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5 episodes with George Furth
4 episodes with George Furth
5 episodes with George Furth
2 episodes with George Furth
2 episodes with George Furth
2 episodes with George Furth
Today, I'm thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.
A bona fide classic. Butch Cassidy and The Sundance Kid is ranked 7 on the American Film Institute's top ten westerns. It's 73 their 100 Greatest Movies List. Matt and Todd are joined by Shawn Reynolds to discuss the incredible film. Directed by George Roy Hill. Starring Paul Newman, Robert Redford and Katherine Ross with Ted Cassidy, George Furth and Strother Martin.
[REBROADCAST FROM DEC. 15, 2022] Stephen Sondheim and George Furth's now-beloved musical "Merrily We Roll Along" was a massive flop when it premiered in 1981, lasting on Broadway for only two weeks. But a new production at New York Theater Workshop has opened to rave reviews, signaling the show might have found a new life. Stars Daniel Radcliffe and Lindsay Mendez join us to discuss the production, and why it's working this time.
Ann Morrison was Mary Flynn in the original 1981 production of Stephen Sondheim and George Furth's Merrily We Roll Along, directed by Harold Prince, for which she won the 1982 Theatre World Award. More than 40 years later she remains remembered for that role, but she has done so much more since then, including her one-person show she is currently revising, to take on the road.
Sherz shares! Sherz Aletaha joins The Art of Kindness with Robert Peterpaul on the day of the 2024 Solar Eclipse to talk all things making her Broadway debut in Merrily We Roll Along, meeting Meryl Streep, bringing her authentic self to every role and more. Sherz, which is pronounced like “more than one Cher,” is an Iranian American actor, singer, and vocal coach. Originally from Southern California, Sherz is based in Manhattan and is currently appearing in the hit Broadway revival of Stephen Sondheim and George Furth's Merrily We Roll Along alongside Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez. She has been seen on stage at The Kennedy Center, Lincoln Center, Ars Nova, as Lalume in Kismet (directed by Lonny Price for the Santa Barbara Symphony), Aldonza in Man of La Mancha (Triad Stage), in Archetypes (Prospect Theater Company), Spring Alive (Dixon Place, cast album available) and the 2022 Off Broadway revival of Merrily We Roll Along (NYTW). She is frequently seen in concerts around New York City and is often part of readings and workshops of new and developing works at theater companies like Playwrights Horizon, The York, and Musical Theatre Factory. As a voice over artist, she has recorded work for Netflix and Age of Learning among others. Her on-camera work includes appearances on "Powerbook III: Raising Kanan," “The Detour,” “The First Wives Club,” “Three Trembling Cities,” “Wing Women,” "Insomnia," and numerous commercials. Follow Sherz: @morethanonecher Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're opening doors on our 4th season with MERRILY WE ROLL ALONG! Michael and Anika explore how this show went from biggest flop of all-time to the hottest ticket on Broadway!
In this new podcast, Paul goes behind the curtain with two cast members from the hit revival of Company, a new production of Stephen Sondheim and George Furth's classic. This version re-imagined by director Marianne Elliott (War Horse and Angels in America) brings us Bobbie's 35th birthday party except this time around, the character of Bobbie […]
RMR 0220: Join your hosts Bryan Frye, Chad Robinson, and Russell Guest for the Retro Movie Roundtable as they revisit Blazing Saddles (1974) [R] Genre: Comedy, Western Starring: Cleavon Little, Gene Wilder, Slim Pickens, Harvey Korman, Madeline Kahn, Mel Brooks, Burton Gilliam, Alex Karras, David Huddleston, Liam Dunn, John Hillerman, George Furth, Jack Starrett, Carol Arthur, Richard Collier, Charles McGregor, Robyn Hilton, Don Megowan, Dom DeLuise Director: Mel Brooks Recorded on 2022-06-27
This is the third and final part of my conversation with Ben Francis whose amazingly compelling new book is titled Careful the Spell You Cast — How Stephen Sondheim Extended the Range of the American Musical. Just like the book, our discussion has been structured around Sondheim's collaborators. In this episode we discuss his work with George Furth, John Weidman, Hugh Wheeler & James Lapine. And, as always, Sondheim's mentor and surrogate father Oscar Hammerstein II plays a big role in this conversation as well. Along the way nearing everyone of Sondheim's musicals are discussed including A Little Night Music, Anyone Can Whistle, Assassins, Company, Do I Hear A Waltz?, Follies, Gypsy, Into the Woods, Merrily We Roll Along, Passion, Road Show, Sunday In The Park With George, Sweeney Todd, and West Side Story as well as Rodgers & Hammerstein's Allegro. Ben Francis' other works include contributions to the Oxford Handbook Of Sondheim Studies, the Oxford Handbook of British Musicals, and the Oxford Handbook of Shakespeare and Music, as well as Christopher Hampton: Dramatic Ironist. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Broadway Nation Patron Club members including our inaugural members Roger Kloresse, Neil Hoyt, and Chris Moad. My sincere thanks to all three of you for your loyal support! If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, nine guests from the past five seasons return to talk about Scene to Song episodes we have loved and if the discussions have changed our thoughts on musical theater in any way. We also talk about the late lyricist Sheldon Harnick and the song “Telephone Wire” from Jeanine Tesori and Lisa Kron's Fun Home. This discussion was held live on Scene to Song's Facebook page on June 25, 2023, and was recorded for this podcast almost in its entirety. Scene to Song is now going back on summer hiatus and will return in early fall. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. And contribute to the new Patreon. The theme music you are hearing is by Julia Meinwald. Music played in this episode: "Telephone Wire" from Fun Home Guests: Victoria Gordon (Episode 37: Stephen Sondheim and James Goldman's Evening Primrose Deborah Blumenthal (Episode 57: Stephen Sondheim and George Furth's Company Tammy Tuckey (Episode 75: Marvin Hamlisch, David Zippel, and Neil Simon's The Goodbye Girl) Jessica Fleitman (Episode 15: The Musical My Fair Lady Victoria Myers (Episode 67: The Musical Roles of Bernadette Peters) Orian Israelsohn (Episode 81: Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe's The Phantom of the Opera, Episode 28: The Bock and Harnick Musicals Fiddler on the Roof and The Rothschilds) Seth Christenfeld (Episode 5: Adaptations in Musical Theater BethAnn Cohen (Episode 66: Stephen Sondheim and James Lapine‘s Into the Woods, Episode 43: TV Musical Episodes, Episode 22: Representations of Judaism in Musical Theater Robert Lee (Episode 65: Artist Characters in Musical Theater)
