Podcasts about Turtle Island

Activities at Native organizations and a tribal college in Minneapolis, Minn., were canceled after a U.S. Immigration and Customs Enforcement (ICE) agent fatally shot a woman Wednesday morning in the city. The Minneapolis American Indian Center canceled its Wednesday night programs due to community safety concerns and ICE activity in the neighborhood. The Red Lake Nation College, the Red Lake Nation Embassy, and the tribe's wellness center in Minneapolis closed Wednesday, and are expected to be closed for the rest of the week due to due the incident. MIGIZI, which supports Native youth in the Twin Cities, also canceled its programming. Tribes are expressing concerns about the incident and the safety of Native community members living in the Twin Cities. The Red Lake Tribal Council is urging its citizens to be careful, and to avoid ICE and other federal agents. The council released a two-page written message Wednesday, outlining concerns, which includes asking tribal members to report any interactions with ICE to the tribe's council or embassy. The Fond du Lac Band of Lake Superior Chippewa also raised concerns in a written message to its community about the safety of tribal members living in the Twin Cities. Robert Pilot is the host of Native Roots Radio based in the Twin Cities. He says the Native community is feeling the impacts of the shooting. “The reaction I’ve seen with the Native community is been just a gasp of what’s happened. 75,000 Native Americans live in Minneapolis (Twin Cities area). In that area of the shooting, there’s a very high percentage of Native Americans that live in that community, and they feel their community is being attacked by the federal government.” Pilot says members of the Native community are standing with their allies and took part in demonstrations against ICE on Wednesday in the area of the shooting. “There was a woman Native singer group that sang and it’s all about the healing. And I think the community, especially that community really knows that the Native community is really involved and really vetted into everything that happens there, happens to them. It was only a very short blocks away from the murder of George Floyd and that community is so scarred, but we have a resilience and our Native community is there and was there and is there and will still be there … we also are a big part of the community. And we want people to be safe, but we also want to be heard and be out there and support our community too, because this is our community too and all of Turtle Island is our community.” The woman killed was identified as 37-year-old Renee Good. The Trump administration is justifying the shooting, while the city's mayor disputes that and is demanding ICE leave Minneapolis. The Sandra Day O'Connor U.S. Courthouse in Phoenix, Ariz. (Photo: Gabriel Pietrorazio / KJZZ) A three-judge panel in Phoenix, Ariz., heard arguments on Wednesday over continuing a court-ordered injunction blocking a controversial land exchange. As KJZZ's Gabriel Pietrorazio reports, the land swap would result in a copper mining operation that is estimated to create a two-mile-wide crater, devouring an Apache holy site. It's been 140 days since the Ninth Circuit Court of Appeals delayed a land swap first approved by Congress more than a decade ago. According to the 2015 law, 2,400 acres of Tonto National Forest must be turned over to Resolution Copper within 60 days of a final environmental impact statement being published, which happened in June. Plaintiffs in three different cases include the Arizona Mining Reform Coalition, San Carlos Apache Tribe, and a group of Apache women and girls. Defendants asked for the injunction to be lifted, which could lead to an immediate public land transfer. The judges did not say when their decision will be made. Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out the latest episode of Native America Calling Thursday, January 8, 2026 — New post office rule is among potential hurdles for Native voters

