Podcast appearances and mentions of Jules Feiffer

Crystal is an accomplished off broadway playwright with a new play called OPEN an LGBTQ story about love and magic. We discuss the play, her writing seminars, historic broadway stories, and George Clooney's GOOD NIGHT AND GOOD LUCK, about the war between Communist witch hunter Senator Joe Mccrathy and CBS new anchor Edward R Murrow. Crystal also shared some rare Peter David encounters, and the recent loss of Jules Feiffer who made comics and wrote the first great superhero coffee table book The Great Comic Book Heroes in the 1970s. 

Joe, Kyle, and Rick review the musical comedy, Popeye. Directed for film by Robert Altman, written by Jules Feiffer based on the comic of the same name created by E.C. Segar, and with music by Harry Nilsson. The film stars Robin Williams, Shelley Duvall, Paul L. Smith, Ray Walston, and Wesley Ivan Hurt. We ranked 12 of the songs from the deluxe soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

Giuseppe Castellano talks to Skylar Smith, Professor of Liberal Arts at the Ringling College of Art and Design, about why there's no time like the present to start learning about illustration history; whether an illustration is fully complete without the interpretation of an audience; what Generative AI and a lawsuit by Albrecht Dürer have in common; and more.You can find Skylar on LinkedIn.Artists mentioned in this episode include: Jules Feiffer, Norman Rockwell, George Petty, Miné Okubo, Arthur Szyk, J.C. Leyendecker, Al Parker, Saul Tepper, Norman Bridwell, Beatrix Potter, Todd McFarlane, James Montgomery Flagg, Seymour Chwast, Hilary Knight, Ashley Bryan, Tomi Ungerer, Tex Avery, Eric Carle, George Herriman, Caravaggio, and Albrecht Dürer If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

Hello, media consumers! Bryan and David kick off the week by discussing the chaos surrounding the reporting on the blockbuster trade involving the Dallas Mavericks' decision to send Luka Doncic to the Los Angeles Lakers for Anthony Davis (0:30). Then Bryan, who is in New Orleans, shares the current temperature of radio row (19:16). Later, in the Notebook Dump, they discuss the following: Reports that Chuck Todd is leaving NBC (38:30) The new media switcheroo (42:16) In the Hall of Departed Journalists, they reflect on the life of Jules Feiffer (48:55). Plus, Bryan shares an update on his movie career (0:00).Finally, the Overworked Twitter Joke of the Week and David Shoemaker Guesses the Strained-Pun Headline. Hosts: Bryan Curtis and David Shoemaker Producers: Brian H. Waters and Carlos Chiriboga Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tyler and Tad discussed various comic books and graphic novels, including upcoming releases from Mad Cave and their personal reading experiences. They also touched on healthcare inefficiencies, the proclamation of National Black History Month, and the potential implications of Elon Musk's access to the Federal payment system. Lastly, they shared their excitement for upcoming comic releases and their reading plans for the next few weeks.Consider becoming a patron!Support the show

On this week's episode of The Worst. Comic. Podcast. EVER!: We got the gang back together this week! Cullen has been busy all weekend hosting many comic book panels at Fan Expo Portland. Get this guy a cup of hot tea to save his vocal cords! Another week and Neil Gaiman is still in the news. Now it's impacting other creators. We lost two legends of the comic scene over the last seventy years, with the passing of Jules Feiffer and Art Nichols.  We have our Pick 3 choices sponsored by Clint's Comics.  We would love to hear your comments on the show. Let us know what you've been reading or watching this week. Contact us on our website, Facebook, Twitter, Instagram, or by email. We want to hear from you! As always, we are the Worst. Comic. Podcast. EVER! and we hope you enjoy the show. The Worst. Comic. Podcast. EVER! is proudly sponsored by Clint's Comics. Clint's is located at 3941 Main in Kansas City, Missouri, and is open Monday through Saturday. Whether it is new comics, trade paperbacks, action figures, statues, posters, or T-shirts, the friendly and knowledgeable staff can help you find whatever it is that you need. You should also know that Clint's Comics has the most extensive collection of back issues in the metro area. If you need to find a particular book to finish the run of a title, head on down to Clint's or check out their website at clintscomics.com. Tell them that the Worst. Comic. Podcast. EVER! sent you.

This week on The World’s Greatest Comic Book Podcast™: We remember Jules Feiffer. Neil Gaiman’s publishers have responded. In Tinsel Town: Will Ryan Gosling join the Star Wars? Was Nicepool based on someone? Who did Alan Cumming say is like a dysfunctional divorcing couple? In Comics: Dark Horse has cut ties with Neil Gaiman. Doug […]

Bloomberg investigative reporter Zeke Faux says the Trump family's new crypto businesses have earned them tens of millions, while raising questions about political influence and ethics. Also, we remember Pulitzer Prize-winning cartoonist, playwright and screenwriter Jules Feiffer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Hello, media consumers! Bryan opens the show to share some notes from the press box of the national championship game with David (1:01). Then, they discuss notes and sounds from the game, including Donald Trump's message at halftime and Kirk Herbstreit's emotional reaction to his Ohio State Buckeyes winning it all (11:30). Later, they get into what journalists are facing covering Donald Trump's second presidency (23:21) and the new NBA announcers for NBC and Amazon (37:35).Then, in the Notebook Dump, they discuss the appetite for profiles and movies that were never published (44:11).In the hall of departed journalists, they reflect on the life of Jules Feiffer (48:55). And Bryan shares an update on his movie career .Plus, the Overworked Twitter Joke of the Week and David Shoemaker Guesses the Strained-Pun Headline. Hosts: Bryan Curtis and David Shoemaker Producer: Brian H. Waters Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on Writer's Voice we feature three great conversations. Karen Joy Fowler reflects on the relevance of Ursula K. Le Guin's The Dispossessed and its vision of utopia on the occasion of the 50th anniversary re-issue of that classic work of speculative fiction. She wrote the introduction. Listen to our 2012 interview with Ursulla … Continue reading Utopias, Pipelines, and Political Art: Karen Joy Fowler, Charlotte Dennett, and Jules Feiffer →

Bloomberg investigative reporter Zeke Faux says the Trump family's new crypto businesses have earned them tens of millions, while raising questions about political influence and ethics. Also, we remember Pulitzer Prize-winning cartoonist, playwright and screenwriter Jules Feiffer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Jules Feiffer, illustrator of The Phantom Tollbooth, died last week at age 95. The Pulitzer Prize-winning author and cartoonist began drawing and writing for a living when he was 17. And just last year, Feiffer came out with his first graphic novel for middle grade readers. That book, Amazing Grapes, kicks off with a father's departure, which sets in motion a series of adventures across dimensions for his three children. In today's episode, we revisit a conversation between Feiffer and NPR's Scott Simon about how play became more central to the author's life as he grew older and the importance of "getting away with it."To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Chris Condon has explained the inspiration behind Ultimate Wolverine, and it's not Rob Liefeld. Jules Feiffer has died at age 95. Chris Claremont returns to Wolverine and Kitty Pryde.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

