Podcasts about anatole litvak

Paul and Erin review two films based on women writers' accounts of their time in psychiatric institutions: James Mangold's 1999 drama GIRL, INTERRUPTED starring Winona Ryder and an Oscar-winning Angelina Jolie, and Anatole Litvak's unusual 1948 drama starring Olivia de Havilland.

https://notesonfilm1.com/2024/07/08/thinking-aloud-about-film-ritrovato-round-up-2024/ Richard and I return to the podcast with our Ritrovato Round-up. Last year I couldn't go due to health reasons and I interviewed him; this year, the tables were turned and he interviews me. Ritrovato is so vast and generous in its programming that everyone who attended would have had a different experience of the festival. This is an account of mine. We criticise the booking system and people's piggish habit of taking out their phones during screenings. Cinephiles do know better, which makes it all the worse. The rest is mainly hossanas. We praise Daniel Bird's programming of the Parajanov Strand. We note how even seeing familiar films can be the basis of a rediscovery and discuss how the programme of Dietrich films at the festival should re-write the narrative of the Von Sternberg/ Dietrich collaborations from one of a Svengali act of moulding to a feminist act of self-creation. We touch on Delphine Seyrig, the Dark Heimat Strand, Gustaf Molander, Anatole Litvak and highlight Carlos Sauras' Los golfos and Montxo Armendáriz Tasio from the Cinema Libero strand. We also discuss seeing films at the stunning Cinema Modernissimo, watching Les parapluies de Cherbourg at the Piazza Maggiore and many other bits and bobs.

Welcome to It's A Wonderful Podcast!! To close out Burt Lancaster week, Morgan and Jeannine are back in that familiar world of late 40s Noir talking Anatole Litvak's tense, twisty thriller SORRY, WRONG NUMBER (1948) starring Barbara Stanwyck showing all her phenomenal range alongside Lancaster & Ann Richards! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Un livre, Un lecteur. Florence Berthout reçoit Florence Belkacem pour parler du livre « Le garde du cœur » de Françoise Sagan. À propos du livre : « Le garde du cœur » paru aux éditions Pocket L'accident se produit de nuit, sur une route côtière de Santa Monica. Sans raison apparente, un jeune homme se jette sous les roues de la Jaguar de Dorothy Seymour, scénariste hollywoodienne, que conduit Paul, son amant et ami. Dorothy, qui a dépassé la quarantaine, est une femme libre, gaiement amorale et sans illusions sur tous les plaisirs de la vie. Elle décide d'installer le jeune blessé chez elle. Cet étrange Lewis lui voue bientôt une adoration exclusive. Sous les yeux tolérants et étonnés de Paul, une relation amoureuse ambiguë naît entre ces deux êtres. Peu à peu, Dorothy laisse Lewis envahir agréablement sa vie. Mais la situation commence à se compliquer lorsque ce dernier, pris d'une sorte de folie protectrice, entend éliminer, par tous les moyens, tous ceux qui pourraient nuire à sa bienfaitrice... Françoise Sagan, de son vrai nom Françoise Quoirez, est née à Cajarc, dans le Lot. Sa carrière de femme de Lettres commence en 1954 avec la publication de Bonjour tristesse. Ce roman, en abordant explicitement la sexualité féminine avec un style désinvolte et mordant, provoque un véritable scandale. Récompensé la même année par le prix des Critiques, il devient l'emblème de toute la génération d'après-guerre et propulse son auteur au devant de la scène littéraire. Son œuvre compte aujourd'hui une trentaine de romans parmi lesquels on peut citer Aimez-vous Brahms..., publié en 1959 et porté à l'écran en 1963 par Anatole Litvak, Les Merveilleux Nuages (1973), Un orage immobile (1983), Les Faux-fuyants (1991) ou encore Le Miroir égaré (1996). Nouvelliste et auteur de théâtre, Françoise Sagan a écrit une dizaine de pièces et une biographie de Sarah Bernhardt publiée en 1987. Ce grand personnage de la scène culturelle française a également écrit le scénario du Landru de Claude Chabrol. Passionnée de sport automobile, l'auteur de Bonjour Tristesse a résidé de nombreuses années à Honfleur. En 1985, elle a reçu pour l'ensemble de son œuvre le dix-neuvième prix de la Fondation du prince Pierre de Monaco. Françoise Sagan s'est éteinte le 24 septembre 2004 à l'âge de 69 ans.

