Podcasts about mankiewicz

  In 1950, as Hollywood was roiled by the investigations of the House Committee on Un-American Activities and the Hollywood 10 were fresh in memory, a war broke out between legendary director Cecil B. DeMille and relative director newcomer Joseph L. Mankiewicz, whom DeMille had practically appointed as president of the Screen Directors Guild. The object of that war was DeMille's demand that SDG adopt a compulsory loyalty oath. Mankiewicz refused and subsequently DeMille organized a recall campaign that led to one of the most celebrated union hall meetings in history at the Beverly Hills Hotel.  This week, Steve is joined by former Showtime President of Programming Jerry Offsay, screenwriter/author Steve Molton and film historian Avie Hern as they talk about their film project, currently in development, which details this dramatic "Battle for Hollywood." 

A “Bad Teachers” Series EpisodeIn this episode of Exposed Scandalous Files of the Elite, “Bad Teachers” series episode, Jim brings you inside the arguably the most infamous case of an inappropriate teacher/student relationship with the shocking case of Mary Kay Leterneau, who was convicted of a sexual relationship with a 12-year-old student, had (2) children, and married the student later in life.#badteachers #exposed #podcast #scandals #Marykayleterneau #villi Timestamps00:22 The Infamous Mary Kay Letourneau04:34 Early Life and Family Background08:10 The Teacher-Student Connection12:52 Crossing Boundaries14:36 The Beginning of a Scandal18:21 Arrest and Media Frenzy19:27 The Courtroom Drama23:07 Release and Repercussions29:31 The Aftermath of the Affair33:09 Reuniting Against the Odds35:29 Marriage and Public Attention39:22 A Troubled Ending41:11 Reflections and New Beginnings47:45 The Impact For collaborations, promotions, or appearances email Jim at:  https://www.exposedpodcastfiles@gmail.com     Join us on Patreon for commercial free early releases, bonus content and more by clicking HERE SourcesState vs. Letourneau.  17 Apr 2000.Associated Press.  “Appeals court allows…”  News on 6.  18 Apr 2000.Tate, Cassandra.  “Letourneau, Mary Kay.”  History Link.  05 Aug 2004.Mankiewicz, John.  “A love like no other.”  NBC News.  02 Jun 2006.Staff Writer.  “Mary K. Letourneau…”  WTOL 11.  27 Jan 2011.Associated Press.  “Mary Kay Letourneau's…”  CBS News.  30 May 2017.Bowerman, Mary.  “A look back at…”  USA Today.  31 May 2017.Finn, Natalie.  “The Shocking Story…”  Yahoo! News.  06 Jul 2024.Aiello, McKenna.  “Mary Kay Letourneau…”  E! News.  09 Jun 2017.Hohman, Maura.  “Vili Fualaau recounts…”  Today.  15 Sep 2020.Helling, Steve.  “Mary Kay Letourneau…”  People.  14 Oct 2021.Scanlan, Rebekah.  “Schoolboy raped by…”  News AU.  07 Sep 2023.Sitzer, Carly.  “Mary Kay Letourneau's…”  In Touch Weekly.  09 Sep 2023.Kostelny, Laura.  “The real story…”  Country Living.  17 Nov 2023.Van Horn, Haley.  “Where is Vili…”  People.  31 Jan 2024.Helling, Steve.  “Mary Kay Letourneau's…”  New York Post.  24 Jan 2025.Mary Katherine Fualaau Certificate of Death.Family interview. Become a supporter of this podcast: https://www.spreaker.com/podcast/exposed-scandalous-files-of-the-elite--6073723/support.

Film lovers have long heard of the legendary names that built Hollywood into a global entertainment empire - Goldwyn, Mankiewicz, Laemmle, Mayer, Loews. But it was The Schenck Brothers, a ruthless pair of Bowery boys, who worked their way up to launch the Hollywood studio system, creating a lasting legacy of 'star maker machinery" while simultaneously breaking all the business rules. MOGULS: The Lives and Times of Film Pioneers Nicholas and Joseph Schenck (Sept. 24, 2024) is co-authored by Producers Guild of America member and film director Craig Singer, and Brooklyn-based writer Michael Benson (Gangsters vs. Nazis). MOGULS is a noirish, incredible Hollywood history. The Schenck brothers held controlling interests in three major studios: Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA). But chances are you've never heard of them because they preferred to run their global empire behind closed doors. Nick was Louis B. Mayer's boss. Think Mank meets Chinatown and LA Confidential, with a heaping dose of Hail, Caesar! and The Godfather II (of course). Twice as powerful as the Warner Brothers, the Schencks were immigrants who quietly ran Hollywood out of the spotlight, bringing film into a world of blazing color. They were as American as jazz and baseball, as flashy as Gatsby, as cunning as gangsters, who controlled a third of the motion picture industry at their height - and were some of the richest men in America.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Film lovers have long heard of the legendary names that built Hollywood into a global entertainment empire - Goldwyn, Mankiewicz, Laemmle, Mayer, Loews. But it was The Schenck Brothers, a ruthless pair of Bowery boys, who worked their way up to launch the Hollywood studio system, creating a lasting legacy of 'star maker machinery" while simultaneously breaking all the business rules. MOGULS: The Lives and Times of Film Pioneers Nicholas and Joseph Schenck (Sept. 24, 2024) is co-authored by Producers Guild of America member and film director Craig Singer, and Brooklyn-based writer Michael Benson (Gangsters vs. Nazis). MOGULS is a noirish, incredible Hollywood history. The Schenck brothers held controlling interests in three major studios: Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA). But chances are you've never heard of them because they preferred to run their global empire behind closed doors. Nick was Louis B. Mayer's boss. Think Mank meets Chinatown and LA Confidential, with a heaping dose of Hail, Caesar! and The Godfather II (of course). Twice as powerful as the Warner Brothers, the Schencks were immigrants who quietly ran Hollywood out of the spotlight, bringing film into a world of blazing color. They were as American as jazz and baseball, as flashy as Gatsby, as cunning as gangsters, who controlled a third of the motion picture industry at their height - and were some of the richest men in America.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

