Podcasts about Stavisky

Aner Shapira, Hersh Goldberg-Polin, Ariel Reich, Shahar Friedman, Dvir Barzani, Ben Zussman, Oriya Ayimalk Goshen, Almkan Tarfe, Rabbi Avi Goldberg, Yuval Shoham, Yinon Fleishman. These names, of men lost in the last 15 months of war, are known to many – but for Jeremy Stavisky, longtime educator at Himmelfarb High School in Jerusalem, they were his students, his colleagues, and in the case of Yinon Fleishman, his son-in-law. This week on Identity/Crisis, Stavisky opens up to host Yehuda Kurtzer about the ways this national crisis has impacted his life, his family, and the Himmelfarb community — where, even in the shadow of grief, the work of educating towards life must go on. You can now sponsor an episode of Identity/Crisis. Click HERE to learn more.  JOIN OUR EMAIL LIST FOR MORE HARTMAN IDEAS 

"Les métiers du costume touchent au vêtement, à l'intimité, mais aussi beaucoup au prendre soin de l'autre. C'est un métier du care, et c'est pour cela que ces professions sont très féminines et que l'on se dit qu'elles sont suffisamment payées."Aure Lebreton est conférencière à la Cinémathèque Française, doctorante, et présidente de CinéFil, Association d'étude et valorisation du costume de cinéma et d'audiovisuel : vêtements, maquillage, coiffures, accessoires.C'est une cinéphile, passionnée de costumes et experte de ceux qui traversent les films d'Eric Rohmer et Alain Resnais.Dans cet épisode, elle décrypte les costumes des films de Rohmer (3:19) et de Resnais (23:44), puis nous parle de l'association Cin&Fil, qu'elle a co-fondée et préside. Aure nous partage ensuite ses costumes préférés (44:42) et ses projets (48:00). Retrouvez Profession : costumière sur Instagram  Un podcast signé Céleste Durante Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"Suicide" par une balle ayant été tirée à 3 mètres...Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:59:03 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Dans les années 1930, la presse est critiquée en raison de ses violentes campagnes de calomnies. Il y a les affaires Nozière et Stavisky, l'émergence du Front populaire, la mort de Salengro, etc. En 1986, le 2ème volet de la série "50 ans d'histoire de la presse" raconte la période de 1930 à 1940. - réalisation : Massimo Bellini

How can we break through the barriers in communication for millions suffering from speech impairments due to ALS, stroke, and other conditions? Traditional assistive technologies, like eye trackers, are slow and cumbersome, limiting effective communication. However, ongoing research in speech neuroprosthetics shows promising results in restoring seamless communication by decoding speech directly from brain signals. Enter the groundbreaking work where Dr. Nicholas S. Card and Dr. Maitreyee Wairagkar are bringing change in the development of speech neuroprosthesis. Their award-winning project lead by Dr. David M. Brandman and Dr. Sergey D. Stavisky from UC Davis in collaboration with Stanford, and Brown University teams, introduces a rapidly deployable high-performance speech neuroprosthesis. This innovative technology can convert brain signals into text and voice in real-time, significantly enhancing communication speed and quality for individuals with severe speech impairments. In this episode, Nick and Maitreyee share their journey of creating a multimodal speech neuroprosthesis and their challenges and remarkable achievements. Learn about their approach to decoding phonemes, integrating large language models, and synthesizing intelligible speech directly from neural activity. They also delve into their career development journeys, offering valuable advice for those aspiring to follow in their footsteps. Additionally, they provide insights into the BCI Award submission process, sharing tips for a successful application. Whether you're fascinated by neuroscience, intrigued by BCI technology, or looking for career inspiration, this episode is packed with valuable knowledge and advice. Tune in to discover how Nick and Maitreyee are revolutionizing the field of neuroprosthetics and making a profound impact on the lives of people with speech impairments. About the Podcast Guests: Dr. Maitreyee Wairagkar Affiliation: Department of Neurological Surgery, University of California, Davis Email: mwairagkar@ucdavis.edu Social (X): @Maitreyee_W Personal website: maitreyeew.github.io Lab website: neuroprosthetics.science BrainGate website: braingate.org Bio: Dr. Maitreyee Wairagkar is a neuroscientist and neuroengineer dedicated to developing advanced neurotechnology through artificial intelligence. As a Postdoctoral Scholar at the University of California, Davis, she has created implanted brain-computer interfaces (BCIs) that allow individuals with severe speech and motor impairments to communicate directly via brain signals. Dr. Wairagkar's work spans healthcare applications of neurotechnology, including neurorehabilitation for stroke recovery and robotic care for dementia. Her prior research in stroke rehabilitation technology has been commercially translated, showcasing her commitment to impactful innovation in neurotechnology. Dr. Nicholas S. Card Affiliation: Neuroprosthetics Lab, University of California, Davis Email: [provided upon request] Lab website: neuroprosthetics.science BrainGate website: braingate.org Bio: Dr. Nicholas S. Card is a postdoctoral scholar in the Neuroprosthetics Lab at the University of California, Davis, and a member of the BrainGate consortium. His research focuses on understanding how speech is encoded in the brain and developing brain-computer interfaces (BCIs) to decode speech from cortical signals in individuals with brain injuries or diseases that impair communication. Dr. Card's work aims to transform neuroprosthetic technology, enabling seamless communication for those with speech impairments, further advancing the field of neuroengineering. About the Podcast Host: The Neurocareers podcast is brought to you by The Institute of Neuroapproaches (https://www.neuroapproaches.org/) and its founder, Milena Korostenskaja, Ph.D. (Dr. K), a neuroscience educator, research consultant, and career coach for people in neuroscience and neurotechnologies. As a professional coach with a background in the field, Dr. K understands the unique challenges and opportunities job applicants face in this field and can provide personalized coaching and support to help you succeed. Here's what you'll get with one-on-one coaching sessions from Dr. K: Identification and pursuit of career goals Guidance on job search strategies, resume, and cover letter development Neurotech / neuroscience job interview preparation and practice Networking strategies to connect with professionals in the field of neuroscience and neurotechnologies Ongoing support and guidance to help you stay on track and achieve your goals You can always schedule a free neurocareer consultation/coaching session with Dr. K at https://neuroapproaches.as.me/free-neurocareer-consultation Subscribe to our Nerocareers Newsletter to stay on top of all our cool neurocareers news at updates https://www.neuroapproaches.org/neurocareers-news

