Podcasts about Humphrey Lyttelton

STANDAR SEMANAL-947.Goodbye Pork Pie Hat,.VINILOS MITICOS DEL JAZZ.-947.THE DANNY MOSS QUARTET-WEAVER OF DREAMS,.JAZZACTUALIDAD.-947.NUCLI TRIO-INTERPRETANDO LA MUSICA LAIETANA Moss, hijo de un fabricante de herramientas, aprendió a tocar el saxofón por su cuenta . Tras dejar la escuela, tocó en el quinteto de Wally Rogers en 1943. Tras el servicio militar de 1945 a 1948, donde tocó en una orquesta militar, se convirtió en miembro de la Orquesta Vic Lewis , y luego de Tommy Sampson, de donde Ted Heath lo contrató a él y a otros siete músicos. Después tocó con Johnny Dankworth , con quien actuó en el Festival de Jazz de Newport de 1959 , y también con Alex Welsh . En 1962, Dankworth ya no podía financiar una banda permanente, por lo que Moss trabajó con Humphrey Lyttelton . Desde mediados de la década de 1960 en adelante, tocó principalmente con su propio cuarteto, a menudo acompañando a su esposa, la cantante Jeanie Lambe , con quien actuó en el Festival de Jazz de Montreux de 1972 . A partir de 1970, también formó parte del CCS de Alexis Korner . Grabó también con Tony Bennett , Ella Fitzgerald , Bing Crosby , Sarah Vaughan y Rosemary Clooney . En 1980, fue uno de los miembros fundadores de Pizza Express All Stars , con quienes actuó en el Festival de Jazz de Niza, y también tocó en la big band de Charlie Watts . En 1989, él y su esposa se establecieron en Australia , donde había estado de gira con éxito desde 1983. En 2003, grabó un aclamado álbum a dúo con Stan Tracey . Su hijo es el bajista Danny Moss Jr. Moss se sentía como en casa en la tradición de Coleman Hawkins y Ben Webster . The Independent lo incluye entre los mejores saxofonistas tenores de Gran Bretaña. Nucli Trio nace en el año 2018 y lo forman Guillem Plana a la guitarra, Aleix Forts al contrabajo y David Viñolas a la batería. En sus inicios, empiezan haciendo estándares de los 50’s y de los 60’s del pasado siglo y poco a poco van añadiendo composiciones propias. Rápidamente, Nucli Trio comienzan a girar y en el año 2021 editan un disco homónimo en este mismo sello. Paralelamente se establecen como grupo residente en la Jazz Cava de Vic donde ofrecen los recitales Nucli Trio invita a… donde comparten música con figuras de la escena jazzística. En 2023 se conmemoró el 50 aniversario de la apertura de la sala Zeleste de Víctor Jou. El Zeleste fue inicialmente una sala de copas y conciertos pero poco a poco fue creciendo y se estableció una oficina de management, un sello discográfico y una escuela de música moderna. Podemos afirmar que gracias al Zeleste se consolidó toda una serie de grupos e intérpretes del todo transversales: la Orquestra Mirasol, Jordi Sabatés, Toti Soler, Companyia Elèctrica Dharma, Blay Tritono, Barcelona Traction, Música Urbana, Tropopausa, Jaume Sisa o Gato Pérez entre otros. El 50 aniversario de la apertura del Zeleste fue la chispa ideal para que Nucli Trio empezara a dar forma al proyecto de interpretar la Ona laietana con la colaboración de músicos de aquella época. Elegir el repertorio fue complejo porque era necesario captar toda la esencia de los grupos e intérpretes. Después había que establecer a los músicos layetanos que podrían formar parte del proyecto. Estos fueron Miquel Àngel Lizandra de la Orquestra Mirasol, Jordi Soley de la Companyia Elèctrica Dharma y Eduard Altaba de Blay Tritono y Tropopausa. Los tres cubrían un enorme abanico de todo lo que significaba Zeleste. Miquel Àngel la fuerza renovadora e iniciática de la Orquestra Mirasol, Jordi Soley el empuje y el éxito de la Companyia Elèctrica Dharma, y ​​Eduard Altaba como representante del grueso de músicos más experimentales. Los seis empezaron a ensayar para