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In this Universal 1934 Studios Year by Year episode, we discuss the original There's Always Tomorrow, starring Frank Morgan and Binnie Barnes (remade by Douglas Sirk in the 50s with Fred MacMurray and Barbara Stanwyck) and the bizarre Claude Rains vehicle The Man Who Reclaimed His Head. The middle-class American nuclear families of the 30s and 50s curiously converge, and future Hollywood Ten screenwriter Samuel Ornitz tries to reclaim his mind from the studio heads (or so we irresponsibly conjecture). And in Fear and Moviegoing, we briefly discuss Bitter Rice, a feminist/Marxist/crime/erotic/neorealist melodrama directed by Giuseppe De Santis. Time Codes: 0h 00m 25s: 1934 & Universal 0h 03m 19s: THERE'S ALWAYS TOMORROW [dir. Edward A. Sloman] 0h 27m 01s: THE MAN WHO RECLAIMED HIS HEAD [dir. Edward Ludwig] 0h 41 m 35s: FEAR AND MOVIEGOING IN TORONTO – Bitter Rice (1949) by Giuseppe DeSantis at TIFF Lightbox 0h 47m 03s: So This Is Sarris (The American Cinema by Andrew Sarris) – Mitchell Leisen Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1934 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Our text for this 1934 RKO Studios Year by Year episode is a William A. Seiter double feature distinguished by ultra-manipulative heroines and a simultaneous fascination with and unsubtle criticism of the rich: the comedy We're Rich Again, which earns a comparison to Preston Sturges for its innovative use of comedy tropes (particularly the high-concept heroine, brilliantly embodied by Marian Nixon), and the comedy-melodrama The Richest Girl in the World, with a demented Jamesian plot courtesy of noted screenwriter Norman Krasna and Miriam Hopkins in the title role. If Marian Nixon is playing six-dimensional chess with her wealthy relatives, Miriam Hopkins is moving her friends and love interest around like chess pieces. If that's not enough, we're also introducing a new segment in this episode: So This Is Sarris! (Dave's title; Elise wanted "Sarris It Ain't So!") In this Letterman-inspired segment, we use AI to randomly pick an entry from Andrew Sarris's The American Cinema and then riff on his opinion of the director. Who's our first director? Listen and find out! (If you look at the time stamps, that's cheating!) Time Codes: 0h 00m 25s: 1934 & RKO 0h 06m 31s: WE'RE RICH AGAIN [dir. William A. Seiter] 0h 29m 01s: THE RICHEST GIRL IN THE WORLD [dir. William A. Seiter] 0h 51m 31s: So This Is Sarris (The American Cinema by Andrew Sarris) - Frank Borzage Studio Film Capsules provided by The RKO Story by Richard B. Jewell & Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler 1934 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.
On this episode of My Fame, Explained, Larry Gilbert joined by multi-talented actor, musician, writer, and producer Hobart to talk about his breakout comedy film I Am Ryan and the unbelievable real-life story that inspired it.Hobart opens up about constantly being mistaken for Ryan Reynolds, how that unexpectedly led to opportunities in Hollywood, and what it was like working as Reynolds' body double on films like Free Guy and The Hitman's Bodyguard. We also dive into the making of I Am Ryan, where Hobart stepped into multiple roles as the film's star, writer, composer, and producer.Beyond acting, Hobart shares stories from performing thousands of live music shows around the world, playing the legendary Warped Tour, composing music for major franchises and video games, and traveling to all seven continents. He also discusses the realities of chasing creative dreams in Los Angeles, balancing multiple artistic passions, and the strange line between identity, fame, and perception in Hollywood.If you've ever wondered what it takes to reinvent yourself creatively, navigate the entertainment industry, or turn a bizarre real-life experience into a feature film, this is an episode you won't want to miss.Follow Hobart on InstagramFollow Larry Gilbert on InstagramFollow the My Fame, Explained podcast on:FacebookInstagramTikTokLinkedInYouTube
(Orig pub date: 6/21/22) In the early morning hours of October 17, 1953, a frightened, battered woman named Diane Wells told a horrific tale to police. She said intruders had broken into the top-floor penthouse apartment she shared with her husband Cecil, murdered him, beat her, and then made their escape. It was an especially sensational story because 31-year-old "blonde bombshell" Diane Wells was nicknamed "the most beautiful woman in Alaska", and Cecil (twenty years her senior) was a wealthy and well-known Fairbanks businessman. There were suspicions, however, that Diane was lying. It was soon learned that she was having an affair with a local musician and also being comforted by a dance instructor who worked downstairs. My guest is James T. Bartlett, author of "The Alaskan Blonde: Sex, Secrets, and the Hollywood Story that Shocked America". He shares details from his research into the almost 70 year old cold case, including an account of Diane's own tragic end. More information about the author can be found at these links: https://www.gourmetghosts.com/ https://www.facebook.com/thealaskanblonde https://www.instagram.com/thealaskanblonde https://www.twitter.com/alaskanblonde53 30% off sitewide at Batch! Go here and support the show: hellobatch.com/NOTORIOUS and use the code NOTORIOUS at checkout. Learn more about your ad choices. Visit megaphone.fm/adchoices
For this round of Fox Studios 1934 we watched Change of Heart (directed by John G. Blystone), Janet Gaynor and Charles Farrell's final pairing, co-starring with James Dunn and a brink-of-stardom Ginger Rogers as college friends in unrequited love configurations; and Marie Galante (directed by Henry King), from source material by Jacques Duval best known as the basis for Kurt Weill's songs for the stage musical version, with young French actress Ketti Gallian paired with a visibly perplexed Spencer Tracy. The latter lacks atmosphere and the former lacks story, but we find lots to like/talk about in the performances. Time Codes: 0h 00m 25s: 1934 & Fox Film Corporation 0h 03m 46s: CHANGE OF HEART [dir. John G. Blystone] 0h 24m 36s: MARIE GALANTE [dir. Henry King] Studio Film Capsules provided by The Fox Film Corporation: 1915-1935 by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler 1934 Information from Forgotten Films to Remember by John Springer Also referenced: Stepin Fetchit: The Life and Times of Lincoln Perry by Mel Watkins +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Hello Bravo Bosses! Today is an all new episode of B True Hollywood Story! The subject of today's episode? The name of everyone's lips - AMANDA BATULA. B True Hollywood Story is