By now many have seen the "two-minutes" version of Bishop Mariann Budde's fourteen-plus minute homily at Washington's National Cathedral yesterday. You know, the one where she spoke directly to President Donald Trump, pleading for mercy towards the LGBTQIA+ and the undocumented immigrant. She later explained further the intent to CNN's Erin Burnett. First, there's the audacity of a godless man even showing up a day after he failed to even put his hand on the Bible when taking the oath; the man who hawked "Trump bibles" to fund his legal defense & campaign . I could go on, but that's covered ground. I thought it worth the time today to hear Bishop Budde's entire sermon; it's certainly a lost message for Trump, but is there any hope for redemption in J.D. Vance and the rest of the GOP - and the overwhelmingly conservative-voting evanglical Christian movement in this country? I certainly have my doubts. That being said, a flurry of "January 6th" pardons by the President did rankle even conservative columnists and radio hosts. There's a flicker of hope in the souls of some, it seems. The recent passing of satirist/cartoonist Jules Feiffer reminded many of a cartoon he drew in 1974, fresh off 'Watergate." Eerie how it fits today, as well. Lastly, Charlamagne Tha God had coarse words for those who are blasting Snoop Dogg, Nelly, et al, for taking checks to perform at the Trump Inaugural. He's not wrong to call out the double-standard.

Giuseppe Castellano talks to Pulitzer Prize-winning cartoonist, Jules Feiffer, about the early years of his life and career; how Maurice Sendak and William Steig changed his approach to illustration; why failure is not to be feared; and more.

On this episode, Susanna Chapman, an illustrator who loves picture books, discusses her career in books, her love for an audiobook mausoleum, and why she loves the beginning of a book. We also destigmatize her concern around her main reading format and she tricks me into answering one of my own questions.    The Fastest Drummer: Clap Your Hands for Viola Smith  Pre-Order Dragonflies of Glass: the True Story of Clara Driscoll and the Tiffany Girls    Books mentioned in this episode:    What Betsy's reading:  The Ministry of Time by Kaliane Bradley  The City and It's Uncertain Walls by Haruki Murakami  How to Sell a Haunted House by Grady Hendrix    Books Highlighted by Susanna: Dim Sum Palace by X. Fang Twenty Questions by Mac Barnett & Christian Robinson This One Summer by Mariko Tamaki & Jillian Tamaki  Charlotte's Web by E.B. White Priestdaddy by Patricia Lockwood Alexander and the Terrible, Horrible, No Good, Very Bad Day by Judith Viorst & Ray Cruz The Four Agreements by Don Miguel Ruiz The Bear & The Moon by Matthew Burgess & Catia Chien I Talk Like a River by Jordan Scott & Sydney Smith Fish is Fish by Leo Lionni Daughters & Rebels by Jessica Mitford Goodnight Moon by Margaret Wise Brown Where Butterflies Fill the Sky: A Story of Immigration, Family, and Finding Home by Zahra Marwan It Came From the Trees by Ally Russel This Book is Anti-Racist: 20 Lessons on How to Wake Up, Take Action, and Do the Work by Tiffany Jewel & Aurelia Durand Life's Too Short to Pretend You're Not Religious by David Dark Exvangelical & Beyond: How American Christianity Went Radical and the Movement That's Fighting Back by Blake Chastain  How to Be An Anti-Racist by Ibram X. Kendi  The People's Plaza: Sixty-Two Days of Nonviolent Resistance by Justin Jones  Velveteen Rabbit by Margery Williams & William Nicholson  After the Fall by Dan Santat  Roaming by Jillian Tamaki & Mariko Tamaki    All books available on my Bookshop.org episode page.   Other books mentioned in this episode: Pride and Prejudice by Jane Austen Snail and Worm: Three Stories about Two Friends by Tina Kügler  The Crossover by Kwame Alexander & Dawud Anyabwile  Miss Rumphius by Barbara Cooney  Winnie-The-Pooh by A.A. Milne  The Snowy Day by Ezra Jack Keats  Seeing, Saying, Doing, Playing by Taro Gomi  Somebody's Daughter by Ashley C. Ford  Spinning by Tillie Walden  On Earth We're Briefly Gorgeous by Ocean Vuong  The Napping House by Audrey Wood & Don Wood  Jane Eyre by Charlotte Brontë East of Eden by John Steinbeck  The Grapes of Wrath by John Steinbeck  Big Friendship: How We Keep Each Other Close by Aminatou Sow & Ann Friedman  The Woman in Me by Britney Spears  I Was Their American Dream: A Graphic Memoir by Malaka Gharib It Won't Always Be Like This: A Graphic Memoir by Malaka Gharib My Year of Rest and Relaxation by Ottessa Moshefgh  The Left Hand of Darkness by Ursula K. Le Guin  The Comfort of Crows: A Backyard Year by Margaret Renkl  Late Migrations: A Natural History of Love and Loss by Margaret Renkl  Last Stop on Market Street by Matt de la Peña & Christian Robinson  Milo Imagines the World by Matt de la Peña & Christian Robinson  The Giving Tree by Shel Silverstein  Ulysses by James Joyce  The Phantom Tollbooth by Norton Juster & Jules Feiffer

Buckle up! Award-winning cartoonist and author, Jules Feiffer takes readers on a wild ride in his latest work- Amazing Grapes. A brother and sister team up to find their mother. But they must journey through a strange dimension filled with extraordinary friends and foes. WSHU's Joan Baum has this review.