Irish Breakdown's Sean Stires is joined by Notre Dame baseball greats Steve Stanley, Steve Sollmann and Brian Stavisky to relive one of the greatest moments in program history. The Fighting Irish made ended a 45-year College World Series drought in 2002 and were facing elimination in their June 17th game against No. 1 ranked Rice University going into the bottom of the 9th inning. Stires was the ND baseball radio announcer for the game and Stanley, Sollman and Stavisky were the three key players in the comeback win. With the help of radio calls of the inning, the quartet goes through the drama in detail in this IB special! Shop for Irish Breakdown gear at our online store: https://ibstore.irishbreakdown.com/  Join the Irish Breakdown premium message board: https://boards.irishbreakdown.com  Stay locked into Irish Breakdown for all the latest news and analysis about Notre Dame: https://www.irishbreakdown.com​ Subscribe to the Irish Breakdown podcast on iTunes: https://podcasts.apple.com/us/podcast/irish-breakdown/id1485286986 Like and follow Irish Breakdown on Facebook: https://www.facebook.com/groups/irishbreakdown Sign up for the FREE Irish Breakdown daily newsletter: https://www.subscribepage.com/irish-breakdown-newsletter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dans la nuit du 20 février 1934, le conseiller à la cour d'appel de Paris, Albert Prince, est déchiqueté par le train Paris-Dijon. L'autopsie penche pour l'hypothèse du meurtre. L'opinion est convaincue qu'il s'agit d'un assassinat : cet homme intègre, dont le nom avait été associé à l'affaire Stavisky, en savait trop. Certains pensent qu'il s'agit d'un suicide déguisé en assassinat. L'affaire n'a jamais été élucidée.

Découvrez l'abonnement "Au Coeur de l'Histoire +" et accédez à des heures de programmes, des archives inédites, des épisodes en avant-première et une sélection d'épisodes sur des grandes thématiques. Profitez de cette offre sur Apple Podcasts dès aujourd'hui ! Au début de l'année 1934, un scandale financier met en péril la IIIe République. L'homme d'affaires Serge Alexandre Stavisky meurt mystérieusement alors qu'il est sur le point d'être arrêté. Il est accusé d'avoir monté des arnaques de plusieurs millions de francs, tout en bénéficiant du soutien et de la bienveillance de personnes haut-placées. Ces révélations ont l'effet d'une bombe. Le grand public est scandalisé et réclame que des têtes tombent au sommet de l'État corrompu. Le 15 décembre 1933, le contrôleur des finances Maxime Sadron trouve six bons signés en blanc au Crédit municipal de Bayonne. Comme un chèque en blanc, c'est illégal. Gustave Tissier, le directeur est arrêté, et il ne compte pas plonger seul. Il implique un homme célèbre dans la région, qui entre aussitôt dans le collimateur de la police : Monsieur Alexandre, l'homme d'affaires le plus influent du moment. Né en Russie, Serge Alexandre Stavisky a rejoint la France au début du XIXe siècle. Il a amassé une petite fortune dans diverses escroqueries. Le crédit de Bayonne est l'une d'entre elles : il l'a montée de toutes pièces. Tout le monde se rue sur ses bons, incité par les ministres du Travail et du Commerce. Suite à la dénonciation de Tissier, un mandat d'arrêt est émis contre l'homme d'affaires, désormais introuvable. Début janvier 1934, la police a retrouvé la trace de Stavisky à Chamonix. L'escroc est cerné, mais la suite de l'histoire est un mystère. La porte d'une des deux chambres est fermée à clef de l'intérieur, et les policiers tardent à l'enfoncer… jusqu'à qu'un coup de feu retentisse à l'intérieur. Stavisky est retrouvé à l'agonie. Aussitôt, on soupçonne la police de l'avoir assassiné : cet homme-là en savait trop. La presse retrace les amitiés de Stavisky qui remontent jusqu'au sommet de l'Etat. La crise devient politique et alimente l'antiparlementarisme ambiant. Alors que les régimes fascistes se déploient en Europe, la IIIème République vacille. Thèmes abordés : IIIème République, Scandale financier, corruption, antiparlementarisme "Au Coeur de l'Histoire" est un podcast Europe 1 Studio- Présentation : Virginie Girod - Ecriture : Sandrine Brugot- Production : Caroline Garnier - Réalisation : Nicolas Gaspard- Composition de la musique originale : Julien Tharaud et Sébastien Guidis- Rédaction et Diffusion : Nathan Laporte- Communication : Marie Corpet- Visuel : Sidonie Mangin Bibliographie: Charlier Jean-Michel, L' Affaire Stavisky. Les Dessous d'un scandale national Ressources en ligne : Des crimes presque parfaits: L'affaire Stavisky https://www.youtube.com/watch?v=z71lSmNz_mA https://gallica.bnf.fr/ark:/12148/bpt6k5142664z/f1.item.

