Podcasts about Keith Moon

Episode 187 - Bobby Elliott Bobby Elliott is an iconic English rock drummer best known as the powerhouse driving force behind the classic pop/rock band The Hollies. Widely considered one of the finest and most influential drummers of the British Invasion era, he has remained a continuous member of the band since joining them in 1963. * Jazz Beginnings: Growing up in Burnley, Lancashire, Elliott discovered jazz at a young age. He initially emulated big-band legends like Gene Krupa and Chico Hamilton by practicing on makeshift biscuit tins and Cadbury's chocolate boxes with paintbrush handles. * Signature Sound: Renowned for his exceptional timing, dynamic tom-tom rolls, and precise fills, his drumming style provided a fiercely energetic yet sophisticated foundation for The Hollies' famous three-part vocal harmonies. * Peer Recognition: He famously won the 1965 Beat Instrumental Drummer Poll—relegating Keith Moon to third place. Renowned players like Cozy Powell, Ian Paice, and Max Weinberg have cited him as a major influence. * Hit Machine: Alongside guitarist Tony Hicks, Elliott anchored the band through decades of massive hits, including "Bus Stop", "Just One Look", "He Ain't Heavy, He's My Brother", "Long Cool Woman (In a Black Dress)", and "The Air That I Breathe". * Wings Invitation: In 1973, Paul McCartney personally invited Elliott to join his band, Wings. Elliott turned the offer down because his loyalty and "heart" belonged entirely to The Hollies. * Hall of Fame: He was inducted into the Rock and Roll Hall of Fame in 2010. However, he and Hicks skipped the ceremony in New York because they refused to cancel a pre-booked gig at the London Palladium. * In late 2020, Elliott published his official autobiography, titled It Ain't Heavy, It's My Story, which offers a firsthand look into his six decades on the road and inside iconic studios like Abbey Road Huge thanks to Bobby for taking the time to chat with me about his incredible career, what a truly wonderful gentleman. Equally huge thanks to another legend of the British drumming scene and a good friend of the podcast Bob Henrit for introducing Bobby to me.

The legend himself Jack Douglas (1945-2026) shares stories from five decades of rock history — from producing John Lennon's final album to the memories Aerosmith, Cheap Trick, The Who, and his recent production of Silverplanes. Topics Include: Jack Douglas joins Nate from a snowy driveway, cigar in hand. Silverplanes' debut album Airbus is finally releasing after years of delays. Jack met Silverplanes' Aaron Smart through his college-age son. Aaron turned out to own the Sunset Boulevard studio Jack had worked in. Jeff Emerick mixed the album shortly before his sudden death in 2018. The pandemic added two more years of delay to the release. Jack and Aaron are now label partners with New York real estate billionaire Douglas Durst. Their label operates 50/50 with artists — no standard royalty deals. Signed artists include Robin Taylor Zander and the Detroit Youth Choir. Jack builds songs from a single acoustic guitar performance first. Aerosmith was different — built from the band groove up, lyrics last. Walk This Way had no lyric until a Young Frankenstein gag unlocked it. Jack started his career as a TV composer while janitoring at Record Plant. He worked on sessions that became The Who's Who's Next. Kit Lambert and Keith Moon were both, politely, out of their minds. Jack survived eccentric clients by being reliably sober and crazy simultaneously. John Lennon was the easiest artist Jack ever worked with. John would say: "I'm the artist, you're the producer — let's work like that." Jack engineered Imagine and stayed close to Lennon through the Lost Weekend years. He was in and out of the Fame sessions with Lennon and Bowie. John told Bowie: "I'm writing you the best hit you'll ever have." John knew about — and liked — Aerosmith's cover of "Come Together." George Martin gave Jack a flat in Kensington and a Morgan sportscar. Jack helped produce Ringo's "Grow Old With Me," hiding Here Comes the Sun in the strings. Double Fantasy was secretly recorded at Hit Factory, too far west for fans. John wanted a middle-of-the-road record aimed at people aged 28 to 40. Earl Slick was kept from rehearsals deliberately — a wildcard for fresh solos. Rick Nielsen discovered John's Shea Stadium Rickenbacker with the setlist still taped on. Rick later gifted John a custom all-white Rickenbacker, model 001, never cashed his check. Cheap Trick's "I'm Losing You" session was thrilling but too edgy for the album. Jack hid microphones throughout the sessions, gifting John cassettes on his birthday. Jack destroyed the tape of the last day — John had sworn him to secrecy. After John's murder, Jack and Yoko listened to vault tapes alone until dawn. Yoko later sued Jack; Phil Spector's incoherent testimony and a wig mishap followed. Jann Wenner called Jack a nobody — until Jack's lawyer read Wenner's own book aloud. The jury was out ten minutes. Jack won millions. The 2010 Stripped Down version was mixed in the exact same Record Plant room. Live at Budokan was actually Osaka — Budokan tapes were too poorly recorded. Jack rebuilt the Osaka drum kit using speaker-driven bass frequencies and filtered signals. Aerosmith's Live Bootleg was sent back to Sony unchanged after Jack faked a remix session. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Once more we return to the topic of geese. The beast not the band but they will be at Bonnaroo this year and apparently you can sneak in boxed wine in a baby stroller and fireworks in a guitar case and say you might be asked to fill in for someone onstage because that happened when Keith Moon passed out at a Who concert after drinking too much boxed wine out of a baby stroller. But, as Maury Povich knows, it's not your father's concert.