Jules Feiffer has been drawing and writing for a living since he was 17 years old. Now 95, the illustrator behind The Phantom Tollbooth is out with his first graphic novel for middle grade readers. That book, Amazing Grapes, kicks off with a father's departure, which sets in motion a series of adventures across dimensions for his three children. A two-headed swan serves as the master of ceremonies for the story. In today's episode, Feiffer speaks with NPR's Scott Simon about how play has become more central to the author's life as he's grown older and about his writing process, which involves a lot of scribbling.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Comic Reviews: DC o        Absolute Power: Task Force VII 7 by Dan Watters, Fran Galan o        Batman: The Long Halloween – The Last Halloween 1 by Jeph Loeb, Eduardo Risso, Dave Stewart o        Lobo Cancellation Special by Kyle Starks, Kyle Hotz, Dan Brown Marvel o        Avengers Annual 2024 by Derek Landy, Salvador Larroca, Guru eFX o        Venom War: Daredevil 1 by Chris Condon, Lan Medina, Yen Nitro o        Marvel Unlimited §  Jeff Week by Gustavo Duarte §  Alligator Loki 40 by Alyssa Wong, Robert Quinn §  Lovable Lockheed 4 by Nathan Stockman Boom o        Mighty Morphin Power Rangers/Usagi Yojimbo 1 by Ryan Parrott, Shawn Daley, James Fenner Dark Horse o        Magic Order Five 1 by Mark Millar, Matteo Buffagni, Giovanna Niro o        Masters of the Universe/TMNT: Turtles of Grayskull 1 by Tim Seeley, Freddie Williams II, Andrew Dalhouse o        Survival Street: The Radical Left 1 by James Asmus, Jim Festante, Abylay Kussainov, Ellie Wright DSTLRY o        Missionary 1 by Ryan Stegman, Jason Howard IDW o        My Little Pony: The Storm of Zephyr Heights 1 by Jeremy Whitley, Andy Price, Heather Breckel Image o        Creepshow Volume Three 1 by Chip Zdarsky, Kagan McLeod, James Stokoe o        Knights vs. Samurai 1 by David Dastmalchian, Fede Mele, Ulises Arreola o        Manchurian (Horizon Experiment) 1 by Pornsak Pichetshote, Terry Dodson, Rachel Dodson o        Old Dog Operations 1 by Declan Shalvey; PJ Holden, John McCrea, Mike Spicer; Declan Shalvey, Matias Bergara, Sofie Dodgson; Rory McConville, David O'Sullivan; Sumeyye Kesgin; Declan Shalvey, Luke Sparrow, Dee Cunniffe; Leonardo Romero, Triona Farrell; Alex Paknadel, Chris Sprouse, Dexter Vines; Charles Soule, Gavin Guidry, Chris O'Halloran o        Violator 1 by Marc Andreyko, Piotr Kowalski, Brad Simpson o        Violent Flowers 1 by Maria Llovet Mad Cave o        Revolution 9 1 by Mark London, Carlos Reno, Jao Canola Valiant by o        Black, White, and Bloodshot 1 by Luciano Saracino, Ariel Olivetti; Marc Guggenheim, Agustin Alessio; Matts, Guillermo Fajardo; Tim Seeley, Rodrigo Rocha Magma o        Hell's Half Acre 1 by Denton Tipton, Jack Jadson Indie o        Yuletide Flame by Hayden Fryer OGN Countdown o        Transplants by Dave Collard, Domenico Carbone, Josh Rodriguez o        Grinch Takes a Vacation by Kaeti Vandorn o        New Adventure of Turning Red Vol 2: Panda Power by Sloane Leong, Sergio Algozzino, Sara Galanti o        Moosicians by Steve Behling, Jeff Crowther o        Inventor Vol 2: The Secret of the Scrap Goblin by Lars Henrik Eriksen o        A Quick and Easy Guide to Coming Out by Kristin Russo, Ravi Teixeira o        Spinal Cord by David Brana, Pahito o        Peter Pan in Kensington Gardens o        Amazing Grapes by Jules Feiffer o        Holler by Jeremy Massie Additional Reviews: Wild Robot, Justice League International, Wilderness, Agatha All Along ep3, Penguin ep2 News: rumors of a James Gunn/Jim Lee Superman comic in 2025, Justice League x Sonic, Hellboy: Crooked Man going straight to digital, superhero trademark Trailers: Sinners, Caddo Lake, Dream Productions, Killer Cakes, Sweatpea Comics Countdown (25 September 2024): 1.     Helen of Wyndhorn 5 by Tom King, Bilquis Evely, Mat Lopes 2.     Spectregraph 3 by James Tynion IV, Christian Ward 3.     Ultimate Spider-Man 9 by Jonathan Hickman, Marco Checchetto, Matt Wilson 4.     Lobo Cancellation Special by Kyle Starks, Kyle Hotz, Dan Brown 5.     Action Comics 1069 by Gail Simone, Eddy Barrows, Danny Miki, Jonas Trindade, Rex Lokus 6.     Standstill 2 by Lee Loughridge, Andrew Robinson 7.     Drawing Blood 6 by David Avallone, Kevin Eastman, Troy Little, Ben Bishop, Luis Antonio Delgado 8.     Detective Comics 1089 by Dan Watters, Ram V, Guillem March, Christopher Mitten, Luis Guerrero, Triona Farrell 9.     Batman: Brave and the Bold 17 by Michael Conrad, Christopher Mitten, Miguel Mendonca, Mike Spicer; Zipporah Smith, Mike Norton, John Kalisz; Alex Segura, Andy MacDonald, Patricio Delpeche; Troy Peteri, David Baldeon, Veronica Gandini 10.  Universal Monsters: Frankenstein 2 by Michael Walsh  

Filmmaker and author, Dan Mirvish's recent feature, 18½, starred Willa Fitzgerald, John Magaro and Bruce Campbell as the voice of Nixon. The award-winning film played in 25 festivals, had a 60-city theatrical release, played on 7 airlines and is now available on Starz. Prior to that, Dan directed Bernard and Huey, scripted by Oscar and Pulitzer Prize-winner Jules Feiffer.  It starred Oscar-winner Jim Rash and David Koechner. Dan's film Between Us, an adaptation of the hit Off-Broadway play, starred Julia Stiles, David Harbour, Taye Diggs and Melissa George. He was mentored by Robert Altman on his first film, Omaha (the movie), which led him to co-found the upstart Slamdance Film Festival.  And his film Open House prompted the Academy Awards to rewrite their rules on the Best Original Musical category. Dan co-wrote the critically acclaimed novel I Am Martin Eisenstadt. And he wrote two editions and recorded an audiobook of his non-fiction book, The Cheerful Subversive's Guide to Independent Filmmaking.Dan is a graduate of USC's renowned film school and is a member of the Director's Guild of America. Of note, he's also worked as a speechwriter for U.S. Senator Tom Harkin. 