Welcome back to the 136th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 136th episode we bring you a Pride Month themed Duet Review of the 2011 pro-shot of Company, as presented by the New York Philharmonic, written by Stephen Sondheim and George Furth, directed by Lonny Price, and starring Neil Patrick Harris in the role of Bobby. Join Mackenzie Horner and Graeme McClelland, as they discuss this amazing star studded cast, the symbolism behind of Patti LuPone's Joanne wig, and they weigh in on the ongoing topic of Bobby's sexuality. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Graeme McClelland – Instagram: instagraeme999 Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
In this episode, professor Ashley Pribyl discusses marriage in musical theater, focusing on Stephen Sondheim and George Furth's 1970 musical Company, as well as how marriage was portrayed leading up to Company in musicals such as Allegro and I Do! I Do! We also talk about the song "Marry Me a Little" from Company. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music is by Julia Meinwald. Music played in this episode: "The Honeymoon is Over" from I Do! I Do! "Overture" from Company "Marry Me a Little" from Company
Welcome back to another exciting episode of Not A Bomb. This is the podcast where we go back and reexamine some of the biggest bombs in cinematic history and see if they deserve a second chance. On this week's episode, the guys are joined by Sammy from the GGTMC and Jose from Watch/Skip+ to discuss a big box office bomb from 1982, Megaforce. Directed by stuntman legend Hal Needham, Megaforce is best known for explosions, Barry Bostwick's hair, liberal use of ascots, and cringeworthy representation of women in the workplace. Released in a crowded market, Megaforce was quickly dropped from theaters but has since earned a cult following. Oh yeah, and Henry Silva is in this film doing what he does best…being Henry Silva!Timestamps: Intro - (0:40), Box Office Results and Critical Response - (4:24), Behind the Camera - (8:20), In Front of the Camera - (29:15), Production and Development - (42:49), Commerical Break - (52:11), Megaforce Discussion - (53:59), Is it a Bomb? - (100:37), and Outro - (120:39)Megaforce is directed by Hal Needham and stars Barry Bostwick, Michael Beck, Persis Khambatta, Edward Mulhare, George Furth, and Henry Silva. Be sure to subscribe to the Gentlemen's Guide to Midnite Cinema to hear more of Sammy. Also, check out Jose's podcast - Watch/Skip+ • A podcast on Anchor. Both are highly recommended.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy, Jose, Sammy
Profe Herrera (aka StinkyLulu) reflects on what felt familiar and what felt so very different in what turned out to be a halting return to theatregoing in 2022. With brief comment on recent encounters with Maria Friedman's production of Stephen Sondheim and George Furth's musical MERRILY WE ROLL ALONG at New York Theatre Workshop; Lloyd Suh's THE FAR COUNTRY at NYC's Atlantic Theatre Company; and Dennis Johnson's DES MOINES at Theatre for a New Audience. https://linktr.ee/stinkylulu
Stephen Sondheim and George Furth's now-beloved musical "Merrily We Roll Along" was a massive flop when it premiered in 1981, lasting on Broadway for only two weeks. But a new production at New York Theater Workshop has opened to rave reviews, signaling the show might have found a new life. Stars Daniel Radcliffe and Lindsay Mendez join us to discuss the production, and why it's working this time.
Your favorite podcast hosts Jason A. Coombs and Samantha Tuozzolo are back with the prolific and mega-talented “Merrily We Roll Along” actor, Corey Mach. Corey gives us a glimpse into his creative journey from being a church pianist to booking his first national tour a few days after moving to New York City! He also gives us the inside scoop into the rehearsal process of the upcoming New York Theatre Workshop's production of the Stephen Sondheim and George Furth musical MERRILY WE ROLL ALONG, where he is working alongside Broadway veterans Jonathan Groff, Lindsay Mendez, Daniel Radcliffe and ‘Survival Jobs' alumni, Krystal Joy Brown and Evan Alexander Smith! Before closing out the episode with a super fun ‘Popstars on Broadway' trivia game, Corey shares what led him to create the successful Broadway Sings Concert Series which is gearing up for its next production of “Broadway Sings Mariah Carey: A Holiday Spectacular” on Monday, December 5! The episode opens with a mic check where Samantha and Jason share ways we all can celebrate Native American History Month this November, Ben Platt and Michaela Diamond in “Parade”, the second season of HBO's White Lotus and the Crabby Cabaret Concert this Sunday, November 13 at the Bijou Theatre as part of the Bridgeport Art Trail in Bridgeport, CT. Exclusive Survival Job videos can be found here on Broadway World and the audio can be found on Apple Podcasts, Spotify, Audible or any of your other favorite podcast apps. You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs. Info on Corey Mach: Follow Corey: Instagram Check out Corey's website here MERRILY WE ROLL ALONG at NY Theatre Workshop Info and Tickets “Broadway Sings Mariah Carey: A Holiday Spectacular" Tickets Brandy as Roxie Hart on Broadway in Bryant Park Mic Check Links: Survival Jobs Broadway World Video/Article Native Land Map US Interior Indian Affairs Crabby Cabaret Concert Tickets HBO's White Lotus Season 2 Trailer Important Links: NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Check out Six Ways to Help the Buffalo Shooting Victims Check out Nine Ways to Be a Better Ally to Black People Register to VOTE here Where to Donate to Support Access to Abortions Right Now Info on Your Hosts: Follow Samantha: Instagram. | Samantha's Official Website here Follow Jason on Instagram | Twitter. Broadway World Article on our Season 2 Launch Party Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Support Us... Please! If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border. Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB. If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!!
