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Surf Rock, Moccasin Gaze, Funk, Punk, Rock, Hip Hop, Experimental, Rap and Deep House from musicians of the Ojibwe, Blackfoot, Pyramid Lake Paiute, Navajo, Mohawk, Zapoteca, Wendat, Mi'kmaq, Metis and Cree Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Gladwyn Badger - Rack 'em up Zoon - OMNI II Curtis Clear Sky And The Constellationz - We Belong Dead Pioneers & Jason Williamson - The Worst Among Us Scarlet Night - Mira Joyslam - Who Do You Want To Be Today Mare Advertencia & chan lupita & Didxaza & Ixi'im Ko'olel - Voces de Raiz Indigenous Cats - A New Life Emcee Sioui - Manifest Manners ENDI' - (Re)connecter avec un chant social Kootenay & Co - Dark Chapters Pete Sands And The Driters - Indian Girl City Natives - Rez Life K.A.S.P. & k9 & A.L.S.H. - N8tive Up Troy Kokol - The Wolves That I Feed DeLab - Feel This All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
Subscribe on Patreon and hear this week's full patron-exclusive episode here: https://www.patreon.com/posts/160543761 Beatrice speaks with Alice, Fish, and Caris from a Turtle Island-based Free Clinic about care as a site of struggle, abolishing the medical industrial complex, and their experiences engaging in mutual aid and survival work. Runtime 2:30:51 This is the fifth episode in a new series called All Care for All People (ACAP), as Artie describes in an introduction at the top of this episode. Over the coming weeks we will be speaking to people engaged in mutual aid survival programs, working across a variety of tactics, locations, and organizational structures, who are each stepping in, in different ways, to provide care where it is needed. MERCH STORE IS BACK! Patrons get a code for 10% off all orders. Find it at https://www.deathpanel.net/merch We're testing out a new Bookshop.org page (still under construction), where you can find books by past guests and book recommendations from the hosts. Find it here: https://bookshop.org/shop/deathpanel Show links: Get Health Communism here: https://bookshop.org/a/118130/9781839765179 Find Tracy's book Abolish Rent here: https://bookshop.org/a/118130/9798888902523
New Wave, Folk, Reggae, Indie, Cumbia, Hip Hop, Trip Hop, Dub Step, House and Dance from the musicians of the Lakota, Wendat, Kanaka ʻŌiwi, Cree, Oglala, Comanche, Otoe, Northern Ute, Métis, Atikamekw, Dakota and Ojibwe Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: TwoLips - OVERFLOW Sandrine Masse - Les Soufflees Irie Love - Secret Lover Bial Hclap & Alana & Nevan Posavac - Bahia Caliente Lancelot Knight - Big Fish Tiana Spotted Thunder & DJ TySki - Unci Song Dizparity & Olivia Komahcheet - Forty Ghostkeeper - Mohinstsis La Negra Mexa - Montes de Maria Laura Niquay - Noism Sister Ray - Chewing On The Rind Okema & Joey Stylez - Sinners Shawn Who & BUTTAH - kILLA Fade The Horizon & Sherry St Germain - Young Forever QVLN & Tomahawk Bang - Marimbondo All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
We talk about how Haudenosaunee ceremonies survived generations of fear, shame, and punishment, and why we decide it is time to share teachings openly without asking anyone to become Mohawk. We connect creation stories, matrilineal leadership, and the Thanksgiving Address to a clear environmental message: renew a living relationship with Mother Earth before we lose what keeps our children alive. Themesthe Freedom School as language preservation and ceremonial continuity the Thanksgiving Address as the spiritual frame for meetings universal teachings across nations symbolized by the drum matrilineal governance and women vetting leadership Turtle Island creation story and ceremony as responsibility challenging “myth” labels and correcting misnamed healing traditions Mother Earth's equinox request for rest, gratitude, and reconnection Do you need help catching up on today's topic? Or do you want to learn more about the resources mentioned? If so, please check our website at podcast.doctrine of discovery.org for more information. Support the showView the transcript and show notes at podcast.doctrineofdiscovery.org. Learn more about the Doctrine of Discovery on our site DoctrineofDiscovery.org.
This week, as the 2026 FIFA World Cup looms across Turtle Island, we're pre-sharing an interview with Jules Boykoff about one of his latest books about international sports spectacles, the upward money flow and authoritarian political power they facilitate but also a bit about the folks that are fighting back entitled Red Card: The 2026 World Cup, Sportswashing, and the FIFA Greed Machine (O/R Books, 2026). Jules' recent memoir, Kicking Essay on FIFA Greenwashing Recent guest James Stout's book on the 1936 Peoples Olympics CONIFA alt to FIFA: Anti-Fascist Football Coalition Peoples Football Coalition NOlympics LA This conversation falls into the same series as the recent interview with Kristian Williams and Sam Schmidt as regards evacuation of public spaces and attacks on community by the state and capital in the aid of police state capitalism. . … . .. Featured Track: TFSR by The Willows Whisper
As early as the 1500s, the fiddle reached some of the most remote and northerly Indigenous communities on Turtle Island. Dave McLeod says that's part of the reason country music has such deep roots in community. This week, Dave stops by to share his Indigenous country record collection and Rosanna speaks with classic country soul Zach Moostoos-Willier and Cree country diva Desiree Dorion about why country music is so connected to the experiences and stories of Indigenous people.
Hip Hop, Funk, Country, New Wave, Reggae, Experimental, Rock, Folk and Jaz from artists of the Xais'xais, Secwepemc, Cherokee, Ojibwe, Apache, Cree, Saulteaux, Apsáalooke, Mexica, Mohawk, Gitxsan, Navajo, Cree, Tahltan and Nimiipuu nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Hayley Wallis & Kiva Mh - Deadly Cherokee Social - Concentration Desiree Dorion - 45 Lindy Vision - I've Got More Soul Lena Daniels - Can't Tell Night From Day Cary Morin - Peace Sara Curruchich & Aterciopelados - Quisiera Ser Los Cogelones - Fiesta en la Ciudad Joyslam - DO IT!! The Northwest Kid - Sacred Trust Evan Redsky - Red Dress Ken Pomeroy - Look At Miss Ohio Alicia Kayley - New Beginnings Teagan Littlechief - Heart On Her Sleeve Julia Keefe and the Indigenous Big Band - Water All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
In this episode, we're joined by Dr. T. Christopher Hoklotubbe, who is associate professor of indigenous theological studies at Bexley Seabury Seminary in Chicago and NAIITS: An Indigenous Learning Community, and Dr. H. Daniel Zacharias, who is associate dean and professor of New Testament studies at Acadia Divinity College, and an adjunct faculty for NAIITS: An Indigenous Learning Community. Together, they're the authors of Reading the Bible on Turtle Island: An Invitation to North American Indigenous Interpretation (published by IVP Academic). In our conversation, we talk about interpreting the Bible from a North American Indigenous perspective, the distinctive hermeneutical features of that approach (including an emphasis on the personhood and agency of all of creation), and address the difference between syncretism and contextual interpretation. Team members on the episode from The Two Cities include: Rev. Dr. Josh Carroll and Dr. John Anthony Dunne. Hosted on Acast. See acast.com/privacy for more information.
Indie Pop, Dubstep, Country, Classical, Fusion, R'n'B, Indy, Folk Rock, Hip Hop, Dance, and Reggae from the music makers of the Cherokee, Ojibwe, Abenaki, Cree, Metis, Innu, Tlingit, Navajo and Hopi nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Cherokee Social - Castaways Gdubz - Big Foot Mimi O'Bonsawin & Okan - Blueberry Jam The Prairie States - Easy Man Cris Derksen - Pow.wow.wow Cris Derksen & Chippewa Travellers - Intertribal Happy Feet Cris Derksen - Heya, Ya, Lets Go Cris Derksen - Buffalo Girls LOV - Can I? Brettyn Rose - That Ain't You Mercedes Brown - Playing With Fire Melisanda & Katia Rock - Dons Touts tes Etats Tall Paul - Ikogaan Mikwan Beatalks & QVLN - EVERSINCE Astronomar - booty stickin Casper Lomayesva - Roots & Culture All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
The Guest: Norris Francis BranhamWebsite: www. Turtlegang.nyc YT IG: @turtlegangnyc —This conversation with Norris Francis Branham is one of the most important, eye‑opening, and culturally vital interviews of the season. Viewers will walk away with a deeper understanding of Indigenous history, the erasure of Native narratives in America, and the urgent work being done today to reclaim identity, land, and truth.—Norris is not just a historian—he is a living archive, a cultural protector, and a frontline advocate whose work with Turtlegang.nyc is reshaping how communities understand their origins and their power. This episode is a rare opportunity to hear history from a voice that carries lineage, lived experience, and uncompromising clarity.
Episode 51: MMIW: Healing Through In Wabanaki territory and across Turtle Island, our women, girls and two-spirit relatives are the heart of our nations. They carry our stories, our languages, and our future. Yet, the painful reality of the MMIW crisis continues to affect our families and communities deeply. This week, we welcome back a very familiar voice and longtime advocate to the studio, our former Aunties co-host, Lauren Stevens. Together, the Aunties sit down with Lauren for a deeply necessary conversation about grief, resilience, and reclaiming our narrative. We dive into the profound medicine of speaking our stolen relations' names out loud, ensuring they are never made invisible by the systems around us. Lauren shares how utilizing the Critical Incident Stress Management (CISM) network provides critical, proactive support to keep our people whole and protect our collective spirit before crisis even begins. This is an episode about taking up space, raising our voices, and anchoring ourselves in cultural traditions. True healing happens when we center our Wabanaki values, look out for one another, and refuse to be silenced. Wabanaki Words Used: Apc-oc (again in the future, parting, good-bye, farewell) - https://pmportal.org/dictionary/apc-oc Topics Discussed: MMIW - https://en.wikipedia.org/wiki/Missing_and_Murdered_Indigenous_Women Salt Bay Chamberfest - https://saltbaychamberfest.org/ Dawn Avery - https://www.dawnavery.com/ Wilhelmina Smith - https://www.wilhelminasmith.com/ We Are Water - https://portlandovations.org/event/we-are-water-a-northeast-celebration/ Yo-Yo Ma - https://www.yo-yoma.com/ Rodger Paul - https://umaine.edu/nativeamericanprograms/people/rogerpaul/ Chris Newell - https://www.nefa.org/chris-newell Mali Obomsawin - https://www.maliobomsawin.com/ Jeremy Dutcher - https://jeremydutcher.com/ Andri Magnason - https://andrimagnason.com/ MMIW Poem by Feather Mason-Delorme - https://poetryinvoice.ca/write/monthly-poem-prize/winning-poems/mmiw-poem UNITY - https://unityinc.org/ Wabanaki Tribal Nations: Houlton Band of Maliseet Houlton Band of Maliseet Indians | Littleton, ME (maliseets.net) Mi'kmaq Mi'kmaq Nation | Presque Isle, ME (micmac-nsn.gov) Passamaquoddy Tribe Indian Township Passamaquoddy Tribe @ Indian Township | Peskotomuhkati Motahkomikuk Passamaquoddy Tribe Sipayik Sipayik Tribal Government – Sipayik (wabanaki.com) Penobscot Nation Penobscot Nation | Departments & Info | Indian Island, Maine Special Thanks/Woliwon: Producer: Gavin Allen Podcast Team: Macy Downs
Bar Talk (our recommendations):Jessica is reading Turtle Island by Sean Sherman; drinking Bodalen Bourbon by Far North Spirits.Damien is watching The Toxic Avenger (2025; dir. Macon Blair); drinking Mary Dowling Bourbon.Ryan is reading If We Were Villains by M.L. Rio; drinking Woodford Reserve Rye Old Fashioned. If you liked this week's story, read Robert E. Howard's Conan stories: Xuthal of the Dusk, The Iron Shadows of the Moon, and Queen of the Black Coast. Or Lady Eleanor Smith's No Ships Pass (featured in WatW: S1E4). Interested in reading Mrs Roliston's Travelling Adventures by Amelia B Edwards? Find it here: https://digital.bodleian.ox.ac.uk/objects/80e3bb63-79f3-4505-9c4c-be8cd3d02ff0/ Up next: "The Curfew Tolls" by Stephen Vincent Benet Special thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com
Sharing Chickasaw culture through orchestral composition is Jerod Impichchaachaaha' Tate's heartwork. He wants his music to empower Indigenous people and create an opportunity for them to feel good about themselves, celebrating culture through epic and powerful symphonic scores. This week Rosanna speaks with composers and creators who are creating new spaces on orchestral stages across Turtle Island, featuring new works from Sandra Laronde and Jerod Impichchaachaaha' Tate.