FILMOTECAMURCIA.es ('La antigüedad filmada: El cine de romanos')Viernes 27 de septiembre / 18.45 horas'Julio César' (Julius Caesar; Joseph L. Mankiewick, 1953) Estados Unidos. 120'. VOSEFiel adaptación para el cine de la obra homónima de Shakespeare. Terminada la guerra civil entre César y Pompeyo (49-46 a. C.), César se convierte en dictador vitalicio y concentra en su persona todos los poderes, lo cual implica, de hecho, la desaparición de la República. En el año 44 a. C., Casio y Bruto, dos nobles romanos defensores a ultranza de las libertades republicanas, encabezan una conjura contra el dictador, que es asesinado en los idus de marzo de ese mismo año. Cabría destacar el apologético (y demagógico) discurso que pronuncia Marco Antonio en defensa de César con el fin de soliviantar a la plebe contra los tiranicidas. Con esta obra Mankiewicz propone una lección política sobre los regímenes autoritarios.(Proyección especial: 'Festival Exlibris')Viernes 27 de septiembre / 21.15 horas 'Desayuno con diamantes' (Breakfast at Tiffany's; Blake Edwards, 1961) Estados Unidos. 115'. VOSEHolly Golightly es una bella joven neoyorquina que, aparentemente, lleva una vida fácil y alegre. Tiene un comportamiento bastante extravagante, por ejemplo, desayunar contemplando el escaparate de la lujosa joyería Tiffanys. Un día se muda a su mismo edificio Paul Varjak, un escritor que, mientras espera un éxito que nunca llega, vive a costa de una mujer madura.Sábado 28 de septiembre / 19.30 horas'El cochecito' (Marco Ferreri, 1960) España. 85'.Don Anselmo, un anciano ya retirado, decide comprarse un cochecito de inválido motorizado ya que todos sus amigos pensionistas poseen uno. La familia se niega ante el capricho del anciano, pero él decide vender todas las posesiones de valor para comprárselo... Un clásico del cine español con el gran Pepe Isbert y guión de Azcona y Ferreri. ESTRENOS DE LA SEMANA'Emmanuelle' (Audrey Diwan)Noemie Merlant, Naomi Watts,Emmanuelle está en busca de un placer perdido. Un día, la cadena de hoteles de lujo para la que trabaja le encarga ir a Hong Kong a revisar la bajada de ingresos de uno de sus establecimientos, pero cuando llega se encuentra un hotel que funciona a la perfección. Teniendo que buscar una excusa para echar a su directora, durante su estancia allí conoce a Lee Jae-Yong, un atractivo ejecutivo que tiene unas rutinas misteriosas y mantiene su anonimato de cara al hotel. Emmanuelle empieza a obsesionarse con él y a seguirle; pero la obsesión empezará a hacerla fallar en su trabajo.'Soy Nevenka' (Iciar Bollaín) novela: Juan José MillásMireia Oriol, Urko Olazabal, Ricardo GómezEn el año 2000, Nevenka Fernández, de 24 años, concejala de Hacienda en el Ayuntamiento de Ponferrada, sufre una persecución implacable, tanto sentimental como profesional, por parte del alcalde, un hombre acostumbrado a hacer su voluntad en lo político y en lo personal. Nevenka decide denunciar, aunque sabe que deberá pagar un precio muy alto: su entorno no la apoya, la sociedad de Ponferrada le da la espalda y los medios la someten a un juicio público. Su caso inicia en España el movimiento #metoo mucho antes de que se invente el término. Una historia basada en hechos reales que convierte a su protagonista en una pionera al llevar por primera vez a un político influyente y popular ante los tribunales por acoso sexual y laboral.'Megalópolis' (Francis Ford Coppola) 138´Adam Driver, Giancarlo Espósito, Nathalie Emmanuel, Aubrey Plaza, Shia Labeouf, John VoightUna fábula épica romana ambientada en una América moderna imaginada. La ciudad de Nueva Roma debe cambiar, lo que provoca un conflicto entre César Catilina, un genio artista que busca saltar hacia un futuro utópico e idealista, y su opositor, el alcalde Franklyn Cicero, que sigue comprometido con un statu quo regresivo, perpetuando la codicia, los intereses particulares y la guerra partidista. Dividida entre ellos está la socialité Julia Cicero, la hija del alcalde, cuyo amor por César ha dividido su lealtad, obligándola a descubrir lo que realmente cree que la humanidad merece. 'Interestelar' (Christopher Nolan)Matthew McConaughey, Anne Hathaway, Jessica Chastain, Matt DamonAl ver que la vida en la Tierra está llegando a su fin, un grupo de exploradores dirigidos por el piloto Cooper (McConaughey) y la científica Amelia (Hathaway) emprende una misión que puede ser la más importante de la historia de la humanidad: viajar más allá de nuestra galaxia para descubrir algún planeta en otra que pueda garantizar el futuro de la raza humana.'Spider-Man: Homecoming' (John Watts)Tom Holland, Michael Keaton, Robert Downey jrPeter Parker (Tom Holland) comienza a experimentar su recién descubierta identidad como el superhéroe Spider-Man. Después de la experiencia vivida con Los Vengadores, Peter regresa a casa, donde vive con su tía (Marisa Tomei). Bajo la atenta mirada de su mentor Tony Stark (Robert Downey Jr.), Peter intenta mantener una vida normal como cualquier joven de su edad, pero interrumpe en su rutina diaria el nuevo villano Vulture (Michael Keaton) y, con él, lo más importante de la vida de Peter comenzará a verse amenazado.

Many of us grow up in homes with high expectations, but perhaps not the burden of expectation that Ben Mankiewicz experienced.  His grandfather and great uncle were prominent in Hollywood, his father in the world of politics.  Ben long ago dreamed of being a baseball broadcaster.  Along the way, he worked in sports media, hosted an eclectic news broadcast in Miami and eventually moved to California where he went on scores of auditions and batted .000.  But much like in his beloved baseball, it only takes one.  At the audition for Turner Classic Movies (TCM) in 2003, Mankiewicz hit it out of the park.  More than 20 years later, generations of classic movie fans are glad he did. I hope you enjoy the latest episode of “Before The Cheering Started with Budd Mishkin.” If you like the episode, please rate and review it on Apple, Spotify or wherever you get your podcasts.  And please share it on social media and by old fashioned word of mouth.

Joe and Allison are joined by Tomatometer-approved Rotten Tomatoes critics Nick and Joseph of Fish Jelly Film Reviews in this week's episode of Queer Cinema Catchup. Together, they unpack the 1959 film Suddenly, Last Summer based on the Tennessee Williams play; directed by Joseph L. Mankiewicz; written by Gore Vidal, Mankiewicz, and Williams; and starring Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift.Listen as they discuss the behind-the-scenes queerness of this already queer movie (3:09); the central metaphor of the film and what it says about the implied queer identity of one of its major (albeit dead) characters (7:20); the deeper, darker implications of Elizabeth Taylor's famous white bathing suit (19:41); how the film got around the Hays Code (21:48); whether or not the coded and negative representation of the film is damaging (29:11); the connection between Tennessee Williams' personal history and the plot of the film (34:07); and how Katharine Hepburn's performance inspired Anthony Hopkins (39:50).Thanks very much to Joseph and Nick for joining us; you can hear more of their reviews on their youtube channel and podcast. Hosted on Acast. See acast.com/privacy for more information.

Making Change We’re thrilled to welcome Ben Mankiewicz back to Front Row Classics. Ben will be hosting Turner Classic Movies’ newest limited series, “Making Change: The Most Significant Political Films of All Time”. This series will feature films that were ranked by The New Republic Magazine. Throughout the nine-week series, Ben and a wide range … Continue reading Ep. 235- TCM’s Making Change-Interview with Ben Mankiewicz →

Estreou em 1941 um dos filmes que é considerado por muitos o melhor filme de todos os tempos: Cidadão Kane. Filme dirigido por Orson Welles e roteirizado por Welles e Herman J. Mankiewicz, o filme ganhou uma importância cinematográfica além do seu tempo de exibição e premiações. Foi o tempo que colocou Cidadão Kane em seu merecido lugar de destaque.O filme aborda a história de Charles Foster Kane, um magnata, dono de um conglomerado de mídia que influenciou, denunciou, propagandeou e politizou informações junto à população, impactando positiva e negativamente a vida de muita gente. Cidadão Kane desenvolve essa história que busca, através do olhar de terceiros, desvendar quem realmente foi Kane e por que, em seu leito de morte, ele disse "Rosebud".No episódio de hoje, Rafael Arinelli recebe Cecília Barroso (Cenas de Cinema), Alan Alves (colunista Cinem(ação)) e Wesley Castro (Wanna Be Nerd) para conversar sobre as inovações técnicas que o filme trouxe para o mundo do cinema e, sobretudo, sobre como a narrativa, que muitas vezes é pouco elogiada, consegue ser inventiva e moderna ao contar uma história complexa, de forma não linear e com o ponto de vista de tantos personagens.Então, sintonize seu rádio, ligue sua TV, aprume seu jornal, e venha ouvir um podcast detalhando o filme Cidadão Kane.• 03m56: Pauta Principal• 1h12m10: Plano Detalhe• 1h26m23: EncerramentoOuça nosso Podcast também no:• Feed: https://bit.ly/cinemacaofeed• Apple Podcast: https://bit.ly/itunes-cinemacao• Android: https://bit.ly/android-cinemacao• Deezer: https://bit.ly/deezer-cinemacao• Spotify: https://bit.ly/spotify-cinemacao• Amazon Music: https://bit.ly/amazoncinemacaoAgradecimentos aos patrões e padrinhos: • André Marinho• Anna Foltran• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Lima• Eloi Xavier• Gabriela Pastori• Guilherme S. Arinelli• Gustavo Reinecken• Katia Barga• Thiago Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• Twitter: https://bit.ly/twittercinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Cecília): Série: Bodkin• (Alan): Filme: Todos Nós Desconhecidos• (Alan): Documentário: Kokomo City: A Noite Trans de Nova York• (Wesley): Música: The White Stripes: White Blood Cells• (Wesley): Filme: O Rapto• (Wesley): Série: The Leftovers• (Rafa): Filme: PedágioEdição: ISSOaí Design

