Podcast appearances and mentions of Roy Orbison

If you've ever tuned into a classic rock radio station and felt the electric hum of Southern rock filling your soul, chances are you've brushed shoulders—musically speaking—with Rodney Justo. Best known as the original lead singer of the legendary Atlanta Rhythm Section, Rodney's voice is more than just a sonic signature of the American South—it's the soundtrack to a generation. But to understand the full breadth of his musical journey, you've got to go back to Tampa, Florida, where the boy who would become a Southern rock icon first discovered his voice.Rodney Justo was born with rhythm in his veins. His father was a musician, and Tampa in the '50s and early '60s had a burgeoning music scene.By the time he was a teenager, Rodney was performing professionally, fronting bands and making a name for himself as a gifted rock and soul singer. In the mid-60s, Rodney's voice caught the ear of Roy Orbison's backing band, The Candymen. Rodney joined as lead vocalist, and it wasn't long before they began carving out their own identity. Touring constantly, performing alongside major acts, The Candymen were crucial in shaping Rodney's future. In the early '70s, he and his bandmates decided it was time to forge their own path. The Atlanta Rhythm Section was born. More than just a band, ARS was a musical collective, fusing rock, jazz, R&B, and pop into a smooth, sophisticated Southern sound that defied categorization.Rodney Justo was the voice on their self-titled 72 debut album. His vocals were powerful and expressive helping to define the Atlanta Rhythm Section's unique tone.Rodney left the band shortly after that first album—citing creative differences and a desire to focus on family. He became an in-demand session vocalist and performer, lending his golden pipes to countless recording projects throughout the ‘70s and ‘80s. His ability to shift between genres—from blue-eyed soul to polished pop to hard-edged rock—made him a go-to voice in studios from Florida to L.A.In the mid-90s, Rodney Justo returned to the Atlanta Rhythm Section. He stepped back into the spotlight once again performing hits like "So Into You," "Imaginary Lover," and "Spooky" live on stage. Rodney Justo brought new energy to the ARS catalogue—even if he hadn't originally recorded those songs. He made them his own, connecting with audiences across generations. Rodney Justo is more than t a great rock vocalist. He's a storyteller. He's filled with anecdotes, punchlines, and the kind of behind-the-scenes music lore that makes you lean in and listen. He's got tales from the road with Roy Orbison, recording sessions with legends, and enough stories about Southern rock's golden era to fill a memoir.He brings humour, humility, and a deep love of the craft to every conversation. Today he tours with Atlanta Rhythm Section and his voice hasn't lost any of its magic. There's still that same smooth phrasing, that soul-deep delivery, and that sly smile you can hear even when he's singing through the speakers. He continues to be a beloved figure in Southern rock circles, a revered elder statesman of American music, and a performer who gives his all every single night.Rodney Justo may not be a household name in the same way as some of his peers, but among musicians, he's a legend. His influence runs deep—not just through Atlanta Rhythm Section, but through decades of rock, soul, and Southern music. Rodney's journey is one of persistence, evolution, and soulful resilience. From teenage gigs in Tampa dive bars to singing for thousands on tour with ARS, from the slick sessions of Studio One to today's digital world, Rodney Justo has remained a voice worth listening to—a true original in the ever-changing world of American rock music.You're going to LOVE his story.To find out more head to https://www.atlantarhythmsection.com/and contact me with any feedback, comments or queries.https://www.abreathoffreshair.com.au

We had the pleasure of interviewing Elliot James Reay over Zoom video!23-year-old singer, guitarist, and songwriter Elliot James Reay returns with the irrepressibly upbeat new single, “Who Knew Dancing Was A Sin.” The soulful cut is built on an old school premise: Reay's partner fears he's been unfaithful when really he was just out dancing the night away. The song's music video brings that scenario to life and pays homage to the Northern Soul dancing scene still thriving in Reay's hometown of Manchester, UK. “Who Knew Dancing Was A Sin” is available now at via Interscope / Island EMI.For his fourth song to date, Reay reunites with writer-producer duo SOAP (Manchester's Josh Noble and Karl Ziegler) alongside fellow cowriters Annielle Lisiuk and Glen Roberts. With deep bass groove, sharp guitar stabs, jangling tambourine, and driving drums, “Who Knew Dancing Was A Sin” is itself a powerful enticement to dance. Horns and strings only add to the urgency as Reay growls, quavers, and coos out his passion for movement: “It's a shame she doesn't get it, a shame she doesn't see / It don't make me a traitor and it don't make me cheat / You can try to stop the music, but you can't stop my feet / Just give me a bourbon, a bass line, and a beat.”The music video for “Who Knew Dancing Was A Sin” finds Reay in the hot seat after he comes home late. He's suited up and visibly disheveled as a nightgown-wearing woman gives him a piece of her mind. Through thrilling flashbacks, though, we see the truth as Reay cuts a rug amidst a group of passionate dancers kicking, spinning, and shuffling in a red-curtained club.Reay's new tune further leans into the young artist's loving embrace of '50s and '60s music, and follows March's “Daydreaming,” a swooning single infused with cinematic grandeur and eerie longing. Before that came the upbeat and stylish “Boy in Love,” with a video shot on the streets of his hometown, and the massive breakthrough “I Think They Call This Love,” which enthralled millions around the globe with Reay's refreshing revival of a classic rock 'n' roll sound.Influenced from an early age by artists like Roy Orbison and Elvis Presley, Reay now channels that pioneering era of culture into his music to incredible effect. A truly sensational debut, “I Think They Call This Love” has amassed over 150 million global streams, earned 400 million views across 120,000+ TikTok creates, climbed Spotify Viral Charts in over 27 countries, and helped Reay build a loyal fanbase of more than 5 million followers. The song also marked the arrival of a fascinating new talent who, clearly, has much more to share.ABOUT ELLIOT JAMES REAY:Elliot James Reay has a genuine, lifelong love for not just the music of the '50s but the entire era and he has the voice, look, and magnetism to seemingly transport his fans back in time. But a close listen to his intoxicating forays into doo-wop and rockabilly reveals decade-hopping flourishes, knowing nods, and the occasional bent melody or distorted peel of guitar that would've caused uproar in Billy Fury's Day. Instead — and despite those who told him he'd need to change his sound to succeed — Elliot's grown a huge fan base via modern means, organically amassing over 4.7 million followers and hundreds of millions of views across social media platforms.Reay grew up listening to all kinds of music in the town of Bury, outside of Manchester, but he was drawn to the old stuff from an early age and took it farther than most, thrifting for vintage clothes and busking the town center as a teen. As the crowds grew, so did his confidence, and after earning more than £2,000 in a single day fundraising in the wake of the 2017 Manchester tragedy, Elliot realized the power he had to reach others. He was only 15 years old back then, and ever since he's been working on bringing his velveteen voice to an expanding audience whose appreciation for his music transcends generations, time zones and, yes — to see his fans' comments about his work — quite possibly time itself.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ElliotJameReay #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

