Podcasts about Reichenbach

Autorität ist ein schwieriger Begriff, und wir alle haben Erfahrungen mit ihr. Wer selbst autoritär erzogen worden ist, will alles dafür tun, um nicht ein Abbild der strengen Eltern oder des angsteinflössenden Paukerlehrers zu werden. Autorität wird deshalb mit Drill, Angst und konservativem Denken gleichgesetzt und im Widerspruch zu Freiheit und Selbstbestimmung gesehen. Trends wie #beziehungstatterziehung gelten als neue Alternativen. Solche Gedanken sind die Grundlagen für mein Gespräch mit Roland Reichenbach, Professor für Allgemeine Pädagogik an der Universität Zürich. Reichenbach, R. (2025). Die Pädagogik der Privilegierten. Ein Essay. Stuttgart: Kohlhammer. Reichenbach, R. (2025). Krise der Imagination. Zum Verlust von Urteilskraft und Gemeinsinn. Giessen: Psychosozial-Verlag. Stamm, M. (2017). Lasst die Kinder los. München: Piper. Stamm, M. (2020). Letzte Lektion Liebesentzug. NZZ Gastbeitrag, 01.12.18. Stamm, M. (2022). Die kleinen Könige. NZZ Gastbeitrag, 29.04.22. Education to Go Konzeption: Margrit Stamm & Buero GDL. Redaktion: Dominic Dillier & Margrit Stamm Layout: Dominic Dillier & Buero GDL Bild: cic Grafik: Orkan Design gmbh Weitere Informationen: www.margritstamm.ch / www.buerogdl.ch

“The Magic Circle: Swedenborgian PTK” - a new joint investigation from The Return of the Repressed and ParaPower Mapping.Subscribe to the PPM & The Return of the Repressed Patreons to support our work: patreon.com/ParaPowerMappingpatreon.com/TheReturnOfTheRepressedA multipart series investigating a Swedish ritual murder ring unlike anything you've ever previously encountered. A tale of…Abwehr secret agents, séances clouded with the Witches Sabbath drug henbane, hypnotism, Nazi paramilitaries, Tantric Luciferians, Danish dark ascended masters, Swedish electrical utility giants, American gangster ethos, Dr. Caligari, Dr. Mabuse, Babelsberg movie industry, Prohibition & Depression-era American cultural exports, Swedish bootleggers, astral projection, the OTO, Erik Jan Hanussen, opium, the Hindu goddess of destruction Kali, yoni emblems, Nitzchean “Übermenschen” killers, psych hospitals, military-supplying haberdashers, the British SIS, the Swedish C-byrån (C Bureau Intelligence Service), Swedenborg, telepathy, Hypnotic Breakfast Clubs, Christmas homunculi, anarcho-syndicalists, turncoat Communists, stakeouts, verdant Swedish forest, “From Hell”-esque murder geometry, Theosophy, Baron von Reichenbach and the Od Force, the “specialness” of the bloody fluids, Kumārila Bhatta, kundalini, Hatha Yoga, Tantrism & Advaita Vedanta, Beelzebub, the Theosophical Society, Blavatsky, bucolic visions of psykopomps from Asatron by the lake, farsighted Grandmothers, valkyrior, weapons tests, stakeouts, murder by “Midsommar”-esque carbon dioxide poisoning, heists, car chases, and much more. Tracks & Clips:| Atrium Carceri & Cities Last Broadcast - A Deeper DreamUgasanie - In Antarctic NightAtrium Carceri & Herbst9 - Sov Ej Hos Kvinna, Som Är Kunnig I TrolldomSKÁLD Huldufólk - Herr ManneligBaby Grandmothers - Opus 1： Ascending (1967, Sweden)Ted Gärdestad - Himlen är oskyldigt blå (slowed+reverb)Aki - DynamitDead Melodies - Lonesome Halls of RuinKid cudi - trapped in my mind (slowed + reverb)

United States v. Reichenbach

"Ich kam, ich sah, ich interviewte!" - dachten sich unsere Hosts Alex und Martin bestimmt als aufeinmal Shootingstar und Trialsportlerin Nina Reichenbach vor ihnen auf der Velo in Berlin stand! Vorort gab es dann eine ordentliche Portion Fragen zu beantworten. Von den Anfängen ihrer Trial Kariere bis zu ihren Plänen in 10 Jahren ist alles dabei. Du hast auch Bock Trialsportler zu werden? Schreib ihr einfach auf ihrem Instagramaccount! Du hast Fragen, Anregungen oder einfach was zu sagen? Dann schreib uns 'ne Mail an mail@bikersparadisepodcast.de – wir freuen uns! BIKERS PARADISE ist eine Produktion von Good Guys Entertainment und wird moderiert von Martin Gertz und Alex Hüfner.

Predigt der FeG Augsburg-Mitte am 27.04.2025 | Prediger: Paul Reichenbach | Thema: Herz-Check-up |  Freie evangelische Gemeinde Augsburg-Mitte | www.augsburg-mitte.feg.de | Ulrichsgasse 1-3 | 86150 Augsburg | contact@augsburg-mitte.feg.de

Bom dia, Cinéfilos!Devido a problemas técnicos (também conhecidos como bobeira do Tiago), alguns episódios não estão mais disponíveis no spotify. Então, ele resolveu o problema e agora vamos repostá-los. O primeiro deles foi o episódio em que ele, o Rodrigo e a Thaís conversaram sobre Carlos Reichenbach:"Continuamos nossas descobertas de filmografias de grandes diretores, e, no episódio de hoje, o Tiago e o Rodrigo recebem a Thaís para conversar sobre o Carlos Reichenbach e dois de seus filmes: Sangue Corsário, de 1979 e Extremos do Prazer, de 1984.Siga o Rodrigo no InstagramSiga a Thaís no Twittere no LetterboxdSiga o Tiago no blueskyee no Letterboxd"

Think like an entrepreneur—before you even start.In this episode of Gent's Talk (E#146), host Samir Mourani sits down with Flow Water founder Nicholas Reichenbach to explore what it really takes to build a successful business from scratch. This isn't just about raising capital or chasing trends—it's about developing the mental discipline, grit, and vision to survive in the face of pressure, setbacks, and uncertainty.Whether you're launching your first venture, scaling your startup, or just dreaming about breaking free from the 9–5, this conversation is packed with real-life lessons on entrepreneurship, leadership, resilience, and thinking differently.In this episode, you'll learn:- Why mindset is everything when starting a business- How to navigate failure and stay focused when things fall apart- The lessons Nicholas learned scaling Flow Water- What separates successful founders from everyone else- How to build a brand that lasts—without losing yourself in the processThis episode isn't just about business—it's about learning to bet on yourself before anyone else does.Subscribe for more in-depth interviews with founders, creatives, and change-makers.

“The Magic Circle: Swedenborgian PTK” - a new joint investigation from The Return of the Repressed and ParaPower Mapping.Subscribe to the PPM & The Return of the Repressed Patreons to support our work: patreon.com/ParaPowerMappingpatreon.com/TheReturnOfTheRepressedA multipart series investigating a Swedish ritual murder ring unlike anything you've ever previously encountered. A tale of…Abwehr secret agents, séances clouded with the Witches Sabbath drug henbane, hypnotism, Nazi paramilitaries, Tantric Luciferians, Danish dark ascended masters, Swedish electrical utility giants, American gangster ethos, Dr. Caligari, Dr. Mabuse, Babelsberg movie industry, Prohibition & Depression-era American cultural exports, Swedish bootleggers, astral projection, the OTO, Erik Jan Hanussen, opium, the Hindu goddess of destruction Kali, yoni emblems, Nitzchean “Übermenschen” killers, psych hospitals, military-supplying haberdashers, the British SIS, the Swedish C-byrån (C Bureau Intelligence Service), Swedenborg, telepathy, Hypnotic Breakfast Clubs, Christmas homunculi, anarcho-syndicalists, turncoat Communists, stakeouts, verdant Swedish forest, “From Hell”-esque murder geometry, Theosophy, Baron von Reichenbach and the Od Force, the “specialness” of the bloody fluids, Kumārila Bhatta, kundalini, Hatha Yoga, Tantrism & Advaita Vedanta, Beelzebub, the Theosophical Society, Blavatsky, bucolic visions of psykopomps from Asatron by the lake, farsighted Grandmothers, valkyrior, weapons tests, stakeouts, murder by “Midsommar”-esque carbon dioxide poisoning, heists, car chases, and much more.  Tracks & Clips:| "From Hell" Excerpts (Read by Marcus) || Pugh Rogefeldt - “Haru Sett Mej Va” | | Hypnosmord - “B: Världen sover" (The Thurneman Improvisations) | | Bob Lawrence with Paul Whiteman and His Orchestra - “Annanina” |