Greg Mullavey on Game Changers With Vicki Abelson When one of my life's heroes walks off the screen into the reals and supersedes all expectations, that's a home run. So goes it with Mary Hartman Mary Hartman's, Greg Mullavey. I got a taste interviewing him on the Zoom a few years ago, but this go ‘round witnessing him honoring his craft onstage at The Garry Marshall Theatre as Jules Feiffer, in The People VS Lenny Bruce, being eyeball to eyeball sans screens for the first after the show, sharing a warm hug, and culminating with this chat, a master class on auditioning, acting and keeping it real, on screen, on stage, and in life, well, wow! We talked Greg's early days, his pro-basball playing father, a Red Sox, a White Sox, who went on to coach the Dodgers, first in Brooklyn then in LA which got Greg to Hollywood and transitioned him from stage to screen and back again. A late bloomer, first appearing onstage in the Army post his philosophy degree, 100+ shows later from Broadway to stages across the country to Los Angeles, most recently reprising his role as King Lear, Off-Broadway, 25 years later, and hoping to do so yet again. We talked acting school - his cronies, Jack Nicholson, Dennis Hopper, and Harry Dean Stanton, and how a certain someone scored an Easy Ride… his first TV role opposite Telly Savalas, Mary Hartman, Mary Hartman––Louise Lasser, Norman Lear, Mary Kay Place, Dabney Coleman, Martin Mull, Fred Willard… Bob & Carol & Ted & Alice and how both went over with his folks… meeting Meredith MacCrae, their high profile marriage, his Broadway debut (the thrill), opposite Mia Farrow, co-starring off-Broadway with Marlo Thomas, iCarly and a new generation and his ongoing important theatrical collaborations with lawyer Martin Garbus and playwright Susan Charlotte shining a spotlight on human rights. We talked health, well-being, supplements, COVID, how he met Ariana, his partner of 25ish years, and why they made it legal. Greg's still starring on stage appearing on screen, coaching young actors, with no evidence of slowing down. And he's still learning lines - King Lear, for heaven's sake. I'll have what he's having! I adored Greg Mullavey before I met him - now getting to know this talented, whipsmart, inspiring, warm, kind, generous, compassionate man, I adore, more! Greg Mullavey on Game Changers With Vicki Abelson SPECIAL TIME **Wednesday, 7/24/24, 1 pm PT, 4 pm ET** Streamed Live on my Facebook Replay here: https://bit.ly/4ddycRR

Jules Feiffer's comics in the Village Voice were THE THING back in the swingin' 60s or maybe the 50s, but we still remember them best as the thing that the last liberal wanted to read before he got got by Milo and Cutter John in Bloom County. Well, Feiffer wrote a movie script based on his comics back in the 80s and it got lost for 30 years, but now they found it and they made it. Bernard and Huey... get old!

A hilarious, subversive story about a dog who can't . . . bark! 

Shiver me timbers and blow me down! Comfort Films Podcast is dropping anchor in Sweethaven to start a month of celebrating Robin Williams films! In this first episode of the series, we're joined by guest Jenn Riedell for a surreal trip down memory lane as we discuss this buried treasure of a musical, directed by Robert Altman and scripted by Jules Feiffer. Featuring Robin Williams in his first lead role in film, Popeye is also a vehicle for a magical soundtrack of songs from 70s pop star Harry Nilsson. We discuss the amazing set built in Malta, which still exists as a tourist attraction, Shelley Duvall's totally iconic performance as Olive Oyl, Ray Walston's crotchety and hilariously named character Poopdeck Pappy, the bizarre religious underpinnings of Popeye's famous catchphrase, the film's comic strip origins, the many talented circus performers who bring the film to life, and the birth of home video, which paved the way for young Gen Xers to start watching and rewatching comfort movies (complete with some bad humming of the HBO theme song from the 80s). Pop open a can of spinach and give us a listen!