Your favorite podcast hosts Jason A. Coombs and Samantha Tuozzolo are back with the talented, genuine and gracious “Merrily We Roll Along” actor, Evan Alexander Smith. Evan gives us a glimpse into his acting journey from doing regional theatre in Canada to booking the first national tour of THE PLAY THAT GOES WRONG and his first Broadway gig, AMAZING GRACE. He also gives us a glimpse into the rehearsal room of New York Theatre Workshop's production of the Stephen Sondheim and George Furth musical MERRILY WE ROLL ALONG, where he is working alongside Broadway veterans Jonathan Groff, Lindsay Mendez, Daniel Radcliffe and ‘Survival Jobs' alum, Krystal Joy Brown! Before closing out the episode with an amusing ‘Name that Canadian' trivia game, Evan shares why being an audition reader is his favorite ‘survival job' and how much joy poutine from Costco brings him! The episode opens with a mic check where Samantha and Jason do a mini deep dive on the 20th anniversary of Christina Aguilera's STRIPPED album, and how they plan to celebrate Halloween this year! Exclusive Survival Job videos can be found here on Broadway World and the audio can be found on Apple Podcasts, Spotify, Audible or any of your other favorite podcast apps. Please excuse any sound issues, Friends! We are still in a pandemic!! Info on Evan Alexander Smith: Follow Evan: Instagram | Twitter Check out Evan's website here Evan Alexander Smith and Angela Grovey star in 'The Play That Goes Wrong on Toronto's Breakfast Television MERRILY WE ROLL ALONG at NY Theatre Workshop Info and Tickets Mic Check Links: Survival Jobs Broadway World Video/Article Christina Aguilera "Beautiful" 20th Anniversary Video Musician Kolton Harris Website and Online Shop The Witches of Eastwick (1987) Trailer Important Links: NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Check out Six Ways to Help the Buffalo Shooting Victims Check out Nine Ways to Be a Better Ally to Black People Register to VOTE here Where to Donate to Support Access to Abortions Right Now Info on Your Hosts: Follow Samantha: Instagram. | Samantha's Official Website here Follow Jason on Instagram | Twitter. Broadway World Article on our Season 2 Launch Party Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Support Us... Please! If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border. Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB. If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!!
There are seven transitions in Merrily We Roll Along and each of them is different! Colm Molloy returns to discuss how they work within the narrative of the show and why they're necessary.You can check out Colm on Twitter: https://twitter.com/colmmolloy_/Or Instagram: https://www.instagram.com/colmmolloy_/Or even his website here: http://colmmolloy.comYou can even listen to his music on:His Soundcloud: https://soundcloud.com/colmmolloyHis YouTube: https://www.youtube.com/channel/UCxq_yKV2rUiu9MEf8NyP2TgYou can purchase Stephen Sondheim's first book of lyrics, Finishing the Hat, by going here: https://amzn.to/2LB9ZJoWe are using three productions to frame our discussion of Merrily We Roll Along.The Original Broadway Cast (1981) starring Jim Walton, Ann Morrison, and Lonny Price.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-original-broadway-cast-recording/738703005Or listen to it on Spotify: https://open.spotify.com/album/3KZq3isCTbYMzGvnXkTfNr?si=u2vq6PhGTCeyOW9W8mTnhwOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Original-Broadway/dp/B01KB0V58O/The Off-Broadway Revival cast (1994) starring Malcolm Gets, Amy Ryder, and Adam Heller.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-the-new-cast-recording-1994-off/1440771486Or listen to it on Spotify: https://open.spotify.com/album/51xg0INwgGytnQTHm2N0Tc?si=Vv_WetrCQ9OaTmgtpBTpZQOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Cast-Recording/dp/B000026G4K/The Encores! revival (2012) starring Colin Donnell, Celia Keenan-Bolger, and Lin-Manuel Miranda.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-2012-new-york-cast-recording/542006479Or listen to it on Spotify: https://open.spotify.com/album/2ouySS4WHFplUHtwduvPKx?si=SLaweV0XRomMEvIPXqlpDAOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Encores-Recording/dp/B007Q1IT1I/Our sponsors this week are: Pod Power - With Pod Power, our sponsors are making it possible for us to amplify the voices of Albertans and Alberta podcasters. This episode, Edmonton Community Foundation is helping us give a Pod Power shout out to YourForest - https://yourforestpodcast.com/episode-1 - This podcast exists to challenge our ideas of sustainability. Why do we do the things that we do? And how can we make sure that what we are doing is right? This show is an exercise in developing new perspective and context around land management in order to help us make the best decisions possible Park Power - https://parkpower.ca - your friendly, local utilities provider in Alberta. Offering Internet, Electricity, and Natural Gas with low rates, awesome service, and profit-sharing with local charities. Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★
It's a song that sets the stage for how the show is going to work. It also introduces the melody for when the musical goes back in time. Juan Carlos Guízar joins Kyle to discuss whether the original or updated version is better, and try to answer the question: how did we get to be here? Follow Juan Carlos Guízar on Instagram: https://www.instagram.com/johncplz/Or on Twitter: https://twitter.com/johncplzYou can purchase Stephen Sondheim's first book of lyrics, Finishing the Hat, by going here: https://amzn.to/2LB9ZJoWe are using three productions to frame our discussion of Merrily We Roll Along.The Original Broadway Cast (1981) starring Jim Walton, Ann Morrison, and Lonny Price.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-original-broadway-cast-recording/738703005Or listen to it on Spotify: https://open.spotify.com/album/3KZq3isCTbYMzGvnXkTfNr?si=u2vq6PhGTCeyOW9W8mTnhwOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Original-Broadway/dp/B01KB0V58O/The Off-Broadway Revival cast (1994) starring Malcolm Gets, Amy Ryder, and Adam Heller.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-the-new-cast-recording-1994-off/1440771486Or listen to it on Spotify: https://open.spotify.com/album/51xg0INwgGytnQTHm2N0Tc?si=Vv_WetrCQ9OaTmgtpBTpZQOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Cast-Recording/dp/B000026G4K/The Encores! revival (2012) starring Colin Donnell, Celia Keenan-Bolger, and Lin-Manuel Miranda.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-2012-new-york-cast-recording/542006479Or listen to it on Spotify: https://open.spotify.com/album/2ouySS4WHFplUHtwduvPKx?si=SLaweV0XRomMEvIPXqlpDAOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Encores-Recording/dp/B007Q1IT1I/Our sponsors this week are: Pod Power - With Pod Power, our sponsors are making it possible for us to amplify the voices of Albertans and Alberta podcasters. This episode, Edmonton Community Foundation is helping us give a Pod Power shout out to Overdue Finds - https://www.epl.ca/podcast/ - Bryce Crittenden and Caroline Land will be hosting conversations about books, movies, music, pop culture and other great things happening in Edmonton. We're hoping you'll learn more about what you can find at the library. Taproot Publishing - https://taprootpublishing.ca/spotlight - a service that helps businesses and organizations pay attention to the people they serve. Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★