just like E True Hollywood Story but for Bravolebs. B True Hollywood Story tells you how your fave Bravoleb got from birth to scandal to stardom and everything in between. B True Hollywood Story tells you how Bravolebs got to where they are today! This is part 2 of a 2 part episode! Chapter 3: Amanda and Lindsay Chapter 4: Amanda and Hannah Chapter 5: Amanda and Jules Chapter 6: Amanda and West Chapter 7: Weight Loss and Fertility Chapter 8: Depression Chapter 9: Amanda's Other Ventures Chapter 10: Lover Boy Love you BBs! YouTube Instagram Tik Tok Threads Facebook I started a new podcast called All You Need Is You - A Guide To Living Your Best Solo Life! Check us out on Instagram, Threads and TikTok NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Hello Bravo Bosses! Today is an all new episode of B True Hollywood Story! The subject of today's episode? The name of everyone's lips - AMANDA BATULA. B True Hollywood Story is just like E True Hollywood Story but for Bravolebs. B True Hollywood Story tells you how your fave Bravoleb got from birth to scandal to stardom and everything in between. B True Hollywood Story tells you how Bravolebs got to where they are today! This is part 1 of a 2 part episode! Chapter 1: Early Life and Amanda Factoids Chapter 2: Amanda and Kyle Love you BBs! YouTube Instagram Tik Tok Threads Facebook I started a new podcast called All You Need Is You - A Guide To Living Your Best Solo Life! Check us out on Instagram, Threads and TikTok NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
On this week's Warner Bros. 1934 Studios Year by Year episode, we look at some of the studio's mid-30s B-output: the jazzy, Modernist, montage-ist, telephonic I've Got Your Number, starring Pat O'Brien as an insouciant and sometimes insolent Everyman (in a comedy team-up we never knew we needed with fuming mentor Eugene Pallette) whose redemption arc is sparked by beleaguered working girl Joan Blondell; and I Am a Thief, with Mary Astor and Ricardo Cortez playing hot potato with the title's claim. Do either of these films qualify as "termite art"? Do both? Listen and learn! Time Codes: 0h 00m 25s: 1934 & Warner Brothers 0h 03m 17s: I'VE GOT YOUR NUMBER [dir. Ray Enright] 0h 26m 41s: I AM A THIEF [dir. Robert Florey] Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1934 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Our MGM 1934 episode this week is a Jean Parker (Beth in RKO's 1933 Little Women) double feature. She plays the rebellious daughter in the family melodrama Wicked Woman, which features a fine central performance by noted theatre actress and blacklistee Mady Christians, and a conservationist's daughter who starts an "unlikely animal friends" experiment with a puma cub and a fawn in Sequoia. While the former treads relatively familiar territory with a mixture of pre-Code intensity and wacky domestic humour (supplied by Sterling Holloway and Betty Furness, an odder couple than the puma and fawn), the latter, we argue, is an animal protagonists movie with some genuinely original features. Time Codes: 0h 00m 25s: 1934 & MGM 0h 04m 39s: A WICKED WOMAN [dir. Charles Brabin] 0h 26m 28s: SEQUOIA [dir. Chester M. Franklin] Studio Film Capsules provided by The MGM Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1934 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Hello Bravo Bosses and welcome to the next edition of B True Hollywood Story! You can watch this episode on YouTube! B True Hollywood Story tells you how your favorite Bravoleb got to where they are today - from birth to scandal to stardom and everything in between! This is part 1 of a two part episode! Today's episode is Ashley Iaconetti from The Real Housewives of Rhode Island which airs tonight! Ashley I. (as she has famously been known) has a long and sorted history within Bachelor Nation. But will her Bravo crossover be in her favor? Trust me, Ashley I. has the fight and smarts in her to make an amazing housewife! Today I will be telling you everything you need to know about Ashley Iaconetti! Chapter 1: Early Life Chapter 2: The Bachelor Season 19 Chapter 3: Bachelor in Paradise Season 2 Chapter 4: Bachelor in Paradise Season 3 Chapter 5: Bachelor Winter Games Chapter 6: The Story of Us Chapter 7: Married Mom Life Chapter 8: Ashley's Thoughts on Taylor Frankie Paul Chapter 9: Ashley's Career Love you BBs! Join the Patreon for $5 a month to get 4 extra episodes a month! ad free episodes! early episodes! and bonus content! Join the fun at patreon.com/thebravoinvestigatorpodcast YouTube Instagram Tik Tok Threads Facebook NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Hello Bravo Bosses and welcome to the next edition of B True Hollywood Story! You can watch this episode on YouTube! B True Hollywood Story tells you how your favorite Bravoleb got to where they are today - from birth to scandal to stardom and everything in between! This is part 2 of a two part episode! Today's episode is Ashley Iaconetti from The Real Housewives of Rhode Island which airs tonight! Ashley I. (as she has famously been known) has a long and sorted history within Bachelor Nation. But will her Bravo crossover be in her favor? Trust me, Ashley I. has the fight and smarts in her to make an amazing housewife! Today I will be telling you everything you need to know about Ashley Iaconetti! Chapter 1: Early Life Chapter 2: The Bachelor Season 19 Chapter 3: Bachelor in Paradise Season 2 Chapter 4: Bachelor in Paradise Season 3 Chapter 5: Bachelor Winter Games Chapter 6: The Story of Us Chapter 7: Married Mom Life Chapter 8: Ashley's Thoughts on Taylor Frankie Paul Chapter 9: Ashley's Career Love you BBs! Join the Patreon for $5 a month to get 4 extra episodes a month! ad free episodes! early episodes! and bonus content! Join the fun at patreon.com/thebravoinvestigatorpodcast YouTube Instagram Tik Tok Threads Facebook NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
For this Paramount 1934 episode we watched Search for Beauty, which pits beauty-as-health (a wasted and almost unrecognizable Ida Lupino and frequently topless, sometimes bottomless, and always witless Olympic swimmer Buster Crabbe) against beauty-as-sex in a meta-commentary on pre-Codes released just before the crackdown, and the Hecht-MacArthur-Garmes Crime Without Passion, starring Claude Rains and Margo as a couple destined to destroy each other in a full-blown film noir six years before that "cycle" started. The latter adds to the evidence for Paramount as the studio of idiosyncratic auteur experimentation, while the former adds to the evidence that Paramount often flounders without its auteurs. Time Codes: 0h 00m 25s: 1934 & Paramount 0h 09m 04s: SEARCH FOR BEAUTY [dir. Erle C. Kenton] 0h 26m 53s: CRIME WITHOUT PASSION [dirs. Ben Hecht, Charles MacArthur & Lee Garmes] Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1934 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