March 25, 2024 - Senate Higher Education Committee Chair Toby Ann Stavisky, a Queens Democrat, discusses funding for colleges and aid to college students in the state budget.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:54:54 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles, l'affaire Alexandre Stavisky, un nom qui a marqué et fait trembler la troisième République. Invité l'historien Bruno Fuligni auteur notamment de l'ouvrage "Dans les archives secrètes du ministère de l'Intérieur".

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

Welcome to THE Sports Law Podcast! We keep you informed on everything at the intersection of sports and the law. Dan Wallach (@WALLACHLEGAL) is joined by special guest Evan Stavisky (@EvanStavisky) to discuss the gaming landscape in New York. Evan Stavisky is a well-known legislative and political strategist. He was named one of the 100 most influential New Yorkers by City & State. They wrote about his “deep understanding of New York government as well as its political stakeholders.” As a Founding Partner of the Parkside Group, he oversees the representation of clients in the realm of legislation, procurement, and regulatory matters in New York. This interview covers a wide range of topics including the possibility of land-based casinos in New York City. The pair also discuss other gaming topics including horse racing and mobile sports betting. *** Have a topic you want to write about? ANYONE and EVERYONE can publish for ⁠⁠⁠⁠ConductDetrimental.com⁠⁠⁠⁠. Let us know if you want to join the team. Hosts: Dan Wallach (⁠⁠⁠⁠@WallachLegal⁠⁠⁠⁠) | Dan Lust (⁠⁠⁠⁠@SportsLawLust⁠⁠⁠⁠) | Mike Lawson (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Mike_sonof_Law⁠⁠⁠) Producers: Mike Lawson (⁠⁠⁠⁠⁠⁠⁠⁠@Mike_sonof_Law⁠⁠) ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ | ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ | ⁠⁠⁠⁠TikTok⁠⁠⁠⁠ | ⁠⁠⁠⁠ YouTube⁠⁠⁠⁠ | ⁠⁠⁠⁠Website⁠⁠⁠⁠ | ⁠⁠⁠⁠Email --- Support this podcast: https://podcasters.spotify.com/pod/show/condetrimental/support

Welcome to THE Sports Law Podcast! We keep you informed on everything at the intersection of sports and the law. Dan Wallach (@WALLACHLEGAL) is joined by special guest Evan Stavisky (@EvanStavisky) to discuss the gaming landscape in New York. Evan Stavisky is a well-known legislative and political strategist. He was named one of the 100 most influential New Yorkers by City & State. They wrote about his “deep understanding of New York government as well as its political stakeholders.” As a Founding Partner of the Parkside Group, he oversees the representation of clients in the realm of legislation, procurement, and regulatory matters in New York. This interview covers a wide range of topics including the possibility of land-based casinos in New York City. The pair also discuss other gaming topics including horse racing and mobile sports betting. *** Have a topic you want to write about? ANYONE and EVERYONE can publish for ⁠⁠⁠⁠ConductDetrimental.com⁠⁠⁠⁠. Let us know if you want to join the team. Hosts: Dan Wallach (⁠⁠⁠⁠@WallachLegal⁠⁠⁠⁠) | Dan Lust (⁠⁠⁠⁠@SportsLawLust⁠⁠⁠⁠) | Mike Lawson (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Mike_sonof_Law⁠⁠⁠) Producers: Mike Lawson (⁠⁠⁠⁠⁠⁠⁠⁠@Mike_sonof_Law⁠⁠) ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ | ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ | ⁠⁠⁠⁠TikTok⁠⁠⁠⁠ | ⁠⁠⁠⁠ YouTube⁠⁠⁠⁠ | ⁠⁠⁠⁠Website⁠⁠⁠⁠ | ⁠⁠⁠⁠Email --- Support this podcast: https://podcasters.spotify.com/pod/show/condetrimental/support

