Podcast appearances and mentions of Petula Clark

This week on Rick's Rambles, we take a fascinating journey around one of America's most iconic Great Lakes, explore simple ways to improve your mental health, revisit a classic hit from the 1960s, and discover the fun and quirky holidays coming up this week!

durée : 00:05:23 - Le 13/14 - par : Frédéric Pommier - Spécialiste du marimba, elle donnera une série de concerts et animera des ateliers et rencontres à la Philharmonie de Paris les 29, 30 et 31 mai. Au micro de Frédéric Pommier, la percussionniste bulgare Vassilena Serafimova évoque "Downtown" de Petula Clark, chanson qu'elle a découverte adolescente. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Kiss Whether it is in the form of a greeting, a farewell, a sign of comfort or a sign of love and affection the topic of kissing has been and still is a fertile garden of ideas for lyricists. This week's show KISS includes singing luminaries the Everly Brothers, Shirley Bassey, Petula Clark and Elton John, heart throb Crash Craddock and early Australian rock ‘n roller  Warren Williams. PLAYLIST Save Your Kisses for Me – Brotherhood of Man Kisses Sweeter than Wine – Jimmie Rodgers Kiss You All Over – Exile Kiss Me Goodbye – Petula Clark Kiss the Bride – Elton John Kiss is on My List – Hall & Oates Shoop Shoop Song (It's in His Kiss) Cher Til I Kissed You – Everly Bros Kiss Me Sailor – Diane Renay Kiss Me Honey Honey Kiss Me – Shirley Bassey Girls Were Made to Love & Kiss – Warren Williams One Last Kiss – Crash Craddock To re-live previous episodes, visit joy.org.au/yesterdayoncemore ENJOY! Don’t forget to tune into JOY 94.9 next Sunday at 5pm for another most enjoyable episode of Yesterday Once More. JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support JOY, support this podcast, donate, become a valued member:  https://www.joy.org.au/support joy For Support visit: joy.org.au/Support Your opinion is highly valued.  Please feel free to share your thoughts and suggestions.  Your feedback helps us to improve your listening experience.  Thank you in advance for your time and contribution The post Kiss appeared first on Yesterday Once More.

North America has some of the world's largest modern cities in the world. The USA's five most populated cities are New York City, Los Angeles, Chicago, Houston, and Phoenix. Canada's five most populated cities are Toronto, Montreal, Vancouver, Calgary, and Edmonton. Mexico's five most populated cities are Mexico City, Guadalajara, Monterrey, Puebla, and Tijuana. Check out the YouTube version of this episode at https://youtu.be/NBuViBw-1fM which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Books about Urbanization available at https://amzn.to/4uCMIv0 Downtown performed by Petula Clark at https://amzn.to/3XHj20A ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: Downtown performed by Petula Clark & written by Tony Hatch (Pye UK; Warner Bros. USA, 1964). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

This week's show, after a 1977 Iggy Pop incantation: brand new Total Pleasure, Guided By Voices, Gary Klebe, Dotsun Moon, Jesse Malin, Tift Merritt, The Wedding Present, and Colin Blunstone, plus Marvin Gaye, The Beatles, Petula Clark, Wayne Wade, The ...

Steve Binder is one of the most influential figures in music television, even if you don't know his name. From The T.A.M.I. Show to Elvis Presley's '68 Comeback Special, his work created moments that changed music history. In this episode, Steve shares how he went from the mailroom at KABC to directing icons like Frank Sinatra, The Allman Brothers, and The Rolling Stones, and what it was like to be thrown into some of the most pivotal TV moments of the 1960s and 70s. We talk about the making of The T.A.M.I. Show and the night James Brown delivered a performance so explosive it shook The Rolling Stones. The raw, behind-the-scenes story of Elvis' comeback, including the now-legendary sit-down sessions that redefined his career. And the cultural firestorm that followed when Petula Clark took Harry Belafonte's arm on live television. These were unforgettable music moments on TV, and Steve Binder was right in the middle of them. More on Steve Binder: ⁠Elvis '68 Comeback Book⁠ ⁠Films By Steve Binder⁠ Songs from the Episode: Elvis - "Jailhouse Rock" Lesley Gore "You Don't Own Me" James Brown - "Please, Please, Please" Elvis - "All Shook Up" The Allman Brothers Band - "Midnight Rider" The Rolling Stones - "Time Is On My Side" For more information on My Rock Moment, visit www.myrockmoment.com Follow us for photos and news of upcoming episodes at: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

The CAT Club presents a long playing vinyl record:TOM PETTY & THE HEARTBREAKERS (debut album)with special guest JOHN WILLIAMSAt the time Tom Petty & The Heartbreakers' eponymous debut was released in 1976, the band were fresh enough to almost be considered punk.Like the Ramones, they shared a love for ‘60s rock and roll. For the Heartbreakers that meant embracing the Byrds as much as the Stones. The result is a classic album with tuneful jangle balanced by a tough garage swagger.When we asked acclaimed producer John Williams to pick his favourite album, the man at the helm of many a fine record by The Proclaimers, The Housemartins, Paul Heaton & Jacqui Abbott, Petula Clark, The Waterboys and many others, replied instantly: “The first Tom Petty & The Heartbreakers LP.”The result was another great CAT Club gathering with our good friend Jeff Matthews in the interviewer's chair opposite the truly wonderful John Williams.A splendid time was had by all.This event took place on 26th February 2026 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire.This podcast has been edited for content and for copyright reasonsTo find out more about the CAT Club please visit: www.thecatclub.co.ukHappy Trails.

Gravada por Petula Clark, Chris Montez, Frank e Nancy Sinatra, Astrud Gilberto, Eliane Elias... Essa é uma canção muito gostosa e nesta aula, traz MUITO inglês para te ensinar! ✅ Procurando um curso de inglês passo a passo? VENHA PARA O CURSO INTENSIVO

link Трек-лист: 01. Stevie Wonder — Isn't She Lovely 02. The Beatles — Here Comes The Sun 03. Jerome Molnar, Xedox — Sidequest  04. Sister Sledge — We Are Family 05. Petula Clark — Downtown 06. Pendulum — Blood Sugar (Original Mix) 07. Белолуна — В девках быть 08. Shifty Brent, Orion7 — Lose Yourself … Продолжить чтение Lofstrom loop 433 (14.02.2026)

Our crystal has a ball with this "Improbable Musical Comedy"--coming back to Encores! next week. Original cast (Bea Lillie, Tammy Grimes) and London recordings--plus Mel Tormé, Petula Clark, and the Master, Noël Coward, himself.