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show features Asian Refugees United and Lavender Phoenix in conversation about art, culture, and organizing, and how artists help us imagine and build liberation. Important Links: Lavender Phoenix: Website | Instagram Asian Refugees United: Website | Instagram | QTViệt Cafe Collective Transcript: Cheryl: Hey everyone. Good evening. You tuned in to APEX Express. I'm your host, Cheryl, and tonight is an AACRE Night. AACRE, which is short for Asian Americans for Civil Rights and Equality is a network made up of 11 Asian American social justice organizations who work together to build long-term movements for justice. Across the AACRE network, our groups are organizing against deportations, confronting anti-blackness, xenophobia, advancing language justice, developing trans and queer leaders, and imagine new systems of safety and care. It's all very good, very important stuff. And all of this from the campaigns to the Organizing to Movement building raises a question that I keep coming back to, which is, where does art live In all of this, Acts of resistance do not only take place in courtrooms or city halls. It takes place wherever people are still able to imagine. It is part of how movements survive and and grow. Art is not adjacent to revolution, but rather it is one of its most enduring forms, and tonight's show sits in that very spirit, and I hope that by the end of this episode, maybe you'll see what I mean. I;d like to bring in my friends from Lavender Phoenix, a trans queer API organization, building people power in the Bay Area, who are also a part of the AACRE Network. This summer, Lavender Phoenix held a workshop that got right to the heart of this very question that we're sitting with tonight, which is what is the role of the artist in social movements? As they were planning the workshop, they were really inspired by a quote from Toni Cade Bambara, who in an interview from 1982 said, as a cultural worker who belongs to an oppressed people, my job is to make the revolution irresistible. So that raises a few questions worth slowing down for, which are, who was Toni Cade Bambara? What does it mean to be a cultural organizer and why does that matter? Especially in this political moment? Lavender Phoenix has been grappling with these questions in practice, and I think they have some powerful answers to share. So without further ado, I'd like to introduce you to angel who is a member of Lavender Phoenix. Angel: My name is Angel. I use he and she pronouns, and I'm part of the communications committee at LavNix. So, let's explore what exactly is the meaning of cultural work.  Cultural workers are the creators of narratives through various forms of artistic expression, and we literally drive the production of culture. Cultural work reflects the perspectives and attitudes of artists and therefore the people and communities that they belong to. Art does not exist in a vacuum. You may have heard the phrase before. Art is always political. It serves a purpose to tell a story, to document the times to perpetuate and give longevity to ideas. It may conform to the status quo or choose to resist it. I wanted to share a little bit about one cultural worker who's made a really big impact and paved the way for how we think about cultural work and this framework. Toni Cade Bambara was a black feminist, cultural worker, writer, and organizer whose literary work celebrated black art, culture and life, and radically supported a movement for collective liberation. She believed that it's the artist's role to serve the community they belong to, and that an artist is of no higher status than a factory worker, social worker, or teacher. Is the idea of even reframing art making as cultural work. Reclaimed the arts from the elite capitalist class and made clear that it is work, it does not have more value than or take precedence over any other type of movement work. This is a quote from an interview from 1982 when Toni Cade Bambara said, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. But in this country, we're not encouraged and equipped at any particular time to view things that way. And so the artwork or the art practice that sells that capitalist ideology is considered art. And anything that deviates from that is considered political, propagandist, polemical, or didactic, strange, weird, subversive or ugly. Cheryl: After reading that quote, angel then invited the workshop participants to think about what that means for them. What does it mean to make the revolution irresistible? After giving people a bit of time to reflect, angel then reads some of the things that were shared in the chat. Angel: I want my art to point out the inconsistencies within our society to surprised, enraged, elicit a strong enough reaction that they feel they must do something. Cheryl: Another person said, Angel: I love that art can be a way of bridging relationships. Connecting people together, building community. Cheryl: And someone else said. Angel: I want people to feel connected to my art, find themselves in it, and have it make them think and realize that they have the ability to do something themselves. Cheryl: I think what is rather striking in these responses that Angel has read aloud to what it means to make art that makes the revolution irresistible isn't just aesthetics alone, but rather its ability to help us connect and communicate and find one another to enact feelings and responses in each other. It's about the way it makes people feel implicated and connected and also capable of acting. Tony Cade Bambara when she poses that the role of cultural workers is to make the revolution irresistible is posing to us a challenge to tap into our creativity and create art that makes people unable to return comfortably to the world as is, and it makes revolution necessary, desirable not as an abstract idea, but as something people can want and move towards  now I'm going to invite Jenica, who is the cultural organizer at Lavender Phoenix to break down for us why we need cultural work in this political moment. . Speaker: Jenica: So many of us as artists have really internalized the power of art and are really eager to connect it to the movement.  This section is about answering this question of why is cultural work important.  Cultural work plays a really vital role in organizing and achieving our political goals, right? So if our goal is to advance radical solutions to everyday people, we also have to ask ourselves how are we going to reach those peoples? Ideas of revolution and liberation are majorly inaccessible to the masses, to everyday people. Families are being separated. Attacks on the working class are getting worse and worse. How are we really propping up these ideas of revolution, especially right in America, where propaganda for the state, for policing, for a corrupt government runs really high. Therefore our messaging in political organizing works to combat that propaganda. So in a sense we have to make our own propaganda. So let's look at this term together. Propaganda is art that we make that accurately reflects and makes people aware of the true nature of the conditions of their oppression and inspires them to take control of transforming this condition. We really want to make art that seeks to make the broader society aware of its implications in the daily violences, facilitated in the name of capitalism, imperialism, and shows that error of maintaining or ignoring the status quo. So it's really our goal to arm people with the tools to better struggle against their own points of views, their ways of thinking, because not everyone is already aligned with like revolution already, right? No one's born an organizer. No one's born 100% willing to be in this cause. So, we really focus on the creative and cultural processes, as artists build that revolutionary culture. Propaganda is really a means of liberation. It's an instrument to help clarify information education and a way to mobilize our people. And not only that, our cultural work can really model to others what it's like to envision a better world for ourselves, right? Our imagination can be so expansive when it comes to creating art. As organizers and activists when we create communication, zines, et cetera, we're also asking ourselves, how does this bring us one step closer to revolution? How are we challenging the status quo? So this is exactly what our role as artists is in this movement. It's to create propaganda that serves two different purposes. One, subvert the enemy and cultivate a culture that constantly challenges the status quo. And also awaken and mobilize the people. How can we, through our art, really uplift the genuine interests of the most exploited of people of the working class, of everyday people who are targets of the state and really empower those whose stories are often kept outside of this master narrative. Because when they are talked about, people in power will often misrepresent marginalized communities. An example of this, Lavender Phoenix, a couple years ago took up this campaign called Justice for Jaxon Sales. Trigger warning here, hate crime, violence against queer people and death. Um, so Jaxon Sales was a young, queer, Korean adoptee living in the Bay Area who went on a blind like dating app date and was found dead the next morning in a high-rise apartment in San Francisco. Lavender Phoenix worked really closely and is still connected really closely with Jaxon's parents, Jim and Angie Solas to really fight, and organize for justice for Jaxon and demand investigation into what happened to him and his death, and have answers for his family. I bring that up, this campaign because when his parents spoke to the chief medical examiner in San Francisco, they had told his family Jaxon died of an accidental overdose he was gay. Like gay people just these kinds of drugs. So that was the narrative that was being presented to us from the state. Like literally, their own words: he's dead because he's gay. And our narrative, as we continue to organize and support his family, was to really address the stigma surrounding drug use. Also reiterating the fact that justice was deserved for Jaxon, and that no one should ever have to go through this. We all deserve to be safe, that a better world is possible. So that's an example of combating the status quo and then uplifting the genuine interest of our people and his family. One of our key values at Lavender Phoenix is honoring our histories, because the propaganda against our own people is so intense. I just think about the everyday people, the working class, our immigrant communities and ancestors, other queer and trans people of color that really fought so hard to have their story told. So when we do this work and think about honoring our histories, let's also ask ourselves what will we do to keep those stories alive? Cheryl: We're going to take a quick music break and listen to some music by Namgar, an international ethno music collective that fuses traditional Buryat and Mongolian music with pop, jazz, funk, ambient soundscapes, and art- pop. We'll be back in just a moment with more after we listen to “part two” by Namgar.    Cheryl: Welcome back.  You are tuned in to APEX express on 94.1 KPFA and 89.3 KPFB B in Berkeley and online at kpfa.org.  That song you just heard was “part two” by Namgar, an incredible four- piece Buryat- Mongolian ensemble that is revitalizing and preserving the Buryat language and culture through music. For those just tuning in tonight's episode of APEX Express is all about the role of the artist in social movements. We're joined by members of Lavender Phoenix, often referred to as LavNix, which is a grassroots organization in the Bay Area building Trans and queer API Power. You can learn more about their work in our show notes. We talked about why cultural work is a core part of organizing. We grounded that conversation in the words of Toni Cade Bambara, who said in a 1982 interview, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. We unpacked what that looks like in practice and lifted up Lavender Phoenix's Justice for Jaxon Sales campaign as a powerful example of cultural organizing, which really demonstrates how art and narrative work and cultural work are essential to building power Now Jenica from Levner Phoenix is going to walk us through some powerful examples of cultural organizing that have occurred in social movements across time and across the world. Speaker: Jenica: Now we're going to look at some really specific examples of powerful cultural work in our movements. For our framework today, we'll start with an international example, then a national one, a local example, and then finally one from LavNix. As we go through them, we ask that you take notes on what makes these examples, impactful forms of cultural work. How does it subvert the status quo? How is it uplifting the genuine interest of the people? Our international example is actually from the Philippines. Every year, the Corrupt Philippines president delivers a state of the nation address to share the current conditions of the country. However, on a day that the people are meant to hear about the genuine concrete needs of the Filipino masses, they're met instead with lies and deceit that's broadcasted and also built upon like years of disinformation and really just feeds the selfish interests of the ruling class and the imperialist powers. In response to this, every year, BAYAN, which is an alliance in the Philippines with overseas chapters here in the US as well. Their purpose is to fight for the national sovereignty and genuine democracy in the Philippines, they hold a Peoples' State of the Nation Address , or PSONA, to protest and deliver the genuine concerns and demands of the masses. So part of PSONA are effigies. Effigies have been regular fixtures in protest rallies, including PSONA. So for those of you who don't know, an effigy is a sculptural representation, often life size of a hated person or group. These makeshift dummies are used for symbolic punishment in political protests, and the figures are often burned. In the case of PSONA, these effigies are set on fire by protestors criticizing government neglect, especially of the poor. Lisa Ito, who is a progressive artists explained that the effigy is constructed not only as a mockery of the person represented, but also of the larger system that his or her likeness embodies. Ito pointed out that effigies have evolved considerably as a form of popular protest art in the Philippines, used by progressive people's movements, not only to entertain, but also to agitate, mobilize and capture the sentiments of the people. This year, organizers created this effigy that they titled ‘ZomBBM,' ‘Sara-nanggal' . This is a play on words calling the corrupt president of the Philippines, Bongbong Marcos, or BBM, a zombie. And the vice president Sara Duterte a Manananggal, which is a, Filipino vampire to put it in short, brief words. Organizers burnt this effigy as a symbol of DK and preservation of the current ruling class. I love this effigy so much. You can see BBM who's depicted like his head is taken off and inside of his head is Trump because he's considered like a puppet president of the Philippines just serving US interests. Awesome. I'm gonna pass it to Angel for our national perspective. Angel: Our next piece is from the national perspective and it was in response to the AIDS crisis. The global pandemic of HIV AIDS began in 1981 and continues today. AIDS is the late stage of HIV infection, human immunodeficiency virus, and this crisis has been marked largely by government indifference, widespread stigma against gay people, and virtually no federal funding towards research or services for everyday people impacted. There was a really devastating lack of public attention about the seriousness of HIV. The Ronald Reagan administration treated the crisis as a joke because of its association with gay men, and Reagan didn't even publicly acknowledge AIDS until 19 85, 4 years into the pandemic. Thousands of HIV positive people across backgrounds and their supporters organize one of the most influential patient advocacy groups in history. They called themselves the AIDS Coalition to Unleash Power or ACT up. They ultimately organize and force the government and the scientific community to fundamentally change the way medical research is conducted. Paving the way for the discovery of a treatment that today keeps alive, an estimated half million HIV positive Americans and millions more worldwide. Sarah Schulman, a writer and former member of ACT Up, wrote a list of ACT UPS achievements, including changing the CDC C'S definition of aids to include women legalizing needle exchange in New York City and establishing housing services for HIV positive unhoused people. To highlight some cultural work within ACT Up, the AIDS activist artist Collective Grand Fury formed out of ACT Up and CR and created works for the public sphere that drew attention to the medical, moral and public issues related to the AIDS crisis. Essentially, the government was fine with the mass deaths and had a large role in the active killing off of people who are not just queer, but people who are poor working class and of color. We still see parallels in these roadblocks. Today, Trump is cutting public healthcare ongoing, and in recent memory, the COVID crisis, the political situation of LGBTQ people then and now is not divorced from this class analysis. So in response, we have the AIDS Memorial Quilt, this collective installation memorializes people who died in the US from the AIDS crisis and from government neglect. Each panel is dedicated to a life lost and created by hand by their friends, family, loved ones, and community. This artwork was originally conceived by Cleve Jones in SF for the 1985 candlelight March, and later it was expanded upon and displayed in Washington DC in 1987. Its enormity demonstrated the sheer number at which queer folk were killed in the hiv aids crisis, as well as created a space in the public for dialogue about the health disparities that harm and silence our community. Today, it's returned home to San Francisco and can be accessed through an interactive online archive. 50,000 individual panels and around a hundred thousand names make up the patchwork quilt, which is insane, and it's one of the largest pieces of grassroots community art in the world. Moving on to a more local perspective. In the Bay Area, we're talking about the Black Panther Party. So in October of 1966 in Oakland, California, Huey Newton and Bobby Seale founded the Black Panther Party for self-defense. The Panthers practiced militant self-defense of black communities against the US government and fought to establish socialism through organizing and community-based programs. The Black Panthers began by organizing arm patrols of black people to monitor the Oakland Police Department and challenge rampant rampant police brutality. At its peak, the party had offices in 68 cities and thousands of members. The party's 10 point program was a set of demands, guidelines, and values, calling for self-determination, full employment of black people, and the end of exploitation of black workers housing for all black people, and so much more. The party's money programs directly addressed their platform as they instituted a free B Breakfast for Children program to address food scarcity Founded community health clinics to address the lack of adequate, adequate healthcare for black people and treat sickle cell anemia, tuberculosis, and HIV aids and more. The cultural work created by the Black Panther Party included the Black Panther Party newspaper known as the Black Panther. It was a four page newsletter in Oakland, California in 1967. It was the main publication of the party and was soon sold in several large cities across the US as well as having an international readership. The Black Panther issue number two. The newspaper, distributed information about the party's activities and expressed through articles, the ideology of the Black Panther Party, focusing on both international revolutions as inspiration and contemporary racial struggles of African Americans across the United States. Solidarity with other resistance movements was a major draw for readers. The paper's international section reported on liberation struggles across the world. Under Editor-in-Chief, David Du Bois, the stepson of WEB Du Bois, the section deepened party support for revolutionary efforts in South Africa and Cuba. Copies of the paper traveled abroad with students and activists and were tra translated into Hebrew and Japanese. It reflected that the idea of resistance to police oppression had spread like wildfire. Judy Juanita, a former editor in Chief Ads, it shows that this pattern of oppression was systemic. End quote. Paper regularly featured fiery rhetoric called out racist organizations and was unabashed in its disdain for the existing political system. Its first cover story reported on the police killing of Denzel Doel, a 22-year-old black man in Richmond, California. In all caps, the paper stated, brothers and sisters, these racist murders are happening every day. They could happen to any one of us. And it became well known for its bold cover art, woodcut style images of protestors, armed panthers, and police depicted as bloodied pigs. Speaker: Jenica: I'm gonna go into the LavNix example of cultural work that we've done. For some context, we had mentioned that we are taking up this campaign called Care Not Cops. Just to give some brief background to LavNix, as systems have continued to fail us, lavender Phoenix's work has always been about the safety of our communities. We've trained people in deescalation crisis intervention set up counseling networks, right? Then in 2022, we had joined the Sales family to fight for justice for Jaxon Sales. And with them we demanded answers for untimely death from the sheriff's department and the medical examiner. Something we noticed during that campaign is that every year we watch as people in power vote on another city budget that funds the same institutions that hurt our people and steal money from our communities. Do people know what the budget is for the San Francisco Police Department? Every year, we see that city services and programs are gutted. Meanwhile, this year, SFPD has $849 million, and the sheriff has $345 million. So, honestly, policing in general in the city is over $1 billion. And they will not experience any cuts. Their bloated budgets will remain largely intact. We've really been watching, Mayor Lurie , his first months and like, honestly like first more than half a year, with a lot of concern. We've seen him declare the unlawful fentanyl state of emergency, which he can't really do, and continue to increase police presence downtown. Ultimately we know that mayor Lurie and our supervisors need to hear from us everyday people who demand care, not cops. So that leads me into our cultural work. In March of this year, lavender Phoenix had collaborated with youth organizations across the city, youth groups from Chinese Progressive Association, PODER, CYC, to host a bilingual care, not cops, zine making workshop for youth. Our organizers engaged with the youth with agitating statistics on the egregious SFPD budget, and facilitated a space for them to warm up their brains and hearts to imagine a world without prisons and policing. And to really further envision one that centers on care healing for our people, all through art. What I really learned is that working class San Francisco youth are the ones who really know the city's fascist conditions the most intimately. It's clear through their zine contributions that they've really internalized these intense forms of policing in the schools on the streets with the unhoused, witnessing ice raids and fearing for their families. The zine was really a collective practice with working class youth where they connected their own personal experiences to the material facts of policing in the city, the budget, and put those experiences to paper.   Cheryl: Hey everyone. Cheryl here. So we've heard about Effigies in the Philippines, the AIDS Memorial Quilt, the Black Panther Party's newspaper, the Black Panther and Lavender Phoenix's Care Cop zine. Through these examples, we've learned about cultural work and art and narrative work on different scales internationally, nationally, locally and organizationally. With lavender Phoenix. What we're seeing is across movements across time. Cultural work has always been central to organizing. We're going to take another music break, but when we return, I'll introduce you to our next speaker. Hai, from Asian Refugees United, who will walk us through, their creative practice, which is food, as a form of cultural resistance, and we'll learn about how food ways can function as acts of survival, resistance, and also decolonization. So stay with us more soon when we return.   Cheryl: And we're back!!. You're listening to APEX express on 94.1 KPFA, 89.3 KPFB in Berkeley. 88.1. KFCF in Fresno and online@kpfa.org. That was “Juniper” by Minjoona, a project led by Korean American musician, Jackson Wright.  huge thanks to Jackson and the whole crew behind that track.  I am here with Hai from Asian Refugees United, who is a member QTViet Cafe Collective. A project under Asian Refugees United. QTViet Viet Cafe is a creative cultural hub that is dedicated to queer and trans viet Liberation through ancestral practices, the arts and intergenerational connection. This is a clip from what was a much longer conversation. This episode is all about the role of the artist in social movements and I think Hai brings a very interesting take to the conversation. Hai (ARU): I think that what is helping me is one, just building the muscle. So when we're so true to our vision and heart meets mind and body. So much of what QTViet Cafe is, and by extension Asian refugees and like, we're really using our cultural arts and in many ways, whether that's movement or poetry or written word or song or dance. And in many ways I've had a lot of experience in our food ways, and reclaiming those food ways. That's a very embodied experience. We're really trying to restore wholeness and health and healing in our communities, in our bodies and our minds and our families and our communities that have been displaced because of colonization, imperialism, capitalism. And so how do we restore, how do we have a different relationship and how do we restore? I think that from moving from hurt to healing is life and art. And so we need to take risk and trying to define life through art and whatever means that we can to make meaning and purpose and intention. I feel like so much of what art is, is trying to make meaning of the hurt in order to bring in more healing in our lives. For so long, I think I've been wanting a different relationship to food. For example, because I grew up section eight, food stamps, food bank. My mom and my parents doing the best they could, but also, yeah, grew up with Viet food, grew up with ingredients for my parents making food, mostly my mom that weren't necessarily all the best. And I think compared to Vietnam, where it's easier access. And there's a different kind of system around, needs around food and just easier access, more people are involved around the food system in Vietnam I think growing up in Turtle Island and seeing my parents struggle not just with food, but just with money and jobs it's just all connected. And I think that impacted my journey and. My own imbalance around health and I became a byproduct of diabetes and high cholesterol and noticed that in my family. So when I noticed, when I had type two diabetes when I was 18, made the conscious choice to, I knew I needed to have some type of, uh, I need to have a different relationship to my life and food included and just like cut soda, started kind of what I knew at the time, exercising as ways to take care of my body. And then it's honestly been now a 20 year journey of having a different relationship to not just food, but health and connection to mind, body, spirit. For me, choosing to have a different relationship in my life, like that is a risk. Choosing to eat something different like that is both a risk and an opportunity. For me that's like part of movement building like you have to. Be so in tune with my body to notice and the changes that are needed in order to live again. When I noticed, you know, , hearing other Viet folks experiencing diet related stuff and I think knowing what I know also, like politically around what's happening around our food system, both for the vie community here and also in Vietnam, how do we, how can this regular act of nourishing ourselves both be not just in art, something that should actually just honestly be an everyday need and an everyday symbol of caregiving and caretaking and care that can just be part of our everyday lives. I want a world where, it's not just one night where we're tasting the best and eating the best and being nourished, just in one Saturday night, but that it's just happening all the time because we're in right relationship with ourselves and each other and the earth that everything is beauty and we don't have to take so many risks because things are already in its natural divine. I think it takes being very conscious of our circumstances and our surroundings and our relationships with each other for that to happen. I remember reading in my early twenties, reading the role of, bring Coke basically to Vietnam during the war. I was always fascinated like, why are, why is Coke like on Viet altars all the time? And I always see them in different places. Whenever I would go back to Vietnam, I remember when I was seven and 12. Going to a family party and the classic shiny vinyl plastic, floral like sheet on a round table and the stools, and then these beautiful platters of food. But I'm always like, why are we drinking soda or coke and whatever else? My dad and the men and then my family, like drinking beer. And I was like, why? I've had periods in my life when I've gotten sick, physically and mentally sick. Those moments open up doors to take the risk and then also the opportunity to try different truth or different path. When I was 23 and I had just like crazy eczema and psoriasis and went back home to my parents for a while and I just started to learn about nourishing traditions, movement. I was Very critical of the us traditional nutrition ideas of what good nutrition is and very adamantly like opposing the food pyramid. And then in that kind of research, I was one thinking well, they're talking about the science of broths and like soups and talking about hard boiling and straining the broth and getting the gunk on the top. And I'm like, wait, my mom did that. And I was starting to connect what has my mom known culturally that now like science is catching up, you know? And then I started just reading, you know, like I think that my mom didn't know the sign mom. I was like, asked my mom like, did you know about this? And she's like, I mean, I just, this is, is like what ba ngoai said, you know? And so I'm like, okay, so culturally this, this is happening scientifically. This is what's being shared. And then I started reading about the politics of US-centric upheaval of monocultural agriculture essentially. When the US started to do the industrial Revolution and started to basically grow wheat and soy and just basically make sugar to feed lots of cows and create sugar to be put in products like Coke was one of them. And, and then, yeah, that was basically a way for the US government to make money from Vietnam to bring that over, to Vietnam. And that was introduced to our culture. It's just another wave of imperialism and colonization. And sadly, we know what, overprocessed, like refined sugars can do to our health. And sadly, I can't help but make the connections with what happened. In many ways, food and sugar are introduced through these systems of colonization and imperialism are so far removed from what we ate pre colonization. And so, so much of my journey around food has been, you know, it's not even art, it's just like trying to understand, how do we survive and we thrive even before so many. And you know, in some ways it is art. 'cause I making 40 pounds of cha ga for event, , the fish cake, like, that's something that, that our people have been doing for a long time and hand making all that. And people love the dish and I'm really glad that people enjoyed it and mm, it's like, oh yeah, it's art. But it's what people have been doing to survive and thrive for long, for so long, you know? , We have the right to be able to practice our traditional food ways and we have the right for food sovereignty and food justice. And we have the right to, by extension, like have clean waters and hospitable places to live and for our animal kin to live and for our plant kin to be able to thrive. bun cha ga, I think like it's an artful hopeful symbol of what is seasonal and relevant and culturally symbolic of our time. I think that, yes, the imminent, violent, traumatic war that are happening between people, in Vietnam and Palestine and Sudan. Honestly, like here in America. That is important. And I think we need to show, honestly, not just to a direct violence, but also very indirect violence on our bodies through the food that we're eating. Our land and waters are living through indirect violence with just like everyday pollutants and top soil being removed and industrialization. And so I think I'm just very cognizant of the kind of everyday art ways, life ways, ways of being that I think that are important to be aware of and both practice as resistance against the forces that are trying to strip away our livelihood every day. Cheryl: We just heard from Hai of Asian refugees United who shared about how food ways function as an embodied form of cultural work that is rooted in memory and also survival and healing. Hai talked about food as a practice and art that is lived in the body and is also shaped by displacement and colonization and capitalism and imperialism. I shared that through their journey with QTV at Cafe and Asian Refugees United. High was able to reflect on reclaiming traditional food ways as a way to restore health and wholeness and relationship to our bodies and to our families, to our communities, and to the earth. High. Also, traced out illness and imbalance as deeply connected to political systems that have disrupted ancestral knowledge and instead introduced extractive food systems and normalized everyday forms of soft violence through what we consume and the impact it has on our land. And I think the most important thing I got from our conversation was that high reminded us that nourishing ourselves can be both an act of care, an art form, and an act of resistance. And what we call art is often what people have always done to survive and thrive Food. For them is a practice of memory, and it's also a refusal of erasure and also a very radical vision of food sovereignty and healing and collective life outside of colonial violence and harm. As we close out tonight's episode, I want to return to the question that has guided us from the beginning, which is, what is the role of the artist in social movements? What we've heard tonight from Tony Cade Bambara call to make revolution irresistible to lavender Phoenix's cultural organizing here, internationally to Hai, reflections on food ways, and nourishing ourselves as resistance. It is Really clear to me. Art is not separate from struggle. It is how people make sense of systems of violence and carry memory and also practice healing and reimagining new worlds in the middle of ongoing violence. Cultural work helps our movements. Endure and gives us language when words fail, or ritual when grief is heavy, and practices that connect us, that reconnect us to our bodies and our histories and to each other. So whether that's through zines, or songs or murals, newspapers, or shared meals, art is a way of liberation again and again. I wanna thank all of our speakers today, Jenica, Angel. From Lavender Phoenix. Hi, from QTV Cafe, Asian Refugees United, And I also wanna thank you, our listeners for staying with us. You've been listening to Apex Express on KPFA. Take care of yourselves, take care of each other, and keep imagining the world that we're trying to build. That's important stuff. Cheryl Truong (she/they): Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong  Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – January 1, 2026 – The Role of the Artist in Social Movements appeared first on KPFA.