Películas: "Sorry, wrong number" (Anatole Litvak, 1948), "Phone booth" (Joel Schumacher, 2002 ) y "The guilty" (Antoine Fuqua, 2021) Conducción: Diego Cirulo. Columnistas: Belén Saitúa, Andrés Brandariz Ring! Ring! Quién está del otro lado de la línea? BSO y su tropa que, en esta ocasión, te trae tres thrillers que tienen como centro neurálgico la comunicación telefónica. Andrés Brandariz, Belén Saitúa y Diego Cirulo son acosados por una misteriosa voz que, a las claras, tiene una pinta de asesina bárbara. ¿Te sumás a la charla? Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras Locución: Daniela Jorquera Música: Leonel Ibaña, Bahía Blanca Webmastering: Andrés Cirulo

En una nueva edición de Página 13, dedicada al cine durante los viernes, Iván Valenzuela conversó con Ascanio Cavallo y Antonio Martínez, respecto a los estrenos del cine, como “John Wick 4”, “Marlowe”, “Un oso intoxicado”, “Minamata”, “La fortaleza” y “Huesera. Además se refirieron a la película “Acto de amor” de Anatole Litvak, a 70 años de su estreno en cines.

En una nueva edición de Página 13, dedicada al cine durante los viernes, Iván Valenzuela conversó con Ascanio Cavallo y Antonio Martínez, respecto a los estrenos del cine, como “John Wick 4”, “Marlowe”, “Un oso intoxicado”, “Minamata”, “La fortaleza” y “Huesera. Además se refirieron a la película “Acto de amor” de Anatole Litvak, a 70 años de su estreno en cines.

Barbara Stanwyck-serien fortsätter med den radiodramabaserade noirrullen "Sorry, Wrong Number" (1948), skriven av Lucille Fletcher och regisserad av Anatole Litvak. Här finner vi Stanwyck på sitt kanske mest underhållande hysteriska spelhumör -- även om vissa kanske skulle kalla det överspel. Den invalidiserade, bortskämda Leona Stevenson råkar höra två gangsters planera ett mord över en felkopplad telefonlinje. Hur ska hon, sängliggande och ensam i ett stort hus, lyckas stoppa mordet? Och vem är egentligen det tilltänkta offret? Martin Degrell och Jesper Ganslandt diskuterar flashbacks, osympatiska protagonister, klaustrofobiska settings och mycket annat. Hemsida: https://martindegrell.com/ Soundcloud: https://soundcloud.com/salong3 Instagram: salong3pod Email: salong3pod@gmail.com

The lads and everyone's favorite special guest Lisa Petitte answer the call to Halloween Noir one more time with today's entry: the suspenseful 1948 phone thriller Sorry, Wrong Number! Based on the famous radio play, director Anatole Litvak and the stellar cast (Barbara Stanwyck! Burt Lancaster! Wendell Corey!) bring justice to this gripping tale of a recluse and her race against time - will we? Tune in and find out! Questions, comments or cough drops? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast TWEET TWEET: twitter.com/outofthecast

Our Warner Bros. 1940 episode this time is a Bette Davis double feature in which Bette plays the Other Woman in two melodramas based on real-life sex-and-murder scandals, but the Wronged Woman in only one. We discuss the combination of sexual repression and critique of colonialism in William Wyler's The Letter and Anatole Litvak's study of societal constraints and thwarted romance with the very different setting of the last years of the Orléans monarchy in mid-19th century Paris, All This, and Heaven Too. Then, in a quick and dirty Fear and Moviegoing in Toronto segment, we evaluate David Cronenberg's mind-fuck gaming movie, eXistenZ, from 1999 (with spoilers, so skip it if you want your mind to be a virgin for the experience).  Time Codes: 0h 01m 00s:      THE LETTER [dir. William Wyler] 0h 41m 01s:      ALL THIS, AND HEAVEN TOO [dir. Anatole Litvak] 1h 10m 09s:      Fear & Moviegoing in Toronto – eXistenZ (1999) by David Cronenberg   Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!   

