think it sounds like it was designed by Harry Potter's Dolores Umbridge? And we ask why some aspects of the Southport attacker case remained hidden from the public until now and who will be the winners at home and abroad as the Tories pick their new leader and the US goes to the polls? Plus, as Sober October comes to an end for Sarah, we taste test alcohol free wine, and ask why animals are taking up the bottle with a zeal not seen since the likes of Oliver Reed and Keith Moon. To get in touch email Reaction@dailymail.co.uk, you can leave a comment on Spotify or even send us a voice note on WhatsApp - on 07796 657512 start your message with the word 'reaction' Presenters: Sarah Vine & Andrew Pierce  Producer: Philip Wilding Editor: Chelsey Moore Production Manager: Vittoria Cecchini Executive Producer: Jamie East A Daily Mail production. Seriously Popular Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textWe think we may have found a loophole to play music without being sued.  Stay tuned and save up bail money for us just in case.Newt's--still #1 in our hearts, livers and stomachs.  Go there!Should we go green?Mark spurs international tensionThe big watchPickpocket vs Peeping TomRadio Game*Who's better than Rob Halford?Hooked on a FeelingObscure Rock Facts/TriviaBrian JonesSpinal Tap and Grateful Dead share dark connectionTravelling WilburysMount Rushmore of Underrated bandsThanks for the text Charlie!Longest running fan club**You'll never guess what Mama Cass and Keith Moon have in commonGive us a piece of your mind at:  TheAscertainers@gmail.com#Newt's#Titanic*An Ascertainers exclusive**Besides The Ascertainers

Narada Michael Walden Live on Game Changers With Vicki Abelson Wow! I've seen hundreds of photos, loads of videos - I've never seen Narada Michael Walden in an orange bowler. When was the last time I wore orange? InSync! From the first moment to the last, what a glorious, grateful, exuberant lovefest. Narada is as passionate, fun, inviting, and accessible as his music. We talked about his first paper drumkit at 5, how he watched, listened, and learned from his heroes. How the soul sounds of Detroit shaped him, how it's all soul sounds. From his first band at 11 to the Mahavishnu Orchestra, which would change his life in all ways… adding prayer. mediation, service, and Narada to his name, gifted by his guru, Sri Chinmoy, thanks to John McLaughlin, and of course, the music, following in Billy Cobham's big footsteps, touring with Jeff Beck, then recording Wired with him, writing “material” for the album, the full circle back to Beck a decade ago and the story behind their masterpiece version of Little Wing. Ah me! How playing transitioned to producing, inspired by Quincy Jones to service other artists, and the superstar women he championed to great heights - Aretha with their Grammy Song of The Year, Freeway of Love, Whitney with their 6 number one hits including their Grammy Winning Album of the Year, Mariah, with musical knowledge to match her musical chops. We talked our friend, Allee Willis, Keith Moon, Ringo, Jaco, Carlos, Sting, Trudy, Stevie, Marvin, Cissy, his last tour with Journey, and how his devotion to his wife and children brought him home. This very morning Narada was up at 6 readying his kids for school and then driving them there. This interview was held early so that he'd be home when they got home. Quite a man. Respect. For a taste of what Narada himself is up to musically, check out his The More I Love My Life https://bfan.link/the-more-i-love-my-life with Sting, Carlos, and Stevie, I can't stop listening! It seems to so sum up this man of grace. And while you're at it, watch this - and tear yourself away, if you can! https://www.youtube.com/watch?v=u9UQbf_VoQI Perfection! Jeff, Narada, and Rhonda, do Jimi proud. This is a man as comfortable with pop, soul, funk, rock, and blues as he is with fusion. Brilliant with them all. Loving and appreciating them all, and, as his audience, I'll gratefully follow him to any of them. I loved every second in Narada's most excellent company. Grateful girl! Narada Michael Walden Live on Game Changers With Vicki Abelson Wednesday, 9/25/24, 1 pm PT, 4 pm ET Streamed Live on my Facebook Replay here: https://bit.ly/3XYFsfJ