John Alec Entwistle est un bassiste de rock anglais né le 9 octobre 1944 à Chiswick, dans la banlieue de Londres et mort le 27 juin 2002 à Las Vegas. Connu principalement, pour avoir été le bassiste du groupe mythique The Who, il fait partie de ces musiciens de légende dont la virtuosité et la créativité ont énormément apporté au monde de la basse. Cours de basse⎥Blog BassistePro.com – Cours de basse⎥apprendre la guitare basse avec un Pro⎥ ——->>>>>>> Partagez cet article sur les réseaux sociaux afin qu’il puisse aider d’autres bassistes motivés à progresser ! John Entwistle, sa carrière Enfant unique d’un père trompettiste et d’une mère pianiste, John a surtout été élevé par sa mère, à South Acton, suite à la séparation de ses parents. Dans les années 40, le divorce était une chose assez rare et cela a certainement contribué à façonner la personnalité introvertie et stoïque d’Entwistle. Il commence à prendre des cours de piano à l’âge de 7 ans, mais cette expérience ne s’avère pas très concluante. Il n’apprécie pas tellement cet instrument, et lui préfère la trompette. À l’âge de 11 ans, il intègre la Acton County Grammar School et se lance dans l’apprentissage du cor d'harmonie. Il joue alors dans l’orchestre symphonique de l’école, le Middlesex Youth Orchestra. C’est dans cette école, en deuxième année, qu’il rencontre Pete Townshend, avec lequel il va sceller une grande amitié. Les deux compères vont former un groupe de jazz, appelé The Confederates, mais après seulement un concert, ils vont décider de se tourner définitivement vers le rock. À ce moment-là, Entwistle a du mal à s’entendre sur scène avec sa trompette. Après avoir brièvement essayé la guitare, il est rapidement attiré par le son grave et puissant de la basse. Au début des années 60, John Entwistle est remarqué par Roger Daltrey, qui était aussi à la Acton County, une année au-dessus de lui, et qui avait depuis quitté l’école pour travailler dans la tôle. Ce dernier l’invite à faire partie de son groupe, The Detours, et Entwistle en profite pour convaincre Daltrey d'embaucher Pete Townshend. ——->>>>>>> Êtes-vous un fan de John Entwistle ? Dites-le moi dans les commentaire. Naissance de The Who En 1963, Roger Daltrey abandonne le poste de guitariste pour le confier à Pete Townshend et se consacrer pleinement au rôle de leader et de chanteur. C’est au cours de cette année qu’ils décident ensemble de rebaptiser leur formation The Who. Avec l’arrivée du batteur Keith Moon, en 1964, le groupe adopte alors sa forme définitive. En 1965, The Who sort un single, My Generation, qui va les faire connaître, ainsi que leur premier album du même nom. Ce morceau contient l’un des premiers solos de basse de l’histoire, dans lequel on peut y entendre toute la virtuosité et la créativité d’Entwistle. Il utilise une technique de son invention dite de typewriter (machine à écrire), qui lui permet de jouer des notes de façon percutante et très rapide. D’ailleurs, l’un des deux surnoms dont a été gratifié Entwistle au cours de sa carrière était « Thunderfingers », à cause de la rapidité de mouvement de ses doigts. Son deuxième surnom, « The Ox » (le bœuf), était dû à sa carrure, et sa tendance à boire et manger toujours plus que ses acolytes. Sa conduite sur scène en est aussi sûrement pour quelque chose. En effet, il jouait souvent de façon quasiment immobile, créant un contraste original avec la vélocité de ses doigts et le chaos provoqué par les autres membres du groupe. À ce titre, Bill Wyman, bassiste des Rolling Stones, le décrit comme « l’homme le plus silencieux en privé, mais l’homme le plus bruyant sur scène ». Entwistle est aussi l’un des premiers à utiliser des stack d’amplis Marshall afin de s’entendre par-dessus le tapage du groupe. En perpétuelle surenchère de volume sonore avec Pete Townshend et Keith Moon (qui a même utilisé des explosifs sur son kit batterie à l’occasion d’un show télévisé), The Who gagne rapidement sa réputation de « groupe le plus bruyant de la planète ». Il figure même dans le livre Guinness des Records pour avoir atteint 126 décibels lors d’un concert à Londres en 1976. Entre 1965 et 1982, The Who va sortir une dizaine d’albums qui vont connaître le succès. De Tommy (1969), à Quadrophenia (1973), en passant par Who’s Next (1971), ou The Who Sell Out (1967), tous leurs albums vont finir disques d’or ou de platine en Angleterre et aux États-Unis. Carrière solo En 1971, John Entwistle sort son premier album solo : Smash Your Head Against the Wall. En effet, en plus d’être un bassiste de génie et un multi-instrumentiste, Entwistle était aussi chanteur et auteur-compositeur. Il est ainsi à l’origine de nombreux passages chantés dans certaines chansons de The Who, notamment les parties de chant guttural que l’on peut entendre dans Boris the Spider par exemple. En 1990, John Entwistle part en tournée avec The Best, un super-groupe composé de Joe Walsh, Keith Emerson, Jeff Baxter et Simon Phillips. Vers la fin de sa carrière, il forme le John Entwistle Project, avec le batteur Steve Luongo et le guitariste Mark Hitt, qui deviendra plus tard The John Enwistle Band. Ils sont rejoints par Godfrey Townsend (qui remplace Mark Hitt à la guitare) et Gordon Cotton aux claviers. Le 27 juin 2002, un jour avant la première représentation de la tournée de The Who, John Entwistle est retrouvé mort dans sa chambre du Hard Rock Hotel & Casino à Las Vegas. D’après le médecin légiste, le décès est dû à une crise cardiaque suite à l’absorption de cocaïne. C’est le bassiste Pino Palladino qui le remplacera sur scène. ——->>>>>>> Partagez cet article sur les réseaux sociaux afin qu’il puisse aider d’autres bassistes motivés à progresser ! Influences de John Entwistle L’un des musiciens qui a le plus influencé Enwistle a été Duane Eddy. C’est en effet en écoutant les riffs que le guitariste jouait sur les cordes graves de sa guitare que John eut envie de jouer de la basse. Il s’inspira aussi d’autre guitariste de rock and roll comme Gene Vincent ou encore du bassiste de R&B James Jamerson. Instruments John Entwistle fabriqua sa première basse en 1960, inspirée d’une Fender precision. C’est à partir de ce même modèle de Fender et de l’alliage de quatre autres basses qu’il en fabriquera une autre en 1967, baptisé « Frankenstein ». Il utilisera ainsi au cours de sa carrière de très nombreux modèles de basses telles que la Danelectro Longhorn (que l’on peut entendre dans le morceau phare My Generation), des Gibson Thunderbird ou encore des basses Alembic. Mais c’est avec la marque Warwick qu’il va créer un modèle « signature » d’exception : la Status Buzzard Bass. Véritable collectionneur compulsif et concepteur d’instruments, John Entwistle possédait à sa mort plus de 200 basses et guitares. ——->>>>>>> Quelle est votre ligne de basse préféré de John ? Dite-le moi dans les commentaires. Blog BassistePro.com – Cours de musiqueAPPRENDRE LA MUSIQUE AVEC DES PROS PASSIONNÉSÉcole de musique GROOVE LIKE A PIG® : groovelikeapig.comLa Plus Grosse Communauté Francophone des Musiciens Motivés et Bienveillants qui Veulent Passer au Niveau Supérieur.

On today's show, the legend of Keith Moon continues & Led Zeppelin breaks a record.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history07:17 Music award ceremonies that were held on this date in music history07:43 Albums released on this date in music history 09:23 Singles released on this date in music history 10:42 Birthdays of music artists on this date in music history 12:06 Passings of music artists on this date in music history 13:17 What's on tomorrow's episode

Keith Moon was more than the drummer for The Who. He was rock 'n' roll chaos personified. On this episode of Uncharted: Crime and Mayhem in the Music Industry, we dig through the myths and legends to tell the true story of "Moon the Loon": the pranks, the destruction, the addictions, and the raw musical genius. From legendary onstage explosions to arrests, excess, and a tragic end, this is a dark, outrageous, and unforgettable portrait of one of rock's most self‑destructive icons. Learn more about your ad choices. Visit megaphone.fm/adchoices

