Podcasts about Durang

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Joe Pomianek! We recorded this on Monday at my home in Portland, OR. Tunes in this episode: * Ora Lee (1:05) * Geese Honking (12:06) * Jake Phelps' Durang's Hornpipe (24:25) * Polly Put the Kettle On (29:56) * Keeping the Cats Happy (Mark Simos original) (37:57) * Bonus Track: Old Beech Leaves Follow WOETOJOY on Instagram (https://www.instagram.com/woetojoy/) Follow Varelse on Instagram (https://www.instagram.com/varelse_music/) Follow Joe on Instagram (https://www.instagram.com/joepoemusic/) Sign up for Cameron's Ear Training for Old Time workshop series (https://www.camerondewhitt.com/store) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/)

My library finally re-opened post-pandemic and I went in for a celebratory look around. Though it supposedly had been re-modeled, it seemed to look exactly the same. (Except now there seemed to be no way to access the card catalogue? WTF?) I took a look at the theatre section because, you know, Theatre Nerd, and was struck by how much the selection of plays resembled the selection of plays that were in the library when I was growing up. It struck me that the accepted literary canon of theatrical greatness has not really been updated since the 1950s. When I was growing up, the theatre section looked like Arthur Miller and Tennessee Williams. And today, the theatre section looks like mostly Arthur Miller and Tennessee Williams. This doesn't mean that theatre folk only read Miller and Williams but I think it does mean that the culture as a whole still only considers Miller and Williams worth keeping in the collection. There may be a scattered addition from a contemporary writer – maybe if it's a library that's really trying to expand, you'll see some August Wilson or Suzan Lori Parks or an Anna Deavere Smith. My library had an Annie Baker, even. But for the most part, in libraries and bookstores across America, the bulk of a theatre section will be Arthur Miller and Tennessee Williams – maybe, on occasion, some Mamet, Albee, Simon or Durang – but most shelves will be the Miller and Williams collection. I'm curious about this. To keep reading The Canon Is Stuck visit the Songs for the Struggling Artist blog. This is Episode 426 Song: Love Me Tender Image of the Queens Public Library play shelf by ⁠⁠⁠⁠⁠⁠⁠⁠⁠me, Emily Rainbow Davis To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like the blog/show on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Or on Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or PayPal me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow me on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Me on Mastodon - @erainbowd@podvibes.co Me on Bsky - @erainbowd.bsky.social Me on Hive - @erainbowd ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tell a friend! Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can support them via Ko-fi here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/messengertheatrecompany⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As ever, I am yours, Emily Rainbow Davis

Amíg az Enterprise egy szállítóhajóra vár, a legénység saját kedvteléseivel kapcsolódik ki, Data és Geordi pedig azzal kísérleteznek, hogy Data az Enterprise tartalékrendszereként is működhessen. Worf és Alexander egy vadnyugati szimulációt futtatnak, de amikor Data és a gépház rendszerei összekapcsolódnak, a holofedélzetes kaland életveszélyessé válik. Aktuális adásunk témája az ‘Egy maréknyi Data' című epizód, melyről Dér Csilla társaságában beszélgetünk. 0:00:34 - Rövid hírszekció • 0:00:34 | Bemutatkozik új vendégünk, Csilla. • 0:03:25 | Január végén érkezik a Section 31 film, most pedig egy rövid áttekintő videó érkezett a szervezet eddigi felbukkanásairól a Star Trekben. - https://youtu.be/aiqObjJcA_w?si=m2JcnTPCKYp8ILly 0:16:26 – Kibeszélő: Egy maréknyi Data (TNG 6x08) • Ha létezne holofedélzet, mi lenne az első helyszín, amit szabadidőnkben meglátogatnánk? • Alexandert gyermekként vagy felnőttként kezeli a holoprogram? Mi a helyzet Troi karakterével, Durangóval? • Az eredeti sorozattal kapcsolatban gyakran felemlegetik, hogy western az űrben, hiszen Gene Roddenberry-t a Wagon Train című westernsorozat is inspirálta. Mit jelent ez? 1:16:03 – Szinkronos érdekességek 1:28:01 - Összefoglalás, értékelés Műsorunk videós formában is fogyasztható: - https://youtu.be/sc9YdnBSaMU