aparecer en el Festival de Jazz de Vic y en la Nova Jazz Cava de Terrassa. De estos conciertos y del buen entendimiento entre el sexteto, surgió la idea de grabar un disco, el que tienes entre las manos. Además, para la grabación se sumó una colaboración muy especial, la del guitarrista Jordi Bonell que había militado en Secta Sònica y Música Urbana. Bonell puso su guitarra en “No em val haver viscut” de Toti Soler y Joan Vergés. La última en sumarse al proyecto fue Alba Careta que ejemplifica a la perfección este trabajo intergeneracional tan bonito y necesario. Careta toca la trompeta en «No juguis amb set miralls» de la Orquestra Mirasol y canta en «No em val haver viscut». Por su parte, los músicos layetanos brillan en sus respectivos campos. Así nos encontramos a un Miquel Àngel Lizandra liderando con fuerza y ​​personalidad las piezas que aquí se interpretan de la Orquestra Mirasol. Eduard Altaba toma protagonismo a través de dos piezas de Tropopausa: “La mata” y “Beixamela”, donde escribe unos nuevos arreglos que nos invitan a una relectura. Por su parte, Jordi Soley nos muestra una nueva visión de “Ones nones” de la Companyia Elèctrica Dharma que él ha titulado “On ones nones”. Magistral también es la ejecución a piano solo en la última pista de la primera cara donde relee diferentes trozos de “Adéu, estrella del dia”, “Mitjanit”, “Ball llunàtic toc” y “L’Oucomballa”. Solos, Nucli Trio interpretan un clásico del repertorio de Jaume Sisa, “L’home dibuixat”. Sorprende el uso de la melodía a través del contrabajo de Aleix Forts. No podían faltar un par de composiciones propias. En primer lugar «Laietània» de David Viñolas. Inspirada en el sonido layetano e interpretada por Nucli Trio en solitario brilla por la finura y el buen gusto del guitarrista Guillem Plana. Por último y no por ello menos importante, “Subwoofers”, una improvisación libre de Eduard Altaba y Aleix Forts en la que únicamente intervienen los dos contrabajos y que hace de puente entre las dos piezas de Tropopausa. En definitiva, estamos ante un gran trabajo en el que Nucli Trio ha sabido encontrar todos los ingredientes necesarios para dar forma a una obra histórica tanto por su repertorio como por la importancia de sus invitados. Una relectura intergeneracional excelente y necesaria. Àlex Gómez-Font Este trabajo que tienes en tus manos quiere ser un homenaje a la época dorada del Zeleste y a los músicos que formaron parte de esa Barcelona underground, contracultural y ecléctica de los 70, época que nosotros no vivimos. Un movimiento por el que pasaron todo tipo de artistas que han dejado un legado importante, no sólo en la obra musical, sino también en la pedagógica, ya que muchos de ellos fueron profesores de la primera escuela de música moderna del país, ubicada en el mismo Zeleste. Un movimiento poco conocido que no ha trascendido a las generaciones que le han sucedido. Por eso lo queremos reivindicar y poner en valor con este álbum. Nucli Trio hemos trabajado este repertorio con mucho cariño. Esto nos ha permitido echar una mirada atrás y descubrir algunas joyas musicales de nuestro país que desconocíamos.Reinterpretar estos temas y compartirlos con algunos de los músicos que formaron parte activa de la Ona Laietana ha sido una experiencia que nos ha hecho crecer y que nos anima a seguir adelante, haciendo música más allá de etiquetas y modas. Queremos dedicar este disco a todos los músicos que formaron parte de la Ona Laietana: a Víctor Jou y Rafael Moll, auténticos visionarios y precursores en una Barcelona gris y franquista; y especialmente a Jordi Bonell, que se entusiasmó con la idea de participar en el disco y que desgraciadamente no lo ha podido ver acabado. Nucli Trio