Born in Portland, Oregon to Don and Wilda Plympton, he grew up in a large family of three girls and three boys. For the six children it was often far too wet to play outside. Plympton credits Oregon's rainy climate for nurturing his drawing skills and imagination. He also was a cub scout and played little league when the weather permitted. In 1964 he graduated from Oregon City High School where he participated in the art club. He went on to Portland State University, where he edited the yearbook and was a member of the film society, creating posters for them. It was here where he picked up his obsession for film – it was for this film society that he first attempted animation, making a yearbook promo that was accidentally shot upside-down, rendering it totally useless. To avoid the Vietnam War, Plympton served in the National Guard from 1967 to 1972. In 1968, he moved to New York City and began a year of study at the School of Visual Arts. Making the Big Apple his home, Plympton served 15 years as an illustrator and cartoonist. Between toting his portfolio and catching cheap matinees, he designed the magazines: Cineaste, Filmmakers Newsletter, and Film Society Review. His illustrations have graced the pages of The New York Times, Vogue, House Beautiful, The Village Voice, Screw, and Vanity Fair. His cartoons appeared in such magazines as Viva, Penthouse, Rolling Stone, National Lampoon, and Glamour. In 1975, in The Soho Weekly News, he began “Plympton,” a political cartoon strip. By 1981, it was syndicated in over twenty papers by Universal Press Syndicate. All his life, Bill Plympton has been fascinated by animation. When he was fourteen, he sent Disney some of his cartoons and offered up his services as animator. They wrote back and told him that while his drawings showed promise, he was too young. It wasn't until 1983 that he was approached to animate a film. The Android Sister Valeria Wasilewski asked Plympton to direct and animate a film she was producing of Jules Feiffer's song, “Boomtown.” Connie D'Antuono, another of the film's producers, “sort of held my hand through the whole process,” Plympton says. “It was a great way to learn to make a film.” Immediately following the completion of “Boomtown,” he began his own animated film, “Drawing Lesson # 2.” Production of the live action scenes was slow due to inclement weather, so Plympton decided to start on another film. For this one, he contacted Maureen McElheron, an old friend with whom he had performed in a Country Western Band (he played pedal steel guitar), and she agreed to score “Your Face.” Due to budgetary considerations, she also sang. Her voice, eerily decelerated to sound more masculine, combined with a fantastically contorting visage helped garner the film a 1988 Oscar nomination for best animated short. “Suddenly people began returning my phone calls,” remembers Plympton. He became very hot in the commercial business doing spots for such clients as Trivial Pursuit, Nutrasweet, Taco Bell, AT&T, Nike, Geico, United Airlines and Mercedes-Benz. His work also started appearing with more and more frequency on MTV and in the increasingly popular touring animation festivals. After a string of highly successful short films (“One of Those Days,” “How to Kiss,” “25 Ways to Quit Smoking,” and “Plymptoons”), he began thinking about making a feature film. His shorts were winning prizes like crazy and he wanted a new challenge – and, as he puts it, “I'd wanted to make a full-length movie ever since I was a kid.” What came to be called THE TUNE was financed entirely by the animator himself. Sections of the feature were released as short films to help generate funds for production. These include “The Wiseman” and “Push Comes to Shove,” the latter of which won the 1991 Prix du Jury at the Cannes Film Festival. With money from his short film prizes and commercial work, he was able to complete THE TUNE and realize a childhood dream. The completed TUNE also made the rounds of the film festivals, garnering the prestigious Houston WorldFest Gold Jury Special Award as well as a Spirit Award nomination for Best Film Score and was distributed nationally by October Films. After personally drawing and coloring 30,000 cels for THE TUNE, Plympton moved to live-action. J. LYLE, his first live-action feature, is a wacky, surreal comedy about a sleazy lawyer who meets a magical talking dog that changes his life. “Making THE TUNE, I had a lot of ideas I realized wouldn't work with animation, but would be lots of fun with real people! I took those ideas and made J. LYLE. Besides, my hand needed a rest after drawing THE TUNE.” After a successful festival circuit, J. LYLE was released in theaters around the country. Like THE TUNE, J. LYLE was financed entirely by the animator himself. Plympton's second live-action feature, GUNS ON THE CLACKAMAS, a behind-the-scenes look at an imaginary disastrous Western, was shot in Oregon and New York. Plympton says the idea came from the 1937 movie “Saratoga”, in which star Jean Harlow died during the filming and a stand-in was used to finish. “It was supposed to be a drama,” says Plympton, “but it ended up being funny. Every time Harlow was in a scene, a box or something blocked the view.” As with J. LYLE,GUNS ON THE CLACKAMAS got a limited theatrical release. In 1996, Bill Plympton followed “Mala Noche” writer Walt Curtis around his Portland hometown to record him reading his poetry. This outrageous performance film hit the festival circuit in 1997 to stunned audiences. It is entitled WALT CURTIS, PECKERNECK POET. In 1998, Bill returned to animation with I MARRIED A STRANGE PERSON. It's a heartwarming story of a newlywed couple on their wedding night. Grant, the husband, starts experiencing strange, supernatural powers and Kerry, his wife, can't cope. Whenever Grant thinks of something, it becomes reality, yet he doesn't know where these magical powers come from. Once again Bill Plympton single-handedly drew and financed an animated feature extravaganza – only this time for adults and the politically incorrect. It was released by Lions Gate Films to good box office numbers and still plays today on cable TV. Bill's next animated feature, MUTANT ALIENS, the story of a stranded astronaut returning to Earth after 20 years in space, was completed in January 2001 and premiered at the Sundance Film Festival. It won the Grand Prix in Annecy 2001 and was released in theatres in 2002. It has played all over the world to huge audiences. Bill's feature film, HAIR HIGH, is a gothic '50s high-school comedy about a love-triangle that goes terribly bad, with two young, murdered teens returning to their prom to get revenge. It stars the voice talents of Sarah Silverman, David & Keith Carradine, and Dermot Mulroney, and was co-produced by Martha Plimpton. Plympton charted new territory in animation, this time by broadcasting all of his drawing for the film live on the web at www.hairhigh.com. The film was completed in January 2004, released in over 50 cinemas around the country – and was released on DVD. Bill's short film GUARD DOG has been a hit at film festivals and it brought Bill his second Oscar nomination in January 2005. Two equally successful sequels soon followed, “Guide Dog” in 2006 and “Hot Dog” in 2008. Throughout his career, Bill has always made 2 to 3 short films a year that keep bringing in a solid income from sales around the world. His feature film, IDIOTS AND ANGELS, was completed in 2008 and after a successful run on the film festival circuit, was released in U.S. theaters in 2010. The film features the music of Tom Waits, Pink Martini, Nicole Renaud and Maureen McElheron, and no dialogue. It's a much more mysterious film than his previous ones, a dark comedy about a man's battle for his soul. “Because this film has no dialogue,” Plympton says, “I wanted music to play throughout – almost like a long opera – or an extended string of music videos. The look of the film is very Eastern European – something like what Jan Svankmayer might make, or David Lynch if he made animation – very dark and surreal.” Bill waited a little while before starting his next feature, and used the time to release several successful short films, such as THE COW WHO WANTED TO BE A HAMBURGER, SUMMER BUMMER andDRUNKER THAN A SKUNK. But eventually his plans returned to feature-length animation, and he started work on CHEATIN', the story of two lovers, Jake and Ella, who encounter jealousy and insecurity after their perfect courtship. Partially inspired by the works of James M. Cain, and partially inspired by a past relationship, CHEATIN' is a tale of exaggerated passion and star-crossed lovers, exploring the dual nature of how two people immensely attracted to each other can also want to kill each other at the same time. CHEATIN‘ may also be the first animated feature partially funded on Kickstarter, with loyal Plympton fans kicking in over $100,000 needed to finish it. Plympton's movies have won him such a loyal following that the cable channel Shorts HD bought the rights to his entire library and set up a Bill Plympton channel on iTunes, something he hopes will engage a whole new generation of fans. Bill is currently working on finishing HITLER'S FOLLY, a mock-umentary about Adolf Hitler's love of animation. He's directing and drawing another film called REVENGEANCE, written by animator Jim Lujan, which is also being partially funded through a Kickstarter campaign.

Brady, Josh and Alison vent a manic screed of Little Murders - the 1971 satire starring Elliott Gould and Marcia Rodd, directed by Alan Arkin, and written by Jules Feiffer.Plus!Black Phone, Skinamarink, Stalked By My Doctor: The Return, Cyberpunk Edgerunners and graduating with laser honors!Send submissions to our Child Throwing and Man on Fire lists!Leave us a voicemail! We'll play it on the show. Check out the Solid Six Store!Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and TwitterLeave a review on Apple Podcasts and Spotify!

ANALYSE Radio Rackham nærstuderer Spirit-historien “Ten Minutes” af Will Eisner og Jules Feiffer, blandt de mest mindeværdige episoder af den legendariske avistegneserie, der i sin godt tiårige levetid satte nye standarder for hvad en tegneserie kan fortælle, hvordan den gør og hvorfor den er sin egen kunstform. “Ten Minutes” blev oprindeligt publiceret i The Spirit Section 11 september 1949, mod slutningen i seriens absolutte storhedstid, ca. 1946-49, hvor Eisner med bl.a den unge Jules Feiffer (senere legendarisk tegner og forfatter i egen ret) viste verden hvad tegneserier kunne. The Spirit Section, i hvilken The Spirit havde udfoldet sig siden 1940 var et avistillæg med tegneserier produceret af Eisners tegnestue og solgt til aviser landet over. Det havde millioner af læsere. Frederik Storm, Thomas Thorhauge og Matthias Wivel læser historien billede for billede for at blive klog på, hvordan Eisner og Feiffer iscenesætter en lille skæbnesfortælling fra New Yorks lejekaserners slum: En bottle episode som det i dag hedder på TV, som udfolder sig i realtid—de ti minutter, det (cirka) tager at læse den, udfolder de ti sidste minutter i hovedpersonens Freddys liv. Kvasi-superhelten The Spirit, seriens angivelige hovedperson, optræder kun i margin. Læsningen af “Ten Minutes” giver anledning til en bredere diskussion af The Spirit, herunder Eisners litterære ambitioner og hvor godt—eller måske mangelfuldt—de indfries, herunder hans livslange optagethed at tidens natur og skæbnens rolle i vore liv. Udvalgte klassiske historier inddrages, ligesom paralleller trækkes til andre dele af Eisners livsværk og vi lokaliserer måske hans kunst et andet sted, end han selv havde forestillet sig. Læs selv med mens du lytter, “Ten Minutes” kan findes på dansk i Spirit nr. 4 eller i The Spirit Archives VOL 19 og endelig kan du også finde den på Radio Rackhams Instagram

Full episode at patreon.com/thicklinespod. Katie and Sally are joined by Bubbles Zine editor Brian Baynes to discuss the first (and penultimate) issue of Panels magazine (1979). Topics discussed include: Geneviève Castrée, Bill Griffith, Art Spiegelman, CF, Billy Childish, Jules Feiffer, Rube Rooky, Will Eisner, Aline Kominsky-Crumb, the Mets, and lots more. Order issues of Bubbles at bubbleszine.com, visit the forum at bubbleszine.proboards.com, and follow Brian on Instagram @bubbles_zine. Thank you to our Patreon subscribers for making this episode possible!