Dateline eases us into a summer of NBC Olympics by giving us one last new episode from the marvelous Mr. Mankiewicz which is a doozy of a case that will stay with us for weeks! When a smart and ambitious nurse is brutally killed in the home she shares with her boyfriend, he's the obvious suspect. But there's also the men she met on a “dating” site called fling.com! Kimberly went on it so you don't have to, and she and Katie will never be the same! Suspects abound, but there's a twist that both K and K had ruined for them! It's time to up your hotness scale and rizzify your life by tuning in to THE BREAKUP! Official Description from NBCU: A nurse is gunned down in her home and detectives believe they have a clear suspect; as they delve deeper into the investigation new information leads them down a completely different path. Josh Mankiewicz reports.  Please subscribe to our BFFs Mandy and Melissa at Moms and Mysteries! They are the best! We love them so much and know you will too, if you don't already! Support our friends by subscribing to their podcast and following them on social media!  Check out these amazing deals from our incredible sponsors! Write your breakup letter to all other socks today! Head over to bombas.com/datedateline and use code datedateline for twenty percent off your first purchase. Get healthy, glowing skin for summer with clean, vegan skin and body care from OSEA! Get 10% off your first order sitewide with code DATEDATELINE at OSEAMalibu.com. You'll get free samples with every order, and free shipping on orders over $60.  Get your coolest, most comfortable sleep with Boll & Branch. Get 15% off plus free shipping on your first set of sheets when you use promo code DATEDATELINE at  BollAndBranch.com!Exclusions apply. See site for details. Head to acorns.com/datedateline or download the Acorns app to start saving and investing for your future today! Plant some acorns and invest in your future money tree! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Mr. Mankiewicz is heading to Canada, eh! He's bundled up on the Polar Bear Express and heading where the sun don't shine to report on a case that shockingly took “a woman of a certain age” amount of years to solve! If you already thought that Sir Manky with the Hanky was cool as moose, wait until you hear how he's down with OPP whilst simultaneously explaining genetic genealogy and breaking down the intricacies of Egyptian politics and bottled water that complicate this crime. The man can do it all! Grab your Tim Horton's cruller and gas up your snowmobile for EVIL WALKED THROUGH THE DOOR! Soory not sooory! Official Description from NBCU: Two murders in Toronto ignite an investigation that spans four decades; breakthroughs in investigative genetic genealogy help crack the case. Josh Mankiewicz reports.  Check out our friends Erika and Paul from the HILARIOUS podcast THAT AGED WELL! They're breaking down the crazy movies from your youth from all the problematic dialogue to troubling fashion. Listen to one episode and you'll be as hooked as we all were on letting John Hughes give us horrible dating advice!  This episode is dedicated to Sooz S. and Anne O! We appreciate your generosity in helping us keep the mics on and the lights on, and how much you enrich our ADWD community! We couldn't do this without you, ladies! Get some spring deals from our amazing sponsors and support the podcast! Guaranteed happy tears this Mother's Day! Give all the moms in your life a unique, heartfelt gift you'll all cherish for years, Storyworth! Right now save $10 on your first purchase when you go to StoryWorth.com/datedateline! There's nothing better than the smell of fresh bread and pastries! Except for ones that all you have to do is bake! Plus, for a limited time, you can get $30 off the first box - PLUS free Croissants in every box - when you go to wildgrain.com/DATE to start your subscription. Refresh your everyday look this spring with Thrive Causemetics. Luxury beauty that gives back. Right now, you can get an exclusive 10% off your first order at thrivecausemetics.com/DATEDATELINE. Makes a great gift to help someone in your life Thrive! If Dateline has taught us anything, it's that we could all use some privacy! Right now you can get 3 Day Blinds' buy one get one 50% off deal on custom blinds, shades, shutters, and drapery! For a FREE, NO charge, NO obligation consultation, just head to 3DayBlinds.com/DATEDATELINE.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 01:29:13 - Les Nuits de France Culture - par : Albane Penaranda - En 1951, l'actrice Bette Davis est récompensée par le Prix d'interprétation à Cannes pour son rôle dans "All about Eve" de Mankiewicz. Ce n'est qu'un des prix de la carrière de cette immense actrice américaine disparue en 1990. La même année, ce numéro des "Mardis du cinéma" lui est consacré. - invités : N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne); Christian Viviani Coordinateur et rédacteur de la revue Positif, professeur à l'université de Caen-Basse Normandie

Újabb hollywoodi klasszikust pótoltunk a héten: az All About Eve (Mindent Éváról) Joseph Mankiewicz rendezése 1950-ből. A filmet rekordszámú, 14 Oscarra jelölték, amelyből ugyancsak rekordszámú, négy jelölést kaptak a színésznők. Ezt azóta sem tudta megismételni egyetlen produkció sem. Bette Davis, Anne Baxter, Celeste Holm és Thelma Ritter is emlékezeteset nyújtanak, mellettük még egy nyúlfarknyi szerepben Marilyn Monroe is feltűnik. Az adásunkban a wmn.hu kritikusa, Gyárfás Dorka volt a vendégünk. A Mindent Éváról a New York-i színészvilágban, a Broadway környezetében játszódik - milyen általános, és ma is érvényes állításokat fogalmaz meg a sztárságról? Hogyan száll szembe a műfaji sztereotípiákkal az átverésekkel, rivalizálással, szélhámossággal foglakozó történet? Miért lenyűgözően sokrétű Bette Davis alakítása a negyvenes éveiben járó színpadi legenda, Margo Channing szerepében? Anne Baxter hogyan lepi meg a nézőket a feltörő üdvöske, Eve Harrington szerepében? George Sanders játssza a kritikust, Addison DeWittet, akin keresztül az egész sajtóról alkot képet Mankiewicz filmje. Mennyire hitelesen mutatja be a kritikusok szerepét, és hogyan viszonyítható ez a magyar színikritikusi szakmához? Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek Dorka cikkei a wmn.hu oldalon Dorka hírlevele a Substack oldalon A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak András az X-en: @gaines_ Péter az X-en: @freevo Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu  

Join Kevin Goetz as he welcomes the host of Turner Classic Movies, Ben Mankiewicz. As a member of the illustrious Mankiewicz family, Ben provides a unique insider perspective, from delightful stories about his early life surrounded by Hollywood royalty to the privileges and expectations that come with having a famous name. He also shares colorful anecdotes about his father, who spurned the movie business in favor of making an impact through politics and public service. Throughout the episode, Ben brings his deep passion for film to life, offering thoughtful analysis and critiques on everything from beloved classics like Casablanca to defining what makes a movie truly great. His joy and encyclopedic knowledge when discussing cinema is infectious.Ben's Family Legacy and Getting into Columbia (2:42)Ben talks about his family's long history at Columbia and getting rejected initially despite his famous relatives.Ben's Father Spurning Hollywood for Public Service (8:08)Ben recounts his father Frank Mankiewicz's remarkable transition from Hollywood entertainment lawyer to a member of the Peace Corps in Peru. He further elaborates on his father's notable career milestones, which encompassed serving as Robert F. Kennedy's press secretary and spearheading George McGovern's campaign.Following His Own Path (9:15)Ben compares his interests to his father's drive to make a difference rather than join the movie business.Behind the Scenes of Turner Classic Movies (12:08)Ben describes auditioning for TCM and having long discussions about movies, playing to his strengths. Ben says seeing The Barefoot Contessa on TCM right after his audition felt like a good omen he'd get the job because it was a Mankiewicz movie.Ben's Takes on Classic Films (20:53)Ben argues audiences over time, not just critics, determine what becomes a classic film based on emotional impact. Ben names Paths of Glory and Casablanca as his favorites for their emotional resonance.On the Waterfront and the Problem with Kazan (33:47)Ben expresses admiration for On the Waterfront, acknowledging its brilliance and emotional depth, particularly praising Eva Marie Saint's performance. However, he expresses disdain for Elia Kazan's decision to name names during the McCarthy era. Mank and the Family Name (41:36)Ben talks about being a Mankiewicz, and describes being incredibly moved by the 2020 biographical drama film Mank directed by David Fincher capturing Ben's grandfather Herman's spirit. Whether you're a longtime TCM fan or simply love hearing little-known details about Hollywood history straight from the source, this podcast is a must-listen. If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Ben MankiewiczProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoFor more information about Ben Mankiewicz:Wikipedia: https://en.wikipedia.org/wiki/Ben_MankiewiczTwitter: https://twitter.com/benmank77?lang=enThe Plot Thickens Podcast: https://theplotthickens.tcm.com/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Web