Our guitarist Danny Cox paints pictures with his sound. He has a positively uncanny capacity for discovering ways to bring out the colors and textures in all kinds of melodies and to plant stories in the minds of everyone who hears.Just listen to his treatment of this rich old Sonny Burke composition, finding all kinds of new magic and nuance in this poignant melody.About the SongAs reported earlier, “Black Coffee,” written in 1948, spent the first decade of its life as a darling of vocalists. Recording it, for instance, revamped the careers of both Sarah Vaughan and Peggy Lee as their fans grooved on Paul Francis Webster's sparse, evocative lyrics.But composer Burke knew the potential of his melody as well; he himself performed it on alto sax in 1948. However, about decade passed before the song started getting serious attention as a jazz instrumental. That's because it was just what a young Ray Charles was looking for.While Brother Ray rarely singled out “Black Coffee” in interviews, he spoke extensively about the artistic philosophy that informed his instrumental treatments during that era. His decision to record “Black Coffee” instrumentally for The Great Ray Charles album was a deliberate effort to be recognized as a serious jazz musician, not just an R&B star on the radio.For that project, his second studio album, Charles avoided his signature vocal style in order to highlight his piano blues with all those Art Tatum-influenced flourishes. For the “Black Coffee” session (April 30, 1956), he deviated from his usual big-band horn arrangements and stripped the performance down to a trio. He was joined on the date by Oscar Pettiford on bass and Joe Harris on drums.Later in his autobiography, Brother Ray, he noted that these sessions allowed him to explore the chord structures of this fundamental jazz standard.Other RenditionsAfter Ray Charles's performance, other artists took “Black Coffee” on instrumental outings, such as Bobby Scott (1959), Earl Hines (1964) and Earl Grant (1968).Meanwhile, a wide and wildly varied group of singers also have served up “Black Coffee” in the 70 years since its introduction, from Canned Heat (on its 2003 Friends in the Can album) to the Pointer Sisters on 1984's That's a Plenty album.k.d. lang's “darkly twangy” version from her 1988 album Shadowland is considered an essential track in her discography, bringing a new interpretation to the song.Women have been especially attracted to the song, from Petula Clark (1968), Sinead O'Connor (1992) and Rita Cooledge and Gladys Knight (both 1996) to Maria Muldaur (2002) and Marianne Faithful ( 2008).For more about the song's history, see our earlier Flood Watch article by clicking here.More from DannyMeanwhile, speaking of more renditions, would you like some more Danny Cox tunes for your Flood Friday? We gotcha covered. Visit our free Radio Floodango music streaming service and give the Danny Channel a listen.Click here to set the Danny playlist in motion. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. The All in Band presents Words & Music Season 25-26:Every City Is A Living BeingJoin us for an unforgettable evening where story and song bring the world's great cities to life. Featuring songs by Petula Clark, Billy Joel, Journey, The Eagles and more. Come wander with us.They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BANDWITH CHICAGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.wscongo.org/music/⁠⁠

Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. The All in Band presents Words & Music Season 25-26:Every City Is A Living BeingJoin us for an unforgettable evening where story and song bring the world's great cities to life. Featuring songs by Petula Clark, Billy Joel, Journey, The Eagles and more. Come wander with us.They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BANDWITH CHICAGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.wscongo.org/music/⁠⁠

Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. The All in Band presents Words & Music Season 25-26:Every City Is A Living BeingJoin us for an unforgettable evening where story and song bring the world's great cities to life. Featuring songs by Petula Clark, Billy Joel, Journey, The Eagles and more. Come wander with us.They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BANDWITH CHICAGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.wscongo.org/music/⁠⁠

Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. The All in Band presents Words & Music Season 25-26:Every City Is A Living BeingJoin us for an unforgettable evening where story and song bring the world's great cities to life. Featuring songs by Petula Clark, Billy Joel, Journey, The Eagles and more. Come wander with us.They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BANDWITH CHICAGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.wscongo.org/music/⁠⁠

Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. The All in Band presents Words & Music Season 25-26:Every City Is A Living BeingJoin us for an unforgettable evening where story and song bring the world's great cities to life. Featuring songs by Petula Clark, Billy Joel, Journey, The Eagles and more. Come wander with us.They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BANDWITH CHICAGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.wscongo.org/music/⁠⁠

Our Words & Music Podcast brings the Words of our speakers directly to you in podcast format. The All in Band presents Words & Music Season 25-26:Every City Is A Living BeingJoin us for an unforgettable evening where story and song bring the world's great cities to life. Featuring songs by Petula Clark, Billy Joel, Journey, The Eagles and more. Come wander with us.They say don't come alone - It's true. Bring a friend to Plymouth Hall with you!All are welcome to join us at the intersection of pop culture and faith! Our monthly Words & Music programs take place typically on the 2nd or 3rd Sunday of the month at 5PM in Plymouth Hall from September to May! During these popular services, All In features songs interspersed with personal stories from guest speakers on a unique theme, and at every performance, a free will offering is collected to support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BANDWITH CHICAGO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Founded in 2015, BandWith is a Chicago-based non-profit organization whose mission is to provide lasting access to high quality music and performing arts instruction to underserved Chicago communities. Beginning in Chicago's East Garfield Park neighborhood, BandWith is now providing free access to programs around dance, drumline, instrumental, choral ensemble and sound engineering activities.Find more of our Musical opportunities by going to:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.wscongo.org/music/⁠⁠

Welcome you once again to the podcast dedicated to the nation's favourite archive tv and movie channel – Talking Pictures TV.  The podcast where you, the viewer make our job just that little bit easier by sending in your reviews of some of the wonderful movies and tv shows we have lined up for your over the next three weeks.  On today's show, Scott brings you Western action with the legendary John Wayne, classic Hollywood comedy from Frank Capra starring Gary Cooper, and not one, but two trips to Brighton as Jack Warner dives head first into a 1960s murder mystery and Richard Attenborough stars in one of the greatet British movies ever made. All this plus Petula Clark, Googie Withers, Lionel Jeffries and Robin Hood and much more on the official Talking Pictures TV Podcast. 

National clean your fridge day. Entertainment from 1964. Zeb Pike 1st sees Pikes Peak, 1st Catholic college, 1st Wendy's resteraunt, Most expensive painting in history. Todays birthdays - William Herschel, Ed Asner, Joseph Wapner, Clyde McPhatter, Petula Clark, Sam Waterston, Anni-Frid Lyngstad, Beverly D'Angelo, Chad Kroeger. Roy Clark died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/COTF (cleaning out the fridge) - Dickie AlanBaby love - The SupremesI don't care - Buck OwensBirthdays - In da club - 50 Cent    http://50cent.com/Money Honey - Clyde McPhatter & the DriftersDowntown - Petula ClarkDancing Queen - ABBAHow you remind me - NickelbackHoneymoon feelin' - Roy ClarkExit - Could be I'm fallin for you - Susanna Colley  Allan Caswell    Music Videocountryundergroundradio.com History & Factoids about today webpage

Public service announcement: Guinea pigs breed faster than you can say 'Pets At Home'. For more top tips, keep listening... Jane and Fi chat urinating in basins and buckets, hula-hooping, gassing it down the M5 to an X-factor audition. Plus, singer and actress Petula Clark discusses her book 'Is That You, Petula?: An Autobiography'. You can listen to our 'I've got the house to myself' playlist here: https://open.spotify.com/playlist/2MkG0A4kkX74TJuVKUPAuJ We've announced our next book club pick! 'Just Kids' is by Patti Smith. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Petula Clark has been famous since she was a child, when she was discovered on a wartime BBC radio show, and she has been on the radio, film and television ever since. In this episode she talks to Gyles about her remarkable and long career, about what it was like to grow up as a child star and about her complex relationship with her father. She talks about finding fame in France, and about Downtown, Don't Sleep in the Subway and working with Fred Astaire. She talks about her mother's early death from tuberculosis, and the death last year of her husband, Claude Wolff. This is a fascinating, poignant and intriguing conversation with one of our most enduring stars. Petula Clark's new book, "Is That You, Petula?" is out now and available here. Thank you Petula for taking the time to talk to us at Rosebud. Cue the music. Hosted on Acast. See acast.com/privacy for more information.