The life of Keith Moon can be seen as Animal from the Muppets or as a dark, psychological odyssey. And the two co-exist in Tony Fletcher's magnificent ‘Dear Boy', first published in 1998, never out of print and now ‘remastered' with new pictures, updates, epilogues and a foreword by Mandy Moon who “has to keep reminding myself this person was my father”. Tony looks back here at events along the way, many of which now seem unimaginable. Among them … … fact versus fiction: his fudged birthdate, his hidden marriage, the Roller in the swimming-pool … Tony's meeting with Moon two months before he died … the letters to his wife Kim when touring America … Mel Gibson, Mike Myers, Jason Schwartzman, all once in line to play Keith onscreen … “I killed a man”: the terrible incident with his chauffeur … the legs in the bath, the head in the bed, the loudspeaker in the bushes: the punchline of all his pranks was “someone's going to suffer” … “working-class rock stars who conquered the world like pirates without a map” … would things have been different if he'd been hailed as a pioneering drummer? … the times he met Larry Hagman and Oliver Reed … do book publishers look down on drummers the way musicians do? … to Golders Green with Viv Stanshall in German uniforms and an open-topped car: #DifferentTimes … and a sad and telling moment on the Stardust film shoot. Order copies of ‘Dear Boy' here: https://omnibuspress.com/products/dear-boy-the-life-of-keith-moon-omnibus-remastered?_pos=1&_psq=dear+boy&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The life of Keith Moon can be seen as Animal from the Muppets or as a dark, psychological odyssey. And the two co-exist in Tony Fletcher's magnificent ‘Dear Boy', first published in 1998, never out of print and now ‘remastered' with new pictures, updates, epilogues and a foreword by Mandy Moon who “has to keep reminding myself this person was my father”. Tony looks back here at events along the way, many of which now seem unimaginable. Among them … … fact versus fiction: his fudged birthdate, his hidden marriage, the Roller in the swimming-pool … Tony's meeting with Moon two months before he died … the letters to his wife Kim when touring America … Mel Gibson, Mike Myers, Jason Schwartzman, all once in line to play Keith onscreen … “I killed a man”: the terrible incident with his chauffeur … the legs in the bath, the head in the bed, the loudspeaker in the bushes: the punchline of all his pranks was “someone's going to suffer” … “working-class rock stars who conquered the world like pirates without a map” … would things have been different if he'd been hailed as a pioneering drummer? … the times he met Larry Hagman and Oliver Reed … do book publishers look down on drummers the way musicians do? … to Golders Green with Viv Stanshall in German uniforms and an open-topped car: #DifferentTimes … and a sad and telling moment on the Stardust film shoot. Order copies of ‘Dear Boy' here: https://omnibuspress.com/products/dear-boy-the-life-of-keith-moon-omnibus-remastered?_pos=1&_psq=dear+boy&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The life of Keith Moon can be seen as Animal from the Muppets or as a dark, psychological odyssey. And the two co-exist in Tony Fletcher's magnificent ‘Dear Boy', first published in 1998, never out of print and now ‘remastered' with new pictures, updates, epilogues and a foreword by Mandy Moon who “has to keep reminding myself this person was my father”. Tony looks back here at events along the way, many of which now seem unimaginable. Among them … … fact versus fiction: his fudged birthdate, his hidden marriage, the Roller in the swimming-pool … Tony's meeting with Moon two months before he died … the letters to his wife Kim when touring America … Mel Gibson, Mike Myers, Jason Schwartzman, all once in line to play Keith onscreen … “I killed a man”: the terrible incident with his chauffeur … the legs in the bath, the head in the bed, the loudspeaker in the bushes: the punchline of all his pranks was “someone's going to suffer” … “working-class rock stars who conquered the world like pirates without a map” … would things have been different if he'd been hailed as a pioneering drummer? … the times he met Larry Hagman and Oliver Reed … do book publishers look down on drummers the way musicians do? … to Golders Green with Viv Stanshall in German uniforms and an open-topped car: #DifferentTimes … and a sad and telling moment on the Stardust film shoot. Order copies of ‘Dear Boy' here: https://omnibuspress.com/products/dear-boy-the-life-of-keith-moon-omnibus-remastered?_pos=1&_psq=dear+boy&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Gilbert and Frank visit the George Burns Room at the historic New York Friars Club, where they're joined by actor, singer and musician Micky Dolenz for a fun and fascinating look back at “Monkeemania” and his own unlikely journey from 1950's child star (“Circus Boy”) to 1960's pop/rock icon. Also, Micky drops in on a “Sgt. Pepper” recording session, makes movies with Jack Nicholson and Frank Zappa and hits the town with fellow “Hollywood Vampires” John Lennon, Keith Moon and Alice Cooper. PLUS: Lon Chaney Jr.! Micky's mom meets “The Creeper”! The Monkees take on “Faust”! Harry Nilsson quits his day job! And Sgt. Bilko sings “Yesterday”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailStep into the retro wave zone as DJ Paulie and Brother Lou take you back in time to the golden era with the Back in Time Brothers. This week, we are diving deep into the "Class of 1978," exploring the ground-breaking music, blockbuster movies, classic television, and wild scandals that defined a truly unforgettable year.Here is what you can expect in this episode:Random Facts of '78: Did you know 1978 was the year of three different Catholic Popes and the debut of everyone's favorite lasagna-loving cat, Garfield? We also discuss the birth of the first IVF baby, the launch of the first GPS satellite, and the massive New England blizzard that dropped 55 inches of snow.DJ Brit's Top 5 Albums: DJ Brit takes over the countdown to spin two defining tracks from each of 1978's most essential albums. Get ready to rock out to Foreigner's Double Vision, Elvis Costello's This Year's Model, Blondie's disco-infused Parallel Lines, The Cars' self-titled debut, and Billy Joel's Grammy-winning 52nd Street.Blockbuster Movies & Hit TV: We count down the top films that had everyone heading to the theaters, from the legendary comedy of Animal House to the cultural phenomenons of Grease and Saturday Night Fever. Plus, we grab the remote to talk about the biggest TV shows dominating the ABC network, including Taxi, Mork & Mindy, and Three's Company.Rock Talk with Todd Snyder: Todd brings us the dark side of rock and roll with the biggest musical scandals of the year. Hear the unbelievable stories behind the lawsuit over the Rolling Stones' Some Girls album cover, Queen's infamous naked bicycle race, and Marvin Gaye's spiteful divorce album, Here, My Dear.Rest in Peace (The RIP Segment): We bring back our classic format to pay tribute to the notable figures we lost in 1978. We remember iconic Americana artist Norman Rockwell, legendary Jaws actor Robert Shaw, and The Who's wildly unpredictable drummer, Keith Moon.Whether you lived through it or are discovering the magic of '78 for the very first time, this episode has enough volume and nostalgia to shake the rafters. Tune in, turn it up, and don't forget to visit www.backtimebros.com for more episodes!Support the showThanks for listening.  Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Our guest is classic rock legendary drummer "Corky" Laing from Mountain! Mountain was one of the last bands to play the legendary Fillmore East before it's closing and famous for their song Mississippi Queen!  In this episode Corky talks about coming back to Westport, CT (where he used to live) to play The Westport VFW on Saturday April 11th with The Ten Grand Band as a featured guest for a very special intimate appearance!  Corky has played all over the world with Mountain and he has the stories to tell about some of the classic rock icons he used to know such as Jimi Hendrix and Keith Moon from The Who. For tickets to The Westport VFW show on Saturday April 11th with Corky click here before it sells out:https://events.ticketleap.com/tickets/ten-grand-band/ten-grand-band-with-special-guest-legendary-drummer-corky-laing-from-mountain-1147677821?fbclid=IwY2xjawQ3rLJleHRuA2FlbQIxMABicmlkETF6bTVHb0dQekVxYVhSRWpEc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHjhX27BdgCA2tR5MPBTQIQ3Cgp5TOh8342sZGtgLSUassShYhSh6pkQ6bQ_G_aem_OANrhHQeAqPNP8omgAhNmwTo find out moreabout Corky and his career with the band Mountain ...click on the link below!https://www.corkylaingworks.com

Bob Henrit is a prominent English rock drummer best known for his long-term memberships in the bands Argent and The Kinks * Early Years: He first gained attention in the 1960s with The Roulettes, who served as the backing band for singer Adam Faith. * Argent (1969–1976): As a founding member, he played on hits like "Hold Your Head Up" and remained with the group until they disbanded. * The Kinks (1984–1996): Henrit replaced original drummer Mick Avory and performed with the band until their split in the mid-90s. * Session Work: He has a prolific session history, contributing to tracks such as Unit 4 + 2's "Concrete and Clay" and working with artists like Roger Daltrey and Dave Davies.  * Author & Historian: In 2013, he published his autobiography, Banging On, and has written extensively for music publications like International Musician. * Business: He owned Henrit's Drum Store in London, a famous hub frequented by legendary drummers including Ringo Starr and Keith Moon. * Recent Years: Henrit has been open about his Parkinson's disease diagnosis, discussing how he manages the condition while staying active in the music community.  Bob is without doubt one of my favourite people and a fabulous drummer, he has so many remarkable stories to share and is always happy to do so! if you are lucky enough to see Bob at a drum show or event go and have a chat with him, you won't regret it! Thanks for your time Bob!