This week's guest is the wonderful Debbie Thomas! Susan and Sinéad had so much fun chatting to Debbie, who was full of wisdom and wit as we discussed the stories that shaped her - not only the stories in the books she loved, but also the stories of her family. This episode is filled with laughter and suffused with joy, the same joy that Debbie (and we at Storyshaped!) see as being vital in every child's - and every person's - life. Come with us as we meet Debbie, who not only crafts the most wonderful books, but who also uses her storytelling skills to show every single child the true value of story: that their story is important, and that they're worth being listened to. Find Debbie online via her website and find out more about her books, and her work with children in direct provision, in underprivileged areas, and in hospitalsBooks mentioned in this week's episode include Debbie's own:Dead Hairy (Mercier Press)Jungle Tangle (Mercier Press)Monkie Business (Mercier Press)Class Act (Mercier Press)My Secret Dragon (Little Island)Chameleon Dad (Little Island)And the stories and books which shaped her include:The Storytelling Animal, by Jonathan GottschallThe Seven Basic Plots, by Christopher BookerThe Science of Storytelling, by Will StorrAndrew Stanton: The Clues to a Great Story (TED Talk)Steering the Craft, by Ursula K. Le GuinHarry the Dog (series), by Gene ZionFlat Stanley (series), by Jeff BrownThe King of the Copper Mountains, by Paul BiegelMy Naughty Little Sister (series), by Dorothy Edwards and Shirley HughesThe Chronicles of Narnia, by C.S. LewisThe work of Roald DahlThe Phantom Tollbooth, by Norton JusterThe Tin Drum, by Gunter GrassMidnight's Children, by Salman RushdieThe Dragonfly Pool, by Eva IbbotsonThe Abominables, by Eva IbbotsonEast of Eden, by John SteinbeckThe International Yeti Collective, by Paul Mason and Katy RiddellThe Annotated Phantom Tollbooth by Norton Juster, ill. Jules Feiffer, Notes by Leonard S. MarcusCollected Fairy Tales"This life was hired out to me/To decorate the earth with glee."Our podcast bookshop in Ireland is Halfway Up the Stairs: www.halfwayupthestairs.ieIn the UK, check out our storefront on: https://uk.bookshop.org/shop/Storyshaped. Disclaimer: If you buy books linked to our site, we may earn a commission from bookshop.org, whose fees support independent bookshops. Hosted on Acast. See acast.com/privacy for more information.

Episode 105: This week on the “Dan's Talks” podcast, Dan speaks with Jules Feiffer, cartoonist and author. Feiffer has been considered the most widely … Read More

Join our hosts Frances, Dorian, and Rebecca as they discuss THE PHANTOM TOLLBOOTH by Norton Juster, illustrated by Jules Feiffer, and chat about their recent reading. For our next episode, we will discuss Kate Zambreno's TO WRITE AS IF ALREADY DEAD. Read along with us if you like! Click here for a full list of books discussed. Visit us online at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Twitter at @pod_bright Frances: @nonsuchbook Dorian: @ds228 Rebecca: @ofbooksandbikes Dorian blogs at https://eigermonchjungfrau.blog/ Rebecca writes a newsletter at https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

On a special double feature/dual podcast episode of 70 Movies We Saw in the 70s/Cinematalk commemorating the screenings of both films at UW Cinematheque, Ben Reiser and Jim Healy take a deep dive into a “Fistful of Feiffers”, discussing both LITTLE MURDERS (1971) and CARNAL KNOWLEDGE (1971). ‘71 was a big year for screenwriter/playwright/cartoonist Jules Feiffer, with Alan Arkin's LITTLE MURDERS and Mike Nichols' CARNAL KNOWLEDGE both hitting screens within six months of each other. Listen along as Jim and Ben try to suss out Feiffer's inspirations, figure out what genres these films do and don't fall into, Elliott Gould on top of the world, Candice Bergen's best work, waiting for Godard, Gordon Willis goes wild, Nicholson as man-baby, magnificent Ann Margret, and much more, including not one, but TWO rounds of “What else was playing that week?”.

Join our hosts Frances, Dorian, and Rebecca as they discuss THE HOUSE OF MIRTH by Edith Wharton and chat about their current reading. For our next episode, we will discuss THE PHANTOM TOLLBOOTH by Norton Juster and illustrated by Jules Feiffer. Read along with us if you like! Books mentioned: The House of Mirth by Edith Wharton The Age of Innocence by Edith Wharton The Custom of the Country by Edith Wharton Summer by Edith Wharton Old New York by Edith Wharton Edith Wharton by Hermione Lee Edith Wharton by R.W.B. Lewis The Reef by Edith Wharton The Awakening by Kate Chopin Lolly Willowes by Sylvia Townsend Warner The Sun Also Rises by Ernest Hemingway Washington Square by Henry James Five Little Indians by Michelle Good Happening by Annie Ernaux, translated by Tanya Leslie The Longcut by Emily Hall Treacle Walker by Alan Garner After Sappho by Selby Wynn Schwartz Post After Post-Mortem by E.C.R. Lorac A Murder Too Many by E.X. Ferrars Smoke Without Fire by E.X. Ferrars The Phantom Tollbooth by Norton Juster, illustrated Jules Feiffer Visit us online at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Twitter at @pod_bright Frances: @nonsuchbook Dorian: @ds228 Rebecca: @ofbooksandbikes Dorian blogs at https://eigermonchjungfrau.blog/ Rebecca writes a newsletter at https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

Prior to that, Dan directed the award-winning, critically-acclaimed feature Bernard and Huey, scripted by Oscar/Pulitzer-winner Jules Feiffer, and starring Oscar-winner Jim Rash and David Koechner which screened in over 30 film festivals on 5 continents, had a nationwide US theatrical release, and sold to over 49 countries. Dan is the author of the bestselling non-fiction book The Cheerful Subversive's Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution from Focal Press/Routledge.The fully updated, post-pandemic 2nd Edition starting selling on July 6, 2021 and hit #1 on Amazon's New Releases chart. His film Between Us, an award-winning feature starring Julia Stiles and Taye Diggs, played in 23 festivals in 7 countries, and got a 50+ city theatrical release in the US, and sold to 144 countries, plus screening on Netflix, Showtime, Starz and all digital outlets.Dan was mentored by Robert Altman on his first film, Omaha (the movie), which led him to co-found the upstart Slamdance Film Festival. His film Open House prompted the Academy Awards to controversially rewrite their rules on the Best Original Musical category. Mirvish also co-wrote his bestselling, critically-acclaimed novel I Am Martin Eisenstadt based on the fake McCain advisor who took credit for Sarah Palin not knowing Africa was a continent.A former speechwriter for U.S. Sen. Tom Harkin, Dan has a master's degree from USC film school, is a member of the Directors Guild of America, has guest lectured at more than 45 film schools and universities and was named as one of Variety's Top 50 Creatives to Watch.