JADE GOULD (Butchulla & Woppabura scientist) taught us about how Science helps us better understand Landscape & Country, significance of Native Fire Mitigation practices, depth of scientific knowledge & Land-connection within Native languages, what are Land Rights, the importance of original place names to local knowledges, and how Land is our grocery store, pharmacy, and teacher.... Support from the "Ancestral Podcast MERCH" www.relationalsciencecircle.com/shop helps pay Knowledge Keepers, editors, & follow protocols to keep this podcast going. Jade donated her honoraria to SeedMob a youth-led Indigenous Science climate network in Australia, standing up for environmental & climate justice!  -Science is understanding landscape, where everything has a role; even mosquitos. -Humans & "Wilderness” importance of recognizing and valuing the work done by humans with deep connections and understanding of Land/Country, in shaping highly biodiverse landscapes. Indigenous Knowledge & the Shackles of Wilderness, Michael-Shawn Fletcher. - The Wilderness Myth Michael-Shawn Fletcher. - Concept of Wilderness is Destroying the Continent (video), Michael-Shawn Fletcher.  -Fires & Climate Change: Indigenous Fire Mitigation Practices remove dry dense kindling through a slow, cool burn, & allow for germination. When controlled fires are not lit, fires spread more quickly, burn longer and hotter, not allowing time for animals to escape, or regrowth to happen. With more urban and developed areas, these cultural burns are more difficult to conduct. -Indigenous Science is OLD, Wonky Holes in Hervey Bay, Wetland Science, Indigenous Fishing & Traps in Western Canada: here & here  -Palaeontology in Warwich Region- Finding monsters, are stories AND morals and warnings that have deep connection to Land/Country and even science. (Githabul Nation). Mapping the Monsters of Aboriginal Australian Lore -Importance of everything on Earth, even mosquitos! Everything has a place, everything has an effect. Think of the rodents, insects, plants that rely on mosquitos to survive. -Mosquitos saved Wilfred Buck's (Opaskwayak Cree) life, told in his book “I have Lived Four Lives.”  -Depth of Tellings, Knowledge, & Science within Indigenous Languages: Indigenous Languages reflect people connection with the Land. Most are verb-based, reflecting the animation of all, with everything having a past/present/future. Durang in the Butchella language means both arm and tree. -Responsibility TO the Land/Country: Humans cannot just TAKE from the Land, but what is gifted to us to survive (food, medicines, knowledge, air ..) come with a responsibility. -Land Back & Land Rights Movements. Land Rights, Australia. Aboriginal Land Rights. Turtle Island & beyond Land Back. Be a decision-maker! - Land Back: What do we Mean? 4R Youth Movement, & RedPaper -Indigenous Referendum in Australia 2023. Reuters & Amnesty -Australian Fires, 2020: the hottest and driest summer lead to large-scale fires. Many could have been stopped if Indigenous Fire Mitigation Practices were used prior. -Environmental Science Forum solution to the increased fires -Importance of Names: removing Indigenous/Aboriginal place names disconnects the community from Land, culture, stories, songs etc. Uncover the Deep Cultural Significance of Aboriginal Place Names, Aboriginal Place Names, Restoring Aboriginal Place Names key to Recognizing Indigenous Histories -Aboriginal Songlines -BabaKiueria 1986 short satire film about relations between Aboriginal Australians & Australians of European descent -Indigenous Carbon Industry Network -Ancestral Science Podcast's Episode w Torres Strait Scientist TORRES WEBB Strength of Indigenous Science Gratitude to Support from JUAN-CARLOS CHAVEZ and the editing skills of EMIL STARLIGHT of Limelight Multimedia

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week's friend is Brooks Masten. We recorded this last week at his home in Portland, OR. Tune in this episode: * Booth (1:02) * The Old Yeller Dog Come Trotting Through the Meetinghouse (20:32) * Tippin' Back the Corn (39:48) * Jake Phelps' Durang's Hornpipe (1:02:46) * Maggots in the Sheep Hide (1:12:31) * Bonus Track: Sarah Armstrong's Tune Buy a Brooks Banjo! (https://www.brooksbanjos.com/) Follow him on Instagram (https://www.instagram.com/brooksmasten/) Sign up for Cameron's A Tunes Up the Neck online banjo workshop taking place Sunday, July 16 at 5pm Pacific! (https://www.camerondewhitt.com/store) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Check out Cameron's other podcast, Think Outside the Box Set (https://boxset.fireside.fm/) Check out Cameron's old time trio Tall Poppy String Band (https://www.tallpoppystringband.com/)