Thrust onto the public stage at 15 years old after the Taliban's brutal attack on her life, Malala Yousafzai became an international icon for resilience and bravery. Described as a reflection on a life of a woman finally taking charge of her destiny, her memoir Finding My Way has just been published. She joins Anita Rani in the Woman's Hour studio.There's a call to compensate women caught up in the scandal of faulty breast implants manufactured by a French company. The PIP scandal happened in 2012 when it emerged that the implants were filled with industrial silicone instead of medical grade silicone. The implants are far more likely to rupture than others. MPs on the Women's and Equalities Committee have been hearing calls for compensation during their inquiry into the health impacts of breast implants and other cosmetic procedures. Jan Spivey from PIP Action Campaign and Professor Carl Heneghan from The Centre for Evidence Based Medicine join us to discuss this.What if all your dreams come true and you still find yourself a bit grumpy? That's the brilliantly blunt question at the heart of Laura Smyth's stand-up tour, Born Aggy. Laura's journey into comedy wasn't exactly textbook. She left behind a career in teaching, was diagnosed with Stage 3 breast cancer that same year and - just two weeks after finishing treatment - was on stage in Live at the Apollo. She joins Nuala McGovern in the studio.Choreographer and artist Amina Khayyam tells Anita about her new dance-theatre work, Bibi Rukiya's Reckless Daughter, which opens soon in London after a national tour. It explores how patriarchy is enforced not only by men, but across generations of women, within family structures.Singer, actor and performer, Petula Clark's career has spanned over eight decades. She sang to wartime troops in the 40s, was a 1950s child star, became a European musical icon before conquering America with her No 1 hit Downtown. She starred in Hollywood movies alongside Fred Astaire and performed on stage in musicals including The Sound of Music, Sunset Boulevard and most recently Mary Poppins. Her autobiography - Is That You, Petula? is out now and she joins Nuala to look back at her long career.Presenter: Anita Rani Producer: Simon Richardson

No sé si cuando eras niño te gustaba ir al colegio. La mayoría, creo, que preferiríamos tener vacaciones perpetuas. Pasamos muchos años de nuestra infancia y adolescencia en el sistema educativo. Y como todo lo que se hace por obligación, no suele ir acompañado de mucho entusiasmo, pero es un tiempo que conforma tu vida. La novela de James Hilton (1900-1954), "Adiós, Mr. Chips", es una deliciosa historia, llena de humor y ternura, sobre un maestro de un colegio privado británico, que se siente frustrado por no haberse podido comunicar como quisiera con sus alumnos. El libro apareció primero como suplemento de un periódico evangélico en 1933, pero será cuando el escritor se establezca en Estados Unidos que adquiera gran popularidad al aparecer en la revista The Atlantic en 1934. Fue llevado dos veces al cine, una en el 39 y otra en el 69, por Sam Wood y Herbert Ross, respectivamente. En este programa de radio "Al Trasluz" escuchamos fragmentos de la obra, leída por Eugenio Barona y escenas de las dos películas, comentadas por José de Segovia con el fondo instrumental de la banda sonora original de John Williams para el filme protagonizado por Peter O´Toole y de Richard Addinsell para el que hace Robert Donat. Suena también la música de Michael Kamen para "Profesor Holland" (Mr. Holland´s Opus 1995), James Newton Howard para "El Club de los Emperadores" (The Emperor´s Club 2002) y Maurice Jarre para "El Club" o "Sociedad de los Poetas Muertos" (Dead Poets Society1989). Escuchamos las canciones de Petula Clark para la película que coprotagoniza con O´Toole en el 69 (Goodbye, Mr. Chips), después del himno "Jerusalem" con lo arreglos de Elgar para el texto del poeta romántico William Blake. Luego oímos el tema dedicado al "Colegio" del grupo Supertramp (School 1974) por el ahora fallecido Rick Davies y la canción de Sting para The Police sobre sus experiencias de maestro de escuela con adolescentes, al intentar que no se acerquen demasiado a él (Don´t Stand So Close To Me 1980). El diseño sonora y la realización técnica del programa es de Daniel Panduro.

TVC 701.3: From August 2016: Steve Binder, Emmy Award-winning producer and director and the co-author, along with Mary Beth Leidman, of Fade Up 26: The Movers and Shakers of Variety Television, talks to Ed about the controversy involving Petula Clark and Harry Belafonte behind the scenes of Clark's 1968 special for NBC, and why both The Ed Sullivan Show and The Smothers Brothers Comedy Hour really shaped the genre of variety television as we know it today.

--{ "Simian, Servitude to Slavery"}-- Information overload - Truther/Patriot radio, gold and silver - Conspiratainment - Conspirituality - Interdependence, City States, Super-Cities - UN Biospheres, Land for Debt Swap - Blue, Black, Red, Purple Lodge of Freemasonry - Good Smoke vs Bad Smoke, Gardens, Dependence - The Con of Money, Adaptation to Tools to Domination by Tools to Becoming Tools, Helplessness within City Structures. (Song: "Up Above My Head", Sister Rosetta Tharpe, "Lights" by Journey, "Downtown" by Petula Clark, "Up On The Roof" by Drifters)

Helen and Gavin chat about Titan: The OceanGate Submersible Disaster, Becoming Led Zeppelin, Materialists, and The Life of Chuck, and it's Week 7 of the list of Grammy Record of the Year Winners from 1965, which will be picked from Hello, Dolly by Louis Armstrong, I Want to Hold Your Hand by The Beatles, Downtown by Petula Clark, The Girl from Ipanema by Stan Getz and Astrud Gilberto, and People by Barbra Streisand.

Look, some “Beatles podcasts” don't have the

Truth behind the Crime: Wendy Savino Special guest Frank and Maria DeGennaroWendy Savino is a remarkable woman whose life encompasses both a harrowing encounter with a notorious serial killer and a rich history in the performing arts. ⸻

durée : 00:05:25 - C'est une chanson - par : Frédéric Pommier - Jusqu'au 25 juin, elle joue son spectacle "La Nuit je mens" à la Comédie de Paris, spectacle qu'elle donnera cet automne en tournée. Au micro de Frédéric Pommier, l'humoriste Morgane Cadignan témoigne de son affection pour un titre sorti en France en 1963 : "La nuit n'en finit plus" de Petula Clark.

Petula Clark knows a place (which might include a cellarful of noise), while the Yardbirds ask for your Love (although Eric doesn't want it, so runs away, the Ian Campbell folk group ask us if the times are actually changing, while we meet a new singer in a cloth cap that plays acoustic guitar and harmonica (and nom he's not Bob Dylan). Support this podcast at the $6/month level on patreon to get extra content! Create your podcast today! #madeonzencastr . If you are looking for Beatles summer fun, join our friends at the Magical Mystery Camp!

NEW EPISODE! Alan and Dave have no problem with Petula Clark...but this cover version of Clark's signature song is enough to make one quit listening to music for good.

This week's show, after a 1977 Avengers assertion: brand new Roach Squad, Bob Mould, New Model Army, Jesse Welles, Close Lobsters, John Davis, Peter Baldrachi, and Springhouse reissue; plus The Beatles, Petula Clark, Bert Jansch, Big Youth, James Brown...