Folk, Dance, Electronic, Soul, Moccasin Gaze, Hip Hop, Alt Rock, Pop Dark, Lofi, Indie, Country and Rock. From the indigenous music makers of the Inuk, Mohawk, Métis, Ojibwe, Mandan, Hidatsa, Arikara, Apache, Cree, Dakelh, Saulteaux, Tɫingit and Pueblo Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Rene Abelsen-Petersen & Jens Kleist - Aqqut pitsaanerusoq Shub - Origins Logan Staats - Rainwater and Whiskey Zoon - I Was Younger Handsome Tiger - Dizzy album first people II Tyler Ogimaa & Emilia Jace - Manifest White White Buffalo - Days Of Purification Robby Romero - Where Thunder Finds Her Caley Watts - River's Daughter Robin Cisek- Wont Make It Simbiyez Wilson - Open Street Pharmacy - All We Wanna Do Is Party Jacquie Daniels - Taxman Sekawnee - I Cant Help It CJ Prime & Joey Stylez - Summer Time Jacob Shije - Rumble All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
Send us Fan Mail0:00:00 Warm-Up Songs, Old Powwow Tapes & “Old Style” vs “Contemp”0:09:00 Sweet Grass, Flying Eagle & The Sweet Spot of 80s–90s Singing0:13:30 Copying Songs, Social Media Beadwork Beef & Who Owns a Melody?0:18:10 “Walking the Red Road”: Black Elk, Recovery Culture & Pan-Indian Buzzwords0:25:00 Medicine Wheel 101: Stone Circles, Four Quadrants & a 1970s Best-Seller0:33:40 Turtle Island Origins: Sky Woman & Jesuit Records0:41:45 Seven Generations: Great Law of Peace, Citation Trails & Slogan Inflation0:51:30 Boozhoo or Bonjour? Ojibwe Greetings, Missionary Dictionaries & Folk Etymology1:03:15 Apsáalooke vs. “Crow”: Large-Beaked Birds & Inside-Language1:22:05 Pan-Indian Gospels: Medicine Wheels, Turtle Island & the Church of ActivismHosts: Aaron Brien (Apsáalooke), Shandin Pete (Salish/Diné). How to cite this episode (apa)Pete, S. H. & Brien, A. (Hosts). (2026, May 11). #71 - Seven Generations Later: ChatGPT Arrives on Turtle Island and Asks, “Where's the Red Road?” [Audio podcast episode]. In Tribal Research Specialist:The Podcast. Tribal Research Specialist, LLC. https://tribalresearchspecialist.buzzsprout.comHow to cite this podcast (apa)Pete, S. H., & Brien, A. (Hosts). (2020–present). Tribal Research Specialist:The Podcast [Audio podcast]. Tribal Research Specialist, LLC. https://tribalresearchspecialist.buzzsprout.com/Podcast Website: tribalresearchspecialist.buzzsprout.comApple Podcast: https://podcasts.apple.com/us/podcast/tribal-research-specialist-the-podcast/id1512551396Spotify: open.spotify.com/show/1H5Y1pWYI8N6SYZAaawwxbX: @tribalresearchspecialistFacebook: www.facebook.com/TribalResearchSpecialistYouTube: www.youtube.com/channel/UCL9HR4B2ubGK_aaQKEt179QSupport the showWant to make a one time donation?https://buymeacoffee.com/tribalresearchSupport the showInterested in some TRS Merch? Click here https://tribal-research-specialist-llc.square.site/Want to make a one time donation?https://buymeacoffee.com/tribalresearch
This episode was recorded on a sunny spring afternoon, on the banks of the St.Marys River, Baawaating (place of the rapids), also known as Sault Saint Marie. We were incredibly grateful to speak with Dr. Dan Longboat, who is Turtle Clan of the Mohawk Nation, originally from Six Nations community on the Grand River. Dan helped create some of the OG Indigenous Education programs in Canada, weaving together Indigenous and Western Knowledge Systems at Trent University. We learned about many of the OG Indigenous Scholars of Turtle Island, their contributions to UNDRIP and TRC and much more. Dan shared our responsibility to prepare for the swingback of the pendulum, through rethinking energy and extraction, through giving back to the land and knowledges, and remembering the teachings of those OG scholars and our Ancestors (both human, Land, and more then human). Remember to take a moment to learn from the strawberries, they share with us the importance of connection, love, and reciprocity.Check out the SHOWNOTES and for some extensive educational resources and links with this episode.Appreciation to Shingwauk Kinoomaage Gamig for hosting us, to Dr. Melanie Goodchild for all your support and the introduction to Uncle Dan, and CASC (Canadian Association for Science Centres) for supporting the gathering at Baawaating.Thanks to Emil Starlight, THE talented Multimedia Podcast Producer of Limelight Multimedia. As well, Walter White Bear, Sharon Foster, and Emil for that opening tune!Take a moment to like, share, follow, and rate, it is much appreciated. And if you want to support the pod, check out some unique Indigenous Science MERCH at www.relationalsciencecircle.com/shop-“Yarning Systems Science” Ancestral Science Podcast episode with Dr. MELANIE GOODCHILD (back in Season 1!), spotify, apple.-Strawberry Teachings- Elder Lillian Pitawanakwat-"Gift of Strawberries"- excerpt from Braiding Sweetgrass by Robin Wall KimmererFind some berries, gift one to the land in reciprocity for their nutrients and love. Take in a deep breath, feel the ground alive beneath you, and settle in for some teachings from the wisdom of Dr. DAN LONGBOAT. Hosted on Acast. See acast.com/privacy for more information.
For generations, Innu women gave birth in traditional tents surrounded by family. Thea Penashue tells Rosanna how she wanted her second child to be born in the same way her own mother was decades before. Also on the show – Christine TooToo's birth plan went right out the window when her baby came a little early. And Melissa Brown has trained over 2,000 Indigenous doulas across Turtle Island over the last decade – helping put birth and care back into the hands of communities.
Hip Hop, Emo/Math Rock, Folk, Poetry, Native American Flute, Americana, Pop, Country, Techno, Rap, and Neo-Soul. From the indigenous music makers of the Mexica, Cree, Purhepecha, Metis, Muscogee Mi'kmaq, Semonile, Ojibwe, Lakota, Wendat, Washoe and Cherokee Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Cain Culto & Xiuhtezcatl & Snow Tha Product - ¡Basta! Ya (Snow That Product Remix) The Tewa - Shadow Clone Jutsu Stun - How I'm Feeling Liv Wade - Carolina Joy Harjo - In The Beautiful Perfume And Stink Of The World Wolf Castle & Jah'Mila - Water The Neighborhood Kids - Rising Above Dan Damon & Mary Youngblood - Sunday Gulch Kyle McKearney - Wildflower RainbowStar - Do You Feel It? William Prince - Lighthearted Joseph Saren s - Wendigo Hunt Darksiderz - My Phantasies Shylah Ray Sunshine - Bring Them Home Hrishikesh Hirway & Ken Pomeroy - In The Last Hour Of Light Shub & Aysanabee & Drezus - Rise B-Side Players - Heaven All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
This week, Roqayah and Kumars devote the hour to a news roundup and analysis of Roqayah's reporting on the reality on the ground during the latest fake ceasefire between Israel and Hezbollah in Lebanon, which has now extended after US-brokered negotiations with Lebanon's comprador government. They also discuss the media fueling rising anti-Shia sectarianism, how Israel uses the bombing of Beirut as a bargaining chip in its attempt to re-occupy south Lebanon, why reports of Hezbollah's demise were greatly exaggerated, and Roqayah's "do's and don't's" for foreigners journalists in Lebanon. Don't miss Kumars's upcoming virtual roundtable on "Indigeneity and Resistance from Turtle Island to Palestine" featuring friend of the show Alex Aviña, Palestinian scholar Steven Salaita, and Kanien'kehá:ka filmmaker Clifton Nicholas! This is just a teaser for today's episode, which is available for Patreon subscribers only! We can't do the show without your support, so help us keep the lights on over here and access tons of bonus content, including Roqayah's "Last Week in Lebanon" column, by subscribing on our Patreon for as little as $5 a month. While you're at it, we also love it when you subscribe, rate, and review us on Apple Podcasts.
“I feel like we are our own greatest science experiment.” – Jake Daigle As Hoffman’s Facility and Land Manager, Jake Daigle weaves his love and care for the land with his love and care for the Hoffman Process. He found an intimacy with the land and wildlife at the IONS site in Petaluma when he and his wife, Christine, were caretakers there for many years. Now, as we transition to Santa Sabina, Jake looks back on his time at the Hoffman Retreat Site in Petaluma, working for Hoffman and supporting the students who have transformed there over the years. There is something beautiful and yet understated in how Jake weaves these two together – the Process and the land. At the core, these are his deep values. When you look at who he is and how he embodies his love, you grasp that he truly is Farmer Jake, as he is known in his Instagram profile. Rooted in the growth of life all around him, he tends and cultivates, holds and supports. Jake and Christine Jake took the Process at White Sulphur Springs, where his Process’s pivotal moments revolved around the land. The creek running through, the sulphur springs, and the redwood grove all supported his deep work. After his Process, Liza Ingrasci asked Jake and Christine to create a labyrinth there. So many of us came to know intimately. Jake now brings his care for and knowledge of White Sulpher Springs and our Petaluma site, his knowledge of both flora and fauna, and the sacred places they hold, to his tending of the Santa Sabina site. Referring to North America as Turtle Island, Jake shares that each place Hoffman calls home is a distinct part of the turtle’s back. All are connected. Listen on Apple Podcasts Listen on Spotify More about Jake Daigle: Jake Daigle is a farmer and consultant focused on organic agriculture, ecological stewardship, and the long-term vitality of working landscapes. After Hurricane Katrina flooded his home in New Orleans, he moved to the Bay Area, finding refuge in nature and discovered that a holistic approach to health and wellness began with the awareness of our interconnection with all beings. After graduating from the Hoffman Process, Jake put in years of hands-on experience in diversified organic farming. Jake has contributed to education and skill-building at the Indian Valley Organic Farm and Garden, where he supported both new and experienced growers through mentorship and practical training. He was also part of the founding of Live Oak Farm, helping shape a model that integrates agriculture, community, and place-based stewardship. This work reflects Jake’s view of farms as spaces not only for production, but for art, education, connection, and resilience. Young Jake Currently working with the Hoffman Institute at Santa Sabina, Jake is also developing Headwaters Farm at SOMO Village. The project is designed as a living example of regenerative organic agriculture, combining food production with education, community engagement, and local food systems. In partnership with Credo High School, he is also planning a culinary arts program set to launch in 2027. The program will connect students to the full cycle of food—from growing and harvesting to cooking and sales—offering hands-on learning that ties together agriculture, nutrition, and ecology. Through consulting, teaching, and fieldwork, Jake helps farmers and land stewards think strategically about soil health, crop planning, and whole-farm systems. His work emphasizes practical, economically viable approaches to building resilient agricultural operations. Across all his roles, Jake brings a collaborative, observant, and grounded approach, guided by a commitment to organic practices, continual learning, and the relationship between healthy land, food, and communities. Social Media: Follow Jake on Instagram. As mentioned in this episode: Christine Falcon-Daigle: Christine is the Assistant Retreat Site Manager for the Hoffman Institute. Jake and Christine with Aia-Jo. Aia-Jo recently passed away. Institute of Noetic Sciences (IONS) Frank Ferrante: • Book: May I Be Frank? • Documentary: May I Be Frank? Edgar Mitchell, Astronaut, Hoffman Graduate: • The Overview Effect • “Earthrise: Earthrise is a photograph of Earth taken from lunar orbit by astronaut William Anders on December 24, 1968, during the Apollo 8 mission…” read more… Olompali State Historic Park John Muir: “The clearest way into the Universe is through a forest wilderness.” – John Muir White Sulphur Springs, St Helena • Hoffman Retreat Site at White Sulphur Springs Guardian rock: A large rock that stands on the land in Petaluma, which was the home of the Hoffman Process. Guardian Rock, photo by Drew Horning “As above, so below.” Shamanism (Shamanic work) Riparian zone Mount Burdell Preserve Mount Tamalpais “The turtle’s back…” refers to Turtle Island. Flora mentioned: Madrone Manzanita Valley Oak Live Oak Buckeye Bay tree Manzanita
R'n'B, Dubstep, Latin Hip Hop, Synth Rock, Pop, Country, Funk, Alt Rock, Throat Singing, Rap, Punk and Jazz from members of the Ojibwe, Cree, Mexica, Apache, Inuit, Samahquam, Blackfoot, Métis, Anishinaabe, Navajo, Dena'ina, Tseilwahtuth, Squamish, Paiute and Nimiipuu Nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Natasha Fisher - The Motions Gdubz - Move Reyna Tropical & Xiuhtezcatl - Camino Lindy Vision - I Dont Even Like You Aocelyn - Mh Mm Mhm Sheri Marie Ptolemy - Summer Rain Curtis Clear Sky and The Constellationz - Soul Powered Sinematic - Sacrifice Chevy Beaulieu - Headlights And Memories PIQSIQ - Mahaha Tickling Demon The Bloodshots - Gettin' Around Big Zee - Lean On Me Christine Lee - Experience Dead Pioneers & The Interrupters - Never Alone Julia Keefe Indigenous Big Band - DDAT Suite, mvt 2 Attention All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
HipHop, Chicano, Pop, Rock, Country, Rap, Moccasin Gaze and Techno from the indigenous music makers of the Mohawk, Cree, Abenaki, Métis, Choctaw, Navajo, Comanche, Otoe, Wabanaki, Nakota, Innu, Osage, Blackfoot and Ojibwe nations. Brought to you by Tunes From Turtle Island and Pantheon Podcasts. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Shub & Sebastian Gaskin - I Know Las Cafeters & Alih Jey & The PRVLG - What Side Are You On? Mimi O'Bonsawin & The Pairs - Better Than Before Kaeley Jade - The Great Unknown Samantha Crain - Belly Donny Lee - The Truth Tûtu & Jens Kleist - Sakkortoqasa Idealraps & Ronesh - Move By Faith Dizparity & Sofia Garcia & Olivia Komahcheet - Fantasia Deerlady & Mali Obomsawin & Magdelena Abrego - Lamplight Shawnee Kish - Ride At Dawn Jahkota - In My Blood Violent Ground - Eeyou Devil Zoon & Sam Jr. - One Too Many Nights Ava Rose Johnson - Learned That From You Classic Roots & Youknowkeegan - Sacral Shift All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show here.