George grew up in a home built by E.F. Durang...a renowned architect of Catholic churches, and on the list of historical homes with the Radnor Historical Society. It also happens to be quite haunted. George admits most of the activity was positive, but one event was very different than the others.If you love iNTO THE FRAY and want more content....join us over on Patreon! Get 127 bonus episodes and counting, physical rewards like stickers and signed books, interactive, live-on-video guest interviews and group chats with fellow patrons, private RSS feed, Patron-only Discord room and FB group, and more.Click HERE to check out the various pledge levels. If you have an encounter or encounters you'd like to share, contact me HEREor via email, shannon@intothefrayradio.comGet your iTF STICKERS....HEREFollow iTF:Facebook: Join the interactive group and visit the official iTF page Twitter: Official iTF and Shannon's personal accountShannon's Instagram Website artwork and logo for iNTO THE FRAY, by Mister-Sam ShearonIntro music with permission from TanekOutro music provided with permission from Electus Official

Double C tuning and played on old pot/new neck banjo with a skin head.

Double C tuning and played on old pot/new neck banjo with a skin head.

Several old time fiddle tunes are included in this episode of the Porch Fiddler Podcast. They include: Lady Be Good, Durang's Hornpipe and Ragtime Annie. Check out our website: www.porchfiddler.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/eric-wilson4/message

Conversations with David Hyde Pierce on April 12, 2013. Moderated by Richard Ridge, Broadway World. Emmy and Tony Award winner David Hyde Pierce can be seen on Broadway starring opposite Sigourney Weaver and Kristine Nielsen in Christopher Durang's new comedy, "Vanya and Sonia and Masha and Spike." The show opened in March following sold out runs at Princeton's McCarter Theatre and at Lincoln Center. Pierce made his professional and Broadway debut in 1982 in Durang's "Beyond Therapy" and went on to create roles in Off-Broadway productions of Mark O'Donnell's "That's it Folks!," Richard Greenberg's "The Author's Voice" and Jules Feiffer's "Elliot Loves" before returning to Broadway in "The Heidi Chronicles." In 2005, Pierce originated the role of 'Sir Robin' in the Broadway production of "Monty Python's Spamalot," and was nominated for a Drama Desk Award. In 2007, he won the Tony Award and earned another Drama Desk Award nomination for his role in the musical comedy "Curtains." Perhaps best known for his role on TV's iconic comedy, "Frasier," Pierce earned four Emmy Awards among many other accolades. His film credits include "Little Man Tate," "Sleepless in Seattle," "Nixon," "Down With Love," and the Sundance Film Festival Selection, "The Perfect Host." Follow the SAG-AFTRA Foundation on social media: Instagram: https://www.instagram.com/sagaftraFOUND/ Facebook: https://www.facebook.com/sagaftraFOUNDATION Twitter: https://twitter.com/sagaftraFOUND The SAG-AFTRA Foundation is a 501(c)(3) nonprofit organization dedicated to providing the most comprehensive, educational and state-of-the-art resources to SAG-AFTRA members. The Foundation believes that the contributions made to our culture by performing artists are not only valuable, but essential. The SAG-AFTRA Foundation relies entirely on donations to provide emergency assistance and free educational programs to SAG-AFTRA artists. This conversation is made possible thanks to the generosity of our supporters. Over the past year, the Foundation has given over $6.5 million in disaster relief to more than 7,000 performers. If you are a SAG-AFTRA artist and need help, please ask. And, if you can help, please give at: https://sagaftra.foundation/donate All donations are tax-deductible.

This week's Podcast features banjo legend Alan Munde. Alan has a long history in bluegrass music starting back in the 1960s with Poor Richard's Almanac and then Jimmy Martin.  He spent a short time with the Flying Burrito Brothers, toured in Europe with the New Kentucky Colonels, and, starting in 1972, was long-time member of the Country Gazette. In 1986 Alan joined the faculty of South Plains College and taught bluegrass music there for over twenty-years.  He currently teaches at various music camps and workshops and performs with the Alan Munde Gazette.  In this podcast we focus on Alan's early experiences with bluegrass music, his time with Jimmy Martin, and discuss his thoughts about some of the early bluegrass bands.  You will also hear Alan play is wonderful arrangement of “Durang's Hornpipe.”

Look... I know that we've been doing thing where these are named after Durang plays but this week we only talk about the Pulitzer-Prize winning musical A Strange Loop!   Follow us @Wo_itsjo and @NotPatReilly

Mini Month has arrived!  During the month of April, Jackson and Jacob will look at four one acts/short plays. First up? "Sister Mary Ignatius Explains it All for You" by Christopher Durang. This irreverent look at the institution of Catholic education has earned Mr. Durang protests across the country. Listen in to see why! ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We’ll see you next week.

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week’s friend is Maggie Shar! We recorded this at Clifftop a few months ago in the Long Point String Band tent. Tunes in this episode: Indian Ate the Woodchuck Highlander’s Farewell Josie-O Horses in the Canebreak Sally in the Rye Bonus track: Jon Bekoff’s Durang’s Hornpipe Visit The Moon Shells’ website and buy their albums! https://www.themoonshells.com/ Like and Follow The Moon Shells on Facebook: https://www.facebook.com/themoonshells/ Visit Little Roots’ website for kids music classes, concerts, and lessons: https://www.littlerootsmusic.com/ Like and Follow Little roots on Facebook: https://www.facebook.com/LittleRootsFamilyMusic/ Contact Maggie Shar for Skype or i music lessons! http://maggieshar.com/ The Ephemeral Stringband: https://www.ephemeralstringband.com/ Like and Follow The Ephemeral Stringband on Facebook: https://www.facebook.com/ephemeralstringband/ This episode is brought to you in part by the Kauai Old Time Gathering! So I’m going to pass along a message for them. Aloha y’all. Tickets are on sale for the 3rd Annual Kauai Old Time Gathering this November 22-24. Workshops and performances by Magnolia Sisters, Lone Piñon, Evie Ladin, Jane Rothfield and lots of local Hawaiian artists. Head over to kauaioldtime.com for more information and to reserve a bed or a campsite in the beautiful mountains of Kauai. Lots of music and lots of dancing with Cajun two-step, old time bailes nuevomexicanos and square dancing. Get your tickets now at https://www.kauaioldtime.com/.

The Actor's Nightmare, a collection of Christopher Durang's short plays, is having it's World Premiere this week at the Park Theatre here in London. I sat down in their rehearsal room with director Lydia Parker, and pretty much all of the company to talk about getting their heads around playing many characters in numerous plays in the same production, the language of Durang, working in the round and their own actors nightmares.

В преддверии первого снега, за считанные часы до наступления затяжной зимы, презентую вам обойму теплых , радостных треков, как воспоминание о прошедшем лете. Утепляемся под музыку) Подкаст DuranGо#17 в ваши ухи)

В преддверии первого снега, за считанные часы до наступления затяжной зимы, презентую вам обойму теплых , радостных треков, как воспоминание о прошедшем лете. Утепляемся под музыку) Подкаст DuranGо#17 в ваши ухи)

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week’s friend is Nate Paine, the closest living source we have of Jon Bekoff’s tunes and fiddling. We recorded this at the 2nd annual Old Time on the Onion in Vermont about a month ago. Shout out to RD Eno for asking me to teach the banjo workshop! I am absolutely delighted to tell you that this episode of Get Up in the Cool is brought to you by Elderly Instruments in Lansing, Michigan—my goto for traditional instruments and accessories. Next time you need an instrument upgrade or you run out of strings, or your tuner breaks, go give them a visit at https://www.elderly.com/. Tunes we’ll play: Jon Bekoff’s Peter Francisco Jon Bekoff’s Jake Gillie Jon Bekoff’s Bright Sunny South Squirrel Hunters Jon Bekoff’s Durang’s Hornpipe Bonus Track: Jon Bekoff’s Soap in the Washpan Nate Paine will make you a fiddle: Paineless@hotmail.com Slippery Hill's Jon Bekoff archive: https://www.slippery-hill.com/collection/jon-bekoff MoonshineV's Jon Bekoff youtube playlist: https://www.youtube.com/playlist?list=PLCDA9F1EC72188691 Get Up in the Cool Vol. 2 is now available: https://camerondewhitt.bandcamp.com/ Get Up in the Cool's website: https://getupinthecool.com/ Support Get Up in the Cool on Patreon: https://www.patreon.com/getupinthecool Support Get Up in the Cool a year at a time: http://www.camerondewhitt.com/store Buy a Telegram to be read on Get Up in the Cool: http://www.camerondewhitt.com/store Like and follow Get Up in the Cool on Facebook: https://www.facebook.com/getupinthecool/ Join Get Up in the Cool's Facebook group: https://www.facebook.com/groups/getupinthecool/ Cameron DeWhitt's website: http://www.camerondewhitt.com/ Cameron DeWhitt's YouTube: https://www.youtube.com/camerondewhitt?sub_confirmation=1 Listen to Think Outside the Box Set: http://boxset.website

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week’s friend is Jason Cade, of Hog-Eyed Man.  Tunes we’ll play: Poplar Bluff Rye Straw Bruce Green’s Jake Phelps’ Will Stegall’s Durang’s Hornpipe Kentucky Winder Allen Sisson’s Cumberland Gap Bonus Track: Byard Ray’s Flight of the Wild Geese Hog-Eyed Man’s albums, shows, and Tune Journeys: https://www.hogeyedman.com/ Like and Follow Hog-Eyed Man on Facebook: https://www.facebook.com/hogeyedman/ Support Get Up in the Cool on Patreon: https://www.patreon.com/getupinthecool Support Get Up in the Cool a year at a time: http://www.camerondewhitt.com/store Buy a Telegram to be read on Get Up in the Cool: http://www.camerondewhitt.com/store Like and follow Get Up in the Cool on Facebook: https://www.facebook.com/getupinthecool/ Join Get Up in the Cool's Facebook group: https://www.facebook.com/groups/getupinthecool/ Buy Get Up in the Cool Vol. 1: https://camerondewhitt.bandcamp.com/ Cameron DeWhitt's website: http://www.camerondewhitt.com/ Listen to Think Outside the Box Set: http://boxset.website

In comedy, timing is everything and the timing is so off in 6th Street Playhouse’s Mrs. Bob Cratchit’s Wild Christmas Binge that the fact that it still manages to extract any laughs at all from its audience is somewhat of a Christmas miracle. Plagued with pre-production challenges ranging from a change in director due to the fires to the untimely passing of its lead actor, director Jared Sakren and his cast have done their best to present local audiences an option for alternative holiday fun. Christopher Durang’s musical parody of Dickens’ A Christmas Carol – with detours through the worlds of Oliver Twist, The Gift of the Magi, and It’s a Wonderful Life amongst others– has not aged well since its 2002 premiere. Full of political and pop cultural references that might have seemed dated even them (Remember Enron and Kenneth Lay? Harry and Leona Helmsley? TV’s Touched by an Angel?), it follows Ebenezer Scrooge (played by Kit Grimm) on his Christmas Eve journey through his past as guided by an incompetent ghost (Debra Harvey, alternating in the role with Serena Flores). Their visit to the Cratchit household reveals an angry and bitter Mrs. Bob Cratchit (played by an appropriately crotchety Tika Moon), who’s fed up with her milquetoast husband (an earnest Conor Woods), their twenty children - most of whom live in the root cellar - and her lot in life. Soon it’s off to the pub for her where she’ll knock back a few followed by a London Bridge plunge into the Thames. Scrooge and Cratchit’s fates become intertwined, as Scrooge finds himself oddly attracted to his underling’s miserable wife and Cratchit wishes she had never been born. The show concludes with a decidedly un-Christmas-like moral – you can be poor, loving, and noble, or rich, mean, and happy. God bless us, everyone! The play contains four original songs by Durang and Michael Friedman that offer a few chuckles, but you won’t be hearing carolers singing any of these any Christmas soon. Dicken’s original story is ripe for parody, and Durang does manage to mine a few silly laughs out of it, but this show never really gets off the ground. There are hints at what Ms. Harvey might have been able to do with the lead role of the ghost with sufficient rehearsal time, but the necessity of her reading from a script played havoc with the show’s pacing. Without a strong, central performance, it was left to the supporting cast to veer out on their own and bring the laughs. The most successful of those were Moon’s bitingly sarcastic Mrs. Cratchit, Laura Levin’s ebullient, cherubic Mrs. Fezziwig, and Eric Weiss’s rubber-limbed not-so-Tiny Tim. Credit to them and the entire ensemble for gamely marching on in the hopes of producing some Christmas cheer. While the punchbowl they’re serving it from is far from full, there’s at least enough in it for a couple of glasses. Mrs. Bob Cratchit’s Wild Christmas Binge plays at Santa Rosa’s 6th Street Playhouse through December 23rd with evening performances at 7:30 pm and matinees at 2:00pm For more information, go to 6thstreetplayhouse.com