A podcast miniseries devoted to celebrating the 1988 contemporary classic, action buddy comedy MIDNIGHT RUN, written by George Gallo & directed by Martin Brest. Hosted by Blake Howard & Jen Johans of One Heat Minute Productions & Watch With Jen, respectively, each week, we'll explore the film we first bonded over when we became friends in 2019 by surfing through an incredible roster of guests from journalists to novelists & beyond who love it as much as we do.In episode three, we discuss seeing Midnight Run in theatres then and now, Grodin being annoying as superpower and crying every time you watch one of the funniest movies ever made.BEN MANKIEWICZBen Mankiewicz is the primetime host of Turner Classic Movies. When he made his TCM debut in September 2003, he became only the second host hired in the network's history.During his career at TCM, he has introduced thousands of movies on the air. Additionally, he's become one of the best interviewers in the business, leading thoughtful and entertaining long-form conversations with more than two hundred of the industry's top talents, including Mel Brooks, Bruce Springsteen, Sophia Loren, Martin Scorsese, Warren Beatty, Ava DuVernay, Annette Bening, Robert Redford, Quentin Tarantino, Jodie Foster, Brad Bird, Faye Dunaway, Lou Gossett, Jr., and Michael Douglas.Beginning in April 2020, Mankiewcz hosted TCM's first podcast, The Plot Thickens: I'm Still Peter Bogdanovich, to outstanding reviews. The podcast delivered to listeners the arc of Peter's epic story, through triumph and unspeakable tragedy, through historic success and public failure.Since 2019, Mankiewicz has served as a contributor to the Peabody and Emmy-winning news magazine, CBS News Sunday Morning, and has hosted the American Society of Cinematographers Awards since 2018. In 2019, he was awarded the Luminary Award for Career Achievement by the Los Angeles Press Club.Prior to TCM, Mankiewicz worked as a reporter and anchor in Charleston, SC, and Miami, FL, twice being named Best Anchor in South Florida by The New Times. Additionally, he contributes to The Young Turks, an online political show he co-founded with Cenk Uygur in 2002.Mankiewicz moved to Los Angeles nearly 75 years after his grandfather, screenwriter Herman Mankiewicz (“Mank” to his all his friends), headed west to work in the movie business. Soon after arriving, Herman cabled his friend Ben Hecht in New York, "There are millions to be grabbed out here and your only competition is idiots. Don't let this get around." His grandson is now proudly one of those idiots.He's a graduate of the Columbia University Graduate School of Journalism, Tufts University, and Georgetown Day High School in Washington, DC, the school with the worst mascot in recorded history: the Grasshoppers.Mankiewicz lives in Santa Monica with his beautiful wife, their beautiful daughter, one perfect dog, and one other dog, who's available for adoption at any time. Seriously, please take him.ALAN SEPINWALLAlan Sepinwall is Rolling Stone's chief TV critic. He's been covering this new golden age of TV from the beginning, first as a reviewer for Tony Soprano's favorite newspaper, 'The Star-Ledger,' and is the author of the books 'The Revolution Was Televised,' 'TV (THE BOOK),' 'Breaking Bad 101,' and 'The Sopranos Sessions.'Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

From TCM and MAX, this is Talking Pictures: A Movie Memories Podcast, hosted by Ben Mankiewicz.  We all remember the first movie to really scare us, or the movie a parent loved and watched repeatedly. We know which movies changed us, inspiring a move or a new career path. Mankiewicz, the Turner Classic Movies host, collects these moviegoing memories from Hollywood's most interesting writers, actors, and directors in Talking Pictures. Listen in as movie-lovers swap stories, jokes, surprising moments, and endless movie recommendations; then watch some of those very same films on the streaming service MAX. For the cinephile or the casual movie lover, this is a conversation about all the life that happens because of watching movies.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 2024, the beloved cable channel Turner Classic Movies will turn 30, and for host Ben Mankiewicz—who recently celebrated his 20th anniversary at the helm—he still feels “so unbelievably fortunate to be associated with the channel.” It's one of those rare networks where “it's a little bit part of your identity” and “the only channel where the channel itself matters to people,” he told Newsweek's H. Alan Scott. Part of the network's charm is that it taps into nostalgia. “Nostalgia is a really powerful and important emotion. It is the emotion that connects us to our past. And our past can mean so much—family, friends, school, where you were at a time of your innocence.” In addition to the films, TCM offers a festival, the new podcast Talking Pictures, even a themed cruise. But for Mankiewicz, recommending just three films for newer fans of classic cinema is difficult. “I'll just give them three off the top of my head, I'd tell them to watch Casablanca, Paths of Glory and Three Days of the Condor.” But he's quick to add that those movies could change depending “on the day and the mood.”Visit Newsweek.com to learn more about the podcasts we offer and to catch up on the latest news. While you're there, subscribe to Newsweek's ‘For the Culture newsletter. Follow H. Alan Scott on everything at @HAlanScott.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:02:55 - Le Regard culturel - par : Lucile Commeaux - "Le Limier", de Joseph Mankiewicz est, selon François Angelier "un véritable chef-d'œuvre". Réédité en blu-ray et DVD, le film met en scène un duel à mort entre Laurence Olivier et Michael Caine, dans un décor unique : une collection d'automates qui observe les personnages se déchirer. - invités : François Angelier Producteur de l'émission "Mauvais Genres" sur France Culture, spécialiste de littérature populaire

Robert Crane is the co-author of eleven books including Crane: Sex, Celebrity, and My Father's Unsolved Murder, My Life as a Mankiewicz, Bruce Dern: A Memoir, Jack Nicholson: The Early Years and SCTV. He contributed a short story to Beyond Where the Buses Run: Stories, which was published recently. Crane is also the co-writer of Hostage for a Day, a Fox Television film directed by John Candy, and he wrote for Playboy for twenty years.   Robert's Link:   Facebook  https://www.facebook.com/robert.crane.52056223/   Amazon Author Page  https://www.amazon.com/stores/Robert-David-Crane/author/B001JSCKNC?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true   Order  From Here at Bookshop.org! bookshop.org/a/10588/9798218010683   Or at Amazon.com amazon.com/Beyond-Where-Buses-Run-Stories     Music by Jam Hansley Edited/Produced by Rob Southgate Buy our books: www.4horsemenpublications.com   Our Social media: @Drinkingwithauthors #drinkingwithauthors #4horsemenpublications #authorslife #authorssupportingauthors #indieauthors #authorsofinsta #publishedauthor #authorlove #authorsoninstagram #supportauthors #plotter #panster #writercommunity #authorgram #authorpreneur #authorquotes #authorlove #authortobe #Authorevent #AuthorDay  #authortalk #authorconfession #writerscorner  #writersofinsta #writerofig #writerssociety #writersociety #writerscommunityofinstagram #writerswrite #drinkingwithauthorspodcast #writerslife #writingtips #writing #authors #erikalance #drinking

Robert Crane is the co-author of eleven books including Crane: Sex, Celebrity, and My Father's Unsolved Murder, My Life as a Mankiewicz, Bruce Dern: A Memoir, and Jack Nicholson: The Early Years. He contributed a short story called Wingding to the recently published story collection, Beyond Where the Buses Run: Stories. Robert is also the co-writer of Hostage for a Day, a Fox Television film directed by John Candy. And he wrote for Playboy for twenty years, including numerous celebrity interviews. Robert also happens to be the son of the late TV icon, Bob Crane, who was best known for playing Colonel Robert Hogan in Hogan's Heroes during its six-season run. 

Sunset Blvd, a film that is considered one of the greatest noirs of all time, lost the Oscar for Best Picture in 1951 to a little talked about film All About Eve. This week Patrick (a man obsessed with Sunset Blvd) is shown All About Eve for the first time. Why isn't this film talked about more in film circles, what makes it stand apart from Sunset Blvd, are feminist films looked over generally? Listen as Patrick and Lolo discuss all these questions and more on this weeks episode of First Timers Movie Club! Become a Patron today for access to exclusive episodes and videos, including two of our newest sketches currently posted nowhere else: TWAT SLAP and VEGAN APOCALYPSE! https://www.patreon.com/ixfilmproductions Our indie film shout out this week is “Chasing Chasing Amy” follow: https://www.facebook.com/ChasingAmyDoc/ Our upcoming Events and Screenings mentioned in this episode: Fountain City Smoketacular at the KC Fringe Festival: https://kcfringe.org/2023-shows/the-fountain-city-smoketacular/ Vegan Apocalypse NYC screening: https://www.facebook.com/events/612278884327826?ref=newsfeed Vegan Apocalypse in London: https://www.beliff.co.uk/Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Follow IX Film Productions for podcast updates, original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfpSubscribe to our newsletter for monthly updates on our website: www.ixfilmproductions.com"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

This week Victoria and Bri watched Joseph Mankwicz's technicolor drama THE BAREFOOT CONTESSA. Ava Gardner and Humphrey Bogart play platonic opposites in this cynical take down of Hollywood.Follow the Show @freshmoviepod Follow Bri on Instagram: https://www.instagram.com/brindianajones/ Follow Victoria on Letterboxd: https://letterboxd.com/vicrohar/Email the Show abreathoffreshmovie@gmail.comShow Art by Cecily Brown Theme Music "A Movie I'd Like to See"Arranged & Performed by Katrina EresmanWritten by Al HarleyYouTube Channel Shop the Store: http://tee.pub/lic/bvHvK3HNFhk