INTERVIEW WITH LESLIE CAVENISH (hair cutter to the Beatles and other notable celebrities) ******* Leslie was the Beatles Hairdresser from 1967 to 1975 Leslie Cavendish left school at 15 years old, without any artistic qualifications to become a hairdresser. He worked for the iconic “'60s” hair stylist Vidal Sassoon. Leslie counted many of the stars of the day among his clients — including Keith Moon, Bee Gees, Dave Clark Five, James Hunt, Terry Stamp, Jane Asher, James Taylor and so many more — but the jewel in his career's crown was styling perhaps the four most famous heads of hair in history: The Beatles. ******* Matt and I sit down with Leslie and talk about his wonderful career with Vidal Sassoon.  This career led to his involvement with the Beatles and Apple. Leslie has a wonderful book called "THE CUTTING EDGE - The Story of the Beatles' Hairdresser Who Defined an Era We start the interview talking about Tiffany (the 80s singer) and food. Then we get into his book: - His beginnings about his Uncle who played with Ella Fitzgerald - Collecting 45s (his cousin would send him music from the US) - The differance between a Hair Stylist and a Hair Cutter - Meeting Paul McCartney for the first time at his home on Cavendish Ave. - The day he convinced Paul to cut off all his hair - Almost getting fired for joining Paul and the boys to film the Magical Mystery Tour. - Meeting Jimi Hendrix - Leslie's top 3 Beatles songs (it's hard to pick just 3) Leslie has some great stories from his book but we don't give too much away. Another great interview! ********* Be sure to visit these websites: www.beatleshairdresser.com www.beatlesbookstore.com Leslie can be found also on Facebook & Instagram ********* KNOW GOOD MUSIC can be found on Podbean (host site), Spotify , Apple Podcasts, Iheart Radio, Pandora and YOUTUBE! Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic  Help support our Podcast by purchasing some cool merch: https://www.teepublic.com/user/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music".  All AUDIO versions are also available on YOUTUBE!  

We're back with our regular audio installment which covers the past, present, and future of the genre we love with the Decibel Geek Times! Aaron Camaro has compiled a thorough list of artists and albums to remember as well as a look to the future with exciting upcoming rock releases! Artists lost that we're remembering this time include Keith Moon, Johnny Ramone, Eddie Money, and more. We also pay tribute to our friends Rockin' Ron Runyon and Bill Chavis (HighVolMusic). A number of great albums are celebrating anniversaries including Aerosmith's 'Pump,' KISS' 'Animalize,' Queensryche's 'The Warning,' Iron Maiden's 'Powerslave,' and a bunch more. Looking ahead, there are great new and upcoming releases by Stryper, Dead Daisies, Fast Eddie Clark, Steve Marriott, Jimi Hendrix estate, and more. It's a bunch of fun rock talk and a bonus for your Geekwire weeks going forward. We hope you enjoy the latest edition of the Decibel Geek Times and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download    Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with our regular audio installment which covers the past, present, and future of the genre we love with the Decibel Geek Times! Aaron Camaro has compiled a thorough list of artists and albums to remember as well as a look to the future with exciting upcoming rock releases! Artists lost that we're remembering this time include Keith Moon, Johnny Ramone, Eddie Money, and more. We also pay tribute to our friends Rockin' Ron Runyon and Bill Chavis (HighVolMusic). A number of great albums are celebrating anniversaries including Aerosmith's 'Pump,' KISS' 'Animalize,' Queensryche's 'The Warning,' Iron Maiden's 'Powerslave,' and a bunch more. Looking ahead, there are great new and upcoming releases by Stryper, Dead Daisies, Fast Eddie Clark, Steve Marriott, Jimi Hendrix estate, and more. It's a bunch of fun rock talk and a bonus for your Geekwire weeks going forward. We hope you enjoy the latest edition of the Decibel Geek Times and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download    Learn more about your ad choices. Visit megaphone.fm/adchoices