Elkie Brooks was on a package tour aged 15, supported the Beatles and the Animals, made a single when she was 19, joined the jazz-rock Dada, then Vinegar Joe (with Robert Palmer) and has since made 20 albums. She's now out on her ‘Long Farewell Tour' and looks back with us here from her home in Devon at … … supporting the Beatles in '64 and an audience already screaming for the headliners.   … memories of Dusty, Cilla and Maggie Bell and how few girl singers there were in the ‘60s and ‘70s. … singing Cliff Richard's ‘Pointed Toe Shoes', aged 15, at the Don Arden talent show that won her a tour with Conway Twitty and Wee Willie Harris. … supporting the Animals at the Paramount, New York. … the male-weighted music world and how long it took to win any respect. … seeing Ella Fitzgerald when she was 12 and being fired up by the range and phrasing of Billie Holiday. … what she learnt from Humphrey Lyttelton and Eric Delaney. … life on the scampi-in-the-basket cabaret circuit as a teenager. … trying to keep Vinegar Joe together after Robert Palmer left.   Book tickets to the Long Farewell Tour here: https://www.elkiebrooks.com/ Hosted on Acast. See acast.com/privacy for more information.

Elkie Brooks was on a package tour aged 15, supported the Beatles and the Animals, made a single when she was 19, joined the jazz-rock Dada, then Vinegar Joe (with Robert Palmer) and has since made 20 albums. She's now out on her ‘Long Farewell Tour' and looks back with us here from her home in Devon at … … supporting the Beatles in '64 and an audience already screaming for the headliners.   … memories of Dusty, Cilla and Maggie Bell and how few girl singers there were in the ‘60s and ‘70s. … singing Cliff Richard's ‘Pointed Toe Shoes', aged 15, at the Don Arden talent show that won her a tour with Conway Twitty and Wee Willie Harris. … supporting the Animals at the Paramount, New York. … the male-weighted music world and how long it took to win any respect. … seeing Ella Fitzgerald when she was 12 and being fired up by the range and phrasing of Billie Holiday. … what she learnt from Humphrey Lyttelton and Eric Delaney. … life on the scampi-in-the-basket cabaret circuit as a teenager. … trying to keep Vinegar Joe together after Robert Palmer left.   Book tickets to the Long Farewell Tour here: https://www.elkiebrooks.com/ Hosted on Acast. See acast.com/privacy for more information.

Elkie Brooks was on a package tour aged 15, supported the Beatles and the Animals, made a single when she was 19, joined the jazz-rock Dada, then Vinegar Joe (with Robert Palmer) and has since made 20 albums. She's now out on her ‘Long Farewell Tour' and looks back with us here from her home in Devon at … … supporting the Beatles in '64 and an audience already screaming for the headliners.   … memories of Dusty, Cilla and Maggie Bell and how few girl singers there were in the ‘60s and ‘70s. … singing Cliff Richard's ‘Pointed Toe Shoes', aged 15, at the Don Arden talent show that won her a tour with Conway Twitty and Wee Willie Harris. … supporting the Animals at the Paramount, New York. … the male-weighted music world and how long it took to win any respect. … seeing Ella Fitzgerald when she was 12 and being fired up by the range and phrasing of Billie Holiday. … what she learnt from Humphrey Lyttelton and Eric Delaney. … life on the scampi-in-the-basket cabaret circuit as a teenager. … trying to keep Vinegar Joe together after Robert Palmer left.   Book tickets to the Long Farewell Tour here: https://www.elkiebrooks.com/ Hosted on Acast. See acast.com/privacy for more information.