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

Marissa Spencer delivers the latest entertainment news on: - The birth of Skai Jackson's first born - Bill Murray's interview at Sundance Film Festival - Downtown singer, Petula Clark teases a London show

Send us a textReflecting on a January 1980 incident that sent shockwaves through the music world, we unravel how Paul McCartney's legal troubles in Japan influenced the dissolution of Wings and the cancelling of planned touring. We explore the inspiring tale of Norman Harris, whose serendipitous path from struggling musician to successful guitar dealer exemplifies the unpredictable nature of the music industry. The heartbeat of soul music briefly faltered with the passing of Sam Moore in January 2025, but his legacy with Sam and Dave resounds louder than ever. We celebrate the duo's timeless hits like "Hold On, I'm Coming" and "Soul Man." We take a closer look at Petula Clark's infectious anthem "Downtown." From humorous escapades in a 'Seinfeld' episode, to the introduction of a character on 'Lost,' to the profound impact of the 2020 Nashville bombing, we touch on diverse stories that highlight music's evolving landscape. We dive into the groundbreaking fusion of rock and rap by Run DMC with "King of Rock," and look deeper into songs that guitarist Eddie Martinez played on. This episode offers a nostalgic yet fresh look at how pivotal moments and pioneering sounds have forever shaped the music world.

Hello everyone and welcome to today's episode of Bob Barry's Unearthed Interviews. It's more music and memories with singer and actress Petula Clark. And I emphasize actress because I saw Petula star, in London, as Norma Desmond in a performance of “Sunset Boulevard.” She was magnificent. You all know her from her timeless hits, most written by British composer Tony Hatch. Her first number one song was inspired by the energy and excitement on the streets of New York. “My Love” was another song written by Hatch for Clark. It relates a deep, personal expression of love and promising devotion and shows an emotional side to the singer. “I Know a Place” was recorded in London, where most of her hits were made. Hatch used a catchy piano riff and brass section which made it lively and upbeat. Her music conveyed a carefree feeling and a celebration of life. Petula Clark's career spanned generations. She is an artist from the golden age of pop to Broadway, television, and beyond, making her a beloved figure in entertainment. It was early in the morning in Las Vegas and I was as surprised as she was when she answered the phone.

Viajamos 60 años atrás en el tiempo en busca de singles que alcanzaron su puesto más alto en el Billboard Hot 100 en enero de 1965.(Foto del podcast por R. McPhedran; Petula Clark con el disco de oro por “Downtown”, 1965)Playlist;(sintonía) LEE MORGAN “The sidewinder part 1” (top 81)PETULA CLARK “Downtown” (top 1)SHIRLEY ELLIS “The name game” (top 3)MARTHA and THE VANDELLAS “Wild one” (top 3)THE MARVELETTES “Too many fish in the sea” (top 25)MARVIN GAYE “How sweet it is to be loved by you” (top 6)MARY WELLS “Use your head” (top 34)THE LARKS “The jerk” (top 7)THE CONTOURS “Can you jerk like me” (top 47)JAMES BROWN and THE FAMOUS FLAMES “Have mercy baby” (top 92)BROOK BENTON “Do it right” (top 67)JOE TEX “Hold what you got” (top 5)THE IMPRESSIONS “Amen” (top 7)RAY CHARLES “Makin’ whoope” (top 46)WILLIE MITCHELL “Percolatin’” (top 85)CANDY and THE KISSES “The 81” (top 51)THE EXCITERS “I want you to be my boy” (top 98)CHAD and JEREMY “Willow weep for me” (top 15)Escuchar audio

We are here with actor, singer, and entertainer Roslyn Kind. You Might Know Her From: The Look of Love/The Island, 3 From Brooklyn, The Nanny, I'm Going to Be Famous, Ladies of the House, Gimme a Break, and her over 50-year illustrious recording career. We talked to Roslyn about signing to RCA Records as just a 17-year-old girl, lampooning her famous sister Barbra Streisand in an iconic episode of The Nanny, and her latest projects that retells two of her signature songs into a short film. Roslyn also gave us the goods on blood harmony with her mother and Babs, her British invasion influences, the challenge of making “People” hers in her Broadway debut, and set the record on her theatrical credits because you know You Might Know Her is always going to dig some old shet up. This was just a beautiful Roslyn Kind-shaped bow to close out 2024, our year of Barbra, after reading her 900-page magnum opus. Rozzie, we love you.  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Slide moment in “So Long Dearie” with “Don't try to stop me, Horace. PLEASE” The Look of Love/The Island Tracie Thoms is a mutual friend with Sargon Yoseph Signed to RCA at 17 and first album is Give Me You Roslyn loved Motown and the English Invasion (Shirley Bassey, Cilla Black, Petula Clark, Marianne Faithful) “Fool on the Hill” guested on 1969 Charles Azenvour special with Dusty Springfield Played the same stage as Louis Prima “Meadowlark” from The Baker's Wife “Mamaloshen” by Mandy Patinkin Joel Grey's father, Mickey Katz Blood Harmony is when siblings/relatives blend together seamlessly 3 From Brooklyn Review in Times Ferguson the Tailor at the Beverly Hills Playhouse Was NOT in the Bill Finnn Elegies, she sang the song “I Don't Know How to Help You” from Elegies for Punks Angels and Raging Queens  Played Ellie Greenwich Leader of the Pack in Calgary, CA at Stage West with Andrew Stevens Episode of “The Nanny” s4, ep10 Musical special, “Ladies of the Nightclub” never got released Brooks Arthur was in studio doing Happily Ever After and You'll Never Know   Was Elliot Gould's guest on his 1975 episode of SNL Peter Chase helped Roslyn pick her SNL dress Tamara de Lempicka painting in her Zoom background was Barbra's and  Bette describing as working with Shelley Long as “pretty rough” Roslyn was too ethnic to play the Shelley Long role in the pilot, “Ghost of a Chance” of so she got the best girlfriend role instead Ladies of the House with Donna Mills, Pam Grier and Florence Henderson NYC dance class with Luigi had Richard Chamberlain, Bernadette Peters, Loni Ackerman Interviewed by Skip E. Lowe, who was famously lampooned by Martin Short as Jiminy Glick 5 episodes of Gimme a Break: (s3 ep8, 22; s5 ep 12, 22; s6 ep 9) Jennifer Hudson maybe sang every time she went on set for Respect Tyne Daly's “Rose's Turn” On Broadway (almost replaced with Michele Lee or Lainie Kazan) Anne: Judy Garland's “Have Yourself a Merry Little Christmas” but also “I Want a Hippopotamus for Christmas” Damian: Ronnette's “Sleigh Ride” Phil Spector Christmas Album Lempicka was filmed for Lincoln Center  archive but Tammy Faye did not Here's Love is the musical based on Miracle on 34th Street

More of the British charts for November 1964. Our first month in the history of the show without a Beatles song in either the British or American charts. It will be all the way to *next month* for us to Feel Fine again. Still some quality music as Petula Clark takes us Downtown, the Stones tell us about their Little Red Rooster and the Yardbirds talk about their little schoolgirl. Support this podcast at the $6/month level on patreon to get extra content! Create your podcast today! #madeonzencastr

British rock and pop in the 1960s became a force to be reckoned with. There were famous bands like the Beatles, The Rolling Stones, The Who, The Kinks and artists like Lulu and Petula Clark. Why did this explosion of new pop music happen in Britain in that decade? Skidmore College Professor Emeritus Gordon Ross Thompson has written on just that subject!