THIS WEEK I'M TAKING YOU BACK TO MY DAYS IN RAPID CITY, SOUTH DAKOTA, WHEN I WAS APART OF RAPID FIRE RADIO WITH MY FRIEND REB RIDER! WE INTERVIEW THE SON OF DEL SHANNON, MR. CRAIG WESTOVER AND JAMES POPENHAGEN FROM 2018, AND ROY ORBISON JR. FROM 2017!   #DELSHANNON #ROYORBISON

It's hard to believe that this is a song from 1989 as Roy Orbison is an icon from the early days of Rock n' Roll, and his voice sounds just as powerful as it did 30 years before. We are glad to bring this song to you. We hope you (like us) are transcended to a higher plain when you hear his voice! Official Video Clips of the recording process of You Got It You can find us on Instagram, Facebook, and our website. You can email us at BandFGuiltFree@gmail.com, too. We'd love to hear from you. Please rate and review us wherever you listen, but more importantly - share our show with your friends! Our theme music is by the incredibly talented Ian McGlynn.

Dive into the world of David Lynch's Blue Velvet with Hindsight is Horrifying! In this episode, Darth watches the 1986 cult classic for the first time and is blown away by its surreal darkness. Adam takes us back to his Blockbuster rental days, sharing how this film haunted him in the ‘90s. Jason, our Lynch superfan, unpacks the mystery of the severed ear, Frank's unhinged chaos, and that eerie Roy Orbison vibe.Expect laughs, hot takes, and mind-bending discussions as we explore why Blue Velvet still captivates. Perfect for Lynch fans, horror buffs, or anyone craving a wild movie podcast! Hosted on Acast. See acast.com/privacy for more information.

32.029 The stars at night, are big and ROCKIN' deep in the heart of TEXAS! Enjoy our incredible 22nd Annual Lonestar Roundup episode of "Go Kat, GO!" featuring rockin' music from ALL of the band performing at the Lonestar Roundup. PLUS we get an up-close-and-personal interview with festival organizer Steve Wertheimer of the Continental Club. Hear fresh new rockin' music from Union Avenue, Bloodshot Bill, Tami Neilson & JD McPherson and The Hot Rod Gang plus plenty of powerful picks from the Motorbilly vaults including Johnny Burnette, Joe Poovey, Vince Taylor & The Playboys, Alvis Wayne, Jape Richardson, Roy Orbison & Jerry Lee Lewis. Enjoy a huge 3+ hour blast of retro-styled roots of rock n' roll with the Aztec Werewolf™, DJ Del Villarreal and his Wednesday night platter party, "Go Kat, GO! The Rock-A-Billy Show!" -good to the last bop!™Please follow on FaceBook, Instagram & Twitter!

Another two hours of songs you will remember. With Artistes such as Belinda Carlisle, R.E.M., Dire Straits, Queen, Roy Orbison, The Pet Shop Boys and loads more..... as usual !

A lively segment celebrating notable birthdays, including John Cena and John Oliver, with hilarious commentary and memorable quotes. The team humorously debates the clean reputation of Roy Orbison, contrasting it with other celebrities' scandals.A funny discussion on the first use of the word "hillbilly" in a newspaper, complete with playful banter and unexpected fart jokes.