30- The Who -A Quick One  (Reaction Records in the UK and Decca in the U.S ) Released December 9, 1966, Recorded August 30- November -1966 The Who's A Quick One (1966) is the band's second studio album and marks a significant step in their evolution. The album showcases the individual songwriting talents of each member: Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon, with Townshend emerging as the standout composer. The title track, "A Quick One, While He's Away," is a nine-minute mini-opera that foreshadows Townshend's later work on Tommy and is a clear highlight of the album. Known for its eclectic mix of styles, the album reached No. 4 on the UK Albums Chart but only No. 67 in the U.S. Despite not being universally considered their best work; the album was instrumental in solidifying The Who's reputation as one of the most innovative rock bands of the 1960s. The single "Happy Jack" also saw success, peaking at No. 3 in the UK and No. 24 in the US, marking the band's first significant American chart presence. A Quick One is significant for showcasing the growth of a band that would become one of the most celebrated in rock history. Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=02cb54f0a19e4e3c Album on Spotify https://open.spotify.com/album/6f4mqM3RNAfO1t6XeeUa8P?si=hOzPkblNQOOI_qBFxhiXvw Album on YouTube https://youtube.com/playlist?list=PL47ACAF82B659E0AE&si=0i0zYZV_fSunEtx2

This week, we celebrate Revolutions Per Movie's 1 year anniversary with filmmaker and actor OWEN KLINE (A24's Funny Pages), who chose one of the most anticipated music films to discuss on the podcast, THE WHO'S TOMMY. We discuss the chicken/egg of the movie vs. the lp, the baked bean mythology, Ken Russell's pre-filmmaking history from being a ballet dancer to dodging the war, Russell's early BBC Composer films, Richard Lester and Lindsay Anderson, Robert Crumb and Fantagraphics Books, being a cultural dinosaur, the concept of selling out, the precision of the film that betrays its midnight movie status, Who's Next, how the Tommy LP kept The Who from breaking up, the ARP synth, the use of repetition in both the LP and the movie, transgressive music, how and why Townshend kept changing the shape of the story of Tommy, the aborted projects LIFEHOUSE & THE ANGELS that used elements to make the film Tommy, could we pick up the concept album plot before seeing the movie (and even after seeing it!), Ann-Margret's Oscar-nominated performance, the amount of sweat that appears on actors in the film, the surprising debut acting turn of Roger Daltrey, the UK white boy blues movement, Russell's choice of having the actor sing, including Jack Nicholson's strange turn, Keith Moon's approach to Uncle Ernie, Chris's concept double album Colonel Jeffrey Pumpernickel, Tina Turner's incredible performance as the acid queen and how Mick Jagger was in talks to do the role instead, does Elton John and Tina turner steal the film, the strange final 1/3 of the film, Dauhgltrey's perfect cartwheels, acting through song and so much more!We are also joined by special guest Barry Winch, who starred in TOMMY as ‘Young Tommy'!!! He illuminates us both about being a child on the set of the strange film, what it was like working with Ken Russell, Ann-Margret & Oliver Reed, how they got honest performances out of him as a child actor, how The Who protested going to the premiere unless he was invited (since he was underage), how Ken Russell himself accidentally cast him, his family's acting history, playing hide and seek with Oliver Reed, what it felt like being on the set of that movie, what the Tommy props from the film have been auctioned at, why he wasn't allowed to wander around the set, his favorite memories and some moments of being afraid as well.All this and more as we celebrate the one year anniversary of REVOLUTIONS PER MOVIE!!!OWEN KLINE:https://a24films.com/films/funny-pagesREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Albums