In honor of A DATE WITH DATELINE's SIX YEAR anniversary, we have not one but two extra special guests!!!! The most beloved bros in our favorite true crime bromance, Keith Morrison and Josh Mankiewicz! Join us for an incredibly important discussion on a wide variety of topical world issues, such as have the gentlemen ever heard of Scandoval? Are robots going to take over? Are teenagers terrifying? Is there a Dateline bowling league? If not... why not? There is storytelling, behind the scenes tea spilling, friendship, good natured ribbing and even a Manksgiving gift exchange! And don't miss the inception story behind what is sure to be a podcast/TV series/feature film about a murder in a smallish Canadian town that a very well known true crime television host remembers as a child and goes back as an adult to solve the cold case (maybe with the help of two mostly useless but sometimes clever podcast hosts)! Yeah! That happened! We were there! This is an anniversary party not to be missed! We are so grateful to all of you for supporting and listening to our podcast for these past six years! Want to get us a gift? Please help us grow by telling a friend, sharing our posts, giving us five stars on Apple Podcasts and Spotify, and consider joining our Patreon or Supercast!  The biggest thank you goes to Mr. Morrison and Mr. Mankiewicz for coming on the show again and always being so kind and generous! The same goes to all of the wonderful producers and crew behind the scenes at Dateline bringing us excellent storytelling with compassion and heart!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 01:29:13 - Les Nuits de France Culture - par : Albane Penaranda - En 1951, l'actrice Bette Davis est récompensée par le Prix d'interprétation à Cannes pour son rôle dans "All about Eve" de Mankiewicz. Ce n'est qu'un des prix de la carrière de cette immense actrice américaine disparue en 1990. La même année, ce numéro des "Mardis du cinéma" lui est consacré. - invités : N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne); Christian Viviani Coordinateur et rédacteur de la revue Positif, professeur à l'université de Caen-Basse Normandie

As the Mets come home after a successful western road trip, The Metsian Podcast welcomes Once Upon a Time in Queens Director Nick Davis! Nick Davis is an award-winning writer, director, and producer, including ONCE UPON A TIME IN QUEENS, a 4-hour documentary series he Produced and Directed about the 1986 New York Mets for ESPN's 30 for 30 series. He has also written a book on his filmmaking family's history, specifically the Mankiewicz brothers, titled, "Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait." After a 7-3 western road trip that included a sweep of the miserable A's but also a couple losses to the Giants at the end, how do we feel as the Mets enter an early crucial home swing against division foes? With the rotation depth being tested not only by injuries and ineffectiveness but the controversial suspension of Max Scherzer for "hand stickiness," we'll discuss the suspension, the pitch clock's effect on applying rosin, and how the rotation should look going forward once some pitchers return. We'll also take a look at the offense, including Nimmo, Alonso and the callups. All that plus much, much more. Join us for the latest edition of the Metsian Podcast! SUBSCRIBE ON APPLE

Brandon is heading to the TCM Classic Film Festival! Earlier this week, he sat down with TCM Host Ben Mankiewicz for a preview of what is to come.Topics include the opening night presentation of Rio Bravo, Warner Brothers' 100th anniversary celebration and some of Ben's favorite aspects of the festival.   Ben Mankiewicz is the primetime host of Turner Classic Movies. When he made his TCM debut in September 2003, he became only the second host hired in the network's history.  During his career at TCM, he has introduced thousands of movies on the air. Additionally, he's become one of the best interviewers in the business, leading thoughtful and entertaining long-form conversations with more than two hundred of the industry's top talents, including Mel Brooks, Bruce Springsteen, Sophia Loren, Martin Scorsese, Warren Beatty, Ava DuVernay, Annette Bening, Robert Redford, Quentin Tarantino, Jodie Foster, Brad Bird, Faye Dunaway, Lou Gossett, Jr., and Michael Douglas.  Mankiewicz is the host of TCM's first podcast, The Plot Thickens. Each of the four seasons, I'm Still Peter Bogdanovich, The Devil's Candy, Lucy and Here Comes Pam were met with outstanding reviews and industry awards. Since 2019, Mankiewicz has served as a contributor to the Peabody and Emmy-winning news magazine, CBS News Sunday Morning, and has hosted the American Society of Cinematographers Awards since 2018. Prior to TCM, Mankiewicz worked as a reporter and anchor in Charleston, SC, and Miami, FL, twice being named Best Anchor in South Florida by The New Times. Additionally, he contributes to The Young Turks, an online political show he co-founded with Cenk Uygur in 2002. Mankiewicz moved to Los Angeles nearly 75 years after his grandfather, screenwriter Herman Mankiewicz (“Mank” to his all his friends), headed west to work in the movie business. Soon after arriving, Herman cabled his friend Ben Hecht in New York, "There are millions to be grabbed out here and your only competition is idiots. Don't let this get around." His grandson is now proudly one of those idiots. He's a graduate of the Columbia University Graduate School of Journalism, Tufts University, and Georgetown Day High School in Washington, DC, the school with the worst mascot in recorded history: the Grasshoppers. Mankiewicz lives in Santa Monica with his beautiful wife, their beautiful daughter, one perfect dog, and one other dog, who's available for adoption at any time. Seriously, please take him

Let’s chat with Ben! Brandon is heading to the TCM Classic Film Festival! Earlier this week, he sat down with TCM Host Ben Mankiewicz for a preview of what is to come.Topics include the opening night presentation of Rio Bravo, Warner Brothers’ 100th anniversary celebration and some of Ben’s favorite aspects of the festival. Ben Mankiewicz … Continue reading Bonus Interview: TCM Film Fest with Ben Mankiewicz →

durée : 01:29:59 - Les Nuits de France Culture - par : Albane Penaranda - Joseph Mankiewicz, scénariste, producteur, et l'un des plus grands réalisateurs d'Hollywood

Dos grandes directores de la historia del cine protagonizan el episodio de esta semana. Uno estadounidense, Joseph Mankiewicz, responsable de películas como 'Eva al desnudo', 'La condesa descalza' o 'Julio Cesar'; “el más inglés de los directores norteamericanos” como alguien le definió una vez. El otro es español: Carlos Saura quien a sus 91 años recibirá dentro de unos días el Goya de Honor de este año. Un buen momento por tanto para echar la vista atrás y recordar el cine y la trayectoria profesional del veterano director aragonés. Charlamos también con la productora María del Puy Alvarado que precisamente acaba de producir la última película de Saura, el documental 'Las paredes hablan'. Y en la sección dedicada al “Cine incómodo” hablamos esta semana de 'Éxtasis' la primera película comercial que mostró en la pantalla el desnudo integral de una mujer.

It can be hard to formulate long-term treatment plans when your patients are young. Syndromic craniosynostosis is diagnosable at birth, meaning that the treatment plans need to start from the get-go. In the previous episode, we spoke to Dr. Michael Markiewicz (MD DDS FACS) about craniosynostosis: how to diagnose it, what causes it, the different forms of the deformity, and why doctors shouldn't delay diagnosis. In this episode, we welcome back Dr. Mankiewicz and talk further about the syndromic aspect of craniosynostosis, looking specifically at syndromic versus non-syndromic. Dr. Markiewicz compares Apert syndrome and Crouzon syndrome, their characteristics and features, and the differing opinions on treatment plans. Dr. Markiewicz discusses the purpose of distraction osteogenesis when treating craniosynostosis, the amazing combination of virtual surgery planning and resorbable plates/screws, and why he is an advocate for cranial implants. Key Points From This Episode:The syndromes that can accompany craniosynostosis.How geneticists help diagnose syndromic craniosynostosis.Who makes up the Craniofacial team.The most common syndromes Dr. Markiewicz treats.The main characteristics and features of Apert syndrome and Crouzon syndrome.The differing opinions on treatment for Craniofacial dysostosis.The timeline for sequencing different stages of treatment.The role of the neurosurgeon, pediatric ophthalmologist, orthodontist, and OMFS.The role of virtual planning.The materials (typically titanium) used during craniosynostosis surgery.The purpose of distraction osteogenesis when treating craniosynostosis. New medical advancements Dr. Markiewicz is seeing.Why Dr. Markiewicz is an advocate for cranial implants.The consolidation phase versus the distraction period.The social management of big surgeries with a small child. Links Mentioned in Today's Episode:Dr. Michael Markiewicz — https://www.michaelmarkiewiczddsmd.com/Dr. Michael Markiewicz on LinkedIn — https://www.linkedin.com/in/michael-markiewicz-dds-md-mph-facs-04b02821/Dr. Michael Markiewicz on Twitter — https://twitter.com/mrmarkiewiczmdDr. Michael Markiewicz on Faceboook — https://www.facebook.com/drmichaelmarkiewiczmdddsDr. Michael Markiewicz on Instagram — https://www.instagram.com/drmichaelmarkiewiczmdddsDr. Michael Markiewicz Email — mrm25@buffalo.eduCraniosynostosis Surgery — https://www.chop.edu/treatments/surgical-treatment-craniosynostosisAO Foundation Surgery Reference — https://surgeryreference.aofoundation.org/Everyday Oral Surgery Website — https://www.everydayoralsurgery.com/ Everyday Oral Surgery on Instagram — https://www.instagram.com/everydayoralsurgery/ Everyday Oral Surgery on Facebook — https://www.facebook.com/EverydayOralSurgery/Dr. Grant Stucki Email — grantstucki@gmail.comDr. Grant Stucki Phone — 720-441-6059KLS Martin promo code EOSExo22 — https://www.klsmartin.com/ 

Support the show: http://www.patreon.com/themarkthompsonshowGet the crime scene tape ready… Today: DATELINE'S Josh Mankiewicz …Talking a famous case NEVER ON DATELINE that reveals what often happens during investigations. The law, murder & investigations… Also, 49ers fall to earth & technical chaos ensues!