My co-host today is Pat from Ghostly Podcast,  Whether you like talking ghost stories or not, a great podcast to listen too. He and Rebecca debate if a ghost story is true and have awsome audience interaction.  Make sure you check out Ghostly Podcast everwhere podcasts are played and at  https://ghostlypodcast.com/National English Muffin day.  Entertainment from 1983.  Coca Cola changed its recipe, 1st video loaded onto You Tube, Hillbilly used for first time, Ottoman Empire ended.  Todays birthdays - William Shakespeare, James Buchanan. Shirley Temple, Roy Orbison, Lee Majors, Sandra Dee, Herve Villechaize, Joyce DeWitt, Valerie Bertinelli, George Lopez, Taio Cruz.  Howar Cossell died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/I'll nver know if I don't ask - Buck FordEnglish Muffin - Parry GrippCome on Eileen - Dexy's Midnight RunnersAmerican made - The Oak Ridge BoysBirthdays - In da club - 50 Cent    http://50cent.com/Good ship lollipop - Shirley TemplePretty Woman - Roy OrbisonSix Million Dollar Mant TV themeFantasy Island TV themeThree's Company TV themeOne Day at a time TV themeDynamite - Taio CruzExit - Teenage Dixie - Muscadine Bloodline   https://www.muscadinebloodline.comcountryundergroundradio.comHistory & Factoids website

On the April 23 edition of Music History Today, it's release day for the Rolling Stones, the Ramones, & Beyonce. Also, happy birthday to Taio Cruz & Roy Orbison.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.com

¡Recordamos los éxitos más memorables de su carrera! 

La mejor música, todas las curiosidades y las últimas noticias te están esperando de mano de Jota Abril, Marta Critikian y Carlos Iribarren.

The Traveling Wilburys are coming! The Traveling Wilburys are coming! Well, actually they're HERE as of October 29th, 1990 and the release of The Traveling Wilburys vol3 -- the highly anticipated follow-up to the super-group's hit debut record. Despite the shift in decade and the fallen Roy Orbison, the project begun by George Harrison had another hit on their hands with this latest release - successful in both album and singles charts alike. Cuts like Wilbury Twist, Last Night and She's My Baby offered a dose of vitality for the genre of rock'n'roll amidst a crowded marketplace of new sounds that would have been largely unrecognizable a scant decade prior. More importantly, this was new George Harrison music in the 1990s...a signal for more on the horizon? Or perhaps a last burst of excitement... Hosted on Acast. See acast.com/privacy for more information.

"Someone might say, I don't understand music; but most people experience music emotionally and would agree that music is an abstraction. You don't need to put music into words right away—you just listen. Cinema is a lot like music. It can be very abstract, but people have a yearning to make intellectual sense of it, to put it right into words." - David LynchSomeone might say the world lost a giant earlier this year, when the beloved David Lynch shrugged off this mortal coil and bid farewell to the world. As sad as David's passing is, we're beyond lucky to have access to his art and we can experience a work of David Lynch as many times as we want. We can also have a great discussion and a fine playlist that highlights some of the best Lynchian musical moments. Here in Top Ten Songs From The Works Of David Lynch Part 2, we reveal picks 5-1 and wrap up our epic tribute to the man. Matt Dinan came through for us as always with some great banter and praise for the Master himself.If you missed Part 1, get it where you get your podcasts or here:https://podcasts.apple.com/us/podcast/episode-664-top-ten-songs-from-the-works-of-david/id573735994?i=1000703450054Listen to and enjoy the official Top Ten Songs From The Works Of David Lynch Spotify playlist:https://open.spotify.com/playlist/6NwKljTcVUWGZykQA9RW6p?si=9bf0fbbd4c3b44ecIf you've never seen the trailer for Matt's indie short film After The Flesh, give it a look see:https://www.youtube.com/watch?v=APlUmuDuqs4And don't forget to visit the LA Frankenstein YouTube channel for general Dinan-ness:https://www.youtube.com/@LA_FrankensteinWe've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. The great David Daskal made his return April 1st. The Old Boy Himself Ryan Blake joins for May's bonus episode.Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

"We were born before the wind Also younger than the sunEre the bonnie boat was won as we sailed into the mysticHark, now hear the sailors cry Smell the sea and feel the skyLet your soul and spirit fly into the mystic"A terrific day to sail or flow into the Mystic with me on this week's Super Sounds Of The 70's. Joining us are Badfinger, Santana, Linda Ronstadt, Roy Orbison, Moody Blues, Jeff Beck, Beatles, Beach Boys, The Band, Yes, The Kinks, Ted Nugent &  The Amboy Dukes, The Allman Brothers Band, Zombies, Hollies, George Harrison, The Move, Joni  Mitchell, Richie Havens, Simon & Garfunkel, Steve Miller Band, Dave Mason, Grateful Dead and Van Morrison... 