Kristin, Molly, Andrea and Kate look back at the cookbook media landscape of 2025 and discuss the Anthropic settlement, their thoughts about AI in the food media sphere and share their inclinations about its usage. Each of the hosts share some wins they had this year with Kristin speaking about working on the Turtle Island book and Andrea joining in to share her thoughts on finding balance in collaboration projects. With a dash of astrology and numerology each host reveals what keeps them following this creative path and what they've let go of over the years along with the role persistence and perseverance plays in this journey. Finally they end the episode by sharing some of the books, people and ideas they are excited to follow into 2026. Hosts: Kate Leahy + Molly Stevens + Kristin Donnelly + Andrea NguyenEditor: Abby Cerquitella MentionsJoin The Local Palate Cookbook ClubAnthropic SettlementAI Duped My Cookbook and Made a Mess, by Adam EraceKristin Donnelly on Co-Writing One of the Year's Biggest Books from Cookbookery Collective Visit the Everything Cookbooks Bookshop to purchase a copy of the books mentioned in the showTurtle Island, by Sean Sherman. Kate Nelson & Kristin DonnellyHeart Shaped Tin, by Bee WilsonFeast on Your Life, by Tamar AdlerOn Eating, by Alicia KennedyThe Last Sweet Bite by Michael Shaikh 

Christmas, Soul, Country, Indie, Garage, Punk, Classical, Throat Singing, Roots, Pop, Honky Tonk and Reggae from music makers of the Apsáalooke, Inuk, Cree, Métis, Lakota, Seminole, Ojibwe, Hopi and Navajo nations. Brought to you by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Tunes From Turtle Island⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Pantheon Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Supaman - All She Want For Christmas Amisut & Tûtu & SIGU & Miké - Tiini Jerry Sereda - Reindeer Delivery Electric Religious - All Kings Day (A Metis Christmas) Eric Jackson and River Willow Band - Christmas With You Carrion Crawlers - Resmers The Johnnys - Christmas Is Ruined Porter Singer & Liv and Let Liv & Connor Chee & Sirgun Kaur - Awake in Heavenly PIQSIQ - Jingle Bells Conrad Bigknife - Christmas In Our Hearts Uncle Trent and Friends - Old Christmas Tree Irv Lyons Jr. - Last Christmas Adrian Sutherland - I'm Not Afraid Eva Deer - Jingle Bells album taka lug uti 3.56 Eva Deer Beatrice Deer mum Becca Hess - Merry Honky Tonk Christmas Casper & The Mighty 602 Band - Lazy Body All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Soul, Country Rock, R'n'B, Latin, HipHop, Indie, Rap, Punk, Electronic, Alt Rock, EDM, Res Metal, Blues, OST, and Reggae from the musicians of the Apsáalooke, Cree, Mexica, Metis, Yup'ik, Cherokee, Chicano, Taos Pueblo, Navajo, Oji-Cree, Anishinaabe, Mandan, Hidatsa, Muscogee, Ojibwe, Mohawk, Oneida, Dakota, Confederated Tribes of Warm Springs, Lakota, and Arikara Nations. Brought to you by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Tunes From Turtle Island⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Pantheon Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Supaman - Too Crispy The Prairie States - Thats Just Love For Ya Cain Culto & Xiuhtezcatl - !Basta Ya Byron Nicholai - Qavanguq (Dream) Darla Daniels - Big Brother Bial Hclap & Mon de Leon - La Sal Cura Idealraps & ThrowEmc - Love Me Back Cherokee Social - Seattle Angel Haze - Masters! Mokosos - Viva El Punk Handsome Tiger - Ogichidaa Mozart Gabriel - Collective Memories CJAY GRIZ - Idigenous Creature White White Buffalo - Two Hawks Above Me Kiveli - Lose You Leonard Sumner - Mino Pimatziwin De La Soul & Gina Loring - Different World Stirling John - The Best Part Cremutator - Door To Door Spores Turquoise Steel & Sage Cornelius - Hitchhiking Blues Def-i & Phillipdrummond - Believe Mark Crawford & Jeff Orlowksi-Yang & MILCK & Raye Zaragoza - Only Time Blue Flamez & Btaka & Kaos & YL - Bring The Pain Annie Humphrey & John Trudell - We Are Power Aj Harvey - All You Ever Needed Scarlet Night - Stay Alive Supaman - She's That Good Medicine Stun - Made Me Wait Beatrice Deer & Johnny Saunders - Arranged M.I.S. - Effigy Union Native - Relations 'lsnááhí - Ma'iitsoh T'aa Sahigii Tiana Spotted Thunder - Stand By me Lakota Version Irie Love - Sugah All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In March, Gavin Newsom told the late Charlie Kirk that male athletes competing against females is “deeply unfair.” This week, on Ezra Klein's podcast, he told a very different story. Will and David discuss the great movies and misguided politics of the late Rob Reiner, and the role of Greg Bahnsen in David's life. The FBI arrests four members of the Turtle Island Liberation Front who hoped to bomb multiple Los Angeles targets on New Year's Eve. Music by Metalachi.Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow Notes:The moment my life changed forever, December 12, 2025Rob Reiner was more than a Hollywood liberal. He was a sophisticated political operator.What did California's novel approach to funding early-childhood programs achieve?Cigarette Taxes and Cigarette Smuggling by State, 2023Newsom taps former CDC leaders critical of Trump-era health policies for new initiativeStates Plan to Continue Regulating AI, Despite Trump's OrderWells Fargo cuts 100+ Sacramento-area jobs as CEO says AI prompts ‘efficiency'Has Gavin Newsom really signed the most pro-trans bills of any governor?California orders Tahoe-Truckee schools to join CIF sports over gender lawsFBI Arrests Four Alleged Members of Pro-Palestinian Terror Cell, Foiling New Year's Eve AttackWhat is Turtle Island? FBI foils Pro-Palestinian group terror attack planned for NYE in California Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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I'm very grateful to Kim for having me on her show and thought this was one of the best discussions I've had about the far left lately.Decode The Left with Karlyn Borysenko is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit karlyn.substack.com/subscribe