Over the past 55 years, musician Danny Thompson has been a bandleader, sideman, group member and composer. Best known as a double-bassist, he has worked with the very best including Richard Thompson, John Martyn and Nick Drake, along with great jazz men such as Humphrey Lyttelton and Tubby Hayes as well as Rod Stewart, Roy Orbison, and Kate Bush. In recent years, he has also played with our podcast subject - Paul Weller. Danny played double bass on two tracks for 2004's Studio 150 album, cover versions of Tim Hardin's Don't Make Promises and the Sister Sledge classic Thinking of You and on 2018's True Meanings. Danny played double bass on the track Come Along. In 2016, he joined Paul on stage in Brighton in a supergroup including Paul with Robert Wyatt, Steve Pilgrim and Ben Gordelier. The range of music that his performances have graced is hard to believe. Working with the many true"Greats" of Blues, Jazz, Folk , World and Popular music. A founding member of influential folk-jazz group Pentangle from 1967-1973 (along with its subsequent reunions and re-versionings) - he has also had a critically acclaimed successful solo career - winning two lifetime achievement awards at the BBC Radio 2 Folk Awards. Find more information on Danny , including our special playlist , at paulwellerfanpodcast.com/episode-101-danny-thompson Make sure that you subscribe / follow and leave a review - and if you want to support the podcast financially, you can buy me a virtual coffee or our new official merchandise at paulwellerfanpodcast.com/store

Growing up in a Maharaja's palace, working on migrant ships to Australia in the 60s and working in Humphrey Lyttelton's wonderful band. Jazz musician Jimmy Hastings discusses the camaraderie of musicians, how in his experience they look after each other through times of sickness and good health. We also talk about the importance of practice alongside the need to let things go when they don't go to plan on stage. Find out more about Jimmy here- http://www.jimmyhastings.co.uk

Early Humph - the first (pre-Parlophone) recordings by Humphrey Lyttelton and His Band for Esquire, London and Tempo in 1948-49. Great early trad featuring Lyttelton, Keith Christie, Harry Brown, Wally Fawkes, George Webb, and Neville Skrimshire --- Support this podcast: https://anchor.fm/john-clark49/support

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit.The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP.A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM…The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit. The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP. A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM… The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit.The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP.A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM…The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit. The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP. A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM… The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Pladesamlingen er et tidsmæssigt nedslag i den jazz, der kunne købes på plade i især Sverige i årene omkring 1950. I denne udsendelse spiller Radio Jazz studievært Mogens Thorborg musik med den engelske trompetist Humphrey Lyttelton, den svenske basunist Åke Persson, den danske pianist Børge Roger Henrichsen og den amerikanske trommeslager Gene Krupas Big Band. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

Den britiske jazzmusiker Humphrey Lyttelton (1921-2008) præsenteres af Radio Jazz studievært John L. Larsen. Sendt i Radio Jazz i 2008 Der er mere jazz på www.radiojazz.dk

"Chill Doom"? Although not really. Coal Black Shine by Humphrey Lyttelton closes out this episode.

Doom 2. Music credit: Wally Plays the Blues by Humphrey Lyttelton. Good night everyone.