Ce 17 avril, Marjorie Hache referme la semaine avec deux heures de rock alternatif et de pop affûtée. L'émission démarre avec Fontaines D.C. et "Before You I Just Forget", extrait de la version deluxe de "Romance", suivi par Roy Orbison et John Lennon avec "Power to the People", à l'occasion d'un anniversaire symbolique : en 1971, les quatre Beatles figuraient simultanément dans le top 10 britannique, chacun en solo. Côté nouveautés, Julien Baker & Torres dévoilent le bouleversant "Tuesday", tandis que Green Day revient avec "Dilemma". L'album de la semaine se clôt avec Black Country, New Road et "Besties", une pièce baroque illuminée de clavecin. La reprise du jour propulse "Rehab" d'Amy Winehouse dans une version industrielle musclée par Ministry. En seconde partie, Tunde Adebimpe brille avec "God Knows", extrait de son projet "Thee Black Boltz". La soirée se poursuit avec The Breeders, Editors, Body Count, et la nouveauté incisive de Billy Nomates, "The Test", annonciatrice de "Metalhorse". En clôture, Ty Segall apporte une touche douce-amère avec "And, Goodnight", parfait pour refermer cette semaine éclectique et percutante. Fontaines D.C. - Before You I Just Forget Roy Orbison - You Got It John Lennon - Power To The People (Take 7) Elvis Presley - A Little Less Conversation (Jxl Radio Edit Remix) Julien Baker & Torres Mckenzie Scott - Tuesday Jimi Hendrix - The Wind Cries Mary Green Day - Dilemma Black Country, New Road - Besties Black Sabbath - Iron Man Thomas Erak & The Ouroboros - You Got The Wrong One Today, Buddy Patti Smith - People Have The Power The Horrors - La Runaway Ministry - Rehab The Breeders - Cannonball Tunde Adebimpe - God Knows XTC - Making Plans For Nigel The Afghan Whigs - Algiers Gossip - Heavy Cross (Live From Abbey Road) Kansas - Dust In The Wind Body Count - Body Count Billy Nomates - The Test Editors - Smokers Outside The Hospital Doors Them - Baby Please Don't Go Ty Segall - And, Goodnight Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Another two hours of great music from Artistes such as Pink Floyd, Arlo Guthrie,  Soft Cell, Lady A, The Move, Manfred Mann, Dusty Springfield, Roy Orbison, Chuck Berry, Jerry Lee Lewis and loads more

Roy Kelton Orbison was an American singer, songwriter, and guitarist known for his distinctive and power voice,complex song structure, and dark, emotional ballads.

I hope you've been enjoying the last few weeks of the Talkhouse feed as we've been throwing some new shows your way. If you haven't checked out Summer Album/Winter Album yet, please do, and look out for new episodes of Nobody's Ever Asked Me That, featuring my esteemed colleague Nick Dawson, in the coming months, too. Today's episode of the Talkhouse Podcast features a pair of incredible songwriters in a lovely chat about the thing they love to do the most: make music. We've got Benmont Tench and Taylor Goldsmith. Tench, in case you don't recognize the name, is a founding member of Tom Petty & The Heartbreakers, and a guy who helped shape rock music for decades with the distinctive sound and feel of his piano, organ, and much more. Tench made music with Petty from the time they were 11 years old until Petty's death in 2017, but he's also contributed to songs and albums by a dizzying array of other artists, too, from Roy Orbison to Fiona Apple to U2. As you'll hear in this conversation, Tench is always playing music because he loves it so damn much. He recently released his second-ever solo album, The Melancholy Season, and it includes some playing from his friend Taylor Goldsmith. Check out the title track from The Melancholy Season right here. Goldsmith is best known as the singer of the band Dawes, whose Laurel Canyon-inspired folk-rock has been caressing our ears for the past 15 years or so. Dawes has gone through some personnel changes in the past couple of years, paring back to Goldsmith and his brother Griffin and releasing a new album, the fittingly titled Oh Brother just last year. Both Goldsmith brothers were hit hard by the Los Angeles fires, losing their homes and the majority of their beloved instruments. But Goldsmith, as you'll hear, is taking it in stride. In this conversation, Tench and Goldsmith talk about, again, their love of music: Tench even recalls telling his daughter that he loves her more than he loves music—the highest compliment he can pay. Both of these guys are pretty recent fathers, too, which comes up. And of course they can't get around talking about the genius of Tom Petty—and the accidental genius of Heartbreakers' guitarist Mike Campbell's shirt. Listen and you'll understand. Enjoy. Chapters: 0:00 – Intro 2:24 – Start of the chat Thanks for listening to the Talkhouse Podcast and thanks to Benmont Tench and Taylor Goldsmith for chatting. If you liked what you heard, check out all the great stuff at Talkhouse.com and in the Talkhouse Podcast Network. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.