For this Universal 1933 Studios Year by Year episode we commit the sacrilege of trashing a James Whale movie, The Invisible Man, which is also Claude Rains' first major screen role, albeit mainly as a voice. A ranting, irascible voice in a movie with very little evidence (in our irresponsible opinion) of Whale's voice. But then we turn to a movie bearing a strong directorial imprint, William Wyler's Counsellor at Law, which contains probably John Barrymore's best screen performance. We discuss Wyler's contested status among auteurists and the multiple layers of Elmer Rice's adaptation of his play about early 20th century American antisemitism and how to live with the knowledge of one's moral compromises. And in Fear and Moviegoing in Toronto, we took in a Valentine's weekend screening of Sternberg's The Devil Is a Woman at the TIFF Lightbox cinematheque, giving us another opportunity to grapple with its ironies and opacities. Time Codes: 0h 00m 25s: 1933 and Universal 0h 03m 51s: THE INVISIBLE MAN (1933) [dir. James Whale] 0h 19m 21s: COUNSELLOR-AT-LAW (1933) [dir. William Wyler] 0h 48m 06s: Fear and Moviegoing in Toronto: Josef von Sternberg's The Devil is a Woman (1935) at TIFF Lightbox Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This 1933 RKO Studios Year by Year episode takes us from the sweepings on the floor of a palatial early 20th century department store to celestial shenanigans high above Rio de Janeiro. Lester Cohen's adaptation of his Dreiseresque novel Sweepings (directed by John Cromwell), another failson saga strongly anticipating HBO's Succession, struggles to translate generational saga into a coherent 80 minutes, but Gregory Ratoff's performance as a hired man trying to get his dues in spite of anti-Semitism is one of the things that make it worth watching; and while a climactic bevy of aerial showgirls can't make Flying Down to Rio the equal of either the 1933 Warner Bros. Busby Berkeley musicals or the Fred and Ginger musicals at RKO to come, the Astaire and Rogers team film debut does offer a curious glimpse of an alternate universe in which they were comic buddies instead of love interests at odds. But already setting the world on fire when they put their heads together as a dance team. Time Codes: 0h 00m 25s: 1933 and RKO 0h 04m 02s: SWEEPINGS (1933) [dir. John Cromwell] 0h 26m 14s: FLYING DOWN TO RIO (1933) [dir. Thornton Freeland] 0h 45m 16s: Fear and Moviegoing in Toronto: Final Screening of the Naruse Retrospective at TIFF Lightbox – Untamed (1955) Studio Film Capsules provided by The RKO Story by Richard B. Jewell & Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This week's 1933 Fox Film Studios Year by Year episode paradoxically digs into the Hollywood beginnings of a couple of Paramount powerhouses via William Dieterle's Adorable, a musical based on a German operetta co-written by Billy Wilder (who'd be writing for Fox directly by 1934), and William K. Howard's The Power and the Glory, with an innovative screenplay by Hollywood newcomer Preston Sturges. Important early 30s Fox stars Janet Gaynor (permitted to play against type as a saucy princess who wants to play with the plebs) and Spencer Tracy (as a self-made - with a little help from his wife - tycoon) supply the charisma for the respective proceedings. And in Fear and Moviegoing in Toronto, the TIFF Lightbox Naruse retrospective continues with Hideko the Bus Conductress, The Whole Family Works, and Sudden Rain (starring Setsuko Hara), and we see a new restoration of Erich von Stroheim's famously unfinished, visually lavish, absolutely unhinged censor-baiting silent melodrama Queen Kelly. Join us as we bat the ball around – but try to keep your knickers on! Time Codes: 0h 00m 25s: 1933 and Fox 0h 06m 00s: ADORABLE (1933) [dir. William Dieterle] 0h 19m 39s: THE POWER AND THE GLORY (1933) [dir. William K. Howard] 0h 39m 17s: Fear and Moviegoing in Toronto: Naruse Retrospective at TIFF Lightbox (3 films) The Whole Family Works (1939), Hideko the Bus Conductress (1941) and Sudden Rain (1956) and Reconstruction of Queen Kelly, directed by Erich von Stroheim Studio Film Capsules provided by The Fox Film Corporation: 1915-1935 by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This week's Warner Brothers 1933 Studios Year by Year episode brings the studio-as-auteur question back into focus with two highly distinctive Pre-Code musicals with a similarity of style and social outlook that can't be attributed to the directors, screenwriters, source material, or the presence of Hollywood's most idiosyncratic choreographer and stager of musical numbers, Busby Berkeley. We argue for the dramatic and comedic merits of 42nd Street (directed by Lloyd Bacon) and Gold Diggers of 1933 (directed by Mervyn LeRoy), without failing to grapple with the more deranged elements of the musical sequences. And in Fear and Moviegoing in Toronto, the focus on sex, gender, and harsh economic realities continues with further screenings from TIFF Cinematheque's ongoing Mikio Naruse retrospective: Late Chrysanthemums, Scattered Clouds, and When a Woman Ascends the Stairs. We also briefly mention our TIFF Lightbox viewing of Hitchcock's North by Northwest, which allowed us to see Cary Grant narrowly escape multiple elaborately complicated and indirect murder attempts in 70 mm. Time Codes: 0h 00m 25s: 1933 and Warner Brothers 0h 05m 13s: 42nd STREET [dir. Lloyd Bacon with Busby Berkeley] 0h 50m 20s: GOLD DIGGERS OF 1933 [dir. Mervyn Leroy with Busby Berkeley] 1h 30m 40s: Fear & Moviegoing in Toronto: Alfred Hitchcock's North By Northwest (1959) and Mikio Naruse's Late Chrysanthemums (1954), Scattered Clouds (1967) & When a Woman Ascends the Stairs (1960) – all at TIFF Lightbox 1h 40m 16s: Listener Jason's Top Gloria Grahame films +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirchhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Hello Bravo Bosses and welcome to the next edition of B True Hollywood Story! B True Hollywood Story tells you the tale of your favorite Bravoleb; from birth to scandal to stardom and everything in between. B True Hollywood Story will tell you how your favorite Bravoleb got to where they are today! Today's B True Hollywood Story is.....Kyle Cooke from Summer House! This episode is audio only. Time Stamps: Chapter 1: Early Life and Kyle Factoids - 1:58 Chapter 2: Kyle's Entrepreneurial Endeavors - 12:00 Chapter 3: Summer House - 24:29 Chapter 4: Kyle's Relationships - 51:22 Kyle Cooke and Lindsay Hubbard Kyle Cooke and Carl Radke Kyle Cooke and Amanda Batula Chapter 5: Kyle's Kontroversies - 1:36:31 Mos Eisley, LLC vs. Loverboy Inc. Night Shift Distributing, LLC vs. Loverboy Inc. Loverboy Inc. vs. Night Shift Distributing, LLC Kyle vs. Craig Conover/Spritz Society Kyle vs. Hannah Berner Chapter 6: Kyle's Other Ventures - 1:58:09 The Traitors Winter House Kyle's DJ Career Love you BBs! Subscribe to the Patreon for only $5 a month to get 4 extra episodes, ad free and early episodes! Level up to the $10 Bravo CEOs tier for everything you get under the $5 tier but you also get 1 documentary recap a month, a special shout out on the pod and more direct access to me! Subscribe to my new YouTube Channel! Follow me on Instagram Follow me on Tik Tok Follow me on Threads Join The Bravo Investigator Facebook Group Follow my Personal Account on Instagram and TikTok: @danaintorontoUGC NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