National clean your fridge day. Entertainment from 2012. Zeb Pike 1st sees Pikes Peak, 1st Catholic college, 1st Wendy's resteraunt, Most expensive painting in history. Todays birthdays - William Herschel, Ed Asner, Joseph Wapner, Clyde McPhatter, Petula Clark, Sam Waterston, Anni-Frid Lyngstad, Beverly D'Angelo, Chad Kroeger. Roy Clark died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/COTF (cleaning out the fridge) - Dickie AlanOne more night - Maroon 5We are never ever getiing bach together - Taylor SwiftBirthdays - In da club - 50 Cent    http://50cent.com/People Court TV themeMoney Honey - Clyde McPhatter & the DriftersDowntown - Petula ClarkDancing Queen - ABBAHow you remind me - NickelbackHoneymoon feelin' - Roy ClarkExut - It's not love - Dokken      http://dokken.net/Follow Jeff Stampka on facebook, linkedin and cooolmedia.com

Disney Chorus and Orchestra [00:20] "Little April Shower" Walter Disney's Story of Bambi Disneyland ST 3903 1960 Plip plop plip. You may recall from the last episode we heard a track from Stay Awake. On that album, "Little April Shower" is performed by Natalie Merchant, Michael Stipe, and the Roches (https://youtu.be/7ObPekx0h0M?si=BWAulm8X4hnsji14). Thelonius Monk [03:35] "Between the Devil and the Deep Blue Sea" Straight No Chaser Columbia CS 2651 1967 Monk takes a fine run at this standard originally recorded by Cab Calloway. Helped out here by Charlie Rouse on tenor sax, Larry Gales on bass, and Ben Riley on drums. Kyle Dixon and Michael Stein [11:14] "The Upside Down" Stranger Things - Volume One (A Netflix Series) Lakeshore Records 2016 Ah, the first season (https://youtu.be/b9EkMc79ZSU?si=8SqvgKenleN2NEJ0) was pretty near perfect. Had to go with the iconic title track. Frank Sinatra with the Nelson Riddle Orchestra [12:21] "Call Me" Strangers in the Night Reprise Records FS 1017 1966 Oddly enough, Frank has not one but two (2!) Petula Clark covers on this album including this one. I much prefer the brassy sassy production of Petula's version (https://youtu.be/M_mkSWxN2xk?si=gya-HwLlYCWK093i). Less Art [16:22] "Diana the Huntress" Strangled Light Gilead Media RELIC88 2017 Featuring members of Kowloon Walled City and Thrice. Igor Stravinsky and the Columbia Symphony Orchestra [19:34] "Firebird Ballet Suite (1945): Introduction - Prelude and Dance of the Firebird - Variations" Stravinsky Conducts Firebird Suite/Petrushka Suite Columbia Masterworks MS 7011 1967 This is the 1945 arrangement of The Firebird Suite. Roxy Music [22:44] "Over You" Street Life - 20 Great Hits EG EGTV 1 1986 A single orignally from Roxy Music's Flesh and Blood (https://youtu.be/3TL-Bc1giO8?si=FaZvmtDfdg2K-5uF). Evidently recorded as a way to tes tout Phil Manzanera's recently constructed studio. Made it as high as number 80 on the Hot 100. Death Valley Girls [26:07] "Electric High" Street Venom Suicide Squeeze SSQ181 2021 (originally recorded and released in 2014) Closing track to Death Valley Girl's debut studio album. Psych rock excellence (https://youtu.be/AO8z3AwIIaw?si=JCyzx7zyGK17UD5K). Salem 66 [31:08] "Seven Steps Down" 1984 Great Plains [mm:ss] "When Do You Say Hello" 1983 Strum and Thrum: The American Jangle Underground 1983-1987 Captured Tracks CT-302 2020 If you love jangle, you'll love Strum and Thrum. 28 tracks of jingle jangle goodness. An exceptional compilation that includes a 80 page booklet that dives into the scene. Yo La Tengo [36:39] "My Heart's Not In It" Stuff Like That There Matador OLE-1079-1 2015 It's hard to choose just once song from this album, but the opening track does a great job getting the listener in the mood for the album. It's a lovely rendition of the Gerry Goffin/Russ Titelman single recorded by Darlene McCrea (https://youtu.be/CuetP9wAHnY?si=o9YtuELwMU3C6S0v). New Order [39:25] "Sub-Culture" Sub-Culture Factory fac 133 1985 A remix by John Robie of the band's third single from Low-life (https://youtu.be/Uetuplhan_U?si=Or8I0F30teDUWLOh). The flip side is, of course, Dub-Culture. Ahmed Ben Ali [47:53] "Subhana" Subhana Habibi Funk HABIBI022 2023 That's right... reggae by way of Libya. Evidently reggae arrived right around peak Bob Marley and the Wailers and it took off from there. Barren Harvest [52:46] "Claw and Feather" Subtle Cruelties Handmade Birds HB-071 2014 Some dark and lovely ambient folk metal from Portland featuring Jessica Way of Worm Ourobouros. Nancy Sinatra [58:33] "Sugar Town" Sugar Reprise Records RS-6239 1967 A Lee Hazlewood number (naturally) that he says is an allusion to LSD sugar cubes. Featuring Wrecking Crew members including the great Carol Kaye, Glen Campbell, and Hal Blaine. Music behind the DJ: "These Boots Were Made for Walking" by Les Brown and his Orchestra