and All That, Starting with the letter S as in Sierra, Part 9 From Something to Shout About (Lulu) to Sophisticated Boom Boom (Dead or Alive) Oh hey, by the way... there is now a Vinyl-O-Matic Patreon (https://patreon.com/youroldpalwill) Lulu with The Luvvers [00:30] "Chocolate Ice" Something to Shout About Decca LK 4719 1965 Hey hey hey! It's Lulu! This is her debut album. Despite what you might guess from her voice, she was 17 when she recorded this album. "Chocolate Ice" is the excellent title song to the very weird Gonks Go Beat (https://youtu.be/XhozBIMplQA?si=ULHH1FdCqSWJPyJ5) (Hartford-Davis, 1964), featuring Lulu and The Luvvers, The Nashville Teens, and the Graham Bond Organisation Todd Rundgren [02:40] "Hello It's Me" Something / Anything? Bearsville 2BX 2066 1972 Rundgren's 3rd solo album, spreading his musical wings a bit more than previous releases. Todd had originally written the song as a very mellow ballad with the Nazz in 1967, and was released as a b-side (https://youtu.be/FmLnDL_pNZQ?si=enMwjWzgNe_iplus) to their psyche rocker "Open My Eyes". Usually I'd go with the power pop progenitor "Couldn't I Just Tell You (https://youtu.be/fosMLTCFKQ8?si=Dgn25DMa61xCFRbJ)", but well, I'm feeling more mid-tempo at the moment. Jimmy Buffett [07:29] "Cheeseburgers in Paradise" Son of a Son of a Sailor ABC Records AA-1046 1976 Let me be perfectly clear: I am not now, nor have I ever been a Parrot Head. However, I do love cheeseburgers. This is the lead single from Buffett's eighth solo album. The single made it to #32 on the Hot 100. There's also a much-watered-down version of "Livingston Saturday Night", which can be heard to greater effect (https://youtu.be/5uizFyDRxso?si=ZfVrun8krTdxzagG) on the Rancho Deluxe (Perry, 1975) soundtrack, see also: Season 5, Episode 76 (https://vinylomatic.com/s05e76). Harry Nilsson [10:20] "It Is He Who Will Be King/Daybreak" Son of Dracula Rapple Records ABL1-0220 1974 The only new Nilsson song on this soundtrack. The less said about the actual film. Count Downe (Nilsson) is invited to take over Count Dracula's throne by Merlin (Ringo Starr). Lots of monsters and lots of rock stars, including Keith Moon and John Bonham, Peter Frampton, Bobby Keys, Klaus Voorman, and Leon Russell. Watch at your own peril (https://youtu.be/IIik_o16sro?si=WvmR54QPJ16Qmd6s). Great packaging for the record though, includine a die-cut gatefold and an iron on transfer for the cover image with "Bite Me" written in goth script below. Julian Bahula's Jazz Africa [16:15] "Molebatsi" Son of the Soil Tsafrika Records TSA 001 1982 A great collective outing composed by this South African by way of Britain drummer/composer/bandleader. I picked this one up at Revolution Records in Amsterdam. If Google Translate isn't lying to me, this title translates to "Smoker" from Swati. And a smoker it is. The Temptations [21:46] "Shakey Ground" A Song for You Gordy G6-969S1 1975 One of several excellent P-Funk-backed tracks on this album. There's a pretty excellent Delbert McClinton version of this song as well (https://youtu.be/w7JCWoxtGLs?si=tLtnwaOT1j24Tgvy). The Exbats [25:47] "Like It Like I Do" Song Machine Goner Records GONE 192 2023 And boy do I like it! Another excellent outing from Bisbee AZ denizens Inez and Kenny and friends (https://youtu.be/l-Onx5zVfMs?si=OSeD0DJHPaOZ4NGW). They pretty much just keep getting awesomer and awesomer. Big Black [28:17] "L Dopa" Songs About Fucking Touch and Go T&G LP #24 1987 Scorching. And sadly, fare thee well, Steve. To anyone interested in recording, Steve and Electric Audio provided (and still provide) a wealth of information, as for instance: Everything you've ever wanted to know about tape alignment but were afraid to ask (https://youtube.com/playlist?list=PLXA7imybaTsFWOFpaeP8wgXNDlZ4Xc8yq&si=ZMsU_ifbEBbmp6Kh). THE FOLLOWING TRACK IS INTENDED FOR MATURE AUDIENCES. LISTENER DISCRETION IS ADVISED