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Josh sits down with Dethklok creator Brendon Small to explore The Who Sell Out by The Who, diving into the album's pirate radio concept, Pete Townshend's early rock opera ambitions, Keith Moon's explosive drumming, and how satire, storytelling, and theatrical rock helped shape the future of heavy music and concept albums. Follow Brendon on Instagram: ⁠⁠⁠https://www.instagram.com/brendonsmall/ Distrokid Artist of the Week: Nili Brosh https://www.youtube.com/watch?v=waPepGFwT4o Follow Josh on Instagram: ⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠ Josh's Website: ⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠ Email the show: ⁠⁠⁠500podcast@gmail.com⁠⁠⁠ Check the show's website:⁠⁠⁠ ⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Who are you? Who who, who who….In this episode of Behind The Song, Janda dives into wild night that inspired Pete Townshend to write “Who Are You,” the title track to The Who's eighth album. From the spiritual meanings in the last verse of the song to the eerie warning on the album cover that preceded Keith Moon's passing, get into the story of one of The Who's biggest anthems - f-bombs and all! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Party animals! Continuamos nuestra serie de podcasts en los que hablaremos de las andanzas de famosos metidos en todo de jaranas. ¡Grandes borracheras, destrozos de hoteles y otras fechorías! Y como segundo episodio que mejor que echar un vistazo a las estrellas del mundo de la música, siempre bigger than life. Seres por encima del bien y del mal, a la altura de sus personajes. Os descubriremos el Sunset Boulevard (lugar de todo tipo de tropelías), debatimos sobre la destrucción de hoteles de todo tipo de rock y pop stars, seguiremos a Grace Slick intentando "echar droja en el colacao" a Nixon, fliparemos con las cuentas a deber de Billy Idol, seguiremos el rastro de destrucción de Keith Moon de The Who, fliparemos por la fijación con el tequila de Paulina Rubio, nos dejaremos invitar a las fiesta de Freddy Mercury, nos iremos de borrachera con el líder de The Pogues y remataremos con la recuperación de Dj Pastis, uno de los de grandes del sonido mákina. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Derrick and Jeff invite the band Standard Issue—Mark Vines, Dennis Rosti, Tory Jay, and Jesse—to discuss the group's formation, members' backgrounds, and plans for the future. They explain how Dennis and Jesse began jamming after meeting through FAA work, how Tory joined, and how Mark came aboard after the original bassist Brandon left. The band teases the possibility of adding Johnny Lamb on keys and vocals, talks about the challenges of singing while playing, and shares influences ranging from Rob Halford and Bruce Dickinson to Gene Simmons and Keith Moon. They run through their cover-heavy setlist (including Stone Temple Pilots, Audioslave, Alice In Chains, Metallica, Dio, and more), recap a successful first gig at the Delta Fair, promote an April 2 show at The 10th Inning in Southaven, and reveal upcoming recording sessions at Sun Studio with artist Michael Inger.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Christopher & Jobst im Gespräch mit Lee. Wir reden über Heimat, Bärte wachsen, eine Band-Familie verlassen, The Island in Houston Tx, The Who ohne Keith Moon, "Condition Red" von den Red Rockers, rustikale Eindrücke von Kaiserslautern, das Glockencafé, der bodenständige Punkrock der Toten Hosen, Ian MayKaye ist schuld an allem, drei Leute - fünf Bands, Platinen löten, einmal die Woche bei der Polizei melden, es gibt keinen Ersatz für Musik, auf keinen Fall nur alte Songs spielen wollen, die neue Band FUMO., das kommende Buch "I was Born", seine Zeit ernster nehmen, uvmDrei Songs für die Playlist:1) Ein Lied, das Lee an seine Zeit in den USA erinnert: ANGRY SAMOANS - Gas Chamber2) Ein richtig guter deutscher Punk/HC-Song: PARTY DIKTATOR - Stand Behind Me3) Ein aktuelles Lied, das Lee gern hört: DELGRES - 4 ed maten

Beachboy Dennis Wilson: Surfing Too Close to the Edge   Dennis Wilson smashed through life with a Keith Moon-like ferocity. Forget about  dreamy California, sun-drenched harmonies of the Beach Boys. His life was one of shadows and darkness, Dr. Clarke follows Dennis down some pretty dark tunnels - and emerges to deliver a full report.

Rock'n'roll has always thrived on rebellion, excess, and the thrill of pushing every boundary. But sometimes, the party goes so far off the rails it becomes legendary...for all the wrong reasons. In this episode of Uncharted, we dive deep into the most infamous stories of rock-star overindulgence: from Led Zeppelin's airborne palace of debauchery, to Keith Moon's chaotic hotel escapades, to Queen's jaw‑dropping Halloween blowout in New Orleans, and the near‑fatal addictions that almost claimed Guns N' Roses members Slash and Duff McKagan. Some stories are myths. Some are very real. All of them show what happens when fame, money, and zero accountability collide. It's wild, unbelievable, chaotic...and occasionally tragic. These are moments when the rock'n'roll party didn't just get out of hand… it detonated. Strap in. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juliet and Terence on: Noel Gallagher; living with Keith Moon; bad grammar in pop; Mackenzie Crook's 'Small Prophets'; and grow your own Sea Monkeys. {homunculi}

What does it feel like to carry the legacy of rock royalty while forging your own path in the music world? Join host Buzz Knight as he takes you on a captivating journey in this episode of Taking a Walk. Buzz sits down with Zak Starkey, the son of legendary drummer Ringo Starr, who has carved out his own identity as a remarkable musician in his own right. Zak shares his early fascination with music and drumming, inspired not only by his father but also by his godfather, the iconic Keith Moon of The Who. This episode dives deep into Zak's musical journey, revealing how he honed his craft and built a reputation as a talented drummer through relentless dedication and hard work. As Zak Starkey reflects on his experiences performing with monumental bands like Oasis and The Who, he emphasizes the essential role of sound and rhythm in creating unforgettable music. Listeners will be treated to engaging anecdotes about his family’s rich musical legacy, the ever-evolving music industry, and the excitement surrounding his upcoming performance at the Gramercy Theater in New York City. This conversation highlights the importance of community in music, showcasing how it can unite people during challenging times. Throughout this episode of Taking a Walk, Zak Starkey expresses his profound passion for music and the adrenaline of performing live, while also candidly discussing the changes in the music landscape over the years. From classic rock history to the emergence of indie music, this episode offers a unique perspective on the music journey of a drummer who is not just living in the shadows of his famous family but stepping into the spotlight with his own artistic vision. Get ready for an inspiring episode filled with music history insights, storytelling in music, and the emotional healing through music that resonates with audiences everywhere. Whether you’re a fan of rock music, a follower of legendary musicians, or someone curious about the cultural impact of music, this episode is a must-listen. Join us as we explore the creative journeys of artists like Zak Starkey and celebrate the timeless nature of music in all its forms. Tune in to Taking a Walk and discover how music can inspire, connect, and heal. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

In this episode of Leadership Liner Notes, Sean Gaillard reflects on what happens when the band changes and how leaders respond when the familiar is gone. Drawing from albums and moments tied to The Who, Paul McCartney, and Bruce Springsteen, Sean explores how artists adapt after loss and transition while still honoring who they have been. From The Who's Face Dances following the death of Keith Moon, to solo and band evolutions shaped by change, this episode becomes a meditation on continuity, courage, and reinvention. Sean also shares where he is living right now in his own liminal space and why human centered leadership rooted in empathy, kindness, and belonging matters more than ever. He announces the launch of a new podcast series, Leading While Human, co hosted with Dr. Sonia Matthew, debuting February 1, and invites listeners to join the conversation about what it truly means to lead while human. Learn more about your ad choices. Visit megaphone.fm/adchoices