Samantha reviews the dark comedy Why Women Kill, Indy re-reads some of his childhood favourites like; The Phantom Tollbooth, Maniac Magee, & Bridge to Terabithia, then we prepare to finish of the Step up series with the Chinese film Step Up: Year of the Dance, AKA Step Up China! Plus ice cream cone laws, keeping secrets, sweet sweet crime, Nova reruns, Animal Planet, Samantha's murder plans, & more!   Why Women Kill is an American dark comedy-drama anthology television series created by Marc Cherry. Set in multiple time periods, the series depicts the events leading to deaths caused by women. It premiered on August 15, 2019, on CBS All Access and its first season consists of 10 episodes.[1] The second season premiered on June 3, 2021, on Paramount+.[2] In December 2021, the series was renewed for a third season.   The Phantom Tollbooth is a children's fantasy adventure novel written by Norton Juster, with illustrations by Jules Feiffer, first published in 1961. The story follows a bored young boy named Milo who unexpectedly receives a magic tollbooth that transports him to the once prosperous, but now troubled, Kingdom of Wisdom.    Maniac Magee is a novel written by American author Jerry Spinelli and published in 1990 Exploring themes of racism and inequality, it follows the story of an orphan boy looking for a home in the fictional town of Two Mills.   Bridge to Terabithia is a novel written by Katherine Paterson, about two children named Leslie and Jesse who create a magical forest kingdom in their imaginations. The book was originally published in 1977 by Thomas Crowell, and in 1978, it won the Newbery Medal.

Alex Grand and co-host Jim Thompson interview Fantagraphics publisher, The Comics Journal co-founder, and Genius in Literature Award recipient Gary Groth, in part 2 of a 2 parter covering his full publishing career starting at age 13, his greatest accomplishments and failures, feuds and friends, journalistic influences and ideals, lawsuits and controversies. Learn which category best describes ventures like Fantastic Fanzine, Metro Con ‘71, The Rock n Roll Expo '75,  Amazing Heroes, Honk!, Eros Comics, Peanuts, Dennis the Menace, Love and Rockets, Jacques Tardi, Neat Stuff and the famous Jack Kirby interview; and personalities like Jim Steranko, Pauline Kael,Harlan Ellison, Hunter S. Thompson, Kim Thompson, CC Beck, Jim Shooter, Alan Light and Jules Feiffer. Plus, Groth expresses his opinions  ... on everything! Edited & Produced by Alex Grand. Images used in artwork ©Their Respective Copyright holders, Photo ©Chris Anthony Diaz  CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians.  Music - standard license, Lost European.CBH Interview SeriesComic Book Historians Podcast#TheComicsJournal #GaryGroth #FantagraphicsSupport the show

Prior to that, Dan directed the award-winning, critically-acclaimed feature Bernard and Huey, scripted by Oscar/Pulitzer-winner Jules Feiffer, and starring Oscar-winner Jim Rash and David Koechner which screened in over 30 film festivals on 5 continents, had a nationwide US theatrical release, and sold to over 49 countries. Dan is the author of the bestselling non-fiction book The Cheerful Subversive's Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution from Focal Press/Routledge.The fully updated, post-pandemic 2nd Edition starting selling on July 6, 2021 and hit #1 on Amazon's New Releases chart. His film Between Us, an award-winning feature starring Julia Stiles and Taye Diggs, played in 23 festivals in 7 countries, and got a 50+ city theatrical release in the US, and sold to 144 countries, plus screening on Netflix, Showtime, Starz and all digital outlets.Dan was mentored by Robert Altman on his first film, Omaha (the movie), which led him to co-found the upstart Slamdance Film Festival. His film Open House prompted the Academy Awards to controversially rewrite their rules on the Best Original Musical category. Mirvish also co-wrote his bestselling, critically-acclaimed novel I Am Martin Eisenstadt based on the fake McCain advisor who took credit for Sarah Palin not knowing Africa was a continent.A former speechwriter for U.S. Sen. Tom Harkin, Dan has a master's degree from USC film school, is a member of the Directors Guild of America, has guest lectured at more than 45 film schools and universities and was named as one of Variety's Top 50 Creatives to Watch.

Alex Grand and co-host Jim Thompson interview Fantagraphics publisher, The Comics Journal co-founder, and Genius in Literature Award recipient Gary Groth, in Part 1 of a 2 parter covering his full publishing career starting at age 13, his greatest accomplishments and failures, feuds and friends, journalistic influences and ideals, lawsuits and controversies. Learn which category best describes ventures like Fantastic Fanzine, Metro Con ‘71, The Rock n Roll Expo '75,  Amazing Heroes, Honk!, Eros Comics, Peanuts, Dennis the Menace, Love and Rockets, Jacques Tardi, Neat Stuff and the famous Jack Kirby interview; and personalities like Jim Steranko, Pauline Kael,Harlan Ellison, Hunter S. Thompson, Kim Thompson, CC Beck, Jim Shooter, Alan Light and Jules Feiffer. Plus, Groth expresses his opinions  ... on everything!   Edited & Produced by Alex Grand. Images used in artwork ©Their Respective Copyright holders, Photo ©Chris Anthony Diaz  CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians.  Music - standard license, Lost European.CBH Interview SeriesComic Book Historians Podcast#TheComicsJournal #GaryGroth #FantagraphicsSupport the show (https://www.patreon.com/comicbookhistorians)

Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.www.creativeprocess.info

"Laurie Anderson, Leslie Odom Jr. from Hamilton was here a couple of years ago. It was fantastic. Judd Hirsch. I got a chance to drive in my car with Charles Durning and Jack Klugman, two character actors that I admired all my life. It was a surreal experience.When I got here, I started to do some of the Shakespeare plays, working sometimes with kids from the community and professional artists. Michael Nathanson played Hamlet with us in 2005. Alec Baldwin, Eric Bogosian, Jeffrey Tambor, Anne Jackson and Eli Wallach, who lived in East Hampton about two blocks from here. They were involved in the John Drew Theater from the 60s, 70s, and 80s. Through much of their lives, they were lifetime performers at Guild Hall, always in the summer doing a little something. Eli worked up until his 90s, and he was still working, as sharp as a tack. There have been so many artists here. Two summers ago, Questlove was here interviewing Jerry Seinfield on the stage and Alec Baldwin has been our board president for a number of years. He liked the renovations. He liked the show that Harris Yulin did with Amy Irving. He loved The Glass Menagerie and he loved the renovation. So he said, I want to get involved with you guys. The Hamptons is a wonderfully welcoming place to make art. I think going back to the time of Jackon Pollock and before him the tile painters, this has been an artist colony. And I think there is still a spirit of that around."Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.www.creativeprocess.info

The Phantom Tollbooth is a 1970 Chuck Jones adaptation of the book of the same name by Norton Juster and Jules Feiffer. You know, the Village Voice cartoonist? That's enough justification... or should we say... JUSTERification... for us. Let's do it!

