Podcasts about Live at Leeds

Im Mai 1970 erschien "Live At Leeds", das legendäre Live-Album von The Who – und ist bis heute eine der kraftvollsten Rockaufnahmen aller Zeiten. Mitgründer und Sänger der Rockband The Who Roger Daltrey sagte einmal, die Rolling Stones seien die beste Rock 'n' Roll-Band der Welt, aber The Who machten keinen Rock 'n' Roll, sondern Rock. Damit grenzte sich die Band bewusst ab und setzte auf kompromisslosen, direkten Rock und genau das setzten sie in "Live At Leeds" auch musikalisch um. Die Originalpressung von "Live At Leeds" aus dem Jahr 1970 enthält nur sechs Songs und beginnt mit "Young Man Blues". Spätere Neuveröffentlichungen hatten andere Reihenfolgen und fügten deutlich mehr Titel hinzu, die Vinyl-LP bot jedoch nur begrenzten Platz. "Live At Leeds" enthält auf der ersten Seite vier Songs und auf der zweiten Seite zwei lange Stücke: Eine fast 15-minütige Version von "My Generation" mit Teilen aus der Rockoper "Tommy" und eine fast achtminütige Version von "Magic Bus", die die LP-Seite füllten. Die Songs wurden bei zwei Konzerten im Februar 1970 aufgenommen: in Leeds und in Hull. Letztlich konnte jedoch nur das Leeds-Konzert verwendet werden, da beim Hull-Mitschnitt die Bass-Spur fehlte. Pete Townshend hatte erkannt, dass The Who eine genauso große Live- wie Studioband ist. Nach einer Tournee durch europäische Opernhäuser Ende der 60er- und Anfang der 70er-Jahre, wollten The Who zurück in die Clubs, wo das Leben stattfindet, und ihre Fans mitgrölen. Deshalb spielten sie am 14. Februar 1970 in Leeds und am 15. Februar in Hull, um diese beiden Konzerte für ihr kommendes Live-Album zu nutzen. The Who legten großen Wert auf gutes Monitoring, also darauf, sich selbst oder die gesamte Band auf der Bühne hören zu können. Viele andere Bands wie die Beatles scheiterten dagegen oft an der Lautstärke des Publikums. Pete Townshend hatte sogar einen eigenen Mischer für seine Monitorbox. Das ermöglichte ihnen präzises Spielen, unabhängig vom Lärm im Publikum. "Live At Leeds" klingt anders als viele andere Live-Aufnahmen damals, rauer, direkter und authentischer. Statt aufwendiger Technik setzten sie bei den Aufnahmen auf ein einfaches Acht-Spur-Gerät und die Nähe zu den Verstärkern, was zu einem kompakten, klaren Sound führte: Gitarre, Bass und Schlagzeug sind deutlich hörbar, und "mehr brauchte es gar nicht", so SWR1 Musikredakteur Benjamin Brendebach. Warum The Who einiges an Live-Material verbrannten, wie ein offizielles Album zum kultigen Bootleg werden konnte und noch viel mehr erfahrt ihr im Meilensteine Podcast zu "Live At Leeds" von The Who __________ Über diese Songs vom Album "Live At Leeds" wird im Podcast gesprochen: (03:49) – "Young Man Blues"(12:26) – "Summertime Blues"(18:58) – "Substitute"(22:38) – "My Generation"(32:23) – "Magic Bus" Über diese Songs wird außerdem im Podcast gesprochen (12:50) – "Young Man Blues" von Mose Allison (28:44) – "Pinball Wizard" von The Who__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/the-who-live-at-leeds-meilensteine __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 9

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** The Who had established themselves as one of the best live acts in the world by the end of the 1960s. Two shows were scheduled to capture that for what would become today's album. Michael Shannon stops by to talk about the influence this live album and The Who had on both him and his band. Follow Michael on Instagram: https://www.instagram.com/officialmichaelshannon/ DistroKid Artist Of The Week: Frogbelly https://www.youtube.com/watch?v=U_yDDrPgVJ0 Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Time to get back on the bus for this follow-up to our theme episode last week - The Who's classic "Magic Bus", no less. We start with Pete Townshend's 1966 demo, which is cute & weird & British - that is, psychedelic. The first released version was by some guys called The Pudding, and it's got a Mose Allison/Georgie Fame vibe, according to Erik. The Who's first full-band version is third, and did you ever really think it's just a buncha pals putting on a little skit or pantomime with each other? A pick-scratchin' precursor to the rock operas that follow ... Finally, we discuss the famous "Live At Leeds" version where they put on the play for a payin' audience and Townshend explores the myriad possibilities of the guitar in the 1970s. Plus Roger Daltrey sexes the song up and cock rock is invented!!

This is Part deux of CRABA's Live At Leeds.  You probably want to start with Part 1, but it's okay if you start here too.

What makes Top Ten Epic Live Tracks such an intriguing topic is that each one is a moment captured in time. An epic live track is like a time machine without all of the gigawatts and potential rupture of the space-time continuum. These incredible recordings can transport you to moments of pure musical ecstasy. This week ATTT is joined by 2 gentlemen who have been to the sonic mountaintops you hear in this episode. Fuzzbee Morse and Owen Goldman have seen some things, and in this episode they have blessed us with insane stories to go with the amazing music featured in Top Ten Epic Live Tracks Part 1. Fuzzbee and Owen are always up to cool shit in the LA music scene. Keep up with them on Instagram:https://www.instagram.com/fuzzbee1/https://www.instagram.com/owenbg/

In episode number 99 of The Classic Rock Album-By-Album Podcast, hosts Chris Karson and Organic Director fraser "Frasman" Moffatt reflect on the subtle tones and muted playing found on Live At Leeds by none other than The Who.  Where is Keith Moon Hi-Hat?  And a whole discourse on Live Albums.  All found out this time on The Classic Rock Album-By-Album Podcast!

Subscriber-only episodeJames Brown's famous 'Live At The Apollo' album, often cited as the greatest live album ever made, was released 60 years ago this month. As such, I figured I should finally listen to it! Another live album often cited as the greatest, the Who's 'Live At Leeds,' had its release anniversary this week — just 53 years — so I thought I would address both of their claims at the title together...Subscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

1973 was a banner year for classic rock LPs. But from "Houses Of The Holy" to "Goats Head Soup", only one album that year rocked the loudest, hottest, and wettest: "Red Rose Speedway". Ok fine, it's not really a "rock" album. It might not even roll. But that doesn't prevent it from being an inventive and quintessentially Paul (uh, oh yeah, "and Wings") album. On its 50th anniversary, the UBP Living Un-Single pigeons extoll its many charms, in another patented, cliffhanger-laden multi-parter. #HyphenFest In Part 1 (read: "eye", obviously), they also consider:

WANNA KNOW WHAT IT WAS LIKE BACK IN THE DAY?LIVE AT LEEDS by The Who (Decca, 1970)The Who was one of the greatest live bands of all time, bar none, and this document proves it. In 1970 they were at the height of their powers, having just pulled off the coup of creating the first “Rock Opera” Tommy. They followed that miracle up with a massive US tour with the intention of recording the performances in order to put out a killer live album next. However, a burnt out Pete Townshend was reportedly not in the mood to be sorting through all those recordings to choose the best cuts, so he regrettably told the engineer to “burn all the tapes”. As a compensatory gesture, it was decided to schedule a two night gig in northern England, at The University of Leeds, to record those concerts (without audience noise), and release the results. And, wow. This momentous outing, combining their hit singles, cuts from Tommy, and old rockabilly has been preserved for the ages, a portrait of the original lineup of one of Rock's most exciting combos at their absolute pinnacle. The original 1970 release distilled the results into 6 supersonic cuts, culminating in a scorching 16 minute collage of “My Generation.” For my generation this record, with its sly facsimile of a stamped bootleg cover, captivated every nerve ending in our bodies. All during my freshman year at the University of Iowa Pete Townshend's power chords, leaping off of his SG Gibson, in “Summertime Blues,” reverberated throughout my dorm hallway, day and night. Every fledgeling guitar player, dreaming dreams of Rock n Roll glory, tried to jam on that riff, as we had, 4 years earlier, on the Trogg's “Wild Thing” or Van Morrison's “Gloria.”Although those halcyon springtime days of youth are long past, those power chords still resonate with the same immediacy - forever fresh, forever torrid. 

The final Live at Leeds episode is here and we have a huge double header with both The Clause and Jaxn joining us!! The Clause chat about the Birmingham music scene as well as playing their biggest ever headline show. We of course get stuck into some quick fire questions which descend into chaos. We follow it with a great chat with Jaxn off the back of their third ever gig. We hope you all enjoyed this episode and all fo the Live at Leeds sessions - love you all. PS. sorry again about the audio quality - struggle city up in here.

The incredible Tom A Smith joined us after their show at Live at Leeds to chat all things indie music. We got straight into quick fire questions, sorting out why there are no crisps allowed in the tour van and how hard it is to get to Glastonbury. They share some hilarious festival stories and we of course ask them who the most overrated artist is... As always we shout out some top up and coming artists. We hope you all enjoyed, see you next week.

The incredible Uninvited joined us at Live at Leeds for feature length special!! What was supposed to be a quick interview became a lovely chat covering everything from ASMR, best sandwich fillings and playing Radio 1's Live Lounge... We get some great stories and have some quality laughs as always. We hope you all enjoy, make sure to show Uninvited some love!! PS. apologies on the audio, the room was echoier (if that's a word) than expected.

We sat down with the incredible Thomas Headon before his set at Live at Leeds 2022 and it didn't disappoint. We chat to him about how he stays entertained on the tour bus, smash some quick fire questions and somehow end up with a story of Lewis Capaldi & Niall Horan and a yacht on the thames! We also manage to sneak the paperclip question in lol. We get the full story of when he moved to the UK, how he gone on world tours and lots lots more. As always we shout out some up and coming artists: Uninvited, quinine, Somebody's Child. A big thank you to Thomas, this was one of our favourite episodes ever, show it some love!! See you all soon xx

The Hara joined us at Live at Leeds to provide a thoroughly entertaining interview after their first show on the day. We give you a classic TSRP intro to explain some Live at Leeds stories and for some reason chat about kids TV shows... We then share our first intervene form Live at Leeds The Hara. We chat to them about their live energy and run through some classic quick fire questions including JLS being in prison... allegedly. We also talk TikTok, Jackass and everything in between. Let us know what you all thought and we'll see you next week xx

Ian and Phil open the Leeds Magic Jam with a Q&A discussion. Sponsors  The Magic Circle     Giggio . buy us a coffee at https://www.ko-fi.com/magiciansadvice Ian's book A Voyage To Better Magic.  ianbrennanmagic@live.co.uk Merchandise: Click Here Facebook group   Click Here If you are able to support our Patreon campaign please visit Click Here If you would like to know more about Ian Brennan  Sophisticated Magic, head over to www.sophisticatedmagic.co.uk and to check out Phil Taylor, (Wedding Magician), please check out his web-site www.magicianscorner.co.uk 

As the country reels from yet another political crisis amid the scratching around for a new PM, Graham reports on seeing the incomparably thorough Mark Lewisohn present his latest show based on his studies of Beatles' history, Evolver:62. In a restless week for Graham, Charles grills him on his response to seeing veteran Roxy Music reconvene in Manchester, followed by the youthful clout of Live at Leeds 2022. Charles salutes the Frantic Assembly's fast and furious Othello, one of his stage highlights of the year. Graham gives his verdict on Gulp!, the new album by cussed Cambridge band Sports Team.

This week on Vinyl Verdict, Bell, Jamie, and Plouffe listen to Jamie's pick -- Live at Leeds by The Who. Originally released in 1970, Live at Leeds is widely regarded as one of the most influential live albums of all time. Clocking in at 129 minutes, the boys are listening to the entire concert, re-released on 3 LPs in 2014. Will the boys have the same reverence for the album, or will they rank it as a certified "mouldy oldie"?

Graham draws on the lyrics from the Sex Pistols' once-banned God Save The Queen to reflect on the Platinum Jubilee and Charles questions Danny Boyle's new Disney+ series Pistol. The duo discuss the upcoming release from Baz Luhrmann, Elvis, and Charles celebrates Bradford's victory as the next UK City of Culture. Graham reviews the latest incarnation of Live At Leeds and then wonders why romantic violinist André Rieu  is so popular, ahead of his latest show streamed to cinemas. Charles looks at what the future of rock and pop may hold as Abba's 'Abbatars' break new ground in London.

Charles and Graham ponder if the Oscars have lost the plot and look forward to Live at Leeds embracing the open air.  Graham can't let go of Ed Sheeran and the concept of pop plagiarism, which sends him back to a certain Moody Blues song. The duo reflect on the untimely demise of Foo Fighters' drummer, Taylor Hawkins. Charles wonders if Paul McCartney is now loved as the key Beatle as his eightieth birthday approaches. Following on from last week's discussion about where Bono is, well he's busy being a poet, it seems. Graham and Charles end with news about the future direction of the Edinburgh Film Festival..

Episode DetailsEamon O'Flynn, Nathan Smith and Sonya Walton discuss The Who's legendary live album Live at Leeds with special guest Kamil Ahmed. This album ranked #327 on the 2020 Rolling Stone 500 Greatest Albums of All Time list.Leave comments on Twitter, Instagram or Facebook at @rrmusicpod or visit our website at recordroulettepodcast.com.Runtime: 51 minutesWho are The Who?The Who are one of the most influential rock bands of the 20th century. Founded in 1964, the group has made numerous important contributions to the development of rock music and has sold more than 100 million records. They have released some of the most iconic songs in rock and roll - “My Generation,” “Baba O'Riley,” “Behind Blue Eyes” and “Won't Get Fooled Again,” among others - and are innovators in terms of playing style, technology and format. The Who have also been called one of the greatest live rock acts and they influenced everyone from The Beatles and Queen to the Ramones, the Clash, Green Day, Guns N' Roses and Oasis. They have four albums on the 2020 Rolling Stone 500 Greatest Albums list, including Who's Next (#77), Tommy (#190), The Who Sell Out (#316) and Live at Leeds (#327).What is Live at Leeds?Live at Leeds is the first live album from English rock band The Who. The only live album released with the original group line-up, Live at Leeds is often considered one of the greatest live rock recordings of all time. The original release includes just six songs from the original concert. A commercial and critical success, Live at Leeds reached #4 on the Billboard Pop Albums chart, and is 2x platinum in the United States. Released in 1970, this album is on the 2020 Rolling Stone 500 Greatest Albums list at #327.

Posting early because...things to do to get ready for the holidays. First up, The Who: Live at Leeds, an album by the Motor City's Bob Seger and the Silver Bullet Band called Night Moves and an EP by a fellow who goes by the Pseudonym of Brandon Wolf called Not Guilty (spoiler alert, he would eventually get the fame he was seeking). :) Enjoy! --- Send in a voice message: https://anchor.fm/reviewsfromthecrawlspace/message

Lins settled in for a proper chat with some of the people behind Faux Pas. Ru is the frontperson of Faux Pas and Joe manages the indie-punk trio. Taking influence from the Riot Grrrl movement; along with bands like Placebo, they have brought their own twisted brand of Indie Punk to stages all across the UK, landing support slots with LIFE, The Blinders, Embrace, Dry Cleaning, Strange Bones and Hands Off Gretel and performances at Reading & Leeds Festival, Kendal Calling, Humber Street Sesh, Live At Leeds and airplay from Radio 1 under their belt. Follow Faux Pas on @faux_pas_official on Instagram, @fauxpaz_UK on Twitter and faux Pas on Facebook. Be sure to check out their 2020 single ‘Gorilla Man' on all major streaming platforms Thanks to: This episode's guest - Ru and Joe of Faux Pas Facilitator - Lins Wilson Production and editing - Ash Doherty and Lins Wilson Podcast Artwork - Jon Foulger Links: Faux Pas Instagram - https://www.instagram.com/faux_pas_official/ Twitter - https://twitter.com/FauxPas_UK Facebook - https://www.facebook.com/FauxPasUK Website - https://www.musicglue.com/fauxpasofficial Resources: Artist level of support infographic - instagram.com/p/CDg3ep3BFd5/ Launchpad resources page - launchpad-music.com/other-resources One-to-one advice sessions - musicleeds.appointlet.com/s/online-advice-session Launchpad: Instagram - instagram.com/_launchpadmusic Twitter - twitter.com/_launchpadmusic Facebook - facebook.com/launchpadyorkshire Mailing List - launchpad-music.com/subscribe Website - launchpad-music.com

This week, we return to one of rock's most legendary groups, The Who, and talk about their monumental live record Live At Leeds! If you liked this episode, please subscribe, leave a comment, and share with your friends! Check us out in Patreon to support our channel: https://www.patreon.com/goodmusicpodcast Also, click on this link to listen to this week's songs! https://open.spotify.com/user/lucaschrisman/playlist/1bhH8fpP24BOrPiEC3BBL7?si=nq7CV5NKRju-IKo-m5w7qA

**This episode is dedicated to the life of our friend Frank Stolli who was taken away from us way too soon. Miss you already...** One of the most revered live albums in the history of music is The Who's Live At Leeds record. The album cover itself was an inspiration to Pearl Jam's Vault collection cover art, but even more than that, the entire performance from the record can be traced back to elements of Pearl Jam's live act. They'd mention in this show that they were only able to properly play the city of Leeds once before this (It was actually Bradford 92, not the 2006 Leeds Festival in Weatherby) so this night was an opportunity to pay tribute to one of the band's biggest influences on their career. There are 3 Who songs played, alongside references (a Young Man Blues tease) and nods (Breakerfall, which has an intro inspired from I Can See For Miles) that show that the band had fulfilled a dream by playing on this stage. With 22 main set songs and 36 in total, many taken from the serious collector's collection, this set is a 3-hour marathon of amazing performances, positive vibes and a connection with the crowd leaving memories lasting lifetimes. It couldn't have come at a better time as the band was next to finishing the European leg of the 2014 tour giving them the ability to take a deeper dive into the underutilized albums. Let's put it this way, No Code, Binaural and Riot Act had more representation than Vitalogy... which featured one song from the record, rarity Tremor Christ. As this show prospers from the more obscure, to add a few more Yield's Push Me Pull Me and the Stone Gossard sung Don't Gimme No Lip amongst others, it also fully encompasses everything you want from a Pearl Jam show. Playful banter, unexpected moments and interactions and emotional tributes that had the crowd hanging on every note. Donate to our show: http://patreon.com/liveon4legs Check out the Deep site: http://deep.pearljam.com

For this podcast, it's “Live At Leeds” University's Refectory Hall, 28th February 1970. Just two weeks after The Who's famous concert recording there. I've been meaning to feature this for a while. The sound quality is excellent so  I didn't … Continue reading →

Welcome to the second part of our two-part discussion of the cinematic universe of The Who. Colin and Adam talk the movie Tommy and the music of The Who before smashing their podcast equipment. The free version of Tommy with Spanish subtitles is here (https://archive.org/details/TommyKenRussell1975angeeParaZoowoman.website).

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es, 00,00h) Charlamos con Fernando Alfaro (Surfin Bichos, Chucho...) sobre sus nuevas canciones en un recorrido vital y emocional.The Who lanzan la nueva versión de su álbum del pasado año, ‘WHO’,” con nueva remezcla de Pete Townshend y temas acústicos de los únicos shows en directo del grupo en 2020. Las canciones de la versión Deluxe de ‘WHO’ se grabaron en Kingston el día de San Valentín, exactamente 50 años después del trascendental concierto de la banda en Leeds que se transformó en el famoso álbum en directo, ‘Live At Leeds’. CROWDED HOUSE lanza su primera música nueva en más de una década.Bruce Springsteen y Gorillaz eran los lanzamientos más importantes de la semana pasada cara a las listas británicas y ha sido el Boss quien de nuevo se ha hecho con la victoria muy holgadamente.Letter to You’ es el disco que más rápido se ha vendido este año después de ‘Chromatica’ y supone el 12º número 1 para el artista en Reino Unido. Eso sí, parece que en Estados Unidos, el top 1 del Billboard 200 se le va a escapar, como sucedió con el anterior. El próximo 14 de diciembre se estrenará en España The Bee Gees: How Can You Mend A Broken Heart, el primer largometraje documental sobre el legendario grupo que firmó más de 1.000 canciones, creó 20 éxitos que fueron número uno y ha vendido más de 220 millones de discos hasta la fecha.Morrissey y David Bowie giraron juntos a mediados de los 90, aunque la cosa no terminó demasiado bien por la espantada a mitad del tour del vocalista de The Smiths, lo que propició un gran enfado de Bowie y no volvieron a hablarse nunca más.El 13 de noviembre se publica en digital una pieza rescatada de aquella gira, el dúo de Morrissey con David Bowie interpretando “Cosmic Dancer”, el clásico de T. Rex escrito por Marc Bolan. Superchunk mantienen su tradición de halloween con "there's a ghost" su energético nuevo single cuya cara b es la versión de "alice" de the sisters of mercy. @Mourn publican "Self Worth", su nuevo álbum, y anuncian fechas de presentación. 14:14 Cuando llegue a mi, es el nuevo single, bonus track de 24/7 de Maria de Juan. La banda murciana Aló Presidente lanza “Deportes Cuatro”, tercer adelanto de lo que será su primer EP, previsto para enero de 2021. El primer álbum de Cora Yako está a la vuelta de la esquina, pero antes presentamos el tercer y último adelanto del mismo: ‘La Peor Idea de la Historia’. Recogemos la versión de La Dama se esconde, que no envía Ibernon Duran Antonio El Cañamones , miembro de Los Autobluses, and friends

El año que The Beatles se separaron. Obsérvese el listado de artistas. Los nombres son leyenda de la Historia de la Música. Popular. Los protagonistas de esta serie (50 Años Ha) crearon escuela y tendencias más allá de la cultura rock. Sus nombres se manifiestan por sí mismos: The Beatles, Jimi Hendrix, Aretha Franklin, Stevie Wonder, King Crimson, Carole King, David Bowie, The Kinks, Led Zeppelin, Joni Mitchell, Cat Stevens, Crosby, Stills, Nash & Young, Randy Newman, Dusty Springfield, Pink Floyd, Jethro Tull, Genesis, Traffic, John Mayall, Bob Marley, Elton John, Rod Stewart, Supertramp. Aquí va el capítulo primero de mi selección de artistas británicos. ¿Y dónde estaban las mujeres? Lesley Duncan. El año 70 culminó con Claptonb y amigos regalando al mundo… “Layla”. DISCO 1 DEREK & THE DOMINOS Layla (13) Layla & Other Assorted Love Songs DISCO 2 DAVE MASON Only You Know And I Know (1) Alone Together DISCO 3 THE WHO I Can’t Explain (Cd1 - 2) Live At Leeds DISCO 4 SYD BARRET Octopus (HARVEST Cd 1 - 5) The Madcap Laughs DISCO 5 ROY HARPER East Of The Sun (Cd 1 - 8) Flat Baroque and Bersek DISCO 6 YES Time and a Word (Cara 1 Corte 3) Time & A Word DISCO 7 KING CRIMSON & Ion Anderson Lizard (Cara 2 - Corte 1) hasta minuto 4’10 DISCO 8 BARCLAY JAMES HARVEST Mother Dear (HARVEST CD 1 - 10) Barclay James Harvest DISCO 9 JETHRO TULL Teacher (1) Benefit DISCO 10 ROD STEWART Gasoline Alley (1) Gasoline Alley DISCO 11 ELTON JOHN Burn Down The Mission (10) DISCO 12 LESLEY DUNCAN Love Song ( ) DISCO 13 JOHN MAYALL My Pretty Girl (9) USA Union DISCO 11 SUPERTRAMP Surely (Cara 2 corte último) Supertramp DISCO 12 THE WAILERS BOB MARLEY  Sun Is Shining (CD 1 - 20) All Things Must Pass DISCO 13 DEEP PURPLE Speed King (HARVEST Cd 2 - 1) Deep Purple In Rock Escuchar audio

The Who gelten Ende der 60er, Anfang der 70er Jahre als eine der besten Live-Bands der Welt. Höhepunkte sind Auftritte in Woodstock, auf der Isle of Wight und in Leeds.

Punk singer Matthew Brennan (currently in Deep Pockets) and fellow music nerd Scott Floman (author of The Story Of Rock and Soul Music: Album Reviews and Lists and Greatest Underrated Guitar Solos) have joined forces to talk about music. The first several episodes will feature NCAA Tournament type brackets (one each for the '60s, '70s, '80s, and '90s) that will attempt to determine the greatest rock band/solo artist of all-time. We spent a fair amount of time on choosing which of the 64 bands/solo artists should be entered, the seedings/match ups, and of course the winners, but the actual conversations about the match ups was 100% spontaneous, and we did minimal editing afterwards (Matt did all the technical work there so thanks Matt!). In other words, what you hear is what you get, but we'll try to correct some obvious mistakes we made via the Notes section below. Matchups for this episode: (1) The Beatles vs. (16) Crosby, Stills & Nash (& Sometimes Young) (2) Elvis Presley vs. (15) Cream (3) Bob Dylan vs. (14) The Byrds (4) The Rolling Stones vs. (13) The Doors (5) Jimi Hendrix vs. (12) The Band (6) The Beach Boys vs. (11) The Velvet Underground (7) The Who vs. (10) Simon & Garfunkel (8) The Kinks vs. (9) Creedence Clearwater Revival Notes for this episode: To be clear, we slotted bands in particular decades based on when they peaked artistically (though we made some exceptions for the '80s which you'll see later). However, the winner of each match up is based on their entire career, not just that decade. Scott completely botches the word “coronavirus”! Scott incorrectly contradicts Matt about how the winners of each match up are chosen. Ignore that part! The winners were somewhat objectively picked, though obviously our personal preferences will inevitably come into play as well. Scott incorrectly called Elvis' “Can't Help Falling In Love” by the title “Can't Stop Falling In Love” – same sentiment but wrong word. Scott completely botches trying to say “sadomasochism” – should've just stuck with S&M! Scott incorrectly said that David Crosby left The Byrds during the recording of the fourth album. He was thinking of the right album, but The Notorious Byrd Brothers was actually the fifth Byrds album, not fourth (that was Younger Than Yesterday – both of these are Scott's favorite Byrds albums, BTW). Most of Cream's studio songs were 3-4+ minutes, not 2 minutes. And by pioneering live improvisation, we meant specifically for rock bands; that practice was already common for jazz bands. Cream was also one of the first power trios which we failed to mention. When talking about The Band-Dylan connection, we should've mentioned The Basement Tapes as well (though maybe we do so in a later episode). Also, although The Band peaked early on the first two albums, they did have other high-quality albums thereafter as well. Nico was only on the first Velvet Underground album (not “albums”) called The Velvet Underground & Nico. The original “I Heard It Through The Grapevine” was actually by Gladys Knight & The Pips, the more classic version everyone is familiar with by Marvin Gaye came after that. When discussing The Who's live prowess we should've also mentioned Live At Leeds, considered by many to be the greatest live album ever.

... the Incredible String Band, Mr Chalk and Mrs CheeseIn which we celebrate the 50th birthday of The Who's "Live At Leeds", wonder why the Incredible String Band suddenly sound so right and talk about what all those living room performances tell us about Rock Star's Homes.The case of the missing hit.https://tinyurl.com/y9ymj7saToyah and Robert Fripp dance in the kitchenhttps://youtu.be/gIPuHzCvXMMCat Stevens somewhere warm enough to leave the door openhttps://youtu.be/yXuq6XpoasESupport us via our Patreon here: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

... the Incredible String Band, Mr Chalk and Mrs CheeseIn which we celebrate the 50th birthday of The Who's "Live At Leeds", wonder why the Incredible String Band suddenly sound so right and talk about what all those living room performances tell us about Rock Star's Homes.The case of the missing hit.https://tinyurl.com/y9ymj7saToyah and Robert Fripp dance in the kitchenhttps://youtu.be/gIPuHzCvXMMCat Stevens somewhere warm enough to leave the door openhttps://youtu.be/yXuq6XpoasESupport us via our Patreon here: https://www.patreon.com/wordinyourear Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit.The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP.A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM…The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit. The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP. A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM… The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit.The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP.A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM…The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Playlist: 01) The Who / Young Man Blues         (Live At Leeds, 1970) 02) Jimi Hendrix / Hey Joe (Live At Monterey, 1967)        (Live At Monterey, 1967 03) The Rolling Stones / Sympathy For The Devil (remastered)          Get Yer Ya-Ya's Out! (Remastered) 1970 04) Creedence Clearwater Revival / Medley: Green River/Susie Q        (Live In Europe,    - LANÇADO em 2006 05) The Doors / Break on Through #2 (Live)        (Absolutely Live, 1970) 06) Derek & The Dominos / Bottle Of Red Wine        (Live At The Fillmore, 1970 – lançado em 1994) 07) Faces / You're My Girl (I Don't Want To Discuss It)       Five Guys Walk Into A Bar... Live , 1972 - Box  08) Ten Years After / Sweet Little Sixteen (Live in Frankfurt)       Recorded Live, 1973 09) Deep Purple / Never Before         (In Concert 1970-1972, 1972) 10) Bob Dylan & The Band / Knockin' on Heaven's Door         Before The Flood, 1974 (Live at Madison Square Garden, New York, NY - January 1974) 11) The Byrds / So You Want to Be a Rock 'N' Roll Star         (Live at Royal Albert Hall, 1971)

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit. The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP. A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM… The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

Ryan talks with author Colin Fleming about the story behind the classic song, "My Generation," from The Who's Live at Leeds album.The High Numbers / The Who Live 1964: https://www.youtube.com/watch?v=mjnd1IdwFLU&app=desktopColin Fleming’s website: https://www.colinfleminglit.com/Follow Colin on Twitter: https://twitter.com/colinfleminglit

Tonights featured LP is Live at Leeds by The Who - Also, on tonight's show we will be hearing from Bruce Springsteen, Frankie Miller, Led Zeppelin, Leon Russell, Cream and Gary Clark Jr All from the vinyl, just the way it was meant to be heard. Broadcast on OAR 105.4FM Dunedin www.oar.org.nz

The prove that just because they can make an important artistic statement like Tommy that they are still one of the most uproariously exciting live band.  This was a crucial album to hold over the Mod rocking Who crowd till Who's Next arrives. If you want to know how to put on a good maximum R'n'B live show this should be your bible.

Pat invites Photographer Amy Lehman back to the Guest Co-Host chair so the two can play their favorite Who songs in alphabetical order.

Welcome to Episode Eighteen with my guest Joe Hubbard, one of the team at Futuresound Events who have created the increasingly popular Live At Leeds festival taking place on May 4th in venues across the city. We chat about the life of a promoter, how he started in this industry and Joe gives an insight into how the festival is put together. If you haven't been to the festival before, check out https://www.liveatleeds.com/ where you can check out who is playing and you might just be able to grab one of the last few tickets.

**Live at Leeds (1970)** es el primer álbum en directo del grupo británico de rock **The Who**, considerado como uno de los mejores álbumes en directo de todos los tiempos. Se encuentra incluido en el libro 1001 Albums You Must Hear Before You Die. Tras la publicación de Tommy a mediados de 1969, The Who se enmarcaría en una extensa gira de promoción, volviendo a Inglaterra a finales de año con el deseo de publicar un álbum en directo de la gira. Aun así, desaprobaron la perspectiva de escuchar cerca de ochenta horas de grabación para seleccionar las mejores interpretaciones, llegando incluso a rumorearse que Townshend quemó las cintas para prevenir la edición de los conciertos en bootlegs. Poco después, una posterior entrevista de Roger Daltrey despejaría los rumores.

Our first episode saw the band rise from humble beginnings all the way to 1969, when The Who had somehow made themselves world famous for writing a rock opera about a physically challenged boy with a talent for... pinball? Of course, you'd celebrate such a feat with a tour of revered opera houses and then record a live album in a glorified school cafeteria, wouldn't you? I mean, it just makes sense.Join host Marc With A C as he traces the connection between the The Who emerging on the global stage, while the members themselves used their newfound power to explore their own interests in solo records. If you thought Tommy was a lofty premise, well then you don't know "Lifehouse". We explore the unfinished project which would have predicted the internet in 1971; the rock-redefining music that came out of it, and much more: Live At Leeds, Smash Your Head Against The Wall, Who's Next, Who Came First, Whistle Rhymes, Daltrey, and Rigor Mortis Sets In! See acast.com/privacy for privacy and opt-out information.

Joshua Macey of Shock Radio kicks off our Summer with Live At Leeds Festival. Joshua brings highlights from the festival including interviews with: Peace, The Wild Front, Superorganism, The Magic Gang, Tom Walker, Ten Tonnes & Georgie. Presented & Produced by Joshua Macey - @JoshuaJMacey

As festival season kicks off, we're at two of the first, with chats with Pale Waves, Peace, King Nun, Anteros, Whenyoung and Matt Maltese.

Ahead of Live at Leeds 2018 we have a special edition of the Best in Leeds podcast dedicated to the city centre music festival. Each year the popular event brings lots of established acts to Leeds as well as showcasing new bands. In 2018, the festival is welcoming performances by The Vaccines, The Horrors, Rae Morris, Nadine Shah and Ash amongst many others.From big gig venues to pubs, bars and clubs, the festival offers gigs of all tastes and sizes.In this edition of the podcast, hosts Craig Jones and Sam Gildea help you plan out the best way to enjoy Live at Leeds 2018. We also speak on the phone to James Brown from Pulled Apart by Horses about how the band are feeling ahead of playing their hometown event.And we are delighted to welcome to up-and-coming Leeds bands who played live sessions for us at city centre bar The Wardrobe. In the episode, you’ll hear two songs each from Fling and Talkboy, who tell us how much they are looking forward to their Live at Leeds sets.Ahead of the festival, you'll be able to get all the information you need from www.leeds-live.co.uk.TicketsThere are still some tickets left for Live at Leeds 2018.You can get them for £39.60.To buy them and for more information visit www.liveatleeds.com.  For information regarding your data privacy, visit acast.com/privacy

The Immortals have spent their first week flying through space and tensions are already high. As they should be! They're discussing a movie that's filled with important modern discussions and Pedro seems to have accidentally booby-rigged the ship. But listen to their discussion of the gorgeous looking Black Narcissus, the lively Live at Leeds, the sloped ramp, the downcast Sunny Afternoon, the practical Milly-Molly-Mandy, and the dated Tomorrow People. Enjoy!   Intro 0:00 – 7:05 Black Narcissus 7:05 – 44:07 Live at Leeds 44:07 – 53:26 Ramp 53:26 – 55:35 Sunny Afternoon 55:35 – 1:00:59 Milly-Molly-Mandy Stories 1:00:59 – 1:08:27 The Tomorrow People 1:08:27 – 1:14:03 Outro 1:14:03 – 1:20:52   --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air.    Email Twitter iTunes YouTube   Join us Thursday next as we discuss more radical things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)    Artwork by Ray Martindale Opening tune by Adam Lord

Livewire's Erin Bashford & Aled Vernon-Rees travel up to Leeds for us to spend the day at Live At Leeds. They talk about the bands they saw live and also interview: - Freak - Dead Naked Hippies - Bad Sounds - Get Inuit (pictured)

The Sonic Collective review of the classic live album, Live at Leeds from The Who. For the full review and to hear why we picked this album visit us at http://thesoniccollective.com

The first selection of 2017 is the last of our live album selections for The Sonic Collective. Member Scott Gregory has picked The Who: Live at Leeds. For the full article and audio and access to all our picks and reviews please visit us at http://thesoniccollective.com.

Join Adam & Kie and their special guests, NARCS, who are gearing up for 2000trees, Live At Leeds and releasing their forthcoming album. Expect the same general chit-chat and more! Listen on iTunes: https://itunes.apple.com/gb/podcast/alt-rock-repeat/id1080740076?mt=2 Twitter: @altrockrepeat Facebook: /altrockrepeat #altrockrepeat #rock #alternative #altrock #alt-rock #indie #metal #indierock #NARCS #liveatleeds #2000trees

May 2015 Anniversaries Part 1

Lauren James presents and Ed Biggs rants about the biggest and best new albums released in March 2015, including: Noel Gallagher's High Flying Birds; Modest Mouse; Laura Marling; Kendrick Lamar; The Cribs; The Prodigy; Courtney Barnett; James Bay. Also we chat about Robin Thicke's copyright lawsuit, the new Muse song, Live At Leeds, Record Store Day, and the anniversaries of no fewer than FOUR classic albums: Radiohead - 'The Bends' (20yrs); Bob Dylan - 'Bringing It All Back Home' (50yrs); Depeche Mode - 'Violator' (25yrs); M.I.A. - 'Arular' (10yrs). Happy listening!

Lauren James and Ed Biggs run down the biggest and best new album releases of February 2015, including: - Peace - 'Happy People' - Idlewild - 'Everything Ever Written' - Imagine Dragons - 'Smoke + Mirrors' - Father John Misty - 'I Love You, Honeybear' Also we chat about the new Blur song, the BRIT and Grammy Awards, Live At Leeds and two classic album anniversaries: - Bloc Party - 'Silent Alarm' (10yrs) - The Smiths - 'Meat Is Murder' (30 yrs) Happy listening!

MI ALIENTO SE LLAMA AHORA: entrevista con Teresa Ruiz Rosas, traductora del volumen de este título que recoge dos libros de la poeta judía rumana de habla alemana ROSE AUSLÄNDER.Viñetas musicales: THE WHO, 'LIVE AT LEEDS'.

Live At Leeds special LGM regulars Lauren James and Ed Biggs talk about the upcoming Live At Leeds festival (Saturday May 3rd 2014), which features Clean Bandit, Kodaline, Pulled Apart By Horses, The Sunshine Underground and F*** Buttons among nearly 200 others. Album anniversaries include Blur's seminal Britpop record 'Parklife' and The Stone Roses' legendary 1989 debut. Happy listening! Find us on Twitter @LGMelodies to join in the conversation!

Paul Gambaccini uncovers the stories behind the Who's seminal 1970 album, often cited as one of the best live rock albums of all time, with recollections from those who were there, from road crew to audience members to critics to guitarist Pete Townshend.