"MixTape 114 Classic Oldies Favorites" TRACK 1 AUDIO TITLE "Stand By Me" PERFORMER "Ben E. King" INDEX 01 00:00:00 TRACK 2 AUDIO TITLE "The Sound of Silence - Acoustic Version" PERFORMER "Simon & Garfunkel" INDEX 01 02:46:70 TRACK 3 AUDIO TITLE "All I Have to Do Is Dream" PERFORMER "The Everly Brothers" INDEX 01 05:31:35 TRACK 4 AUDIO TITLE "All You Need Is Love - Remastered 2009" PERFORMER "The Beatles" INDEX 01 07:41:11 TRACK 5 AUDIO TITLE "Ring of Fire" PERFORMER "Johnny Cash" INDEX 01 10:36:31 TRACK 6 AUDIO TITLE "Suspicious Minds" PERFORMER "Elvis Presley" INDEX 01 13:00:26 TRACK 7 AUDIO TITLE "Sugar, Sugar" PERFORMER "The Archies" INDEX 01 17:01:33 TRACK 8 AUDIO TITLE "Travelin' Man - Remastered" PERFORMER "Ricky Nelson" INDEX 01 19:36:73 TRACK 9 AUDIO TITLE "Splish Splash" PERFORMER "Bobby Darin" INDEX 01 21:52:10 TRACK 10 AUDIO TITLE "Do You Love Me - Mono Single" PERFORMER "The Contours" INDEX 01 23:49:50 TRACK 11 AUDIO TITLE "Runaway" PERFORMER "Del Shannon" INDEX 01 26:21:04 TRACK 12 AUDIO TITLE "Johnny B. Goode" PERFORMER "Chuck Berry" INDEX 01 28:23:33 TRACK 13 AUDIO TITLE "Tutti Frutti" PERFORMER "Little Richard" INDEX 01 30:49:36 TRACK 14 AUDIO TITLE "I Walk The Line - Single Version" PERFORMER "Johnny Cash, The Tennessee Two" INDEX 01 33:06:73 TRACK 15 AUDIO TITLE "Only the Lonely" PERFORMER "Roy Orbison" INDEX 01 35:20:16 TRACK 16 AUDIO TITLE "Dream Lover" PERFORMER "Bobby Darin" INDEX 01 37:35:34 TRACK 17 AUDIO TITLE "Will You Love Me Tomorrow" PERFORMER "The Shirelles" INDEX 01 39:53:17 TRACK 18 AUDIO TITLE "Brown Eyed Girl" PERFORMER "Van Morrison" INDEX 01 42:17:71 TRACK 19 AUDIO TITLE "You Never Can Tell" PERFORMER "Chuck Berry" INDEX 01 44:58:04 TRACK 20 AUDIO TITLE "I'm a Believer - 2006 Remaster" PERFORMER "The Monkees" INDEX 01 47:27:06 TRACK 21 AUDIO TITLE "Runaround Sue" PERFORMER "Dion" INDEX 01 49:57:73 TRACK 22 AUDIO TITLE "These Boots Are Made for Walkin'" PERFORMER "Nancy Sinatra" INDEX 01 52:11:36 TRACK 23 AUDIO TITLE "Don't Be Cruel" PERFORMER "Elvis Presley" INDEX 01 54:34:24 TRACK 24 AUDIO TITLE "Bye Bye Love" PERFORMER "The Everly Brothers" INDEX 01 56:26:43 TRACK 25 AUDIO TITLE "Misirlou" PERFORMER "Dick Dale" INDEX 01 58:20:52 TRACK 26 AUDIO TITLE "Then He Kissed Me" PERFORMER "The Crystals" INDEX 01 60:24:66 TRACK 27 AUDIO TITLE "(What A) Wonderful World" PERFORMER "Sam Cooke" INDEX 01 62:45:16 TRACK 28 AUDIO TITLE "Do Wah Diddy Diddy - 2007 Remaster" PERFORMER "Manfred Mann" INDEX 01 64:44:71 TRACK 29 AUDIO TITLE "Be My Baby" PERFORMER "The Ronettes" INDEX 01 67:02:23 TRACK 30 AUDIO TITLE "Mambo Italiano (with The Mellomen) - 78rpm Version" PERFORMER "Rosemary Clooney, The Mellomen" INDEX 01 69:23:33 TRACK 31 AUDIO TITLE "Let's Twist Again" PERFORMER "Chubby Checker" INDEX 01 71:23:31 TRACK 32 AUDIO TITLE "Wipe Out - Hit Version / Extended Ending" PERFORMER "The Surfaris" INDEX 01 73:36:28 TRACK 33 AUDIO TITLE "Great Balls Of Fire" PERFORMER "Jerry Lee Lewis" INDEX 01 75:32:13 TRACK 34 AUDIO TITLE "Think" PERFORMER "Aretha Franklin" INDEX 01 77:16:50 TRACK 35 AUDIO TITLE "California Dreamin' - Single Version" PERFORMER "The Mamas & The Papas" INDEX 01 79:20:31 TRACK 36 AUDIO TITLE "Mrs. Robinson - From "The Graduate" Soundtrack" PERFORMER "Simon & Garfunkel" INDEX 01 81:42:59 TRACK 37 AUDIO TITLE "Don't Let Me Be Misunderstood" PERFORMER "The Animals" INDEX 01 85:02:61 TRACK 38 AUDIO TITLE "Oh, Pretty Woman" PERFORMER "Roy Orbison" INDEX 01 87:09:29 TRACK 39 AUDIO TITLE "Always On My Mind" PERFORMER "Elvis Presley" INDEX 01 89:59:40 TRACK 40 AUDIO TITLE "I Got You Babe" PERFORMER "Sonny & Cher" INDEX 01 93:19:73