Clay is an accomplished executive, product manager, and investor with extensive experience leading business operations, logistics, technology, and investments. He thrives in helping entrepreneurial-minded companies succeed by seamlessly linking innovative technology with efficient operations and disciplined investment. However, his passion is improving companies by improving people.As Next Step's President, Clay oversees all business functions and is responsible for aligning all business units behind the company's common goals of customer satisfaction, innovation, and operational excellence. He plays a key role in developing and executing the company's ambitious strategy for continued growth and improvement.  Prior to Next Step, Clay served as a leading Operational Executive and Head of Product for Turning Basin Service, a forward-thinking automotive logistics company and software developer in the business of controlling and operating point of entry ports for some of the world's most successful vehicle manufacturers. He was responsible for offering strategic direction and operational guidance across all business functions with a focus on systematically pushing performance, technology, and value. In addition to demolishing KPIs, his team designed, developed, and launched innovative software into dynamic production environments for premium brands like VW, Audi, Porsche, Lamborghini, and Bentley. Prior to his time in automotive logistics, Clay served as Vice President and Investment Partner for InSite Realty Partners. Where he helped craft and execute investment, leasing, and divestment strategies across multiple asset types and classes. He led due diligence and underwriting, marketing efforts, contract negotiations, financial approval, architectural and construction management, and legal review on 50+ transactions annually, with a combined transaction value of over $500M. He has partnered in syndicated real estate investments valued at over $125M, focused mainly on institutional-quality office, industrial, and land opportunities. Clay holds a management degree from Rice University. While at Rice, he competed as a member of the Rice Owl baseball team and was recognized as an Academic All-Conference team member, Western Athletic Conference Scholar Athlete, and Rice University Honor Athlete.Our services for both our clients and candidates can be found below✔️For Employers: https://www.nenniandassoc.com/for-employers/✔️For Candidates: https://www.nenniandassoc.com/career-opportunities/✔️Consulting: https://www.nenniandassoc.com/consulting-services/✔️Executive Search: https://www.nenniandassoc.com/executive-search/Nenni and Associates on Social Media:► Follow on LinkedIn: https://www.linkedin.com/company/nenni-and-associates/► Like on Facebook: https://www.facebook.com/nenniandassoc/► Email Listing: https://www.nenniandassoc.com/join-email-list/► Subscribe to our YouTube channel: https://www.youtube.com/c/NenniAssociates

Beim Ausfüllen einer Parkbusse kam es zwischen einem angestellten der Stadt und einer Privatperson zu einer körperlichen Auseinandersetzung. Dem Mitarbeiter wurde danach fristlos gekündigt. Weiter in der Sendung: · Das Zielhaus für die Ski-WM in Crans Montana kann gebaut werden. Das Bundesgericht lehnt die Aufschiebende Wirkung ab. · Kanton Bern: der Regierungsrat will die Konzession für das Wasserkraftwerk Schattenhalb 3 anpassen. Es fliesse mehr Wasser durch den Reichenbach, als bei der Projektierung angenommen.

“The Magic Circle: Swedenborgian PTK” - a new joint investigation from The Return of the Repressed and ParaPower Mapping.Subscribe to the PPM & The Return of the Repressed Patreons to support our work: patreon.com/ParaPowerMappingpatreon.com/TheReturnOfTheRepressedA multipart series investigating a Swedish ritual murder ring unlike anything you've ever previously encountered. A tale of…Abwehr secret agents, séances clouded with the Witches Sabbath drug henbane, hypnotism, Nazi paramilitaries, Tantric Luciferians, Danish dark ascended masters, Swedish electrical utility giants, American gangster ethos, Dr. Caligari, Dr. Mabuse, Babelsberg movie industry, Prohibition & Depression-era American cultural exports, Swedish bootleggers, astral projection, the OTO, Erik Jan Hanussen, opium, the Hindu goddess of destruction Kali, yoni emblems, Nitzchean “Übermenschen” killers, psych hospitals, military-supplying haberdashers, the British SIS, the Swedish C-byrån (C Bureau Intelligence Service), Swedenborg, telepathy, Hypnotic Breakfast Clubs, Christmas homunculi, anarcho-syndicalists, turncoat Communists, stakeouts, verdant Swedish forest, “From Hell”-esque murder geometry, Theosophy, Baron von Reichenbach and the Od Force, the “specialness” of the bloody fluids, Kumārila Bhatta, kundalini, Hatha Yoga, Tantrism & Advaita Vedanta, Beelzebub, the Theosophical Society, Blavatsky, bucolic visions of psykopomps from Asatron by the lake, farsighted Grandmothers, valkyrior, weapons tests, stakeouts, murder by “Midsommar”-esque carbon dioxide poisoning, heists, car chases, and much more. Tracks & Clips:| Pugh Rogefeldt - “Haru Sett Mej Va” | | Hypnosmord - “B: Världen sover" (The Thurneman Improvisations) | | Bob Lawrence with Paul Whiteman and His Orchestra - “Annanina” |

“The Magic Circle: Swedenborgian PTK” - a new joint investigation from The Return of the Repressed and ParaPower Mapping. Subscribe to the PPM & The Return of the Repressed Patreons to support our work:  patreon.com/ParaPowerMapping patreon.com/TheReturnOfTheRepressed A multipart series investigating a Swedish ritual murder ring unlike anything you've ever previously encountered. A tale of… Abwehr secret agents, séances clouded with the Witches Sabbath drug henbane, hypnotism, Nazi paramilitaries, Tantric Luciferians, Danish dark ascended masters, Swedish electrical utility giants, American gangster ethos, Dr. Caligari, Dr. Mabuse, Babelsberg movie industry, Prohibition & Depression-era American cultural exports, Swedish bootleggers, astral projection, the OTO, Erik Jan Hanussen, opium, the Hindu goddess of destruction Kali, yoni emblems, Nitzchean “Übermenschen” killers, psych hospitals, military-supplying haberdashers, the British SIS, the Swedish C-byrån (C Bureau Intelligence Service), Swedenborg, telepathy, Hypnotic Breakfast Clubs, Christmas homunculi, anarcho-syndicalists, turncoat Communists, stakeouts, verdant Swedish forest, “From Hell”-esque murder geometry, Theosophy, Baron von Reichenbach and the Od Force, the “specialness” of the bloody fluids, Kumārila Bhatta, kundalini, Hatha Yoga, Tantrism & Advaita Vedanta, Beelzebub, the Theosophical Society, Blavatsky, bucolic visions of psykopomps from Asatron by the lake, farsighted Grandmothers, valkyrior, weapons tests, stakeouts, murder by “Midsommar”-esque carbon dioxide poisoning, heists, car chases, and much more.  Tracks & Clips: | Babylon Berlin - S1 EP 1 opening scene |  | Pugh - “Här Kommer Natten” |  | Hypnosmord - “Pianofingrar (The Thurneman Improvisations)” |  | Artie Shaw Orchestra - “Moonray” |

“The Magic Circle: Swedenborgian PTK” - a new joint investigation from The Return of the Repressed and ParaPower Mapping. Subscribe to the PPM & The Return of the Repressed Patreons to support our work:patreon.com/TheReturnOfTheRepressed  patreon.com/ParaPowerMapping A multipart series investigating a Swedish ritual murder ring unlike anything you've ever previously encountered. A tale of… Abwehr secret agents, séances clouded with the Witches Sabbath drug henbane, hypnotism, Nazi paramilitaries, Tantric Luciferians, Danish dark ascended masters, Swedish electrical utility giants, American gangster ethos, Dr. Caligari, Dr. Mabuse, Babelsberg movie industry, Prohibition & Depression-era American cultural exports, Swedish bootleggers, astral projection, the OTO, Erik Jan Hanussen, opium, the Hindu goddess of destruction Kali, yoni emblems, Nitzchean “Übermenschen” killers, psych hospitals, military-supplying haberdashers, the British SIS, the Swedish C-byrån (C Bureau Intelligence Service), Swedenborg, telepathy, Hypnotic Breakfast Clubs, Christmas homunculi, anarcho-syndicalists, turncoat Communists, stakeouts, verdant Swedish forest, “From Hell”-esque murder geometry, Theosophy, Baron von Reichenbach and the Od Force, the “specialness” of the bloody fluids, Kumārila Bhatta, kundalini, Hatha Yoga, Tantrism & Advaita Vedanta, Beelzebub, the Theosophical Society, Blavatsky, bucolic visions of psykopomps from Asatron by the lake, farsighted Grandmothers, valkyrior, weapons tests, stakeouts, murder by “Midsommar”-esque carbon dioxide poisoning, heists, car chases, and much more. Tracks & Clips: | Babylon Berlin - S1 EP 1 opening scene | | Pugh - “Här Kommer Natten” | | Hypnosmord - “Pianofingrar (The Thurneman Improvisations)” | | Artie Shaw Orchestra - “Moonray” |