The lads hop on their fishing boat and into the fog - or rather into 1941's Out of the Fog! Directed by Anatole Litvak and starring Ida Lupino, John Garfield, Eddie Albert, John Qualen and Thomas Mitchell - get ready to set your ears (and your boats) on fire! Questions, comments or tickets to Cuba? therealoutofthepodcast@gmail.com (Note: for those who want to get straight to the business, the movie talk starts at 7:26)

It's 1938 and Warner Bros. is in its prime, and so is Bette Davis, just now moving into the kind of top-quality romantic melodramas in which she'd excel. No longer the studio of James Cagney, Joan Blondell, gangster heroes and Busby Berkeley spectacles, it's now the studio of Bette Davis, Errol Flynn, glossy melodramas and action-adventure heroes; or at least, these stars and genres are co-existing with Cagney, Robinson, John Garfield, and soon, Humphrey Bogart vehicles. Warners is broadening its range and turning into the greatest of the studios (prove us wrong).  As for this episode: The Sisters (Anatole Litvak) stars Davis and Flynn as ill-matched lovers contending with gender role expectations and Flynn's obscure demons. Then in The Dawn Patrol, Edmund Goulding's anti-war masterpiece, Flynn transfers his affections to David Niven and his piebald pjs. Even though there's not a single woman glimpsed and barely a woman mentioned, Flynn, Niven, Basil Rathbone, Donald Crisp, and Donald Crisp's imaginary dog achieve enough emotional intimacy and relationship intensity to satisfy any viewer under Goulding's direction.    Time Codes: 0h 01m 00s:                  Warner Brothers Transformation During the Late 1930s 0h 04m 02s:                   THE SISTERS (dir. Anatole Litvak)             0h 41m 04s:                   THE DAWN PATROL (dir. Edmund Goulding)             Studio Film Capsules provided The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com

Lee and Leah get into the mind of the criminal element when they cover the Anatole Litvak-directed, and John Huston-written crime & comedy film, "The Amazing Dr. Clitterhouse" (1938). Is this film a bit deeper than it lets on? Is Edward G. Robinson really all that great a guy in this? Is this just the Stanford Experiment? Are they talking about what one might think they are talking about with the Clitterhouse name? What did Humphrey Bogart think of this film? All of this and more, including what the hosts have watched as of late. "The Amazing Dr. Clitterhouse" IMDB  Check out our friend Thomas' YouTube channel here.  Featured Music: "Eine Klein Enacht Musik (1st Movement)" by Wolfgang Amadeus Mozart, performed by S. Soundiva Orchestra & "I Wanna Go Back to Bali" by Rudy Vallée, performed by The Connecticut Yankees.

Dans lʹocéan des films proposés en streaming ou en VOD, Rafael Wolf vous conseille trois perles à voir en ce moment : -"Les bonnes manières" (2017) de Juliana Rojas et Marco Dutra, conte social avec un garçon loup-garou brésilien (sur Spamflix et Mubi) -"Raccrochez, cʹest une erreur"(1948) dʹAnatole Litvak, classique du film noir avec Barbara Stanwyck et Burt Lancaster (sur iTunes) -"Petite fille" (2020) de Sébastien Lifshitz, documentaire qui interroge la transidentité dʹun jeune enfant (sur cinefile.ch)

Goffredo Fofi racconta "Tovarich" (1937) di Anatole Litvak.

Le pianiste Geoffroy Couteau, grand spécialiste de l'œuvre de Johannes Brahms revient avec deux nouveaux albums, réunissant les sonates pour violoncelle et les quatuors pour piano et cordes du compositeur allemand. « Aimez-vous Brahms ? », une question qui fut le titre d’un roman publié en 1959 par Françoise Sagan, et du film qu’Anatole Litvak en a tiré deux ans plus tard avec Ingrid Bergman, Anthony Perkins et Yves Montand. C’est une question que l’on ne peut pas poser à notre invité, le pianiste Geoffroy Couteau. Il a non seulement remporté en 2005, le 1er prix du Concours international Johannes Brahms, mais il a aussi entrepris d’enregistrer l’intégrale de l’œuvre du compositeur allemand. En 2016, il sortait en coffret de six CD ses œuvres pour piano seul. Il enchaînait ensuite avec le Quintette de Brahms avec le quatuor Hermès, puis avec les trios pour violon, violoncelle et clarinette avec respectivement Amaury Coeytaux, Raphaël Perraud et Nicolas Baldeyrou. Le voici de retour avec deux nouveaux volets réunissant les sonates pour violoncelle et les quatuors pour piano et cordes. Ils sont tous les deux disponibles chez « La Dolce Volta ». En fin d'émission, la chronique musique d'Alain Pilot. Il a rencontré Catastrophe, pour la sortie de l’album « Gong » du label Tricatel de Bertrand Burgalat.      