In this explosive episode of The Alan Sanders Show, we break down today's top headlines: Criticism mounts over police response to the deadly Bondi Beach terror attack in Australia; Brown University faces scrutiny for quietly scrubbing a pro-Palestine student from their website amid an ongoing manhunt for the campus shooter; The chilling Turtle Island Liberation Front terror plot foiled by the FBI, with arrests tied to a far-left anti-government group's alleged New Year's Eve bombing plans; President Trump's bold naval blockade on sanctioned Venezuelan oil tankers amid escalating tensions; and, Trump's upcoming prime-time address to the nation tonight. Join Alan Sanders for hard-hitting conservative commentary on these critical stories threatening global security and American interests. Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR,  TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!

Steve Gruber discusses news and headlines 

The Turtle Island Liberation Front - the Antifa group the FBI caught trying to bomb major cities - has a manifesto calling for DEATH TO AMERICA on their IG.This is part 1 of a series where I'll read ‘and break down their insane propaganda.Decode The Left with Karlyn Borysenko is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit karlyn.substack.com/subscribe

In this episode, I break down a thwarted New Year's Eve bombing plot in Los Angeles and expose how the political right, the DOJ, the FBI, and conservative media immediately misidentified the threat. Once again, the narrative collapsed into lazy clickbait framing rather than ideological analysis.The group involved, the Turtle Island Liberation Front, was universally described by conservative outlets as a “pro-Palestinian extremist organization.” That framing is wrong. Worse, it misses the actual threat entirely.This episode explains what Turtle Island actually means, why the group openly self-identifies as Antifa, and how land-back ideology, anti-capitalism, and revolutionary communism form the real core of the movement.What the Right Got WrongThe right fixated on Palestine because it fits a pre-approved outrage narrative. Influencers, media figures, and even federal officials ignored the group's own statements, branding, and ideology in favor of tying the plot to Muslims, Israel, and foreign terrorism.That framing is inaccurate and dangerous.Turtle Island is not Palestine. It is a decolonized name for North America used in indigenous and far-left revolutionary circles. The group's messaging is explicit. They describe themselves as Antifa. They call for the overthrow of the United States. They promote anti-capitalism, land-back politics, and revolutionary dismantling of American governance.This was not subtle. The group posted it publicly.What Turtle Island Liberation Front Actually IsThis episode walks through the group's own social media, statements, and videos, which openly call for:* Death to America as a political system* Abolition of capitalism and private property* Revolutionary decolonization of North America* Replacement of the U.S. government with tribal or collective control* Alignment with Antifa and communist revolutionary movementsPalestine appears in their messaging for one reason only. It serves as a symbolic example of settler colonialism under capitalism. The same framework is applied to the United States.Palestine is a talking point. America is the target.Why This Keeps HappeningThe right does not fail to understand the far left because of lack of information. It fails because it has no incentive to understand it.Accurate analysis does not go viral. Clickbait does.So instead of confronting an openly self-declared Antifa group calling for violent revolutionary change, conservative media reframed the story into anti-Muslim hysteria, Israel discourse, and foreign terror narratives that distract from the domestic ideological reality.The result is a national security blind spot that repeats every time.The Bottom LineThis was an Antifa communist revolutionary group plotting domestic terror. They said so themselves. They documented it. They branded it.And once again, the right ignored the giant flashing sign directly in front of them.If you do not understand your enemy, you cannot defeat them. This episode shows, in real time, that the right has chosen narratives over reality, and clicks over competence.Decode The Left with Karlyn Borysenko is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit karlyn.substack.com/subscribe

(12.8.2025-12.15.2025) Kast system. Tune in.#applepodcasts⁠ ⁠#spotifypodcasts⁠ ⁠#youtube #amazon⁠ ⁠#patreon⁠patreon.com/isaiahnews

Retired New York City police officer Matthew McCauley

The Turtle Island Liberation Front - the group the FBI found plotting to bomb major cities - is NOT a “pro-Palestine” group.They are an Antifa group.Turtle Island refers to North America, the name the land had before it was colonized.The right does not understand the enemy.Decode The Left with Karlyn Borysenko is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit karlyn.substack.com/subscribe

Les tortues marines : des Caraïbes au Saint-Laurent, une vie sans frontières Elles naissent sur des plages tropicales, traversent l'Atlantique sur des milliers de kilomètres… et, l'été, certaines viennent se nourrir jusque dans le golfe du Saint-Laurent. Les tortues marines, en particulier la tortue luth et la tortue caouane, relient des écosystèmes à l'échelle de l'océan — et nous rappellent que la conservation ne s'arrête jamais aux frontières. Dans cet épisode, Lyne Morissette part à la rencontre de ces géantes anciennes avec Benjamin De Montgolfier, biologiste marin, directeur scientifique de BioLorencia et AquaSearch, et membre du groupe d'experts de l'UICN sur les tortues marines. Avec lui, on explore leur biologie spectaculaire, leurs migrations atlantiques suivies par balises satellites, les savoirs autochtones liés à Turtle Island, et les menaces qui pèsent sur elles — des plages de ponte aux routes maritimes, des plastiques aux changements climatiques. Un épisode pour comprendre comment des données récoltées en Martinique, en Guyane ou en Floride se connectent… jusqu'aux méduses du Saint-Laurent.

Funk, Hiphop, Country, Indie, Rap, Alt Rock, R'n'B, Blues from musicians of the Anishinaabe, Ojibwe, Navajo, Cree, Zapotec, Mi'kmaq, Lakota, Northern Chumash, Apache, Cherokee and Inuk nations.Brought to you by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Tunes From Turtle Island⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Pantheon Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Jean-Christophe Lessard - Junkie ANGEL ANN JULIAN - Hocus Pocus Mozart Gabriel - Helly Stars Jayli Wolf - Lay Me Down Zachariah Julian & Jennifer Perez - Wound Mare Advertencia & Zafiro Lux - ?Que Paso? Dion Bernard - Mi'kmaq Love Song (Nsisipem) Vivek Shraya & Tanya Tagaq - Apathy Crisis Samantha Crain & Kimya Dawson - Gumshoe alt version Stella Standingbear - NOBODY Mato Wayuhi - BYGONER KiiingBoo & Bluejacket & ADOH & Scurmptious Serendipity - Need A Break Aysanabee - Nomads (acoustic) Blue Mountain Tribe - The Blues Boy Blues SIGU & Jens Kleist - Paarinnga All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, we talk about LANDBACK in the Black Hills. The battle for the Black Hills is the longest legal battle over land in the American judicial system. In 1980, the Supreme Court ruled that the stealing of the Black Hills was one of the most gross violations of the Constitution in US history. Nick is joined by revered Lakota elders and spiritual leaders Richard Moves Camp and Robert Two Crow, as well as NDN Collective President Wizipan Little Elk Garriott and HeSapa LANDBACK organizer Anissa Martin to reflect and discuss He Sapa LANDBACK efforts. EPISODE HIGHLIGHTS: Reflections on the spiritual significance of the He Sapa Political history of the Black Hills The Black HIlls Restoration Act strategy LEARN MORE:  Support the He Sapa Restoration Action and return the Black Hills to the Oceti Sakowin: https://ndnco.cc/bhrestoration   SUPPORT OUR WORK: Support the For the People Campaign today! Your donation to NDN Collective directly supports Indigenous organizers, Nations, Tribes, and communities leading the fight for justice and liberation. Donate now to fund the frontlines, fuel the movement, and rematriate wealth. https://ndnco.cc/ftpcdonate  NDN COLLECTIVE'S IMPACT: To learn about our big wins and hear stories from our grantees and loan relative across Turtle Island, read our 2024 Impact Report on our website at: https://ndncollective.org/impact-reports    EPISODE CREDITS:  Guests: Richard Moves Camp, Robert Two Crow, Wizipan Little Elk Garriott, Anissa Martin Host: Nick Tilsen  Executive Producer: Willi White  Music: Mato Wayuhi  Editor: Willi White Digital Engagement: Angie Solloa Production Support: Layne L. LeBeaux PRESS & MEDIA: press@ndncollective.org  FOLLOW PODCAST: https://www.instagram.com/landbackforthepeople  https://www.tiktok.com/@landbackforthepeople   FOLLOW NDN COLLECTIVE: https://ndncollective.org   https://www.instagram.com/ndncollective  https://www.linkedin.com/company/ndncollective/  https://www.facebook.com/ndncol   https://www.threads.net/@ndncollective  https://bsky.app/profile/ndncollective.bsky.social  https://www.tiktok.com/@ndncollective   https://x.com/ndncollective  

Turtle Island. Before there were countries—before anyone called this land the United States, or Canada, or Mexico—this was Turtle Island. A continent of nations, overlapping territories, trade routes stretching farther than modern highways, and relationships thousands of years old. Today, that history is being carried forward by contemporary Indigenous leaders at Fort Mason—San Francisco's skyline in the backdrop, summit banners hanging over a conversation that reaches far beyond the city around it. This is the First Nations Economic Compact.  You're in a conference room that usually sounds like quarterly forecasts, and suddenly Chief Redman is talking about an economic conversation older than all of that—older than the 1763 Royal Proclamation, older than colonial regulatory systems, older than the borders that now cut through nations whose trade routes once ran uninterrupted across the continent. Long before GDP, First Nations had their own economic indicators: ecological balance, kinship networks, sustainable yields, inter-nation reciprocity. Systems the Doctrine of Discovery tried to erase. Systems that survived genocide, forced relocations, and treaties—signed, coerced, or never signed at all. And yet: the nations remain. The economies remain. The knowledge remains. Here, leaders are talking about restoring ancient trade corridors, sharing resources through ancestral law, and building a bio-economy centered on stewardship and community resilience. While modern governments argue over tariffs and trade wars, First Nations are putting forward something older and more future-ready: a sovereign economic compact drawn from traditional trade logic and built for today's global market. "If someone doesn't want to deal with Canada or the United States… they can deal directly with First Nations," Chief Redman says. It isn't a request. It's a reminder. Suddenly, this summit doesn't sound like policy talk—it sounds like nations dusting themselves off and reintroducing themselves. Not as stakeholders. Not as interest groups. But as governments. This is what reconnection sounds like. What continuity sounds like. What a continent remembering itself sounds like. Tate Chamberlin is with Chief Redman. Stay with us. Music by Supaman