Send us a textFrom Quantum Causal Models to Causal AI at SpotifyCiarán loved Lego.Fascinated by the endless possibilities offered by the blocks, he once asked his parents what he could do as an adult to keep building with them.The answer: engineering.As he delved deeper into engineering, Ciarán noticed that its rules relied on a deeper structure. This realization inspired him to pursue quantum physics, which eventually brought him face-to-face with fundamental questions about causality.Today, Ciarán blends his deep understanding of physics and quantum causal models with applied work at Spotify, solving complex problems in innovative ways.Recently, while collaborating with one of his students, he stumbled upon a new interesting question: could we learn something about the early history of the universe by applying causal inference methods in astrophysics?Could we? Hear it from Ciarán himself.Join us for this one-of-a-kind conversation!------------------------------------------------------------------------------------------------------Video version and episode links available on YouTubeRecorded on Nov 6, 2024 in Dublin, Ireland.------------------------------------------------------------------------------------------------------About The GuestCiarán Gilligan-Lee is Head of the Causal Inference Research Lab at Spotify and Honorary Associate Professor at University College London. He got interested in causality during his studies in quantum physics. This interest led him to study quantum causal models. He published in Nature Machine Intelligence, Nature Quantum Information, Physical Review Letters, New Journal of Physics and more. In his free time, he writes for New Scientist and helps his students apply causal methods in new fields (e.g., astrophysics).Connect with Ciarán:- Ciarán on LinkedIn: https://www.linkedin.com/in/ciaran-gilligan-lee/- Ciarán's web page: https://www.ciarangilliganlee.com/About The HostAleksander (Alex) Molak is an independent machine learning researcher, educator, entreSupport the showCausal Bandits PodcastCausal AI || Causal Machine Learning || Causal Inference & DiscoveryWeb: https://causalbanditspodcast.comConnect on LinkedIn: https://www.linkedin.com/in/aleksandermolak/Join Causal Python Weekly: https://causalpython.io The Causal Book: https://amzn.to/3QhsRz4

This week's episode of the Devil's Trap podcast dives into the darker side of revenge and the moral complexities surrounding it, as the hosts discuss Season 10, Episode 2 of Supernatural, titled "Reichenbach." The discussion highlights the psychological ramifications of vengeance, with Liz and Diana emphasizing the need for Cole to seek therapy to process his trauma rather than resorting to violence. Liz tells the story of Mary Ellen Samuels, aka the Green Widow. Research LinksStrange Murder Plots Include Poisoned Salad Bar by Cult | Crime NewsMurders of Robert Samuels and James Bernstein by Mary Ellen Samuels examined on The Real Murders of Los AngelesFederal habeas relief granted to two California death row inmates | Habeas Assistance and TrainingPeople v. Samuels - S042278 - Mon, 06/27/2005 | California Supreme Court Resources

Meet Anna Reichenbach! She is this years American Birding Association's Youth Birder of the Year in the 14-18 category. Not only is she an exceptional artist and photographer she is also the proud owner of 3 parrots. This week's episode is one that should not be missed!Visit our online store to get your birding related merchandise at great prices https://www.thebirdinglife.com/online-storeIntro and outro music by Tony ZA https://soundcloud.com/tonyofficialzaLinks from show:

Meet Anna Reichenbach! She is this years American Birding Association's Youth Birder of the Year in the 14-18 category. Not only is she an exceptional artist and photographer she is also the proud owner of 3 parrots. This week's episode is one that should not be missed!Visit our online store to get your birding related merchandise at great prices https://www.thebirdinglife.com/online-storeIntro and outro music by Tony ZA https://soundcloud.com/tonyofficialzaLinks from show:Anna's Instagram: https://www.instagram.com/annas.birdtales/

Servus miteinander! Episoden und Shownotes gibts hier: https://janreichenbach.de/blog/ Mein Name ist Jan Reichenbach. Ich lebe und arbeite in München und ich habe eine wunderbare Tochter an meiner Seite. Worum dreht sich mein Podcast? FreizeitHobbysLeidenschaften Hin und wieder habe ich auch Gäste. Ich freue mich auf euch! Bitte gebt mir Lob und Kritik. Nur so kann ich wachsen. Bitte abonniert meinen Podcast und YouTube-Kanal! Herzliche Grüße aus München! Jan

In which we discuss MONSTER MONSTERS, the philosophical and literary implications of the title, Crowley's Enneagram type, the contrasts between Demon Dean and Soulless Sam, and Michelle's uninformed opinions about Sam's hair. SPOILERS for ALL seasons! Looking for earlier episodes? Find our back catalogue here: https://directory.libsyn.com/shows/view/id/theplaidcast We would love to hear from you! Email: theplaidcast@gmail.com Facebook: www.facebook.com/groups/theplaidcast

Up on this side of the equator, the weather is cooling down and the model railroad events are heating up! Dan Riechenbach of the Hawkeye Model Railroad Club stops by the ATLP studio to tell us about the Iowa City Train Show on October 20, 2024. Dan shares a history of the club, their recent move to a new building and how the show helps support their new build. Learn more about this episode on our website:aroundthelayout.com/121Thank you to our episode sponsor, Oak Hill Model Railroad Track Supply:https://ohrtracksupply.com/Thank you to our episode sponsor, Highball Graphics:https://highballgraphics.com/

Nicla Vassallo"Mente e Logica"Festival Filosofiawww.festivalfilosofia.itFestival Filosofia, SassuoloSabato 14 settembre 2024, ore 18:00Nicla VassalloMente e logicaUna relazione complessa e intriganteCome si sono delineati i rapporti tra epistemologia e psicologia nella scienza del pensiero? Da Aristotele a Reichenbach, qual è lo stato attuale del dibattito, tra intersoggettività e ragionamento umano, e oltre le divisioni?Nicla Vassallo  è professoressa di Filosofia teoretica presso l'Università di Genova, dove ha insegnato anche Filosofia della conoscenza ed Epistemologia, e ricercatrice associata presso l'Istituto di Storia dell'Europa Mediterranea (ISEM) del Centro Nazionale delle Ricerche (CNR), specializzatasi al King's College London. È stata visiting professor presso l'Università Vita-Salute San Raffaele di Milano. Membro di consigli direttivi e comitati scientifici di numerose riviste specialistiche, oltre che di associazioni e fondazioni, è presente nel dibattito pubblico, ha scritto su riviste internazionali e ha collaborato con diverse testate giornalistiche, tra cui “La Repubblica”, “Corriere della sera” e il supplemento domenicale de “Il Sole 24 ore”. Ha dedicato diversi volumi e articoli in italiano e in inglese all'opera di Gottlob Frege, le sue ricerche riguardano la natura della conoscenza, le relazioni tra filosofia e scienza, e hanno coinvolto ampi settori dell'epistemologia, della filosofia della conoscenza, della metafisica, dei gender studies; negli ultimi anni ha indagato differenti aspetti dei rapporti affettivi e amorosi e gli stereotipi del sex&gender. Tra i suoi libri: Per sentito dire. Conoscenza e testimonianza (Milano 2011); Breve viaggio tra scienza e tecnologia, con etica e donne (Napoli-Salerno 2015); La Donna non esiste. E l'Uomo? Sesso, genere e identità (Torino 2018); Non annegare. Meditazioni sulla conoscenza e sull'ignoranza (Milano 2019); Fatti non foste a viver come bruti. Brevi e imprecisi itinerari per la filosofia della conoscenza (con Stefano Leardi, Milano 2021); Parla come mangi. Massa e potere (a cura di, Milano 2022); Donne, donne, donne (Milano 2023). Ha pubblicato la raccolta di poesie Orlando in ordine sparso. Poesie 1983-2013 (Milano 2013), centrata sulle tematiche dell'amore, dell'identità personale, del dolore e della bellezza, cui hanno fatto seguito Metafisiche insofferenti per donzelle insolenti (Milano 2017) e Pandemia amorosa dolorosa (Milano 2021).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

On today’s program, I am talking with Renea Reichenbach Instructional and Cheerleading Coach about WACO Homecoming week.