The Phantom Tollbooth is a 1970 Chuck Jones adaptation of the book of the same name by Norton Juster and Jules Feiffer. You know, the Village Voice cartoonist? That's enough justification... or should we say... JUSTERification... for us. Let's do it!

The Phantom Tollbooth is a 1970 Chuck Jones adaptation of the book of the same name by Norton Juster and Jules Feiffer. You know, the Village Voice cartoonist? That's enough justification... or should we say... JUSTERification... for us. Let's do it!

A Dailyish dose of wonder with Jules Feiffer, Ellen DeGeneres and the contributors to imaginary works of art. Written, narrated, and engineered by Jill Badonsky.Follow Jill Badonsky on Instagram, Facebook, or the newsletter.

Marcy and Jennie talk with the legendary Jules Feiffer about comics, his career, and his new picture book Smart George. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcy and Jennie talk with the legendary Jules Feiffer about comics, his career, and his new picture book Smart George.

Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.· www.guildhall.org/people/josh-gladstone/· www.creativeprocess.info

Josh Gladstone has served as Artistic Director of the John Drew Theater at Guild Hall since 2000 where most recently he directed Alec Baldwin, Blair Underwood and Rob Morrow in the comedy Stan The Man by Eugene Pack, and acted alongside Mercedes Ruehl and F. Murray Abraham in Jules Feiffer's A Bad Friend, an evening celebrating the playwright's 90th birthday. At the Drew he's directed and produced such plays as Romeo & Juliet, Extinction, Steve Martin's The Underpants, All My Sons starring Laurie Metcalf and Alec Baldwin; Clever Little Lies starring Marlo Thomas; Tony Walton's productions of Tonight at 8:30 starring Blythe Danner, Equus starring Alec Baldwin and Moby Dick Rehearsed starring Peter Boyle; and The Glass Menagerie starring Amy Irving. Regional credits include Children's Theatre Co.; Shakespeare Theatre, DC; and four seasons as Artistic Director of Hamptons Shakespeare Festival.· www.guildhall.org/people/josh-gladstone/· www.creativeprocess.info

Time Codes: 00:24 - Introduction 02:16 - Setup of interview 04:20 - Interview with Jules Feiffer 58:54 - Wrap up 59:26 - Contact us In 2014 Jules Feiffer published Kill My Mother (Liveright Publishing), a noir crime narrative set in 1933 -- and then later moving forward into 1943 -- involving not only hard-boiled characters, but also their exploits within the entertainment industry. Feiffer followed that up in 2016 with Cousin Joseph, the second book in what was now projected as a trilogy. That graphic novel is, in many ways, a prequel to the earlier book. Taking place in 1931, readers are introduced to police detective Sam Hannigan, a figure who looms largely over Feiffer's recent run. His spirit is likewise prevalent in the new graphic novel, The Ghost Script. With this book, Feiffer wraps up his series, which he has called an “accidental noir trilogy.” In this interview, Derek talks with Feiffer about the “accidental” nature of his writing and how the idea for a trilogy came into play. They also discuss his writing style, where, curiously enough, Feiffer sees himself as both instigator and observer to what unfolds under his pen. Over the course of their conversation, Feiffer meditates on his love of noir fiction and films, the challenges he faced in writing this trilogy, and the overriding influences of such legends as Milton Caniff and, especially, Will Eisner. He also discusses the impact of 1950s red scare and the blacklist, which is the temporal setting of The Ghost Script, what that time meant to him as a young writer, and how those politics are not entirely alien to us today. The guys had the pleasure of talking to Feiffer back in 2014 when Kill My Mother was released, so it's only appropriate that Derek talk with him again upon the completion of his noir trilogy.

This week on The Comics Alternative podcast, those funky PhDs, Andy and Derek, discuss three recent titles revolving around the mercenary side of crime fighting. They begin with Jules Feiffer's Cousin Joseph (Liveright Publishing), the second in a planned trilogy of noir-tinged graphic novels. It is the follow up to 2014's Kill My Mother, a text that Feiffer discussed with the Two Guys in a previous interview. The events in Cousin Joseph predate those of the earlier book, making it a sort of prequel. In fact, many of the major players in Kill My Mother make appearances in this new work. Most notable are the characters Elsie and Annie, whose husband/father Sam becomes the central figure in the current narrative. Derek and Andy note the fact that Cousin Joseph is a more tightly constructed, and even a more ambitious, work than its predecessor, especially in its engagements with the sociopolitical matters of its setting. Next, the guys look at the first issue of a new series by Kurtis Wiebe and Mindy Lee. Bounty (Dark Horse Comics) is a futuristic adventure focusing on the exploits of two anticorporate criminal sisters who eventually become bounty hunters. Almost from the beginning, the guys compare this title to Wiebe's Rat Queens, but both Andy and Derek feel that the first issue in this new series lacks the humor and cohesion of the earlier comic. Indeed, there were parts of the story that were unclear -- some of it due to writing, and some because of the its visual perspectives -- and the exposition at the very beginning unintentionally compounded this confusion. Nonetheless, the premise shows promise, and Mindy Lee's art went a long way in carrying the narrative forward. Finally, the Two Guys wrap up with another first issue...sort of. The Paybacks #1, written by Donny Cates and Eliot Rahal, with art by Geoff Shaw, is part of Heavy Metal's new initiative to produce monthly ongoing series, but this isn't the first time we've seen this title. Last year Dark Horse published the series' first narrative arc, four issues recently collected in a trade, and now this recent manifestation picks up where the earlier one left off. Derek and Andy set a context by discussing the Dark Horse series and then segue into the new issue. The transition between publishers is seamless, with Cates and Rahal sustaining the humor and action of their high concept. But what really gets the guys' attention is Shaw's art, with its detail of character expression and more realistic flourishes. Andy and Derek comment that if The Paybacks is the kind of story we can expect coming out from Heavy Metal Comics, then we might just have a publishing endeavor similar to AfterShock on the horizon.