In this episode of Beyond the Shelves, hosts Sarah and Jes kick things off with a lively conversation about what they've been reading lately and the spring publishing season's standout titles. Along the way they craft thoughtful cookbook–novel pairings built around themes like memory, heritage, legacy, flavor, and identity. Watch this episode on Youtube What We're Reading Star Shipped by Cat Sebastian Project Hail Mary by Andy Weir How to Commit a Postcolonial Murder by Nina McConigley Adult Braces by Lindy West Gunk by Saba Sams The Children by Melissa Albert Exciting new releases The Tapestry of Fate by Shannon Chakraborty By the Bootstraps by Alexa Martin American Spirits by Anna Dorn Japanese Gothic by Kylie Lee Baker Yesteryear by Cara Claire Burke Cookbooks and Novels Praisesong for the kitchen ghosts by Crystal Wilkinson The Kamogawa food detectives by Hisashi Kashiwai Butter by Asako Yuzuki The Butter Book by Anna Stockwell Recipe for Persuasion by Sonali Dev Cook Once Eat Twice by Nadiya Hussain The legendary frybread drive in by Intertribal stories Turtle Island: foods and traditions of the indigenous peoples of North America by Sean Sherman Maydan by Rose Previte The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer The particular sadness of lemon cake by Aimee Bender Dorie's anytime Cakes by Dorie Greeenspan Book Bulletin Release Dates for Next 2 'ACOTAR' Books Revealed by Sarah J. Maas New! Did Not Finish Shelf is On Its Way A.I. Is Writing Fiction. Publishers Are Unprepared.
In this episode of Native Circles, co-hosts Dr. Farina King and Eva Bighorse speak with Dr. T. Christopher (Chris) Hoklotubbe and Dr. H. Daniel (Danny) Zacharias, co-authors of Reading the Bible on Turtle Island: An Invitation to North American Indigenous Interpretation (2025). Chris Hoklotubbe, a citizen of the Choctaw Nation, holds a ThD from Harvard and serves as Director of the Indigenous Theology Circle and Coordinator of the Graduate Studies Group for NAIITS: An Indigenous Learning Community, the first accredited theological institute designed, developed, delivered, and governed by Indigenous peoples.Danny Zacharias is a Cree-Anishinaabe/Métis and Austrian scholar from Winnipeg, Manitoba (Treaty One Territory) with ancestral ties to Treaties Two, Three, and Five. He lives in Mi'kma'ki (Nova Scotia) and is Associate Dean and Professor of New Testament Studies at Acadia Divinity College, as well as adjunct faculty and journal editor for NAIITS.Together, they explore what happens when the Bible is read from Turtle Island through Indigenous histories, geographies, and intellectual traditions. The conversation examines scripture's entanglement with colonization, missionization, and boarding schools, and highlights Indigenous survivance, responsibility, and resurgence. Rather than treating the Bible as a text detached from land and power, Chris and Danny open space for Indigenous-centered approaches that honor both sacred text and sacred place.Resources:Reading the Bible on Turtle Island: An Invitation to North American Indigenous Interpretation by T. Christopher Hoklotubbe and H. Daniel ZachariasCivilized Piety: The Rhetoric of Pietas in the Pastoral Epistles and the Roman Empire by T. Christopher HoklotubbeStringing Rosaries: The History, the Unforgivable, the Healing of Northern Plains Boarding School Survivors by Denise K. LajimodiereNAIITS: An Indigenous Learning Community
Samantha Sweetwater (systems thinker, Gaian futurist, expert facilitator) draws on complexity science, deep ecology, indigenous wisdom, and 30+ years of experience guiding embodied transformation to help humans navigate civilizational transition. She joins me to talk us through how we can best emerge our way out of the current fiasco and toward the world we'd like to create, what it might look like and what we might want to start doing – or being – to be part of it all. We cover how to use our dreams, our intuition, psychedelics, “the local news" as well as the place of AI and technology in this emergent transition we're in.This is a beautiful, emotional and real conversation that launches “series 2” of Wild in which we'll be exploring “the what comes next” - the “new world” - that we will take the place of the “old” self-destructing, tech-addled, carbon-based, linear world order that's on its way out.About SamanthaSamantha is a systems thinker, executive coach, wisdom teacher, and founder of One Life Circle. She pioneered the conscious dance movement, built a global community of practice, and has been initiated into indigenous lineages of Africa, Latin America, and Turtle Island. Her recently published book True Human: Reimagining Ourselves at the End of the World tackles exactly what we're speaking of here.Show notesIn this episode, we mention previous Wild chats with collapsed academic Luke Kemp and Adam MastroianniSamantha's new book is called True Human: Reimagining Ourselves at the End of the World---Watch on YouTube or SubstackIf you need to know a bit more about me… head to my "about" pageFor more such conversations, subscribe to my Substack newsletter, it's where I interact the most!Let's connect on Instagram Hosted on Acast. See acast.com/privacy for more information.
On this episode of Beyond the Art, we sit down with filmmakers Ben West, alike mteuzi, and Yancey Burns from Rena Flying Coyote Collective, a Native-led nonprofit using film as a tool for social change. They share how their personal paths—from rural Appalachia and small Oklahoma communities to art school and public interest law—eventually converged through the acclaimed documentary Imagining the Indian: The Fight Against Native American Mascotting. Together, they unpack why mascots are not a matter of opinion but of public health, drawing on decades of research that links these images to depression, low self-esteem, and suicidal ideation among Native youth.The conversation then traces the birth of Rena Flying Coyote Collective and its four pillars: filmmaking, coalition building, education, and hands-on community workshops. Ben and Yancey describe touring Imagining the Indian across Turtle Island, building partnerships, and realizing the film needed to live on as classroom curriculum, not just as a one-time screening. They talk about their commitment to making sure Native communities are not just subjects in front of the camera but leaders behind it, and why the collective was founded specifically to help other Indigenous storytellers access tools, funding, and mentorship.From there, the group turns to the projects currently on their plates, including a powerful new documentary being filmed in Picher, Oklahoma, where Quapaw Nation is leading the cleanup of a massive Superfund site created by historic lead and zinc mining. They explore how environmental justice, land sovereignty, and Missing and Murdered Indigenous People intersect on this landscape, and share a preview of Loyal to the Soil, their film on Native military service and the disconnect between Native veterans and the systems meant to serve them. If you care about representation that moves beyond symbols into real-world impact, this episode offers both hard truths and active pathways to change.
On this episode, we recorded in the midst of a warm winter morning here on the Lands of the Blackfoot Confederacy, Tsuut'ina Nation, Îethka Nakoda First Nation, and more recently the Otipemisiwak Métis.We were incredibly grateful to speak with a neechie superhero line-up of guests, inclusive of Dr. LAURIE Rousseau-Nepton (Innu), WILFRED Buck (Opaskwayak Cree), ROB Cardinal (Siksika), & Dr. ALVIN Harvey (Dine Navajo) about stars as reconnection to stories and Ancestors, Indigenous and Ancestral science to make whole, connections between living on Mars and living on the rez, validating science of land and ancestors, importance of who and what defines a sacred site, re-defining the term “medicine wheel,” and a teaser of the precision and depth of alignments between stone circles, sacred sites, and star cycles from thousands and thousands AND THOUSANDS of years ago....Check out the SHOWNOTES and for some great educational resources and links to previous episodes with some of these guests.Much appreciation to CULTURAL SURVIVAL for the support of this episode and this project. Stay tuned to part two of this topic where we dig much deeper into the science within the sacred sites of which prompted a gathering of Indigenous astronomers, scientists, Knowledge Keepers, and Elders from across Turtle Island and beyond. If you are interested in either having us look closer at a sacred circles site near you OR want more information about this project or the "Stones, Stories, and Stars" gathering in October, email us at relational.science@gmail.comThanks to Emil Starlight, THE talented Multimedia Podcast Producer. As well, Walter White Bear, Sharon Foster, and Emil for that opening tune!Take a moment to like, share, follow, and rate, it is much appreciated. And if you want to support the pod, check out some unique Indigenous Science MERCH at www.relationalsciencecircle.com/shopVenture to a place that is sacred to you, grab a warm black coffee and a comfy blanket, and reconnect with the ancestral knowledges of land and sky with Laurie, Wilfred, Rob, and Alvin. Hosted on Acast. See acast.com/privacy for more information.
Listen and subscribe at Apple Podcasts, Spotify, Youtube or wherever you listen to podcasts!How should non-Indigenous Christians engage in Truth and Reconciliation? What does it really mean to “love your neighbor” on Turtle Island?What does it actually look like to move from charity to relationship?In this second and final episode of our two-part series, we continue a powerful conversation with three non-Indigenous Christian panelists reflecting on their journeys toward meaningful relationships with Indigenous communities.Together, they wrestle with some hard but necessary questions:Why must the Church move beyond evangelism and charity mindsets?What does it mean to become a good neighbour—or even a relative?And where do we begin, practically, when we don't know where to start?MCC Ontario is committed to TRC Call to Action 60 which calls on churches and church organizations to respect Indigenous spiritualities in their own right. Download the transcription here.Download the discussion guide here.Continue your learning:May 12, 2026 - Pow Wows 101, an introductory event from MCC's Indigenous Neighbours teamHearts Exchanged - foundational learning series over 8 months with monthly online discussions. This starts in the Fall every year but you can sign up first)“Becoming Kin” by Patty Krawec https://www.broadleafbooks.com/store/product/9781506478258/Becoming-Kin“Native: Identity, Belonging, and Rediscovering God” by Kaitlin Curticehttps://www.indigo.ca/en-ca/native-identity-belonging-and-rediscovering-god/9781587434310.html?searchType=products&searchTerm=native%20rediscovering%20god“21 Things you may not know about the Indian Act” by Bob Joseph https://21things.ca/Undercurrents Ep 9: Merle's story: the journey of a former residential school worker https://mcc.org/our-stories/undercurrents-merles-storyCredits:Undercurrents is sponsored in part by Kindred Credit UnionProduction assistance from Christen KongTheme music by Brian MacMillanArtwork by Jesse BergenExecutive produced by Sandra Reimer
The Man Called X || Stolen Lavalier's In France | Turtle Island Vacation | July 23, 1946; July 30, 1946 || 02:03 ... Stolen Lavalier's In France -- When a mysterious woman kisses him, the Man Called X has to France to find her and the jewelry she was wearing.31:49 ... Turtle Island Vacation -- Ken takes a vacation on a small island off the coast of Maine but finds something suspicious is going on.Herbert Marshall played the role of intelligence agent Ken Thurston/"Mr. X." Leon Belasco played his sidekick, Pegon Zellschmidt.The Man Called X was broadcast on CBS Radio and NBC Radio from July 10, 1944, to May 20, 1952.
Istiyehe, Imoitapi and Sabe are just some of the names Indigenous nations across Turtle Island call Bigfoot or Sasquatch. But who is Sabe really? To some Indigenous people they're regarded as a relative, others a spiritual guide. Rosanna hears how Sabe teaches us to reflect on our relationship with ourselves and the land to bring lessons of honesty.