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This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

In the 197th episode of Supernatural, Cole uses Sam to track down Deanmon, and Hannah starts getting closer to Cass. This may be the most sexually charged episode yet. Support Ghostfacers: A Supernatural Rewatch https://www.patreon.com/Ghostfacers Brought to you By: The Sonar Network https://thesonarnetwork.com/

Spark Your Joy: The Surprising Science Behind Vision Boards with Dianne Reichenbach In this episode we get curious about:In this episode of Curiously Wise, I chat with Dianne about the transformative power of vision boards. We delve into how these simple tools can help you reconnect with forgotten passions, shift your mindset from guilt to joy, and foster a supportive community. Discover the surprising science behind vision boards and learn practical steps to integrate them into your life for greater happiness and fulfillment.The transformative power of vision boardsRediscovering forgotten passions and joysBreaking free from limiting beliefsThe role of community in personal growthPractical steps to integrate joy into daily lifeBalancing scientific principles with intuitive practicesThe importance of scheduling self-care activitiesThe impact of joyful living on family and relationships=> Where to find Dianne Reichenbach:Website: Connect Coaching | Certified Life/Business Coach & Vision Board TrainerBook: From Vision to Reality: a Journal to support your JourneyOther books recommended by Dianne: Happy Money by Ken Honda & Worthy: How to Believe You Are Enough and Transform Your Life by Jamie Kern LimaGift: 50% off Offer: To redeem this discount on Dianne's Mini Vision Board workshop, the Power Word workshop we talked about in the episode, please email Dianne at DianneConnect@gmail.com to let her know you are interested and mention that you listened to the podcast. You should definitely take her up on this offer!!!FB: Dianne ReichenbachIG: https://www.linkedin.com/in/dianne-reichenbach-b7941743/=> Learn more about Laurin Wittig and Heartlight Wellness: Illuminating the light within you!Bio: Laurin Wittig is an intuitive energy worker, Reiki Master, Shamanic practitioner, and the founder of HeartLight Wellness and the HeartLight Women's Circles. She also hosts the Curiously Wise: Practical Spirituality in Action podcast and is an award winning author.Laurin's non-traditional journey from lots of health issues to robust wellbeing awakened her to her own healing gifts and sparked a passion to assist others to travel their paths with less pain, more joy, and a deeper understanding of themselves and the world around them.Heartlight Wellness: Illuminating the Light within YOU!Website: HeartlightJoy.comGift: Sign up for Laurin's newsletter and get her gift to you: Laurin's Top Three Ways to Communicate with Your Spirit Guides (PDF download)Laurin's novelsFacebookFacebook Page

Servus miteinander! Episoden und Shownotes gibts hier: https://janreichenbach.de/blog/ Mein Name ist Jan Reichenbach. Ich lebe und arbeite in München und ich habe eine wunderbare Tochter an meiner Seite. Worum dreht sich mein Podcast? Hobbies z.B. FeuerwerkPolitik z.B. Bundestagswahl, EuropawahlReise z.B. Städtetrips und UrlaubTechnik z.B. Audiorekorder, Mikrofone, FotoapparateUmwelt z.B. Klimawandel Außerdem lade ich auch hin und wieder Gäste ein z.B. Farbratten-Interview, Marathon-Interview. Viel Spaß damit wünscht euch Jan aus München

Join me on the latest episode of Guests with GRIT to explore the impacts of adversity and the power of protective factors through the lens of Senator Mike Reichenbach. Lean in as we discuss his testimony of risk to resilience through his adoption journey and how his family shaped his heart for child advocacy. We identify challenges of adversity, including the strain on systems such as schools, the medical system, corrections, and the workforce and discuss the findings of the Joint Legislative Committee on Children in South Carolina. Our shared hope is a future with both policy and funding to inform our practices as we foster resilience and well-being for all.

Nicholas Reichenbach, founder and CEO of Flow Alkaline Spring Water, has a knack for spotting industry-shifting opportunities. His career spans from pioneering ringtone publishing to launching BlackBerry's app store, culminating in his current venture disrupting the beverage industry. In our chat, Nicholas offers a ton of practical advice for building brands. He emphasizes things that have been effective for his businesses like the value of expert publicists and the importance of learning from specialists in their fields, which you can read more about below. Beyond just strategy, Nicholas shares his entrepreneurial philosophy, giving us an inside look at the thinking behind his successes. He brings a unique perspective for aspiring business leaders, serving as a case study for the realities of creating and growing companies that push boundaries.

MANNLEGI ÞÁTTURINN FIMMTUDAGUR 13.JÚNÍ UMSJÓN GUÐRÚN GUNNARSDÓTTIR OG HELGA ARNARDÓTTIR Hvernig á að ræða MND við fólk sem greinist með þennan taugahrörnunarsjúkdóm og aðstandendur þeirra og hvaða byltingarkenndu lyfjameðferðir eru nú í boði? Þetta og fleira verður rætt á málþingi sem haldið verður í tilefni af alþjóðadegi MND sjúkdómsins þann 21. júní næstkomandi. HELGA RAKEL RAFNSDÓTTIR kvikmyndagerðarkona kom til okkar en hún greindist með sjúkdóminn fyrir rúmum þremur árum. Hún sagði okkur frá þeim miklu breytingum sem hún hefur upplifað eftir að hún fékk loksins leyfi fyrir því að taka inn MND- lyfið TOFERSEN sem hefur gjörbreytt líðan hennar og styrk á allan hátt. Bergið - Headspace - stuðnings og ráðgjafasetur fyrir ungt fólk upp að 25 ára aldri hefur ýtt úr vör átakinu Tölum um tilfinningar. Forsvarsmenn Bergsins vilja vekja athygli á því að ungmenni frá 12-25 ára geta leitað þangað og fengið fría ráðgjöf og sálfræðiþjónustu án þess að fá tilvísun frá heimilislækni. Stjórnarkona úr BerginuDiljá Mist Ámundardóttir sálgætir kom til okkar og ræddi um mikilvægi þess að geta rætt tilfinningar sínar og vanlíðan í traustu umhverfi, því ekkert vandamál sé of stórt eða of lítið. Tónlist frá útsendingarlogg 2024-06-13 CLUB DES BELUGAS - A men's scene Kynningarlag Mannlega þáttarins. Bjarni Arason - Allur lurkum laminn. Byrd, Charlie, Deppenschmidt, Buddy, Betts, Keeter, Byrd, Gene, Reichenbach, Bill, Getz, Stan - Desafinado. Mugison - Stingum af. CLUB DES BELUGAS - A men's scene Kynningarlag Mannlega þáttarins.