If anything, Gravy Baby is one of the most on point and in-the-know podcasts for celeb reports. That's why today we're giving you all the hot gossip and behind the scenes news from Los Angeles most exclusive Beverly Hills parties this holiday season! No but seriously let's talk abt how weird LA is and all the times DJ almost got into a fight
For this 1933 MGM episode we focus on rehabilitating John Gilbert's sound-era reputation with a double feature of underrated gem Fast Workers, a construction worker love triangle melodrama directed by Tod Browning, and Gilbert's most famous sound movie, Rouben Mamoulian and Greta Garbo's very serious (but also very sensual) costume drama Queen Christina, about a woman whose ideals clash with her society. And in Fear and Moviegoing in Toronto, we discuss one of Dave's faves, Paul Thomas Anderson's morally enigmatic first feature, Hard Eight. Time Codes: 0h 00m 25s: 1933 and MGM 0h 07m 46s: FAST WORKERS (dir. Tod Browning] 0h 33m 11s: QUEEN CHRISTINA [dir. Rouben Mamoulian] 0h 54m 22s: Fear & Moviegoing in Toronto: Paul Thomas Anderson's Hard Eight (1996) at The Paradise Cinema +++ Studio Film Capsules provided by The MGM Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This Paramount 1933 Studios Year by Year episode features two of the studio's defining stars of the era: the Marx Brothers, in their final, most famous, and (maybe) most nihilistic Paramount film, Duck Soup, directed by Leo McCarey, and Gary Cooper, miscast (or maybe not) in One Sunday Afternoon in the role that would go to James Cagney in the Warner Bros. remake, The Strawberry Blonde. We zero in on Groucho's authoritarian anti-authoritarianism and Cooper's embodiment of a charismatic man's class resentment. And in Fear and Moviegoing in Toronto, we share our first experience with the cinema of Nouvelle Vague primitivist Luc Moullet, his quirky and candid examination of second-wave feminism's effect on his relationship (and anatomy), Anatomie d'un rapport (1976) Time Codes: 0h 00m 25s: 1933 and Paramount 0h 06m 53s: ONE SUNDAY AFTERNOON (1933) [dir. Stephen Roberts] 0h 27m 01s: DUCK SOUP (1933) [dir. Leo McCarey] 1h 01m 22s: Fear & Moviegoing in Toronto – Luc Moullet and Antonietta Pizzorno's Anatomie d'un rapport (1976) +++ Studio Film Capsules provided by The Paramount Story by Jon Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Based on the true story of a 20-something writer from rural Maine. Inspired by actress SALLY KIRKLAND's performance in the sleeper hit, ANNA (Oscar nominee, Independent Spirit Award and 1988 Golden Globe winner), Zack takes the leap to pursue his ambitions of a Hollywood Career. After driving cross country, in a chance encounter he meets his lifelong idol, the week he arrived. Sally hires him on the spot to be her assistant, where he quickly learns her career is a shambles. He dedicates himself to finding a way to land her back on the red carpet where she belongs. SALLYWOOD stars Sally Kirkland, Tyler Steelman, Tom Connolly, Eric Roberts, Lenny Von Dohlen, Kay Lenz, Michael Lerner, Maria Conchita Alonso, with Keith Carradine and Jennifer Tilly. It was written and directed by Xaque Gruber and produced by Steven J. Wolfe. The film features songs by Rufus Wainwright, Toni Basil & Smokey Miles. The film has a running time of 90 minutes and will not be rated by the MPAA. It has won over 50 Awards during its festival circuit! Buffalo 8 released the film on digital platforms on November 14, 2025. To view the trailer, go to: https://youtu.be/BAhC50Jgd5k For more information, go to: www.sallywoodmovie.com https://www.xaquegruber.com/ SOCIAL MEDIA HANDLES: Facebook: sallywood the movie https://www.facebook.com/profile.php?id=61561341323412 Instagram: @sallywoodmovie https://www.instagram.com/sallywoodmovie/ X: @sallywoodmovie https://x.com/SallywoodMovie Stay Connected with me: https://www.instagram.com/shesallovertheplacepodcast https://www.chonacas.com/links/
We've got a Halloween Hangover on this week's episode, with two Universal 1932 horror movies, James Whale's The Old Dark House (based on a novel by J. B. Priestley) and Karl Freund's The Mummy, starring Karloff. We explore the curious tone, social themes, and stellar cast (including Charles Laughton, Ernest Thesiger, Eva Moore, Melvyn Douglas, and the excellent Lilian Bond) of Whale's Gothic oddity and The Mummy's connection to Dracula movie history. Then the hangover continues in Fear and Moviegoing in Toronto: we discuss our latest theatrical viewing of the great Dead of Night (1945) as well as a Canadian Thanksgiving viewing of the boomer classic The Big Chill (1983) for a different kind of grappling with mortality and confrontation with horror. Time Codes: 0h 00m 35s: THE OLD DARK HOUSE (1932) [dir. James Whale] 0h 35m 45s: THE MUMMY (1932) [dir. Karl Freund] 0h 58m 08s: Fear & Moviegoing in Toronto – Dead of Night (1945) by Basil Dearden, Cavalcanti, et al and The Big Chill (1983) by Lawrence Kasdan Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
In this RKO 1932 Studios Year by Year episode we discuss a couple of trademark Selznick productions: What Price Hollywood?, the first iteration of the A Star Is Born story, starring Constance Bennett as the rising star Mary Evans, "America's pal," and Lowell Sherman as her tormented director mentor; and The Animal Kingdom, based on the Philip Barry play, with Leslie Howard, Ann Harding, and Myrna Loy in a highbrow Pre-Code love triangle. Marriage takes a real beating in these rare movies exploring alternative kinds of loving relationships between women and men. And in Fear and Moviegoing in Toronto, we cover the second new movie we've seen in 2025, Paul Thomas Anderson's One Battle After Another. Time Codes: 0h 00m 35s: WHAT PRICE HOLLYWOOD? (1932) [dir. George Cukor] 0h 28m 33s: THE ANIMAL KINGDOM (1932) [dir. Edward H. Griffith] 1h 00m 00s: Fear & Moviegoing in Toronto – Paul Thomas Anderson's One Battle After Another (2025) Studio Film Capsules provided by The RKO Story by Richard B. Jewell and Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