Daniel Popp présente l'intégrale en 13 CD de son père André Popp et le duo toulousain Tropic Hotel se rêve en pop love tropicale à Rio. André Popp (1924-2014) serait le chaînon manquant entre Olivier Messiaen et la variété, c'est ce que nous explique son fils Daniel Popp, à l'occasion de la sortie de l'intégrale instrumentale de son père, soit 293 titres, 13 CD, entre 1955 et 1976. Note d'intention Daniel Popp (son fils)Réunir pour la première fois dans une intégrale, tous les albums d'André Popp de 1955 à 1976, jamais ou si peu publiés en CD, permet de voir à quel point la musique instrumentale est un élément essentiel de son œuvre de compositeur, arrangeur, chef d'orchestre. Un volant peu connu tant les arrangements qu'il a écrits pour les plus grands, ses chansons à succès qui ont fait le tour du monde, couvrant plusieurs générations, jusqu'à aujourd'hui, ou la série des « Piccolo, Saxo et Cie » ont voilé quelque peu son travail en tant que chef d'orchestre. Car outre le côté avant-gardiste des explorations sonores d'« Elsa Popping et sa Musique Sidérante » qui lui auront collé une image d'« amuseur », ou les musiques qui ont alimenté nombre de génériques de séries d'animation (Colargol, Babar...), et d'une myriade d'émissions de radio ou de télévision (« Les Maîtres du Mystère », « La Tête et les Jambes » entre autres…) et de bandes originales (« Tintin »…), André Popp, album après album, n'aura cessé de creuser un sillon musical qui n'appartient qu'à lui. Souvent nourri d'œuvres composées pour la radio qui fut son conservatoire, dont le bonus inédit, exceptionnel, du CD 13, offre un concert radiophonique dirigé par Popp, lui-même, revisité dans un esprit jazz coloré de joyeuses dissonances. Cette publication en révèle enfin la mesure, l'incroyable variété : une véritable malle aux trésors prenant figure d'œuvre regorgeant d'audace, de malice, de folle créativité musicale, entrecoupée de périodes plus sages, mais toujours élégantes et inventives, dont il est passionnant de constater l'évolution sur une vingtaine d'années.  Biographie André PoppLa passion absolue de la musique résume la vie et la carrière d'André Popp. Parfait autodidacte ou presque, génial créateur, il est resté dans l'ombre malgré une œuvre très riche, jalonnée par des tubes internationaux sur fond d'explorations musicales en tous genres. Dès cinq ans, en 1929, il apprend le piano en Vendée, là où réside sa famille. Mais la musique se révèle vraiment à lui, pendant la guerre, quand il remplace l'abbé mobilisé qui tenait l'harmonium dans la chapelle de son pensionnat. Le jeune André joue de l'instrument à tous les offices avec un grand bonheur. Déjà, plutôt que les grands classiques, il préfère écouter Stravinsky ou Messiaen. À la même période, sa première rencontre importante fut Jean Broussolle, futur ‘Compagnon de la chanson' avec lequel il écrit ses premières chansons. C'est encore avec Broussolle, qu'il ose « monter » à Paris à la Libération en 1944, venant de sa Vendée natale. Là, il travaillera comme pianiste dans divers cabarets ou encore au célèbre Théâtre des Trois Baudets à partir de 1949. Sur tous les fronts en 1953, il devient le musicien/producteur de la grande émission du samedi soir sur Paris Inter : « La bride sur le cou ». Véritable laboratoire et conservatoire pour André Popp qui affirmait y avoir fait ses classes d'orchestration, de composition, de direction d'orchestre !  En 1956, Jacques Canetti engage André Popp chez Philips et sa filiale Fontana comme chef d'orchestre et arrangeur. Chez Fontana, sous la direction artistique de Boris Vian, André Popp enregistre en 1956 son premier album instrumental Musiques en tous genres, suivi un an plus tard de Elsa Popping, un album 30 cm réunissant des classiques connus : polkas, java et autres, avec des arrangements avant-gardistes et de nombreux trucages jamais réalisés en studio. Parmi les accompagnements d'artistes chez Philips/Fontana, on découvre ses arrangements ciselés sur mesure pour Jacques Brel avec ‘Quand on a que l'amour', son premier succès, Juliette Gréco et ‘Il n'y a plus d'après', Mouloudji, Zizi Jeanmaire et tellement d'autres, tant son originalité lui vaut de faire partie des arrangeurs « à la mode » ! Puis viendront une kyrielle de chansons dont il écrit les musiques gravées dans toutes les mémoires : les célébrissimes ‘Lavandières du Portugal' en 1955 avec Jacqueline François, ‘La complainte du téléphone' ou ‘De Pantin à Pékin' pour Juliette Gréco, ‘Tom Pillibi', chanté par Jacqueline Boyer, Grand prix de l'Eurovision en 1960, ‘Le chant de Mallory' avec Rachel, quatrième de cette même Eurovision en 1964, ‘Le lit de Lola', ‘Manchester et Liverpool' et ‘Mon amour, mon ami', pour Marie Laforêt. Son plus grand succès comme compositeur restera ‘Love Is Blue' (‘L'amour est bleu') dont le chef d'orchestre Paul Mauriat fera un succès mondial en 1968 et vendra trente millions de disques. ‘La solitude c'est après' pour Claude François, ‘L'amour c'est comme les bateaux' pour Sylvie Vartan ou un autre tube planétaire ‘Song for Anna' joué au départ par Herb Ohta, un guitariste Hawaïen, sont d'autres belles réalisations à l'actif d'André Popp qui a aussi offert des chansons à Petula Clark, Brigitte Bardot, France Gall, Régine, Françoise Hardy, Nana Mouskouri, Nicole Croisille ou encore à la toute jeune Céline Dion à ses débuts.  Mais le chef d'œuvre d'André Popp restera à tout jamais « Piccolo, saxo et compagnie », seule œuvre symphonique éducative destinée à la jeunesse, jouée de l'Australie à la Colombie en passant par l'Allemagne, la France… Peu présent dans le monde du cinéma, André Popp composera néanmoins quelques musiques de film, dont « Tintin et le mystère de la toison d'or ». Le théâtre lui ouvrira ses portes grâce à ses orchestrations célèbres d'Irma la douce jouée encore à Broadway le jour de sa mort, ou par ses musiques composées pour nombre de pièces d'André Barsac au Théâtre de l'Atelier. Depuis une décennie, André Popp était heureux d'avoir trouvé en Fred Pallem et son orchestre de jazz « Le Sacre du Tympan », le prolongateur de son œuvre. Fred Pallem qui ne se lasse pas de répéter qu'André Popp symbolise encore aujourd'hui le chaînon manquant entre Olivier Messiaen et la musique de variété.Extrait de « Les Arrangeurs de la Chanson Française : 200 Rencontres » Par Serge ELHAÏK (2017) Éditions Textuel.Titres d'André Popp joués dans l'émission :Les Papillons, Les Lavandières du Portugal, 20 que da ?, Le chant de Mallaury par Tabuley Rochereau (extrait), Manchester & Liverpool demo par David Bowie (extrait), Love is Blue par George Benson et La Polka du Roi.► Coffret 13 CD André Popp L'intégrale instrumentale (1955-1976) (Universal 2024).Facebook - Site - Deezer - YouTube.En 2025 ! Le 8 Mars 2025, concert exceptionnel de Fred Pallem et le Sacre du Tympan Big Band « 100 ans de Popp et de jazz » dans le cadre du centenaire du compositeur André Popp, Radio France, Studio 104. Puis nous recevons Tropic Hotel  pour la sortie de l'album Tum Tum Bossa. Un travail d'adaptation en français de poésies brésiliennes issues de la bossa nova des années 60 (Tom Jobim, Chico Buarque, Caetano Veloso, Vinicius de Moraes, Carlos Lyra, Adoniran Barbosa…) au plus proche du sens et de la sonorité d'origine : Tropic Hotel, c'est un homme (Frédéric Jean, ex-Hyperclean) et une femme (Sandra Campas) qui jouent et chantent face à face le discours amoureux. Partis de la forme brute de la bossa, le Tropic Hotel n'hésite pas à s'aventurer sur les sentiers électriques de la pop exotica et nous entrainent dans un véritable « road movie musical. » Ce sont des histoires d'amour. D'abord celle de Sandra et Frédéric.En 2014, alors élève au Conservatoire de Jazz de Montauban, Sandra rencontre Frédéric. Le week-end, ils se retrouvent dans une petite cabane perdue au fond des bois pour jouer de la bossa nova nus. S'inspirant des surréalistes, ils s'essaient à des adaptations à partir de jeux littéraires. Sandra chante en brésilien et Frédéric interprète ce qu'il entend en français. Ils appellent cela des « bossas sourdes ». Fin 2016, Sandra se lance dans des adaptations, au plus proche du sens et de la sonorité d'origine. Il apparaît évident que c'est ce qui restitue le mieux la poésie crue de ces textes brésiliens des années 60. Au printemps 2017, ils décident alors de les partager sur scène. Frédéric fait quelques propositions d'arrangements plus électriques et peu à peu se dessine le répertoire, nouvel havre pour ces poèmes d'amour. On laisse la cabane pour le Tropic Hotel.  Titres interprétés au grand studio- Je ne suis plus toi et moi (voce e eu) Live RFI- Viens, extrait de l'album voir le clip- Petite Valse Live RFI.Line Up : Sandra Campas, chant, Frédéric Jean, guitare.Son : Benoît Letirant.► Album Tum Tum Bossa (Velvetica Music 2024).- Site - Facebook - Instagram - Spotify.