Today on LaunchLeft, Rain Phoenix hosts an insightful conversation with acclaimed music producer Don Was, who shares his journey through the music industry and his philosophy on creativity. Don reflects on his diverse career, emphasizing the importance of avoiding being pigeonholed and the value of one’s emotional connection in music. Don recounts his experiences working with iconic artists like Bob Dylan, Bonnie Raitt, and the Rolling Stones, highlighting the timeless nature of genuine artistry. The discussion also touches on Don's roots in Detroit's vibrant music scene and his latest project, the Pan Detroit Ensemble, which celebrates the city's rich musical heritage. Later, Don launches Maya Delilah, whose debut album, "The Long Way Round," is set to release with Blue Note Records. Maya shares her journey from social media sensation to recording artist, expressing gratitude for the creative freedom and support she received from the label. The episode offers a compelling look at the intersection of legacy and emerging talent, underscoring the enduring power of authenticity in music. IN THIS EPISODE:  (00:16) Don Was's Career and Production Philosophy: Discover Don's approach to music production, emphasizing authenticity and emotional connection (25:00) The Influence of Detroit's Music Scene: Learn how Detroit's unique cultural mix shaped Don's musical perspective (35:00) Blue Note Records and Artist Development: Explore Blue Note's nurturing approach to artist development (45:00) Maya Delilah's Debut Album Creation: Maya shares her transformative recording experience (50:10) Collaborative Effort in Artist Development: Don and Maya discuss the supportive environment at Blue Note Records KEY TAKEAWAYS:  Authenticity in music production is crucial for creating timeless music that resonates emotionally. Detroit's raw, honest sound has significantly influenced Don's production style and creative process. Blue Note Records prioritizes nurturing an artist's unique voice over conforming to trends. Maya Delilah's debut album “The Long Way Round,” aims to evoke nostalgia and comfort, reflecting her artistic vision. Collaboration and creative freedom are vital in developing successful artists. RESOURCE LINKS:  LaunchLeft Podcast Smart Link DON WAS LINKS: https://donwas.com/ https://www.instagram.com/donwas/ MAYA DELILAH LINKS: https://www.mayadelilah.com/ https://www.instagram.com/mayadelilahh/ https://www.facebook.com/mayadelilahh/ https://www.tiktok.com/@mayadelilahh https://www.youtube.com/channel/UCHZBLbph9tL9e7LAfZm_pjg BIOGRAPHIES:  Don Was is one of music’s most significant artists and executives, excelling in multiple roles and serving as one of the industry’s beacons for integrity and forward-thinking.  As an in-demand, highly acclaimed and commercially successful producer since the late 1980s, Was has been honored with Grammy Awards for his production work in each of the past four decades:   In 1989 for producing Bonnie Raitt’s breakthrough classic Nick Of Time, in 1994 as Producer Of The Year for his work with artists ranging from The Rolling Stones to Willie Nelson to Roy Orbison, in 2009 for his production work on Ziggy Marley’s Best Musical Album For Children, Family Time, in 2018 for helming The Rolling Stones’ Best Traditional Blues Album. Blue & Lonesome a, and in 2019 for producing Intocable’s Latin Grammy-winning  Best Norteño Album, percepción.  The artists Was has produced in this decade alone are a testament to his talents as a producer spanning a broad array of music genres:   The Rolling Stones’ aforementioned worldwide hit album (Blue & Lonesome) Gregg Allman’s final album (Southern Blood), John Mayer (two of his most recent albums, Born And Raised and Paradise Valley), Aaron Neville (My True Story, co-produced with Keith Richards), French superstar Johnny Hallyday (Rester Vivant) and Neil Diamond’s Melody Road.  Albums produced by Was have achieved dozens of multi-platinum, platinum and gold certifications and have sold more than 90 million copies worldwide. As the President of Blue Note Records since 2011, Was is both the company’s leader and an ambassador for its music, charged with bringing the label’s 21st Century jazz artists and its expanding pallet of contemporary musicians to larger audiences. Maya Delilah is an English singer-songwriter and guitarist. Maya Delilah has been signed to jazz record label Blue Note Records since 2022.