A very special friend of A Date with Dateline is back to cure what ails us all... a hanky-ering for more Dateline. That's right! The honorable Josh Mankiewicz returns to give some expanded thoughts on recent episodes, behind the scenes tidbits, profound pontifications on crime and justice and best of all more "growing up Mankiewicz" memories! In this first installment of a two part series, Sir Manky with the Hanky will be discussing with Kimberly and Katie his most recent episode in Nome, Alaska, A WALK IN THE RAIN, and his NUMBER ONE top-o-the-charts podcast INTERNAL AFFAIRS. So buckle in for our favorite smirking host and please enjoy this very, very special Double Date with Josh Mankiewicz! Snap! Snap! Let's Go! Thank you so much to Josh Mankiewicz for his time and for being such a good friend of our podcast. You are the greatest and we mean it. Please take a moment to check out our sponsors of this very special episode! Meet that goal of a healthier you! Everlywell is offering a special discount of twenty percent off an at-home lab test at everlywell.com/datedateline. Collaborate with Canva for Teams! Right now you can get a Free 45 day extended trial when you go to canva.me/datedateline. Make the world your Canva!   Learn more about your ad choices. Visit megaphone.fm/adchoices

What you'll learn in this episode: What's included in the Jill and Byron Crawford collection that will be auctioned by Bonhams on November 10th, and how they developed such a sweeping collection Why buying jewelry at auction is one of the best ways to find real treasures Tips for first-time auction buyers Why working at an auction house is the best jewelry education How collectors determine it's time to say goodbye to a piece About Emily Waterfall Based in Los Angeles, Emily Waterfall is the Director of the Jewelry Department for Bonhams Auction House. With over 16 years of experience, Emily is responsible for business-getting, client development, appraisals and sourcing property for jewelry sales in Los Angeles and in New York. Emily began her career as an intern in London at an auction house where she caught her first glance of exquisite things in 2004. Once completing her internship, she worked in New York as a jewelry cataloguer for a leading international auction house for seven years working on several important jewelry auctions including the jewels of Kelly and Calvin Klein, Eunice Gardiner, Lucia Moreira Salles and others. Prior to joining Bonhams, Emily worked for a prominent jewelry buying firm based in Atlanta, GA from 2012 to 2018. A native of San Diego, CA, Emily graduated with an undergraduate degree in Art History from Brigham Young University and has completed courses at the Gemological Institute of America and published articles in the American Society of Jewelry Historians newsletters.Find One-of-a-Kind Additional Resources: Bonhams L.A. Website Bonhams Instagram Emily's Instagram Photos are available on TheJewelryJourney.com Transcript: Auctions can seem intimidating to first-time buyers, but they are the best way to get a deal on a true, one-of-a-kind treasure, and auction house staff, like Emily Waterfall, Head of the Jewelry Department at Bonhams Los Angeles, are there to help buyers through the process. Emily joined the Jewelry Journey Podcast to talk about what to expect at Bonhams' upcoming auction of the Jill and Byron Crawford collection of artist jewelry; the most impressive pieces she's seen during her career; and how collectors can enter the world of auctions confidently. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    Today my guest is Emily Waterfall, who is head of the jewelry department in the L.A. office of the auction house Bonhams. They will be having their second auction of modernist jewelry from the collection of Jill and Byron Crawford. This includes many masters of silver jewelry. We will hear more about this from Emily today and her own jewelry journey. Emily, welcome to the program.   Emily: Thank you for having me.   Sharon: So glad you could be here. Give us an overview of your jewelry journey. Did you like jewelry when you were young? Did your education lead you to this?   Emily: I loved jewelry when I was little. My mom had some fun pieces, in particular a butterfly necklace that I always coveted. It was a simple gold necklace. I remember when she wore it, I would play with it. Since then, she's gifted it to me, so it's a very sentimental item for me.    My journey actually began in art history. I studied art history for many years and was given an internship with Sotheby's in London and moved myself across to the U.K. I worked there for many years and then made my way into the jewelry department where I truly found my calling.   Sharon: So, you weren't studying in London; you moved to take the internship at Sotheby's.   Emily: Yes, I was very lucky. A gentleman, who was a scholar of archiving, helped me make my way to the 19th century, which was hilarious because now obviously digital archives are everywhere. When I started, it was the days of cutting and pasting from printed catalogues using glue sticks. My job was to basically archive all the recent sales of any paintings that were important because we didn't have search engines. We didn't have those things, so my very first job in the art world was cutting and pasting and gluing.   Sharon: You're bringing back memories. I remember working with a cartoonist who worked the old-fashioned way, and I thought, “Oh my god, O.K.”    So, did you study at GIA after? In art history, you don't really study GIA, right?   Emily: I studied at GIA after. I was fortunate enough to do that during my time at Sotheby's when I was a cataloguer in the department in the New York office. I took my courses then.   Sharon: So, you moved from London back to New York?    Emily: Yes, my visa was about to end, and Sotheby's offered me a job in New York. So, I moved there and was working in several different departments. I started getting into jewelry and truly found love. I studied a lot of 19th century sculpture, and with jewelry, my art history background just blossomed. I was so excited to see all the pieces I was seeing. As a cataloguer in the jewelry department, every piece we sold went through my desk, so you can imagine the type of education I got. It was extraordinary. It was a very special time in my career.   Sharon: There are a lot of jewelers or people in the jewelry industry who study art history. Jewelry history isn't really taught, so they study art history and either continue in that or they segue into jewelry.    So, why should I consider Bonhams? If I had art or jewelry to sell, why would I consider Bonhams?   Emily: There's definitely room for every house in the world. That's one thing I've learned. But in particular at Bonhams, we've had exponential growth over the last three years. In Los Angeles, we went from four auctions a year to 13, speaking to the fervor of which we're growing. We've also invested a lot into art jewelry, Mexican silver, and other areas in the international market that weren't necessarily being addressed.    Seeing a collection, if I'm not enthusiastic about it and I'm not enthusiastic about selling it, I'm doing a disservice to the collection. So, my advice to people is when they're picking a house, make sure whoever is selling it for you has energy and the fervor to sell it well. That's what my key is.   Sharon: So, you went from four to 13 auctions?   Emily: Yes.   Sharon: That's a lot. Are you in charge of most of them? Is that just in jewelry, or is that art and jewelry? What is that?   Emily: That's just jewelry in Los Angeles.    Sharon: Wow!   Emily: That's my department. We run 13 auctions a year. It's pretty exciting.   Sharon: You have to have passion to do something like that.   Emily: Yeah.   Sharon: Would you consider that Bonhams has a modernist bent? If somebody has a modernist collection, should they consider Bonhams?   Emily: Yes, I would say the sale we had last year for Jill and Byron Crawford was a huge success. That was across the board, from modern to Mexican to Scandinavian jewelry artists. We really covered the gamut with that sale and showed what we can accomplish with that.    A lot of what we're doing is taking in collections, because collections come us. We hunt for them as well, but we have to take what we see and figure out how best to sell it, who's the best market for it, how to speak to other departments or other areas, because every buyer at auction is interested in jewelry. Jewelry is the most common denominator. You might not collect Chinese works of art or cars or Impressionists, but everyone has jewelry.   Sharon: Wow! How is that? Let's say if I collect Chinese export stuff, how is it that I come to jewelry through that?   Emily: Again, we reach out to clients that have shown interest in our area from other departments and we promote that, but a lot of people know to come to us with jewelry because they see on our website our sales. They might have been looking at the Chinese work. Right now, it's Asia week at Bonhams in New York. They might see on the site that we've just had two big sales, one in Los Angeles this week, one in London, so they know to come to us for jewelry as well.   Sharon: You're having a second auction of the Jill and Byron Crawford collection. Is that what's left over?   Emily: Jill and Byron have been amazing to work with. They're such amazing collectors, not only for the type of properties, but for the quantity. So, we'll still have plenty to sell for them. We're so excited to be selling it. The whole sale is not just Jill and Byron; a portion of it is. We also have an important collection of Mexican silver from an important collector from the Orange County area. We also have a collection of John de Spray jewelry which I'm really excited to sell. French jewelry, very industrial, right?   Sharon: Yes.   Emily: And we also have similar Scandinavian pieces, some studio artists. There are over 1,500 pieces, so we'll be selling it for quite some time.   Sharon: And the next major sale for this particular collection is? What is it?   Emily: November 10th   Sharon: You're also previewing it for Art Jewelry Forum in October. I don't know if I'll be able to watch, but who else are you previewing for? There's so much.   Emily: Just you two. I'll be previewing at Bonhams and digitally on our website.   Sharon: Wow! That's interesting to know that you have an interest in modernists. There are not many houses that one would think to bring their stuff if they have a modernist collection.    What is it that you like about the auction business? You like jewelry; I understand that. What is it that you like about the auction business?   