In this episode of the Thinking Christian podcast, Dr. James Spencer is joined by Dr. Daniel (Danny) Zacharias and Dr. Christopher Hoklotubbe, co-authors of Reading the Bible on Turtle Island: An Invitation to North American Indigenous Interpretation. Together they explore how Indigenous perspectives can help Christians read Scripture more faithfully on this land we often call North America—but which many Indigenous peoples know as “Turtle Island.” Danny and Chris explain the story of Turtle Island and why naming the land this way matters for Christian theology, discipleship, and biblical interpretation. They introduce “Turtle Island hermeneutics,” a way of reading the Bible that takes land, place, people, and history seriously—built on asset-based theology and the conviction that God was already present and active among Indigenous peoples long before European missionaries arrived. The conversation dives into: What “Turtle Island hermeneutics” is and how the medicine wheel shapes their approach Why it’s theologically flawed to act as if God was absent from North America before colonization How Indigenous creation stories and traditions can sit alongside Scripture without replacing it Reading Naboth’s vineyard as a lens on land theft, treaties, and the Doctrine of Discovery Parallels between the Trail of Tears, Babylonian exile, and Psalm 137 Babylon and boarding schools: how forced assimilation tried to erase Indigenous identity and memory How songs, stories, and ceremony preserve hope, faith, and cultural resilience Why discipleship must focus not only on doctrine, but on practices, place, and how we actually live This episode is for pastors, Bible teachers, seminary students, and everyday Christians who want to understand Indigenous theology, Native North American perspectives, and contextual Bible interpretation without abandoning a high view of Scripture. Reading the Bible on Turtle Island is published by IVP; check the show notes for a discount link and more information about NAITS, Acadia Divinity College, and the work Danny and Chris are doing to serve the church on Turtle Island. You can purchase Reading the Bible on Turtle Island at ivpress.com (use code IVPPOD20 for a 20% discount) Subscribe to our YouTube channel

When Nick was 13-years-old he wrote Leonard Peltier a letter. In that letter he said he would fight for his freedom until the day he is free. In this profoundly personal episode, Nick sits down with Leonard to talk about his journey, his struggle, and what he means to the people.  LEARN MORE:  Support Leonard by buying his artwork: https://www.lphawkmanii.org/   Read about NDN Collective's effort to bring Leonard Peltier home: https://ndnco.cc/LpHome   Watch the short film GIIWE about bring Leonard home: https://ndnco.cc/giiwe   Follow the Free Leonard Peltier film: https://freeleonardfilm.com/   SUPPORT OUR WORK Support the For the People Campaign today! Your donation to NDN Collective directly supports Indigenous organizers, Nations, Tribes, and communities leading the fight for justice and liberation. Donate now to fund the frontlines, fuel the movement, and rematriate wealth. https://ndnco.cc/ftpcdonate  NDN COLLECTIVE'S IMPACT: To learn about our big wins and hear stories from our grantees and loan relative across Turtle Island, read our 2024 Impact Report on our website at: https://ndncollective.org/impact-reports    EPISODE CREDITS:  Guest: Leonard Peltier Host: Nick Tilsen  Executive Producer: Willi White  Music: Mato Wayuhi  Editor: Willi White Digital Engagement: Angie Solloa Production Support: Layne L. LeBeaux PRESS & MEDIA: press@ndncollective.org  FOLLOW PODCAST: https://www.instagram.com/landbackforthepeople  https://www.tiktok.com/@landbackforthepeople   FOLLOW NDN COLLECTIVE: https://ndncollective.org   https://www.instagram.com/ndncollective  https://www.linkedin.com/company/ndncollective/  https://www.facebook.com/ndncol   https://www.threads.net/@ndncollective  https://bsky.app/profile/ndncollective.bsky.social  https://www.tiktok.com/@ndncollective   https://x.com/ndncollective  

I'm re-releasing this timely and important conversation about the Thanksgiving mythology that so many of us have been taught in school, which ignores the horrors of white settler colonialism that has exerted such violence and exploitation of the Native American communities. Instead, as Dr. Andrea Sullivan-Clarke reminds us, it is time for Americans to educate themselves about Native American history and indigenous philosophies, which have been whitewashed from so many American textbooks.To learn more about Andrea's scholarship and writing, please head to her website: https://asullivanclarke.com/You can find her book "Ways of Being in the World: An Introduction to Indigenous Philosophies of Turtle Island" here:⁠https://broadviewpress.com/product/ways-of-being-in-the-world/#tab-descriptionRemember to use the promo code ivorytower for 20% off your Broadview Press order!Follow ITBR on IG, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Tanya Talaga is an award-winning author and journalist and a powerful voice for Indigenous rights and education in Canada.She's also a constituent, which is how we happened to connect again recently when she was hosted by the House Speaker together with other finalists for the Shaugnessy Cohen Prize in political writing.Talaga joined me a number of years ago at the Fox Theatre to talk about her 2017 award-winning book Seven Fallen Feathers.This conversation focuses on her recent book, The Knowing. It is a deeply personal story in which she traces her own family's history, and it is a story of Indigenous people in Canada, injustice, reclamation, and outlasting.With her own background one of both Anishinaabe and Polish descent, Talaga writes: “From the legacies of these dual branches of genocide, one on Turtle Island and one far off in eastern Europe - comes my knowing.”I recommend reading the book and you can also watch her docuseries at CBC Gem. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.uncommons.ca

In episode six of the Courage My Friends' season nine, we welcome impact strategist with Animikii, Indigenous Technology, Jeff Doctor, technology and human rights lawyer with Tekhnos Law and senior fellow with The Citizen Lab, Cynthia Khoo, senior researcher with the Canadian Centre for Policy Alternatives, Hadrian Mertins-Kirkwood.  We discuss Canada's accelerated approach to artificial intelligence and the mobilization of civil society groups against it, multiple impacts of largely unregulated AI on people, planet and democracy, Indigenous perspectives on data sovereignty and digital colonialism and the meaning of AI beyond the hype. Reflecting on the government's accelerated AI development, Mertins-Kirkwood says: "There's definitely a distinct moment that's happening right now. A particular hype cycle, a push to adopt this current iteration of 'artificial intelligence', whatever that means … The question is why are we doing it. The way that the federal government in particular talks about AI is frankly very ideological … We need to adopt it for its own sake, independent of what that actually means … We're just kind of rushing without having a clear sense of where we're going." On civil society's objection to the "national sprint" consultation on AI, Khoo says: "...As people who are familiar with this field and topic … we're kind of appalled … AI has spread through so many spheres of society, it's not just a tech issue anymore, it's a whatever issue you care about … This 30-day "sprint" with leading language and incredibly narrow scoping from our government, it's frankly embarrassing. And just shows they're not really taking seriously the … empirically demonstrated … harms of AI and what's really at stake for everyone across the country. '" On the subject of data sovereignty, Doctor says: "Every technology has politics, Every technology is a product of its time … And enter this current moment where this magic bean of AI, this bundle of excuses comes together, that, oh we have to extract more, we have to mine more, we have to use more energy. As an Indigenous person this is nothing new to me … Indigenous territories, lands and peoples as sacrifice zones … for the greater good or for national sovereignty … Who's national sovereignty?" About today's guests:  Jeff Doctor is a Cayuga Nation citizen from Six Nations of the Grand River Territory. As an Impact Strategist with Animikii, Jeff works with Indigenous Peoples across Turtle Island to develop web applications that support their self-determination and digital sovereignty. Jeff also volunteers with Protect the Tract: a Haudenosaunee grassroots project that promotes healthy land stewardship of the Haldimand Tract, and is an artist-in-residence at the University of Toronto as a member of the Akni:ho'gwa:s Artist Collective.Jeff has an MA in sociology and a decade of experience supporting Indigenous data sovereignty from the ground up. His focus is improving practical Indigenous data governance through advocacy, counter-mapping, and building appropriate, ethical software that helps Indigenous Peoples get their land, cash, and data back. Cynthia Khoo is a technology and human rights lawyer at Tekhnos Law, and a senior fellow at the Citizen Lab (University of Toronto). Previously, she was a senior associate at Georgetown Law's Center on Privacy & Technology in Washington, DC. Cynthia's legal practice, research, and expertise focuses on how the Internet and emerging technologies impact the human rights of historically marginalized groups, in particular their rights to privacy, equality, and freedom of expression. She holds a J.D. from the University of Victoria and LL.M. (Law and Technology) from the University of Ottawa, where she worked as junior counsel at and represented the Samuelson-Glushko Canadian Internet Policy and Public Interest Clinic (CIPPIC) as an intervener in cases before the Supreme Court of Canada. Hadrian Mertins-Kirkwood is a senior researcher with the Canadian Centre for Policy Alternatives, where he focuses on climate, artificial intelligence and economic policy. Read the OPEN LETTER to the Minister of Artificial Intelligence and Digital Innovation from civil society organizations and individuals opposing "National Sprint" consultation on AI strategy Individual and Organizations can sign onto the Open Letter, that has been re-opened for signatures, here. Transcript of this episode can be accessed at georgebrown.ca/TommyDouglasInstitute.  Image: Cynthia Khoo, Jeff Doctor, Hadrian Mertins-Kirkwood / Used with permission. Music: Ang Kahora. Lynne, Bjorn. Rights Purchased.  Intro Voices: Ashley Booth (Podcast Announcer); Bob Luker (Tommy)  Courage My Friends podcast organizing committee: Chandra Budhu, Ashley Booth, Resh Budhu.  Produced by: Resh Budhu, Tommy Douglas Institute and Breanne Doyle, rabble.ca.  Host: Resh Budhu. 

Cultural Survival welcomes the newest member of our Board of Directors, Dr. Lyla June Johnston. Lyla June is an Indigenous musician, author, and community organizer of Diné (Navajo), Tsétsêhéstâhese (Cheyenne), and European lineages. Her multi-genre presentation style has engaged audiences around the globe towards personal, collective, and ecological healing. She blends her academic work in Human Ecology and Indigenous Pedagogy with the traditional worldview she grew up with to inform her music, perspectives, and solutions. Her doctoral research focused on the ways in which pre-colonial Indigenous Nations shaped large regions of Turtle Island to produce abundant food systems for both humans and non-humans. Indigenous Rights Radio Coordinator Shaldon Ferris (Khoi/San) recently spoke with Lyla June about her work and passions. Music "Anania2" by The Baba Project, used with permission. "Burn your village to the ground", by The Haluci Nation, used with permission.