L'info du matin - Grégory Ascher et Erika Moulet ont parlé d'une nouvelle méthode pour enfin réussir à ranger, avec la promesse que cette fois-ci, c'est la bonne. Le winner du jour - La police frappe à sa porte, le fugitif tente de se cacher mais sa fille de 6 ans le dénonce. - Après la porte d'embarquement, ils attendent qu'on vienne les chercher et l'avion part sans eux. Le flashback du jour - Août 1994 avec la sortie d'un album devenu culte : "Definitely Maybe", le premier album d'Oasis. Les savoirs inutiles - En novembre 1973 à San Francisco, un concert de The Who se transforme en audition improvisée. Le batteur Keith Moon s'écroule sur scène et un spectateur de 19 ans, Scot Halpin, termine le concert derrière la batterie. La chanson du jour - Kylie Minogue "The Loco-Motion". 3 choses à savoir sur Freida McFadden Qu'est-ce qu'on regarde ? - Le Festival Cinéma Télérama propose des séances à prix réduit dans plus de 500 cinémas partout en France. - Sur Netflix, sortie du film "L'Amour ouf" de Gilles Lellouche avec Adèle Exarchopoulos et François Civil. - Sur Disney+, lancement d'une nouvelle série horrifique intitulée The Beauty. Le jeu surprise (Le petit bac) - Sara de Pacy-sur-Eure, vers Évreux, gagne un séjour pour 4 personnes dans une des résidences Pierre & Vacances. La Banque RTL2 - Margot, 7 ans, de Pont-Saint-Martin, vers Nantes, gagne une Switch 2. - Pauline de Breteil, vers Rennes, gagne un séjour en formule tout compris pour 2 adultes et 2 enfants dans un des Villages Clubs du Soleil. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On the December 19 edition of the Music History Today podcast, Keith Moon collapses, Carl Perkins records, Ronnie Wood leaves, & happy birthday to Maurice White & Edith Piaf For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday Chapters: 00:00 Intro 00:16 What happened on this date in music history02:13 Music award ceremonies that were held on this date in music history02:23 Albums released on this date in music history 03:08 Singles released on this date in music history 03:43 Podcast advertisement 04:02 Birthdays of music artists on this date in music history 04:48 Passings of music artists on this date in music history 06:02 What's on tomorrow's episode

Send us a textPASSION OF THE CHRIST   “And in the ending days of two-thousand, twenty-five in the Year of our Bloodied Lord (R.I.P.), the three unwise men of TGTPTU shall gather and in their folly alloweth the unholy host Thomas to select the season's Christmas-adjacent movie. And there will be great wailing and weeping and gnashing of ill-cared for teeth by his selection. Yet the episode shall not be mid. The hosts shall bloody nail it. And there shall be great rejoicing in one accord upon its record.” -The Book of Ryan (or on its cover) 5:16-17, Revised New King Jim Edition   Yes, ho-ho-humbug, it's our annual cross to bear: The Christmas-adjacent movie to end the year. In a rare moment of collective (fatigue / wisdom / pure awesomeness / mental constipation / fugue ß strike as appropriate), The Good The Pod and The Ugly hosts Ken and Ryan have allowed Thomas to pick the flick this season. He took a chance on a film he'd always wanted to but hadn't seen, and that cinema selection took them to church! Tom picked the Mel Gibson co-written, co-produced, and solely(soul-ly?)-directed, Jesus story spoiler: THE PASSION OF THE CHRIST (2004).  To their eternal credit, the hosts with no loyalty to any of the major- or bush-league Christian denominations managed to keep civil and polite, if not to each other then to the source material and Gibson's passionate release. Ryan's Catholic upbringing comes in handy for this, his third viewing, as he explains the church's different classifications of visions and what parts of the film pull from scripture and which are attributable to a 19th century fever dream.    This ep, Ken talks sexy Satan, Ryan talks sexy Jesus, guest Jack has an unsexy hot take takeoff and landing, and his fellow Gen Z'er Tom sticks it to the olds after mis-Clarking. Skip to the end of the ep for a brief year-end recap of the best and worst first-watched and re-watched films covered in 2025 or skip further for spoilers from Ken as he shares his bulk-pricing Christmas presents for his fellow hosts.   In the new year, TGTPTU takes a Graycation (or is Going Gray or lets its Gray Pride shine) with the start of Season 16, tentatively titled By the Powers of (James) Gray's Skull. And that's the gospel truth.  Answer to the question raised during the episode: We're Not Going to Take It.  Keith Moon wept.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Message us ANONYMOUSLYGuest co-host Rachael Fosket ("The Librarians," "Midway" - 2019 ) joins Paul for a little trip to "The Shop Around the Corner" (d. Lubitsch 1940). Starring: Margaret Sullivan, and Jimmy Stewart. Budapest, 3 o'clock in the morning, and were looking for a thousand brown M&Ms to fill a brandy glass, or Ozzy wouldn't go on stage that night. So, Jeff Beck ("Twins") pops his head 'round the door, and mentions there's a little sweets shop on the edge of town. So - we go. And - it's closed. So there's Paul, Rachael, and Keith Moon, and David Crosby, breaking into that little sweets shop, eh. Well, instead of a guard dog, they've got this bloody great big Bengal tiger. Rachael managed to take out the tiger with a can of mace, but the shop owner and his son... that's a different story altogether...nasty business, really. But, sure enough, we got the M&Ms, and Ozzy went on stage and did a great show. It's really just a nice holiday movie though. 12/9!****A member of the “Review Review,” family is in the fight of her life, you can help! - TAP/CLICK HEREMore with Rachael: Season 3 - Friday the 13thMore holidays:Season 2 - GremlinsSupport the show**All episodes contain explicit language**Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" & "Whatcha been up to?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul RootConcept - Paul Root

