Podcasts about young composers

O compositor Jorge Ramos já tem um currículo bem recheado, onde se inclui um doutoramento em música, em Londres. Agora, aos 29 anos, foi um dos selecionados para programa Young Composers da London Philharmonic Orchestra.

For our first episode of Faith at the Fringe 2024, Sanctuary First minister Ruth Kennedy and guest host Peter Sutton talk with Calum Robertson about the Edinburgh Festival of Sacred Arts, and their new Young Composers competition. Learn more on their website Listen to the Faith at the Fringe podcasts here on Sanctuary First, our App and you can also find us on Spotify, Apple Music and YouTube.

Charles Martin is an 18-year old composer, pianist, actor, entrepreneur and writer. In this episode of On Deck, Raul Gomez-Rojas talks with Charles about all of his interests, as well as his decision to perhaps skip college and make a living in the music world without a degree. Charles began taking piano lessons when he was 4, and since then has discovered a passion for composing and performing. Charles has had his music performed by numerous groups around Portland including the Portland Youth Philharmonic, the Metropolitan Youth Symphony, Chamber Music Northwest's “Young Artist Institute”, the Pacific Rose Ensemble, as part of an organization he has founded called “The Young Composer's Concert Series”, Fear No Music's “The Young Composers Project” workshops, and others. Beyond being an accomplished young composer, Charles has a passion for musical theater. Since he was 7 years old he has performed in Annie, Peter Pan and other premiere plays around Portland. He is also actively involved with a local theater group called Commission Impact Theater, for which he will be scoring their next play “Saul: Son of Kish”. In the meantime, he is an active composer, writing for Michael Allen Harrison's “The Ten Grands”, Commission Impact Theater, Chamber Music Northwest's Young Artist Institute, as well as his own concert series.

In episode 71, Patrick talks to the Chief Exec of the ORA Singers, Matt Beale, and to the General Manager, Tom Rayner, about their annual Young Composers' Scheme, encouraging students to send in their compositions for consideration.Michelle Buckman from the Musiq Group talks about their One Great Piano project, to get high-quality pianos into every school.And Dr Steven Berryman explains the benefits of joining the Chartered College of Teaching, how to become a Chartered Teacher, and talks about music education today.Presented and produced by Patrick Johns#CanDoMusic #GetPlaying https://www.orasingers.co.uk/young-composers https://www.musiqgroup.co.uk/s/One-Great-Piano-Campaign.pdf https://chartered.college © Music Teachers' Association www.musicteachers.org

Theo Baer aka iT Boy is a Brooklyn-based composer of music that has, at various times, been described as  "experimental," "thoughtful," and "cosmic." In this discussion with host Khadija Mbowe, Theo reflects on the influences that brought him here; starting with a childhood growing up as the adopted child of Mennonite missionaries, walking a tightrope between his prodigious musical gifts and the persistence of low expectations— all the while navigating an evolving queer identity.  Chapters:[2:04] The inextricability of music to Theo's identity   [3:56] The good and bad of working with(in) musical institutions [5:18] Ever-unfolding lessons of queerness [8:48] Making music for magical moments[10:56] Mennonites and musical influences [12:19] On "radicalizing" his parents [16:09] The catharsis of vulnerability [18:13] What success looks like today  Music from this episode:Theo Baer aka iT Boy ft. Zachary Paul, Deities, from The Nail HouseTheo Baer aka iT Boy, Tempting (for Richard Maxfield) , from Euphoric RecallTheo Baer aka iT Boy, Habits, from Euphoric RecallTheo Baer aka iT Boy, LodgeLinks from this episode:iT Boy on BandcampiT Boy on InstagramAnderson Center

JJ and Haz discuss classical music's Christmas clichés and compete to find the piece with the most sparkle. With new carols from young Welsh composers and a nostalgic glance back to wintry treasure swaps from earlier podcasts.Support the Show.www.artsactive.org.ukEmail a2@artsactive.org.ukTwitter @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #stdavidshall #neuadddewisant #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff

Greetings, Gamers! For the first time this season (but not the last!) we bring you an episode focusing on multiple composers! This time we wanted to give the spotlite to three non-Japanese composers whose experience doesn't stretch back quite as far as the others we spoke about, but who are doing great work and who we believe have a bright future ahead of them! Dusklight joins us (as always) for the season's 5th episode, where we Tristan Alric's wonderful, Paper Mario-inspired score for Bug Fables: The Everlasting Sapling; a wonderful, eclectic selection of tracks from Celeste's Lena Raine, and some highlights from the worldwide phenomenon, Deltarune, the latest work from multi-hyphenate Toby Fox. As always, each of these tracks follows our number one rule: it's all Very Good Music! Thanks as always to our amazing patrons and the artists who made our show art and theme song. You, too, can become a patron at patreon.com/vgmvgm, and you can reach out to us one of these ways: Discord: https://discord.gg/qpbXPdCf2N Twitter: @VGMpod and @Shootkapow E-mail: verygoodmusicvgm@gmail.com Voicemail: Anchor.com/vgmvgm. You can also leave us a comment on YouTube and while you're at it, please let us know if you like the video, and subscribe and ring the bell to be notified of future episodes! We look forward to hearing from you! Playlist: Intro - Bug Fables (Title Theme) Block 1: Bug Fables: The Everlasting Sapling - Tristan Alric - Moonsprout Games/Dangen Entertainment - Multiple Platforms - 2019 5:33 - High Above, Bee Kingdom 12:41 - Team, It's Getting Serious! 16:32 - Outskirts 20:20 - Transcending, Overpowering, Everlasting Block 2: Lena Raine 35:16 - electroheist - hackmud - Drizzly Bear - Steam - 2016 - Buy it on Steam! 41:20 - For Lack of Sausages (Magic Club) - PANIC! at Multiverse High - DoubleBear Productions - Steam - 2016 - Buy it on Steam! 49:40 - Perception Shift - ESC - Radical Dreamland - Web/Steam - 2018 - Buy it on Steam or at https://radicaldreamland.itch.io/esc 56:40 - Lani's Trek (DX Mix) - Celeste Classic 2: Lani's Trek - Maddy Makes Games - Web/PICO-8 - 2021 - Play it at https://mattmakesgames.itch.io/celeste-classic-2 1:05:04 - Intermission: Attack of the Killer Queen & Cyber Battle from DELTARUNE Chapter 2 by Toby Fox & Lena Raine Block 3: DELTARUNE - Toby Fox - Multiple Platforms - 2018 (Ch.1), 2021 (Ch.2) 1:12:21 - A CYBER'S WORLD? 1:17:46 - THE WORLD REVOLVING 1:24:16 - Lost Girl 1:30:20 - Hip Shop Blooper Reel: IT'S CHAD (PANIC at Multiverse High), The One Left Behind/Leif's Theme (Bug Fables), and Checker Dance (Deltarune) Composer Links: Tristan's Bandcamp: https://tristanalric.bandcamp.com/ Lena's Bandcamp: https://radicaldreamland.bandcamp.com/ Toby's Bandcamp: https://tobyfox.bandcamp.com/ Thanks to our Patrons: Alex Messenger, host of A VGM Journey Skeletroy, creator of SNES Thrash Remixes on YouTube Ryan Steel, composer of Catlandia: Crisis at Fort PawPrint "Kung Fu" Carlito, host of Heroes Three: Adventures in Asian Cinema Forrest Shamlian, creator of Castle Corp and Bomb Show on YouTube SprintCade The Mysterious Nathan Artist Links: Naomi Rubin - patreon.com/naomirubin | comics at moonsproutstation.com Carlos Leon Roman - Instagram.com/kf_carlito Ben "The Diad" Dishman - @TheDiad Skeletroy - patreon.com/skeletroy --- Send in a voice message: https://anchor.fm/vgmvgm/message

Balinese performer and composer I Ketut Gede Asnawa joins us to discuss his work with Balinese gamelan music in Indonesia and the United States. We explore the varieties of gamelan music throughout Indonesia and how gamelan music is integrated throughout Balinese culture through the 5 sacred yadnya. Pak shares with us the central role that community plays in gamelan ensembles and the work that he has done to bring that same sense of community into his classroom at the University of Illinois. And we discuss the challenges of teaching a primarily aural music tradition within the context of a Western culture that relies heavily on sheet music for performance. I Ketut Gede Asnawa is a composer, performer, and scholar from Bali, Indonesia. He has taught at the government-sponsored secondary- and tertiary-level conservatories of Balinese music since 1980. His compositions have been featured at the Festival of Young Composers in Jakarta and the annual Bali Arts Festival. His importance as a cutting-edge composer and innovator in Balinese music was recognized in Grove Music Online. An accomplished gamelan musician, Asnawa has toured Europe, the US, and Asia. A demanding but charismatic teacher, he has taught gamelan groups at the University of Maryland Baltimore County (where he earned a Master's degree in Ethnomusicology), Université de Montréal, Eastman School of Music, University of Missouri Kansas City, Florida State University, Texas Women University, Richmond University, Illinois Wesleyan University, Gettysburg College, Miami University at Oxford, OH, as well as private gamelan groups Giri Kusuma in Woodstock, NY, Sekar Jaya, CA, Indonesian Performing Arts of Chicago, Chicago Balinese Gamelan, and the Netherlands. In 2017, he received the Dharma Kusuma Art Award and Gold Medal from the Governor of Bali in recognition of his life - long dedication and contribution to Bali's culture of arts, most notably in Gamelan music. Since Fall 2006, he has taught various styles of Balinese gamelan as a faculty member in the School of Music at the University of Illinois at Urbana-Champaign (UIUC) and most recently served as an artistic adviser for Chicago Balinese Gamelan. The transcript for this episode can be found here. For more information about I Ketut Gede Asnawa, please visit his Facebook and Instagram.