Better late than never! The Diesel Powered Podcast presents Swing What You Got! "DJ Swag Commander" Eugene John brings us great vintage, neo-vintage, and electro-swing selections to keep it cool during the hot summer months! On this episode: 1. Maple Leaf Rag  -  Fred Van Eps, from Indestructible Record 823 Vintage Cylinder Recording free recoding archive at 2. Maple Leaf Rag (Skeewiffs Incredibly Big Band Mix) – Skeewiff ft The Tommy Dorsey Orchestra, Humphrey Lyttelton, Kid Ory's Creole Jazz Band & The Dukes Of Dixieland, (https://soundcloud.com/skeewiff/skeewiff-tommy-dorsey-humphrey) 3. Swing Medley  -  The Andrews Sisters, (free download at http://anot.online/view/andrews-sisters-medley.html) 4. The Andrews Sisters Medley (DJ Ecklectic Mick Jolly Up)  -  The Andrews Sisters, (free download at https://soundcloud.com/ecklecticmick/andrews-sisters-medley-xmas) 5. You're The Cream In My Coffee  -   Fred Weems & His Orchestra (free download at http://mp3tune.cc/mp3/you%2527re-the-cream-in-my-coffee) 6. Swinging Tune  -  Black Cat Zoot, (free download http://www.myverymp3.com/mp3/black-cat-zoot-swinging-tune.html) 7. Happy Feet  -  Abbie Gardner (available at https://www.amazon.com/Happy-Feet/dp/B000QWEGFW) 8. Happy Feet (Original Mix)  -  Buscemi, (available at https://www.beatport.com/track/happy-feet-original-mix/5719058) 9. Kiss My Ass  -  Alice Francis (from Saint James Ballroom album), (free download at http://redmp3.su/10699659/alice-francis-kiss-my-ass.html) 10. Throw It Back (Instrumental)  -  ProleteR (from The Rookie EP) (available at http://proleter.bandcamp.com/album/rookie-ep) 11. Swing Thing  -  11 Acorn Lane (from Swing Thing album), (available at https://woodenhatrecords.bandcamp.com/album/swing-thing) 12. I Want To Be Loved By You  -  Hellen Kane (the voice of Betty Boop) (available at https://itunes.apple.com/us/album/i-wanna-be-loved-by-you-single/id490623816) 13. I Want To Be Just Like You  -  Big Bad Voodoo Daddy, (available at https://www.amazon.com/Wanna-Just-Like-Jungle-Book/dp/B0026GQN8Y) 14. Tiger Rag  -  The Mills Brothers (from Swingin' Masterpieces) (available at https://www.amazon.com/gp/search?ie=UTF8&keywords=The+Mills+Brothers+-+Tiger+Rag&tag=lastfmmp3-20&index=digital-music&linkCode=ur2&camp=1789&creative=9325) Also visit our sponsors: Comic Bento - www.mycomicbento.com Audibile - www.audibletrial.com/dieselpowerdpodcast Send us your feedback at feedback@dieselpoweredpodcast.com Become a patron! Click "Donate Now" at www.dieselpoweredpodcast.com! Like us on Face Book - www.facebook.com/dieselpoweredpodcast Follow us on Twitter - www.twitter.com/dieselpodcast More great live and digital entertainment at www.johnpykaproductions.com!