In this heartfelt episode of Beyond the Arts, we sit down with Cary Morin, a master of American Roots music and Crow tribal member, to explore his four-decade journey from playing piano as a child in Great Falls, Montana, to becoming an internationally recognized guitarist and songwriter. Cary shares how picking up his brother's guitar in sixth grade sparked a lifelong passion, and how his sound evolved from bar band productions in Colorado to the sophisticated finger-style acoustic work that defines his music today. His journey includes navigating industry changes—from the drinking age shift that emptied clubs to the internet revolution that transformed how artists connect with audiences.Cary discusses the transformative moment when a friend gave him a guitar tuned to an open tuning, urging him to stick with it despite the initial confusion. That single gift unlocked a completely new approach to finger-style playing and chord voicings that has defined his sound for the past 20 years. He opens up about stage anxiety—surprisingly more intense in intimate venues with silent crowds than in large halls—and how mastering his material became the cure. The conversation includes memorable moments from the road, including the surreal experience of Jackson Browne handing him a guitar during an encore, and playing NPR's eTown after listening to the show for decades.The episode explores Cary's perspective on indigenous identity and artistry, addressing the question his management posed: "Are you a native person who is a songwriter, or a songwriter who happens to be native?" Cary chose to be known first as a songwriter, believing that the quality of the songs and the stories they tell should take precedence while still honoring his Crow heritage through gospel tunes for his Christian family, historical narratives about his people, and the story his great-grandmother told at his naming ceremony. He discusses the pride he feels seeing indigenous artists excel across all art forms, the ambitious Turtle Island play that brought 50 performers together (including his mother and all his children), and his latest album Innocent Allies—13 songs inspired by Charles Russell paintings that he describes as a "Western album" rather than country or rock.
How should non-Indigenous Christians engage in Truth and Reconciliation? What does it really mean to “love your neighbour” on Turtle Island?In this special live panel episode of Undercurrents, recorded at Westside Church in Burlington in partnership with Mennonite Central Committee (MCC), we explore what it means for non-Indigenous Christians to become neighbours worth knowing.Featuring reflections from Karen Ward, Dr. Samuel Sarpiya and Doug McLachlin, three people with different starting points and paths on this life-long journey, this conversation moves beyond good intentions to honest reflection.MCC Ontario is committed to TRC Call to Action 60 which calls on churches and church organizations to respect Indigenous spiritualities in their own right. Download the transcription here.Download the discussion guide here.Listen and subscribe at Apple Podcasts, Spotify, Youtube or wherever you listen to podcasts!Continue your learning:Pow Wows 101, an introductory event from MCC's Indigenous Neighbours team“Becoming Kin” by Patty Krawec https://www.broadleafbooks.com/store/product/9781506478258/Becoming-Kin“Native: Identity, Belonging, and Rediscovering God” by Kaitlin Curticehttps://www.indigo.ca/en-ca/native-identity-belonging-and-rediscovering-god/9781587434310.html?searchType=products&searchTerm=native%20rediscovering%20god“21 Things you may not know about the Indian Act” by Bob Joseph https://21things.ca/Undercurrents Ep 9: Merle's story: the journey of a former residential school worker https://mcc.org/our-stories/undercurrents-merles-storyCredits:Undercurrents is sponsored in part by Kindred Credit UnionProduction assistance from Christen KongTheme music by Brian MacMillanArtwork by Jesse BergenExecutive produced by Sandra Reimer
What can you imagine for a better world?...Today, Abbie and Jenn discuss the recent Chinese Lunar New Year, and the context of the transition from the year of the Wood Snake to the year of the Fire Horse as it relates to a shared sense of urgency, momentum, revolution. As Abbie and Jenn explore imagination as invitation, action, rehearsal, and experiment, they name a relationship between communication, stories, and imagination for designing better social worlds. ...Jennifer Chan (she/her) is a second-generation Chinese-Canadian settler, born and raised in Tkaranto, Turtle Island. Jenn is an oldest daughter of immigrants from Hong Kong, she is a Mama to two wonderful humans, a partner to her high school sweetie, a fiercely loyal friend as well as a sister and an Aunt, she is also a Double Virgo who lives with ADHD. Jenn weaves her deeply personal perspectives and worldviews into her work as the CEO of the Department of Imaginary Affairs. ...Stories Lived. Stories Told. is created, produced & hosted by Abbie VanMeter.Stories Lived. Stories Told. is an initiative of the CMM Institute for Personal and Social Evolution....Music for Stories Lived. Stories Told. is created by Rik Spann....CMM Institute SubstackCMM Institute Events Page…Explore all things Stories Lived. Stories Told. here.Explore all things CMM Institute here.
In this episode of the special series Crossing Thresholds, Maurice Bloem speaks with Hinauri Nehua-Jackson, a proud Māori–South Korean woman born in Aotearoa (New Zealand) and now based on Treaty 6 Territory in Canada. Hinauri introduces herself in her Indigenous language and shares the meaning of her spirit name, Kapiska Mahigan Isku Onitsigason — White Wolf Woman. From the beginning, it is clear: she walks consciously between lands, between cultures, between responsibilities. At age 11, she immigrated to Canada without knowing English. What she searched for was not language — but community. Indigenous elders on Turtle Island welcomed her as one of their own, reinforcing her belief that Indigenous solidarity transcends borders. At 16, during ceremony, her path became clear. Serving elders at Sundance, disconnected from technology and urban life, she experienced what she calls the joy of selfless service. That moment “flipped the switch” for her leadership journey. As a young Indigenous leader in oil-driven Alberta, she navigates the tension between economic systems and Indigenous teachings about land stewardship. For Hinauri, climate is not abstract policy — it is spiritual balance, interconnectedness (Wakotouin), and responsibility to seven generations. This episode connects deeply with the JLI & Christian Aid report on Climate, Migration and Faith, reminding us that climate displacement is not only physical — it is spiritual, cultural, and intergenerational. Hinauri does not speak for Indigenous peoples. She speaks as someone who carries her ancestors forward — across oceans. We hope that you enjoy this extra long episode with this inspiring young woman. Learn more about the research behind this series: [link to JLI–Christian Aid report] Listener Engagement: Learn more about Hinauri via her LinkedIn, Instagram and Facebook. Share your feedback on this episode through our Walk Talk Listen Feedback link – your thoughts matter! Follow Us: Support the Walk Talk Listen podcast by following us on Facebook and Instagram. Visit 100mile.org or mauricebloem.com for more episodes and information about our work. Check out the special series "Enough for All" and learn more about the work of the Joint Learning Initiative (JLI).
Send a textHow did Habsburgs, Hanovers, and a smuggler's ear in India lead to the American War for Independence and, ultimately, Indian Reservations? Referenceshttps://americasbesthistory.com/abhtimeline1740.htmlhttps://chronicles.dickinson.edu/timeline/1750_1800.htmTreaty of Aix-la-Chapelle | Peace, Balance, Reconciliation | BritannicaGeorge II | Biography, Successor, & Facts | BritannicaWar of the Austrian Succession | The Canadian EncyclopediaSeven Years' War | The Canadian EncyclopediaThe Royal Proclamation of 1763SFX The War of Jenkin's Ear and King George's War, 1739 - 1748The Ohio Company 1749 #usa #history #america #historyfacts #facts #didyouknow #unitedstates #exploreSupport the show
On this episode of the Below the Radar B-Sides, we're joined by Farheen Haq, an interdisciplinary artist who works with video, textile, installation and performance to explore personal, familial, cultural and political reconciliations. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/farheen-haq Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/farheen-haq Resources: Farheen Haq: https://www.farheenhaq.com/ Hamara Badan: https://www.farheenhaq.com/#/rhb-2/ Feast: https://www.farheenhaq.com/#/feast/ Silsila: https://www.farheenhaq.com/#/silsila/ Bio: Farheen Haq (she/they) is an interdisciplinary artist living and working on unceded Lekwungen territory (Victoria, BC). She was born and raised on Haudenosanee territory (Niagara region, Ontario) amongst a tight-knit Muslim community. Her family roots are from Bihar, India and Karachi, Pakistan. Farheen works with video, textile, installation and performance to explore personal, familial, cultural and political reconciliations. Farheen's current work is focused on the teachings of the Ganga-Jamuni tehzeeb and how it can be applied to settler-Indigenous relationships on Turtle Island through culture making and ceremony. She has exhibited her work in galleries and festivals throughout Canada and internationally including New York, Paris, Buenos Aires, Lahore, Hungary, and Romania. Recent exhibitions include I am my mother's daughter at the Art Gallery of Hamilton (2023) and The Reach Gallery, Abbotsford (2024), Sentirse en Casa at Casa Cultura Gallery, Medellin Colombia (2018), Being Home at the Comox Valley Art Gallery (2015), Fashionality at the McMichael Canadian Art Collection (2012), Collected Resonance at the Art Gallery of Greater Victoria (2011), The Emperor's New Clothes at the Talwar Gallery, New York (2009), and Pulse Contemporary Art Fair, Miami (2008). Farheen received her BA in International Development (1998) from the University of Toronto, her BEd (2000) from the University of Ottawa and her MFA in Visual Arts (2005) from York University. In 2014, Farheen was nominated for Canada's pre-eminent Sobey Art Award. Cite this episode: Chicago Style Johal, Am. “I Am My Mother's Daughter — with Farheen Haq” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, February 16, 2026. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-farheen-haq.
In this episode of God Is Red, Taylor Keen (Omaha / Cherokee) and I discuss Ehanamani's great masterpiece, Mitakuye Oyasin: We are All Related, diving into the pre-colonial / Indigenous worldview of relationship—from balance to harmony to language to the lace weaving us the stars (cosmology and astronomy). Join in!Learn more about Taylor's work HERE.Learn more about Daniel's work HERE.Join in relationship with us and become a PAID subscriber HERE.Trigger warning—this conversation has the potential to make you mad. It also has the potential to wake you up. It carries great medicine, if you let it. If you are uninterested in such an affair, move on. If you are open and your heart is willing to see the many-selves dancing about, take a gander.
Send us a textHow was Samuel de Champlain able to get to Turtle Island? Who did he work for? How did they get their money? Was it really about furs and souls?Referencesbeursgeschiedenis.nl/en/the-story/https://www.investopedia.com/terms/m/mercantilism.aspJesuit | Catholic, Order, Beliefs, Meaning, & Facts | BritannicaChurchill, W. (1998). A Little Matter of Genocide: Holocaust and Denial in the Americas, 1492 to the Present. Arbeiter Ring Publishing, Winnipeg. Samuel de Champlain | The Canadian EncyclopediaSFX (from YouTube)Who is St. Ignatius of Loyola?Samuel de Champlain (Québec 1603)Black Robe 1991Support the show
In this episode of God Is Red, we walk through Taylor Keen's (Omaha / Cherokee) book, Rediscovering Turtle Island: Chapter 8, Indigenous Archeoastronomy!Taylor's words show how sacred geometry and, at times, sacred algebra structure places like the Newark Earthworks and Serpent Mound with the Stars. This conversation also faces the reckoning: why interest in Indigenous wisdom often fades when it challenges modern agriculture, settler myths, or Jeffersonian nostalgia. We compare Old World sites like Avebury with Turtle Island's sacred geography / mounds to dissolve the myth that life travels in only one direction. And we look ahead to Taylor's next book on Picture CaveIf you're up to rethink “civilization,” astronomy, and what it means to be related with land and sky, jump in! Then share your take, leave a review, and subscribe so more listeners can find these stories and the living science written in earth.Listen to Chapter 1 of Rediscovering Turtle IslandLearn more about Taylor's work HERE.Purchase Rediscovering Turtle Island HERE.Learn more about Daniel's work HERE.