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 4 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, we talk about some of Paul's albums, "Run, Devil, Run", "Venus & Mars", "McCartney II", The Fireman records, and discuss random songs in a lighting round...   Do we discuss your favorite Paul McCartney album? Tune in to find out! -- Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

On September 7, 1978, Keith Moon -- the legendary drummer best known for his wildly destructive antics on stage as a member of The Who -- died after overdosing on a drug intended to wean him off alcohol. Although not entirely unexpected, Moon's death sent shockwaves through the music industry and forever altered the trajectory of the band, but he remains one of the most talented and energetic musicians in rock history. Hosts: Jason Beckerman & Derek Kaufman Sponsored by: AirDoctor! Head to airdoctorpro.com and use promo code "LAST" and you'll receive UP TO $300 off air purifiers! Exclusive to podcast customers, you will also receive a free 3 year warranty on any unit, which is an additional $84 value! Learn more about your ad choices. Visit megaphone.fm/adchoices

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 3 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, Jack asks Elliot and Rob about how Paul's relationships to his former bandmates John Lennon, George Harrison, and Ringo Starr changed throughout the post-Beatles years, how Paul's upbringing and the looming legacy of The Beatles affected his music in his solo years, their favorites of Paul's collaborations with other artists, and their favorite era of Paul's life and music to geek out on.    Do we discuss your favorite Paul McCartney era? Tune in to find out!   Check out the featured Cincinnati Opera's Paul McCartney's Liverpool Oratorio.  You can buy tickets here: https://www.cincinnatiopera.org/liverpool-oratorio?gad_source=1&gbraid=0AAAAADOhubPlMgwyItjbJryirdnkUwyHh&gclid=Cj0KCQjw-uK0BhC0ARIsANQtgGOiyrJdVIKHu2qxr7qBA-Q36qy2vm0YKW5IX0sjL-IZgvVhQJwVWRIaAg92EALw_wcB   Follow the #CincinnatiOpera on instagram for more info here: https://www.instagram.com/cincinnatiopera/?img_index=1 -- Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Answer: a drummer. In a special Musical X-Files show, the gang discusses the very best and the very worst of Rock Music's famous drummers. Also, good friend Martin Fitzgibbon recounts his lost weekend with Keith Moon and rock trivia with Lois Lane. Extra special guest, musician Rich Kennedy. Mack Maloney Online: Website - https://www.mackmaloney.com/ Facebook - https://www.facebook.com/WingmanMack/ Twitter - https://twitter.com/MilitaryXFiles Twitter - https://twitter.com/WingmanMack Amazon – https://amzn.to/2IlFRkq  

“What Do You Call A Guy Who Hangs Around With Musicians?” – Answer: a drummer. In a special Musical X-Files show, the gang discusses the very best and the very worst of Rock Music's famous drummers. Also, good friend Martin Fitzgibbon recounts his lost weekend with Keith Moon and rock trivia with Lois Lane. Extra special guest, musician Rich Kennedy.Become a supporter of this podcast: https://www.spreaker.com/podcast/paranormal-uk-radio-network--4541473/support.

Drunk Horse drummer Cripe Jergensen talks about the band's hiatus, he and guitarist Eli Eckert's child hood friendship and obsession with comic books, recording in legendary drummer Jeff Porcaro's haunted home studio, thinking that living to 30 years old was a stretch,IPA's, crazy Keith Moon stories, early tours with The Fucking Champs, an LA show with a limo and a contract written on a napkin & much more! https://drunkhorsedh.bandcamp.com/album/drunk-horse

Send us a Text Message.Get ready for an exhilarating journey through the music history as we uncover the star-studded wedding reception of Eric Clapton and Pattie Boyd. Promise you'll learn not just about the glitz and glamour of that eventful day in May 1979, but also about the intricate love triangle between Clapton, Boyd, and George Harrison that birthed legendary songs like "Layla" and "Wonderful Tonight." Imagine being a fly on the wall at Clapton's English estate, surrounded by icons such as Mick Jagger, Elton John, David Bowie, and three former Beatles. We'll take you on a behind-the-scenes tour of this epic event, and share the fascinating story of how Harrison's visit to Clapton's garden inspired "Here Comes the Sun."As we journey further, we'll reminisce about the unforgettable soundtrack of Forrest Gump, filled with timeless tracks from Elvis Presley, The Rolling Stones, The Doors, and The Supremes. Ever wondered if it deserved to be 'Best Picture'? We've got you covered. We'll also explore the magic of the album 'The Kids are Alright' by The Who. A greatest hits package made up of live performances that includes Keith Moon's last performance with the Band before his death. Join us for a reflective, educational, and musically rich episode that promises to keep the music playing!Learn Something New orRemember Something OldPlease Like and Follow our Facebook page Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.