Mit "Still Got The Blues" hat Gary Moore einen echten Stilwechsel hingelegt – weg vom Hard Rock, hin zum Blues Rock. "Still Got The Blues" erschien 1990 als Gary Moores achtes Solo-Studioalbum und war ursprünglich nur als Nebenprojekt gedacht. Doch mit dem dazugehörigen Titelsong überzeugte Moore seine Plattenfirma Virgin Records, die daraufhin sogar Blues-Legende Albert King einfliegen ließ, um bei dem Song "Pretty Woman" mitzuspielen. Ich glaube, was die Plattenfirma überzeugt hat, war, dass Garry Moore so 100% hinter diesem Projekt stand, das war so ein richtiges Herzensprojekt. Das Album ist ein Meilenstein, weil es für viele Menschen der Einstieg in eine neue Musikrichtung war, mit der sie vorher wenig zu tun hatten. Gary Moore lebt die Musik und vermittelt über seine Gitarre mehr Emotionen als über seine Stimme, wie SWR1 Musikredakteur Nils Berkfeld findet. Von Hard Rock zum Blues – Gary Moores Neuanfang mit "Still Got The Blues (For You)" Mit "Still Got The Blues (For You)" schlug Gary Moore eine neue musikalische Richtung ein – weg vom Hard Rock, hin zum Blues. Der ganze "Rockstar-Zirkus" mit riesigen Bühnenaufbauten und Pyrotechnik langweilte ihn, er wollte zurück zur Essenz der Musik. Zur gleichen Zeit rollte eine neue Blues-Welle aus den USA heran, angeführt von Künstlern wie Jeff Healey, Robert Cray und Bonnie Raitt. Inspiriert von seinen Jugendhelden Eric Clapton, Peter Green und den Bluesbreakers, begann Moore, hinter den Kulissen alte Blues-Stücke zu spielen, und entdeckte seine Liebe zur Musik neu. Besonders Albert King war ein großes Idol für ihn – ein Einfluss, der auf "Still Got The Blues" deutlich zu hören ist. Entstehung des Albums "Still Got The Blues" Gary Moore war ein großer Fan von Eric Clapton und dessen einzigartigem Sound. Deshalb entschied er sich, eine eigene Version eines Clapton-Stücks für "Still Got The Blues (For You)" aufzunehmen. Das sollte nur der Anfang eines größeren Projekts werden. Anfangs zögerte Moore, doch während der ersten Sessions erkannte er, dass er auch eigene Blues-Songs schreiben konnte. Er stellte eine neue Band zusammen, bestehend aus Andy Pyle (Bass), Graham Walker (Schlagzeug) und Mick Weaver (Keyboards). Die Aufnahmen fanden in den Sarm West Studios in London statt, wobei die meisten Songs live und in nur ein bis zwei Takes eingespielt wurden, was für Blues-Aufnahmen dieser Zeit typisch war. Moore stand hinter einer Plexiglasscheibe, während die Band im Aufnahmeraum spielte – eine Methode, die auch von Künstlern wie den Rolling Stones verwendet wurde. "Still Got The Blues" wurde schließlich auch eine Hommage an seine Idole. Das Album enthält sowohl Coverversionen als auch Eigenkompositionen – darunter "King Of The Blues", ein Tribut an B.B. King. Zudem wirkte George Harrison an "That Kind Of Woman" mit. Die CD-Version des Albums widmete er seinem großen Vorbild Peter Green, obwohl nur ein Song von ihm enthalten ist. Später veröffentlichte Moore ein ganzes Album zu Ehren von Green. "Still Got The Blues" – Ein Meilenstein der Musikgeschichte Was hat George Harrison mit "Still Got The Blues" zu tun? Wie liefen die Aufnahmen mit Blues-Legende Albert King ab? Und wie erfüllte sich der lautstarke und manchmal eigensinnige Gary Moore mit diesem Album einen Kindheitstraum? Das und mehr, erfahrt ihr im Meilensteine Podcast zu "Still Got The Blues". So wurde "Still Got The Blues" nicht nur ein persönliches Projekt für Gary Moore, sondern auch eine Hommage an die Blues-Giganten, die ihn inspirierten. __________ Über diese Songs vom Album "Still Got The Blues" wird im Podcast gesprochen (03:49) – "Texas Strut"(16:02) – "Still Got The Blues (For You)"(35:57) – "Moving On"(41:07) – "Oh, Pretty Woman "(49:42) – "King Of The Blues"(1:04:03) – "That Kind Of Woman"__________ Über diese Songs wird außerdem im Podcast gesprochen (09:49) – "All Your Love" von Bluesbreakers with Eric Clapton(28:11) – "Dana" von Roland Kovac(29:14) – "Nordrach" von Jud's Gallery(34:44) – "Still In Love With You" von Thin Lizzy(41:08) – "Pretty Woman" von Roy Orbison(41:45) – "Oh, Pretty Woman" von Albert King  (53:57) – "Broken Heart" von B.B. King __________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/gary-moore-still-got-the-blues __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

     In this latest episode of Air Tight, The Alex curates another fire playlist that captures the spirit of the underground.  Featuring soul-saturated tracks from The Red Clay Strays, Mercer, Dr. Dog, Brent Cobb, and a ton more, this show is a must-listen for fans of eclectic music, new underground hits, and counterculture grooves.  Whether you're into indie rock, dance tracks, or roots revival, this episode is your sonic gateway to discovering new music and rediscovering overlooked gems.      The Alex also drops some hot news headlines and gets listeners prepped for music festival season—because you know it's time to get your wristbands ready and your playlists locked in.  Listeners are encouraged to check out Unknown Airwaves Part 10 on our YouTube channel, and climb deeper into the stories shared—just search and explore.  Don't forget to tune in to Green Coast Radio, your premier source for underground culture, fringe sounds, and cannabis community vibes.      Looking for bold gift ideas or exclusive art? Hit up the “Station Gear” section at GreenCoastRadio.com to grab limited merch that screams street culture and underground cool.

Segunda entrega de canciones que alcanzaron su puesto más alto en listas norteamericanas de pop en este mes de hace 60 años. Quedaron muchas cosas fuera del primer episodio que no podíamos pasar por alto.Playlist;(sintonía) THE ARROWS feat DAVIE ALLAN “Apache 65” (top 64)ROGER MILLER “King of the road” (top 4)BOBBY GOLDSBORO “Little things” (top 13)JOHNNY RIVERS “Midnight Special” (top 20)JOHNNY CASH “Orange blossom Special” (top 80)HERMAN’S HERMITS “Can’t you hear my heartbeat” (top 2)GERRY and THE PACEMAKERS “Ferry cross the Mersey” (top 6)THE BEATLES “I don’t want to spoil the party” (top 39)GEORGIE FAME and THE BLUE FLAMES “Yeh Yeh” (top 21)THE NASHVILLE TEENS “Find my way back home” (top 98)THE KINGSMEN “The Jolly Green giant” (top 4)DEL SHANNON “Stranger in town” (top 30)RICK NELSON “Mean old world” (top 96)IAN WHITCOMB and BLUESVILLE “This sporting life” (top 100)JEWEL AKENS “The birds and the bees” (top 3)ROY ORBISON “Goodnight” (top 21)RODDIE JOY “Come back baby” (top 86)DUSTY SPRINGFIELD “Losing you” (top 91)STEVE ALAIMO “Real live girl” (top 77)Escuchar audio