ECOUTEZ LE 1/4H LYONNAIS Toute l'actualité de ce mardi 17 janvier 2023 Neige : dispositif de viabilité hivernale activé, télétravail conseillé La Nupes soutient l'appel du 19 janvier contre la réforme des retraites Rentrée 2023 : l'Académie de Lyon échappe aux baisses d'effectifs Immobilier : Hervé Legros (Alila) et sa compagne en garde à vue Affaire Axelle Dorier : le procès s'ouvre aux 24 colonnes Johannes Rivoire poursuivi au Canada pour pédocriminalité : manifestation devant son EHPAD à Lyon M Lyon : bureaux, commerces et logements sociaux à la Part-Dieu REPORTAGE avec Luc Pelen, président d'Alliade Habitat Patrick Miton, architecte-urbaniste (SOHO) Didier Caudard-Breille (DCB) Asvel : une cinquième défaite consécutive Célestins : pot de départ pour Stavisky, Lenoir, prendra sa succession Décès de Gina Lollobrigida à 95 ans : elle était passée par Lyon en 2002

durée : 00:54:54 - Affaires sensibles - par : Fabrice Drouelle - L'affaire Alexandre Stavisky, un nom qui a marqué et fait trembler la troisième République. Invité l'historien Bruno Fuligni auteur notamment de l'ouvrage "Dans les archives secrètes du ministère de l'Intérieur".

Alain Resnais's reverie on the '30s This episode is also available as a blog entry at https://tashpix.wordpress.com/2020/08/30/stavisky/

This year marks the 20-year anniversary of Notre Dame's 2002 College World Series Team. The highlight of the trip to Omaha was a June 17th comeback win over the Rice Owls. The three players who propelled the Irish to the win, Steve Stanley, Steve Sollmann and Brian Stavisky, join Sean Stires, who was the radio voice of the Irish that season, to discuss the win. They listen to the radio calls of the inning and discuss one of the biggest wins in program history. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alexandre Stavisky n'est ni un peintre (Kandinsky), ni un DJ (Kavinsky), ni un sport extrème (descente-en-ski).Ecriture : Anouk KriefDirection Editoriale : Pénélope BoeufVoix : Pénélope BoeufProduction : La Toile Sur Ecoute Become a member at https://plus.acast.com/s/kupla. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Not everyone who managed to change the world is famous…it is possible to do something absolutely, monumentally world-shaking and not receive any recognition for it… I'll give you a name: Vasyli Arkipov…it's possible that this guy is the only reason any of us are still alive…seriously… October 27, 1962…it's the height of the Cuban missile crisis…the soviets had nukes in Cuba aimed at the u.s. and more were on the way…John Kennedy responded by setting up a blockade around the island… The USS Randolph was one of the ships in charge of enforcing the blockade…they spotted a Soviet sub that was sent to protect the flotilla of Russian ships approaching the island with more missiles on board…this one particular sub—a Foxtrot class b-59—was armed with nuclear missiles…Arkhipov was the second in command… The Randolph began dropping depth charges in an effort to get the sub to surface…b-59 suffered damage…the crew couldn't breathe…they wanted to fight back…the sub commander tried to raise soviet command for permission to fire—but he couldn't reach them… Because they'd been cruising submerged for days, they hadn't heard anything from Soviet high command…but they had been monitoring American civil broadcasts which offered non-stop coverage of the crisis…and now they were under attack…maybe the war had finally begun…if that was the case, shouldn't they launch their missiles?... Captain Valentín Savitsky was in favour of an attack…so was political officer Ivan Maslennikov…but in order to launch the nukes, Stavisky and Maslennikov also needed agreement from Arkhipov…“what do you say, Vasyli?...do we engage the Americans with our special weapon?”… Vasyli took a breath and replied “nyet…we do not fire…we have no proof that we are at war…what if we're wrong?...if we launch, we risk starting an all-our nuclear war and  wipe out all life on the planet”… The commander wasn't happy with that, but rules were rules and he ordered that the crew stand down…no nuke would be fired that day…and when the sub did surface, it was confirmed that hostilities had not broken out…this is why Vasyli Arkipov is widely regarded as the man who single-handedly prevented a global nuclear war on October 27, 1962…yet how many people know his name?... Now let's take a big pivot into music…what kind of unsung heroes might we find there?... See omnystudio.com/listener for privacy information.

For this pass at Warner Bros. 1937, we have two more vehicles for Dave's favourite actress, Kay Francis: Confession, Joe May's scene-for-scene remake of the German melodrama Mazurka; and Michael Curtiz's Stolen Holiday, a version of the Stavisky affair with Francis, Claude Rains, and Ian Hunter making up the Curtiz Triangle and Orry-Kelly, as usual, fearlessly emphasizing the outré bodies of Warner's female stars. How do you prefer to see Kay Francis: as a sort of combination of Stella Dallas and the Michael Douglas character from Fatal Attraction, mowing down Basil Rathbone in the name of Sacred Motherhood? Or inspiring Claude Rains to discover unsuspected depths of decency with her talent for unconditional friendship? The beauty of this episode is: you don't have to choose.    Time Codes: 0h 01m 00s:                 Warner Bros. 1937 Studio Data  0h 04m 02s:                 CONFESSION (dir. Joe May)    0h 33m 49s:                 STOLEN HOLIDAY (dir. Michael Curtiz)             Studio Film Capsules provided by Clive Hirschhorn's The Warner Brothers Story Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com