Daniel Popp présente l'intégrale en 13 CD de son père André Popp et le duo toulousain Tropic Hotel se rêve en pop love tropicale à Rio. André Popp (1924-2014) serait le chaînon manquant entre Olivier Messiaen et la variété, c'est ce que nous explique son fils Daniel Popp, à l'occasion de la sortie de l'intégrale instrumentale de son père, soit 293 titres, 13 CD, entre 1955 et 1976. Note d'intention Daniel Popp (son fils)Réunir pour la première fois dans une intégrale, tous les albums d'André Popp de 1955 à 1976, jamais ou si peu publiés en CD, permet de voir à quel point la musique instrumentale est un élément essentiel de son œuvre de compositeur, arrangeur, chef d'orchestre. Un volant peu connu tant les arrangements qu'il a écrits pour les plus grands, ses chansons à succès qui ont fait le tour du monde, couvrant plusieurs générations, jusqu'à aujourd'hui, ou la série des « Piccolo, Saxo et Cie » ont voilé quelque peu son travail en tant que chef d'orchestre. Car outre le côté avant-gardiste des explorations sonores d'« Elsa Popping et sa Musique Sidérante » qui lui auront collé une image d'« amuseur », ou les musiques qui ont alimenté nombre de génériques de séries d'animation (Colargol, Babar...), et d'une myriade d'émissions de radio ou de télévision (« Les Maîtres du Mystère », « La Tête et les Jambes » entre autres…) et de bandes originales (« Tintin »…), André Popp, album après album, n'aura cessé de creuser un sillon musical qui n'appartient qu'à lui. Souvent nourri d'œuvres composées pour la radio qui fut son conservatoire, dont le bonus inédit, exceptionnel, du CD 13, offre un concert radiophonique dirigé par Popp, lui-même, revisité dans un esprit jazz coloré de joyeuses dissonances. Cette publication en révèle enfin la mesure, l'incroyable variété : une véritable malle aux trésors prenant figure d'œuvre regorgeant d'audace, de malice, de folle créativité musicale, entrecoupée de périodes plus sages, mais toujours élégantes et inventives, dont il est passionnant de constater l'évolution sur une vingtaine d'années.  Biographie André PoppLa passion absolue de la musique résume la vie et la carrière d'André Popp. Parfait autodidacte ou presque, génial créateur, il est resté dans l'ombre malgré une œuvre très riche, jalonnée par des tubes internationaux sur fond d'explorations musicales en tous genres. Dès cinq ans, en 1929, il apprend le piano en Vendée, là où réside sa famille. Mais la musique se révèle vraiment à lui, pendant la guerre, quand il remplace l'abbé mobilisé qui tenait l'harmonium dans la chapelle de son pensionnat. Le jeune André joue de l'instrument à tous les offices avec un grand bonheur. Déjà, plutôt que les grands classiques, il préfère écouter Stravinsky ou Messiaen. À la même période, sa première rencontre importante fut Jean Broussolle, futur ‘Compagnon de la chanson' avec lequel il écrit ses premières chansons. C'est encore avec Broussolle, qu'il ose « monter » à Paris à la Libération en 1944, venant de sa Vendée natale. Là, il travaillera comme pianiste dans divers cabarets ou encore au célèbre Théâtre des Trois Baudets à partir de 1949. Sur tous les fronts en 1953, il devient le musicien/producteur de la grande émission du samedi soir sur Paris Inter : « La bride sur le cou ». Véritable laboratoire et conservatoire pour André Popp qui affirmait y avoir fait ses classes d'orchestration, de composition, de direction d'orchestre !  En 1956, Jacques Canetti engage André Popp chez Philips et sa filiale Fontana comme chef d'orchestre et arrangeur. Chez Fontana, sous la direction artistique de Boris Vian, André Popp enregistre en 1956 son premier album instrumental Musiques en tous genres, suivi un an plus tard de Elsa Popping, un album 30 cm réunissant des classiques connus : polkas, java et autres, avec des arrangements avant-gardistes et de nombreux trucages jamais réalisés en studio. Parmi les accompagnements d'artistes chez Philips/Fontana, on découvre ses arrangements ciselés sur mesure pour Jacques Brel avec ‘Quand on a que l'amour', son premier succès, Juliette Gréco et ‘Il n'y a plus d'après', Mouloudji, Zizi Jeanmaire et tellement d'autres, tant son originalité lui vaut de faire partie des arrangeurs « à la mode » ! Puis viendront une kyrielle de chansons dont il écrit les musiques gravées dans toutes les mémoires : les célébrissimes ‘Lavandières du Portugal' en 1955 avec Jacqueline François, ‘La complainte du téléphone' ou ‘De Pantin à Pékin' pour Juliette Gréco, ‘Tom Pillibi', chanté par Jacqueline Boyer, Grand prix de l'Eurovision en 1960, ‘Le chant de Mallory' avec Rachel, quatrième de cette même Eurovision en 1964, ‘Le lit de Lola', ‘Manchester et Liverpool' et ‘Mon amour, mon ami', pour Marie Laforêt. Son plus grand succès comme compositeur restera ‘Love Is Blue' (‘L'amour est bleu') dont le chef d'orchestre Paul Mauriat fera un succès mondial en 1968 et vendra trente millions de disques. ‘La solitude c'est après' pour Claude François, ‘L'amour c'est comme les bateaux' pour Sylvie Vartan ou un autre tube planétaire ‘Song for Anna' joué au départ par Herb Ohta, un guitariste Hawaïen, sont d'autres belles réalisations à l'actif d'André Popp qui a aussi offert des chansons à Petula Clark, Brigitte Bardot, France Gall, Régine, Françoise Hardy, Nana Mouskouri, Nicole Croisille ou encore à la toute jeune Céline Dion à ses débuts.  Mais le chef d'œuvre d'André Popp restera à tout jamais « Piccolo, saxo et compagnie », seule œuvre symphonique éducative destinée à la jeunesse, jouée de l'Australie à la Colombie en passant par l'Allemagne, la France… Peu présent dans le monde du cinéma, André Popp composera néanmoins quelques musiques de film, dont « Tintin et le mystère de la toison d'or ». Le théâtre lui ouvrira ses portes grâce à ses orchestrations célèbres d'Irma la douce jouée encore à Broadway le jour de sa mort, ou par ses musiques composées pour nombre de pièces d'André Barsac au Théâtre de l'Atelier. Depuis une décennie, André Popp était heureux d'avoir trouvé en Fred Pallem et son orchestre de jazz « Le Sacre du Tympan », le prolongateur de son œuvre. Fred Pallem qui ne se lasse pas de répéter qu'André Popp symbolise encore aujourd'hui le chaînon manquant entre Olivier Messiaen et la musique de variété.Extrait de « Les Arrangeurs de la Chanson Française : 200 Rencontres » Par Serge ELHAÏK (2017) Éditions Textuel.Titres d'André Popp joués dans l'émission :Les Papillons, Les Lavandières du Portugal, 20 que da ?, Le chant de Mallaury par Tabuley Rochereau (extrait), Manchester & Liverpool demo par David Bowie (extrait), Love is Blue par George Benson et La Polka du Roi.► Coffret 13 CD André Popp L'intégrale instrumentale (1955-1976) (Universal 2024).Facebook - Site - Deezer - YouTube.En 2025 ! Le 8 Mars 2025, concert exceptionnel de Fred Pallem et le Sacre du Tympan Big Band « 100 ans de Popp et de jazz » dans le cadre du centenaire du compositeur André Popp, Radio France, Studio 104. Puis nous recevons Tropic Hotel  pour la sortie de l'album Tum Tum Bossa. Un travail d'adaptation en français de poésies brésiliennes issues de la bossa nova des années 60 (Tom Jobim, Chico Buarque, Caetano Veloso, Vinicius de Moraes, Carlos Lyra, Adoniran Barbosa…) au plus proche du sens et de la sonorité d'origine : Tropic Hotel, c'est un homme (Frédéric Jean, ex-Hyperclean) et une femme (Sandra Campas) qui jouent et chantent face à face le discours amoureux. Partis de la forme brute de la bossa, le Tropic Hotel n'hésite pas à s'aventurer sur les sentiers électriques de la pop exotica et nous entrainent dans un véritable « road movie musical. » Ce sont des histoires d'amour. D'abord celle de Sandra et Frédéric.En 2014, alors élève au Conservatoire de Jazz de Montauban, Sandra rencontre Frédéric. Le week-end, ils se retrouvent dans une petite cabane perdue au fond des bois pour jouer de la bossa nova nus. S'inspirant des surréalistes, ils s'essaient à des adaptations à partir de jeux littéraires. Sandra chante en brésilien et Frédéric interprète ce qu'il entend en français. Ils appellent cela des « bossas sourdes ». Fin 2016, Sandra se lance dans des adaptations, au plus proche du sens et de la sonorité d'origine. Il apparaît évident que c'est ce qui restitue le mieux la poésie crue de ces textes brésiliens des années 60. Au printemps 2017, ils décident alors de les partager sur scène. Frédéric fait quelques propositions d'arrangements plus électriques et peu à peu se dessine le répertoire, nouvel havre pour ces poèmes d'amour. On laisse la cabane pour le Tropic Hotel.  Titres interprétés au grand studio- Je ne suis plus toi et moi (voce e eu) Live RFI- Viens, extrait de l'album voir le clip- Petite Valse Live RFI.Line Up : Sandra Campas, chant, Frédéric Jean, guitare.Son : Benoît Letirant.► Album Tum Tum Bossa (Velvetica Music 2024).- Site - Facebook - Instagram - Spotify.