Kristin and Kate get the inside scoop on all things marketing and publicity as they speak to the 'dream team' who worked on Kristin's recent book Turtle Island. Brianne Sperber and Felix Cruz — associate director of marketing for Clarkson Potter and Ten Speed Press and publicist for the same— discuss their specific roles and approaches to cookbook promotion. They touch on the differences between marketing and publicity, the role events have in promoting a book and share a peek behind the curtain at the decisions, meetings, timeline and teams that go into a project. They share invaluable insights into their thought process, what authors can contribute to a campaign and how they hope to work with them throughout the long game and moment to moment demands of a media blitz. They speak about tailoring messaging to an audience, the cheerleading role they often play and how they approach a collaborative relationship with all the moving parts involved in a book's life span.Hosts: Kate Leahy + Molly Stevens + Kristin Donnelly + Andrea NguyenEditor: Abby Cerquitella MentionsSean Sherman on Daily ShowEpisode 36: Celebrating Colombia with Mariana VelásquezLink in Bio substack Visit the Everything Cookbooks Bookshop to purchase a copy of the books mentioned in the showTurtle Island, by Sean Sherman. Kate Nelson & Kristin DonnellyThe SalviSoul Cookbook by Karla Tatiana Vasquez Praisesong for the Kitchen Ghosts by Crystal Wilkinson Bread of Angels by Patti SmithStation Eleven by Emily St. John MandelRevel by Mariana Velásquez
Dr Alex Iantaffi interviews Eun Bee Yes, the fabulous founder, show director, and producer for Transcendence Cabaret, a trans, genderqueer, two-spirit, and gender expansive drag troupe that centers BI&POC artists in the Twin Cities. They discuss the importance of representation and mentorship in the drag scene, the evolving nature of drag as a form of artistic expression, and safety concerns in the current socio-political climate. Listen for an uplifting conversation on the nourishing aspects of trans community, queer art, and the transformative power of drag in the face of oppression.Transcendence Cabaret is an amazing troupe with some of the best well-known and up and coming artists in the Twin Cities. They are transgender, genderqueer, gender non-conforming, two spirit and truly all along the spectrum of gender and sexuality. Transcendence Cabaret's artists are primarily BI&POC and they are one of a handful of transgender troupes who center artists of color on Turtle Island, in the so-called United States. They offer an up and close personal experience and a spotlight on often overlooked talent within the unique drag, music, and art community. Their aim is not only to entertain their audiences, but to push themselves as artists, in a rare opportunity to challenge the perceptions of our communities, and to make art from their heart and soul. You haven't seen anything yet until you've spent an evening with them! Transcendence Cabaret invites you to join them each month in a constantly evolving show. Ready to go above and beyond the binary? Allow them to be your guide! All shows are hybrid and can be enjoyed from anywhere in the world, if you're not a local. Find out more about Transcendence Cabaret, including upcoming shows, at the following links: www.transcendencecabaret.com Facebook- Transcendence Cabaret Instagram- Transcendence Cabaret Instagram: GenderStoriesHosted by Alex IantaffiMusic by Maxwell von RavenGender Stories logo by Lior Effinger-Weintraub
Just before Christmas, the federal Justice Department secured indictments against four alleged radical-left domestic terrorists alleged to be affiliated with the “Turtle Island Liberation Front.” Our colleague Robert Stilson is deeply familiar with the notion of “turtle island,” a name for the North American continent derived from a Native American myth that radical leftists increasingly […]
Just before Christmas, the federal Justice Department secured indictments against four alleged radical-left domestic terrorists alleged to be affiliated with the “Turtle Island Liberation Front.” Our colleague Robert Stilson is deeply familiar with the notion of “turtle island,” a name for the North American continent derived from a Native American myth that radical leftists increasingly use to show they deny the legitimacy of the American and Canadian governments. He joins us today to discuss the radical left's increasing rejection of America's existence and how the mainstream center-left appeases the radicals with “land acknowledgments.”https://www.justice.gov/usao-cdca/pr/grand-jury-charges-four-members-anti-government-group-terrorism-felonies-stemming-newhttps://capitalresearch.org/article/turtle-island-and-the-legitimacy-of-america/https://capitalresearch.org/article/the-ideological-fuel-of-a-new-left-part-1/https://capitalresearch.org/article/the-marguerite-casey-foundation-part-3/statics.teams.cdn.office.net/evergreen-assets/safelinks/2/atp-safelinks.html
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's Host Miko Lee speaks with authors who have used their personal lives to tell their stories. They both talk and write about trauma, joy and resilience but in two very different ways. First up she chats with Chanel Miller. Many folx might know of Chanel's best selling first book Know My Name which expands on the powerful victim impact letter she wrote to Brock Turner who brutally sexually assaulted her on the Stanford Campus. We talk about her latest work – two delightful books for young people. Then Miko talks with Kazu Haga who weaves his spiritual practice and trauma healing with a deep lineage of nonviolent social change. In his books, Fierce Vulnerability and Healing Resistance he shares with us his personal journey and offers some insightful visions for our current tumultuous world. Links to the Author's work: Kazu Haga Fierce Vulnerability Kinship Lab, Chanel Miller Chanel Miller The Moon Without Stars Purchase Chanel's books at East Wind Books and Kazu's books at Parallax Press SHOW TRANSCRIPT APEX Opening: Apex Express. Asian Pacific Expression. Community and cultural coverage. Music and calendar. New visions and voices. Coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. Welcome to apex express. This is your host, Miko Lee. Join us as you hop along the apex express. Tonight I speak with authors who have used their personal lives to tell their stories. They both talk and write about trauma, joy, and resilience, but in two very different and distinct ways. First up, I chat with Chanel Miller. Many folks might know of Chanel's bestselling first book Know My Name, which expands on the powerful victim impact letter she wrote to Brock Turner, who brutally sexually assaulted her on the Stanford campus. But tonight we talk about her latest work, two delightful books for young people. And then I talk with Kazu Haga, who weaves his spiritual practice and trauma healing with a deep lineage of nonviolent social change. In his books Fierce vulnerability and Healing Resistance, he shares with us his personal journey and offers some insightful visions for our current tumultuous world. First off, listen to my conversation with Chanel Miller. Welcome, author Chanel Miller to Apex Express. Chanel Miller: Thank you so much for having me. It's a delight to be here with you. Miko Lee: I'm really excited to talk to you, and I wanna start with my first question, which I ask all of my guests, which is, who are your people and what legacy do you carry with you? Chanel Miller: Oh, I have so many people. Today, you're my people who continue to help guide me forward. I grew up in the Bay Area and I feel like honestly all of my books are attempts at saying thank you to the people who raised me, the English teachers in my public schools. For helping me stay aligned with myself and never letting me drift too far. And so even though I tell very different stories for different demographics, I think if you look at the root of everything that I write, it's gratitude because they are the people who protected my voice in the first place. Miko Lee: Thank you so much. So we're talking about your third book. Your first book was amazing. Know my name, which is really powerful memoir about surviving sexual assault at Stanford, and this incredible public reclamation of your voice. And then you move from that very personal, internal, very adult work to your second book, which was so lovely and sweet. Magnolia Woo unfolds it all, which was an illustrated book set New York about a little girl and her friend who reunite people with their lost socks. From this all the way to this young person's book and your latest book, the Moon Without Stars, your second, YA novel is based in middle school. So talk to me a little bit about this journey from personal memoir to elementary school to middle school books. Chanel Miller: Yeah, so like you said, the first book was so internal and gutting to write. I knew I needed. Something that would help me breathe a little easier and get in touch with playfulness again. I wrote Magnolia Woo Unfolds it all. It's perfect for kids ages seven to 12. My goal was just to enjoy the process of writing and story making. And it was confusing because I thought if I'm not, you know, during the memoir, I would be like crying while I was writing and it was just taking everything out of me. And I was like, if I'm not actively upset. Is the writing even good? Like, like, you know, does it count? And it turns out, yes, you can still create successful stories and have a good time. So I did that book for myself really. And the kid in me who always wanted to, who was always, writing stories unprompted. Like you said, it was a book about a sock detective and pursuing socks makes no sense. It's almost impossible to return a missing sock in New York City. But I loved the idea of these. This little girl in pursuit of something, even if she doesn't know what the outcome will be. Right. It's just trying even if you're not promised a reward, I love this. And for me it's like I keep attempting to love my reality, right? Attempting to go out into the world with an exploratory lens rather than a fearful one. And so that was very healing for me. After I finished that book, I spent the next year writing this new book, the Moon Without Stars. It's for slightly older kids, like you said in middle school. So my protagonist Luna, is 12 years old and she's biracial like me, goes to middle school in Northern California like I did in Palo Alto. I was just reflecting on my. Upbringing, I would say, and really sitting back and letting memories come to the surface. Trying to see how much, was just unexplored. And then sitting down to, to figure out what it all meant that I remembered all of these things. Miko Lee: So how much of Luna is inspired by Chanel? Chanel Miller: A fair amount, I'd say. And it's not always an intentional, I think fiction deals a lot with the subconscious and you end up writing about yourself on accent luna in the book. She is the campus book doctor, is what I call it. Because when kids are going through something, they'll come to her and she'll prescribe them a book that'll help them for whatever phase of life they're going through. And I know for me from a very young age, I loved reading, writing, and drawing. It's all that I ever wanted to do and I was so mad in school that we had six different subjects and you know, the Bay Area was very tech. Centered, STEM centered. And so I felt all this pressure even through high school to take AP Science classes. In retrospect, I thought, why was I trying so hard to be good at it? Everything. This is impossible. And so for Luna, I own her gifts early. And understand that they were gifts at all. The fact that she loves to read and then she shares her gifts and she takes pride in the things that she's passionate about. She's not ashamed that she's not so hot about math. Miko Lee: So the hating math part is a little Chanel inspired also. Chanel Miller: The hating math part is fully me. I'm sorry to say. Miko Lee: No worries. I think that stereotype about Asians and math is so highly overrated. I'm wondering if there was a Scott for you, a bestie that was also an outcast, if there was someone like that for you when you were growing up. Chanel Miller: Yeah, so in the book, Luna is best friends with Scott. They've been friends since childhood, and as Luna starts to get more attention, their relationship is threatened and it begins to dissolve. I was really interested in how, Luna obviously loves Scott as a friend and she would never. Mean to hurt him, right? It's not inflicting intentional emotional pain, but Scott gets very hurt. I think about how sometimes when we're growing up, we get drawn to certain crowds or paid a kind of attention and we have this longing to be desired to fit in. we sometimes make choices that we're not very proud of, but this is a part of it, right? And so I wanted Luna to reckon with maybe some of the emotional harm she's causing and not run away from it. But also think about like, why am I making these choices and what is important to me? We're all kind of constantly reevaluating our value systems, trying to keep our relationships alive, like this is, starts at a very young age and I wanted her to learn some of the self gifts that maybe I didn't give myself when I was that age. Miko Lee: So in a way, she's a little bit of a remedy for your young self or a gift to your young self. Do you think? Chanel Miller: Oh, that's a nice way of putting it. Yeah, I would definitely say so. I think all writing is, is remedy in some form, at least for me, but I like the, it being a gift to little Chanel. Miko Lee: It's been compared to the classic. Are you there god, it's me, Margaret? What is it like for you to hear that? Chanel Miller: It's an honor, obviously. I think what's most stunning is a lot of the themes that were contested in that book. You know, talking about bodily changes, menstruation like. A lot of that is still kind of hush hush, and I'm surprised by the things that haven't changed , or how our society hasn't completely evolved. I really wanted middle school so hard physically, emotionally, and. It can feel so humiliating that you're trying to solve a lot of your issues in private, and I wanted to take the shame out of it as quickly as possible and just say, this is a universal experience. Everyone goes through these things. It's totally okay to talk about it, even if books get banned. Find a way, find your people. Find a way to have these conversations. Miko Lee: For me, it's so much better than, are you there? God, it's me, Margaret, because it's set in a contemporary. There's a young biracial Asian American girl who's a outcast and really it's about belonging and getting your first period and all the things you have to go through in middle school. That seems really. Relatable for a young woman in our society. I appreciate that. Thank you so much. I read it really quick one night, easily read 'cause it's so lovely. I'm wondering about your process because you illustrated, your last book and then also the cover of this book. And on the cover it's sweet because it has all these cute little zines that she writes about are encapsulated on the cover of the book, which you only realize after you read it. I'm wondering for you as an artist, what comes first in the story, the image or the words? Chanel Miller: That's a great question. Yeah. I like to illustrate my books. Sometimes I'll think of a, something I do wanna draw and then think, how can I build a story around that, or like a visually rich scene. Then I come up with writing to allow myself to draw the thing. Other times I will just write, but I, I will say that when I'm writing, I never have a plot. I'm not an outliner. I am very much an explorer. I'm okay with not knowing for long periods of time where the book is gonna go, what it's about , and how it's gonna end. I don't know any of these things. And luckily I have a very gracious, agent and editor and my editor. I had two editors, Jill and Juan, and they let me just submit chunks of writing for six months. Scenes that didn't go together, that were completely out of order , to show them I'm attempting to build this world and this school full of kids, but I don't know how it's all gonna play out yet. And then after six months, we had enough material to, to begin to identify like who the primary characters were gonna be, what the essential conflict was gonna be. I'm saying this because I want people to know that you don't have to know much before you sit down to write. And the knowing comes with the practice of doing every day, and then slowly things start to reveal themselves. Miko Lee: Oh, I appreciate that. So you don't have a linear timeframe. You kind of just let