Datshiane Navanayagam on Otelo Saraiva de Carvalho, the army officer who led the Carnation Revolution in Portugal. Jean-Paul Belmondo, the unconventional film star who made his name in the film Breathless. Angela Milner the palaeontologist who identified the previously unknown fish-eating theropod, the Baryonyx Walkeri. Inge Ginsberg - the holocaust survivor who became a heavy metal singer in her nineties. Produced by Neil George Interviewed guest: Kenneth Maxwell Interviewed guest: Raquel Varela Interviewed guest: Neil Christie Interviewed guest: Paul Barrett Interviewed guest: Pedro da Silva Interviewed guest: Lucia Caruso Archive clips used: Thames TV, Portugal The Carnation Revolution 02/05/1974; Les Productions Georges de Beauregard/Société Nouvelle de Cinématographie (SNC)/Les Films Imperia, A Bout de Souffle 1960; YouTube, Tetes d'affiche Jean-Paul Belmondo interview 1961; Films Georges de Beauregard/Rome Paris Films/Société Nouvelle de Cinématographie (SNC), Pierrot Le Fou (trailer) 1965; Cerito Films/Les Films/ArianeSimar Films, Stavisky (trailer) 1974; Dinosaurs Dinosaurs Dinosaurs, Interview with Angela Milner 1985; Natural History Museum, Baryonyx - the discovery of an amazing fish-eating dinosaur 2011; The New York Times YouTube Channel, How a Holocaust Survivor Became Death Metal Grandma 2018.

En hommage à Jean-Paul Belmondo qui l'a incarné à l'écran, retour sur la carrière d'un des escrocs les plus emblématiques de l'Entre-deux-Guerres : Alexandre « Sacha » Stavisky Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Depuis nos archives ce focus sur Jean-Paul Belmondo avec Michel Richard, ancien directeur de l'Alliance Française de Melbourne. Il parle de Bébel à l'occasion de la Rétrospective de l'Alliance Française Classic Film Festival de 2017 et les 6 films à l'affiche: Pierrot le Fou, l'homme de Rio, Stavisky, Weekend à Dunkirk, Léon Morin, prêtre et Le Doulos.

Jean-Paul Belmondo est décédé lundi 6 septembre. On se souvient de l'homme chaleureux et bon-vivant. Pourtant, le célèbre acteur a vécu un événement profondément blessant : la sortie du film "Stavisky" d'Alain Resnais, présenté à Cannes en 1974. Le long-métrage a été sifflé dans la salle, et très critiqué. A partir de ce moment-là Jean-Paul Belmondo, qui avait navigué entre le cinéma populaire et les films de la Nouvelle Vague, réalise qu'on la mis dans une case. Il continuera à faire un cinéma très commercial.

I am not in a Car today but I take a few moments at the end of day 1 of the NYSECA conference to talk to the first woman to lead NYSBOE Kristen Zebrowski Stavisky. We talk about the changes at the SBOE and her reason for moving up. Enjoy.

Stavisky is a movie, directed by Alain Resnais, that's also scored by Stephen Sondheim. William White returns to dive into what makes a great film score and to answer why Sondheim didn't write more for the movies.

durée : 00:02:14 - Affaires classées par Thierry Sagardoytho - France Bleu - Janvier 1934, l’affaire Stavisky agite le pays basque. Elle vaut au Maire Bayonnais, Joseph Garat, d’être l’un des cerveaux de cette gigantesque escroquerie qui a pris racine au coeur du Crédit Municipal de sa ville. Le scandale a débuté par un banal contrôle comptable.

La metteuse en scène raconte son arrivée houleuse à la direction du Théâtre des Célestins en 2000. Une maison qu'elle a profondément transformée en rompant avec d'anciens fonctionnements.

La directrice du Théâtre des Célestins raconte sa rencontre avec Antoine Vitez au Conservatoire où elle joue sa première scène sans parler un mot de français.

L'INVITE DE LA SEMAINE  Claudia Stavisky poursuit son histoire sur ses débuts en France. Antoine Vitez apparait comme le précurseur de sa carrière en la sensibilisant au « rapport à la politique et à la poétique », ainsi qu'en la destinant à la mise en scène. 

L'INVITE DE LA SEMAINE Suite du parcours atypique de Claudia Stavisky qui rencontrait dans les années 1970 les metteurs en scène Peter Brook et Bruce Myers. Animatrice d’ateliers d’alphabétisation dans des foyers et la prison de Fresnes, elle exprime : « l’audace de ce groupe était extraordinaire ».

Deuxième escale de noptre parcours avec Claudia Staviski. Elle raconte ses premiers pas en France aux côtés de Peter Brooke et ses ateliers d'alphabétisation en prison.

Première escale d'un long voyage avec la metteure en scène et directrice du Théâtre des Célestins, Claudia Stavisky. Aujourd'hui, elle raconte la naissance de sa passion en Argentine.

L'INVITE DE LA SEMAINE Rencontre avec Claudia Stavisky: retour sur sa jeunesse en Argentine des années 1950 à 1970, marquée par une situation politique difficile, « tout le monde était dans le déni », mais surtout par le théâtre.    