Emily: I tried to leave it many times. I truly love it because of the speed of it. It's a very rapid, fast-paced place to be. I love auction day. There's nothing better than auctioning property you fought for, to see it do well on the auction block. I'm an auctioneer as well, so it's very rewarding standing up there selling it on behalf of a client and doing well on it. I love the quantity of property we see. We're on the front line. We're the sale market value, right?   Sharon: Yeah.   Emily: We're on the front line of it. We're seeing thousands and thousands of pieces a year, and with that comes the education through osmosis. There might have been benchmarks I hadn't seen or another studio artist I hadn't known about. We're seeing more and more daily than you would see anywhere else, and that's my favorite part of it.   Sharon: I think that would be very hard to match in any other profession, the excitement, the action. I could understand feeling like, “Let me try something else,” but that would be very hard to match. Do you think you'd be as happy if you were auctioning something else, like art jewelry or rugs?   Emily: Yesterday I was auctioning a furniture sale, and I didn't feel as much pressure because it wasn't clients I had consigned. It was a different feeling. I love auction. I would work in any part of it, absolutely, but my passion for jewelry will never be subdued. I love it. I love every part of it. I love screaming from the rooftop when a collection is selling. That's just my personality. I probably wouldn't be as happy, but I'd be happy to work anywhere in the auction world.    Sharon: What's the best thing you've ever auctioned, maybe the highest price or the most interesting? What's the best thing you remember?   Emily: There are maybe two of those. I can split those up. My favorite collection was a collection of Lady Ashley. It was in our main New York sale, and it was a collection of fantastic Art Deco jewelry. This was a treasure trove. She was married to a lord, then Douglas Fairbanks, Clark Gable next, another lord, and then a prince. She had amazing Cartier Art Deco boxes, compacts in their cases. Some I'd never seen in that style before. One in particular was a polka dot pattern, and it was black and white. It was amazing. She also had some impressive Cartier aquamarine bracelets, which we all know those are rare to find. That was such an amazing collection because it was an amazing story; it was an amazing property, and it sold exceptionally well at auction.    By value, though, it's the sale we did last year. We sold an emerald bracelet. It was over 107 carats of emeralds perfectly matched. It's most likely they were cut from the same stone. This one was from the Crocker Fagan family from San Francisco. We are so excited to work with them again. We also sold a Cartier egret from them. The emerald bracelet was estimated at $1.8-$2.2 million and we sold it for $3.2 million.   Sharon: Wow!    Emily: So, that was a joy.   Sharon: Do the numbers scare you when you're auctioning? Do they mean anything when you put the hammer down and you're at $3.2?   Emily: It's exciting. At that point, you're just full of adrenaline when you're selling higher value lots. There's a lot of elegance in part of it. There's a lot of communication of bidders either on the phone, on the internet or in the room, so there's a lot of conversation going on about value. It's a very exciting moment. I smile. I'm the worst at bluffing. You can see what's on my face 99% of the time, so in those moments, I have definitely a big smile on my face.   Sharon: Are you given auctions from New York? Do they tell you the things that are going to come? If you have a sale in London, Hong Kong and, by the way, we're going to do it in Los Angeles, can you preview it or tout it? Is that part of your work?   Emily: Yes, the New York office and myself work hand in hand. I source property for both sales as well as my New York colleague, Caroline. We work daily together, and we both preview our sales in each other's offices. I just previewed our September sale in New York. She previews every New York sale in L.A. We also preview up in San Francisco. We love our San Francisco clients. It's a fantastic place to be. So, we're making sure we're everywhere we can be, and we work together. In terms of property, though, let's not discount the West Coast. My goodness, I found the best property of my career on the West Coast.   Sharon: I'd like to know where it is. I was talking to somebody yesterday, and I thought, “Where's the jewelry on the West Coast?” It's all so bling. There's no history.    Emily: There are major hidden gems on the West Coast. We have found extraordinary collections. Again, Lady Ashley was acquired in California, Crocker Fagan up in San Francisco, Jill and Byron Crawford here in Malibu. There's amazing property in California. We have such phenomenal heritage and history here, and with that there are major, major collectors. They just might not be wearing it to the grocery store.   Sharon: I had never heard of Jill and Byron Crawford. They had an amazing collection and, yes, they're not wearing it to the grocery store. Is part of your job developing new business?   Emily: Absolutely. I've worked with some clients for years. Sometimes they might not feel comfortable yet. They might want to see where the markets are, or it's sentimental. Jewelry is the most sentimental category, absolutely. A lot of times, clients need time to part with pieces, but they know they have to say goodbye. It's my job to make sure I'm writing whenever they say want to sell it.   Sharon: That's a good way to think of it. There's somebody I know who will ask me, “Are you finished with it?” and I'll think, “Yeah, I guess I am.” I've only had it for a couple of years, but I'm finished with it. I've worn it. I'm not going to wear it more for whatever reason.    When it comes to larger auctions, do you handle them differently? This is a big auction. Is it being handled differently than the smaller one?   Emily: Every sale takes a different nuance to it. It depends on the property we have. We're definitely not like a jewelry store, where we have a ton of one lot. We have just one, and every sale has different property, so we have to cater to every sale as its own entity.    We just had this September sale, where we had property from a motion picture director, Mankiewicz, who directed All About Eve. We also had a collection of Disney in there, art jewelry. Shifting to art jewelry is entirely different. We have to create a new narrative for the sale, how to handle it, how we can do the best for it. I love that part of it. I love the storytelling. We're the keepers of these stories. When these collections are given to us, it's our job to tell the story, get people excited and get them registered to bid, basically.   Sharon: I think that's very important. When you buy something, who cares who it used to belong to? But still, it used to belong to somebody, a name that people recognize.    Do you work with dealers? Do you work with lawyers? Do they call and say, “Hey, Emily, have I something for you”? How does that work?   Emily: Every day is different. I guess that's another part of the job I love. I can be called by a trust attorney tomorrow. I could be called by a tax attorney, dealers. On Tuesday, we had our jewelry auction—this is just to give you context.    Sharon: Yes, please.   Emily: I was auctioneering all day until about 2:30, and then I got an email from a colleague about a collection that someone wanted me to pick up that day. So, I jump in my car, go pick up the collection, back to work. Every day is super different. We get a lot of interest through attorneys, through dealers, through other colleagues, through friends. My favorite interaction is by word of mouth. I love when people recommend me. It's very, very important for me, not only for selling, but for buying. Whatever you're looking for, let me hunt for it. I'm a hunter. That's my job. Let me find it for you. Let me help you sell it.    Sharon: Do people call you and say, “Please let me know if there's an emerald ring or an emerald bracelet”? I never see them, but do people call you and say, “Call me if something comes up”?   Emily: Yes, we have wish lists. I think I have my own personal wish list. We're constantly working on those. We try to make sure we can help and find those pieces for anyone.    Sharon: What's on your wish list?   Emily: I have quite a big one.   Sharon: What's at the top or near the top?   Emily: Obscure French Art Deco is at the top. Now I have a much better love for some studio jewelry, in particular Betty Cooke. I'm really obsessed with her. They were in the Crawford sale. Those are on my wish lists right now.    Sharon: Betty Cooke is still alive, isn't she? I think she's still alive.   Emily: Yeah. She's another of these dynamic women that I adore because she started a business. These were the times when we weren't necessarily allowed to have bank accounts and credit cards. She started a whole business for herself that's still running today. I love having pieces of history like that.   Sharon: And she's affordable too. It's expensive, but it's affordable.   Emily: She's in my price range.    Sharon: As opposed to a huge diamond. I'm not saying you couldn't buy a huge diamond, but it's more affordable than buying a huge diamond, I think.   Emily: Yeah, exactly. It's more like the jewelry I can wear daily going to my son's baseball game, things like that.   Sharon: Is that why you have come to like modernist jewelry, because it's wearable?   Emily: Yes. Again, having my art history background, I love concepts. I love intention in design. I love expression. For me, art jewelry really embodies all of that.   Sharon: Does it make a difference to you if you're looking at a piece—I might look at a piece of art jewelry, modernist jewelry, and not understand it, but then I understand it better if somebody explains it. Does that happen?   Emily: All the time. It's funny; when I first started out in art history, I always ran into people who would criticize contemporary art and say, “Oh, I could do that.” I think it's similar in art jewelry. “Oh, it's too crude,” or “It doesn't sense,” but once you explain it, their eyes light up, right?   Sharon: Yes.   Emily: They completely understand it and embrace it. Art Smith, he was making jewelry that was more about form. It was more about dynamic shapes and lines, and that wasn't being done before. It was different from the Harry Winston diamond necklaces at the time.   Sharon: That's true. You have to recognize what's coming next, what's around the bend, what's around the corner. And it's hard to wear a diamond to go grocery shopping.