Welcome to the Super Entrepreneurs Podcast! In this episode, host Shahid Durrani chats with Blake Reichenbach, a product manager at HubSpot specializing in content AI. Blake is also the owner of Howdy Curiosity, an online nonfiction bookstore and learning community. Dive into the world of AI as Blake shares insights on how AI is reshaping SaaS products, offering incredible opportunities for entrepreneurs and businesses to leverage automation and data analysis for growth. Learn about the potential and challenges of integrating AI, ensuring data privacy, and providing personalized solutions. Don't miss this engaging discussion on the future of AI in business!   Chapter Stamps: The AI Landscape in SaaS: Blake's Insights - [00:02:00] The Potential of AI in SaaS: Driving Growth - [00:07:00] Personalization through AI: Enhancing User Experience - [00:11:00] Challenges of Integrating AI: Cultural Sensitivity and Bias - [00:18:00] Navigating Data Privacy: Legal Considerations - [00:22:00] Conclusion: Key Takeaways and Future Prospects - [00:26:00]   Pullout Quotes: "AI is incredibly well-suited for data analysis, which is incredibly difficult for humans to do." "If you're leveraging AI, you're still creating significant value for your target audience and that you're still connecting with your audience in a really authentic way." "AI cannot replace the human element of being there for your customer and for being a resource and an authority and someone that your customer can trust." "One of the primary challenges that is inherent to integrating AI into SaaS...is a lot of LLMs have a bit of a bias toward English as their primary language."   Social: Linkedin - https://www.linkedin.com/in/mblakereichenbach/   Disclaimer: Please be aware that the opinions and perspectives conveyed in this podcast are solely those of our guests and do not necessarily represent the views, ideologies, or principles of Super Entrepreneurs Podcast, its associated entities, or any organizations they represent or are affiliated with. We provide a platform for discussion and exploration, and the content of each episode is understood to be independent expressions from our guests, rather than a reflection of the beliefs held by the podcast or its hosts. Notice to the Super Entrepreneurs community: Before we part, remember to join our Private Facebook group, 'Mindset for Business Success' Here we share mindset wisdom to elevate your life and business LIVE every Tuesday morning(EST), ready for a transformative journey? This group is your key to unlocking potential and achieving business growth. Don't miss out on this incredible free resource. Join us in 'Mindset for Business Success' Today! https://www.facebook.com/groups/mindsetforbusinesssuccess/ The only limits in our life are those we impose on ourselves. Bob Proctor  ▬▬▬ Free Clarity Call with Shahid▬▬▬  https://calendly.com/shahiddurrani/free-clarity-call-with-shahid-durrani ________________________________________________________________________ OFFERS: https://zez.am/officialshahiddurrani  ▬▬▬ Get my Free Webinar▬▬▬ How to super scale your business to the next level without chasing strategies and feeling stuck https://shahiddurrani.com/registration/  ▬▬▬ Business Funding▬▬▬  https://www.7figurescredit.com/superfunding  ▬▬▬ Fund Your Clients▬▬▬  https://join.7figurespartners.com/?a_aid=superfunding  ▬▬▬ The TEDx Talk Program▬▬▬ https://info.shahiddurrani.com/tedx ▬▬▬ Professional Investment Ideas Delivered to your Inbox▬▬▬ https://capexinsider.com/insider-newsletter/?orid=90906&opid=94 ▬▬▬ FREE DOWNLOAD Reveals Recession Proof Business▬▬▬ https://www.b2bfundingpartner.com/b2bfree100?a_aid=superfunding&a_bid=1f1eb0a5 ▬▬▬ START-UP INVESTOR READY TO HELP▬▬▬ https://info.shahiddurrani.com/ideas ▬▬▬ How to make $3,493 commissions without doing any selling▬▬▬ https://hop.clickbank.net/?affiliate=superentre&vendor=ambsador ▬▬▬ Stock/Options Trading Academy That Works▬▬▬ https://lddy.no/1gqxb  ▬▬▬ Real Estate Investing on Terms! No Credit | No Down payment▬▬▬ https://smartrealestatecoach.com/?sld=super Affiliate Disclaimer: If you buy through one of the links provided, I may receive a commission (without any additional charge to you).  @SuperEntrepreneursPodcast   @officialshahiddurrani 

Mike Reichenbach spent eight seasons in the NFL, six of them as a linebacker for the Eagles, who signed him as a rookie free agent out of Division II East Stroudsburg University in 1984. In Episode #217 of “1-on-1 with Matt Leon,” Matt catches up with Reichenbach to look back on his career.  They talk about how he broke into the NFL out of a DII school, they reflect on some of his favorite memories from his days with the Eagles, they talk about how his life now is driven by his Christian faith and much more. “1-on-1 with Matt Leon” is a KYW Newsradio original podcast. You can follow the show on X @1on1pod and you can follow Matt @Mattleon1060.

Noten und Hausaufgaben abschaffen, Handys und ChatGPT verbieten? Die Schulen kämpfen mit neuen Herausforderungen, von Integration über Bürokratie bis zum Leistungsdruck. Sind die Schulen noch zeitgemäss? Yves Bossart im Gespräch mit dem streitbaren Erziehungswissenschaftler Roland Reichenbach. Die Stadt Luzern will die Schulnoten abschaffen. Andere finden, die Hausaufgaben und das Langzeitgymnasium müssten eigentlich weg. Bildung ist wie Fussball: Alle reden mit, alle wissen es besser. Aber was hilft wirklich? Wie sieht der Schulunterricht in Pisa-Musterländern wie Finnland und Singapur aus? Wie werden Kinder auf eine dynamische Welt vorbereitet? Und was haben Platon, Humboldt und Konfuzius damit zu tun? Darüber spricht Yves Bossart mit dem renommierten Bildungsforscher Roland Reichenbach, Professor für Allgemeine Erziehungswissenschaft an der Universität Zürich.

Noten und Hausaufgaben abschaffen, Handys und ChatGPT verbieten? Die Schulen kämpfen mit neuen Herausforderungen, von Integration über Bürokratie bis zum Leistungsdruck. Sind die Schulen noch zeitgemäss? Yves Bossart im Gespräch mit dem streitbaren Erziehungswissenschaftler Roland Reichenbach. Die Stadt Luzern will die Schulnoten abschaffen. Andere finden, die Hausaufgaben und das Langzeitgymnasium müssten eigentlich weg. Bildung ist wie Fussball: Alle reden mit, alle wissen es besser. Aber was hilft wirklich? Wie sieht der Schulunterricht in Pisa-Musterländern wie Finnland und Singapur aus? Wie werden Kinder auf eine dynamische Welt vorbereitet? Und was haben Platon, Humboldt und Konfuzius damit zu tun? Darüber spricht Yves Bossart mit dem renommierten Bildungsforscher Roland Reichenbach, Professor für Allgemeine Erziehungswissenschaft an der Universität Zürich.

Bo Reichenbach is a retired Navy SEAL and a decorated hero, receiving both the Bronze Star and Purple Heart for his bravery. Hailing from Billings, Montana, Reichenbach's service was marked by his resilience and dedication. In 2012, he lost both legs to an IED in Afghanistan, but his spirit remained unbroken. Turning to sled hockey during his recovery, Reichenbach's athletic prowess shone through. He joined the U.S. National Sled Hockey Team and won a gold medal at the 2014 Paralympic Winter Games in Sochi. Today, he inspires others as a motivational speaker and advocate for veterans, embodying strength and perseverance in the face of adversity. DJ Parker is the Executive Director of Parker's Platoon, a nonprofit organization dedicated to supporting military veterans and their families. With a strong background in leadership and a deep commitment to service, Parker has been instrumental in guiding the organization towards its mission of providing comprehensive support and resources to veterans. Under his direction, Parker Platoon has developed numerous programs aimed at improving the lives of those who have served, emphasizing mental health, physical well-being, and community reintegration. Known for his strategic vision and compassionate approach, DJ Parker continues to make significant strides in enhancing the support network for veterans across the nation.Show Link: www.parkersplatoon.orgSponsor Links:www.JockoFuel.comMountain Side listeners receive 10% off all Jocko Fuel products! Use Code TMS10 to save. www.ONNIT.comMountain Side listeners use Discount code TMS to receive 10% off ONNIT products! www.BulletProof.comMountain Side listeners Use Discounts code: MOUNTAINSIDE to receive 20% off all Bulletproof products! Other Affiliates Links

Join me on this episode of Zero to CEO where I talk with writer and entrepreneur Blake Reichenbach about the power of merging creative and business writing to elevate your business. Blake is launching his new venture, Howdy Curiosity, a dynamic platform that starts as a non-fiction bookshop but is set to evolve into much more, including book clubs, professional development, and strategic team initiatives. Throughout our conversation, we explore how belonging to a creative community can enhance your writing, the art of balancing writing with personal and professional life, and the transformative steps to becoming a successful non-fiction author. Blake also shares his insights on how the fusion of creative and business writing can significantly benefit business clients and discusses the top writing resources of 2023. This episode is a must-listen for any professional looking to break the mold and drive growth through curiosity and community.