In this episode, I'll talk with my old friend Peter Stavisky, founder and CEO of the Barrington Media Group. Learn more about Barrington Media Group at their website: https://barringtonmediagroup.com/

Pour cette dernière escale, Claudia Stavisky raconte son arrivée houleuse à la direction de la Théâtre des Célestins en 2000 et André Bonhomme se confie sur son activité de chanteur de rue au Marché de la création.

La directrice du Théâtre des Célestins raconte sa rencontre avec Antoin Vitez, ses premiers pas de metteuse en scène; le chanteur lyonnais ses expériences à l'hôpital du Vinatier et à l'école Mère Teresa.

Elle a grandi à Buenos Aires. Lui, place Sathonay à Lyon, Elle est directrice du Théâtre des Célestins  Il offre ses chansons aux passants du Marché de la création. Claudia Stavisky et André Bonhomme sont les passagers de juillet d' "En Mode Avion, Long Courrier", sur RCF Lyon.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.06.30.180935v1?rss=1 Authors: Wilson, G. H., Stavisky, S. D., Willett, F. R., Avansino, D. T., Kelemen, J. N., Hochberg, L. R., Henderson, J. M., Druckmann, S., Shenoy, K. V. Abstract: To evaluate the potential of intracortical electrode array signals for brain-computer interfaces (BCIs) to restore lost speech, we measured the performance of classifiers trained to discriminate a comprehensive basis set for speech: 39 English phonemes. We classified neural correlates of spoken-out-loud words in the "hand knob" area of precentral gyrus, which we view as a step towards the eventual goal of decoding attempted speech from ventral speech areas in patients who are unable to speak. Neural and audio data were recorded while two BrainGate2 pilot clinical trial participants, each with two chronically-implanted 96-electrode arrays, spoke 420 different words that broadly sampled English phonemes. Phoneme onsets were identified from audio recordings, and their identities were then classified from neural features consisting of each electrode's binned action potential counts or high-frequency local field potential power. We also examined two potential confounds specific to decoding overt speech: acoustic contamination of neural signals and systematic differences in labeling different phonemes' onset times. A linear decoder achieved up to 29.3% classification accuracy (chance = 6%) across 39 phonemes, while a recurrent neural network classifier achieved 33.9% accuracy. Parameter sweeps indicated that performance did not saturate when adding more electrodes or more training data, and that accuracy improved when utilizing time-varying structure in the data. Microphonic contamination and phoneme onset differences modestly increased decoding accuracy, but could be mitigated by acoustic artifact subtraction and using a neural speech onset marker, respectively. The ability to decode a comprehensive set of phonemes using intracortical electrode array signals from a nontraditional speech area suggests that placing electrode arrays in ventral speech areas is a promising direction for speech BCIs. Copy rights belong to original authors. Visit the link for more info

Sean talks with ND Baseball alum Brian Stavisky about the 2002 College World Series and his walk off homerun against Rice.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.06.01.126755v1?rss=1 Authors: Rastogi, A., Willett, F. R., Abreu, J., Crowder, D. C., Murphy, B., Memberg, W. D., Vargas-Irwin, C. E., Miller, J. P., Sweet, J., Walter, B. L., Rezaii, P. G., Stavisky, S. D., Hochberg, L. R., Shenoy, K. V., Henderson, J. M., Kirsch, R. F., Ajiboye, A. B. Abstract: Intracortical brain-computer interfaces (iBCIs) have the potential to restore hand grasping and object interaction to individuals with tetraplegia. Optimal grasping and object interaction require simultaneous production of both force and grasp outputs. However, since overlapping neural populations are modulated by both parameters, grasp type could affect how well forces are decoded from motor cortex in a closed-loop force iBCI. Therefore, this work quantified the neural representation and offline decoding performance of discrete hand grasps and force levels in two participants with tetraplegia. Participants attempted to produce three discrete forces (light, medium, hard) using up to five hand grasp configurations. A two-way Welch ANOVA was implemented on multiunit neural features to assess their modulation to force and grasp. Demixed principal component analysis was used to assess for population-level tuning to force and grasp and to predict these parameters from neural activity. Three major findings emerged from this work: 1) Force information was neurally represented and could be decoded across multiple hand grasps (and, in one participant, across attempted elbow extension as well); 2) Grasp type affected force representation within multi-unit neural features and offline force classification accuracy; and 3) Grasp was classified more accurately and had greater population-level representation than force. These findings suggest that force and grasp have both independent and interacting representations within cortex, and that incorporating force control into real-time iBCI systems is feasible across multiple hand grasps if the decoder also accounts for grasp type. Copy rights belong to original authors. Visit the link for more info