This week, Beer Sessions Radio welcomes back Jaega Wise and her book “Wild Brews” - the only book twice featured - along with biologist Paul Mankiewicz, to spill all about water. We shall start off with a brief re-intro by Jaega, and Paul's intro of his work with water. Jaega will talk more about her time at water school, before giving you exclusive tips for your first batch. We'll also discuss alkaline and all the bad things that can happen with beers when you get the water wrong, before Paul jumps in with a history lesson on the NYC water system. Jimmy also tries to get involved with a pretty obvious question about hardness, while Jaega and Paul geek out way too hard on the term “scale.”Later on, we come back to the recipes in “Wild Brews” and Burton-on-Trent unique eggy pale ale. The gang also touches on climate change, with its impact on water and the craft beer scene. Last but not least, Jimmy finally finds a consistent way to end the show by bringing back the question-for-other format, before Jaega tells us the same dumb question everyone keeps asking about her book.Grab your goggles and waterproof headphones before joining us on this deep dive!Photo Courtesy of Miles Willis.Heritage Radio Network is a listener supported nonprofit podcast network. Support Beer Sessions Radio by becoming a member!Beer Sessions Radio is Powered by Simplecast.

A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both. One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers. Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success. Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra. In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated. Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The man. The myth. The Mankiewicz has returned! Sir Manky with the Hankie has come and knocked on the door of Kimberly and Katie's studio for a very interesting chat! We find out some inside scoop on his latest episode THE UNDOING and some previous stories. But as you know... K & K are never ones to shy away from the tough questions. Questions about sugar filled delicacies and where to get them, about important social media memes and about large reptiles- love 'em or leave 'em? Alright everyone, get those pocket squares neatly folded and please enjoy this very special TRIPLE DATE WITH DATELINE: A Hankiering for Pie! A very very very special thank you to Josh Mankiewicz for lending us his voice and incredible stories. Also, for being an all around great human being and friend. Thank you so much. Please take a moment to check out our fantastic sponsors! Athletic Greens are... for people who want to be healthy!!! Go to athleticgreens.com/datedateline! All the health benefits and tastes YUM! Visit Faherty for your new spring into summer essentials and 20% off! Check out https://fahertybrand.com/datedateline ! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The James Bond A-Z Podcast hosts Tom Butler, Brendan Duffy, and Tom Wheatley tackle more 007 filmmakers, characters and topics under the letter M. In this show you'll learn about: Long time Bond screenwriter Richard Maibaum Tom Mankiewicz, the screenwriter who ushered Bond into the 1970s Miniatures expert Derek Meddings Two-time 007 cinematographer Phil Meheux Sir Sam Mendes, the director of Skyfall and Spectre Camera operator Alec Mills Cinematographer Ted Moore Production designer Peter Murton, And much more, James Bond will return... in next week's James Bond's A-Z Podcast. Buy us a coffee: ko-fi.com/jamesbondatoz Find us on Twitter: twitter.com/jamesbondatoz Find us on Instagram: instagram.com/jamesbondatoz Email us on: podcast@jamesbondatoz.co.uk Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, the panel begins by assessing Nicolas Cage's satirical cinematic metaverse in The Unbearable Weight of Massive Talent. Then, the panel is joined by co-host of Slate's Working podcast, Isaac Butler, to discuss the final season of Better Call Saul. Finally, the panel is joined by Washington Post columnist Will Oremus to break down Elon Musk's recent acquisition of Twitter. In Slate Plus, Steve corrects a mistake and the panel discusses their relationships to imaginary places. Email us at culturefest@slate.com. Endorsements Dana: Cousin endorsements involving the Mankiewicz family. First: Nick Davis' book Competing With Idiots: Herman and Joe Mankiewicz, A Dual Portrait. Second: This video of Ben Mankiewicz interviewing Bruce Dern. Julia: Snorkeling! Steve: A 2015 edition of local radio program Alternative Radio: Audio Energy for Democracy in which Timothy Snyder (author of On Tyranny) discusses the Holocaust. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Back to Silence" by OTE Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by assessing Nicolas Cage's satirical cinematic metaverse in The Unbearable Weight of Massive Talent. Then, the panel is joined by co-host of Slate's Working podcast, Isaac Butler, to discuss the final season of Better Call Saul. Finally, the panel is joined by Washington Post columnist Will Oremus to break down Elon Musk's recent acquisition of Twitter. In Slate Plus, Steve corrects a mistake and the panel discusses their relationships to imaginary places. Email us at culturefest@slate.com. Endorsements Dana: Cousin endorsements involving the Mankiewicz family. First: Nick Davis' book Competing With Idiots: Herman and Joe Mankiewicz, A Dual Portrait. Second: This video of Ben Mankiewicz interviewing Bruce Dern. Julia: Snorkeling! Steve: A 2015 edition of local radio program Alternative Radio: Audio Energy for Democracy in which Timothy Snyder (author of On Tyranny) discusses the Holocaust. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Back to Silence" by OTE Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Front Row Classics is thrilled to welcome Turner Classic Movies' host, Ben Mankiewicz. Ben has been an on-air host for the channel since 2003. Our interview covers his background in both film and politics. You'll also learn about some of his most memorable interviews during his tenure with TCM. Brandon and Ben also have fun discussing the pros and cons of classic film fandom. Ben Mankiewicz is the primetime host of Turner Classic Movies. When he made his TCM debut in September 2003, he became only the second host hired in the network's history.    During his career at TCM, he has introduced thousands of movies on the air. Additionally, he's become one of the best interviewers in the business, leading thoughtful and entertaining long-form conversations with more than two hundred of the industry's top talents, including Mel Brooks, Bruce Springsteen, Sophia Loren, Martin Scorsese, Warren Beatty, Ava DuVernay, Annette Bening, Robert Redford, Quentin Tarantino, Jodie Foster, Brad Bird, Faye Dunaway, Lou Gossett, Jr., and Michael Douglas.    Mankiewicz is the host of TCM's first podcast, The Plot Thickens. Each of the three seasons, I'm Still Peter Bogdanovich, The Devil's Candy, and Lucy, were met with outstanding reviews and industry awards.   Since 2019, Mankiewicz has served as a contributor to the Peabody and Emmy-winning news magazine, CBS News Sunday Morning, and has hosted the American Society of Cinematographers Awards since 2018.   Prior to TCM, Mankiewicz worked as a reporter and anchor in Charleston, SC, and Miami, FL, twice being named Best Anchor in South Florida by The New Times. Additionally, he contributes to The Young Turks, an online political show he co-founded with Cenk Uygur in 2002.   Mankiewicz moved to Los Angeles nearly 75 years after his grandfather, screenwriter Herman Mankiewicz (“Mank” to his all his friends), headed west to work in the movie business. Soon after arriving, Herman cabled his friend Ben Hecht in New York, "There are millions to be grabbed out here and your only competition is idiots. Don't let this get around." His grandson is now proudly one of those idiots.   He's a graduate of the Columbia University Graduate School of Journalism, Tufts University, and Georgetown Day High School in Washington, DC, the school with the worst mascot in recorded history: the Grasshoppers.   Mankiewicz lives in Santa Monica with his beautiful wife, their beautiful daughter, one perfect dog, and one other dog, who's available for adoption at any time. Seriously, please take him.