For this 1932 Fox Studios Year by Year episode we watched Frank Borzage's unloved Young America, an idiosyncratic, primitive melodrama starring Spencer Tracy as a wealthy drugstore owner at odds with a disadvantaged delinquent, and Passport to Hell, Fox's surprisingly good take on the Sternberg-Dietrich formula, starring Elissa Landi as a woman of ill repute at odds with the colonial authorities in German West Africa. No rural themes in sight in this episode, just the tribulations and heroism of the underdog. Time Codes: 0h 00m 35s: YOUNG AMERICA (1932) [dir. Frank Borzage] 0h 28m 14s: PASSPORT TO HELL (1932) [dir. Frank Lloyd] Studio Film Capsules provided by The Fox Film Corporation: 1915-1935 by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This Warner Bros. 1932 episode is a double feature of Glasmon-Bright scripts directed by Pre-Code wizards: Mervyn LeRoy's Three on a Match, a tight little melodrama about the cryptic and arbitrary nature of self-destruction with Ann Dvorak as a wealthy housewife beset by ennui; and Roy Del Ruth's Taxi!, in which Loretta Young has to stand up to James Cagney's hot-headed cab driver, although neither his violence nor her self-control is going to help them fight those who have more power under capitalism. At 63 and 69 minutes respectively, they pack a Cagney-style punch--no flab, just Warners Pre-Code energy! Time Codes: 0h 00m 25s: Warner Brothers and 1932 0h 05m 08s: TAXI! [dir. Roy Del Ruth] 0h 33m 09s: THREE ON A MATCH [dir. Mervyn Leroy] Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This 1932 MGM Studios Year by Year episode is a Robert Montgomery double feature, although the spotlight is on his leading ladies: an incandescent Marion Davies in Blondie of the Follies (directed by Edmund Goulding), and a distraught Tallulah Bankhead in Faithless (directed by Harry Beaumont). We discuss the strengths and incoherencies of Anita Loos' and Frances Marion's screenplay for Blondie of the Follies (spoilers: it may have been tampered with by some guy named Hearst) and then turn to our strong reactions to MGM's intense Depression melodrama, in which Hugh Herbert plays a sexual predator so convincingly it gave Elise a nightmare! Speaking of nightmare fuel: in Fear and Moviegoing in Toronto we discuss Mike Figgis' Leaving Las Vegas (1995), starring Elisabeth Shue and Nicholas Cage in a kind of reverse Vertigo, which was playing as part of the TIFF Story in 50 Films series. Time Codes: 0h 00m 25s: 1932 and MGM 0h 05m 41s: BLONDIE OF THE FOLLIES [dir. Edmund Goulding] 0h 37m 26s: FAITHLESS [dir. Harry Beaumont] 01 00m 20s: Fear and Moviegoing in Toronto – Mike Figgis' Leaving Las Vegas (1995) ++++ Studio Film Capsules provided by The MGM Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
BOOM! In a move that's shaking the entire soccer world, LAFC has signed global superstar Son Heung-Min from Tottenham Hotspur. We break down the record-smashing transfer, what "Sonny Ball" means for LAFC's high-octane attack, and how this signing is a cultural earthquake for the massive Korean community in Los Angeles and across the US. Is this the move that puts MLS on the same playing field as Europe's elite?Son Heung-Min, LAFC, MLS transfer news, Tottenham Hotspur, Korean soccer star
For this round of Paramount 1932, we watched our first Marx Brothers movie for the podcast (hard as that is to believe), Horse Feathers (directed by Norman Z. MacLeod), alongside Ernst Lubitsch's only sound-era drama, Broken Lullaby. Lubitsch's batshit WWI melodrama, bursting with intensity and unease, claims our attention first, and then we turn to the detached anarchy of the Marx Brothers. Elise probes Dave's obsession with their antics and offers her outsider's take on the poetics of their personas for his contemplation. Time Codes: 0h 00m 25s: Paramount and 1932 0h 08m 41s: THE MAN I KILLED aka BROKEN LULLABY [dir. Ernst Lubitsch) 0h 41m 01s: HORSE FEATHERS [dir. Norman Z. McLeod] Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Hello Bravo Bosses! Today I'm re-releasing my episode of B True Hollywood Story: Denise Richards. Given her very contentious divorce making a media frenzy, I thought it was the perfect time to give some background and context for who Denise is. I also give you a lot of history on Aaron Phypers. Remember E True Hollywood Story? Well it's just like that except for Bravolebs and in podcast form. The B stands for Bravo! In each episode, I will tell you the tale of a different Bravoleb from birth to scandal to stardom and everything in between. B True Hollywood Story will tell you how your favorite Bravolebs got to where they are today. Trigger Warning: Discussions of DV and addiction. Today's episode is Denise Richards from the Real Housewives of Beverly Hills. Chapter 1: Denise's Upbringing and Family - 3:45 Chapter 2: Denise's Movie Career - 5:05 Chapter 3: Denise's TV Career - 8:52 Chapter 4: Denise's Modelling Career - 13:20 Chapter 5: Denise's Relationships - 14:37 Chapter 6: Denise's Kids - 59:32 Chapter 7: Denise Richards and the Real Housewives of Beverly Hills - 1:01:22 Chapter 8: Denise's Lawsuits - 1:12:05 Chapter 9: Denise's Boobs - 1:13:40 Chapter 10: Other Fun Facts About Denise - 1:15:07 Join the Patreon for $5 a month for 4 extra podcast episode per month! Ad free episodes! Early episodes! Exclusive bonus content and live chats! Join the fun at www.patreon.com/thebravoinvestigatorpodcast Thank you to our SPONSORS! Petscosset - Use code: Summer10 for 10% off any product! DrTalks - Use code: DrTalksImpact for 5% off the Master Class! Doodle - Doodle is a user-friendly scheduling platform that helps individuals and teams easily find meeting times, book appointments, and organize events. Use code AFFILIATE-20 for 20% off! You can purchase my new RE-BRANDED The Bravo Investigator Merch here! Subscribe to Hurrdat Entertainment's YouTube Channel for full length video episodes! Follow me on Instagram: @thebravoinvestigator Follow me on Tik Tok: @thebravoinvestigator This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Learn more about your ad choices. Visit megaphone.fm/adchoices