Matthew Ricketts (b. 1986, British Columbia) is a Canadian composer currently based in New York City. His music moves from extremes of presence and absence, from clamor to quietude, at once reticent and flamboyant. Matthew's music has been called “lyrical, contrapuntal, rhythmically complex and highly nuanced” (The American Academy of Arts and Letters) and is noted for his “effervescent and at times prickly sounds,” “hypnotically churning exploration of melody” (ICareIfYouListen) as well as its “tart harmonies and perky sputterings” (The New York Times). He is a 2020 Gaudeamus Finalist and a 2019 Guggenheim Fellow.     In 2018 Ricketts' multilingual opera Chaakapesh: The Trickster's Quest (written in collaboration with renowned Cree playwright Tomson Highway) opened the Montreal Symphony's 84th season to great critical acclaim and went on to tour Indigenous communities throughout Québec. Matthew is the recipient of fellowships from Civitella Ranieri (2020/2021), The American Academy of Arts and Letters (2020), MacDowell (2019), the Tanglewood Music Center (2018 Elliott Carter Memorial Fellowship) and the Aspen Music Festival (2017), in addition to the 2016 Lili Boulanger Memorial Fund Prize, the 2016 Jacob Druckman Prize (Aspen Music Festival), the 2016 Mivos/Kanter Prize, the 2015 Salvatore Martirano Memorial Composition Award, a 2013 ASCAP Morton Gould Young Composer Award and eight prizes in the SOCAN Foundation's Awards for Young Composers.Matthew holds degrees in music composition and theory from McGill University's Schulich School of Music (B.Mus. 2009) and Columbia University (DMA 2017). Matthew's principal mentors include Brian Cherney, John Rea, Chris Paul Harman, George Lewis and Fred Lerdahl. He was a Core Lecturer at Columbia University from 2017-2020.Musical excerpt:Adrift (2020), concerto for clarinet and orchestraPhilharmonisches Staatsorchester HamburgRupert Wachter, clarinetKent Nagano, conductorMore about Matthew RickettsSUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

In this episode I talk bubble charts, YouTube view count, and trying to pick THE ONE THING with New Orleans-based vocalist, instrumentalist and composer Aurora Nealand.Nealand appears frequently with her own New Orleans jazz band, The Royal Roses, and works closely with organizations like Found Sound Nation, the Walden School for Young Composers, and Sound Observatory New Orleans. In New Orleans she leads a performance collective of her own original music, The Monocle Ensemble; she's also the front woman for the rock band Rory Danger & the Danger Dangers; a member of Panorama Jazz Band; and member of the New Orleans Klezmer Allstars. Nealand has also performed extensively in New York City at the Lincoln Center Summer Festival, the Blue Note, Barbès, and the Knitting Factory, and has premiered original works at Symphony Space and Alice Tully Hall. Find out more about Aurora Nealand at auroranealand.com.Photo used by permission of the artist.

In today’s episode, we are in the “Windy City”, the “City of Big Shoulders”, or more commonly Chicago! He is originally from Reno, Nevada, but now lives in Chicago where he attends the University of Chicago in pursuit of his PhD in Music Composition. I met Paul when he was just in high school and he blew me away with his musical knowledge and insanely deep musical intuition. He is a brilliant composer and we know he will be a big star very soon. He was recently the recipient of the American Composers Orchestra’s 2020 Underwood Commission for a new work that will premiere in Carnegie Hall. Paul also traveled to Burapha, Thailand, as part of the Thai Experimental Laboratory for Young Composers where he collaborated with Thai musicians and composed a new piece for traditional Thai instruments. He currently has several commissions from ensembles including the Boston New Music Initiative, KINETIC Ensemble, and Willinger Duo. In our episode today, we talk about Scriabin, harmonic melody, the erhu, the idea of “ma”, and having a life changing experience by having a pieced performed as a young person. Guest: Paul Novak Paul Novak’s website: www.paulnovakmusic.com ( http://www.paulnovakmusic.com ) Music Included in this Episode: As Light begins to Drift by Paul Novak. Performed by the American Composers Orchestra, conducted by George Manahan. © Paul Novak 2019 Anatomies of Fragile Things by Paul Novak. Performed by Julia Simpson (oboe), Angela Bae (violin), and Wesley Ducote (piano) © Paul Novak 2018 Figures in Violet Light by Paul Likhuta. Performed by students of Burapha University. © Paul Novak 2018. Ensemble Links: www.americancomposers.org ( http://www.americancomposers.org ) Hosts: William F. Montgomery - www.williammontgomerycomposer.com ( http://www.williammontgomerycomposer.com ) Hillary Lester - www.thehealthymusiciansite.com ( http://www.thehealthymusiciansite.com ) Become a Patreon: Patreon Link - https://www.patreon.com/soundsoftheworldpodcast Links for social media: Website – www.soundsoftheworldpodcast.com ( http://www.soundsoftheworldpodcast.com ) Host site link - https://redcircle.com/shows/sounds-of-the-world Instagram - https://www.instagram.com/soundsoftheworldpodcast Facebook - https://www.facebook.com/soundsoftheworldpodcast Apple - https://podcasts.apple.com/us/podcast/sounds-of-the-world/id1532113091 © Sounds of the World Podcast 2020 Support this podcast at — https://redcircle.com/sounds-of-the-world/donations