Our very, very special guest today is the great Kevin Harrington, who most Beatles fans will recognize as the “redhead on the roof” in the Let It Be and Get Back films. At the time, Kevin was only 18 years old(!) but had been working for the Beatles, in some capacity, for years, first as an errand boy at NEMS and then as an assistant to Brian Epstein. He worked alongside Mal Evans as the Beatles' “roadie,” as he's billed in the Let It Be credits. After the Beatles broke up, Kevin stayed closely in the fold, even living at Friar Park with George and Patti during the recording of All Things Must Pass. Then, he finally struck out on his own in the ‘70s and beyond and was a roadie with some of the biggest names in music, including Wishbone Ash, Motorhead, Petula Clark, Ted Nugent, Tina Turner and more. To learn more about Kevin's time with NEMS and the Beatles, check out his memoir, Who's The Redhead on the Roof? --------------------- Follow us on Facebook, Instagram, TikTok, and Twitter/X for photos, videos, and more from this episode & past episodes — we're @bcthebeatles everywhere. Follow BC the Beatles on Apple Podcasts, Spotify, YouTube, or wherever you're listening now. Buy us a coffee! www.ko-fi.com/bcthebeatles Contact us at bcthebeatles@gmail.com.

In this episode, the gals chat all about what their walk out songs would be! From Joan Jet & Petula Clark to baked gnocchi & good bread, the gals share it all! So tune in & keep listening for updates from your favorite knitting gals :) We would LOVE to hear your thoughts for our next episode! To be part of the fun, please email your answers to Cathy at cathyfinleyknits@gmail.com. Question for Next Episode: What is YOUR third place? And don't forget...Roots Knitting Academy's Spring 2024 class calendar is open for registration on their website www.rootsknitting.com! Be sure to follow them on Facebook & Instagram for updates on all the fun they have planned! --- Send in a voice message: https://podcasters.spotify.com/pod/show/knittingshoplive/message

Here's a Santa's bag full of potential purchases for the show tune fan in your life (like you!). Selections from cast albums to Merrily We Roll Along, Harmony, Sweeney Todd, plus performances by Petula Clark, Julie Benko and more.

Close your eyes and imagine exiting your front door. Within moments, everything necessary for your life is a few blocks away, except perhaps your job. Groceries, coffee, toiletries, your bank—if you're still a physical bank-type person—auto shop, all within walking distance. You never have to commute too far to live your life. Sounds like quite a dystopian hellscape, doesn't it?  Believe it or not, that's yet another conspiracy theory that emerged earlier this year, because the ability to access things you need is apparently a Deep State plot. Derek is joined by “The War on Cars” co-host, Doug Gordon, to discuss how this conspiracy started and why smart urban planning is a boon for society. First, we discuss Jane Jacobs, the Scranton, Pennsylvania-born journalist and theorist who brought her civic activism to Toronto in 1968, with Matthew coloring in how her legacy has fared during the rise of the Ford family. Corrections: In his unbridled enthusiasm for the topic and the memories it churned up, Matthew messed up THREE things—the Escalade is a Cadillac, not a Ford, “Downtown” was sung by Petula Clark, not Peggy Lee, and Bill Davis was a Progressive Conservative Premier, not a Liberal! Apologies. Show Notes The Woman Who Saved New York City from Superhighway Hell | Vanity Fair  ‘The streets belong to the people': Why a premier killed the Spadina Expressway | TVO Today  ​Ford family is building a political dynasty  ​​Video shows Councillor Doug Ford handing out $20 bills at TCHC building  Where the Spadina Expressway Didn't Stop | The Local Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy sings Petula Clark's "Downtown", Taylor Swift is dating a jock, Panera Bread gets more shade, and a woman loses her mind while listening to Doja Cat's song "Demons". On Rachel's Chart Chat, Rachel from Des Moines delivers a special Andy-themed Chart Chat segment all about different artists named Andy who have hit the Hot 100 over the years. You can find a playlist for Rachel's Chart Chat here. Follow Rachel on Last.fm here.

Max Pearson presents a collection of this week's Witness History episodes from the BBC World Service. We hear about Althea McNish, the Trinidadian artist who designed fabric for Queen Elizabeth II. Former Vogue editor Suzy Menkes on the success of the fashion celebration, the Met Gala. The Guatemalan Bishop, Juan Gerardi, killed in his home, after presenting the conclusions of a major investigation into abuses committed during the country's civil war. We remember Harry Belafonte, with a look back at his historic duet with Petula Clark. Plus the fight by the BBC to televise Queen Elizabeth II's coronation in 1953. Contributors: Rose Sinclair, Lecturer in textile design at Goldsmiths, University of London. Gavin Douglas, Programme Leader and Senior Lecturer in fashion design at Manchester Metropolitan University. Suzy Menkes, former Vogue International Editor. Ronalth Ochaeta, former head of the Catholic Church's human rights office in Guatemala. Steve Binder, TV producer. Lady Jane Rayne Lacey, a lady in waiting at Queen Elizabeth II's coronation in 1953. (Photo: Althea McNish Credit: Getty Images)