Episode 95: Simon Phillips. This is the definitive deep dive into the legendary career of Simon Phillips, one of the most influential drummers in the world. In this long form conversation, Simon talks about his work with Toto, The Who, Judas Priest, Hiromi, Protocol, Jeff Beck, Jack Bruce, Pete Townshend, Big Country, Stanley Clarke, Brian Eno, Phil Manzanera, and goes all the way back to his teenage session years in the UK with his dad. This episode covers his technique, sound, gear, studio approach, compositions, touring stories, engineering background, and the experiences that shaped his career. Simon tells the story of stepping into Toto after the passing of Jeff Porcaro and what it took to honor Jeff's legacy while still bringing his own sound, groove, and musical identity to the band. He breaks down his years touring and recording with The Who, including the 1989 anniversary tour and his approach to Keith Moon's parts. We also go deep into his early session years with Judas Priest and the making of Sin After Sin, including the double bass drumming that influenced an entire generation of metal drummers. Simon talks about his long running musical connection with Hiromi and the creation of Hiromi's Trio Project, the interplay that developed between them, and stories of his brotherhood with contrabass guitar legend Anthony Jackson. Simon shares the evolution of his writing and bandleading with Protocol, including how he builds compositions from drum ideas and how he made the project happen. We go into how he records drums and stories of so many of his ensembles. We explore his open handed and ambidextrous technique, his approach to tom and cymbal layouts, drum tuning, how he builds his drum tones in the studio, and his engineering background from his early years working in studios. This episode is ideal for drummers, musicians, audio engineers, producers, and fans of Toto, Jeff Porcaro, The Who, Keith Moon, Judas Priest, heavy metal drumming, Mike Oldfield, progressive rock, fusion, Hiromi, Anthony Jackson, and anyone who wants to understand how a legendary drummer built a world class career. Simon also talks about rebuilding after losing his home and studio in the Thomas Fire, what inspires him today, and how he continues to grow as a drummer and composer. Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Simon: https://www.instagram.com/simonphillipsofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It is with heavy hearts that we present this week's episode as a tribute to Paul Daniel "Ace" Frehley. The rock 'n' roll icon, legendary guitar god, and former KISS guitarist, passed away on October 16, 2025, after suffering a fall in his home studio weeks earlier. Kevin has a profound connection to KISS and Ace as a lifelong fan and proud member of the KISS Army. While not an obscure artist by any means (the Rock & Roll Hall of Famer had 10 gold records, 5 multi-platinum records with KISS, and a platinum solo album), the duo tries to share some lesser-known songs, including a few crazy guest appearances. Excuse Kevin's extensive ramblings about the great Space Ace, but this loss was hard, and the tribute is necessary. Ace was a true character, who played a character, and played with character. A genuine original. A true rock star.New to InObscuria? Typically, what we do is exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In the case of this particular episode, we are leaning towards the FORGOTTEN. Although a member of a band that holds the RIAA distinction of having the most gold-certified albums overall by any American band is hardly forgotten… In any case, we are paying tribute to one of the greatest guitarists of all time! Rest In Peace, Ace. There will never be another like you!Songs this week include:Criss – “Bad Attitude (feat. Ace Frehley)” from Cat #1(1994)Anton Fig – “Know Where You Go (feat. Ace Frehley & Sebastian Bach)” from Figments (2002)Ace Frehley – “The Girl Can't Dance” from The Girl Can't Dance Demo (1983)Wendy O. Williams – “Bump And Grind” from W.O.W. (1984)Ace Frehley & Kris Randall – “Rise Up (Back From The Grave)” from Rise Up (Back From The Grave) - Single (2014)Chris Cassone – “Never Too Hot (with Ace Frehley)” from The BBQ All Stars (2013)ESP – “Foxy Lady” from Lost And Spaced (1998)Satin – “The Magic Kiss Medley” from Gods Of Thunder: A Norwegian Tribute To KISS (2005)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

At last. We're finally covering a real album.Originally recorded March 30, 2025.

Musicians have flirted with Nazi imagery since the ‘60s, lampooning its theatre, absorbing its style, exploiting its shock value, even promoting its ideology. Daniel Rachel's new book ‘This Ain't Rock ‘N' Roll' points up extraordinary examples – “from Tommy Steele to Kanye West” - and how our reaction intensified over the years. Which leads us to … … parallels between stadium rock and the Nuremberg rallies … hearing the Sex Pistols' Belsen Was A Gas and seeing their Nazi insignia at the age of 12 … David Bowie's German memorabilia and belief that “Hitler was the first rock and roll superstar” – and the doctored photo of his “Nazi salute” at Victoria Station … Bernie Rhodes versus Malcolm McLaren on the “reclaiming of the swastika” … the lyrics and imagery of the Siouxsie & the Banshees … Viv Stanshall and Keith Moon's atrocious visit to Golders Green ... the German invention of the tape machine that started the record business … “I'm not the Simon Wiesenthal of rock and roll!” … Joy Division, New Order, K-Pop, Brian Jones and his SS uniform, Ron Asheton of the Stooges, John Lennon, Lemmy, Blue Oyster Cult, “Adolf Hitler on vibes”… “Rock and Roll has a duty to recognise its downfalls”. Order ‘This Ain't Rock ‘N' Roll: Pop Music, the Swastika and the Third Reich' here: https://www.waterstones.com/book/this-aint-rock-n-roll/daniel-rachel/9781399635721Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

On Episode 115 of the Planet LP Podcast, Ted Asregadoo dives deep into a pivotal moment in The Who's history — their 1978 album Who Are You — with longtime Who aficionado Jason Hare. Who Are You may not top most fans' lists of the band's greatest albums, but it remains one of the most significant. Released on August 18, 1978, it was the last record to feature the original lineup and arrived at a moment when the band — and Pete Townshend in particular — were confronting their own fading relevance. As rock critic Greil Marcus noted in his 1978 Rolling Stone review, much of the album is shaped by Townshend's anxieties about obsolescence, artistic exhaustion, and the shifting musical landscape. Forty-seven years later, Who Are You gets the full Super Deluxe treatment, just as The Who call it quits (again) after their final “This Song Is Over” tour in 2025 — a greatest-hits victory lap for casual fans, but not always the deep-cut celebration hardcore devotees were hoping for. Ted and Jason unpack what this new box set offers: the unheard material, the surprises, what genuinely adds to the album's legacy, and where the collection may come up short. They also take a candid look at Keith Moon's final performances — the brilliance, the decline, and the tragedy of a 32-year-old who seemed decades older. It's an episode for fans who want more than nostalgia — they want context, history, and a dash of humor in The Who's transitional chapter. Steve Fox's Old School sponsors the Planet LP podcast! Steve Fox's Old School. It's the first place to go to stream R&B dance hits from the 1970s to the 1990s. Read Greil Marcus's 1978 review of "Who Are You" in Rolling Stone magazine.

Musicians have flirted with Nazi imagery since the ‘60s, lampooning its theatre, absorbing its style, exploiting its shock value, even promoting its ideology. Daniel Rachel's new book ‘This Ain't Rock ‘N' Roll' points up extraordinary examples – “from Tommy Steele to Kanye West” - and how our reaction intensified over the years. Which leads us to … … parallels between stadium rock and the Nuremberg rallies … hearing the Sex Pistols' Belsen Was A Gas and seeing their Nazi insignia at the age of 12 … David Bowie's German memorabilia and belief that “Hitler was the first rock and roll superstar” – and the doctored photo of his “Nazi salute” at Victoria Station … Bernie Rhodes versus Malcolm McLaren on the “reclaiming of the swastika” … the lyrics and imagery of the Siouxsie & the Banshees … Viv Stanshall and Keith Moon's atrocious visit to Golders Green ... the German invention of the tape machine that started the record business … “I'm not the Simon Wiesenthal of rock and roll!” … Joy Division, New Order, K-Pop, Brian Jones and his SS uniform, Ron Asheton of the Stooges, John Lennon, Lemmy, Blue Oyster Cult, “Adolf Hitler on vibes”… “Rock and Roll has a duty to recognise its downfalls”. Order ‘This Ain't Rock ‘N' Roll: Pop Music, the Swastika and the Third Reich' here: https://www.waterstones.com/book/this-aint-rock-n-roll/daniel-rachel/9781399635721Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Musicians have flirted with Nazi imagery since the ‘60s, lampooning its theatre, absorbing its style, exploiting its shock value, even promoting its ideology. Daniel Rachel's new book ‘This Ain't Rock ‘N' Roll' points up extraordinary examples – “from Tommy Steele to Kanye West” - and how our reaction intensified over the years. Which leads us to … … parallels between stadium rock and the Nuremberg rallies … hearing the Sex Pistols' Belsen Was A Gas and seeing their Nazi insignia at the age of 12 … David Bowie's German memorabilia and belief that “Hitler was the first rock and roll superstar” – and the doctored photo of his “Nazi salute” at Victoria Station … Bernie Rhodes versus Malcolm McLaren on the “reclaiming of the swastika” … the lyrics and imagery of the Siouxsie & the Banshees … Viv Stanshall and Keith Moon's atrocious visit to Golders Green ... the German invention of the tape machine that started the record business … “I'm not the Simon Wiesenthal of rock and roll!” … Joy Division, New Order, K-Pop, Brian Jones and his SS uniform, Ron Asheton of the Stooges, John Lennon, Lemmy, Blue Oyster Cult, “Adolf Hitler on vibes”… “Rock and Roll has a duty to recognise its downfalls”. Order ‘This Ain't Rock ‘N' Roll: Pop Music, the Swastika and the Third Reich' here: https://www.waterstones.com/book/this-aint-rock-n-roll/daniel-rachel/9781399635721Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

He had a raft of big hit singles in the 1960's and 70's and many of his acclaimed photographs are held the National Portrait Gallery.In the Misadventures in Music podcast episode 36, Mike talks to Ian and Mick lovingly about life in the McCartney family home and about some of the larger than life characters he encountered over the years including Keith Moon, Burton and Taylor and of course, the Beatles.Indeed, his band The Scaffold made their own unique contribution to our pop culture – so much so that Cherry Red Records have released a 5 CD/DVD Box Set of their recordings, including many unreleased tracks.If you enjoy listening to REAL stories from a genuine participant and eye witness to the golden era of pop music this episode is for you.Enjoy."