Send us a Text Message.What if we told you that 1976 was more than just a year, but a defining era in music and pop culture? Join us on this nostalgic trip back to a time when The Eagles' "Greatest Hits" was the first album certified platinum, and Paul Simon and Captain and Tennille ruled the Grammy Awards. We welcome our good friends Lou Colicchio and Mark Smith from the Music Relish Show, whose playful banter and inside jokes add an extra layer of fun to our walk down memory lane. Together, we respond to live audience comments and share fascinating stories about the year's most unforgettable moments.From Bill Sargent's $30 million offer to reunite The Beatles to Bette Midler's entourage's legal troubles, we cover the highs and lows that made 1976 unforgettable. Expect tales of Kiss's meteoric rise, Bruce Springsteen's Graceland adventure, and Keith Moon's infamous stage collapse. We also touch on the cultural impact of the Second Annual Rock Music Awards and the 100 Club Punk Festival, not to mention the quirky adoption of ABBA's now-iconic logo. With humor and historical anecdotes, we ensure you'll be both entertained and enlightened.Wrapping up, we mix personal anecdotes, humorous reflections, and spirited debates over classic vinyl records. Ever wonder about the origins behind “Muskrat Love” or the story of John Lennon and Paul McCartney nearly reuniting on SNL? We've got you covered. We also reflect on our ice hockey days, sharing intense moments and highlighting the camaraderie that music and sports bring. Tune in as we reminisce about the music scene of 1976, celebrating both its triumphs and its trials, all the while showcasing our shared passion for the vibrant culture of that unforgettable year.

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 2 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, Jack asks Elliot and Rob about their top three most underrated Paul McCartney songs and their favorite song from their least favorite album. Get ready to discover, or remember, some Paul McCartney deep cuts and hits in this episode.    Do we discuss your favorite Paul McCartney songs? Tune in to find out!   --   Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.    

Pete Townshend intended the fifth studio album from The Who to be a science fiction rock opera called “Lifehouse,” as a follow up to the rock opera “Tommy” released in 1969.  After conflicts with their band manager and issues just managing the complexity of what Townshend envisioned the project to be, the rock opera was shelved, and the follow-up was made into a more traditional album entitled Who's Next.The group began recording the album at Rolling Stones frontman Mick Jagger's house, using the Stones' mobile recording studio, then moved to a more traditional studio in London.  Most of the album is made up of songs originally intended for the Lifehouse project.  Who's Next would see the Who make significant use of synthesizers and other keyboard sounds on this album, making the synthesizers a more integrated part of the songs than on previous albums.  Drummer Keith Moon's style was also more formalized than before, and the overall album was focused on a good sound where previous albums were perhaps tilted toward a sonic projection of the image of the band.Who's Next would contain some of the most iconic songs that the band produced, and retrospectively is considered by many to be the best album The Who ever produced.  The album would reach number 1 on the UK charts, and number 4 on the US charts.Rob brings us this iconic album for today's podcast, and friend of the show Mike Fernandes sits in for Bruce this week.MobileThis lighter song is a celebration of life on the open road.  Roger Daltrey steps aside as Pete Townshend takes over lead vocal duties.  Daltrey actually was not present at the recording of this song, leaving Keith Moon (drums), John Entwistle (bass), and Townshend (vocals, guitar, keyboards) to record it as a power trio.A BargainOften misconstrued as a love song to a woman, this track actually is about a relationship with God.  It contends that sacrificing everything for a relationship with God is not a sacrifice at all, but a bargain.  Much of Pete Townshend's work is inspired by eastern mysticism.Won't Get Fooled AgainThe last track on the album is an 8 1/2-minute epic.  It was originally intended as a closing number to the "Lifehouse" rock opera.  The lyrics offer a critique of both government and revolutionary change, summarized in the phrase "Meet the new boss, same as the old boss."  Townshend was inspired to write this song after chasing Abbie Hoffman off the stage at Woodstock.Baba O'Riley The title of the lead track to the album is a combination of two of Townshend's mentors, Indian spiritualist Meher Baba and American Composer Terry Riley.  The repeated phrase "teenage wasteland" was inspired by Townshend's observations of youths at Woodstock strung out on acid. ENTERTAINMENT TRACK:The Beat Goes On by Sonny & Cher (from the television variety show “Sonny and Cher Comedy Hour”)The singing duo Sonny and Cher started this sketch comedy and music show in 1971.  It would run for 3 years until their divorce. STAFF PICKS:Sweet City Woman by The StampedersWayne brings us a banjo-laden hit from a Canadian trio.  The lyrics were inspired by an encounter with a girl with wild eyes who came from the prairie to start life in the big city.  It hit number 8 on the US charts and number 1 in Canada.  It also won a number of Juno awards in 1972.  You may remember it from an episode of "Better Call Saul."Take Me Home, Country Roads by John DenverLynch keeps the banjo hits coming with a signature song from John Denver.  It went to number 2 on the Billboard Hot 100, and would become one of four official state songs for West Virginia.  Denver recorded this song in only two hours.Nobody by the Doobie Brothers Mike brings us a lost song from the first album by the Doobie Brothers.  Neither this song nor the album charted when it was released, but it displays a number of riffs and styles which would become staples of Doobie Brothers songs.  It was re-released in 1974 after the group had achieved success, and it reached number 58 on the Billboard Hot 100.Maggie May by Rod Stewart Rob closes out the staff picks with a hit single off Stewart's third solo album "Every Picture Tells a Story."  The lyrics describe the contradictory feelings of a boy in a relationship with an older woman.  The inspiration was a true encounter Stewart had with a woman at the 1961 Beaulieu Jazz Festival.  The song went to number 1 in Australia, the US, the UK, and Canada. INSTRUMENTAL TRACK:Orchid by Black SabbathWe close out with a surprisingly soft instrumental from an ordinarily more heavy hitting band. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Crypto-scammers target Metallica's social media, Roger Daltry reveals he has a completed script & is looking for a director to make a Keith Moon biopic, and Sum 41 are currently trying to solve the mystery surrounding their original lead singer after he abruptly left the band and was never seen again more than 25 years ago & more… PLUS this week in Rock & Roll History Trivia, Weekly WTF & somuch more!   Everything is up at www.rocknewsweekly.com   Watch us LIVE, chat with us & more… Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweekly   Watch all of our videos & interviews on demand at Youtube.com/@rocknewsweekly   Follow us online: Instagram.com/rocknewsweekly Facebook.com/rocknewsweekly Twitter.com/rocknewsweekly   All of our links are up at www.rocknewsweekly.com every Monday, where you can Check it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)   #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #CryptoScammers #Metallica #RogerDaltry #KeithMoonBiopic #KeithMoon #Sum41 #JonMarshall