Welcome to the Social-Engineer Podcast: The Doctor Is In Series – where we will discuss understandings and developments in the field of psychology.   In today's episode, Chris and Abbie are discussing Irrational Fears & Phobias. They will talk about the similarities, the differences, why some are necessary and how to overcome the ones that aren't. [March 4, 2024]   00:00 - Intro 00:21 - Dr. Abbie Maroño Intro 00:50 - Intro Links -          Social-Engineer.com - http://www.social-engineer.com/ -          Managed Voice Phishing - https://www.social-engineer.com/services/vishing-service/ -          Managed Email Phishing - https://www.social-engineer.com/services/se-phishing-service/ -          Adversarial Simulations - https://www.social-engineer.com/services/social-engineering-penetration-test/ -          Social-Engineer channel on SLACK - https://social-engineering-hq.slack.com/ssb -          CLUTCH - http://www.pro-rock.com/ -          innocentlivesfoundation.org - http://www.innocentlivesfoundation.org/                                                04:55 - The Topic of the Day: Irrational Fears & Phobias  05:09 - Fear vs Phobia 06:33 - Attack of the Lizard People 08:57 - Fear of the Dark 11:28 - In the Heights 13:54 - Might As Well Jump 15:32 - Flight Mode 17:04 - Send in the Clowns 17:32 - Phobias! We Mean It 19:18 - Genetics Squared 21:06 - Beware the Ladybug! 24:35 - Was it a Bunny? 26:09 - Classical Conditioning 27:10 - Little Albert 29:51 - Fear Factor 32:11 - Animal Intuition 33:40 - Mister Ed              34:50 - Fur Babies 36:01 - Learned Response 38:21 - Changing Minds 42:05 - Safety First! 43:21 - Virtual Assistant 44:55 - Words Matter 47:21 - Next Month: David Matsumoto 48:07 - Wrap Up & Outro                              -          www.social-engineer.com -          www.innocentlivesfoundation.org   Find us online: -          Twitter: https://twitter.com/DrAbbieofficial -          LinkedIn: linkedin.com/in/dr-abbie-maroño-phd-35ab2611a -          Instagram: @DoctorAbbieofficial -          Twitter: https://twitter.com/humanhacker -          LinkedIn: linkedin.com/in/christopherhadnagy   References: De Jongh, A., Muris, P., ter Horst, G., Van Zuuren, F., Schoenmakers, N., & Makkes, P. (1999). One-session cognitive treatment of dental phobia: Preparing dental phobics for treatment by restructuring negative cognitions. Behaviour Research and Therapy, 37(S1), S89-S100. Dilger, S., Straube, T., Mentzel, H. J., Fitzek, C., Reichenbach, J. R., Hecht, H., ... & Miltner, W. H. (2003). Brain activation to phobia-related pictures in spider phobic humans: An event-related functional magnetic resonance imaging study. Neuroscience Letters, 348(1), 29-32. Hettema, J. M., Neale, M. C., & Kendler, K. S. (2001). A review and meta-analysis of the genetic epidemiology of anxiety disorders. American Journal of Psychiatry, 158(10), 1568-1578. Kendler, K. S., Myers, J., & Prescott, C. A. (2002). The etiology of phobias: An evaluation of the stress-diathesis model. Archives of General Psychiatry, 59(3), 242-248. Lacey, C., Frampton, C., & Beaglehole, B. (2022). oVRcome – Self-guided virtual reality for specific phobias: A randomised controlled trial. Australian & New Zealand Journal of Psychiatry, 000486742211107. https://doi.org/10.1177/00048674221110779 Mineka, S., & Zinbarg, R. (2006). A contemporary learning theory perspective on the etiology of anxiety disorders: It's not what you thought it was. American Psychologist, 61(1), 10-26. Ollendick, T. H., Ost, L. G., Reuterskiöld, L., Costa, N., Cederlund, R., Sirbu, C., ... & Jarrett, M. A. (2009). One-session treatment of specific phobias in youth: A randomized clinical trial in the United States and Sweden. Journal of Consulting and Clinical Psychology, 77(3), 504-516. Rauch, S. L., Whalen, P. J., Shin, L. M., McInerney, S. C., Macklin, M. L., Lasko, N. B., ... & Pitman, R. K. (2000). Exaggerated amygdala response to masked facial stimuli in posttraumatic stress disorder: A functional MRI study. Biological Psychiatry, 47(9), 769-776. University of York. (2023, February 6). Facing fears in just three hours of therapy could resolve phobias in children. Retrieved from https://www.york.ac.uk/news-and-events/news/2023/research/facing-fears-phobias-children/

Wieso träumt Hazel von LOL? Wieso werden Kabarett-Legende Josef Hader Zitate seines eigenen Managers vorgelesen? Und was zur Hölle kann man im Landkreis Darmstadt-Dieburg machen? **Inhalt** 0:00 Hazels LOL-Alpträume 5:58 Windelfrei 8:38 Hessen & Josef Hader 16:36 Tipps für Groß Umstadt 23:35 Darmstadt & Wixhausen 30:02 Zoo, Pumptrack & englische Gärten 35:05 Hazel bei den drei ??? 38:33 Rugby & Cricket 49:00 Puppenhaus & ungeduldige Tochter 57:35 Serien & Film-Empfehlungen 1:05:54 Zustand von Kanye West Die Zeitstempel können variieren Thomas mit Windeln beim Bobbycarrennen https://youtu.be/wGGXiAV7JKw?si=WyVQL96XCuwKZP44 „Was geht, Hesse?!“ (mit der „Deutschland Was Geht“ Musik!) https://youtu.be/eVG3ly4H50A?si=Jy7FMLKVLzvkK53d&t=424 Hazels Witz bei Josef Hader https://youtu.be/457ucj3u6vs?si=8tvz9qSQmVMfWK0i&t=58 Hoanzl https://agentur-hoanzl.at Rotten-Homepage https://de.wikipedia.org/wiki/Rotten.com Dom-Pflastersteine https://www.ksta.de/koeln/koeln-student-entwirft-dom-als-pflasterstein-fuer-gehwege-726472#:~:text=Als%20Hommage%20an%20Köln%20hat,Das%20sagt%20ein%20Handwerker%20dazu.&text=Die%20Kölner%20lieben%20ihren%20Dom,ins%20Visier%20von%20Terroristen%20gerät Joy Ludorf Interior Design https://www.instagram.com/joyludorfdesign Magisches Heft https://www.amazon.de/Wiederverwendbares-Übungsheft-Kalligraphie-Nachfüllungen-Stifthalter/dp/B09GTV66S6 Thomas empfiehlt „Dumb Money“ (Film), „Ted“ (Serie) Lil Dicky bei Hot Ones https://youtu.be/byHNjqq9Lxk?si=z-puKkLbxq0-coT_&t=1068 The Needle Drop bezeichnet das neue Ye-Album als „unreviewable“ https://youtu.be/M0jEngxUFz4?si=7CrAmMWWLyZPnXCT Lil Dicky über Kanye https://youtu.be/yeT7TlB4C7s?si=Rawf4gZBmV5iZVWC „Jesus, Hitler, Ye“ https://www.n-tv.de/der_tag/Kanye-West-dreht-durch-Jesus-Hitler-Ye-Sponsor-das--article24604645.html#:~:text=West%2C%20der%20wie%20ein%20Sektenführer,Sponsor%20das!%22 Hazel empfiehlt Lefax Pump Spray TIPPS Großraum Groß-Umstadt Felsenmeer bei Reichenbach https://de.wikipedia.org/wiki/Felsenmeer_(Lautertal) Merck Firmenbesichtigung https://studierendenwerkdarmstadt.de/interkulturelles/events/merck/ Sudetendeutsche https://de.wikipedia.org/wiki/Sudetendeutsche Maislabyrinth Bauer Lipp https://bauer-lipp.de/maislabyrinth/ Zoo Vivarium Darmstadt https://zoo-vivarium.de Umstädter Pumptrack https://www.umstaedter-pumptrack.de// Rugby Klub Heisenstamm https://www.rugby-klub.de Restaurant Obendrüber vom Henschel https://henschel-darmstadt.de/gastronomie/restaurant_obendrueber/ Festival Sound of Forest https://sound-of-the-forest.de Fleischautomat Habitzheim https://web2.cylex.de/firma-home/wurstautomat-habitzheim-13900505.html Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis

In 2024, the core principles of PdM haven't changed. The number one role of a product manager is getting to the root of how serve your customer better. How do you make them LOVE your product and your business. Innovation is the name of the game, but how can you front new technologies while still creating value for customers? This and more on the episode with guest Blake Reichenbach, a product manager at Hubspot.