things come to you. Sometimes they're in images, sometimes they're in words. Chanel Miller: Yes. And then your job is to capture them and be curious about them and then make more until you have enough. Then you can edit, but you edit too early, you're gonna , kill the spirit of the thing. Miko Lee: When do you know you have enough? Chanel Miller: When you fulfill the word count in your contract? No, no, I think it's, it's like you can. Sort of start to feel things click into place or a voice is emerging that's very strong. Even Scott know, Luna's best friend, I didn't have him at the very beginning, I don't think originally. Originally, I think Luna had a sister. It was gonna be a sister book, and then it became a friend. You're just open to it evolving, and then suddenly you're like, oh, I can, I can see this relationship. Can see them existing within the structure. It feels more real to you and at that point you can just go in and start revising Miko Lee: Did you create images for know my name? Chanel Miller: I actually tried to, at the very end, I made a bunch of drawings and I said, can we put these at the start of each chapter? And my editor, who's incredible, she said, you know, when I look at your drawings, they have a different voice than your writing voice. And I was like, that is true. Like, that's a great critique. So instead I went to New York, they were like about to send the book to print and I was like, okay, but I need like one drawing. They said, okay, if you can do it at lunch, like have it done by the end of lunch, we'll put it in the acknowledgement. So I dedicated the book to my family and. I sat at the desk and just did this little, these four little creatures that represented my immediate family and cut it outta my notebook. They scanned it in and sent it off to print with a book. So I did get, I did get it. Miko Lee: And how is the illustrator's voice different from the author's voice? Chanel Miller: The illustrator's voice can be very loose, whimsical, playful, whereas the writing, you know, was so measured and heavy and intentional, and so. I liked that edit, and I also, my editor was confident that I would have more opportunities in the future to write and draw, whereas I felt so vulnerable. It's my first book, it's my only chance to say or do anything, but that's not true. Now I understand like I have time to make all kinds of things. You don't have to shove it all into one project. Miko Lee: And are these, more youth-focused books? Do you feel like that's more a combination of your illustrator and your author voice? Chanel Miller: Totally. The medium like allows you to do both. It kind of asks for images also. Who knows, maybe, I still wanna write, contemporary fiction for adults and maybe I'll adults like visuals too. Absolutely. Miko Lee: Absolutely. Yeah. I'm wondering what you want young readers to walk away with after reading the, your latest book. Chanel Miller: Things smooth out in really unexpected ways. And that you can never truly mess up. Like I messed up so many times growing up or would get a really bad grade. I really would think like, this is the end. Like my future just disappeared. I just can't recover from this, and I always would, and I'm here now, like there, there are so many times I guess, that I thought my life was totally and completely over and, it was never the case. Sure, life could be sour for a bit, or you could be really stressed out, but it's not the end. Different things will change. People will be introduced to help you. Like you just keep showing up in whatever way you can. You won't be stuck in that place. It's been a nice thing to learn, as you get older. I just remember when I felt young, it felt so impossible sometimes, and I promise it's not, Miko Lee: I imagine that with Know my name. Many people came up with you, survivors came up and shared their stories with you, and I'm wondering if that was the same with your second book, if people came up and just told stories about, being a kid detective or what their, if it brought things up for them in a totally different realm. Chanel Miller: Oh yeah, absolutely. In the book, Magnolia's parents are Chinese and, , they're working at a laundromat and a customer comes in and there's, microaggressions happen and, I think with microaggressions you can always. Justify them in your head and say, it's not as bad as explicit violence or something, where it's not a truly a crime. And so you kind of push them to the side, push them to the side, but over time, like they do really stick with you and they're so hurtful and they accumulate and they're not okay to begin with. And I wanted my little character, Magnolia to. Just feel that anger that I often suppress and be like, it's not okay for people to talk to you like that. Like we are allowed to say something about it. It's dehumanizing and it's unacceptable. I wanted to give her the opportunity to confront that emotion and really express what, how it made her feel. Miko Lee: You're just starting your book tour right now. Is that right? For the Moon Without Stars. Chanel Miller: My book comes out January 13th. I'll go on a two week book tour. I'll have two stops in the Bay area. One at, book passage in Cord Madera. One in Los Altos at a church. It's sponsored by Linden Tree Books. We're just doing the event offsite, so if you're in the bay and wanna come say hello, please do that. Miko Lee: Yay. Excited to hear about that. I'm curious, I'm really curious what kind of stories people will tell you about their kind of middle school bully experience or their standing up to bullies and wanting to be in the popular crowd and what's that like? It's such a common middle school experience. Chanel Miller: I'm just really happy that people like have the opportunity to remember, 'cause it's not what we talk about every day. I just love that things are coming up for people and you're like, wow, I never would've thought about that or. I, I, that's why writing is so fun. You get to remember. Miko Lee: It's definitely not what we talk about every day, but definitely that middle school time really, helps shape who we are as adults. That's a really tough time because there's so many hormones going crazy in your body. So many changes that I think a lot of people have big feelings about middle school. Tell us what's next for you. Chanel Miller: I still love writing middle grade like this age is so sweet. It's so rich, emotionally rich. I would like to do something that's, you know, this one was more contemporary realism and I would love to do something that, not pure fantasy, but like breaks the rules of reality a little bit. Just really see where my imagination can go. A little magical realism perhaps. Yeah, absolutely. Miko Lee: I would just encourage you, I really love the Scott and Luna characters and seeing them patch their relationship up in high school as friends and how they can grow. Oh, I think would be a really sweet story also, and how they could explore maybe through magical realism. Some of the, book Doctors Zine World would be fun. Yeah. Yeah. I like those characters, is what I'm saying. I think there's more to come outta those characters and their friendship. Chanel Miller: Oh, that's really sweet. You don't wanna say goodbye to them yet. Miko Lee: Yeah, that's right. Well, it has been a delight chatting with you. Thank you so much for sharing your stories and your work and it's very powerful. Appreciate chatting with you. Chanel Miller: I really appreciate the platform you provide and how you're making room for these genuine conversations. So thank you so much. Jalena Keane-Lee: Next up, listen to blues scholars ode to Yuri Kochiyama. That was Blue Scholars, Ode to Yuri Kochiyama. Miko Lee: Yuri Koyama said, we are all part of one another, and that relates so well to my conversation with author, organizer and teacher Kazu Haga. Welcome, Kazu Haga to Apex Express. I'm so glad to have you with us. Kazu Haga: Yeah, thanks so much for having me. Miko Lee: I'm gonna start with a question that I ask all of my guests because I'm a curious person, and my question is, who are your people and what legacy do you carry with you? Kazu Haga: Oh, wow. Well, when you ask the second question, the immediate response is that I am Japanese. There's a lot of important legacies that come with that. Of course there's so much of my Japanese ancestry that I'm proud of and want to continue to deepen in and understand better. But I'm also aware that, you know, being Japanese, I come from colonizer people, right? And I'm so aware of the. Harm that my ancestors caused to so many people, whether dating back all the way to indigenous. I knew people in Japan, or a lot of the violence that my ancestors committed during the war to Zan Korean communities and Chinese communities and Filipino communities. I feel like in addition to all the beauty and the amazing things that I love about Japanese culture, that's a legacy that I carry with me and a lot of my work has to do with trying to understand what it means to carry that legacy and what it means to try to heal from that legacy and how I take that approach into my own personal life as well as into my activist work. Miko Lee: Thank you so much for recognizing that history and sharing a little bit about your path. I can see so much of how that turns up in your work. So I've had the pleasure of reading your two latest two books. I'm sure there'll be many more to come, I hope. Can you speak a little bit about what inspired you to create healing resistance? Kazu Haga: Yeah, so healing resistance is my interpretation of a set of teachings called kingian non-violence, and it's a philosophy that was based on the teachings of Dr. Martin Luther King. And I have the great privilege to have been mentored by a lot of elders who work very closely with Dr. King and were some of the most instrumental leaders in the civil Rights movement. I started my kind of activist career back in 1999 or something like that when I was 18, 19 years old. And for the longest time, the word non-violence didn't have a lot of meaning to me. But when I was 28 years old, I think I took this two-day workshop on this philosophy called King Non-Violence, and that two-day workshop just completely changed my life forever. I thought after 10 years of doing nothing but social justice movement building work, that I had some idea of what the word non-violence meant and some idea of who Dr. King was. But that two day workshop taught me that I knew nothing about what the word non-violence meant. Since I took that workshop, I feel like I've been on this never ending journey to better understand what it means to practice non-violence and incorporate that as a value into my life. And so healing resistance is, yeah, just my spin on the teachings of Dr. King told through the stories of my life experiences. Miko Lee: I really appreciated how you wove together your personal journey with your, understanding of movement building and how you incorporated that in. I'm wondering, I think it was in this book, but I read both of your books close to back to back, so I might be mixing them up, but I wonder if you could talk a little bit about the salt protestors that happened in India and the two years of training that it took them to be able to stand up and for our listeners, just like really back up and explain what that protest was about, and then the kind of training that it took to get there. Kazu Haga: It was actually more than two years. So, you know, everyone, or a lot of people know about the Salt March. It's the thing that I think a lot of people look to as the thing that really sparked the Indian Independence Movement, similar to the Montgomery Bus boycott in the US Civil Rights Movement. It's when a group of people marched across India all the way to the ocean. Engaged in an act of civil disobedience was, which was to go into the water and make their own salt. Salt is something that had been heavily controlled and taxed by the British Empire, and so the people who lived even on the coast of the ocean were not allowed to make their own salt. And so it was an act of civil disobedience to break a British colonial law saying that we are reclaiming this ancestral cottage industry for ourselves. And one of the reasons why it was so powerful and drew so many millions of people out into the street was because when Gandhi envisioned it. He didn't just put out an open call and said, anyone who wants to join the March can join. Ultimately, that's where they landed. But when the March started, he selected, I think it was about 76 of his followers, and he chose these 76 people and said, you all are gonna start the Salt March. And he chose those 76 people because they had lived in Astrom. And did spiritual practice and engaged in creative nonviolent direct action together for 16 years before they embarked on the salt march. So it was 16 years of kinda like dedicated residential spiritual training , and nonviolent direct action training that allowed these people to become the type of leaders that could draw out millions and millions of people into the street. And so it's one of the things that I really learned about the legacy of nonviolence is the importance of training and understanding that preparing ourselves spiritually to lead a movement that can transform nations is a lifetime of work. And to not underestimate the importance of that training and that rigor. Miko Lee: Thank you so much for correcting me. Not two but 16 years and a really a lifetime to, that's right. To develop the skills. I wonder if you've been following the Buddhist monks that are walking across the US right now. Kazu Haga: Yeah. And the dog, right? Miko Lee: Yeah. Whose dog and that dog. And I wonder what your thoughts are on that. Kazu Haga: I've really come to this place where I understand injustice and state violence, not as a political issue, but as a manifestation of our collective trauma. Like all the forms of state violence and injustice that we see, they happen because collectively as nation states and as communities and as a species, we have unresolved trauma that we haven't been able to heal from. And I think if we can see injustice less as a political issue and more as a manifestation of collective trauma, then perhaps we can build movements that have the sensitivity to understand that we can't just shut down injustice that when you're responding to a trauma response, what you need to do is to try to open things up. Things like spiritual practice and spiritual worldviews, like what, however that word spiritual lands on people. I think that there's a broad understanding of spirituality that doesn't have to include any sort of religious stigma. But when we ground ourselves in spiritual practice, when we ground ourselves in this larger reality that we belong to something so much larger than ourselves as individuals, then a lot more is possible and we're able to open things up and we're able to slow things down in response to the urgency of this moment, which I think is so necessary. When I look at these Buddhist monks spending however months it's gonna take for them to reach Washington dc the patience. The rigor and the slowness. How every step is a prayer for them. And so all of those steps, all of that effort is I think adding to something that has the possibility to open something up in a way that a one day protest cannot. So I'm really inspired by that work. Miko Lee: And it's amazing to see how many people are turning out to walk with them or to watch them. And then on the same hand, or the other hand, is seeing some folks that are protesting against them saying, that this is not the right religion, which is just. Kind of shocking to me. Grew up in a seminary environment. My dad was a professor of social ethics and we were really taught that Jesus is a son of God and Kuan is a daughter of God. And Muhammad, all these different people are sons and daughters of God and we're all under the same sky. So it seems strange that to me, that so many folks are using religion as a tool for. Pain and suffering and injustice and using it as a justification. Kazu Haga: Yeah. It's sad to hear people say that this is the wrong religion to try to create change in the world because I think it's that worldview that is at the heart of what is destroying this planet. Right. It's, it's not this way. It has to be that way and this binary right. Wrong way of thinking. Miko Lee: Yeah. Kazu Haga: But yeah. The first spiritual book I ever read when I was 16 years old was a book by Thích Nhất Hanh called Living Buddha, living Christ. Yes. And in that book he was saying that the teachings of the Buddha and the teachings of Jesus Christ, if you really look at the essence of it, is the same thing. Miko Lee: That's right. Yeah. This