For our Universal 1931 Studios Year by Year episode we took in a Sidney Fox double feature, Bad Sister (adapted from a Booth Tarkington novel, with an early role for Bette Davis as the good sister) and Strictly Dishonorable (adapted from Preston Sturges' only successful play and directed by John Stahl). Laemmle Jr.'s protegée uses her ingenue quality to good effect whether she's playing an unsympathetic Alice Adams or a complex early Sturges heroine, and in fact we argue that the latter performance is something of a tour de force, leading us to lament the brevity of her career. Lewis Stone and Paul Lukas also impress in Strictly Dishonorable, while George Meeker gives a game performance as an Ugly WASP American at home. Time Codes: 0h 00m 25s: BAD SISITER [dir. Hobart Henley] 0h 31m 02s: STRICTLY DISHONORABLE [dir. John M. Stahl] +++ Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
The movies we viewed for this RKO 1931 Studios Year by Year episode couldn't be more different: the sprawling Cimarron (starring Richard Dix as America's psychotic inner conflict) prompts us to speculate about Edna Ferber as a source auteur and the intertwining of her vision of America with Hollywood across three decades; while the tight, play-like Traveling Husbands (starring Evelyn Brent as a bitter sex worker with noble impulses), demonstrates the pressures capitalism exerts on men and therefore on women. But together, these movies show that the Pre-Code is good for a lot more than just sex-and-crime titillation. Time Codes: 0h 00m 25s: CIMARRON [dir. Wesley Ruggles] 0h 41m 56s: TRAVELING HUSBANDS [dir. Paul Sloane] +++ Studio Film Capsules provided by The RKO Story by Richard B. Jewell & Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Veteran screenwriter and author David Silverman 'How to be A Rockstar Screenwriter' takes us through his incredible journey in Hollywood, sharing on the Papamutes Podcast insider stories and practical advice for aspiring writers. His decades of experience across beloved shows like The Jeffersons, One Day at a Time, Mork and Mindy, Alf, and South Park offers valuable insights into the craft of screenwriting and the business of television. And don't miss the chance to download Silverman's book for free on Kindle from July 4th through July 8th, 2025.show notes: susan morrison authored lorne: herb solow was head of mgm:Send Papamutes a Text“THE OPINIONS EXPRESSED OR VIEWS EXPRESSED BY GUESTS DO NOT NECESSARILY REFLECT OR REPRESENT THOSE OF THE HOST; Listen on Apple Podcasts, Spotify, iHeart Radio, Castro, Google Podcasts or wherever you stream your podcasts.
A curious pairing for this Fox 1931 Studios Year by Year episode: an unsung WWI drama, but as good as any, William K. Howard's Surrender, starring Warner Baxter, Leila Hyams, and an almost unrecognizable (both his appearance and his performance) Ralph Bellamy; and the Will Rogers version of A Connecticut Yankee in King Arthur's Court, which mainly seems to exist so that Rogers can lasso a lance from a knight in a joust. Spoiler: modernity proves to be more than either King Arthur's Court or Ralph Bellamy want to handle, and we dig into their discontents. Time Codes: 0h 00m 25s: A CONNECTICUT YANKEE IN KING ARTHUR'S COURT [dir. David Butler] 0h 28m 28s: SURRENDER [dir. William K. Howard] +++ Studio Film Capsules provided by The Fox Film Corporation, 1915 – 1935: A History and Filmography by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse, showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for another, even nastier 1931 turn. Dave makes the case for Blonde Crazy as a proto-screwball comedy (Warner Bros. does Trouble in Paradise?). And in another Fear and Moviegoing discussion of Now, Voyager, we discuss the Bette Davis melodrama's authentic ties to Transcendentalism and what it means to not have sex for the right reasons. Time Codes: 0h 00m 25s: NIGHT NURSE [dir. William A. Wellman] 0h 31m 33s: BLONDE CRAZY (dir. Roy Del Ruth] 0h 46m 59s: Fear and Moviegoing in Toronto –Irving Rapper's Now, Voyager (1942) at TIFF Lightbox +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Hello Bravo Bosses! There isn't a ton of news today so I thought it was the perfect opportunity to release the 6th episode in my new limited series B True Hollywood Story: Nia Sanchez! This episode is audio only! Remember E True Hollywood Story? Well it's just like that except for Bravolebs and in podcast form. The B stands for Bravo! In each episode, I will tell you the tale of a different Bravoleb from birth to scandal to stardom and everything in between. B True Hollywood Story will tell you how your favorite Bravolebs got to where they are today. Today's episode is Nia Sanchez from The Valley. Given the recent discourse surrounding Danny and Nia's private relationship and new information we've received about Nia's upbringing, I thought this was the perfect time to do a deep dive on this beauty queen. Think you know everything there is to know about Nia Sanchez? Think again! Timestamps: Intro - 0:00 Chapter 1: Nia's Family and Upbringing - 5:34 Chapter 2: Nia's Travels and Pre-Pageant Life - 12:31 Chapter 3: Pageants - 14:04 Chapter 4: Nia's Relationships - 17:25 Abusive Relationship Daniel Booko Chapter 5: The Valley - 33:32 Chapter 6: Nia's Controversies - 35:15 Nevada Scandal The Trump Era Sexual Harassment Scandal Social Media Scandal Dark Side Danny Chapter 7: Nia's Mental Health - 54:50 Pageant Depression Postpartum Depression Chapter 8: Other Fun Facts About Nia - 1:01:54 NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Love you BBs! Please leave me a 5 star written review on Apple Podcasts and you will get FREE stickers from @colorusbravo! Make sure to include your Instagram handle in the review so I can find you to give you the stickers! Thank you BBs! You can purchase my new RE-BRANDED The Bravo Investigator Merch here! Subscribe to Hurrdat Entertainment's YouTube Channel for full length video episodes! Follow me on Instagram: @thebravoinvestigator Follow me on Tik Tok: @thebravoinvestigator Email me your questions or suggestions: Brunchandbravo@gmail.com This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices
For this MGM 1931 episode we watched The Easiest Way, a feminist subversion of melodrama tropes by director Jack Conway and screenwriter Edith Ellis, starring Constance Bennett as the fallen woman and a young Clark Gable, verging on stardom, as her judgemental brother-in-law; and possibly the most sentimental movie ever made, King Vidor's The Champ, starring Wallace Beery as a ne'er-do-well ex-boxing champ dad and Jackie Cooper as his passionately devoted son. MGM delivers again in this new round of 1931! Time Codes: 0h 00m 25s: The Easiest Way (1931) [dir. Jack Conway] 0h 43m 55s: The Champ (1931) [dir. King Vidor] +++ Studio Film Capsules provided by The MGM Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Hello Bravo Bosses! There isn't a ton of news today and with Vanderpump Villa on our screens, I thought this was the perfect opportunity to re-release B True Hollywood Story: Stassi Schroeder. Remember E True Hollywood Story? Well it's just like that except for Bravolebs and in podcast form. The B stands for Bravo! In each episode, I will tell you the tale of a different Bravoleb from birth to scandal to stardom and everything in between. B True Hollywood Story will tell you how your favorite Bravolebs got to where they are today. Today's episode is Stassi Schroeder from Vanderpump Rules. Timestamps: Intro and Early Life - 01:24 Chapter 1: Stassi's TV Career - 06:17 Chapter 2: Stassi's Romantic Relationships - 08:14 Jax Taylor Frank Herlihy Patrick Meagher Beau Clark Chapter 3: Stassi's Friendships - 13:38 Katie Maloney Kristen Doute Jax and Brittany Rachael O'Brien Lala Kent Taylor Stecker Kristina Kelly Lo French Chapter 4: Stassi's Scandals - 22:56 Baby's First Race Scandal Stassi Still Doesn't Get It Stassi Schroeder is Cancelled Chapter 5: Stassi's Other Works - 38:12 Love you BBs! Please leave me a 5 star written review on Apple Podcasts and you will get FREE stickers from @colorusbravo! Make sure to include your Instagram handle in the review so I can find you to give you the stickers! Thank you BBs! You can purchase my new RE-BRANDED The Bravo Investigator Merch here! Subscribe to Hurrdat Entertainment's YouTube Channel for full length video episodes! Follow me on Instagram: @thebravoinvestigator Follow me on Tik Tok: @thebravoinvestigator Email me your questions or suggestions: Brunchandbravo@gmail.com NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices
Our streak of finding gynocentric crime film gems continues with our second Paramount 1931 episode, featuring two movies directed by Sylvia Sidney specialist Marion Gering. 24 Hours pairs a despairing Clive Brook and Miriam Hopkins, haunted by marriages they can't escape in one way or another. And Ladies of the Big House, starring a radiant Sidney as a hapless shopgirl who (like Hopkins' nightclub singer) becomes the target of a gangster's obsession, depicts life in prison as a curious quasi-utopia of racial equality and solidarity among American's socioeconomically oppressed. We give you our take on Gering as unsung auteur! Time Codes: 0h 00m 25s: Hollywood, 1931 and Paramount 0h 07m 09s: 24 HOURS [dir. Marion Gering] 0h 40m 51s: LADIES OF THE BIG HOUSE [dir. Marion Gering] +++ Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Lights, camera, action! This week, our old time radio sleuths are tackling cases connected with the movie business and finding mystery on and off screen. First, "the Lyon's Eye" has to protect a movie star from some unscripted violence. Frank Graham stars in "The Hollywood Story, or H is for the Many Things You Gave Me" from Jeff Regan, Investigator (originally aired on CBS on March 22, 1950). Next, Dick Powell goes west when the head of a movie studio is blackmailed - and later framed for murder - in "The Hollywood Story" from Richard Diamond, Private Detective (originally aired on CBS on August 23, 1953). Finally, a corpse in a seaside amusement park is connected to a silent movie star and the long-ago murder of her husband in "The Silent Queen Matter" - a five-part Johnny Dollar mystery starring Bob Bailey as "America's fabulous freelance insurance investigator" (originally aired on CBS between October 29 and November 2, 1956).
We complete our second round of 1930 on Studios Year by Year with Universal. This time around we've got two auteur entries, Lewis Milestone's All Quiet on the Western Front, and a much deeper cut, Tod Browning's eccentric crime drama Outside the Law. We discuss All Quiet as emblematic of the Laemmele Jr. era before turning to Browning's tense, messy melodrama, with a powerhouse performance by the scandal-plagued Mary Nolan. A fine finale to another trip through 1930 with the Hollywood Studios! Time Codes: 0h 00m 25s: Universal Recap 0h 15m 58s: ALL QUIET ON THE WESTERN FRONT [dir. Lewis Milestone] 0h 53m 51s: OUTSIDE THE LAW [dir. Tod Browning] +++ Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
In this week's RKO Studios Year by Year episode, we discuss our favourite movies from our first round with the studio and how that round shaped our impression of RKO, and then turn to two new 1930 movies: Framed (directed by George Archainbaud), a gangster movie focused on Evelyn Brent's tough/tender mixed-up moll, and The Runaway Bride (directed by Donald Crisp), a shaggy showcase for Mary Astor's affability. But wait, there's more! In Fear and Moviegoing in Toronto, we debate the meanings and merits of two daring films by Mai Zetterling, Amorosa (1986) and Night Games (1966), and dissect the post-WWII ennui of two by Binka Zhelyazkova, Life Flows Quietly By... (1957) and The Big Night Bathe (1980). Time Codes: 0h 00m 25s: RKO Recap 0h 14m 54s: FRAMED [dir. George Archainbaud] 0h 31m 49s: THE RUNAWAY BRIDE [dir. Donald Crisp] 0h 52m 06s: FEAR & MOVIEGOING IN TORONTO: Mai Zetterling's Night Games (1966) & Amorosa (1986) + Binka Zhelyazkova's Life Flows Quietly By (1957) & The Big Night Bathe (1980) +++ Studio Film Capsules provided by The RKO Story he RKO Story by Richard B. Jewell & Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Hello Bravo Bosses! (Audio only) Today I am presenting you with the 4th episode in my new limited series called B True Hollywood Story. Remember E True Hollywood Story? Well it's just like that except for Bravolebs and in podcast form. The B stands for Bravo! In each episode, I will tell you the tale of a different Bravoleb from birth to scandal to stardom and everything in between. B True Hollywood Story will tell you how your favorite Bravolebs got to where they are today. Today's episode is Shep Rose from Southern Charm. Chapter 1: Shep's Family and Upbringing - 1:29 Chapter 2: Shep You Better Work Bitch - 5:35 Chapter 3: Southern Charm - 15:12 Chapter 4: Shep's Relationsheps - 25:05 Jenny Kathryn Dennis Danny Baird Taylor Ann Green Sienna Evans Relationshep the TV Show Chapter 5: Shep's Scandals - 32:55 Arrests Covid Cans Bravocon Chapter 6: Shep the Comedian - 39:28 Chapter 7: Shep's Relationshep with Randall Emmett - 42:10 Chapter 8: Shep's 1 True Love: Lil' Craig - 44:36 Chapter 9: Shep's Jealously and Anger Problem - 46:00 Chapter 10: Shep's Politics - 49:00 Chapter 11: Shep's Other Works - 51:05 NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Love you BBs! Please leave me a 5 star written review on Apple Podcasts and you will get FREE stickers from @colorusbravo! Make sure to include your Instagram handle in the review so I can find you to give you the stickers! Thank you BBs! You can purchase my new RE-BRANDED The Bravo Investigator Merch here! Subscribe to Hurrdat Entertainment's YouTube Channel for full length video episodes! Follow me on Instagram: @thebravoinvestigator Follow me on Tik Tok: @thebravoinvestigator Email me your questions or suggestions: Brunchandbravo@gmail.com This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices
The first episode of our second Studios Year by Year round with Fox, the "Rube" according to Ethan Mordden, is a real ridiculous/sublime contrast: the sci-fi musical comedy Just Imagine (directed by David Butler), a vehicle for vaudevillian El Brendel, in whom Dave may have found his comedy bête noir; and the F. W. Murnau masterpiece City Girl, which reworks Sunrise with (we speculate) a Borzagean twist. Come for the idiotic, stay for the profound? Time Codes: 0h 00m 25s: Fox Recap 0h 12m 41s: CITY GIRL [dir. F.W. Murnau] 0h 48m 02: JUST IMAGINE [dir. David Butler] Studio Film Capsules provided by The Fox Film Corporation, 1915-1935: A History and Filmography by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Honor A. P. broke his maiden as a two-year-old at Santa Anita by over five lengths posting a 91 Beyer, one of the highest of his generation. His first start as a three-year-old was in graded stakes company when he finished second in the Grade 2 San Felipe Stakes.Honor A. P. took the G1 Santa Anita Derby by an easy 2 3/4 lengths for trainer John Shirreffs. The three-year-old earned a blistering 102 Beyer Speed Figure and became the only horse to defeat eventual Horse of the Year Authentic. The Grade 1 Santa Anita Derby has long produced breed-shaping sires with past winners including A.P. Indy, Sunday Silence, Affirmed, Pioneerof the Nile and more. In his next start, the Shared Belief Stakes, he posted another 102 Beyer making him one of four three-year-old colts in 2020 to post multiple triple-digit Beyers beyond a mile.Bred by George Krikorian, Honor A. P. sold for $850,000 at the 2018 Fasig-Tipton Saratoga Sale.Honor A. P.'s dam, Hollywood Story, had a long and illustrious career earning over $1 million on the track and scoring Grade 1 victories at two and five-years-old in the Hollywood Starlet and Vanity H., respectively. She produced the multiple graded stakes-placed Hollywood Star and the multiple stakes winner Miss Hollywood.Hollywood Story is by Wild Rush, making Honor A. P.'s pedigree free of Mr. Prospector on his dam's side to five generations.Honor A. P.'s first yearlings sold for $375,000, $275,000, $100,000, etc. In his first crop to race in 2024 he was represented by multiple stakes winner Glee and stakes winner Hollywood Beauty, and more than a dozen winners.(UPDATED: Feb 1st, 2025)
Hello Bravo Bosses! (Audio only) Welcome to my first episode under the re-brand! I Take Bravo Very Seriously is now The Bravo Investigator Podcast! Thank you for supporting me through this transition! To celebrate, I am presenting you with the third episode in my new limited series called B True Hollywood Story. Remember E True Hollywood Story? Well it's just like that except for Bravolebs and in podcast form. The B stands for Bravo! In each episode, I will tell you the tale of a different Bravoleb from birth to scandal to stardom and everything in between. B True Hollywood Story will tell you how your favorite Bravolebs got to where they are today. Today's episode is Kristen Doute from Vanderpump Rules and The Valley. Trigger Warning: Discussions of DV and SA. Chapter 1 - Kristen's Early Life and Family: 2:50 Chapter 2 - Kristen's Relationships: 5:47 Christopher Eric Gari Tom Sandoval James Kennedy Brian Carter Alex Menache Luke Broderick Kristen's Unnamed Allegations of Abuse Chapter 3 - Kristen's Friendships: 29:45 Rachael O'Brien Stassi Schroeder Katie Maloney Lala Kent Brittany Cartwright Zack Wickham Chapter 4 - Kristen's Acting Career: 39:30 Chapter 5 - Kristen's Scandals: 43:07 Kristen and Jax Miami Girl Kristen and Brittany Pillowgate Kristen's Cancellation Chapter 6 - Kristen's Business Ventures: 48:30 If you enjoy this podcast, please leave a 5-star review! You can purchase my merch here! Subscribe to Hurrdat Entertainment's YouTube Channel for full length video episodes! Follow me on Tik Tok for True Crime in a Bite Sized Rhyme: @thebravoinvestigator Follow me on Instagram: @thebravoinvestigator Email me your questions or suggestions: Brunchandbravo@gmail.com PARTNERSHIP: Fungies - Find these gummies in the Vitamin section at Walmart or shop on their website eatfungies.com. Use code: DANA for 20% off! NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a text38 min of the total show is shared free, I tell you about a huge mistake I made with my Semaglutide, I thought I was going to die. I tell you behind the scenes secrets to do with what was discussed on S5 RHOSLC Reunion P1. I was involved in some of what was discussed at the Reunion so am sharing my take on what was true and not. I also help people who haven't seen it understand what happened. I share some behind the scenes tea about the women and production and some of the SLC feuds that came up this week. I read the first batch of all of James Baldoni's receipts (the receipts are where the real interesting stuff is) and use my extensive entertainment industry background in film to figure out the deeper reason why Blake Lively and Ryan Reynolds wanted to steal It Ends with Us Film away from Justin Baldoni. You will learn some infamous Hollywood stories/feuds I was involved in at the same time.To hear all of today's show and join us in the conversation go to Dishing Drama Dana Patreon and defo go in the chat room so much gossip in there in between posts . It's only $6.00 per month https://www.patreon.com/DishingDramaWithDanaWilkeySupport the showDana is on Cameo!Follow Dana: @Wilkey_Dana$25,000 Song - Apple Music$25,000 Song - SpotifyTo support the show and listen to full episodes, become a member on PatreonTo learn more about sponsorships, email DDDWpodcast@gmail.comDana's YouTube Channel
Fr. Edward speaks with Writer, Producer, and Director Fr. Tom Gibbons about the documentary Hollywood Priest about Fr. Bud Keiser which is airing on PBS World this December. Check local listings. Fr Bud's story is an inspiring one for all people, Meet Fr. Bud in this new documentary. Wednesday 12/18- 7pm EST/4pm PST Wednesday 12/18- 9pm PST Thursday, 12/19- 12am EST and 8am EST/5am PST Wednesday 12/25- 5am EST/2 am PST and 11 am EST/8am PST
Carrie's husband cheated and now who she's dating is a made for Hollywood Story! Learn more about your ad choices. Visit podcastchoices.com/adchoices
Carrie's husband cheated and now who she's dating is a made for Hollywood Story! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Originally recorded at youtube.com/comicpop and uploaded to youtube.com/comicpopreturns!
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