Last year, BAKERpedia was on the show floor at iba 2023 (https://bakerpedia.com/iba/)! As the world's leading trade fair for bakery, confectionery, and snacks, it is one of the best places to see the latest industry trends and innovations. Mark Floerke was there to report on bakery trends, equipment, and ingredient solutions, and share them back to our commercial baking community. In this episode of BAKED in Science, host Mark Floerke is joined by three baking industry professionals to explore equipment, ingredient, and ventilation solutions at iba 2023. Julio Aviles is the CEO and founder of A&A Baking Solutions Corp (https://bakerpedia.com/aa-baking/). He is specialized in Business & Marketing and has been a baker since he was 7 years old. Over the years, he has worked as a technical advisor and Bakery R&D Director. Julio is a Baker-to-Baker evangelist in the Americas. Remi Reguero is ​​the Technical Director at Benexia (https://bakerpedia.com/benexia/). He has 20 years of experience in R&D in the Food Industry, with half of it being at Benexia, designing chia ingredients and developing applications, implementing those worldwide. His technical and commercial experience alongside his passion for chia (https://bakerpedia.com/ingredients/chia-flour/) make him a technical “Chia guru.” Martina Austin is the Brand & Marketing Manager at A.M.G. Reichenbach (https://amgreichenbach.com/en/). A.M.G. Reichenbach combines the innovative power of science, engineering, and craft, which enables a hygienically safe atmosphere for the production of baked goods at a constant high level. Bakery solutions for every baking operation As these three baking industry professionals discuss their expertise, some topics covered include: Maximizing capital with the right bakery equipment Ingredient solutions for adding nutrition to baked goods Balancing soluble and insoluble fiber bakery applications Ventilation systems and proofers in bakeries This podcast is brought to you by: AB Mauri North America Featuring premium bakery ingredient solutions backed by both leading technology and technical support, AB Mauri North America is proud to help industrial and artisan bakers be successful and reminds you that WHO'S BEHIND YOU MATTERS. To learn more, please visit abmna.com.

In this episode, the Frank and Andy are joined by special guest Blake Reichenbach, a product manager at HubSpot and the owner of Howdy Curiosity, an online nonfiction bookstore and learning community. The conversation dives into the intersection of data, AI, and the love of books, as they discuss the next steps in managing and mitigating the hallucination part of AI technology, the importance of human interaction with AI tools, and finding the right balance in user experience. Blake shares his insights on integrating AI into HubSpot's platform, emphasizing the need for a balanced approach, and the pitfalls of solely relying on generative AI tools in marketing. Stay tuned as they also touch on personal matters, career transitions, and the rapid evolution of technology. This episode is packed with valuable insights and engaging conversations - you won't want to miss it!Show Notes00:00 HubSpot is a leading CRM platform.05:44 New AI features for CMS and websites.09:33 Gen AI tools need to prioritize meaningful data.11:34 Summary: Suggesting blending human and AI for success.15:34 ML models need precise training on nuanced datasets.17:13 Content marketing: human connection, AI balance, user experience.21:24 Approach content marketing like a multi-bandit test.26:56 Selling nonfiction books online and sharing recommendations.27:54 Rapid tech evolution creating excitement and challenges.30:56 Balancing work and entrepreneurship for personal growth.35:24 Thanks Frank, Andy, and Blake for amazing show.Speaker BioBlake Reichenbach is a proud employee of HubSpot, a leading customer relationship management platform for scaling companies. With a focus on the CMS aspect of the platform, Blake is passionate about helping businesses with their front office needs, including marketing, sales, service, and data operations. With a bias towards HubSpot, Blake believes in the product and the company, and recommends it highly for businesses looking to streamline their operations.

Embark on an enlightening journey with Allison Reichenbach, President of Interlace Health, as she unveils groundbreaking insights in this podcast episode. Discover the complexity of healthcare workflows and Interlace Health's innovative solutions to address these challenges. Focused on process automation, the company revolutionizes the consenting process, bringing heightened efficiency and time savings to healthcare providers. Allison emphasizes the pivotal role of technology in healthcare. Her advocacy for embracing these advancements sets the stage for a more streamlined and effective future in healthcare operations. Ready to navigate the evolving landscape of healthcare workflows? Connect with this amazing episode to know more about it.  Resources: Follow and connect with Allison on LinkedIn Visit Interlace Health Website Email Allison here

Give us a call - 888-723-4630 Send us an email - podcast@ebay.com visit us at ebay.com/podcast    Welcome to eBay for Business! This week, eBay Sr Director of Shipping Stuart Reichenbach updates us on all things holiday shipping and carrier status. Griff and Brian share best practice suggestions for reducing the likelihood of buyer returns.     To have your questions answered on our eBay for Business podcast, call us at 888 723-4630 or email us at podcast@ebay.com.  To give us feedback, please take our podcast listener survey at (https://connect.ebay.com/srv/survey/a/sellerops.podcast)   00:01 - Intro 03:58 - Stuart Reichenbach 18:56 - Q&A and Outro   New links for Ep 268 Feedback Enhancements Now Visible - https://community.ebay.com/t5/Selling/Feedback-enhancements-now-visible/m-p/34094149#M2305430 Combined Shipping for eBay International Shipping Update - https://www.ebay.com/sellercenter/resources/seller-updates/2023-fall/shipping     Recurring Links / Phone Numbers / Hashtags Mentioned: 888-723-4630 - Call in Line  eBay Seller News Announcements - ebay.com/announcements eBay Community - ebay.com/community eBay Weekly Community Chat - ebay.com/communitychat eBay Help - ebay.com/help/home eBay Meetups - ebay.com/meetups Managed Payments on eBay - ebay.com/payments eBay for Business Podcast - ebay.com/podcast eBay Seller Center - ebay.com/sellercenter eBay Seller Hub - ebay.com/sh eBay System Status - ebay.com/sts explore.ebay.com facebook.com/eBayForBusiness eBay for Business Podcast Listener Survey - https://connect.ebay.com/srv/survey/a/sellerops.podcast #ebaypodcast

Cet épisode est dramatique. Le docteur Watson annonce tout de suite la couleur : Sherlock Holmes va mourir à la fin de son récit. Alors qu'Holmes pensait mettre sous les barreaux son redoutable ennemi, le professeur Moriarty, il disparait dans les vertigineuses Chutes de Reichenbach en Suisse. Il aura juste le temps de livrer des adieux par écrit à son acolyte, désormais inconsolable... *** Fiction radiophonique diffusée dans l'émission "Les enquêtes de Sherlock Holmes" de Maurice Renault - D'après une nouvelle d'Arthur Conan Doyle - Réalisation : Abder Isker - Adaptation : Jean Marcillac - Première diffusion : 12/10/1959 sur la RTF - Avec Maurice Teynac, René Clémont, Yves Vincent, Renée Barell, Robert Tenton, Jean-Louis Calvet, Jean-Jacques Steen et Tania Sourseva - Un podcast INA.