brings us to your book, fierce Vulnerability, healing from Trauma Emerging Through Collapse. And we are living in that time right now. We're living in a time of utter collapse where every day it seems like there's a new calamity. We are seeing our government try to take over Venezuela right now and put police forces into Minnesota. It's just crazy what's going on. I wonder if you can just talk a little bit about this book. Clearly it's the Times that has influenced your title and [00:34:00] in influenced you to write this book can be, share a little bit more about what you're aiming to do. Kazu Haga: Yeah, and you know, it's also Greenland and Cuba and Colombia and Panama, and it's also the climate crisis and it's also all of these other authoritarian regimes that are rising to power around the co, around the world. And it's also pandemics and the next pandemics. And we are living in a time of the poly crisis. A time that our recent ancestor, Joanna Macy calls the great turning or the great unraveling so we can get to the great turning where all of these systems are in a state of collapse and the things that we have come to, to be able to rely on are all unraveling. And I think if we are not grounded in. Again, I use this word spirituality very broadly speaking, but if we are not grounded in a sense that we are connected to something so much larger than ourselves as individuals, I think it's so easy to just collapse and get into this trauma response state in response to all of the crises that we are facing, and so fierce vulnerability. It's at the intersection of spiritual practice, trauma healing, and nonviolent action, and understanding that in response to all of these crises that we are facing, we need powerful forms of action. To harness the power necessary to create the transformations that we need to see. And at the same time, can we see even forms of nonviolent resistance as a form of, as a modality of collective trauma healing? And what are the practices that we need to be doing internally within our own movements to stay grounded enough to remember that we are interdependent with all people and with all life. What does it take for us to be so deeply grounded that even as we face a possible mass extinction event that we can remember to breathe and that we can remember that we are trying to create beauty, not just to destroy what we don't like, but we are trying to affirm life. What does that look like? And so if fierce vulnerability is an experiment, like we don't have all the answers, but if I could just put in a plug, we're about to launch this three month. Experiment called the Fierce Vulnerability Kinship Lab, where we'll be gathering across the world. Participants will be placed in small teams, that are regionally based, so you can meet with people in person, hopefully, and to really try to run a bunch of experiments of what is it gonna take to respond to state violence, to respond to these crises in a way that continues to affirm life and reminds us that we belong to each other. Miko Lee: That sounds amazingly powerful. Can you share how people can get involved in these labs? Kazu Haga: People can check it out on my website, kazu haga.com, and it'll link to the actual website, which is convene.community. It's K-I-N-V-E-N-E. It's a combination of the idea of kinship and community. It's gonna be a really cool program. We just announced it publicly and France Weller and Ma Muse and Kairo Jewel Lingo, and it's gonna be a lot of great teach. And we're trying to just give people, I know so many people are yearning for a way to respond to state violence in a way that feels deeply aligned with their most sacred beliefs and their value systems around interdependence, and peacemaking and reconciliation, but also recognizes that we need to harness power that we need to. Step out of the comfort of our meditation cushions and yoga centers and actually hit the streets. But to do so in a way that brings about healing. It's our way of creating some communities where we can experiment with that in supportive ways. Miko Lee: What is giving you hope these days? Kazu Haga: My daughter and the community that I live in. Like when I look up at the world, things are in a state of collapse. Like when I watch the news, there's a lot of things that are happening that can take away my hope. But I think if we stop looking up all the time and just start looking around, if I start looking around in, not at the vertical plane, but at the horizontal plane, what I see are so many. Amazing communities that are being birthed, land-based communities, mutual aid networks, communities, where people are living together in relationship and trying to recreate village like structures. There are so many incredible, like healing collaboratives. And even the ways that we have brought song culture and spirit back into social movement spaces more and more in the last 10, 15 years, there are so many things that are happening that are giving birth to new life sustaining systems. We're so used to thinking that because the crisis is so big, the response that we need is equally big. When we're looking for like big things, we're not seeing movements with millions of millions of people into the in, in the streets. We're not seeing a new nonprofit organizations with billions of dollars that have the capacity to transform the world because I think we keep looking for big in response to big. But I think if we look at a lot of wisdom traditions, particularly Eastern Traditions, Daoism and things like that, they'll tell us that. Perhaps the best way to respond to the bigness of the crises of our times is to stay small. And so if we look for small signs of new life, new systems, new ways of being in relationship to each other and to the earth, I think we see signs of that all over the place. You know, small spiritual communities that are starting up. And so I see so much of that in my life, and I'm really blessed to be surrounded by a lot of that. Miko Lee: I really appreciate how you walk the walk and talk, the talk in terms of teaching and living in a collective space and even how you live your life in terms of speaking engagements and things. Can you share a little bit about the gift economy that you practice and what's that about? Share with our audience what that even means. Kazu Haga: Yeah. I love this question. Thank you. So the gift economy to me is our attempts at building economic structures that learn from how natural ecosystems share and distribute its resources, right? It's an alternative model to the market system of economics where everything is transac. If you look out into nature, nothing is transactional. Right? All of the gifts that a mycelial network gives to the forest, that it's a part of the ecology that it's a part of. It's given freely, but it's also given freely because it knows that it is part of a deeply interdependent ecosystem where it will also receive everything it needs to be nourished. And so there's a lot that I can say about that. I actually working on, my next book will be on the Gift Economy. But one of the main manifestations of that is all of the work that I do, I try to offer as a gift. So I don't charge anything for the work that I do. The workshops that I organize, you know, the Convene three month program that I told you about, it's a three month long program with world renowned leaders and we are asking people to pay a $25 registration fee that'll support the platform that, that we're building, the program on. And. There's no kind of set fee for the teachers, myself, Francis Weller, mam, all these people. And people have an opportunity to give back to the ecosystem if they feel called and if they're able to try to sustain, to help sustain our work. But we really want to be able to offer this as a gift. And I think in the market economy, a three month virtual training with well-known teachers for $25 is unheard of. Of course $25 doesn't sustain me. It doesn't sustain all of the teachers that are gonna be part of this, but I have so much faith that if we give our work freely and have faith that we are doing the work that we're meant to be doing, that the universe will come together to sustain us. And so I am sustained with the generosity of a lot of [00:42:00] people, a lot of donors, a lot of people who come to my workshop and feel called to give, not out of a sense of obligation, but because they want to support me in my work. Miko Lee: Thank you for sharing and I was so impressed on your website where you break down your family's whole annual budget and everything that you spent funds on. Everybody talks about transparency, but nobody really does it. But you're actually doing it. And for reals, just showing something that's an antidote to the capitalist system to be able to say, okay, this is us. This is our family, this is how we travel, this is what we do, and. I found it really charming and impressive in our, it's hard to rebel against a system where everything has been built up so that we're supposed to act a certain way. So appreciate you. Absolutely. Yeah. Showing some alternatives and I didn't know that's gonna be your next book. So exciting. Kazu Haga: Yeah, I just started it. I'm really grateful that I have a partner that is okay with sharing all of our family's finances transparently. That helps because it is a big thing, you know? Yeah. But one of the things that I really learned. But the gift economy is that if there isn't information, if there isn't transparency about what the system's needs are, then it becomes dependent on every individual to figure out. How much they want to give to that system. And I think the gift economy is trying to break outta that the model of individualism and understand that we are interdependent and we live in this rich ecosystem of interdependence. And so if people's needs aren't transparent, then it's hard for people to figure out how they want to engage in that relationship. Miko Lee: Can you share a little bit more the example of Buddhist monks and how they have the basket and. Share that story a bit for our audience. Kazu Haga: Yeah. So historically, in a lot of, particularly south and southeastern, Asian countries, Buddhist monks, they go around, they walk their community every morning, begging, quote unquote for alms. They ask for donations, and the people in that village in that town will offer them bread or rice or whatever it is. That's kind of the food that, that monks and monastics eat. And so if a Buddhist monk is walking around with a bowl and you see that their bowl is already full, you have a sense, oh, this monastic might not need any more food, but the next monastic that comes along might. And so it's this transparent way of saying, oh, this person's needs are met, so let me hold on to the one piece of bread that I have that I can donate today and see if the next person will need it. And so in that way. If I share my finance transparently, you know, if my financial needs for the month or for the quarter are met, then maybe people who attend my workshops will feel like, oh, I don't have a lot of money to give. Maybe I don't need to give to support Kazu Haga, but maybe I can support, the facilitator for the next workshop that I attend. And so, in that way, I'm hoping that me being transparent about where my finances are will help people gauge how they want to be in relationship with me. Miko Lee: Thank you. I appreciate it. You talk a lot about in your work about ancestral technology or the wisdom, our ancestral wisdoms and how powerful that is. It made me think about the day after the election when Trump was elected. I happened to be in this gathering of progressive artists in the Bay Area and everybody was. Incredibly depressed. There was even, should we cancel that day or not? But we pulled together, it was at the Parkway Theater in Oakland and there was an aone leader and she talked about the eighth fire and how we are in the time of the eighth fire and you write about the fires in your book, and I'm wondering if you can talk about the seven fires and the prophecy belt. Kazu Haga: Yeah. So through a strange course of events, I had the incredible privilege early on in my life when I was in my early teens, 11, 12, 13, 14 years old, to spend every summer going to the Algonquin Reservation, Anishnabe Nation, way up in Northern Quebec, and spend my evenings sleeping in the basement of Chief William Commander, who was the holder of the seven Fire Prophecies Wampum Belt. This is a prophecy that told the story of the seventh fire that we are in the time of the seventh fire. And this is a moment in the history of our species where we can remember what it means to be human and to go backwards and to reclaim our spiritual path. If we are able to do that, then we can rebuild a new world, the eighth fire and build a world of lasting peace. But if we are unable to do that and continue down this material journey, that will lead to a world of destruction. And this is, prophecies like this one and similar indigenous prophecies that speak the same exact things are the things that were. Just surrounded, that I was surrounded by when I was younger, and I'm so grateful that even though I didn't really believe this kind of stuff when I was younger, it was like the, you know, crazy hippie newey stuff that my mom was into. I'm so grateful to have been surrounded by these teachings and hearing these teachings directly from the elders whose lives purpose. It was to share these teachings with us because when I look out at the world now, it really feels like we are in a choice point as a species. Like we can continue to walk down one journey, one path, and I could very easily see how it would lead to a world of destruction. But we have an opportunity to remember who we are and how we're meant to live in relationship with each other and to the earth. And I have a lot of faith that if we're able to do that, we can build such a beautiful future for our children. And so I think this is the moment that we're in. Miko Lee: Yeah. Thank you so much. Can you share a little bit about your mom? It seems like she was a rule breaker and she introduced you to so many things and you're appreciating it later as an adult, but at the time you're like, what is this? Kazu Haga: Yeah. You know, she was. She grew up in Japan. We were all born in Japan, but she spent a year overseas in the United States as ex as an exchange student in high school. And she always tells me when she went back to Japan, she was listening to the Beatles, and she shaved her legs and she was this like rebellious person in Japan. But yeah, my mom is never been a political activist in the same way that, that I've become. But she's always been deeply, deeply grounded in spiritual practice. Miko Lee: Mm-hmm. Kazu Haga: And for various reasons have always had deep relationships with indigenous elders in North America and Turtle Island. And so I'm always grateful. I feel like she sowed a lot of seeds that when I was young, I made fun of meditation and I was not into spiritual practice at all. 45 years into my life, I find myself doing all the same things that, that she was doing when I was young, and really seeing that as the foundation of the work that I do in the world today. Miko Lee: And have you, have you talked with her about this? Kazu Haga: Oh yeah. I live with her, so we regularly Oh, I Miko Lee: didn't realize Kazu Haga: that.Yeah, yeah, yeah. So she's read the book and Yeah. We have a lot of opportunities to, to yeah, just talk and, and reminisce and, and wonder at. How life has a tendency to always come back full circle. Miko Lee: Mm. The paths we lead and how they intertwine in some ways. Definitely. Mm, I love that. I let you know before we went on air is that I'm also interviewing the author Chanel Miller in this episode. You shared with me that you are familiar with her work. Can you talk about that? Kazu Haga: Yeah, so, you know, I talk quite a bit in both of my books about how one of the great privileges that I have is to do restorative justice and trauma healing work with incarcerated people, mostly through the prisons in California. And one of the programs that I've had the privilege to be a part of is with the Ahimsa Collective, where we work with a lot of men who have an experience with sexual violence specifically, both as survivors of sexual harm and as perpetrators oftentimes. And in that program we actually used the letter that she wrote and published as an example of the power of what it could mean to be a survivor speaking their truth. And we used to read this letter in the groups with incarcerated people. And I remember the first time I ever read it, I was the one that was reading it out loud. I broke down into tears reading that, that letter, and it was so powerful. And