John Pyka Productions presents The Diesel Powered Podcast - The Voice of Diesel Punk! The May edition of DJ Swag Commander's Swing What You Got is here! On this episode: Razzle Dazzle (1903)  -  Edison Gold Moulded Cylinder Record, by Vess L. Ossman, available as free DL at http://cylinders.library.ucsb.edu/search.php?queryType=@attr+1=1020&num=1&start=1&query=cylinder6650   The Music Box Rag (1915)  -  Cylinder recording by Jaudas' Society Orchestra, available as a free download from http://cylinders.library.ucsb.edu/search.php?queryType=@attr%201=1016&query=The+Music+Box+Rag++Jaudas%27+Society+Orchestra&num=1&start=1&sortBy=&sortOrder=id   I Ain't Got Nobody  (1923) -  Red MacKenzie & The MoundCity Blue Blowers from the Hot Comb & Tin Can album, Unavailable. Video available at https://www.youtube.com/watch?v=VcbBkm3JNzY   I Hate Myself (For Falling In Love With You) (1931) Brunswick Records -  Jacques Renard Orchestra Unavailable. Video at https://www.youtube.com/watch?v=PSM3IZaC9Yw&app=desktop   Murder He Says (1943)  -  The Four Vagabonds, Document Records, Available in iTunes at https://itunes.apple.com/us/album/four-vagabonds-vol.-3-1943/id110780955   Nasty Boogie (1958)  -  Champion Jack Dupree, on "Blues From The Gutter," Atlantic Records, Available on iTunes at https://itunes.apple.com/us/album/blues-from-the-gutter/id45434408   Hair (1968)  -  The Cowsils on "Best of the Cowsils" on Universal Motown Records, Available on iTunes at https://itunes.apple.com/us/album/20th-century-masters-millennium/id409802   Draggin' The Line (1971)  -  Tommy James & The Shondells 7" single on Roulette Records, Available at https://www.discogs.com/Tommy-James-Draggin-The-Line/release/1326348   September In The Rain  -  Aron De Lima ft Guy Lombardo, Unavailable. Used by Permission.   Scrub Me Mama (With A Boogie Beat) - SwingRepublic ft Will Bradley, from the Electro Swing Republic LP, available on Amazon.com at http://www.amazon.com/Electro-Swing-Republic/dp/B0055CJ8QK   Zoot Suit Riot  -  Cherry Poppin' Daddies from "Zoot Suit Riot" on Universal Records. Available on Amazon at http://www.amazon.com/Zoot-Suit-Riot-Swingin-Daddies/dp/B000005B00   Steel Guitar Rag  -  Bob Wills & The Texas Playboys on Okeh Records, Available at https://www.discogs.com/Bob-Wills-And-His-Texas-Playboys-Steel-Guitar-Rag-Swing-Blues-1/release/1493572   Deep In The Heart of Texas  -  Alvino Rey & His Orchestra on Bluebird Records, Available at https://www.discogs.com/Alvino-Rey-And-His-Orchestra-I-Said-No-Deep-In-The-Heart-Of-Texas/release/2433459   Let's Get This Over and Done With  -  Mr. B The Gentleman Rhymer Available as download at http://junglesvibes1.net/tracks/mr_b_the_gentleman_rhymer.html   Everything Stops For Tea  -  Professor Elemental, Available on artist's website at http://www.professorelemental.com/track/400827/everything-stops-for-tea?feature_id=30163   I Wanna Be Loved By You  -  Helen Kane (Betty Boop) Unavailable. Video available at https://www.youtube.com/watch?v=hclK-UKJNgk   Maple Leaf Rag (Skeewiff Remix)  -  Tommy Dorsey, Humphrey Lyttelton, Kid Ory, The Dukes of Dixieland, & Pedigree Cuts from "Electro Swing & Gospel-Breaks" on Pedigree Cuts label, No longer available on Juno. com, but available as download at http://www.megapolitan.xyz/file/v-7q8Xbi-A5QM/electro-swing-skeewiff-t-d-h-l-k-o-and-t-d-o-d-maple-leaf-rag-skeewiffs-mix.html Visit our Sponsors: Audible - http://audibletrial.com/dieselpoweredpodcast Comic Bento - www.mycomicbento.com And Empower Sound - www.amazingamp.com Like the Diesel Powered Podcast on Facebook and follow us on Twitter! More great entertainment at www.johnpykaproductions.com!  

Blur, Pink Floyd, Klaxon, JME and Humphrey Lyttelton are on the sixth volume of our playlist - acts that went to university in South London.

In this special edition, Robert and Richard discuss the merits of the Pepper album, as well as whether John Lennon’s pulling back from the others represented a tragedy of artistic promise gone unfulfilled or simply John being John. Beatle historian Mark Lewisohn (All Those Years: Tune In) then joins them for a lively discussion taped onstage in the ballroom at The Fest for Beatles Fans. Songs heard in this episode include: “Sgt. Pepper’s Lonely Hearts Club Band Reprise,” “A Day In The Life” (with the “humming” ending), “Hey Bulldog” and Humphrey Lyttelton’s “Bad Penny Blues.” The post 09: Was Sgt. Pepper The Beatles’ Creative Peak? appeared first on Something About The Beatles.

In this special edition, Robert and Richard discuss the merits of the Pepper album, as well as whether John Lennon’s pulling back from the others represented a tragedy of artistic promise gone unfulfilled or simply John being John. Beatle historian Mark Lewisohn (All Those Years: Tune In) then joins them for a lively discussion taped onstage in the ballroom at The Fest for Beatles Fans. Songs heard in this episode include: “Sgt. Pepper’s Lonely Hearts Club Band Reprise,” “A Day In The Life” (with the “humming” ending), “Hey Bulldog” and Humphrey Lyttelton’s “Bad Penny Blues.” The post 09: Was Sgt. Pepper The Beatles’ Creative Peak? appeared first on Something About The Beatles.

Humphrey Lyttelton's eight-piece band featured, aside from himself on the trumpet and clarinet: Ray Wordsworth  on the trombone; Jimmy Hastings on the alto sax, clarinet and flute; Jo Fooks on the tenor saxophone and flute; Rob Fowler on the tenor sax, baritone sax and clarinet; Ted Beament on the piano; John Rees-Jones on the double bass and Adrian Macintosh on the drums.The band maintained a busy schedule, frequently performing sold-out shows across the country. Performances occasionally included a guest singer, or a collaboration with another band. During the 1990s the band toured with Helen Shapiro in a series of Humph and Helen concerts. They also featured in several Giants of British Jazz tours with Acker Bilk and George Melly and John Chilton's Feetwarmers.Lyttelton had a long established professional relationship with UK singer Elkie Brooks. After working together in the early 1960s they rekindled their working partnership in early 2000 with a series of sold out and well received concert performances. They released the critically acclaimed album Trouble in Mind in 2003 and continued to perform occasional concerts in support of this work.

Clare Grogan joins David Hepworth, Mark Ellen and Matt Hall to talk about: what it's like to be inside a cake on stage at Wembley, the sad loss of Humphrey Lyttelton, what the stagehands thought of Tommy Steele and what to do if your daughter says "Daddy work, Mummy wine". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Clare Grogan joins David Hepworth, Mark Ellen and Matt Hall to talk about: what it's like to be inside a cake on stage at Wembley, the sad loss of Humphrey Lyttelton, what the stagehands thought of Tommy Steele and what to do if your daughter says "Daddy work, Mummy wine".

Clare Grogan joins David Hepworth, Mark Ellen and Matt Hall to talk about: what it's like to be inside a cake on stage at Wembley, the sad loss of Humphrey Lyttelton, what the stagehands thought of Tommy Steele and what to do if your daughter says "Daddy work, Mummy wine". Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

The jazz pianist Fats Waller was a larger than life personality and his ample form fills this Jazz Library podcast with some of the most joyous recordings in history. Humphrey Lyttelton and Martin Litton join Alyn Shipton for a guide to the best discs by Waller, both with his band - The Rhythm - and as a piano soloist.

In this podcast, Alyn Shipton offers guidance to building a jazz library. He begins with records by the first great soloist in jazz, Louis Armstrong. Satchmo's early work is assessed by his friend and fellow trumpeter, Humphrey Lyttelton, while his legacy is explored by one of the finest contemporary New Orleans trumpeters, Abram Wilson. Ranging from the early Hot Five days of the 1920s to his final triumphs with the All Stars, Alyn suggests the best recordings by Louis to form the cornerstone of any jazz collection.

Kirsty Young's castaway this week is the veteran jazz musician and radio presenter Humphrey Lyttelton. To Radio 4 listeners, he's best known as Chairman Humph who has spent more than 30 years picking his bewildered way through the innuendo and mayhem of I'm Sorry I Haven't a Clue. But his first love is jazz - as a child, he was always fascinated by music and when he was a teenager it was Louis Armstrong who inspired him to take up the trumpet. Fittingly, Armstrong went on to hail Humph as 'Britain's top trumpetman'. Now aged 85, Humph is still recording and touring with his band and says that he finds he's kept awake at night by new ideas for music they can play together.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: That's My Home by Louis Armstrong Book: Collected works by James Thurber Luxury: A keyboard

Kirsty Young's castaway this week is the veteran jazz musician and radio presenter Humphrey Lyttelton. To Radio 4 listeners, he's best known as Chairman Humph who has spent more than 30 years picking his bewildered way through the innuendo and mayhem of I'm Sorry I Haven't a Clue. But his first love is jazz - as a child, he was always fascinated by music and when he was a teenager it was Louis Armstrong who inspired him to take up the trumpet. Fittingly, Armstrong went on to hail Humph as 'Britain's top trumpetman'. Now aged 85, Humph is still recording and touring with his band and says that he finds he's kept awake at night by new ideas for music they can play together. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: That's My Home by Louis Armstrong Book: Collected works by James Thurber Luxury: A keyboard