It's considered one of the best overtures in all of musical theatre. Eric Matthew Richardson returns to the show to discuss how the overture sets the tone for the show and the backstory of how this musical came to be. Eric's website: http://www.ericmatthewrichardson.comTwitter: https://twitter.com/TheEMRMusicYou can purchase Stephen Sondheim's first book of lyrics, Finishing the Hat, by going here: https://amzn.to/2LB9ZJoWe are using three productions to frame our discussion of Merrily We Roll Along.The Original Broadway Cast (1981) starring Jim Walton, Ann Morrison, and Lonny Price.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-original-broadway-cast-recording/738703005Or listen to it on Spotify: https://open.spotify.com/album/3KZq3isCTbYMzGvnXkTfNr?si=u2vq6PhGTCeyOW9W8mTnhwOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Original-Broadway/dp/B01KB0V58O/The Off-Broadway Revival cast (1994) starring Malcolm Gets, Amy Ryder, and Adam Heller.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-the-new-cast-recording-1994-off/1440771486Or listen to it on Spotify: https://open.spotify.com/album/51xg0INwgGytnQTHm2N0Tc?si=Vv_WetrCQ9OaTmgtpBTpZQOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Cast-Recording/dp/B000026G4K/The Encores! revival (2012) starring Colin Donnell, Celia Keenan-Bolger, and Lin-Manuel Miranda.You can listen to it on Apple Music: https://music.apple.com/ca/album/merrily-we-roll-along-2012-new-york-cast-recording/542006479Or listen to it on Spotify: https://open.spotify.com/album/2ouySS4WHFplUHtwduvPKx?si=SLaweV0XRomMEvIPXqlpDAOr buy it on Amazon: https://www.amazon.ca/Merrily-Roll-Along-Encores-Recording/dp/B007Q1IT1I/Our sponsors this week are: Alberta Blue Cross - https://www.ab.bluecross.ca - Alberta Blue Cross group benefit plans are easy to manage, anywhere, anytime and on any device, making it easy for you and your employees to access. Pod Power - With Pod Power, our sponsors are making it possible for us to amplify the voices of Albertans and Alberta podcasters. This episode, Edmonton Community Foundation is helping us give a Pod Power shout out to Book Women - https://bookwomenpodcast.ca - A podcast where three Métis aunties figure out how to publish, edit, and write Indigenous stories. Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★
Our next season is all about the flop known as Merrily We Roll Along. But should it actually be considered a failure? Joins us over the next few months as we dig into each song and attempt to answer that question. ★ Support this podcast on Patreon ★
In this episode of 92NY Talks, join Tony Award winners Katrina Lenk, Patti LuPone and Marianne Elliott - the stars and director of the Broadway revival of Company, a musical comedy masterpiece about the search for love and connection in New York City written by Stephen Sondheim and George Furth. They sit down with Why We Theater's Ruthie Fierberg to discuss the documentary Keeping Company with Sondheim, stories of working with the musical theater legend, Company's enduring resonance, and more. The conversation was recorded on May 23, 2022 in front of a live audience at The 92nd Street Y, New York.
About David: DAVID CADY is currently a professor of commercial and musical theatre performance at AMDA, NYU, and Pace University. Prior, he was a casting director for Donna DeSeta Casting for close to 30 years. In addition to countless commercials, his casting credits include the original Dirty Dancing, Disney's Enchanted, Michael John LaChiusa's The Petrified Prince for the Public Theater, and the world premiere of Andrew Lloyd Webber and Jim Steinman's Whistle Down the Wind, directed by Harold Prince. He was an original cast member of Stephen Sondheim and George Furth's Merrily We Roll Along, and can be seen in Lonny Price's film about the experience, The Best Worst Thing That Ever Could Have Happened. Actors don't think like the rest of us. They have a very, very particular way of doing things, and that can lead to actors getting stuck. You need accountability. It's important for actors to engage with that other part of their brain and realize that it is a business. It's important that you do something for your career that makes you want to vomit in your mouth just a little bit every day. In order to be successful, you need to do things that push you out of your comfort zone. You need to do things that get you to that next bit, to that next level of success. It's such a competitive business, and every single actor is competing, and you are competing with yourself. It isn't just about your talent. Your agent is probably not going to do much more than submit you for work. The misconception is that agents are going to mold your career. Actors are sensitive people, but, in David's experience, agents, managers, and casting directors are not sensitive people. The first job is being the best actor that you can be and continuing to study and be in class and get better at what people are ultimately going to hire you to do. And then the second job is to learn how the business works. Understanding yourself is going to make you just a better craftsman, but it's also going to help you as a person get out of your way. If you don't understand what's holding you back, then it's just going to keep holding you back. I think the people who are going to get furthest are the people who love it, love the work, who love writing letters, sending out pictures and resumes, and doing the mailings. They're jazzed by it. They're excited by it. It's about having the confidence to meet yourself before anybody else tells you that you're good.
Broadway musical Company, written by Stephen Sondheim and George Furth, premiered in 1970. The 2006 revival stars Raúl Esparza as Bobby, a man in his mid-30's trying to decide if he wants to be married like all of his friends. Join Hal, Autumn, and guest host (and fellow theater kid!) Sofie as they discuss reading Bobby as aromantic or polyamorous, the symbolism of the revival's use of musical instruments, and whether or not you actually have to listen to the songs in a musical in order to enjoy it. Alternate titles for this episode include: "Raúl Esparza Just Needs to Go Outside", "Justice for Paul / Justice for April", and "Everyone Deserves Cake". Thanks to EnoffMusic for our theme song. TW: this episode contains discussions of misogyny, alcoholism, eating disorders, anxiety and panic disorders/attacks, homophobia, depression, references to suicidality, compulsory heterosexuality, heteronormativity, racist microaggressions, and sexual themes.
[REBROADCAST FROM JANUARY 21, 2022] The new Broadway revival of Stephen Sondheim and George Furth's 1970 Tony Award-winning musical "Company" switches the gender of many of the characters, including main character Bobbie, played by Tony Award-winner Katrina Lenk, and her best friend Jamie, now a gay man played by Matt Doyle. Lenk and Doyle join us to discuss the revival, which tells the story of a single woman turning 35, and contemplating whether it's time to get married. "Company" is nominated at the Tony Awards this Sunday for Best Revival of a Musical, Best Performance by an Actor in a Featured Role in a Musical (for Matt Doyle), Best Performance by an Actress in a Featured Role in a Musical (for Jennifer Simard and Patti Lupone), Best Scenic Design of a Musical, Best Lighting Design of a Musical, Best Sound Design of a Musical, Best Direction of a Musical, and Best Orchestrations.
Merrily We Roll Along is a 1981 American musical with music and lyrics by Stephen Sondheim, and a book by George Furth. It is based on the 1934 play of the same name by George S. Kaufman and Moss Hart. Kaylee and I watched the 2012, West End version and react to it accordingly!
Joel Fram is currently conducting the orchestra for Company on Broadway! This new production, directed by Marianne Elliott, has made the bold choice to cast the lead character as a woman. Joel joins Kyle to discuss the process of creating this new adaptation of Company. You can purchase Stephen Sondheim's first book of lyrics, Finishing the Hat, by going here: https://amzn.to/2LB9ZJoOur sponsors this week are: Telus Storyhive - https://www.storyhive.com/apply - Pitch any documentary idea that you're passionate about, and you could be in the running to join the Storyhive community. Alberta Blue Cross - Alberta Blue Cross group benefit plans are easy to manage, anywhere, anytime and on any device, making it easy for you and your employees to access. Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast★ Support this podcast on Patreon ★
COMPANY COMPOSER: Stephen Sondheim LYRICIST: Stephen Sondheim BOOK: George Furth DIRECTOR: Hal Prince CHOREOGRAPHER: Michael Bennett PRINCIPLE CAST: Beth Howland (Amy), Dean Jones (Bobby), Elaine Stritch (Joanne) OPENING DATE: Apr 26, 1970 CLOSING DATE: Jan 01, 1972 PERFORMANCES: 705 SYNOPSIS: On his 35th birthday, bachelor Robert is confronted by his happily, and unhappily, married friends, as well as his three girlfriends, who all push him towards committing to another human being. Stephen Sondheim had tremendous early success as a Broadway lyricist, but until the success of Company, his work as a composer could not be regarded as commercially successful. Based on a series of sketches about married couples by actor George Furth, Sondheim and director Hal Prince developed a musical which navigated a bachelor's relationships with his lovers and married friends. Rick Pender promotes Company's significance as an early book musical which, through Boris Aronson's design, Prince and Michael Bennett's staging, Jonathan Tunick's orchestrations, subject matter, and rough narrative, epitomized contemporary storytelling and broke away from the conventions of traditional musical theatre. Later revivals of the show staged by John Doyle and Marianne Elliott employed tactics which kept Company at the cutting edge of the art form and in dialogue with timely societal critique. Rick Pender- From 2004 to 2016 Rick Pender edited The Sondheim Review; in 2017 he launched EverythingSondheim.org. His book The Stephen Sondheim Encyclopedia was published in 2021. He has written about theater for Cincinnati CityBeat since it began publishing in 1994, and he was the paper's arts and entertainment editor from 1998 until 2006. Ohio's Society of Professional Journalists recognized him the state's best arts critic in 2002 and 2017. He contributed theater interviews to public radio station WVXU's weekly arts magazine for 15 years. Rick is a past chair of the American Theatre Critics Association. Rick's Book Available Here SOURCES Company by Stephen Sondheim and George Furth, published by Theatre Communications Group (1995) Company, Original Broadway Cast Recording. MasterWorks (1970) Original Cast Album: Company, starring Dean Jones and Elaine Stritch, directed by DA Pennebaker. New Video Group (1970 Stephen Sondheim's Company with the New York Philharmonic, starring Neil Patrick Harris and Patti LuPone, directed by Lonny Price. Image Entertainment (2012) Company, starring Raul Esparza and Barbara Walsh, directed by John Doyle. Image Entertainment (2008) Learn more about your ad choices. Visit megaphone.fm/adchoices
Matt Doyle is a dynamic stage performer and successful Twitch streamer. He has graced the stage in hit shows like SPRING AWAKENING, THE BOOK OF MORMON, WAR HORSE, SWEENEY TODD, and the current Broadway revival of COMPANY. In this episode, Matt recalls the unforgettable experience of singing directly into Stephen Sondheim's face, shares life lessons from exploring Europe right after graduating high school, and adds originating a role and producing a show to his career vision board. Matt Doyle Company Tickets Romeo & Juliet
Matt Doyle is a dynamic stage performer and successful Twitch streamer. He has graced the stage in hit shows like SPRING AWAKENING, THE BOOK OF MORMON, WAR HORSE, SWEENEY TODD, and the current Broadway revival of COMPANY. In this episode, Matt recalls the unforgettable experience of singing directly into Stephen Sondheim's face, shares life lessons from exploring Europe right after graduating high school, and adds originating a role and producing a show to his career vision board. Matt Doyle Company Tickets Romeo & Juliet
Reed Martin remembers seeing the 1985 production of Merrily We Roll Along, the troubled musical by Stephen Sondheim and George Furth that found its final form (according to Sondheim) at the La Jolla Playhouse when it was directed by James Lapine. Reed and Austin struggle to find the greatness that everyone else sees, and discuss what compels them to take icons like Sondheim and Shakespeare off their pedestals; how one story created rare flops from two hit-making teams; the multiple intersections of Austin and John Rubinstein; the trouble with problematic female leads; the relief of having built-in happy endings; how the best thing to come out of Merrily We Roll Along just might be the documentary about its making Best Worst Thing That Ever Could Have Happened; the desire to not diminish anyone's greatness; the problem with veneration; and the importance of pointing out that sometimes the emperor isn't as fully clothed as everybody thinks. (Length 16:33) The post Revealing Naked Emperors appeared first on Reduced Shakespeare Company.
The new Broadway revival of the 1970 Stephen Sondheim and George Furth's Tony Award-winning musical "Company" switches the gender of many of the characters, including main character Bobbie, played by Tony Award-winner Katrina Lenk, and her best friend Jamie, now a gay man played by Matt Doyle. Lenk and Doyle join us to discuss the revival, which tells the story of a single woman turning 35, and contemplating whether it's time to get married. "Company" is running now at the Bernard Jacobs Theater.
https://kensthinktank.com/how-i-helped-rewrite-merrily-we-roll-along-s03e16/Randy West on Ken's Think Tank Season 3, Episode 16Randy was explaining how he came to know Stephen Sondheim (previous to this clip) – and how that led into working with him. This is just a small part of a long story worth listening to.“I was doing this all premier season of Merrily. Nothing ventured, nothing gained . . . I got ahold of Steve and said is there any way that I can do this new version of Merrily because it would be a premier.”“He said, ‘Well, I have come to know you well enough that I'm OK with sending you my personal music manuscripts, but you need to get ahold of George Furth and see if it's OK to do the new book. And here's George's home phone number.' Which was just incredible to me.”“You have to remember . . . 4 or 5 years before that, I was teaching these guys to college kids. Now I'm calling them on the phone. It was a little surreal.”“So I called George and told him what we were doing. We went back and forth for about two weeks. Finally, I think Steve called me and said, ‘We've decided that you can do the new version of Merrily if you let George and I do it with you and you make it the next workshop production so it advances the project.' I said well of course I would do that. I said that's crazy. I said this is not New York, this is not Los Angeles, we're sitting out in the middle of the desert in Phoenix.”“Steve said, ‘You can do the project if you can make me one promise.' I said, OK what is that? He said, ‘You need to promise that the creative process is the most important thing to you.' I said I can make you that promise right now. I said it's always been.”“Six months before I was supposed to direct Merrily, I get a phone call from George. He said, ‘Aren't you directing Merrily in six months?' I said I think so, why? He said, ‘When can you be in Hollywood?' I said when do you want me? He said, ‘How about Monday?' I said OK, and he gave me directions. Monday at 9:00, I was at George's house. He took me in, he got me coffee, we went down to his study. He had the New York script of Merrily on one side of his computer. He had the La Jolla version of Merrily on the other side. He typed ‘Merrily We Roll Along, Act 1, Scene 1' and he turned to me and said, ‘What do you think?' I said I think it's your play sir! I'm happy to help in any way you want, but I certainly would not presume myself as somebody that could write your play!”“He started writing, and he said, ‘What do you think about this? If we take this from here and this from here…' If George was anything, he was prolific. He could just write . . . stuff would just flow out of him.”“Occasionally I would suggest a line and it would get in there. We would write so much, and then we would call Steve, and we would read it over the phone or we would send it to him, and he would give us notes. The Hal Prince formula was that the director got to be the third collaborator in the creative process.”“So I got to be part of that for six months, and I learned more about musical theater…”Support the show (http://kensthinktank.com/)
In this episode, Patrick and Tommie discuss dogs and holiday stress, George Furth, the Sandy Hook shooting, Monkey Day, and their favorite movie musicals.
Phone rings, door chimes, in comes Company's Opening Night on Broadway! Hear from the stars of Company and Broadway on the Company Opening Night Red Carpet. Another hundred people just got off of the train to celebrate at the Jacob's theatre. Side by side, this Stephen Sondheim & George Furth musical is directed by Marianne Elliott starring Patti Lupone & Katrina Lenk. The all star cast is in good Company and are grateful to be back on Broadway. I'll drink to that. Thanks for listening, we'll see you at SHO! Below is the order of people from the episode. Enjoy! Katrina Lenk Matt Doyle Nikki Renée Daniels Patti LuPone Etai Benson Britney Coleman Rashidra Scott Greg Hildreth Claybourne Elder Manu Narayan Beth Malone Marti Cummings Donna McKechnie Lilly Cooper Kerry Butler Marianne Elliott & Chris Harper Sis Donna Murphy Thanks for listening to the 33rd episode of bwaySHO: The Podcast! If you like what you heard, please subscribe, rate and review, so you can be a spy on the inside for future episodes. Thanks to all the SHOtreons and special shout-out to the SHOstopper and SHOnanigans levels. Judy Cotner, Naomi Cotner, Theresa Piliero, Margaret Haughey, Shannon Wheeler, Alyssa Walles, Cindi Howard, John Benson, Julie Larkin, Ashley Stasak, Lisa Michelle Martin O'Neill, and Eva Fink Clausen. If This Was Your Jam, You Can Become A SHOtreon! Head Over To Patreon.Com/bwaySHO. You get exclusive access to filmed performances, photos and interviews, as well as up-to-date news on what's going on in the theatre world. It's A Fun Time, Come Check It Out. Thanks as always to Khayle Braxton AKA Gedun for these Awesome Beats, Jelani Remy for the Beautiful Intro Riff, Alex Brightman for the SHO time promo, Chelsey Hill AKA Illustrating Diva, for the cool cover art, all the wonderful guests and all of you for listening! Broadway SHOs are announcing their new opening dates. While we're excited to see everyone get back to work, we must stay vigilant in our calls to make theatre a safe space for everyone involved. We need reports on how companies will be enacting anti-racist, anti-transphobia, anti-abelism and anti-abuse work. We can't go back, we must move forward. Get your vaccine, wear a mask, be safe and let's take care of ourselves. We'll see you at the SHO @bwaySHO / @bwaySHOpodcast / bwaySHO.com Proud member of the Broadway Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Theatre of the Oppressed NYC operations director and podcast host Holly Sansom discusses fatness in musical theater and how it's portrayed with various musical theater characters and musicals. We also talk about the song "Another Hundred People" from Stephen Sondheim and George Furth's 1970 musical Company. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. The annual season finale episode, which always features multiple guests from the season, will be streamed live on our Facebook page on Sunday, December 19th at 1pm Eastern. Listeners can submit questions in advance or call in directly to the webcast. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” The theme music is by Julia Meinwald. Music played in this episode: "Impossible" from Bella: An American Tall Tale "Any Little Thing" from The Color Purple "Beautiful" from It Shoulda Been You "Pretty Funny" from Dogfight "Another Hundred People" from Company
Oscar helps Felix get over his fear of flying in S4E16 “The Flying Felix.” We discuss the numerous guest actors in the show including Teri Garr in one of her earliest roles; the state of air travel and air travel advertising in the early 1970s; the episode's reference to the movie Patton; the higher budget of the episode given multiple sets and large number of guest actors and extras; the classic “I much fear there is serious trouble in the fuselage Frederick” line; two pronunciations of the word “annex”; and the Broadway writing background of guest actor George Furth.
Company is a 1970 musical comedy with music and lyrics by Stephen Sondheim and book by George Furth. The original production was nominated for a record-setting 14 Tony Awards, and won six. Originally titled Threes, its story revolves around Robert (a single man unable to commit fully to a steady relationship, let alone marriage), the five married couples who are his best friends, and his three girlfriends. Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Robert's 35th birthday.
For the last episode of Season Six, the boys of No Script discuss one of Jacob's favorite musicals of all time: Company by Stephen Sondheim. Jackson and Jacob discuss Sondheim's lyrical genius, and the play's odd structuring. Though the season may be ending, never fear! No Script will return in late summer or early fall with Season Seven! ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue. https://www.patreon.com/noscriptpodcast ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at: Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week.
In this episode, composer/lyricist/bookwriter/producer Rob Hartmann discusses Stephen Sondheim and George Furth's 1981 musical Merrily We Roll Along, looking at how it's changed since it's original Broadway production. We also talk about the song "A Bowler Hat" from Stephen Sondheim and John Weidman's 1976 musical Pacific Overtures. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you’d like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” The theme music is by Julia Meinwald. Music played in this episode: "Merrily We Roll Along" from Merrily We Roll Along "The Hills of Tomorrow" from Merrily We Roll Along "Rich and Happy" from Merrily We Roll Along "That Frank" from Merrily We Roll Along "Good Thing Going" from Merrily We Roll Along "The Hills of Tomorrow (Reprise)" from Merrily We Roll Along "Not a Day Goes By (Reprise)" from Merrily We Roll Along "Bobby and Jackie and Jack" from Merrily We Roll Along "A Bowler Hat" from Pacific Overtures
In this episode, dramaturg Deborah Blumenthal discusses Stephen Sondheim and George Furth's 1970 musical Company on the eve of her 35th birthday. We also talk about the song "Everybody's Got the Right" from Stephen Sondheim and John Weidman's 1990 musical Assassins. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you’d like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” The theme music is by Julia Meinwald. Music played in this episode: "Marry Me A Little" from Company "Being Alive" from Company "Another Hundred People" from Company "Everybody's Got the Right" from Assassins
“Company," music and lyrics by Stephen Sondheim and book by George Furth, is the topic for tonight's final episode of "Sondheim @ 90 Roundtable." Joining Porchlight Artistic Director Michael Weber for a lively discussion on the award-winning musical, its development, its popularity and its recent revivals are Raúl Esparza (four-time Tony Award nominee, star of Broadway’s "Company," TV’s "Law & Order: SVU"), Robert Falls (Tony Award-winning artistic director at The Goodman Theatre) and Lonny Price (Porchlight Artistic Advisory board member, Broadway’s original "Charley Kringas,” in "Merrily We Roll Along," director of "Sweeney Todd," "Company" and "Sondheim! The Birthday Concert" with the New York Philharmonic). Edited by Remington Cleve
Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast DECEMBER 14 NATIONAL ALABAMA DAY Vanessa Hudgens , Michaela Watkinsm. Natascha McElhone , Dee Wallace , Miranda Hart , Tammy Blanchard , Patty Duke , Lee Remick, Jane Birkin, Celia Weston. Frances Bavier , Tia Texada , Michael Stoyanov , Barbara Leigh-Hunt , George Furth , Shirley Jackson , Dan Dailey , John Lurie , George VI , --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message
Michael Weber discusses "Merrily We Roll Along," lyrics and music by Sondheim and book by George Furth based on the 1934 play by George S. Kaufman and Moss Hart. "Merrily" is a legendary production that is told backwards in time and ran for 44 previews and only 16 performances in 1981 telling the story of three friends and the ups and downs of their 19 year relationship. Weber is joined by Marcia Milgrom Dodge (director and choreographer, Helen Hayes Award-winner for "Ragtime" at the Kennedy Center and on Broadway), Chris Jones (Chicago Tribune chief theater critic and culture columnist, New York Daily News Broadway and WBBM-TV critic) and Lonny Price (Porchlight Artistic Advisory board member, Broadway’s original "Charley Kringas,” "Merrily We Roll Along," director of Broadway’s "Sunset Boulevard," "Sweeney Todd," "Company" and "Sondheim! The Birthday Concert"). Edited by Austin Packard Originally premiered Saturday, June 13, 2020 at Facebook.com/PorchlightMusicTheatre ( https://app.redcircle.com/shows/b5ad8de4-802f-4e56-974c-413004ccc672/ep/Facebook.com/PorchlightMusicTheatre ). New episodes every Saturday at 7pm CT! Watch with video at YouTube.com/PorchlightMusicTheatre ( https://app.redcircle.com/shows/b5ad8de4-802f-4e56-974c-413004ccc672/ep/YouTube.com/PorchlightMusicTheatre )
On this week's show, Jamie, Rob, and Jennifer are joined by Tony and Academy Award nominated star of stage and screen, Barbara Barrie, who originated the role of Sarah in Stephen Sondheim and George Furth's landmark musical “Company” in 1970. We discuss that iconic show, including her experience working with Harold Prince and Elaine Stritch, and the legendary eighteen hour recording session of the original cast album. Later on, Rob gives more background on the famous documentary about that recording session. This week's music: “The Little Things You Do Together”, “Barcelona”, “Getting Married Today”, “Poor Baby”, “Company”, “Side By Side”, “Finale”, all from “Company”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com Jamie Du Mont Twitter: @jamiedumont Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Jennifer Simard Twitter: @SimardJennifer Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices
Theater queens Will Larche and Caitlin Lee Reid pay tribute to Elaine Stritch. Fun fact, the reason “We looooooooooooove you” in the opening is so long is because that’s how long it took the elevator set to go from down to up! - Learn about Stephen Sondheim and George Furth’s concept musical Company, directed by Hal Prince.
It happened: we finally quit the podcast and went on a walkabout. Everything became far too much and we decided that we need to reach back into musical theatre history to see a production of Broadway legend Stephen Sondheim's Company.In this episode, we talk about the accuracy of recollections, the importance of a gendered perspective, the fallibility of memory, Mel and Sue vs Patti LuPone and the accessibility of theatre in a general sense.IT'S LONDON, BABY.Follow You Know What I Like...? on Twitter (@YKWILPodcast)Like You Know What I Like...? on FacebookMusic: http://www.purple-planet.comCover Art: Andrew Losq
It's Thursday and time again forMidday's peripatetic theater critic, J. Wynn Rousuck, to join us with another of her weekly reviews of regional stage productions. Today, she tells us about the Stillpointe Theatre revival of Company, the 1970 musical comedy with music and lyrics by Stephen Sondheim and book by George Furth. The original Broadway production was nominated for a record-setting fourteen Tony Awards and it won six, including the 1971 Tonys for Best Musical, Best Book, Best Score and Best Lyrics.The play's essential storyline involves Bobby (played by Jason Hentrich), a single man who's been unable to commit to a steady relationship, much less to marriage), the five married couples who are his best friends, and his three girlfriends. One of the first ----concept---- musicals on Broadway to deal with complex relationship issues, Company's ----story---- unfolds in a very un-linear, un-chronological style, as Bobby wrestles with the pros and cons of bachelorhood and marriage through a series of song-filled vignettes -- all linked by a celebration of Bobby's 35th birthday.This new revival of Company - directed by Deirdre McAllister - continues at Stillpointe Theatre until Sat., February 2. For performance and ticket information, click here.
This week Julie Miranda, and Zane chat with Jessica Kate Ryan about which of life's truths can be gleaned from Sondheim's infamous flop, Merrily We Roll Along!"...to be a Stephen Sondheim fan is to have one's heart broken at regular intervals. Usually, the heartbreak comes from Mr. Sondheim's songs -for his music can tear through us with an emotional force as moving as Gershwin's. And sometimes the pain is compounded by another factor - for some of Mr. Sondheim's most powerful work turns up in shows (''Anyone Can Whistle,'' ''Pacific Overtures'') that fail. Suffice it to say that both kinds of pain are abundant in ''Merrily We Roll Along,'' the new Sondheim-Harold Prince-George Furth musical that opened at the Alvin last night. Mr. Sondheim has given this evening a half-dozen songs that are crushing and beautiful - that soar, and linger, and hurt. But the show that contains them is a shambles." - By FRANK RICH, New York Times- FURTHER READING -Wiki - Musical, PlayiTunesSpotify- CELEBRITY SHOUTOUTS -Stephen Sondheim, George Furth, George S. Kaufman, Moss Hart, Jim Walton, Lonny Price, Ann Morrison, Terry Finn, Jason Alexander, Geoffrey Horne, David Loud, Liz Callaway, Tonya Pinkins, Abby Pogrebin, Giancarlo Esposito, John Rubinstein, Chip Zien, Marin Mazzie, Heather MacRae, Colin Donnell, Celia Keenan-Bolger, Lin-Manuel Miranda, Tom Burlinson, Tony Sheldon, Peta Toppano, Greg Stone, Gina Riley, Wayne BradyLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com
Today we're talking about Merrily We Roll Along! Merrily We Roll Along is a musical with a book by George Furth and lyrics and music by Stephen Sondheim. It is based on the 1934 play of the same name by George S. Kaufman and Moss Hart. The musical ran on Broadway for 52 previews and 16 performances in 1981. My Guest again is Kenny.
100 Guests. 200 Favorite Things. What started as a dream has evolved into one of the industry's longest-running celebrations of the history of American Musical Theatre. To celebrate their 100th episode, Rob and Kevin get the tables turned on them and are asked to look back on Behind the Curtain: Broadway's Living Legends by the one and only Robbie Rozelle. Rob and Kevin reveal how they met, why they started the podcast, and what the future might hold for the show. Plus, they reveal their favorite interviews, their most embarrassing moments, and never before heard stories about themselves and their guests. And, of course, they debate George Furth dialogue, Goulet sings Dear Evan Hansen, Kevin's love of RuPaul, and so much more in this hysterical retrospective.
Jeremy, Adrian and Drew analyze, discuss and pick apart a different play or musical every week. This week, Company! Music and lyrics by Stephen Sondheim, book by George Furth.
Bob Wilcox and Gerry Kowarsky review (1) THE SUNSHINE BOYS, by Neal Simon at the New Jewish Theatre; (2) THE KISS, by Ger Thijs, at Upstream Theater; (3) HEATHERS, by Kevin Murphy & Laurence O'Keefe, at New Line Theatre; (4) TALKIN' TRASH, by Nicholas Kryah, at Metro Theater Company; (5) DOGFIGHT, by Benj Pasek, Justin Paul, & Peter Duchan, at Stray Dog Theatre and the Webster Univ. Conservatory; (6) COMPANY, by Stephen Sondheim & George Furth, at Washington Univ; (7) TWELFTH NIGHT, by William Shakespeare, at St. Louis Shakespeare; and (8) TRASH MACBETH, by William Shakespeare, at Saint Louis University.
Bob Wilcox and Gerry Kowarsky review (1) THE SOUND OF MUSIC, by Rodgers & Hammerstein and Lindsay & Crouse, at Stages St. Louis, (2) THE KING AND I, by Richard Rodgers & Oscar Hammerstein II, at The Muny, (3) THE GREAT AMERICAN TRAILER PARK MUSICAL, by David Nehls & Betsy Kelso, at Stray Dog Theatre, (4) AIDA, by Elton John & Tim Rice, Linda Woolverton & Robert Falls & David Henry Hwang, at Take Two Productions, (5) PIRATES! (OR, GILBERT & SULLIVAN PLUNDER'D), by W.S. Gilbert, Arthur Sullivan, & Nell Benjamin, at The Muny, (6) THE SOUND OF MUSIC, by Rodgers & Hammerstein and Lindsay & Crouse, at The Over Due Theatre Co., and (7) COMPANY, by Stephen Sondheim & George Furth, at Hawthorne Players.
Legendary composer and lyricist Stephen Sondheim is the guest for the 250th "Downstage Center" interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming "Sondheim on Sondheim" is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled "Finishing the Hat"; his reaction to seeing his work done in scaled down versions; how involved get gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films "The Last of Sheila" and "Stavisky" the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally. Original air date - January 3, 2010.
Legendary composer and lyricist Stephen Sondheim is the guest for the 250th "Downstage Center" interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming "Sondheim on Sondheim" is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled "Finishing the Hat"; his reaction to seeing his work done in scaled down versions; how involved get gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films "The Last of Sheila" and "Stavisky" the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally. Original air date - January 3, 2010.
Legendary composer and lyricist Stephen Sondheim (2008 Special Tony Award for Lifetime Achievement in the Theatre, numerous Tony Awards including “Sweeney Todd” and “A Little Night Music”) is the guest for the 250th Downstage Center interview. He discusses a wide range of topics, including whether, as many have asserted, he actually dislikes giving interviews and why; his experiences doing Q&A sessions with Frank Rich around the country; how the upcoming “Sondheim on Sondheim” is developing and how he feels about being the central character in a Sondheim show; his process in preparing the forthcoming two-volume, annotated edition of his complete lyrics, to be titled “Finishing the Hat”; his reaction to seeing his work done in scaled down versions; how involved he gets with major revivals of his works and whether he makes adjustments to shows long after their original productions; whether he ever gets the urge to write songs outside of the context of musical theatre; why he considers his work on the films “The Last of Sheila” and “Stavisky” the two happiest working experiences of his life; who originated the many projects he's undertaken over the course of his career and how he's worked with such collaborators as Arthur Laurents, John Weidman, George Furth, James Lapine and Harold Prince; what he thinks about seeing opera companies produce some of his shows; why he was moved to found Young Playwrights, Inc. and why it's not Young Composers instead; if he has had the opportunity to mentor young composers, just as Oscar Hammerstein has mentored him; and whether of all of his songs, all written for specific characters in specific situations, there are any that most reflect him personally.
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