Today in 1967, The Who made their American TV debut, and it's not an understatement to say that performance blew up. That's just telling it like it is. Plus: New Haven, Connecticut may have held a world record-sized pizza party. The Who literally spark an explosion on national television (History.com)'New Haven ah-beetz can't be beat!': City says it set world record for largest pizza party (FOX 61)Patreon backers, reign o'er our show

On the September 17 edition of the Music History Today podcast, Keith Moon gets injured on television, RCA's first LP is released, & the only wall that matters is Pink Floyd's. Plus, it's Hank Williams's birthday.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

GGACP marks the recent 50th anniversary of ABC's "Welcome Back Kotter" (September 9, 1975) with this ENCORE of an 2020 interview with Rock ‘n' Roll Hall of Famer and The Lovin' Spoonful founder (and singer-composer of the "Welcome Back, Kotter" theme song!) John Sebastian. In this episode, John entertains Gilbert and Frank with anecdotes about Cass Elliott, Jimi Hendrix, Keith Moon and Jim Morrison and reveals the stories and inspirations behind hits like “Daydream,” “Summer in the City,” and “Do You Believe in Magic?” Also, Groucho co-hosts “Music Scene,” Richard Pryor plays the Cafe Au Go Go, Art Garfunkel nails a Spoonful cover version and John remembers legendary bandmate Zal Yanovsky. PLUS: Vivian Vance! “What's Up, Tiger Lily?” John plays Woodstock! Boris Karloff plays Captain Hook! And Ed Sullivan introduces the “American Beatles”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sex, drugs, and spectacularly stupid decisions! This special greatest hits episode of History's Greatest Idiots rocks through the most legendary bad choices in music history, featuring four icons who proved that talent and terrible judgment make the perfect rock and roll cocktail.First up: Rick James, the funk superstar who turned "Super Freak" into a lifestyle philosophy, complete with kidnapping charges, cocaine binges, and the kind of career self-sabotage that makes train wrecks look organized. Then we dive into Keith Moon, The Who's drummer, whose explosive personality matched his playing style, literally blowing up hotel toilets, driving cars into swimming pools, and somehow making other rock stars say "that guy's too wild for us."We'll explore Malcolm McLaren, the punk impresario who created the Sex Pistols purely to destroy the music industry, then watched his masterpiece implode when Johnny Rotten and Sid Vicious actually meant all that anarchist stuff. Finally, Morrissey rounds out our line-up: the melancholy maestro whose genius for alienating fans, cities, and entire countries turned him from an indie darling into a professional controversy generator.From drug-fuelled hotel destruction to punk rock manipulation schemes, these music legends prove that sometimes the biggest disasters happen when brilliant artists meet absolutely zero impulse control. Join Lev and Derek as they count down the greatest hits of rock and roll's most gloriously idiotic moments.Perfect for music fans, rock history buffs, and anyone who's ever wondered how someone can be simultaneously a genius and completely insane.⁠⁠https://www.patreon.com/HistorysGreatestIdiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/historysgreatestidiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artist: Sarah Chey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.fiverr.com/sarahchey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Animation: Daniel Wilson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/wilson_the_wilson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music: Andrew Wilson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/andrews_electric_sheep⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to create live streams like this? Check out StreamYard: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://streamyard.com/pal/d/4675161203933184⁠⁠

In this 1738th episode of Toronto Mike'd, Mike remembers legendary Canadian concert promoter Nick Panaseiko a.k.a. Promo Man. We chatted about him working with Freddie Mercury, Johnny Cash, Keith Richards, KISS, RUSH, Bill Cosby, Liberace, Keith Moon, and others. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, Toronto Maple Leafs Baseball, the Waterfront BIA, Nick Ainis and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com.

Shawn DuncanL.A. Guns drummer Shawn Duncan credits Keith Moon and Tupperware as early inspirations. He joins us to discuss his musical childhood in Los Angeles (including his father's world-famous, sports-arena anthem); early gigs by future stars Motley Crue, City Kidd (Tesla) and Dante Fox (Great White); and how W.A.S.P. guitarist Chris Holmes upgraded his first “real” band, Odin, to Hollywood headliners (and how Odin, in turn, “may” have “fueled” Holmes' notorious pool scene in “Decline of Western Civilization Pt.II: The Metal Years”). Plus, why Phil Lewis is the best singer he's ever worked with and how his love of cooking fed various Hollywood stars, including Bruce Willis.Created and Produced by Jared Tuten

Send me a text and please visit www.livefrommydrumroom.com My guest is legendary British drummer, historian and author, Bob Henrit. In this episode, we discuss Bob's Parkinson's diagnosis and how he's managing it, Keith Moon, Simmons Drums, Hayman Drums and much more. Bob is a noted drum historian and a National Treasure. So come along for the ride and thanks for watching and listening! Please subscribe! https://www.amazon.com/Banging-Bob-Henrit/dp/0957305834Check out Bob's episode from December 2021 https://youtu.be/XsM5hPNwkRA?si=8hjzrZ2JF5c-94-lLive From My Drum Room T-shirts and Hoodies are now available! Visit https://livefrommydrumroom.com for details!Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Keith Moon of the Who was the prototype for rock drummers, both onstage and off. His drumming was wholly unique. Like his bandmates' behavior, it was violent, and like his personality, it was electric. Everyone loved Keith Moon aka “Moon The Loon” and it seemed that people never tired of his always hilarious and sometimes violent, drunken hijinks until one fateful night when a crew of British skinheads took issue with the drummer's rockstar excess. The results were disastrous. To see the complete list of contributors, visit ⁠disgracelandpod.com⁠ This episode was originally published on October 9, 2018. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Send us a textHere in Episode 225 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to talk about famous drummers!We cover Cindy Blackman-Santana, Keith Moon, Mick Avery and Keith Moon to name only a few.We also cover Late Night TV shows, Rough Justice, David Lee Roth and the CMA Awards!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Frank Zappa is an odd duck. His massive back catalogue of albums attracts both reverence and ambivalence from music fans. Stylistically, he covered so much ground covering doo wop, blues, psych, jazz fusion and dissonant orchestral music. Unlike many of his rock and roll contemporaries, he always believed in infusing a sense of humour into his music – both compositionally and lyrically….though since what strikes some as funny is so subjective, it couldn't appeal to everyone. He wrote about commercialism in America, the hypocrisy of conservatives and liberals in American society, and….umm….body parts. Welcome to episode 127 of See Hear Podcast. Tim, Kerry and I pontificate about the work of Frank Zappa with an eye towards his 1972 film, 200 Motels. It's a surreal work that's supposed to be his take on what life on the road is like for a working band – encountering rednecks and groupies, band egos and paranoia (the latter for good reason in this instance), and drug use. The film is vignette based with music provided by the 2nd incarnation of the Mothers of Invention and the London Philharmonic Orchestra. Zappa spent 4 years composing and arranging the music, and much less time writing a script. That works out as well as expected. As well as discussing 200 Motels, we put the background towards its creation in context, thanks to an excellent documentary called “Frank Zappa – Free Jazz, Movie Madness & Another Mothers”(available on Tubi). Many thanks to Tom Stein for making us aware of that film's existence. If our discussion goes all over the place, maybe it's a tribute to the structure of 200 Motels. Tune in and hear where we stand on this surreal piece of cinema. Is it Luis Bunuel? Well….would Luis Bunuel have dressed Ringo Starr up as a tall dwarf with a desire to do something with a genie lamp to Keith Moon dressed as a nun? The answer is probably “When will we get paid….” If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Pete Townshend is the songwriter, guitarist and co-founder of The Who. The band first stormed the pop charts sixty years ago, with teenage anthems including I Can't Explain, Substitute and My Generation. Broader songwriting ambitions led him to create the rock opera Tommy in 1969, and the concept album Quadrophenia four years later. Both projects were adapted as films, and Quadrophenia has now been staged as a ballet by Sadlers Wells. Throughout the seventies, The Who were regarded as the biggest and loudest live act in the world. They played at Woodstock, at Live Aid, Live 8 and the 2012 Olympic closing ceremony. Despite the deaths of drummer Keith Moon and bassist John Entwhistle, Townshend and singer Roger Daltrey continue to perform as The Who. Pete Townshend talks to John Wilson about the influence of his parents, who were both musicians. His father, the saxophonist Cliff Townshend, played in the popular dance band The Squadronaires, but it was his mother Betty, a singer, who was most supportive of Pete's early musical talent. Seeing Bill Haley and The Comets at Edgware Road Odeon in 1956 was another formative moment that introduced the teenage Townshend to the possibilities of a rock 'n' roll performance. Pete also reveals how his art school tutor Roy Ascot, who was head of the Ground Course at Ealing Art School, shaped his his approach to his band that was to become The Who. He also recounts how reading Labyrinths, a book of short stories by Jorge Luis Borges on the first US Who tour in 1967 opened his imagination and helped him expand his musical storytelling. Producer: Edwina Pitman