Over the past decade, the world has become increasingly chaotic and uncertain – and so, too, has our cultural vision for the future. While the events we face now may feel unprecedented, they are rooted in much deeper patterns, which humanity has been playing out for millennia. If we take the time to understand past trends, we can also employ practices and philosophies that might counteract them –  such as focusing on kinship, intimacy, and resilience – to help pave the way for a better future. How might we nurture the foundations of a different kind of society, even while the end of our current civilization plays out around us?  In this episode, Nate is joined by guide and author Samantha Sweetwater to explore how separation is at the root of the metacrisis and how nurturing interconnection, relationships, and ecological maturity act as foundational components for systems change. Samantha delves into the distinction between power of life and power over life, emphasizing the need for personal transformation that aligns with collective evolution. She also describes how we could shift our cultural focus from the hero's journey to a kinship journey through the practices of remembering, reconnection, and tending to collective emergence. How might we reimagine humanity's ecological role as that of stewards, rather than domination? Could focusing on reconnection, rather than separation, help us bridge the polarizing divides that currently prevent many of us from working together? And how might this work of remembering, which begins with ourselves, ripple out into stronger connections with our loved ones, communities, and ultimately to humanity and life as a whole?  (Conversation recorded on October 1st, 2025)    About Samantha Sweetwater: Samantha Sweetwater is a wisdom guide, author, and founder of One Life Circle—a ministry of remembering. She works at the fertile nexus where unraveling systems make way for emerging forms of kinship, leadership, and value. For over three decades, she has facilitated individuals and organizations across five continents through journeys of personal, cultural, ecological, and spiritual emergence. She mentors leaders in business, technology, and finance, helping them to navigate awakening, develop systemic wisdom, and align impact with regenerative futures. Founder of Dancing Freedom and Peacebody Japan, she sparked a global movement of embodied awakening and has trained hundreds of facilitators. She has also been a seed farmer—a practice that taught her the rigors of tending the real. She holds an MA in Wisdom Studies, a BA in Social Theory and Dance, and has been initiated into indigenous lineages of Africa, Latin America, and Turtle Island.   Show Notes and More Watch this video episode on YouTube   Want to learn the broad overview of The Great Simplification in 30 minutes? Watch our Animated Movie.   ---   Support The Institute for the Study of Energy and Our Future   Join our Substack newsletter   Join our Hylo channel and connect with other listeners  

11/23/25 David borrows from the new book Reading the Bible on Turtle Island by Sanctuary member Chris Hoklotubbe. David looks at how the book invites an openness to the gifts and spiritual practices of indigenous traditions because many reflect the Bible's portrayal of spiritual experiences. For example, in the Transfiguration story, Jesus experiences the presence of his ancestors (Moses and Elijah) at a crossroads moment in his ministry.

Over the past decade, the world has become increasingly chaotic and uncertain – and so, too, has our cultural vision for the future. While the events we face now may feel unprecedented, they are rooted in much deeper patterns, which humanity has been playing out for millennia. If we take the time to understand past trends, we can also employ practices and philosophies that might counteract them –  such as focusing on kinship, intimacy, and resilience – to help pave the way for a better future. How might we nurture the foundations of a different kind of society, even while the end of our current civilization plays out around us?  In this episode, Nate is joined by guide and author Samantha Sweetwater to explore how separation is at the root of the metacrisis and how nurturing interconnection, relationships, and ecological maturity act as foundational components for systems change. Samantha delves into the distinction between power of life and power over life, emphasizing the need for personal transformation that aligns with collective evolution. She also describes how we could shift our cultural focus from the hero's journey to a kinship journey through the practices of remembering, reconnection, and tending to collective emergence. How might we reimagine humanity's ecological role as that of stewards, rather than domination? Could focusing on reconnection, rather than separation, help us bridge the polarizing divides that currently prevent many of us from working together? And how might this work of remembering, which begins with ourselves, ripple out into stronger connections with our loved ones, communities, and ultimately to humanity and life as a whole?  (Conversation recorded on October 1st, 2025)    About Samantha Sweetwater: Samantha Sweetwater is a wisdom guide, author, and founder of One Life Circle—a ministry of remembering. She works at the fertile nexus where unraveling systems make way for emerging forms of kinship, leadership, and value. For over three decades, she has facilitated individuals and organizations across five continents through journeys of personal, cultural, ecological, and spiritual emergence. She mentors leaders in business, technology, and finance, helping them to navigate awakening, develop systemic wisdom, and align impact with regenerative futures. Founder of Dancing Freedom and Peacebody Japan, she sparked a global movement of embodied awakening and has trained hundreds of facilitators. She has also been a seed farmer—a practice that taught her the rigors of tending the real. She holds an MA in Wisdom Studies, a BA in Social Theory and Dance, and has been initiated into indigenous lineages of Africa, Latin America, and Turtle Island.   Show Notes and More Watch this video episode on YouTube   Want to learn the broad overview of The Great Simplification in 30 minutes? Watch our Animated Movie.   ---   Support The Institute for the Study of Energy and Our Future   Join our Substack newsletter    Join our Hylo channel and connect with other listeners

Storytelling is the backbone of our movement. In this episode, Nick Tilsen sits down with writer and comedian Joey Clift to talk about how important it is to use narrative and storytelling as a mechanism to catalyse the LANDBACK movement, the power of modern-day representation, and Joey's upcoming short animation film, "Pow!."   LEARN MORE:  Pow! premieres 11/24 on FNX, watch here: https://www.youtube.com/watch?v=dOTuVqdwu8Y  Pow! is an animated short film about Jake, a young Native American kid scrambling to charge his dying video game console at a bustling Coastal Salish intertribal powwow, where he learns that loving video games and loving your culture aren't mutually exclusive. Written and Directed by Joey Clift (Cowlitz), made by a largely Indigenous team and with an all-Native voice cast. Pow! is a comedic love letter to the communities that raised us. Joey Clift is a Los Angeles-based comedian, Emmy and Peabody-nominated writer, and an enrolled member of the Cowlitz Indian Tribe. Growing up, Joey aspired to become a local TV weatherperson because he didn't see Native American comedians on screen and thought a career in comedy was off-limits to him. He has since proven otherwise, writing for acclaimed series like Spirit Rangers (Netflix), Molly of Denali (PBS), and Paw Patrol (Nickelodeon). Joey is the creator of Gone Native, a Comedy Central Digital series about microaggressions Native folks often experience, and his comedy has been featured everywhere from Dropout to The Smithsonian Museum. Follow Joey on Instagram: @joeycliiiiiift https://joeyclift.com/  https://gonenative.tv/   SUPPORT OUR WORK Support the For the People Campaign today! Your donation to NDN Collective directly supports Indigenous organizers, Nations, Tribes, and communities leading the fight for justice and liberation. Donate now to fund the frontlines, fuel the movement, and rematriate wealth. https://ndnco.cc/ftpcdonate   NDN COLLECTIVE'S IMPACT: To learn about our big wins and hear stories from our grantees and loan relative across Turtle Island, read our 2024 Impact Report on our website at: https://ndncollective.org/impact-reports    EPISODE CREDITS:  Guest: Joey Clift Host: Nick Tilsen  Executive Producer: Willi White  Music: Mato Wayuhi  Editor: Willi White Digital Engagement: Angie Solloa Production Support: Layne L. LeBeaux PRESS & MEDIA: press@ndncollective.org  FOLLOW THE PODCAST: https://www.instagram.com/landbackforthepeople  https://www.tiktok.com/@landbackforthepeople   FOLLOW NDN COLLECTIVE: https://ndncollective.org   https://www.instagram.com/ndncollective  https://www.linkedin.com/company/ndncollective/  https://www.facebook.com/ndncol   https://www.threads.net/@ndncollective  https://bsky.app/profile/ndncollective.bsky.social  https://www.tiktok.com/@ndncollective   https://x.com/ndncollective  

In this episode of God Is Red, we walk through Chapter 6 of Taylor's book, Rediscovering Turtle Island. Taylor (Omaha / Cherokee) traces the thread from language migrations and the “overkill hypothesis” to Omaha corn medicine and the Calumet peace rite, asking how ceremony restores balance between sacred feminine and sacred masculine.Learn more about Taylor's work HERE.Purchase Rediscovering Turtle Island HERE.Learn more about Daniel's work HERE.

In this episode Nick Tilsen is joined by Dr. Lilias Jarding, Executive Director of Black Hills Clean Water Alliance, and Taylor Gunhammer, Lead Organizer for the Protect the He Sapa campaign at NDN Collective, to talk about past and current efforts to protect the land and water in the Black Hills of South Dakota, updates on the Protect the He Sapa campaign, and how important intergenerational organizing is to building bridges among people. PRODUCTION DISCLAIMER:  This episode contains a 7 minute audio disruption at the 44 minute and 27 second mark. Basically, the audio recorder stopped recording. But we have the scratch audio! What was shared in this 7 minutes is important, so we made sure to keep it in.  GUESTS: Dr. Lilias Jarding Taylor Gunhammer LEARN MORE:  Visit https://bhcleanwateralliance.org/ and donate to their work. Donate to the Protect the He Sapa campaign by visiting https://ndncollective.org/ Support the For the People Campaign today! Your donation to NDN Collective directly supports Indigenous organizers, Nations, Tribes, and communities leading the fight for justice and liberation. Donate now to fund the frontlines, fuel the movement, and rematriate wealth. ndnco.cc/ftpcdonate NDN COLLECTIVE'S IMPACT: To learn about our big wins and hear stories from our grantees and loan relative across Turtle Island, read our 2024 Impact Report on our website at: https://ndncollective.org/impact-reports   EPISODE CREDITS:  Host: Nick Tilsen  Executive Producer: Willi White  Music: Mato Wayuhi  Editor: Willi White Digital Engagement: Angie Solloa Production Support: Layne L. LeBeaux PRESS & MEDIA: press@ndncollective.org  FOLLOW PODCAST: https://www.instagram.com/landbackforthepeople https://www.tiktok.com/@landbackforthepeople  FOLLOW NDN COLLECTIVE: https://ndncollective.org  https://www.instagram.com/ndncollective https://www.linkedin.com/company/ndncollective/ https://www.facebook.com/ndncol  https://www.threads.net/@ndncollective https://bsky.app/profile/ndncollective.bsky.social https://www.tiktok.com/@ndncollective  https://x.com/ndncollective 

Meet Jennifer Folayan, a proud Cherokee, Pueblo, and Aztec artist, as she shares her inspiring journey and commitment to Indigenous rights. We discuss:1️⃣How to make land acknowledgements personal 2️⃣ How to help synchronicities aka miracles find you3️⃣How to accomplish a big scary goal.Jennifer also tells the Turtle Island origin story, a version of which is held by many Native groups in North America as an example of someone small fulfilling a huge task.On the board of the Baltimore American Indian Center, Jennifer discusses the significance of Indigenous People's Day and her successful work to make it a holiday in Baltimore.With lots of laughter, Jennifer reflects on her heritage, the importance of recognizing land, and the challenges of Native American erasure. Jennifer also opens up about her personal battles, including growing up in foster care and overcoming childhood abuse. You will be amazed by her stories of resilience, synchronicity, and a mission to honor Indigenous arts and stories globally. This heartfelt conversation navigates from local Baltimore initiatives to her role as an ambassador from Turtle Island to South Africa, amplifying Indigenous voices and promoting healing and connection.You can find out more about Jennifer Folayan by going to her youtube channel:https://www.youtube.com/channel/UC5qI7-wD8DgO6xQYXYbozQQ or following her on Facebook.In the Mother Tree Community we are giving ourselves safe space to feel and accept grief.-Winter is the earth's time to grieve, to let go of ancestral pain.  Join us!Get my free weekly newsletter:https://www.dramandakemp.com/newsletter-sign-upWe have lots of free resources on dramandkemp.com/FREE. Support the showMother tree Network Podcast--Where Earth Wisdom Meets Racial Justice and Women's Leadership. Want to become your unlimited self and evolve the planet?Go here to get the Mother Tree podcast + Show Notes sent to your inbox https://www.dramandakemp.com/podcast

The 2025 UN Climate Change Conference, commonly referred to as COP30, is taking place in Belém, Brazil, known as the "gateway" to the Amazon Rainforest, from November 10 to 21, 2025. This major global meeting has gathered government representatives from the 198 signatory countries, along with delegates from UN bodies, civil society, academia, and industry. Notably, it features a record participation of Indigenous Peoples, with over 3,000 registered delegates, alongside strong representation from women and youth. Cultural Survival has spoken with Indigenous leaders and their representatives to understand their priorities and demands for COP30. In this interview, we hear from Great Grandmother Mary Lyons, an Ojibwe Elder from the Indigenous Environmental Network of Turtle Island. Produced by Dev Kumar Sunuwar (Sunuwar) Music: 'Libres y Vivas', by Mare Advertencia, used with permission. 'Burn your village to the ground', by The Haluci Nation, used with permission.