What follows is an unedited conversation with actress Abby Lee who will be performing the role of Masha in IU Theatre’s production of the 2013 Tony Award winning play by Christopher Durang, Vanya and Sonia and Masha and Spike. Durang’s play revolves around the relationships of three middle-aged single siblings, two of whom live together, …

Welcome to episode nine of Stage Savvy: The Podcast, hosted by Angie Fiedler Sutton and Jen Morris.This show clocks in at a little over 30 minutes. This episode was our favorite playwrights: Steven Dietz for Jen, Christopher Durang for Angie. A very brief who they are, highlights of what they’ve written, and where you can go for more info. See show notes here.

Welcome to episode nine of Stage Savvy: The Podcast, hosted by Angie Fiedler Sutton and Jen Morris.This show clocks in at a little over 30 minutes. This episode was our favorite playwrights: Steven Dietz for Jen, Christopher Durang for Angie. A very brief who they are, highlights of what they’ve written, and where you can go for more info. See show notes here.

This is Alan Munde's version of the tune - close as I get anyway!

Tony-winning actor John Glover talks about the revival of Christopher Durang's "The Marriage of Bette and Boo" at the Roundabout, and how he grappled with the distinctly unpleasant aspects of his character, based upon Durang's own grandfather. He also talks about why he found the prospect of teaching more daunting than acting; how he's managed to maintain a steady diet of theatre work throughout his years of television and film work; the pivotal role that director Harold Prince played early in his career; his memories of the legendary Broadway production of "Frankenstein", which closed on its opening night; how he came to the role of the Jeckyll twins in Terrence McNally's "Love! Valour! Compassion!"; his rare musical appearances in "Hans Christian Anderson" in San Francisco and "The Drowsy Chaperone" on Broadway; and why some four decades after his stage debut he decided to start taking acting lessons. Original air date - August 1, 2008.

Tony-winning actor John Glover (for Love! Valour! Compassion!) talks about the revival of Christopher Durang's The Marriage of Bette and Boo at the Roundabout, and how he grappled with the distinctly unpleasant aspects of his character, based upon Durang's own grandfather. He also talks about why he found the prospect of teaching more daunting than acting; how he's managed to maintain a steady diet of theatre work throughout his years of television and film work; the pivotal role that director Harold Prince played early in his career; his memories of the legendary Broadway production of Frankenstein, which closed on its opening night; how he came to the role of the Jeckyll twins in Terrence McNally's Love! Valour! Compassion!; his rare musical appearances in Hans Christian Anderson in San Francisco and The Drowsy Chaperone on Broadway; and why some four decades after his stage debut he decided to start taking acting lessons.

Tony-winning actor John Glover talks about the revival of Christopher Durang's "The Marriage of Bette and Boo" at the Roundabout, and how he grappled with the distinctly unpleasant aspects of his character, based upon Durang's own grandfather. He also talks about why he found the prospect of teaching more daunting than acting; how he's managed to maintain a steady diet of theatre work throughout his years of television and film work; the pivotal role that director Harold Prince played early in his career; his memories of the legendary Broadway production of "Frankenstein", which closed on its opening night; how he came to the role of the Jeckyll twins in Terrence McNally's "Love! Valour! Compassion!"; his rare musical appearances in "Hans Christian Anderson" in San Francisco and "The Drowsy Chaperone" on Broadway; and why some four decades after his stage debut he decided to start taking acting lessons. Original air date - August 1, 2008.