it's one of those written statements that I think has helped a lot of people, incarcerated people, and survivors, oftentimes, they're both the same people, really heal from the scars that they've experienced in life. So yeah, I have a really deep connection to specifically that statement and her work. Miko Lee: Yeah, it's really powerful. I'm wondering, given that how you use art as a tool to heal for yourself. Kazu Haga: You know, I always wished I was a better poet or a better painter or something like that, but I do really feel like there are certain deep truths that cannot be expressed in just regular linear language. It can only be spoken in song or in dance or in poetry. There's something mystical. There's something that, that is beyond the intellect capacity to understand that I think can be powerfully and beautifully expressed through art. I think art and spiritual practice and prayer and things like that are very like closely aligned. And so in that way I, I try to touch the sacred, I try to touch spirit. I try to touch mystery in the things that I can't quite articulate. Just through conversation and giving in a lecture or a PowerPoint presentation, to, yeah, to touch into something more, more important. Miko Lee: And is your spiritual practice built into your every day? Kazu Haga: To the extent possible. One of the traditions that I have really learned a lot from and love is the Plum Village tradition founded by Thich Nhat Hanh. And they're so good at really reminding us that when we wash our dishes, that can be a spiritual practice, right? I'm the father of a young child. And so it's hard to actually sit down and meditate and to find time for that. And so, how can I use. My moments with my daughter when I'm reading her a book as a spiritual practice, how can I, use the time that I'm picking up the toys that's thrown all around the house as spiritual practice. So in that way, I really try to incorporate that sort of awareness and that reminder that I belong to something larger and everything that we do. Miko Lee: After hearing Ty speak one time, I tried to practice the chewing your food 45 times. I could not do it. Like, how does he do Kazu Haga: that? Some food is easier than others. If you eat oatmeal, it's a little harder, but Miko Lee: like that is some kind of practice I cannot do. Kazu Haga: But, you know, I have, a meditation teacher that years ago taught me every time you get inside your car. The moment that you turn the keys and turn on the ignition in your car, just take that moment and see if you can notice the texture of the keys and see if you can really feel your muscles turning to turn the key. And it's in these little moments that if we bring that intention to it, we can really turn what is like a, you know, a mindless moment into something with deep, deep awareness. Hmm. Miko Lee: Thank you for that. That's an interesting one. I have not heard that one before. Kazu Haga: Nowadays I just like push a button so it's even more mind less. Miko Lee: That's right. There's just a button Now. Keys, there's not even the time anymore to do that. That's right. What is it that you'd love folks to walk away with from being familiar with your work? You, there's so many aspects. You have different books that are out, you lead workshops, you're speaking, you are everyday walking through the world, sharing different things. What is one thing you'd love people to understand? Kazu Haga: Between both of my books and all the work that I do, so much of the essence is to try to help us remember. We belong to each other. I think the fear of isolation, the fear that we do not belong, is one of the most common fears that every human being has. Right? At some point in our lives, we felt like we don't belong. And while that is such a real fear, it's also a delusion. Like in an interdependent world, there is nothing outside of belonging, right? And so we already belong. We are already whole, we are already part of the vastness of the cosmos. There is so much power in remembering that we are part of the infinite universe, and I think the delusion that we do not belong to each other is like is the seed that creates the us versus them worldview, and it's that us versus them worldview that is at the heart of what is destroying our planet. In our efforts to create social change, how can we do so in a way that reminds us that even the people that are causing harm is a deeply critical interwoven web of relationships. That we are all in this web of relationship, that there's nobody outside of that, and how can we go about trying to create change in a way that reminds us of that? Miko Lee: Thank you. And my last question is, I'm wondering if there's something that you're learning from your child these days. Kazu Haga: Yeah, the, just the, the pure presence, right? That each moment is so deeply, deeply real, and each moment is to be honored. Like I am amazed at, we were eating asparagus the other day, and she was eating a whole bowl of asparagus, and she desperately needed me to get her the one piece of asparagus that she wanted. She was so frustrated that I couldn't find the one asparagus that she wanted, and so she was crying and screaming and throwing asparagus across the room, and then the moment I was able to find the one asparagus that she wanted, everything is fine. Everything is beautiful. She's smiling, she's laughing, and so just to. Not that we should be like throwing things around if we're not getting exactly what we want, but how can we honor our emotions every moment in a way that in that moment there is nothing outside of that moment. That sort of presence, is something that I really try to embody and try to learn from her. Miko Lee: Thank you so much for sharing with me. I really appreciate reading your books and being in community with you and, we'll put links to your website so that people Awesome. Thank you. Can find out more. And also, I really appreciate that you're having your books published by a small Buddhist press as and encouraging people to buy from that. Kazu Haga: Yeah. Shout out to ax. Miko Lee: Yes, we will absolutely put those links in our show notes. And thank you so much for joining us on Apex Today. Kazu Haga: Thank you so much for having me. Miko Lee: Thank you so much for joining me on this evening conversation with two different authors, Chanel Miller and Kazu Haga, and my little pitch is just to keep reading. Reading is such a critical and important way we learn about the world. I was just reading this thing that said the average Americans read 12 to 13 books a year. And when I checked in with friends and family, they said that could not be true. That they think they know many people who don't read any books. And I am just encouraging you all to pick up a book, especially by an Asian American Pacific Islander author, hear our perspectives, hear our stories. This is how we expand and understand our knowledge around the world. Grow closer to the people in both our lives and people around the world. So yea to reading, yea to Chanel Miller and Kazu Haga. And check out a local bookstore near you. If you wanna find out more information, please check out our website, kpfa.org, black slash programs, apex Express, where I will link both of these authors and how you can purchase their books at your local independent bookstore. Thank you very much. Goodnight. Please check out our website, kpfa.org. To find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Nina Phillips, Preeti Mangala Shekar and Swati Rayasam Tonight's show was produced by me, your host, Miko Lee. Thank you so much for joining us. The post APEX Express – 1.15.26 – Chat with Authors appeared first on KPFA.
What happens when food becomes a blueprint for liberation? On this episode of All My Relations, we're joined by Chef Sean Sherman (Oglala Lakota) and journalist/co-author Kate Nelson (Tlingit) to talk about Turtle Island—a cookbook, a history lesson, and a future-facing manifesto for Indigenous food sovereignty. We get into what it means to remove colonial borders (and colonial ingredients), why Indigenous foodways are global and relational, and how Sean's nonprofit model is moving real resources back into Indigenous communities—from Native producers to Native jobs. Along the way: moose stew, fir tips, colonized palates, seed keepers, Buffalo Bird Woman's garden, and a clear-eyed conversation about ICE, labor, and who actually feeds this country. Food is the entry point—but sovereignty is the goal. Just change everything. Feed your people.++++ResourcesPurchase Turtle Island Today: https://shoptidelands.com/products/books-whereas-copy?variant=47505083924728 To learn about Sean's work and North American Traditional Food Systemshttps://natifs.org/ https://seansherman.com/ Kate's Work: https://www.kateanelson.com/ Esquire Article: https://www.esquire.com/food-drink/restaurants/a36474711/chef-sean-sherman-owamni-indigenous-minneapolis-restaurant-profile/ Text us your thoughts!Support the showFollow us on Instagram @amrpodcast, or support our work on Patreon. Show notes are published on our website, Allmyrelationspodcast.com. Matika's book Project 562: Changing the Way We See Native America is available now! T'igwicid and Hyshqe for being on this journey with us.
In this episode of God Is Red, we walk through Taylor Keen's (Omaha / Cherokee) book, Rediscovering Turtle Island: Chapter 7, Cohokia!A thousand years ago, a star lit the sky and a city surged beside the Mississippi. In this conversation, Taylor and Daniel go deep into Cahokia's rapid rise, its trading web from the Great Lakes to the Gulf, and the ceremonies that surrounded the diverse languages and lineages into what can be described, perhaps, as an urban experiment. Taylor takes us through the story from Picture Cave's ninth-century rock art to the Cohokia's rites, asking how cosmology, corn, and power shaped daily life at scale.Learn more about Taylor's work HERE.Purchase Rediscovering Turtle Island HERE.Learn more about Daniel's work HERE.
Activities at Native organizations and a tribal college in Minneapolis, Minn., were canceled after a U.S. Immigration and Customs Enforcement (ICE) agent fatally shot a woman Wednesday morning in the city. The Minneapolis American Indian Center canceled its Wednesday night programs due to community safety concerns and ICE activity in the neighborhood. The Red Lake Nation College, the Red Lake Nation Embassy, and the tribe's wellness center in Minneapolis closed Wednesday, and are expected to be closed for the rest of the week due to due the incident. MIGIZI, which supports Native youth in the Twin Cities, also canceled its programming. Tribes are expressing concerns about the incident and the safety of Native community members living in the Twin Cities. The Red Lake Tribal Council is urging its citizens to be careful, and to avoid ICE and other federal agents. The council released a two-page written message Wednesday, outlining concerns, which includes asking tribal members to report any interactions with ICE to the tribe's council or embassy. The Fond du Lac Band of Lake Superior Chippewa also raised concerns in a written message to its community about the safety of tribal members living in the Twin Cities. Robert Pilot is the host of Native Roots Radio based in the Twin Cities. He says the Native community is feeling the impacts of the shooting. “The reaction I’ve seen with the Native community is been just a gasp of what’s happened. 75,000 Native Americans live in Minneapolis (Twin Cities area). In that area of the shooting, there’s a very high percentage of Native Americans that live in that community, and they feel their community is being attacked by the federal government.” Pilot says members of the Native community are standing with their allies and took part in demonstrations against ICE on Wednesday in the area of the shooting. “There was a woman Native singer group that sang and it’s all about the healing. And I think the community, especially that community really knows that the Native community is really involved and really vetted into everything that happens there, happens to them. It was only a very short blocks away from the murder of George Floyd and that community is so scarred, but we have a resilience and our Native community is there and was there and is there and will still be there … we also are a big part of the community. And we want people to be safe, but we also want to be heard and be out there and support our community too, because this is our community too and all of Turtle Island is our community.” The woman killed was identified as 37-year-old Renee Good. The Trump administration is justifying the shooting, while the city's mayor disputes that and is demanding ICE leave Minneapolis. The Sandra Day O'Connor U.S. Courthouse in Phoenix, Ariz. (Photo: Gabriel Pietrorazio / KJZZ) A three-judge panel in Phoenix, Ariz., heard arguments on Wednesday over continuing a court-ordered injunction blocking a controversial land exchange. As KJZZ's Gabriel Pietrorazio reports, the land swap would result in a copper mining operation that is estimated to create a two-mile-wide crater, devouring an Apache holy site. It's been 140 days since the Ninth Circuit Court of Appeals delayed a land swap first approved by Congress more than a decade ago. According to the 2015 law, 2,400 acres of Tonto National Forest must be turned over to Resolution Copper within 60 days of a final environmental impact statement being published, which happened in June. Plaintiffs in three different cases include the Arizona Mining Reform Coalition, San Carlos Apache Tribe, and a group of Apache women and girls. Defendants asked for the injunction to be lifted, which could lead to an immediate public land transfer. The judges did not say when their decision will be made. Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out the latest episode of Native America Calling Thursday, January 8, 2026 — New post office rule is among potential hurdles for Native voters
Kristin, Molly, Andrea and Kate look back at the cookbook media landscape of 2025 and discuss the Anthropic settlement, their thoughts about AI in the food media sphere and share their inclinations about its usage. Each of the hosts share some wins they had this year with Kristin speaking about working on the Turtle Island book and Andrea joining in to share her thoughts on finding balance in collaboration projects. With a dash of astrology and numerology each host reveals what keeps them following this creative path and what they've let go of over the years along with the role persistence and perseverance plays in this journey. Finally they end the episode by sharing some of the books, people and ideas they are excited to follow into 2026. Hosts: Kate Leahy + Molly Stevens + Kristin Donnelly + Andrea NguyenEditor: Abby Cerquitella MentionsJoin The Local Palate Cookbook ClubAnthropic SettlementAI Duped My Cookbook and Made a Mess, by Adam EraceKristin Donnelly on Co-Writing One of the Year's Biggest Books from Cookbookery Collective Visit the Everything Cookbooks Bookshop to purchase a copy of the books mentioned in the showTurtle Island, by Sean Sherman. Kate Nelson & Kristin DonnellyHeart Shaped Tin, by Bee WilsonFeast on Your Life, by Tamar AdlerOn Eating, by Alicia KennedyThe Last Sweet Bite by Michael Shaikh
In March, Gavin Newsom told the late Charlie Kirk that male athletes competing against females is “deeply unfair.” This week, on Ezra Klein's podcast, he told a very different story. Will and David discuss the great movies and misguided politics of the late Rob Reiner, and the role of Greg Bahnsen in David's life. The FBI arrests four members of the Turtle Island Liberation Front who hoped to bomb multiple Los Angeles targets on New Year's Eve. Music by Metalachi.Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow Notes:The moment my life changed forever, December 12, 2025Rob Reiner was more than a Hollywood liberal. He was a sophisticated political operator.What did California's novel approach to funding early-childhood programs achieve?Cigarette Taxes and Cigarette Smuggling by State, 2023Newsom taps former CDC leaders critical of Trump-era health policies for new initiativeStates Plan to Continue Regulating AI, Despite Trump's OrderWells Fargo cuts 100+ Sacramento-area jobs as CEO says AI prompts ‘efficiency'Has Gavin Newsom really signed the most pro-trans bills of any governor?California orders Tahoe-Truckee schools to join CIF sports over gender lawsFBI Arrests Four Alleged Members of Pro-Palestinian Terror Cell, Foiling New Year's Eve AttackWhat is Turtle Island? FBI foils Pro-Palestinian group terror attack planned for NYE in California Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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