On Tuesday's "Drivetime with DeRusha".... 3pm - Jason's frustrated by the lack of progress with carjackings in Minneapolis. Plus, army veteran Josh Vrtacnik discusses his service and an amazing gift from DAV of MN. 4pm - Will a new bill passed as part of the shutdown agreement kill the THC business in MN? Jason talks with attorney Carol Moss. Then on DeRusha Eats: Owamni's Sean Sherman has a native-inspired cookbook called "Turtle Island" 5pm - On "The DeRush-Hour" what will Surly Brewing do if the THC business goes away? Jason talks with Omar Ansari. Then - how early is too early for businesses to play Christmas music?

Tuesday 4pm Hour: Jason talks with attorney Carol Moss about a provision in the Senate bill to end the shutdown that she thinks will shut down the burgeoning THC industry in Minnesota. Then on DeRusha Eats, Jason talks with Sean Sherman from Owamni who has a native-inspired cookbook called "Turtle Island" out today! (Photo by Terry Wyatt/Getty Images for Big Machine Label Group)

Jason is joined by Sean Sherman from Owamni about his new native-inspired cookbook "Turtle Island" and the big upcoming move to his new Guthrie space!

In this episode, I talk with Dr. Chris Hoklotubbe and Dr. Danny Zacharias about their book Reading the Bible on Turtle Island and how Indigenous wisdom invites us to see Scripture through a different lens. We explore how the Bible, written by tribal people deeply connected to land and kinship, calls us back into right relationship with Creator, creation, and one another. Chris and Danny share stories that connect the Trail of Tears to the exile in Babylon, the teachings of Jesus to the call of Jubilee, and how truth-telling and reconciliation are part of our ongoing discipleship. This conversation challenges the transactional faith that has shaped so much of Western Christianity and reclaims a relational vision of faith grounded in love, harmony, and gratitude. It's a reminder that reading the Bible through Indigenous eyes doesn't just reveal something new about the text, it helps us remember who we are and how to walk the bright path of Jesus together.H. Daniel Zacharias (PhD, Highland Theological College/Aberdeen) is a Cree-Anishinaabe/Métis and Austrian man originally from Winnipeg, Manitoba (Treaty One territory), with ancestors also residing in Treaty Two, Treaty Three, and Treaty Five territories. He lives in Mi'kma'ki (Nova Scotia) with his wife, Maria, and four children in Wolfville, NS. He is associate dean and professor of New Testament studies at Acadia Divinity College, where he has worked since 2007. He also serves as an adjunct faculty for NAIITS: An Indigenous Learning Community.T. Christopher Hoklotubbe (ThD, Harvard) is a proud member of the Choctaw Nation of Oklahoma. He is the director of graduate studies of NAIITS: An Indigenous Learning Community, the first accredited Indigenous designed, developed, delivered, and governed theological institute. He is also assistant professor of classics at Cornell College (Mount Vernon, Iowa). He is the author of Civilized Piety: The Rhetoric of Pietas in the Pastoral Epistles and the Roman Empire, which was awarded the Manfred Lautenschläger Award for Theological Promise. He and his wife, Stephanie, have two daughters and live near Cedar Rapids, Iowa.Chris & Danny's Book:Reading the Bible on Turtle IslandConnect with Joshua: jjohnson@shiftingculturepodcast.comGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link below Contact me to advertise: jjohnson@shiftingculturepodcast.com Support the show

In this episode Nick Tilsen is joined by Foster Cournoyer Hogan, NDN Collective Bison Coordinator, and Wizipan Little Elk Garriott, NDN Collective President, to announce the launch of a critical mutual aid campaign in response to the SNAP benefits crisis, discuss how this moment calls us into action, and to share about the upcoming work for the Bison Homelands Initiative at NDN Collective.  GUESTS: Foster Cournoyer Hogan Wizipan Little Elk Garriott LEARN MORE: https://ndnco.cc/feedthepeople NDN Collective is launching the "Feed The People" campaign in response to the SNAP benefits crisis. The U.S. Government shutdown is disrupting SNAP, deepening food insecurity in many Native and rural communities.  The crisis is not just about hunger — it reflects the erosion of systems that once ensured community health and sovereignty of food sources.  The "Feed the People" campaign is a call to action for funding mutual aid support in response to the disruption of SNAP in the Oceti Sakowin. While responding to the urgent needs of our community, we are also strengthening traditional food systems and collaborating with Indigenous-led projects focused on food sovereignty. NDN is seeking immediate funding to purchase and distribute bison meat boxes from Sacred Storm Buffalo to families affected in Rapid City and the surrounding communities.  ➡️If you live in Rapid City and are looking for food assistance, we will have our first distribution on November 21. Stay tuned for updates on location and time.  ℹ️Learn more about the campaign: https://ndnco.cc/feedthepeople 

Host Shayla Oulette Stonechild hosts Chyana Marie Sage on the Matriarch Movement Podcast, discussing her new book ‘Soft as Bones,' which has become a national bestseller. Chyana shares her journey from a tumultuous childhood marked by abuse and intergenerational trauma to becoming a renowned storyteller. She emphasizes the importance of cultural roots, storytelling, and healing through writing and ceremony. Chyana also discusses her foundation's mission to create spaces for Indigenous storytelling and her ongoing projects, including a novel adaptation and a short film. The conversation highlights the power of Indigenous storytelling in healing and community building. More about Chyana Marie Sage: Chyana Marie Sage is a Cree, Métis, and Salish writer from Edmonton, Alberta. She has an MFA in creative nonfiction from Columbia University and lives in New York City. Chyana loves to travel and be with nature. She shares the pain of growing up with her father, a crack dealer who went to prison for molesting her older sister. In revisiting her family's history, Chyana examines the legacy of generational abuse, which began with her father's father, who was forcibly removed from his family by the residential schools and Sixties Scoop programs. Yet hers is also a story of hope, as it was the traditions of her people that saved her life, healing one small piece in the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island. https://www.instagram.com/softasbones/ https://storestock.massybooks.com/item/temoIPlhFAidq8S_8vUqOw/⁠ https://chyanamariesage.com/ Thanks for checking out this episode of the Matriarch Movement podcast! If you enjoyed the conversation, please leave a comment and thumbs-up on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/shayla0h/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find more about Matriarch Movement at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://matriarchmovement.ca/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This podcast is produced by Women in Media Network ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.womeninmedia.network/show/matriarch-movement/ Learn more about your ad choices. Visit megaphone.fm/adchoices

അമേരിക്കയിലെ നന്റക്കറ്റ് ദ്വീപിൽ നിന്നും യാത്ര തിരിച്ച ഒയിനോ എന്ന തിമിംഗിലവേട്ടക്കപ്പൽ 1825 ഏപ്രിൽ മാസത്തിൽ പസിഫിക്കിലെ ഫിജി ദ്വീപുകളിൽപെടുന്ന ബട്ടോവ എന്ന ചെറുദ്വീപിനടുത്തുള്ള പവിഴപ്പുറ്റിൽ തട്ടി തകരുകയും നാവികർ ദ്വീപിലേക്കിറങ്ങി രക്ഷപെടുകയും ചെയ്തു. ആ ദ്വീപ്നിവാസികൾ നല്ലവരായിരുന്നുവെങ്കിലും അടുത്തുള്ള ഓനോ എന്ന ദ്വീപിൽ നിന്നെത്തിയ ആളുകൾ നാവികരെയെല്ലാം ക്രൂരമായി വധിച്ചുകളഞ്ഞു. എന്നാൽ അപകടം മുൻകൂട്ടി കണ്ട വില്യം ക്യാരി (William S. Cary) എന്ന നാവികൻ ഒരു ഗുഹയിൽ കയറി ഒളിച്ചിരുന്നു കൂട്ടക്കൊലപാതകത്തിൽ നിന്നും രക്ഷപെട്ടു. ശേഷം ആ ദ്വീപിലെതന്നെ ഒരാൾ ക്യാരിയെ മകനായി ദത്തെടുത്തതിനാൽ ആ നാവികനെ പിന്നീടാരും ഉപദ്രവിച്ചില്ല. രക്ഷപ്പെട്ടെങ്കിലും തിരിച്ചു  നന്റക്കറ്റിൽ എത്തിച്ചേരുക എന്നത് വില്ല്യം ക്യാരിക്ക് ഒരു വിദൂരസ്വപ്നം മാത്രമായിരുന്നു. എങ്കിലും തന്നെപ്പോലെ തന്നെ ഇവിടെ അകപ്പെട്ട് പോയെങ്കിലും ഈ ദ്വീപുകളിൽ അവിടുത്തെ ചീഫുമാരുടെ പ്രീതി സമ്പാദിച്ച് മാന്യമായ നിലയിൽ കഴിഞ്ഞുകൂടുന്ന ഡേവിഡ് വിപ്പിയെന്ന മറ്റൊരു അമേരിക്കക്കാരനെ കൂടി കണ്ടതോടെ വില്ല്യം ക്യാരിക്ക് കുറച്ചൊക്കെ ആശ്വാസമായി. ഇതിനിടെ ക്യാപ്റ്റൻ വാൻഡഫോർഡിൻ്റെ ക്ലേ എന്ന കപ്പൽ അവിടെ വന്നുവെങ്കിലും ചരക്കുകളുമായി അത് മനില ക്ക് പോകുന്നതിനാൽ ക്യാരി ഇപ്രാവശ്യം അതിൽ കയറിയില്ല. 