Our five taste of what the 1940's has to offer, and it's very promising! We talk the advancements in the industry in just 10 years, the incredible performances of Bette Davis, Charles Boyer, and Barbara O'Neil, and the impressive works of director Anatole Litvak! Join us for All This, and Heaven Too! Up Next: Foreign Correspondent (1940) directed by Alfred Hitchcock You can find more info on the show as well as the full film list and watch order on our website: www.outaopodcast.com Or use our Letterboxd list! Support for Once Upon a Time at the Oscars is provided by our Patreon backers. For as little as $2 a month you can help support our show as well as receive fun benefits, including the chance to vote for what film you think deserves to win Best Picture every year! Subscribe to the show – Apple, Google, Spotify, Feed (Copy the url into the podcast app of your choice) If you like the show, please consider leaving a rating or review on iTunes or your podcast player of choice! Help us reach more listeners! You can stay up to date with the show by following us at: facebook.com/outaopodcast twitter.com/outaopodcast instagram.com/onceuponatimeattheoscars Once Upon a Time at the Oscars is the weekly podcast where we take on the gauntlet of watching every single film that was nominated for Best Picture at the Academy Awards! Starting with the films of 1927, Kyle and Marilee break down these movies every week. Each episode is part review, part trivia, and part critique. This podcast is intended for anybody that loves movies. We have zero background in the film industry, we’re just a film-loving couple that thought it’d be fun to go on this odyssey together, with all of you! Let us know what you thought of the film! You can send your thoughts and we’ll read them on an upcoming ceremony episode: outaopodcast@gmail.com Thanks for tuning in! See you at the movies, Kyle and Marilee

Episode 2: Wherein the boys fail to make head nor tails of this absolute stinker of pre-war US propaganda. I mean how could they miss this lot of absolute Nazi's right under their noses?! Staring Edward G Robinson. Directed by Anatole Litvak. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Post-synchro, l'émission qui écoute le cinéma, rend son petit hommage à Michel Legrand. Au programme, quelques titres cultes, une poignée de compositions plus rares, les extraits des bandes sonores de Une femme est une femme (Jean-Luc Godard), L'Affaire Thomas Crown (Noman Jewison), Breezy (Clint Eastwood), Le Joli Mai (Chris Marker et Pierre L'Homme), La Dame dans l'auto avec des lunettes et un fusil (Anatole Litvak), F For Fake (Orson Welles), Le Messager (Josef Losey), Vivre sa vie (Jean-Luc Godard, encore), L'Amérique insolite (François Reichenbach), Lola de Jacques Demy et puis aussi les voix de Petula Clark, Anna Karina ou encore Shelby Flint. Durée: 55'Production et animation : Dick Tomasovic

Post-synchro, l’émission qui écoute le cinéma, rend son petit hommage à Michel Legrand. Au programme, quelques titres cultes, une poignée de compositions plus rares, les extraits des bandes sonores de Une femme est une femme (Jean-Luc Godard), L’Affaire Thomas Crown (Noman Jewison), Breezy (Clint Eastwood), Le Joli Mai (Chris Marker et Pierre L’Homme), La Dame dans l'auto avec des lunettes et un fusil (Anatole Litvak), F For Fake (Orson Welles), Le Messager (Josef Losey), Vivre sa vie (Jean-Luc Godard, encore), L’Amérique insolite (François Reichenbach), Lola de Jacques Demy et puis aussi les voix de Petula Clark, Anna Karina ou encore Shelby Flint.   Durée: 55’ Production et animation : Dick Tomasovic

"Say? Oh, I will say, 'The play is over. Go home.'" Anastasia (1956) directed by Anatole Litvak and starring Ingrid Bergman, Yul Brynner and Helen Hayes. Next Time: My Favorite Year (1982)