CIRD complex, historically termed “kennel cough”, is a relatively common presentation in UK primary care veterinary practice. Jenny Stavisky, clinical assistant professor in shelter medicine at the University of Nottingham’s School of Veterinary Medicine and Science, discusses its prevalence, presentation and prevention in this Vet Times Podcast. – Jenny authored the article “Kennel cough: a cough by any other name?”, which appeared in Veterinary Times Volume 50, Issue 6 (4 February 2020 issue) on pages 9-10. It is online at www.vettimes.co.uk/article/kennel-cough-a-cough-by-any-other-name/ Michael Day, emeritus professor of veterinary pathology at the University of Bristol and a member of the board of the WSAVA, has also authored a feature on CIRD in Volume 50 Issue 11 (10 March issue) on pages 8-10. It is called “Complexities of canine infectious respiratory disease” and will also be available to view on vettimes.co.uk Jenny Stavisky qualified from the University of Edinburgh in 2002 , and, following several years in mixed practice, conducted a PhD in epidemiology and virology at the University of Liverpool, entitled “Studies on prevalence and risk factors for canine coronavirus infection in the UK“. Following a brief spell in clinical practice, she joined the School of Veterinary Medicine and Science at the University of Nottingham in July 2010. In 2013, she began a clinical lectureship in shelter medicine, a growing veterinary discipline centred around the care of large populations of animals in rescue shelters and charity practices. She is a founding member of the Association of Charity Vets and co-editor of the BSAVA Manual of Shelter Medicine. She instigated and runs Vets in the Community (along with a lot of help from colleagues, students and The Big Issue). This project has been providing free veterinary care to homeless and vulnerably housed pet owners in the Nottingham area since 2012.

durée : 00:54:52 - Affaires sensibles - par : Fabrice Drouelle - Aujourd’hui dans Affaires sensibles, l’affaire Alexandre Stavisky, un nom qui a marqué et fait trembler la troisième République. Invité l'historien Bruno Fuligni auteur notamment de l’ouvrage "Dans les archives secrètes du ministère de l’Intérieur".

Episode 2: Mon invité est l’historien Olivier Dard, professeur à la Sorbonne, spécialiste des droites dans les années 30. « A bas les voleurs ! ». Le 6 février 1934 est une date souvent rappelée : Une manifestation des ligues contre le régime parlementaire perçu comme corrompu qui dégénère en émeutes à Paris. Dans un climat marqué des affaires qui éclaboussent les élites politiques, comme l’affaire Stavisky. La crise et les scandales nourrissent le « dégagisme » mais aussi une demande de probité. Les républicains de gauche vont s’unir pour répondre à cette offensive de la « réaction » monarchiste ou fasciste. Que s’est-il réellement passé ce jour-là ? Revivez la chronique. Si les ressemblances sont troublantes avec les évènements que connait la France depuis la fin 2018, jusqu’où peut-on faire le parallèle ? Auteur : Sylvain Attal Réalisation : Damien Somville « Les années 30 » d’Olivier Dard (collection la France contemporaine), Livre de poche. « Charles Maurras, le nationaliste intégral » (EKHD) Musique Générique : « Les temps modernes » de Charlie Chaplin (United Artists). 1936 Archives INA Pour soutenir ce podcast, contribuez sur ulule : https://fr.ulule.com/temps-modernes-podcast/ https://tempsmodernes.net

New York:  Evan Stavisky from The Parkside Group joined us on September 24 to discuss the state’s competitive primary results and what that could mean for the legislative session. We chat about what could happen if the State Senate flips to full Democratic control and Mr. Stavisky gives us a fun fact about the Senate chamber itself.

Tal como prometimos aquí traemos la segunda playlist con temas instrumentales de Stephen Sondheim, para que veáis que a pesar de la importancia de las letras en sus canciones, la música por sí sola, sin ser una melodía pegadiza a la primera escucha, puede llegar a calar en tu memoria. Hemos hecho una selección de temas y suites en la que se mezclan diferentes estilos que van del sinfónico, al jazz o simplemente a piano solo, ya que a la música de Stephen Sondheim han recurrido todo tipo de músicos y cantantes. Debo confesar que aunque dijimos que sería un podcast instrumental, la voz de Nina en algún tema participa como un instrumento más, ya que no es un texto lo que ella canta y no me he resistido a terminar con el "Sunday" de "Sunday in the park with George", que si bien es muy coral, también tiene algunos diálogos de los intérpretes, pero me parecía una forma muy buena para despedir el podcast. 0h 00'00" Presentación 0h 01'07" Cabecera 0h 01'43" Comedy tonight (AFTHOTWTTF) 0h 04'18" A little night music Suite 0h 13'09" Follies Overture 0h 21'13" Sweeney Todd Suite 0h 34'19" Finishing the hat (SITPWG) 0h 37'54" No one is alone (ITW) 0h 41'50" Silly people (MMAL) 0h 50'13" Into the woods Suite 0h 58'34" Not a day goes by (MWRA) 1h 01'40" Sorry grateful (C) 1h 15'49" Losing my mind (F) 1h 19'22" Everyday a little death (ALNM) 1h 23'33" Barcelona (C) 1h 27'30" Multitude of Amish (C) 1h 31'33" Color and light (SITPWG) 1h 35'37" One more kiss (F) 1h 39'37" Send in the clowns (ALNM) 1h 44'00" Pretty lady (PO) 1h 47'07" Bang! (MMAL) 1h 54'38" Poems (PO) 2h 02'00" What can you loose (Dick Tracy) 2h 07'32" They ask me why I believe in you (para un episodio de televisión no emitido) 2h 13'20" Stavisky Main & Claridge's theme (Banda sonora de Stavisky) 2h 18'43" Take me to the world (para el musical televisivo Evening Primrose) 2h 21'32" Everybody ought to have a maid (AFTHOTWTTF) 2h 23'03" Side by side (C) 2h 25'28" Sunday (SITPWG) Como es habitual las mayúsculas entre paréntesis corresponden a las iniciales de los musicales para los que fueron escritos, así AFTHOTWTTF = A Funny Thing Happened on the Way to the Forum, ALNM = A little night music; C = Company, EP = Evening primrose, F = Follies, ITW = Into the woods, MMAL = Marry me a little, MWRA = Merrily we roll along, PO = Pacific overtures, SITPWG = Sunday in the park with George......