In Season 3, Episode 6 Nick Tilsen is joined by Brittany Koteles, Executive Director of Land Justice Futures. This organization helps religious land owners pursue land justice – shifting the narrative of land as a commodity to one of repair, restoration, and reciprocity. Land Justice Futures works closely with Christian communities and Catholic sisters to move toward repair.  According to Land Justice Future, the Catholic Church is the world's largest private landowner, with land on every continent, in every country across the globe. In this conversation, Nick and Brittany talk about what LANDBACK means to the Catholic church, what organizing nuns is like, and the very first Catholic land return in history. The Franciscan Sisters of Perpetual Adoration will return two acres of lakefront property to the Lac du Flambeau Band of Lake Superior Chippewa on October 31, 2025. Listen to the episode to hear just how this work is being done and how sisters of the Catholic Church are digging in and riding for LANDBACK.  GUESTS: Brittany Koteles, Executive Director of Land Justice Futures LEARN MORE: https://www.landjusticefutures.org To learn about our big wins and hear stories from our grantees and loan relative across Turtle Island, read our 2024 Impact Report on our website at: https://ndncollective.org/impact-reports Support the For the People Campaign today! Your donation to NDN Collective directly supports Indigenous organizers, Nations, Tribes, and communities leading the fight for justice and liberation. Donate now to fund the frontlines, fuel the movement, and rematriate wealth. ndnco.cc/ftpcdonate For more ways to support, read our For the People Campaign blog: ndnco.cc/25ftpcbb1  EPISODE CREDITS: Host: Nick Tilsen Executive Producer: Willi White Music: Mato Wayuhi Editor: Willi White Copywriter: Jordynn Paz Digital Engagement: Angie Solloa Production Support: Layne L. LeBeaux PRESS & MEDIA: press@ndncollective.org  FOLLOW NDN COLLECTIVE:https://ndncollective.org https://www.instagram.com/ndncollective https://www.linkedin.com/company/ndncollective/ https://www.facebook.com/ndncol https://www.threads.net/@ndncollective https://bsky.app/profile/ndncollective.bsky.social https://www.tiktok.com/@ndncollective https://x.com/ndncollective

അമേരിക്കയിലെ നന്റക്കറ്റ് ദ്വീപിൽ നിന്നും യാത്ര തിരിച്ച ഒയിനോ എന്ന തിമിംഗിലവേട്ടക്കപ്പൽ 1825 ഏപ്രിൽ മാസത്തിൽ പസിഫിക്കിലെ ഫിജി ദ്വീപുകളിൽപെടുന്ന ബട്ടോവ എന്ന ചെറുദ്വീപിനടുത്തുള്ള പവിഴപ്പുറ്റിൽ തട്ടി തകരുകയും നാവികർ ദ്വീപിലേക്കിറങ്ങി രക്ഷപെടുകയും ചെയ്തു. ആ ദ്വീപ്നിവാസികൾ നല്ലവരായിരുന്നുവെങ്കിലും അടുത്തുള്ള ഓനോ എന്ന ദ്വീപിൽ നിന്നെത്തിയ ആളുകൾ നാവികരെയെല്ലാം ക്രൂരമായി വധിച്ചുകളഞ്ഞു. എന്നാൽ അപകടം മുൻകൂട്ടി കണ്ട വില്യം ക്യാരി (William S. Cary) എന്ന നാവികൻ ഒരു ഗുഹയിൽ കയറി ഒളിച്ചിരുന്നു കൂട്ടക്കൊലപാതകത്തിൽ നിന്നും രക്ഷപെട്ടു. ശേഷം ആ ദ്വീപിലെതന്നെ ഒരാൾ ക്യാരിയെ മകനായി ദത്തെടുത്തതിനാൽ ആ നാവികനെ പിന്നീടാരും ഉപദ്രവിച്ചില്ല. രക്ഷപ്പെട്ടെങ്കിലും തിരിച്ചു  നന്റക്കറ്റിൽ എത്തിച്ചേരുക എന്നത് വില്ല്യം ക്യാരിക്ക് ഒരു വിദൂരസ്വപ്നം മാത്രമായിരുന്നു. 

The Tragic Wreck of the Whaleship Oeno (1825) – Stranded and Surviving among Pacific Islanders. In 1825, the American whaleship Oeno, under Captain Samuel Riddell, wrecked on a remote Pacific coral reef between Tonga and Fiji. What began as a routine whaling voyage from Nantucket turned into a desperate struggle for survival on a small island—where only sailor William S. Cary lived to tell the harrowing tale of shipwreck, massacre, and unexpected mercy.Bounty Mutinyhttps://youtu.be/k4mrZdNWgGs?si=OnUquZ01jbENFCGEStory of La Perousehttps://youtu.be/8xwaLzcPryg?si=QnFl6b_twMZvDEzZ——MY BOOKS1 സ്വർണ്ണനഗരം തേടി: ആമസോണ്‍ കണ്ടെത്തിയ കഥ (Mathrubhumi Books)Hard Copy | https://amzn.to/3T5lTioEbook | https://amzn.to/44eYMqW2 മഡഗാസ്കർ (Regal Publishers)Hard Copy | https://amzn.to/3ZN8sr73 സിംഹത്തിന്റെ ശത്രു!: അറ്റ്ലസ് സിംഹങ്ങളുടെ കഥ!Ebook | https://amzn.to/3G8ZdLj——————————Contact meMessage : https://juliusmanuel.com/chatMail : mail@juliusmanuel.com---------------Instagramhttps://instagram.com/juliusmanuel_-------Websitehttps://juliusmanuel.com/ChannelsInstagramhttps://www.instagram.com/channel/AbbAIzWxF6R6qz7O/Whatsuphttps://whatsapp.com/channel/0029Va4U8tZInlqO0BLvpg2V

Sean Sherman is an award-winning chef, educator, author, and activist. A member of the Oglala Lakota Sioux tribe, he is dedicated to reviving Indigenous food traditions through his Minneapolis restaurant Owamni, the nonprofit NATIFS, and cookbooks like the fantastic new book Turtle Island. Today on the show, we talk about the years of research that resulted in Turtle Island, decolonizing Indigenous food traditions, and much more. Also on the show Matt has a great conversation with Natalia Rudin, author of the new cookbook, Cooking Fast and Slow.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this 9th installment of the God is Red series, Taylor Keen (Omaha / Cherokee) takes us deep into his book, Rediscovering Turtle Island. We look straight at the American habit of loving the “passing Indian” while resisting Indigenous knowledge when it asks us to change how we farm, worship, and govern. The reckoning hurts. It also heals.Learn more about Taylor's work HERE.Purchase Rediscovering Turtle Island HERE.Learn more about Daniel's work HERE.

‘All our relations' is a saying often heard in the Indigenous community. Many from Turtle Island feel a responsibility to care for relations across the globe. As violence and uncertainty continue in Gaza, Rosanna speaks with Indigenous artists, activists and health care workers about the connection they feel with Palestinians, and how they're driven to speak out, take action and make space for grief and healing.

On this episode of CounterPunch Radio, we are excited to present a panel discussion featuring Ramzy Baroud and Janene Yazzie, which took place last July at Socialism 2025 in Chicago. Ramzy and Janene discuss the connections between Indigenous struggles worldwide and how the fight for a free Palestine is a fight for justice on all More The post From Turtle Island to Palestine w/ Ramzy Baroud and Janene Yazzie appeared first on CounterPunch.org.

In this episode, Nick sits down with three amazing leaders of the National Native American Boarding School Healing Coalition (NABS). NABS is conducting an oral history project documenting the stories of boarding school survivors for the Library of Congress. The work of NABS includes development and implementation of a national strategy to increase public awareness and cultivate healing for the traumas experienced by those who attended these schools, their families and communities. At the heart of this work is healing. Join us as we dive into the cross-intersections of LANDBACK, truth, reconciliation, healing and boarding schools. GUESTS: Charlee Brissette, Sault St. Marie Tribe of Ojibwe Lacey Kinnart, Sault St. Marie Tribe of Ojibwe Jason Packineau, MHA Nation/Jemez/Laguna Pueblo LEARN MORE: boardingschoolhealing.org To learn about our big wins and hear stories from our grantees and loan relative across Turtle Island, read our 2024 Impact Report on our website at: https://ndncollective.org/impact-reports Support the For the People Campaign today! Your donation to NDN Collective directly supports Indigenous organizers, Nations, Tribes, and communities leading the fight for justice and liberation. Donate now to fund the frontlines, fuel the movement, and rematriate wealth. ndnco.cc/ftpcdonate For more ways to support, read our For the People Campaign blog: ndnco.cc/25ftpcbb1   EPISODE CREDITS: Host: Nick Tilsen Producer: Willi White Music: Mato Wayuhi Editor: Willi White Copywriter: Jordynn Paz Digital Engagement: Angie Solloa Production Support: Layne L. LeBeaux PRESS & MEDIA: press@ndncollective.org

In this discussion we talk with Professor Corinna Mullin who is a member of the Anti-Imperialist Scholars Collective.  Corinna Mullin is an anti-imperialist academic who teaches political science and economics. Her research examines the historical legacies of colonialism and the role of capitalist expansion and imperialist imbrications in producing peripheral state “security dependency,” with a focus on unequal exchange, super-exploitation, resource extraction, and other forms of surplus value drain/transfer as well as resistance. Corinna has also researched and published academic works on border imperialism, struggles around the colonial-capitalist university, fascism, multipolarity, and national liberation, with a focus on the Maghreb, West Asia, and Turtle Island. Corinna was a member of the Steering Committee for the International Peoples' Tribunal on U.S. Imperialism and organizes with CUNY for Palestine and Labor for Palestine. She serves on the Steering Committee of the Professional Staff Congress (PSC)-CUNY's International Committee and is a member of the Delegate Assembly. Full bio from AISC. In this discussion we primarily discuss her piece, Zionism, Imperialism, and the Struggle Against Global Fascism: Palestine as the ‘Hornet's Nest' of US Empire from the Anti-Imperialist Scholars Collective blog The Pen Is My Machete  And a little bit on her piece The ‘War on Terror' as Primitive Accumulation in Tunisia: US-Led Imperialism and the Post-2010-2011 Revolt/Security Conjuncture from Middle East Critique  Also I say more about this in the episode, but Dr. Mullin was fired from CUNY as a result of her stance and organizing with respect to Palestine. We will include a statement from AISC on this and a Statement in Solidarity with CUNY Faculty and Students Facing McCarthyite Retaliation for Palestine Solidarity which we have signed.  There are also a number of other calls to action for faculty and students at CUNY that we will include in the show description. Corinna talks about those at the end of the episode and we strongly encourage folks to support those calls to action it only takes a minute of your time. In this discussion Dr. Mullin talks a little bit about Dr. Ali Kadri's The Accumulation of Waste: A Political Economy of Systemic Destruction and it just so happens that we have a study group on that exact book starting on October 1st, it's available to everyone who supports the show, whether through patreon, BuyMeACoffee or as a YouTube member of the show. Details on that study group and how to join it are linked in the show description. But just to note that there are only about 40 spots left in the group as we publish this, so if you want to join us, make sure you do so ASAP to reserve your space. Calls to Action:  "Hadeeqa Arzoo Malik is being made an example of for the sake of setting the tone across the nation at public universities, as they seek further control over the student movement for Palestine. City College President Vincent Boudreau has already denied her appeal for a drop to the charges, without even an acknowledgement to the 2,000+ calls and emails from the community that demanded her reinstatement. Now, it is time to escalate both our tactics against CUNY and whom we pressure— Take it to the Board of Trustees. Your rage is needed to make it loud and clear that CUNY's repression will not go uninterrupted.  CALL CUNY STUDENT AFFAIRS: 646-664-8800 EMAIL THE BOT: https://tinyurl.com/Defendhadeeqaarzoo" Free Tarek Bazrouk! Tarek is a 20-year-old Palestinian from NYC, unjustly convicted of federal charges stemming from his participation in protests against the genocide in Gaza. "Demand Immediate Reinstatement of Terminated Adjunct Faculty and Defend Academic Freedom Send a letter to Brooklyn College President Michelle Anderson, CUNY Chancellor Félix Matos Rodríguez, and CUNY Board Chairperson William Thompson urging them to reinstate the fired adjunct faculty and protect the rights of CUNY students and workers who stand in solidarity with Palestine. The targeting of these individuals is part of a broader assault on higher education and academic freedom. Their fight is our fight—silencing them is an attack on us all. Send your letter here ➔" Sanctuary & Popular University Network (SPUN statement & instagram) Related conversations: War is the Basis of Accumulation with Ali Kadri Charisse Burden-Stelly on Black Scare/Red Scare  Link to the latest issue of Middle East Critique & the conversation with Matteo Capasso   “Attica Is an Ongoing Structure of Revolt” - Orisanmi Burton on Tip of the Spear, Black Radicalism, Prison Rebellion, and the Long Attica Revolt  Heading Towards Invasion? The US Empire's Campaign Against Venezuela with José Luis Granados Ceja  Palestine's Great Flood with Max Ajl