Bill Reichenbach grew up in the Washington, D.C. suburb of Takoma Park, Maryland where he studied trombone with Gene Brusiloff and Robert Isele. After high school, Bill was accepted to the Eastman School of Music in Rochester, New York. There, he studied with the great Emory Remington. While still a student, Bill began his recording career by playing lead trombone on several Chuck Mangione albums, a couple of albums with the Eastman Wind Ensemble (one on bass trombone and another one on euphonium), and the first recording of Leonard Bernstein's “Mass” (on bass trombone) which was composed for the opening of the Kennedy Center in Washington, D.C.  After graduation, Bill toured for while with the Buddy Rich Big Band on bass trombone. During this time, the band recorded an album called “Stick It” which featured Bill on an arrangement of Jobim's “Wave”.  In 1975, Bill moved to L.A. where he started playing the jazz tenor trombone chair on Toshiko Akiyoshi's big band. He made quite a few albums with the band over the next several years and was a featured soloist on all of them. At the same time, Bill was also the solo jazz trombone player on Don Menza's big band and he recorded solos on an album with the band. Don put together a sextet out of the big band and featured Bill on tenor and bass trombone on a recording with that band.  As a studio player, Bill has played on about 2000 records, 1000 motion pictures, and countless TV shows and jingles.  Bill's jazz quartet album "Special Edition" (Nothing But Bills Records) featuring Peter Erskine on drums, Jimmy Johnson on bass, and Biff Hannon on piano, reached number 10 on the national jazz radio play lists.  New York trombonist Mike Davis and Bill have done 4 albums together - “Bonetown”, “Brass Nation”, "New Brass" and most recently, “Absolute Trombone II” and have played concerts all over the United States, Canada, and Europe.  Bill has been a featured artist and clinician at several International Trombone Festivals including Utrecht (Holland), Nashville, Urbana (Illinois), North Texas State University, and most recently Las Vegas (2007), and Salt Lake City (2023).  Some of the artists Bill has recorded with:  Michael Buble, Harry Connick, Jr., The Jonas Brothers, Christine Aguilera, Seal, Mya, Quincy Jones, Barbra Streisand, Michael Jackson, Elton John, Toto, The Yellowjackets, Seawind, Frank Sinatra, Tony Bennett, David Foster, Aretha Franklin, Al Jarreau, Earth Wind and Fire, Dr. John, Arrowsmith, and Ray Charles.  Some of the motion pictures which Bill has played on are:  “Indiana Jones 5”  "Wolverine"   "Night in the Museum 2"  “Indiana Jones and the Curse of the Crystal Skull”  "Up"  “Sex in the City”  “Hancock”  “Ratatouille”  “Spiderman 3”  “Hairspray” “Dreamgirls”  “Transformers”  “American Gangster” “Wall-E”  “I Am Legend”  “Dreamcatcher”  “X-men II”  “Identity”  “The Core”  “Daredevil”  “Red Dragon  “Chicago”  “Men in Black II”  “XXX”  “Training Day”  “Spiderman”  “Collateral Damage” “Black Hawk Down” “Planet of the Apes” “Monsters, Inc”  “Don't Say a Word” “Zoolander”  “Princess Diaries”  “American Pie 2”  “Legally Blond”  “Scary Movie 2”  “The Mummy Returns” “Evolution”  “What Women Want” “Proof of Life”  "X-men"   "Space Cowboys"  "Remember the Titans"  "Meet the Parents"  "Family Man"   "Charlie's Angels"  “The Matrix”  “The General's Daughter” “The Green Mile”  “South Park”  “Sixth Sense'  “Deep Blue Sea”  “Toy Story 2”  “Magnolia”  “Stuart Little”  “Galaxy Quest' “Reindeer Games”  “U-571”  “Godzilla”  “Contact”  “Conspiracy Theory”  “The Jackal”  “Alien Resurrection”  “Men in Black”  “Air Force One”  “Batman and Robin”  “Forrest Gump”  “Independence Day”  “Mars Attacks”  “Hercules”  “Mission Impossible”  “Batman Returns”  “Twister”  “The Rock”  “Starship Troupers”  “The Frighteners”  “Jurassic Park”  “Nixon”  Bill is an Artist-clinician for the Greenhoe/Shilke Co. He has given master classes and clinics throughout the United States, Europe, New Zealand and Australia.  As a writer and arranger, Bill has worked on records for Michael Jackson, Quincy Jones, Aretha Franklin, Dr. John, Diana Ross and others. He has arranged many HBO Special Themes and composed the theme for the HBO “One Night Stand” comedy show. Bill also composed the theme for Fox's animated series “Peter Pan & the Pirates” as well as much of the underscoring. He contributed to such films and shows as “Licorice Pizza”, “I Love Trouble”, “Frank's Place”, “Baby Boom”, “Brand New Life”, “Snoops”, “Teen Wolf”, and the special “Cartoon All-Stars to the Rescue”. Bill composed the main title for a series of Kurt Vonnegut stories called “Welcome to the Monkey House” for Showtime. He composed a score for a documentary film about Frank Lloyd Wright called “A Very Proud House”.  Bill has also composed pieces for Wind Ensemble including "Streets of Paris" which was recently premiered by trombone soloist Larry Zalkind and The Riverside City College Wind Ensemble conducted by Kevin Mayse, “Atlantic Crossing”, “Streets of Paris”, “The Improbable Journey”, “Fanfares, Questions and Answers”, and “An American Dream”. Bill and family now live near Asheville, NC.  Bill plays the Greenhoe Bass Trombone  

Nick and Sebastian interview LA Studio Legends Alan Kaplan and Bill Reichenbach live at the 2023 International Trombone Festival in Salt Lake City on the campus University of Utah! They talk about their incredible careers recording thousands of movies, how working with Quincy Jones was one of Bill's first big breaks, playing the trombone glisses on Lost and so much more! Also introducing special features with Patreon: www.patreon.com/tromboneretreat Hosted by Sebastian Vera - @js.vera (insta) and Nick Schwartz - @basstrombone444 (insta)Produced and edited by Sebastian VeraMusic: Firehorse: Mvt 1 - Trot by Steven Verhelst performed live by Brian Santero, Sebastian Vera and Nick SchwartzLearn more about the Trombone Retreat here: linktr.ee/tromboneretreatSupport the show

Gloria Estefan was right! Stephen talked about Sphere and the history of American consoles, Smoky Joe amps, printing fx plugins, recording drums, acoustic, and electric guitars, deconstructing your tape machine alignment, and stereo ribbon mics. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Stephen Shirk an Engineer, Co-Producer and Musician. Stephen has been a guest on the podcast back on episode RSR272 when he talked about his background and starting Shirk Studios in Chicago restoring a beautiful Sphere console and building a dedicated space for recording full bands to analog tape.  “CONSOLE: 1976 Sphere Eclipse A - Discrete Inline Console.  32 Channels - 24 Mic Pres - 16 + 8 busses (24 outputs during recording) - With Eight 920 EQ's and twenty four 910 EQ's - Reichenbach input and Jensen output transformers give the console a punchy tone that defines the pinnacle of the 70's American console design. Balanced Line Input mod features Cinemag Transformers and Discrete GAR6220 Op Amps (SPA62).”  In 2019 Stephen open up the studio to Recording Studio Rockstars for a weekend mixing clinic with Anthony Gravino which was a blast! We had Rockstars traveling overnight on the bus from Canada and flying in from New York state just to be there and were able to listen to everyones music and offer feedback. Today we will catch up and see whats new at Shirk studio and learn more about how Stephen is recording and mixing such great sounding records. Thanks again to Anthony Gravino for the introduction. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://jzmic.com Use code ROCKSTAR to get 40% off the Vintage series mics plus get a FREE shock mount ($120 value) https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/735OCbnyFGtAQFhes3hqVf?si=4d42c68ad52a471a If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/402

“My first album for Deutsche Grammophon stems from a desire to share my love for Baroque music,” says rising-star French guitarist Raphaël Feuillâtre. Visages baroques, presents music by J.S. Bach and his French contemporaries Forqueray, Rameau, Royer and Duphly. The carefully curated programme translates works mostly conceived for solo harpsichord into the colourful soundworld of the guitar. They are performed by the first guitarist signed to DG in many years, an artist hailed as “a tremendously versatile and sensitive player” (Classical Guitar). Raphaël Feuillâtre J.S. Bach: The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846: I. Prelude (Transcr. for Guitar) 01:56 Raphaël Feuillâtre Royer: Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) 04:29 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): I. Allegro (Arr. Perroy for Guitar) 02:30 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): II. Larghetto (Arr. Perroy for Guitar) 04:07 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): III. Allegro (Arr. Perroy for Guitar) 02:35 Raphaël Feuillâtre Rameau: L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) 05:46 Raphaël Feuillâtre Rameau: Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar) 03:49 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: I. Prelude (Arr. Reichenbach for Guitar) 02:16 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: II. Allemande (Arr. Reichenbach for Guitar) 03:50 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: III. Courante (Arr. Reichenbach for Guitar) 03:10 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: IV. Sarabande (Arr. Reichenbach for Guitar) 05:24 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: V. Menuet I (Arr. Reichenbach for Guitar) 01:42 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: VI. Menuet II (Arr. Reichenbach for Guitar) 01:34 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: VII. Gigue (Arr. Reichenbach for Guitar) 02:29 Raphaël Feuillâtre Forqueray: Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) 03:46 Raphaël Feuillâtre Duphly: Pièces de clavecin, Book 3: No. 4, La Forqueray (Arr. Antoine Fougeray for Guitar) 04:58 Raphaël Feuillâtre Duphly: Pièces de clavecin, Book 3: No. 6, Médée (Arr. Antoine Fougeray for Guitar) 04:38 Raphaël Feuillâtre J.S. Bach: Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau (Transcr. for Guitar) 03:22Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Cole is being ultra proud of himself saying all the things he thinks are cool to Sam, Dean fails at being a demon hitman, Crowley is desperate to save face, and Cas just needs a nap. Jess may have found her favorite episode in the series, Matt invents a new word, and discover which character needs therapy the most. Patreon Twitter Instagram Tumblr Facebook

On “Food Talk with Dani Nierenberg,” Dani speaks with Clare Reichenbach, CEO of the James Beard Foundation, an organization celebrating the people behind America's food culture while pushing for a restaurant industry grounded in equity and sustainability. They discuss how chefs are helping to drive change at the policy level, why it's important to bring greater transparency to the restaurant industry, and the Foundation's recent work to overhaul its James Beard Awards. While you're listening, subscribe, rate, and review the show; it would mean the world to us to have your feedback. You can listen to “Food Talk with Dani Nierenberg” wherever you consume your podcasts.