Tal como prometimos aquí traemos la segunda playlist con temas instrumentales de Stephen Sondheim, para que veáis que a pesar de la importancia de las letras en sus canciones, la música por sí sola, sin ser una melodía pegadiza a la primera escucha, puede llegar a calar en tu memoria. Hemos hecho una selección de temas y suites en la que se mezclan diferentes estilos que van del sinfónico, al jazz o simplemente a piano solo, ya que a la música de Stephen Sondheim han recurrido todo tipo de músicos y cantantes. Debo confesar que aunque dijimos que sería un podcast instrumental, la voz de Nina en algún tema participa como un instrumento más, ya que no es un texto lo que ella canta y no me he resistido a terminar con el "Sunday" de "Sunday in the park with George", que si bien es muy coral, también tiene algunos diálogos de los intérpretes, pero me parecía una forma muy buena para despedir el podcast. 0h 00'00" Presentación 0h 01'07" Cabecera 0h 01'43" Comedy tonight (AFTHOTWTTF) 0h 04'18" A little night music Suite 0h 13'09" Follies Overture 0h 21'13" Sweeney Todd Suite 0h 34'19" Finishing the hat (SITPWG) 0h 37'54" No one is alone (ITW) 0h 41'50" Silly people (MMAL) 0h 50'13" Into the woods Suite 0h 58'34" Not a day goes by (MWRA) 1h 01'40" Sorry grateful (C) 1h 15'49" Losing my mind (F) 1h 19'22" Everyday a little death (ALNM) 1h 23'33" Barcelona (C) 1h 27'30" Multitude of Amish (C) 1h 31'33" Color and light (SITPWG) 1h 35'37" One more kiss (F) 1h 39'37" Send in the clowns (ALNM) 1h 44'00" Pretty lady (PO) 1h 47'07" Bang! (MMAL) 1h 54'38" Poems (PO) 2h 02'00" What can you loose (Dick Tracy) 2h 07'32" They ask me why I believe in you (para un episodio de televisión no emitido) 2h 13'20" Stavisky Main & Claridge's theme (Banda sonora de Stavisky) 2h 18'43" Take me to the world (para el musical televisivo Evening Primrose) 2h 21'32" Everybody ought to have a maid (AFTHOTWTTF) 2h 23'03" Side by side (C) 2h 25'28" Sunday (SITPWG) Como es habitual las mayúsculas entre paréntesis corresponden a las iniciales de los musicales para los que fueron escritos, así AFTHOTWTTF = A Funny Thing Happened on the Way to the Forum, ALNM = A little night music; C = Company, EP = Evening primrose, F = Follies, ITW = Into the woods, MMAL = Marry me a little, MWRA = Merrily we roll along, PO = Pacific overtures, SITPWG = Sunday in the park with George......

À propos du Livre Le crime du Palace : Enquête sur l'une des plus grandes affaires criminelles des années 1930 aux Editions Payot Au début des années 1930, trois grandes affaires secouent la France : l'affaire Violette Nozières, l'affaire Stavisky et l'affaire Dufrenne. Le 25 septembre 1933, Oscar Dufrenne, président de la Fédération des spectacles, directeur du Casino de Paris et du music-hall Le Palace, ami de Jean Sablon et de Mistinguett, par ailleurs homme politique radical-socialiste proche de l'Ancien ministre de l'Intérieur Louis-Jean Malvy, est retrouvé mort dans son bureau du Palace, les vêtements en désordre et le crâne fracassé. Le crime, qui va défrayer la chronique, ne sera jamais élucidé. L'historienne Florence Tamagne reprend l'enquête.

Legendary composer and lyricist Stephen Sondheim is the guest for the 250th "Downstage Center" interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming "Sondheim on Sondheim" is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled "Finishing the Hat"; his reaction to seeing his work done in scaled down versions; how involved get gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films "The Last of Sheila" and "Stavisky" the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally. Original air date - January 3, 2010.

Legendary composer and lyricist Stephen Sondheim (2008 Special Tony Award for Lifetime Achievement in the Theatre, numerous Tony Awards including “Sweeney Todd” and “A Little Night Music”) is the guest for the 250th Downstage Center interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming “Sondheim on Sondheim” is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled “Finishing the Hat”; his reaction to seeing his work done in scaled down versions; how involved he gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films “The Last of Sheila” and “Stavisky” the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally.

Legendary composer and lyricist Stephen Sondheim is the guest for the 250th "Downstage Center" interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming "Sondheim on Sondheim" is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled "Finishing the Hat"; his reaction to seeing his work done in scaled down versions; how involved get gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films "The Last of Sheila" and "Stavisky" the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally. Original air date - January 3, 2010.