This is Calvin Beddoe's and Taylor Reese King's first episode of the Take Note Podcast! Calvin just graduated (2020) and has a bright future ahead of him! He is an excellent composer and percussionist so we'll definitely have him on in some of our newer episodes! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Carol Commerford, Director Community Music School of Webster University and Dana Hotle, Executive Director of Chamber Project Saint Louis discuss the Young Composers Competition which is having an unusual ending due to COVID-19. Young composers will be wanted for the 2020-21 competition. http://www.webster.edu/community-music-school/programs/young-composers-competition.html http://chamberprojectstl.org/ http://www.webster.edu/community-music-school/

In this episode of “Unwrap Your Candies Now,” Ernie Manouse chats with two stars from Disney’s Aladdin The Musical: Major Attaway (Genie) and Jonathan Weir (Jafar). The actors share stories and insights about the production, which features favorite songs from the film, as well as new music by Tony and Academy Award winner Alan Menken, with lyrics by Howard Ashman, Tim Rice and book writer Chad Beguelin. And, Catherine Lu finds out what local high... Read More

Lucie Skeaping presents a profile of the Baroque group Florilegium with their director Ashley Solomon and takes a look at the character and nature of the baroque dance suite. Florilegium have a reputation as one of this country's most outstanding early music groups. Founded in 1991 by the recorder player and flautist Ashley Solomon, the group specialises in baroque music and they have appeared in some of the most prestigious concert halls around the world. Lucie joins Ashley Solomon for a look at the group's work and ethos, and together they explore a major form of the baroque era, the dance suite, in preparation for the launch of the 2013 NCEM/Radio 3 Young Composers' Award. *** Lucie Skeaping appears on BBC Radio 2's Jools Holland show this coming Monday, 5th November at 23:00.

The Young Composer Collective recorded their album Metropolis during their 1998 Jack Straw artist residency.

The Young Composer Collective recorded their album Metropolis during their 1998 Jack Straw artist residency.

Degenerate Art Ensemble formerly known as Degenerate Art Ensemble , recorded their album Metropolis during their 1998 Jack Straw artist residency.

Stunning works by Central Florida's newest classical composers - youngsters aged 13 through 18 prepare to compete in this year's Young Composers Challenge. We talk to the contest's founder about the depth of teenage talent when it comes to classical composition.

Legendary composer and lyricist Stephen Sondheim is the guest for the 250th "Downstage Center" interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming "Sondheim on Sondheim" is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled "Finishing the Hat"; his reaction to seeing his work done in scaled down versions; how involved get gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films "The Last of Sheila" and "Stavisky" the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally. Original air date - January 3, 2010.

Legendary composer and lyricist Stephen Sondheim (2008 Special Tony Award for Lifetime Achievement in the Theatre, numerous Tony Awards including “Sweeney Todd” and “A Little Night Music”) is the guest for the 250th Downstage Center interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming “Sondheim on Sondheim” is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled “Finishing the Hat”; his reaction to seeing his work done in scaled down versions; how involved he gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films “The Last of Sheila” and “Stavisky” the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally.

Legendary composer and lyricist Stephen Sondheim is the guest for the 250th "Downstage Center" interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming "Sondheim on Sondheim" is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled "Finishing the Hat"; his reaction to seeing his work done in scaled down versions; how involved get gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films "The Last of Sheila" and "Stavisky" the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally. Original air date - January 3, 2010.

Young musicians are invited to try their hand at composing by entering the 2009 Young Composers Challenge. A free workshop on Saturday, April 4 gives tips to new and experienced composers. Registration is limited so sign up soon.