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 1 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, Jack asks Elliot and Rob about their top three McCartney albums that were released after The Beatles' break up. The three soon break into a deep dive of Paul's albums that ranges from discussing Paul's most rebellious songs of the early 70s, to Paul's career in the 1980s (the highs... and the lows), and the charm of Wild Life.    Do we discuss your favorite Paul McCartney album? Tune in to find out!   --   Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.    

Shocking Shifty Shellshock death, Julian Assange weasels out of jail, Britney Spears packing on pounds, Florida Panthers win the Stanley Cup, Stuttering John & the FBI, and will Roger Daltrey appear for our scheduled interview? Napoleon Dynamite and Bill Gates teamed up for an embarrassing collaboration in 2005. We have a new song for Woke Dad. Wikileaks founder Julian Assange weasels his way out of custody. American Monster reveals a scumbag YouTuber who did all the wrong things to be famous. We share tales of wild Who drummer Keith Moon. Roger Daltrey is supposed to call in today to promote an upcoming gig at Meadowbrook. Maybe Roger is just fed up of doing interviews. RIP Shifty Shellshock. Off to that Crazy Town in the sky. Chris Brown has a new piece… Kanye's “sister-in-law”. Karen Read closing arguments are today in Boston. Did she do it or not? Drew Crime: Bathtub Murders. Stuttering John Melendez is falling off the deep end. He's now involving the FBI. MTV News (and their archive) is dead. Some people are saying that Britney Spears is digging her own grave… with a knife and a fork. Prince Andrew is massive as well. Dr. Stuart Fischer, author of the Park Avenue Diet, analyzes his weight gain. Sports: Florida Panthers win the Stanley Cup. The US Men's Soccer team had better TV ratings than the Indiana Fever/Chicago Sky basketball game. The WNBA remains annoying. George Clooney and Joe Biden may have a falling out due to his wife. Politics: The debate is Thursday. Donald Trump rambled his way off TV talking about dishwashers and toilets. The Donald has a VP picked but hasn't told anyone. Joe and Jill have remortgaged their house almost 20 times. JLo flies like us. Ben Affleck is an angry man. Convicted assaulter and actor Jonathan Majors is now a “major” award winner. Antonio Brown continues his attacks on Shannon Sharpe. Tana Mongeau totally nailed Tyga and Cody Ko. Bloop. Kwame Kilpatrick and ML Elrick reconnected. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Frenette's love of music started at the age of 5 while playing the bongos and listening to records with his parents. Artists like Perez Perado, Tito Puente, Herb Albert, Johnny Cash and Tom Jones were constantly spinning on the record player. By the age of 10, Matt was learning his rudiments in a marching and concert band. Some of Matt's early influences include Mitch Mitchell, Ginger Baker, Keith Moon, Michael Shrieve, Danny Seraphine,Billy Cobham, and later influences include Manu Katche, Steve Gadd, and Richard Bailey. Frenette is a founding member of Streetheart and his legacy as the other half of one of rock's greatest rhythm sections is still a part of Canadian rock legend. Matt's fierce approach to every song and powerful grooves he created were a big part of the musical foundation that Streetheart built their unmistakable sound on in the early days. In 1979 Matthew left Streetheart to join Paul Dean's new band Loverboy. Originally, Matt Frenette played drums for a side-project band, Headpins while Bernie Aubin played drums for a fellow Vancouver band, the soon to be renamed Loverboy. But within months, Aubin and Frenette swapped bands, where each continues to play to the present Alongside fellow Loverboy founding members Mike Reno, Paul Dean, Doug Johnson, with Ken "Spider" Sinnaeve, Matt Frenette has been "Working for the Weekend" since forming in Calgary, Alberta over 36 years ago. Loverboy has sold more than 10 million albums, earning four multi-platinum plaques, including the four-million-selling "Get Lucky." In 1982, as a member of Loverboy, Frenette went on to win a "still-record" six Juno awards. Matt's solid groove, versatile musicality and his visually exciting performance has created a demand for his appearance in many different artists' recordings, videos and tours, such as: Tom Cochrane, Bryan Adams, Kim Mitchell, Colin James and many other talented musicians.   Some Things That Came Up:  -1:30 Rich saw Matt with Loverboy at The El Paso Coliseum, 1985!  -3:00 Matt broke through the bass drum head! Very memorable -5:00 Matt has had many drum techs over the years -5:40 “Turn Me Loose” was a breakout hit!  -13:00 Evolution of a band  -14:20 The year that was 2020  -17:00 Practicing at 2112 drum shop  -23:00 Started drumming at 5 and never had any other job!  -24:30 First kit was secured on trade from a retired jazz drummer  -26:00 Community center marching band grade 8-10 -30:00 The band STREETHEART from Regina -32:50 The sweetest audition that Dad set up!  -40:36 Mike Reno on vocals!  -44:15 The beauty of the drums on “Turn Me Loose”  -44:50 Recorded live to tape with no click; everyone live on the floor -45:30 Bruce Fairbairn produced and a young Bob Rock engineered  -48:30 Gaffed headphones to his head.  -50:20 Guttural grounding sounds  -57:50 A mutual friend in Lee Kelley  -1:05:00 Played everyday to “Tom Jones:LIVE” record  -1:05:50 The two drunks at the Buddy Rich Big Band show. Buddy lit the fire under young Matt -1:14:50 Dad wanted Matt to go on the road and NOT finish grade 12! He believed!  -1:16:00 Historical-=6 Juno Awards+ many others  -1:18:00 21 years with Yamaha and 42 years with Zildjian    Follow:  www.loverboyband.com IG: @loverboyband FB: @loverboyband   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Check out Rich's books on Amazon!    Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Rock legends (including 2 Rock n Roll Hall of Fame Inductees) share stories from their time playing, recording and touring with The Who! From studio chaos to replacing the irreplaceable, gruelling tour dates to backstage drama, you'll get a glimpse into the minds and actions of icons Pete Townshend, Roger Daltrey, John Entwistle and Keith Moon. Learn more about your ad choices. Visit megaphone.fm/adchoices