Freelance writer - filmmaker Barrie Pattison lifts the lid off old Hollywood as he discusses the careers of veteran directors Michael Curtiz and Anatole Litvak

Our second episode focuses on wives in peril, the post-war ladies who either married a stranger or had a husband return from the war a changed man. We discuss classics from Douglas Sirk, Nicholas Ray and Preston Sturges to name but a few. Our He's a Keeper segment this month features the dreamy Joseph Cotten. Ladies! Does your husband insist you drink glasses of questionable milk each day? Or coffee? Or hot chocolate? Does he rummage in the attic? Does he accuse you of cheating? Does he carry around expensive ladies jewellery? Is he obsessed with orchids and ladies without an appetite? Do dogs dislike him? Has he failed in his career? Is he broke? Does he hide his paintings from you? Has he curated rooms in his house depicting famous murder scenes? Is he always snooping in your handbag? Is he unable to perform in the sack? Does he have a woman on the side? Join us! Sources: Bigger Than Life (1956) Dir. Nicholas Ray. [DVD] 20th Century Fox. Citizen Kane (1941) Dir. Orson Welles. [DVD] RKO. Cotten, Joseph. (1987) Vanity Will Get You Somewhere. London: Columbus Books. Crawford, Joan. (1962) A Portrait of Joan. [with Jane Kesner Ardmore] New York: Doubleday. Dial ‘M’ for Murder (1954) Dir. Alfred Hitchcock. [DVD] Warner’s. Dragonwyck (1946) Dir. Joseph L Mankiewicz. [YouTube] 20th Century Fox. Gaslight (1944). Dir. George Cukor. [DVD] MGM. Night of the Hunter (1955) Dir. Charles Laughton. [DVD] MGM. Notorious (1946) Dir. Alfred Hitchcock. [DVD] RKO. Rosemary’s Baby (1968) Dir. Roman Polanski. [DVD] Paramount. Secret Beyond the Door (1947) Dir. Fritz Lang. [DVD] Universal. Shadow of a Doubt (1943)Dir. Alfred Hitchcock. [DVD] Universal. Sleep, My Love (1948) Dir. Douglas Sirk. [DVD] United Artists. Sorry, Wrong Number (1948) Dir. Anatole Litvak. [DVD] Paramount. Sudden Fear (1952) Dir. David Miller. [DVD] RKO. Suspicion (‘41) Dir. Alfred Hitchcock. [DVD] RKO. The Barefoot Contessa (1954) Dir. Joseph L. Mankiewicz. [DVD] United Artists. The Magnificent Ambersons (1942) Dir. Orson Welles. [DVD] RKO. The Third Man (1949). Dir. Carol Reed. [DVD] 20th Century Fox. The Two Mrs Carrolls (1947) Dir. Peter Godfrey. [DVD] Warner’s. Undercurrent (1946). Dir. Vincente Minnelli. [DVD] MGM. Unfaithfully Yours (1948) Dir. Preston Sturges. [DVD] 20th Century Fox. http://randompicturesblog.net/2014/11/11/bluebeard-in-black-and-white-fritz-langs-secret-beyond-the-door/ https://mubi.com/notebook/posts/felicity-conditions-seek-and-hide Joseph Cotten in Citizen Kane clip - http://www.tcm.com/mediaroom/video/499407/Citizen-Kane-Movie-Clip-Like-Any-Other-Marriage.html

Due to a telephone glitch, Leona Stevenson (Barbara Stanwyck), a controlling heiress confined to a wheelchair, overhears a conversation about a plan to kill a woman. Unable to leave her home or reach her husband (Burt Lancaster), and written off by the police, Leona struggles to uncover the truth through a series of phone calls that only lead her deeper into a mystery, which may involve her college rival, Sally (Ann Richards), and a scheme to sell pharmaceuticals on the black market. Stream online: https://amzn.to/3b2V6f8 Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

Due to a telephone glitch, Leona Stevenson (Barbara Stanwyck), a controlling heiress confined to a wheelchair, overhears a conversation about a plan to kill a woman. Unable to leave her home or reach her husband (Burt Lancaster), and written off by the police, Leona struggles to uncover the truth through a series of phone calls that only lead her deeper into a mystery, which may involve her college rival, Sally (Ann Richards), and a scheme to sell pharmaceuticals on the black market. Stream online: https://amzn.to/3b2V6f8