“What do you say when Hollywood executives ask how early you can be available… and Tom Cruise might be involved?”In this unpredictable and laugh-packed episode of The Ben and Skin Show, the crew dives headfirst into a whirlwind of celebrity close calls, rock band shakeups, and music industry mayhem. From a mysterious email that might lead to a bromance with Tom Cruise, to not one but two legendary drummers getting fired, this episode is a wild ride from start to finish.Join your friends — Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray — as they unpack:

This is a Special Episode called THE BRITISH INVASION SHOW. It features the seven following stars from this magical era of the 1960s when English artists ruled the pop world and the charts. Each was previously a guest on the podcast.Peter Noone - Herman of Herman's Hermits. They had a spectacular run of hits including “No Milk Today”, “There's A Kind Of A Hush”, “Mrs. Brown You've Got A Lovely Daughter”, “I'm Henry VIII” and their first smash “I'm Into Something Good”.Rod Argent was the keyboard wizard of The Zombies. The band had two massive hits in the ‘60s, “She's Not There” and “Tell Her No”.Allan Clarke was the lead singer for The Hollies, another band that had a string of hits including “On A Carousel”, “Pay You Back With Interest” and “Long Cool Woman In A Black Dress”.Jim McCarty was the drummer for The Yardbirds, whose hits included “For Your Love” and “Heartful Of Soul”. The band had three famous guitarists in succession: Eric Clapton, Jeff Beck and Jimmy Page.Billy J. Kramer was the lead singer of Billy J. Kramer and the Dakotas. They were managed by Brian Epstein, the manager of The Beatles, and were given several Lennon/McCartney songs to record including “Do You Want To Know A Secret”, “I Call Your Name” and “Bad To Me”.Kenney Jones was the drummer for the Small Faces of “Itchycoo Park” fame, then the Faces starring Rod Stewart, and then joined The Who after the death of Keith Moon.John Lodge was the bassist and a singer and composer for The Moody Blues. Their big hits included “Go Now” and “Nights In White Satin”. John's hits included “Ride My See Saw” and “I'm Just A Singer In A Rock And Roll Band”.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

MONOLOGUE  The Looming Tempest of Canadian Disunity NEWSMAKER Election Fall-Out – Why Did The Conservatives Lose? Should Poilievre Step Down? Will Canada Survive a Fourth Liberal Term? Wyatt Claypool – Senior Contributor with The National Telegraph OPEN LINES THIS DAY IN ROCK HISTORY  1966 - The Rolling Stones The Rolling Stones fourth album 'Aftermath' went to No.1 on the UK chart, the group's third UK No.1 album.   1976 - Keith Moon The Who's drummer Keith Moon paid nine cab drivers to block-off both ends of a New York street so he could throw the contents of his hotel room out of the window.   2019 - Russ Gibb American concert promoter and media personality Russ Gibb died. He was best known for his role in the "Paul McCartney is dead" phenomenon, a story he broke as a disc jockey on radio station WKNR FM in Detroit. MONOLOGUE A Reckoning for the Robes: Doug Ford's Rebellion Against Judicial Tyranny NEWSMAKER “Libs Stoked Fear for Votes” – Bloc Leader  https://www.blacklocks.ca/says-feds-were-fear-mongers/   NDP - Worst Performance Since 1935 https://www.blacklocks.ca/ndpers-a-third-place-finish/ Tom Korski, Managing Editor of Blacklock's Reporter www.blacklocks.ca NEWSMAKER Why Do Canadians Embrace Their Chains? How To Explain The Liberal Victory What Now, Canada?  Carney Faces Likely Recession, Trump's Wrath, and Western Separation Viva Frei – YouTuber, Rumbler, Co-Host of VivaBarnesLaw.Locals.com Learn more about your ad choices. Visit megaphone.fm/adchoices

By 1980, Pete Townshend was 34 or 35, regarded as a true legend of rock music and a revered songwriter. He was one of the true pied pipers of rock n roll. The only problem was, there was no such thing as a middle-aged rock star. In 1978, the death of Keith Moon hit him hard and put in the question the future of The Who. Punk music was railing against old bands like The Who and while Pete was with them in spirit, he realized that they may have had a point. Meanwhile, Pete was battling alcohol and heroin addictions while his marriage to his first wife was on the rocks. He was looking for spiritual fulfillment and yearning for peace of mind. But out of all that came Empty Glass, a marvelous album with vivid melodies, personal lyrics and Pete Townshend's heart on his sleeve. He dedicated the album to his wife, Karen, and some of the songs could be in her voice. Pete takes on the personality of different people to get his points of view across with lyrics that can be ambiguous but deeply personal. The opening track Rough Boys is seen by some as a coming out for Townshend but it's a rockin' way to kick off a record. The alltime great Let My Love Open The Door is an instant pick me up that outsold the platinum (in the US) Empty Glass several times over and remains a favorite for movie soundtracks aimed at the children of the 1980s. But songs like I Am An Animal and I Moved showcase Pete's softer side before the ranting Jools and Jim aimed at authors who dismissed Keith Moon's death as inevitable and even warranted. Keep On Working shows Pete trying to channel The Kinks and A Little Is Enough may have been a minor hit but Townshend regards it as one of the best songs he's ever written. The title track is a man desperate for his soul to be saved, an empty vessel looking for someone to fulfill him. Would he ever find that peace? Would any of us? It's a strong record with incredible melodies with killer musicians like Simon Phillips, Tony Levin and Pete himself arranging the songs into beautiful classics. This was a fun one to do and if you don't know the album, we think you're gonna like it. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices