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In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

The University of Missouri–Kansas City recently restored one of the last remaining murals of a nearly forgotten Spanish painter. Hear the story of Luis Quintanilla and how he ended up in Kansas City.

Prof. L. Randall Wray joined Class Unity to talk about the 2007-9 GFC and politics. Prof. Wray is a professor of Economics at Bard College and Senior Scholar at the Levy Economics Institute. Previously, he was a professor at the University of Missouri–Kansas City in Kansas City. You can find Prof. Wray's papers on the […]

What unique challenges do women face in ministry leadership—and what gives them hope for the future of the church? In this special roundtable episode of the Future Christian Podcast, host Loren Richmond Jr. welcomes a panel of seasoned clergy leaders: Rev. Tabatha Johnson (Disciples of Christ), The Venerable Sheila Van Zandwyck (Anglican), Rev. Canon Katherine Morgan (Anglican), and Rev. Canon Martha Tatarnic (Anglican and Future Christian co-host). Together, they share candid stories about their call to ministry, navigating representation and authority, the sacrifices women often make that men may not, and how mentors and allies have helped along the way. From maternity leave struggles to stereotypes about “what a minister should look like,” these leaders open up about both progress and persistent challenges for women in the church today. Listeners will gain insights into: How women discern and embrace a call to ordained ministry. The “stained glass ceiling” and ongoing equity issues in church leadership. The importance of mentors, representation, and visible role models. How congregations respond differently to women clergy across traditions. What gives hope for the next generation of women entering ministry. Whether you're a pastor, church leader, or layperson passionate about equality in the church, this episode offers wisdom, encouragement, and a vision for a more inclusive future.   Rev. Tabatha D. Johnson is a pastor in the Christian Church (Disciples of Christ).  She has served as a pastor and chaplain for over twenty years. She graduated from the University of Missouri-Kansas City and Central Baptist Theological Seminary and is co-editor and contributor to Still A Mother: Journeys Through Perinatal Bereavement (Judson Press.) a 2017 Gold Medal Winner in the Illumination Book Awards. She is currently the Senior Pastor at Shawnee Community Christian Church where she joyfully serves alongside people who love Jesus and one another. Tabatha's greatest love, besides her family and her church, are coffee and starting home improvement projects in her home that someday, hopefully, she will finish. Tabatha lives with her spouse, Cory, and their children in the Kansas City Metro. The Venerable Sheila Van Zandwyk is Archdeacon of Lincoln Deanery and Rector of Church of the Transfiguration. She was born and raised in St. Catharines and was raised in the Christian Reformed Church. She began attending an Anglican Church in my twenties. Until starting seminary at 40, Van Zandwyk worked in retail, for a number of years as the Manager of a Shoppers Drug Mart. Ordained for 17 years, Van Zandwyk has worked in churches in Oakville, Hamilton and now St. Catharines, being at Transfiguration for 6 years now.  The Reverend Canon Katherine Morgan graduated with a Master of Divinity from Trinity College, University of Toronto. Morgan is ordained in the Diocese of Niagara where she had the privilege of serving in rural, small town and city parishes for 29 years.  Currently Morgan is the rector of Church of the Resurrection in Hamilton. In her free time, she loves to sing, enjoy puzzles, and is the proud parent of an adult son.    Mentioned Resources:

In this episode, Nathan discusses primary care for endurance athletes with Dr. Laurel Short.  Dr. Laurel Short is a Family Nurse Practitioner at Sunflower Medical. She earned her undergraduate degree in Nursing from Luther College and a master's degree in Nursing from the University of Kansas. She completed her Doctor of Nursing degree at the University of Missouri-Kansas City with an emphasis on self-management for chronic migraine.  Prior to joining Sunflower Medical Group, Laurel worked in the area of physical medicine and rehabilitation for ten years.  She is a board-certified Family Nurse Practitioner and has a Certificate of Added Qualification in Headache Medicine. Laurel is an active leader with the American Association of Nurse Practitioners and the Academy of Spinal Cord Injury Professionals.  Outside of the office, you will find her training for triathlon events, traveling, and chasing after her two young children. Dr. Short's IG -  https://www.instagram.com/laurelshort/ Dr. Short's Headache Resource- https://yourmigrainetoolkit.com/ The Runners Zone  Want to work with runners and build a thriving business around it? The Runner's Zone is an upbeat, global community of clinicians, coaches, and trainers who love working with endurance athletes. For over 10 years, we've helped passionate professionals fast-track their skills, grow their confidence, and build beautiful, word-of-mouth businesses that runners rave about. Join us if you're ready to level up—and have fun doing it. Use code “rzpod” for 10% off the annual membership. To learn more click HERE.  

One of the unique challenges of delivering child supportservices to parents and caregivers is understanding how to most effectively communicate.  Join a conversation between Pat O'Donnell of YoungWilliams and Erin Blocher, Associate Teaching Professor, Business Communication, Sam Walton Fellow and Co-Advisor, UMKC Enactus, Bloch School of Management, University of Missouri-Kansas City.  Their discussion focuses on the five generations we currently serve within our program, their unique perspectives and defining factors, and how to most effectively engage with program participants as well as with our own employees.  For more information on how to navigate the generationallandscape and build better communication, connect with Erin Blocher at  www.findcongruent.com.

Send us a textIn this special interview edition of Sidecar Sync, Mallory Mejias sits down with Shekar Sivasubramanian, Head of the Wadhwani Institute for Artificial Intelligence, to explore how AI can be deployed at scale for social good. Shekar shares powerful stories of AI in action—from an oral reading fluency assistant helping millions of Indian children, to smartphone-powered pest detection for rural farmers. This episode dives into designing for deployment (not just innovation), building trust with limited data, and why humility and human-centered thinking are vital for transformative impact. It's a conversation full of heart, hope, and hard-earned wisdom. Shekar Sivasubramanian brings nearly four decades of experience in technology and business leadership, having scaled multiple startups to billion-dollar valuations. Now Head of the Wadhwani Institute for Artificial Intelligence, he leads a team delivering AI solutions in agriculture, healthcare, and education to underserved populations across India. An alum of IIT Bombay and the University of Missouri–Kansas City, Shekar also maintains deep technical expertise and a research affiliation with Carnegie Mellon University. 

In this insightful episode, Dr. Jill and Dr. Cassie delve into the complexities of hormonal health, discussing the impact of modern lifestyles on hormone regulation and the importance of being proactive in managing one's health. They explore the nuances of thyroid function, the challenges of interpreting lab results, and the significance of advocating for oneself in the healthcare system.

Michael Hudson is a professor of economics at the University of Missouri–Kansas City, a researcher at the Levy Economics Institute at Bard College, and the author of many books and papers on political economy, the history of economics, economic history, finance, and imperialism.  Dirk Bezemer is a Dutch economist who is a professor at the […]

Darshan Shah, MD is a board-certified surgeon, published author, and Founder and CEO of Next Health – the first, largest and fastest-growing health optimization and longevity clinic. He earned his medical degree at the age of 21 from the University of Missouri-Kansas City, becoming one of the youngest doctors in the United States at the time. He continued his training at the Mayo Clinic and earned his MBA from Harvard Business School. As a longevity medicine specialist, he has advised thousands of patients on how to optimize their well-being and extend their healthspan and lifespan. Today on the show we discuss: steps you can take to add decades to your life, the #1 contributor to disease and how to eat for energy and fat loss, Dr. Shah's personal rock bottom and how he transformed his health, how to eat to manage your insulin effectively, the connection between mental and metabolic health, habits that increase and decrease your lifespan and much more.  Today's sponsor: Vitali Skincare Get 20% off ⁠Vitali Skincare⁠ by using code "Doug" at checkout by going to https://www.vitaliskincare.com/ ⚠ WELLNESS DISCLAIMER ⚠ Please be advised; the topics related to health and mental health in my content are for informational, discussion, and entertainment purposes only. The content is not intended to be a substitute for professional advice, diagnosis, or treatment. Always seek the advice of your health or mental health professional or other qualified health provider with any questions you may have regarding your current condition. Never disregard professional advice or delay in seeking it because of something you have heard from your favorite creator, on social media, or shared within content you've consumed. If you are in crisis or you think you may have an emergency, call your doctor or 911 immediately. If you do not have a health professional who is able to assist you, use these resources to find help: Emergency Medical Services—911 If the situation is potentially life-threatening, get immediate emergency assistance by calling 911, available 24 hours a day. National Suicide Prevention Lifeline, 1-800-273-TALK (8255) or https://suicidepreventionlifeline.org.  SAMHSA addiction and mental health treatment Referral Helpline, 1-877-SAMHSA7 (1-877-726-4727) and https://www.samhsa.gov Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing the 2025 Summer Series, we return to an earlier episode featuring Joel P. Rhodes, newly named executive director of the State Historical Society of Missouri, discussing his book, A Missouri Railroad Pioneer: The Life of Louis Houck. Episode Image: Academic Hall, Cape Girardeau, Missouri, ca. 1908. [Missouri Postcard Collection (P0032), SHSMO] About the Guest: Joel P. Rhodes holds a PhD in History from the University of Missouri-Kansas City. He served as an associate dean and professor in the College of Humanities and Social Sciences at Southeast Missouri State University. In 2025, he was named the new executive director of the State Historical Society of Missouri. He is the author of The Sixties in the Lives of American Children: Growing Up in a Land Called Honalee, The Voice of Violence: Performative Violence as Protest in the Vietnam Era, and A Missouri Railroad Pioneer: The Life of Louis Houck.

Healing starts when we give kids the words to express what's in their hearts. Vladimir Sainte's journey—from a childhood where emotions were silenced to becoming a powerful voice for emotional literacy—is a testament to the impact of breaking generational cycles with compassion and intention. Through his work as a therapist and children's book author, he's helping families create space for real conversations, teaching young minds that their feelings are valid and their voices matter. His story is a moving reminder that when we lead with connection, community, and care, we not only raise resilient kids—we change the future. Key Takeaways: Emotional literacy begins at home—using simple check-ins and daily conversations builds trust and awareness. Storytelling is a powerful tool for helping kids feel seen, heard, and understood, especially during difficult times. Parents and caregivers can shift behavior patterns by choosing connection before correction. Busy doesn't always mean better—intentional time and boundaries support healthier, happier families. Supporting children's mental health starts with adults doing their own healing and showing up with grace.   About Vladimir Sainte: Vladimir Sainte was born and raised in Queens, New York, to Haitian immigrant parents. He is a Licensed Clinical Social Worker with over a decade of experience and has significantly contributed to the Kansas City community as a child therapist and children's book author. In 2022, Mr. Sainte won Best Local Author from The Pitch magazine for his efforts to promote emotional literacy among young children. He holds a Bachelor of Arts in Sociology and a Master of Social Work from the University of Missouri-Kansas City. Drawing on his experience, he now writes and illustrates children's books that convey messages of resilience and hope. His first book, “Just Like a Hero,” was featured in a video by KCPT – Kansas City PBS, and he has conducted numerous author visits at schools throughout the area. He hopes to share his stories with children nationwide. vladimirsainte.com    Connect with Dr. Michelle and Bayleigh at: https://smallchangesbigshifts.com hello@smallchangesbigshifts.com https://www.linkedin.com/company/smallchangesbigshifts https://www.facebook.com/SmallChangesBigShifts https://www.instagram.com/smallchangesbigshiftsco   Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app. Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.  

Join Elevated GP: www.theelevatedgp.com Free Class II Masterclass - Click Here to Join Follow @dental_digest_podcast Instagram Follow @dr.melissa_seibert on Instagram Dr. Drew McDonald, DDS, MS Dr. Drew McDonald is a board-certified orthodontic specialist based in St. Petersburg, Florida. He is renowned for his expertise in airway and temporomandibular joint-focused treatment planning, surgically facilitated orthodontic therapy, and complex interdisciplinary care. Dr. McDonald lectures internationally and has contributed to literature and textbooks in these areas.  Born and raised in Tucson, Arizona, Dr. McDonald's passion for baseball led him to the University of New Mexico, where he played as a catcher for the Lobos and earned a Bachelor of Science in Biology with a minor in Chemistry. He pursued dental education at Creighton University, graduating cum laude and receiving honors including induction into Omicron Kappa Upsilon and Alpha Sigma Nu. He then completed a rigorous orthodontic residency at the University of Missouri-Kansas City, earning both his certificate in orthodontics and a master's degree in Oral and Craniofacial Sciences.  Outside the clinic, Dr. McDonald enjoys spending time with his wife and two daughters, grilling, and playing golf.

Join Professor Peter Nash from the Griffith University in Brisbane, and Dr Saqr Alsakarneh, Internal Medicine Resident at University of Missouri–Kansas City in the US, as they discuss ‘Risk of De Novo Inflammatory Bowel Disease in Patients with Psoriasis and Psoriatic Arthritis Treated with IL-17A Inhibitors: A Population-Based Study'.

Guest Tamara A. Veit received her J.D. from the University of Missouri–Kansas City in 2004. In 2004, she began working for McElligott Ewan & Hall PC as an associate attorney. She practices primarily in the area of family law. She is currently a member of a number of legal organizations, including the American Bar Association, the Missouri Bar Association, the Kansas City Metropolitan Bar Association, the Eastern Jackson County Bar Association, and the Association of Women's Lawyers. Tamara has served on numerous boards and committees for these organizations. She is currently on the Board of Directors as Vice President for the Kansas City Metropolitan Bar Foundation (KCMBF) and President of the Child Abuse Prevention Association(CAPA). She is also a member of the Association of Family and Conciliation Courts(AFCC). She has planned several conferences, including the KCMBF's Domestic Violence Alliance and the MO Bar Annual Family Law Conference. Throughout her career as an attorney, she has served as a Guardian Ad Litem to the Court, advocating children's rights. Tamara has served on the community board for her church and school committees.Advocating Justice: The Legal BattleWelcome to Illuminating Hope, a podcast of Hope House. In the series Advocating Justice: The Legal Battle, we dive into the legal battles that shape the fight for domestic violence survivors. In each episode, we bring you powerful conversations with the legal teams, court advocates, and changemakers working tirelessly to bring justice, protection, and hope to survivors of domestic violence.From the courtroom to policy changes, from survivor rights to legal strategies, we uncover the critical role the justice system plays in breaking cycles of abuse. Whether you're a survivor, advocate, or someone passionate about justice, this podcast series will empower and inform you."Justice isn't just about the law—it's about giving survivors a voice, protection, and a future.Hosts: MaryAnne Metheny, Ilene Shehan and Tina JohnsonIf you are in an emergency, call or text 9-1-1.For information about our services and how Hope House can help, call our 24-Hour Hotline at 816-461-HOPE (4673) or the National Domestic Violence Hotline 800-799-7233.hopehouse.net

In part two of our five-part series on the recent National Security Crossroads event, we cover how academia plays a critical role in the defense ecosystem. The defense industry depends on connections and partnerships with high-performing academic institutions to produce their desired workforce. It's these partnerships that lay the groundwork for additional business attraction and economic growth. To discuss this further are Dr. Anthony Caruso with the University of Missouri – Kansas City, Mike Denning with the University of Kansas, Courtney Swoboda with the University of Central Missouri, Pierre Harter with Wichita State University. This panel is moderated by Sal Nodjomian with the Matrix Design Group.

This episode of the Amazing Cities and Towns Podcast sponsored by Bearing Advisors, Jim Hunt interviews Mark Funkhouser, President of Funkhouser & Associates.   A candid conversation about the relationship of policy and process. ·       And, much more   7 Steps to an Amazing City:   Attitude Motivation Attention to Detail Zing Inclusiveness Neighborhood Empowerment Green Awareness Thanks for listening and look forward to having you join us for the next episode.   Links Mentions During Show:  https://www.linkedin.com/in/mark-funkhouser/ https://bsky.app/profile/mayorfunk.bsky.social ·       www.AmazingCities.org ·       www.AmazingCities.org/podcast to be a guest on the podcast   About    As the President of Funkhouser & Associates, a consulting firm specializing in government operations and public finance, I have many years of experience in helping public officials and their private sector partners create better, more fiscally sustainable communities. I have a Ph.D. in Public Administration and Urban Sociology from the University of Missouri-Kansas City, and I am an expert in performance auditing, municipal finance, process improvement, and analytical skills. My mission is to use my relationships and my expertise to connect local leaders to information, ideas, and allies they can use to better meet their challenges and achieve their priorities. As publisher of Governing Magazine, I shared my insights and opinions on effective governance through a regular column in Governing.com and Governing Magazine, and now through Forbes, Route Fifty and my monthly newsletter. I am passionate about promoting honest, competent, and trustworthy government, and I have received multiple honors and awards for my contributions to the field.   About Your Host, Jim Hunt: Welcome to the “Building Amazing Cities and Towns Podcast” … The podcast for Mayors, Council Members, Managers, Staff and anyone who is interested in building an Amazing City.   Your host is Jim Hunt, the author of “Bottom Line Green, How American Cities are Saving the Planet and Money Too” and his latest book, “The Amazing City - 7 Steps to Creating an Amazing City”   Jim is also the former President of the National League of Cities, 27 year Mayor, Council Member and 2006 Municipal Leader of the Year by American City and County Magazine.   Today, Jim speaks to 1000's of local government officials each year in the US and abroad.   Jim also consults with businesses that are bringing technology and innovation to local government.   Amazing City Resources:   Buy Jim's Popular Books: ·       The Entrepreneurial City: Building Smarter Governments through Entrepreneurial Thinking:   https://www.amazingcities.org/copy-of-the-amazing-city   ·       The Amazing City: 7 Steps to Creating an Amazing City:   https://www.amazingcities.org/product-page/the-amazing-city-7-steps-to-creating-an-amazing-city   ·       Bottom Line Green: How America's Cities and Saving the Planet (And Money Too)  https://www.amazingcities.org/product-page/bottom-line-green-how-america-s-cities-are-saving-the-planet-and-money-too   FREE White Paper: ·       “10 Steps to Revitalize Your Downtown”  www.AmazingCities.org/10-Steps   Hire Jim to Speak at Your Next Event: ·       Tell us about your event and see if dates are available at www.AmazingCities.org/Speaking   Hire Jim to Consult with Your City or Town: ·       Discover more details at https://www.amazingcities.org/consulting   Discuss Your Business Opportunity/Product to Help Amazing Cities: ·       Complete the form at https://www.amazingcities.org/business-development   A Special Thanks to Bearing Advisors for the support of this podcast:  www.BearingAdvisors.Net

An informative discussion with Dr. James Sturgeon, Professor Emeritus of Economics at Univerity of Missouri-Kansas City, on his new book Institutional Economics: Theory and Pratice. We talk about how institutional economics, which can be traced to prominent American economists such as Thorstein Veblen, John R. Commons, and John Kenneth Galbraith, is an alternative way of doing economic analysis and problem solving when contrasted with what passes for mainstream economics today.

Kansas City's streetcar system has transformed downtown with $4 billion in development since opening in 2016, and now two major extensions will nearly triple the system's reach to the university district and riverfront.• 2.2-mile downtown streetcar line has carried over 14 million passengers since 2016• Extensions will add 3.5 miles south to University of Missouri-Kansas City and 0.7 miles north to the riverfront• Fleet expanding from 6 to 14 streetcars to maintain 10-12 minute service frequencies• Comprehensive infrastructure improvements include new water/sewer lines, sidewalks, and green spaces• Downtown residential population has grown to approximately 36,000 people• Maintenance facility tour revealed specialized equipment for streetcar upkeep• Ridership profile expected to diversify with more students and recreational users• Mixed-traffic operations require ongoing adaptations including some parking removal• Some sections of the extensions will feature dedicated transit lanesCheck out the Kansas City Streetcar at kcstreetcar.org or find them on all social media platforms at @kcstreetcar to keep up with their progress.Send us a textSupport the show

**PTSF Fam! Check out this special "Reflash" episode! This one was originally released on 24 March 2023 and is one of our favorite conversations.** **TRIGGER WARNING** Depending on your life experiences, this episode may contain topics that emotionally affect you. We didn't get too deep into details, but some of the conversations in this episode deal with domestic violence, abuse, and mental health conditions. Listen at your discretion.   About Our Guest: Charles “Chip” Huth is a retired executive commander of the Kansas City Missouri Police Department with 30 years of law enforcement experience. He led an internationally-recognized Tactical Enforcement Team for a decade and has planned, coordinated and executed over 2500 high-risk tactical operations. He is a licensed national defensive tactics trainer, a court-certified police practices expert, and the state of Missouri's defensive tactics subject matter expert.   Chip currently serves a senior consultant for The Arbinger Institute.  He is an adjunct professor for the University of Missouri—Kansas City and serves as a consultant for the Missouri Peace Officers Standards and Training Commission and the Missouri Attorney General's Office. He was recognized as the International Law Enforcement Educators and Trainers Association's Trainer of the Year in 2020, and is a member of the National Tactical Officers Association.   Chip is the President and CEO of CDH Consulting L.L.C., serving international law enforcement, military, and corporate clients. He is the past-president of the National Law Enforcement Training Center, a not-for-profit corporation delivering effective training to the international law enforcement, corrections, security and military communities.   Chip has 35-years of experience in the martial arts, with a background in competitive judo and kickboxing. He is an accomplished author and co-wrote “Unleashing the Power of Unconditional Respect-Transforming Law Enforcement and Police Training,” a text book used in promotional processes and graduate programs. Chip is a veteran of the United States Army.   About This Episode:   Damon, Damo, and Tisha talk with Chip about his turbulent childhood and how he went from sleeping is station-wagons to becoming a senior consultant for The Arbinger Institute, a recognized world-leader in improving organizational culture, conflict transformation, and changing mindset. Our most personal episode to date; everyone shares stories about their past, forgiveness, and dealing with issues with fathers. Chip discusses how the “Outward Mindset” changed his life and how it affects everything from professional to personal relationships. These topics and more are covered in this episode. Remember to follow the ‘Permission to Speak Freely' podcast on TikTok, Facebook, Discord, Instagram, Twitter, and subscribe on YouTube.     Links and more from this episode:   To Keep up with “Chip” and find out more about the Arbinger institute: Arbinger's Website: www.arbinger.com Chip's Email: Chuth@arbinger.com. Chip's Twitter: https://twitter.com/Chip_Huth For the Book: Unleashing the Power of Unconditional Respect: Transforming Law Enforcement and Police Training (Jack Cowell / Charles “Chip” Huth): https://www.amazon.com/Unleashing-Power-Unconditional-Respect-Transforming/dp/0367864487/?_encoding=UTF8&pd_rd_w=UpRys&content-id=amzn1.sym.22f5776b-4878-4918-9222-7bb79ff649f4&pf_rd_p=22f5776b-4878-4918-9222-7bb79ff649f4&pf_rd_r=141-8466750-3997215&pd_rd_wg=HOzkr&pd_rd_r=3354873b-e6c3-414d-8373-a2253d24e4a3&ref_=aufs_ap_sc_dsk “The Importance of Mindset in Policing” | Chip Huth | Tedx Talks: https://www.youtube.com/watch?v=4_29TS6jjsA&t=26s&ab_channel=TEDxTalks   Keep up with the ‘Permission to Speak Freely' podcast:   Our social media and Youtube - https://linktr.ee/Ptsfpodcast   Additional Credits: PTSF “Theme Music” (Produced by Lim0)        

Steve's guest is noted economist L. Randall Wray, one of the early developers of modern money theory. As many times as this podcast has talked about MMT, it's always topical. In fact, just last week, Elon Musk discovered 14 magic money computers in government agencies! So, Trump had to hire the richest man in the world who hired who knows how many hundreds of young tech kids to discover what we've been saying for 30 years, which is that Congress appropriates money, and then the computers keystroke it into people's accounts. There's no mystery about this at all, but they think they've discovered not only something that people didn't know, but something that's, oh, it's so scary. It's nefarious that the government uses computers to increase the size of people's accounts. Well, that's spending. That's the way it's done. Clearly, this is a good time to revisit the valuable insights of MMT and look at the implications for building a society that serves its people. This episode dives deep into the fundamentals, debunking misconceptions about government spending, the role of taxes, and the myth that the US government can run out of money, like a household. Randy and Steve talk about changes in the economy due to financialization, and the difference between budget constraints and inflation constraints. Randy explains why we need to look at the history of debt in order to understand money. He talks about banking, including transactions between the Federal Reserve and the Treasury. The conversation breaks down complex concepts into relatable terms, sometimes with a touch of humor. Illustrating the creation of currency, Randy describes an imaginary scenario in which the fictional characters Robinson Crusoe and Friday devise a currency to facilitate barter. Randy: So, they come up with the idea of, ‘hey, we can use seashells as a medium of exchange.' And this is where money came from. It was Robinson Crusoe and Friday. Okay, think about this a little bit. It's pretty bizarre. We've got Crusoe and Friday marooned on a desert island. I can think of two much more likely scenarios. Okay, one, Crusoe came from Europe. What do Europeans do when they come across native people? Steve: Kill them. Anyone with an interest in how the economy truly operates will learn something from this episode. L. Randall Wray is a Professor of Economics at the Levy Economics Institute of Bard College, and Emeritus Professor at University of Missouri-Kansas City. He is one of the developers of Modern Money Theory and his newest book on the topic is Understanding Modern Money Theory: Money and Credit in Capitalist Economies (Elgar), forthcoming in spring 2025. Recent books on MMT include Making Money Work for Us (Polity, November 2022), a companion illustrated guide, Money For Beginners (Polity, May 2023, with Levy Institute graduate Heske Van Doornen), and the third edition of Modern Money Theory: A Primer on Macroeconomics for Sovereign Monetary Systems (Springer, 2024). He is also the author of Why Minsky Matters (Princeton, 2015) as well as the author, co-author, and editor of many other books. Find more of his work at levyinstitute.org

For more tips on supporting your child's health, check out The Holistic RX for Kids: Parenting Healthy Brains and Bodies in a Changing World. Learn more here: https://www.amazon.com/Holistic-Rx-Kids-Parenting-Changing/dp/1538152150/   Episode Timestamps [00:00] - Intro [01:11] - Getting to Know Dr. Cassie Smith [03:26] - 10 Basic Steps to Better Health [09:11] - Why Hormone Imbalances Are Increasing  [18:07] - Why Acne Happens and Foods that Make it Better or Worse [22:35] - Smart Habits to Boost Hormone Health [27:58] - Episode Recap [30:15] - Outro   Help your hormones work with you, not against you!   Becoming a teen brings lots of changes, and it can sometimes feel like your brain, body, and emotions are all over the place. Hormones are a big reason why, and when they're out of balance, things can feel even more overwhelming. In this episode, The Holistic Kids and Dr. Cassie Smith explore hormones in kids—why they matter, what affects them, and how simple daily habits can help keep them in balance.   Dr. Cassie Smith, MD, is a highly respected endocrinologist and the founder of Modern Endocrine. With dual board certifications in endocrinology, diabetes, metabolism, and internal medicine, she brings a deep understanding of hormonal health to her practice. She earned both her undergraduate and medical degrees from the University of Missouri Kansas City and was recognized for her leadership as Chief Resident during her residency.   Learn more about Dr. Cassie Smith at https://www.modern-endocrine.com, or follow her on social media @ModernEndocrine   —   Watch for The Holistic Kids' upcoming book, The Teen Health Revolution!   Learn more about Dr. Madiha Saeed at https://holisticmommd.com, or follow her on social media @HolisticMomMD  

Dr. Gwynette speaks with Dr. Jessica Hellings, recipient of the 2024 APA George Tarjan Award for Contributions in Developmental Disabilities. Dr. Hellings is a professor of psychiatry at the University of Missouri-Kansas City. She earned her medical degree from the University of the Witwatersrand in Johannesburg, South Africa, and completed a fellowship in child and adolescent psychiatry at the University of Kansas Medical Center. Board-certified in general psychiatry and child and adolescent psychiatry, Dr. Hellings has developed specialty services for individuals with developmental disabilities at institutions like the University of Kansas Medical Center and The Ohio State Nisonger Center. With over 40 years of clinical and research experience, her work has focused on severe challenging behaviors in children, adolescents, and adults with Autism Spectrum Disorders (ASD) and Intellectual/Developmental Disabilities (IDD), addressing issues such as aggression, self-injury, and property destruction. Dr. Hellings has co-authored a book on the gut-brain axis, celiac disease, and non-celiac gluten sensitivity in neuropsychiatric illness. She also works to improve psychiatry training programs on ASD/IDD and serves on the Missouri board of ECHO Developmental Disabilities.

On November 20, 2006, 19-year-old Jesse Warren Ross called his mother and told her about the incredible time he was having in Chicago at the Model UN Conference. He and several classmates from the University of Missouri–Kansas City had made the trip just days earlier. But Jesse never made it home. At around 2:00 a.m. on November 21, a select group of students, including Jesse, were called in for a late-night crisis simulation at the Sheraton on East North Water Street, where the conference was being held. The simulation was expected to last for hours. But at around 2:30 a.m., Jesse stood up, said he needed a break, and walked out of the hotel. He was never seen again. It has now been more than eighteen years since Jesse disappeared, leaving his friends and family still searching, and still wondering—what happened to Jesse Ross that night? 19-year-old Jesse Warren Ross was attending a Model UN conference in November 2006 in Chicago. On the night of the 20th, he returned to his hotel, the Four Points Sheraton on North Rush Street, with his classmates. After drinking for a few hours, they decided to attend the conference dance at the Sheraton on East North Water Street. Surveillance footage captured Jesse walking from his hotel to the conference hotel at around 12:45 a.m. on what was now November 21st. He was wearing a white t-shirt, a green hoodie, blue jeans, and black sneakers. The last confirmed sighting of him was at 2:30 a.m., when cameras recorded him leaving the conference hotel. He has not been seen since. At the time of his disappearance, Jesse was 5'10” and weighed 140 pounds. He had short red hair, blue eyes, and freckles, and often went by the nickname "Opie." He also wore glasses. Anyone with information is asked to contact the Chicago Police Department at 312-745-5206 or the Missouri State Highway Patrol Missing Persons Unit at 1-800-877-3452. Editor: Shannon Keirce Research/Writing: Polly SUBMIT A CASE HERE: Cases@DetectivePerspectivePod.com SOCIAL Instagram: https://www.instagram.com/detperspective/ Twitter: https://twitter.com/detperspective FIND DERRICK HERE Twitter: https://twitter.com/DerrickL Instagram: https://www.instagram.com/DerrickLevasseur Facebook: https://www.facebook.com/DerrickVLevasseur CRIME WEEKLY AND COFFEE Criminal Coffee Company: https://www.CriminalCoffeeCo.com Crime Weekly:  https://crimeweeklypodcast.com/shop ADS: 1. https://www.JoinDeleteMe.com - Text DETECTIVE to 64000 for 20% off! 2. https://www.Acorns.com/Detective - Download the Acorns app today!

Near the start of this episode, Yeva Nersisyan talks with Steve about leftist economists who are still wedded to the belief that government spending relies on taxpayer money. She says if an academic on the left uses the ‘taxpayer dollar' framing, then you cannot be surprised when the right uses it too – to say they're saving taxpayer money, cutting wastefulness, cutting inefficiency. It's why being consistent is so important. If one side can use it, the other side can too.“It leads to the Elon Musks of the world using this taxpayer money trope to basically take a sledgehammer or a chainsaw to the public sector.” Yeva and Steve revisit some basics of MMT, including the understanding that a government is not like a household. Our own spending doesn't really affect our own income. We'll still get our wages, we will still have that, and then we will continue consuming, but consuming less and therefore end up with more savings. But it doesn't work for the economy as a whole. Because for the economy as a whole, if spending goes down, that means there is now less income, and less income means someone somewhere is earning less and therefore they have to cut their consumption and they also have to cut their saving. And it becomes this cycle where, okay, someone cut their consumption, now someone else is earning less or the grocery store is earning less, right? And now they have to fire their workers. Now their workers don't have income and they are spending less, and so on and so forth. Yeva and Steve go into other insights of MMT, including sectoral balances and the reality of the so-called national debt. They unravel the absurd dynamics of current economic policy and look at the implications of proposed spending cuts by the Department of Government Efficiency, or DOGE. Fallout from the government's ruthless abandonment of social programs will be disastrous. Yeva Nersisyan is an associate professor of economics at Franklin and Marshall College in Lancaster, PA. She received her B.A. in economics from Yerevan State University in Armenia, and her M.A. and Ph.D. in economics and mathematics from the University of Missouri-Kansas City. She is a macroeconomist working in the Modern Money Theory, Post-Keynesian, and Institutionalist traditions. Her research interests include banking and financial instability, and fiscal and monetary theory and policy. She has published a number of papers on the topics of shadow banking, fiscal policy, government deficits and debt, and the Green New Deal. Nersisyan is currently coediting the Elgar Companion to Modern Money Theory with L. Randall Wray. Find her work at levyinstitute.org/publications/yeva-nersisyan

Mauli Agrawal is the chancellor of the University of Missouri-Kansas City. He joined KCUR's Up To Date for the series "5 Questions" to discuss music, books and the state of Kansas City.

One of the greatest griefs a person can experience is losing a loved one to suicide. Studies indicate that 85% of people in the United States will personally know someone who has committed suicide during their lifetimes. Suicide is the second leading cause of death among college students. How can we pray through the pain of a loved one committing suicide?In this episode, FOCUS staff Travis Todd and Levi Rash join Jessica to talk about surviving a loved one's suicide. Travis, Levi, and Jess discuss:Travis and Levi's own personal experiences of living through a family member's suicideCommon struggles people experience after a loved one's suicide, including wondering if they could have done more to prevent itChurch teaching regarding suicideWhat helped Travis and Levi to pray during the painful time after the suicideTravis and Levi's advice for those who are grieving a loved one's suicideYou can purchase Fr. Chris Alar's book, "After Suicide: There's Hope for Them and For You" here.Travis ToddTravis Todd is a convert to Catholicism and has worked for FOCUS for 18 years. Travis served 9 years as a campus missionary and team director before accepting a role at the FOCUS Denver Support Center. He currently serves as Sr. Director of Formation. Travis resides in Arvada, Colorado, with his wife, Rebecca, and 7 children.Check out other He Leadeth Me episodes featuring Travis here:Conversion and the Drama of Family RelationshipsFinding God in Daily Work: What's It Like to Work at the DSC?Levi RashLevi Rash graduated from the University of Missouri - Kansas City and joined FOCUS in 2011. He served as a campus missionary, Team Director, and is currently a Senior Regional Director serving the West Area. This is his 14th year with FOCUS as a staff member. Levi has been married to Stef, a FOCUS alum, for over 8 years and they have 3 daughters. Levi's family resides in Lincoln, Nebraska. 

The century-old, 54-room mansion has sat vacant for more than a decade. Now there are plans to transform the historic building, on the University of Missouri-Kansas City campus, into a boutique hotel and spa.

Friday, December 6, 2024  Hoover Institution | Stanford University The Hoover Institution held a conversation with President and CEO of the Federal Reserve Bank of San Francisco, Mary C. Daly and Hoover Institution Senior Fellow, John H. Cochrane on Emerging Technology and the Economy on Friday, December 6th at 10:00 a.m. in the Shultz Auditorium, George P. Shultz Building.​ About the Speakers Mary C. Daly is President and CEO of the Federal Reserve Bank of San Francisco, where she contributes to shaping U.S. monetary policy as part of the Federal Open Market Committee (FOMC). A labor and public policy economist, Daly is devoted to research and to ensuring that it is translated into practices that improve the lives of everyone. In addition to her work with the Federal Reserve, Daly has served as a visiting professor at Cornell University and UC Davis, and has been an advisor to the Congressional Budget Office, the Library of Congress, and the Social Security Administration. Daly is known for her ability to communicate and is a frequent speaker in the U.S. and internationally. She also hosts an award-winning podcast, Zip Code Economies. Daly holds a bachelor's degree from the University of Missouri-Kansas City, a master's degree from the University of Illinois Urbana-Champaign, a Ph.D. in economics from Syracuse University, and completed a post-doctoral fellowship at Northwestern University. John H. Cochrane is the Rose-Marie and Jack Anderson Senior Fellow at the Hoover Institution. He is also a research associate of the National Bureau of Economic Research and an adjunct scholar of the CATO Institute. Before joining Hoover, Cochrane was a Professor of Finance at the University of Chicago's Booth School of Business, and earlier at its Economics Department. He was a junior staff economist on the Council of Economic Advisers (1982–83). His most recent book is The Fiscal Theory of the Price Level. Cochrane frequently contributes editorial opinion essays to the Wall Street Journal. He maintains the Grumpy Economist blog. Cochrane earned a bachelor's degree in physics at MIT and his PhD in economics at the University of California at Berkeley. 

In 2012, just two days before her 16th birthday, Sunnie Carney lost her father to homicide. Through her personal journey of grief, mental health struggles, and ultimately healing, she discovered a critical gap in support services - one that affected countless children in similar situations. This revelation led her to found Children of Homicide Victims (COHV) in Kansas City, an organization dedicated to restoring hope, love, and faith to children who have lost parents to violence. COHV serves children from infancy through age 17, with a particular focus on ages 8-16 - a developmental period already complicated by natural growth and change. These children often face misdiagnosis in school settings, where their trauma responses are mistaken for behavioral disorders. Through COHV's comprehensive support system, they receive academic assistance, mental health resources, and perhaps most importantly, a community of others who truly understand their experience. What sets COHV apart is its team - 75% of staff members are themselves children of homicide victims. This shared experience creates an authentic connection with the children they serve, showing them living proof that their circumstances don't define their future. The organization's name, abbreviated as COVE, reflects its mission to be a protected harbor for these young souls navigating unimaginable loss. In this powerful conversation, Sunnie shares success stories of transformation, discusses the unique challenges faced by grandparents suddenly thrust into primary caregiver roles, and explains how COHV is working to break the cycle of intergenerational trauma. Her work reminds us that while we cannot prevent every tragedy, we can create communities of support that help children not just survive their loss, but emerge as future leaders and agents of positive change. About Sunnie Carney: Founder, Executive Director Sunnie was born and raised in Kansas City, MO. She graduated from the University of Missouri-Kansas City in 2017, where she was awarded a bachelor's degree in Communications, and she is currently attending the University of Missouri-St. Louis to obtain her Masters degree in Education. Sunnie has a huge heart for children. She identifies as a child of a homicide victim. Aside from COHV, she is also a member at The Refuge KC, the Youth Director of Refuge Little League Youth Ministry. Sunnie's goal is to be the voice and the light that leads people to change and the help that transforms a wounded child's heart and mind.  Links from this episode: https://www.cohvkc.com/ https://www.instagram.com/cohvkc https://www.facebook.com/cohvkc https://www.linkedin.com/in/sunnie-carney-700779183/ 

In this episode, Bridget Haney and Zack Palitzsch, co-curators of "Covering the Bases: The Evolution of Baseball in Missouri," discuss the exhibit's creation, their favorite sections, and oral history clips in the SHSMO collections from baseball legends. Episode Image: Jenkins Sons baseball team, date unknown [Irene Whitley Marcus Collection (K0452), SHSMO] About the Guests: Bridget Haney is a historian for the State Historical Society of Missouri. She earned a PhD from the University of Missouri-Columbia. For her dissertation, she focused on Black girlhood in Kansas City in the late 19th and 20th centuries. Bridget completed her master's degree in history at the University of Central Missouri with an emphasis on 20th-century African American history. She also received a bachelor's degree in history and English literature at the University of Missouri-Kansas City.  Zack Palitzsch is an archivist at the State Historical Society of Missouri's St. Louis Research Center. He grew up in St. Charles County, and received a bachelor's degree majoring in English literature at Missouri State University as well as a master's degree in library and information science from Indiana University. 

In a stunning reversal, the Democrat Party has announced plans to reconnect with its New Deal roots in hopes of regaining the trust of the working class. Haha just kidding! This week, Yeva Nersisyan joins Steve to cut through the cacophony of phony punditry trying to explain the 2024 election results. Spoiler alert: it's economics. It's always economics. Yeva points to the stark realities of inflation, highlighting the persistent rise in food and housing costs. She points out that while inflation is often cited as a primary concern, the real issue lies in how US economic policies have consistently failed to address the needs of the people, especially those at the lower end of the income scale. Voters are not dazzled by Wall Street's success. The conversation goes into the failures of past administrations and takes a look at mistakes made during and after the height of the Covid pandemic. Promising policies were on the table, yet the monies were often spent in ways least helpful to the majority. As an MMT economist, Yeva has worked on comprehensive economic proposals that demonstrate the affordability of providing a green new deal, healthcare, and a job guarantee. The episode continually reinforces the necessity of a class perspective when looking at the failure of neoliberalism. Yeva Nersisyan is an associate professor of economics at Franklin and Marshall College in Lancaster, PA. She received her B.A. in economics from Yerevan State University in Armenia, and her M.A. and Ph.D. in economics and mathematics from the University of Missouri-Kansas City. She is a macroeconomist working in the Modern Money Theory, Post-Keynesian, and Institutionalist traditions. Her research interests include banking and financial instability, and fiscal and monetary theory and policy. She has published a number of papers on the topics of shadow banking, fiscal policy, government deficits and debt, and the Green New Deal. Nersisyan is currently coediting the Elgar Companion to Modern Money Theory with L. Randall Wray. Find her work at levyinstitute.org/publications/yeva-nersisyan

Meet Maria Meyers, founder of Sourcelink, a resource navigator assisting entrepreneurs and innovators. She also serves as Vice Chancellor for Economic Development and Entrepreneurship at the University of Missouri-Kansas City. Maria is a leading authority on building entrepreneurial communities, particularly for main street businesses and first-time founders. Her work emphasizes the importance of data-driven insights for understanding the health of entrepreneurial ecosystems.  To learn more about Sourcelink, visit https://joinsourcelink.com To learn more about Sparkyard, visit https://sparkyard.co To learn more about Startup Grind, visit https://startupgrind.com To learn more about HSC Next, visit https://hscnext.com

Join this special Write Out edition of The Write Time! Born in Louisville, Mississippi, Jermaine Thompson learned language from big-armed women who greased their skillets with gossip and from full-bellied men who cursed and prayed with the same fervor. Jermaine earned his MFA in poetry from the University of Missouri Kansas City in 2018, and he currently teaches 9th–12th grade Humanities at Build Up Community School in Birmingham, AL.Jermaine will be interviewed by Connecticut teacher and Writing Project teacher-leader, Rich Novack.More about Write Out...

Marck de Lautour graduated with a Masters Degree in International Business Management, from University of Missouri – Kansas City. He is Founder and CEO of SBD Housing Solutions, a Real Estate Investment firm based in the Kansas City area. He has been investing in real estate since 2002 and has successfully flipped over 2,000 homes in the United States of America. His property management firm now manages over 700 rental homes.Marck's investment firm specializes in delivering quality rental investment opportunities to passive investors looking to deploy their capital outside of the stock market into alternative investments. The SBD team's mission is to help investors deploy $1 billion into Real Estate by 2030.He also loves to invest in multifamily apartment complexes and has successfully raised over $10mill to deploy into assets through the Midwest.In this episode:Residential Real Estate Preferences and Market EfficiencyTechnology and Scaling in Real Estate BusinessSBD Housing Solutions and Business DivisionsCollective Genius and Mastermind CommunitiesThe importance of education and continuous learning Real Estate InvestorsThe biggest impact of Collective Genius on Marck's careerAdvice for New Real Estate InvestorsI Suvived Real Estate is on October 25, 2024To purchase an individual ticket please Click HERE!More info HEREThe Norris Group originates and services loans in California and Florida under California DRE License 01219911, Florida Mortgage Lender License 1577, and NMLS License 1623669.  For more information on hard money lending, go www.thenorrisgroup.com and click the Hard Money tab.Video LinkRadio Show

Let us know what you think!Join us as we sit down with Sofia Stewart, a remarkable intern from the University of Missouri-Kansas City. Sofia's journey began in a Russian orphanage and led her to Arkansas, where her deep-seated passion for sociology and understanding societal dynamics took root. Through her work at Tracing Ancestors, backed by the Mellon Grant program, Sofia channels her background into grant writing and creatively designing promotional content, all while unveiling the profound importance of genealogy in shaping our stories.Ever wondered about the hidden narratives within your family tree? This episode promises a captivating exploration of Romani ancestry and the complexities of adoption. Sophia shares personal and historical insights, from the deportation of Romani people to Siberia to the traditional Russian naming patterns that link her to her roots. We dive into her family history, including the lives of her parents, Alex and Faina, and the significance of DNA in uncovering close relatives and piecing together her adoption story. Tune in for a rich tapestry of identity, history, and the power of storytelling in genealogy.Be sure to bookmark linktr.ee/hittinthebricks for your one stop access to Kathleen Brandt, the host of Hittin' the Bricks with Kathleen. And, visit us on YouTube: Off the Wall with Kathleen John and Chewey video recorded specials. Hittin' the Bricks is produced through the not-for-profit, 501c3 TracingAncestors.org. Thanks to MyHeritage for their generous support to Hittin' the Bricks with Kathleen! Follow us on social media and subscribe to HTB with Kathleen in order to enter your name in our monthly MyHeritage Complete Package giveaway starting Jan 2024!

Marck de Lautour graduated with a Masters Degree in International Business Management, from University of Missouri – Kansas City. He is Founder and CEO of SBD Housing Solutions, a Real Estate Investment firm based in the Kansas City area. He has been investing in real estate since 2002 and has successfully flipped over 2,000 homes in the United States of America. His property management firm now manages over 700 rental homes.Marck's investment firm specializes in delivering quality rental investment opportunities to passive investors looking to deploy their capital outside of the stock market into alternative investments. The SBD team's mission is to help investors deploy $1 billion into Real Estate by 2030.He also loves to invest in multifamily apartment complexes and has successfully raised over $10mill to deploy into assets through the Midwest.In this episode:Craig welcomes Marck de Latour, expert in turnkey real estate investments Mark's Journey to the U.S. and Early LifeFamily Influence and Early AchievementsTransition to Real Estate and Early ChallengesBuilding SBD Housing SolutionsPivoting to Direct-to-Seller MarketingThe Role of Accountability and Process in BusinessI Suvived Real Estate is on October 25, 2024To purchase an individual ticket please Click HERE!More info HEREThe Norris Group originates and services loans in California and Florida under California DRE License 01219911, Florida Mortgage Lender License 1577, and NMLS License 1623669.  For more information on hard money lending, go www.thenorrisgroup.com and click the Hard Money tab.Video LinkRadio Show

Assistant head coach of the University of Missouri-Kansas City basketball team and former coach for the UNLV Rebels, Joe Esposito joins Cofield & Co. to talk about Kansas City as a sports town, building up the KC Roos' roster, and talks about Dan Hurley's impact on college basketball after winning back-to-back championships with UCONN. Former UNLV Rebel QB, Caleb Herring joins Cofield & Co. to talk Deion Sanders and the Colorado band drama, Tyreek Hill's altercation with Miami law enforcement, and to review the debut of Chicago Bears' QB Caleb Williams. Sports betting best picks for Thursday Night Football between the Miami Dolphins and Buffalo Bills  

Experts discuss victim-centered policing. How can it lead to better outcomes for crime victims and investigators, and how police departments can implement the practice. Guest Biographies Nicole Carroll is the Director of the Victim Services Unit at the Louisville Metro Police Department, where she ensures the rights and needs of crime victims and witnesses are met through quality programs and services, exercising supervision of subordinate personnel, and overseeing advocacy and service provision for victims involved in the criminal justice system of Jefferson County. Lindsey Clancey is a Research Scientist with CNA's Center for Justice Research and Innovation and an expert in crime, justice, and victimology. Before joining CNA, Clancey was an associate teaching professor with the University of Missouri - Kansas City, where she served as the assistant undergraduate director for the Department of Criminal Justice and Criminology. Valerie Schmitt is a Research Scientist with CNA's Center for Justice Research and Innovation and an expert in domestic human trafficking responses, law enforcement training, and victim advocacy. She specializes in trauma-informed law enforcement responses to crime victims, mental health crises, and community engagement.

Christie Hodgen is the author of four books of fiction, most recently the novel Boy Meets Girl, which won the 2020 AWP Award for the Novel. Her short fiction and essays have been included in dozens of literary journals and have won two Pushcart Prizes. She teaches in the MFA program at the University of Missouri-Kansas City and is the editor of New Letters. A sense of place looms large in the first essay discussed in this episode, “Disintegration” by Karen Fisher. Her job in the hinterlands of east New Orleans involves recycling, hogs that wander around and a boss who is equally beastly as he threatens to fire her. Wrestling for control of her circumstances is tough for the author, in a place that writes “off neglect as charm.” In “On Emptiness” by Joyde Dehli, a poetic sensibility shines. Fear is in the air, as Dehli notes that in response one can flee, fight, freeze or faint, to which might be added a fifth option: fawning, which the author does beautifully over a world that defies definition. In “Right Now, I'm a Chauffeur” by Bud Jennings get ready for sharp-tongued discourse. The narrator's mom drops line like “Dullards like that should only be allowed cockroaches as pets,” and the essay goes from there in exploring what it's like to come home to care for your mom versus the lively, coming-out life you led in New York City. Finally, in “A Little Slice of the Moon” by Summer Hammond we encounter a young girl from a Jehovah's Witnesses family that finds a door into a wider world through, of all things, a job at McDonalds. You'll find yourself rooting for her to find romance and more. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill's EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Competitive primaries are driving the onslaught of negative political ads — particularly among Missouri Republicans. University of Missouri-Kansas City political scientist Dr. Beth Vonnahme analyzes the rhetoric this campaign season.

Hey DTP listeners! I'm sharing an episode of Historians at the Movies, a podcast by Jason Herbert, in which I was the guest historian! If you like what Jason is doing, check out historiansatthemovies.com.  Historians At The Movies features historians from around the world talking about your favorite movies and the history behind them. This isn't rivet-counting; this is fun. Eventually, we'll steal the Declaration of Independence. This week Kate Carpenter drops in to talk about the new film Twisters along with her research on the history of modern-day storm chasing. We get into what they got right, what liberties they took, the role of climate change in the spread of tornado alley, and exactly how crazy are tornado chasers anyway. If you feel it, ride it.  About our guest: Kate Carpenter is a doctoral candidate in the History of Science at Princeton University. Before that, she earned a Bachelor of Journalism from the University of Missouri-Columbia and a Master of Arts in History (with an emphasis in public history) from the University of Missouri-Kansas City. In between, she has been a writer, copy editor, designer, screenprinter, farmers' market volunteer and communications officer, and occasional history consultant. When she's not hosting and producing Drafting the Past, she is working on a dissertation about the history of tornado science and storm chasing in the second half of the twentieth century.

This week Kate Carpenter drops in to talk about the new film Twisters along with her research on the history of modern-day storm chasing. We get into what they got right, what liberties they took, the role of climate change in the spread of tornado alley, and exactly how crazy are tornado chasers anyway. If you feel it, ride it. About our guest:Kate Carpenter is a doctoral candidate in the History of Science at Princeton University. Before that, she earned a Bachelor of Journalism from the University of Missouri-Columbia and a Master of Arts in History (with an emphasis in public history) from the University of Missouri-Kansas City. In between, she has been a writer, copy editor, designer, screenprinter, farmers' market volunteer and communications officer, and occasional history consultant. When she's not hosting and producing Drafting the Past, she is working on a dissertation about the history of tornado science and storm chasing in the second half of the twentieth century.

The 50-minute experimental auditory production includes original pieces played from more than 80 speakers mounted on every wall and even the floor of a dark room. The Sound Mandala runs through July 27 at the Olson Performing Arts Center on the University of Missouri-Kansas City campus.

In this episode of the Award-winning PRS Journal Club Podcast, 2024 Resident Ambassadors to the PRS Editorial Board – Rami Kantar, Yoshi Toyoda, and Amanda Sergesketter- and special Patricia McGuire, MD, discuss the following articles from the July 2024 issue: “A 9-Year Review of Ethics Complaints to the American Society of Plastic Surgeons” Makar, Bajaj, Park, et al. Read the article for FREE: https://bit.ly/9yrASPSEthics Special guest, Dr. Patricia McGuire, completed her undergraduate and medical school at the University of Missouri-Kansas City followed by general and plastic surgery training at Washington University, St. Louis and is currently in private practice in St. Louis. Her clinical interests focus on cosmetic breast surgery and body contouring, and she is the current President-Elect of ASERF and well-known for her ongoing research on breast implant illness. READ the articles discussed in this podcast as well as free related content: https://bit.ly/JCJuly24Collection

Episode 149: In this Research Unpacked Episode from Inform Performance, Dylan Carmody chats to Dan Lorenz, DPT, PT, ATC, LAT, CSCS. s the director of sports medicine at Lawrence Memorial Hospital/OrthoKS in Lawrence, KS. He has served as a rehabilitation consultant for numerous local sports teams, including Sporting Kansas City, Kansas City Chiefs, and the Kansas City Mavericks, and also many local colleges, including MidAmerica Nazarene University and University of Missouri-Kansas City. In this episode Dylan and Dan discuss Individualized Treatment Approaches in Blood Flow Restriction (BFR) Training.    - Topics Discussed    Implementing Blood Flow Restriction (BFR) Training Mechanisms and Benefits of BFR Training Training to Failure in BFR Safety Considerations and Best Practices for BFR Individualized Treatment Approaches in BFR     -  Where you can find Dan Linkedin X (Twitter) - Sponsors VALD Performance, makers of the Nordbord, Forceframe, ForeDecks and HumanTrak. VALD Performance systems are built with the high-performance practitioner in mind, translating traditionally lab-based technologies into engaging, quick, easy-to-use tools for daily testing, monitoring and training. -  TeamBuildr: A platform for any coach in any setting. Every day, thousands of coaches log into TeamBuildr to write training programs, build questionnaires and access athlete and client performance data. Teambuildr is a complete platform. Whether you're building your own programming, looking to create custom reports or give athletes a tool for accountability, they've built it out. - Where to Find Us Keep up to date with everything that is going on with the podcast by following Inform Performance on:   Instagram Twitter Our Website - Our Team Andy McDonald Ben Ashworth Alistair McKenzie Dylan Carmody

In this episode of the Award-winning PRS Journal Club Podcast, 2024 Resident Ambassadors to the PRS Editorial Board – Rami Kantar, Yoshi Toyoda, and Amanda Sergesketter- and special Patricia McGuire, MD, discuss the following articles from the July 2024 issue: “Surgical Management of Textured Breast Implants: Assessing Risk and Analyzing Patient-Reported Outcomes” by Plotsker, Stern, Graziano, et al. Read the article for FREE: https://bit.ly/TextBreastImplantMgmt Special guest, Dr. Patricia McGuire, completed her undergraduate and medical school at the University of Missouri-Kansas City followed by general and plastic surgery training at Washington University, St. Louis and is currently in private practice in St. Louis. Her clinical interests focus on cosmetic breast surgery and body contouring, and she is the current President-Elect of ASERF and well-known for her ongoing research on breast implant illness. READ the articles discussed in this podcast as well as free related content: https://bit.ly/JCJuly24Collection

In this episode of the Award-winning PRS Journal Club Podcast, 2024 Resident Ambassadors to the PRS Editorial Board – Rami Kantar, Yoshi Toyoda, and Amanda Sergesketter- and special Patricia McGuire, MD, discuss the following articles from the July 2024 issue:  “Topical Tranexamic Acid Does Not Reduce the Incidence of Hematoma in Reduction Mammaplasty: A Double-Blind, Randomized, Placebo-Controlled Trial” by Yao, Wang, Benacquista, et al. Read the article for FREE: https://bit.ly/TXAHematomaRedxn Special guest, Dr. Patricia McGuire, completed her undergraduate and medical school at the University of Missouri-Kansas City followed by general and plastic surgery training at Washington University, St. Louis and is currently in private practice in St. Louis. Her clinical interests focus on cosmetic breast surgery and body contouring, and she is the current President-Elect of ASERF and well-known for her ongoing research on breast implant illness. READ the articles discussed in this podcast as well as free related content: https://bit.ly/JCJuly24Collection

In an examination room, an ultrasound technician moves a wand over a patient's belly. The patient is 20 weeks pregnant. Usually, these appointments bring good news, but the news this day is devastating: the baby's bones are broken and bowed. Despite this, the baby is born and does well. After testing, all signs point to hypophosphatasia for Dr. Eric Rush, a clinical geneticist at Children's Mercy Hospital and the University of Kansas Medical Center, and an Associate Professor of Pediatrics at the University of Missouri-Kansas City, who shares this patient's story. And thanks to the life-changing treatment of enzyme replacement therapy, today, this child and many others with this rare bone disease are living happy, healthy lives.

Since childhood, Clancy Martin has been preoccupied with, and even addicted to, the idea of suicide. A survivor of more than ten suicide attempts. Clancy has spent his life wrestling with questions like: where do these impulses come from? Why am I haunted by them? Why do I feel so much guilt? Can I be helped?Clancy is a professor of philosophy at the University of Missouri — Kansas City, where he teaches existentialism, moral psychology, philosophy of the mind, and ethics. He is a Guggenheim Fellow and the author of more than ten books, most recently 2023's How Not to Kill Yourself: A Portrait of the Suicidal Mind, in which he chronicles his struggles with suffering, substance use, and an obsession with self-destruction. At the same time, the book is a prescription of hope and an eloquent reminder of the interconnectedness of our lives. These are the issues we grapple with in this episode. Content warning: Due to the sensitive nature of the topic of suicide, this episode might be distressing for some listeners. If you or someone you know is struggling with thoughts of suicide, in the United States, you can contact the National Suicide Prevention Lifeline by texting or calling 988, available 24 hours a day, seven days a week. For our international listeners, please refer to local resources in your country for support. In this episode, we discuss: 3:53 - The importance of “speaking honorably” about suicide and removing the taboo surrounding the topic9:23 - Applying the biopsychosocial model of illness to suicide 13:29 - Clancy's lifelong experience with suicidal ideation 22:58 - Moving past our tendency to see suicidal ideation as a personal sin or failure. 27:07 - Understanding the different reasons why a person would consider suicide 35:54 - In Clancy's view, what lies on the other side when one moves beyond a suicidal mindset 44:42 - Clancy's advice for how to cope if you are currently vulnerable to suicidal thoughts Clancy Martin is the author of How Not to Kill Yourself: A Portrait of the Suicidal Mind (2023).In this episode, We discuss Clancy's 2018 essay, I'm Still Here. Visit our website www.TheDoctorsArt.com where you can find transcripts of all episodes.If you enjoyed this episode, please subscribe, rate, and review our show, available for free on Spotify, Apple Podcasts, or wherever you get your podcasts. If you know of a doctor, patient, or anyone working in health care who would love to explore meaning in medicine with us on the show, feel free to leave a suggestion in the comments or send an email to info@thedoctorsart.com.Copyright The Doctor's Art Podcast 2023