Happy Women's History Month from your feminism-supporting pals at ATTT. Here in Top Ten "Woman" Songs we're celebrating the LA Woman, the Evil Woman and even the Long Cool Woman (In A Black Dress). Our good friends Sky Nicholas and Tara Austin are back to help us count down our favorite songs with that magic word in the title. Picks 5-1 are featured here in Part 2.If you missed Part 1 go here:https://podcasts.apple.com/us/podcast/episode-658-top-ten-woman-songs-part-1-w-sky-nicholas/id573735994?i=1000697377197Hear every song heard in Parts 1 & 2 in the official Top Ten "Woman" Songs Spofify playlist:https://open.spotify.com/playlist/5axiLdjK3EviNjD5WmnBKA?si=5d36a0df956e4225Find our humble guests Sky & Tara on the socials!https://www.instagram.com/skyroxxu/https://www.instagram.com/austintatioustunes/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Our man in Maryland Gabe Scalone joined for an all new episode!Find out more at https://www.patreon.com/c/alltimetopten

Our first proper episode in a few weeks! Welcome back 2Legs Faithful! For E274 we were honoured to have the esteemed Jeff Slate, a New York City based musician and journalist join us! In this episode we cover a lot of ground! Dylan and Macca's late career albums from 1997 on (Time Out Of Mind & Flaming Pie) being the re-launch for a renaissance for both elder statesmen of rock at the time. "A Complete Unknown", The Beatles solo careers, Wings, Dylan/McCartney's approaches to their archival releases; the standards albums that both have done. Dylan's relationship with George/John and the non-existent one with Macca. We even touch on a little bit of The Who! We dish on how they both sound live currently (double standard ?) and the legacy that both will leave behind. Jeff Slate wrote the liner notes to the 50th Anniversary boxset to Sgt. Pepper's Lonely Hearts Club Band (2017) as well as the Dylan Bootleg Series Volume 14: More Blood; More Tracks (2018). He has collaborated with Pete Townshend on several projects. He co-wrote a biography on Roy Orbison with Roy's sons. He has also interviewed Bob himself! If this wasn't enough he has his own solo career and he's just recently released his 4th Solo album The Last Day of Summer which features Dave Stewart and Earl Slick. Jeff is known for some controversial "hot takes" and you may hear 1 or 2 in this episode! We love and appreciate honesty here on 2Legs! To keep up with all of Jeff's activity please visit his website: Also, please consider joining our Patreon to get early access to shows, merch and our Discord server!   

Mike Noble is a longtime member of the Grand Ole Opry house band, where he plays guitar, bass, banjo and harmonica. He's backed artists including Darius Rucker, Vince Gill and Barry Gibb. He's also an in-demand session musician and has recorded with Jason Aldean and Kenny Rogers among many others. He's worked with Diamond Rio, Roy Orbison and Dave Loggins. He has three ASCAP Performance Awards and 16 Gold and Platinum records. And he's a movie star too, with roles in “Coal Miner's Daughter” and “Nashville”.My featured song is “The Fall Of Winter”, the single I co-wrote with Jim Peterik. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's latest single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Nos adentramos en Sun Records, el estudio en Memphis que se convirtió en una fábrica de estrellas como Johnny Cash, Roy Orbison, y Jerry Lee Lewis, y transformó las barreras sociales y culturales a través de la música.

Traveling Wilburys were a surprise dream come true of a supergroup and their 1988 album, Vol. 1, was one of the best of the decade.  It pretty much brought out the best in every member and put them on the comeback trail.  Unfortunately, Roy Orbison died shortly after its release.  Still, it was successful enough that George Harrison decided to give it another go and get Tom Petty, Jeff Lynne and Bob Dylan to do a second album.  While still a quality album, Roy Orbison was sorely missed. 

And our Was (not Was) odyssey comes to an end with the glory years of What Up, Dog? and Walk The Dinosaur alongside working with Elvis Costello, Roy Orbison and Frank Sinatra Jr.7. WHAT UP, DOG? (1986-88)A two year process begun with a rejected album by Geffen. Then former podcast guest, David Bates saves the day and one of the best albums of the 80s results.Special focus made on the superlative ballads from the LP; Anytime Lisa, Somewhere in America There's a Street Named After My Dad, Anything Can Happen and Wedding Vows in Vegas.8. ELVIS COSTELLO (1986)A Was/Costello co-write results from a fortuitous meeting with Mr MacManus at Tower Records. We discover what lyric Costello contributed and how David was responsible for the track Elvis made with Brian Eno for The X Files 10 years later.9. WALK THE DINOSAUR (1987)Plenty was said about the hit in part 1 of the interview but we boom-boom-ackla-lacka-lacka boom once more with a few more questions. What was the line David was asked to change? Why was it released so much earlier in the UK than the USA? What was Randy Jacobs songwriting contribution?10. MISCELLANEOUS (1987-89)Plenty of chat about David's old comrade, Don. As well as talk on my favourite lesser know WNW track, working with the great Roy Orbison and some chat on why David's answer to Are You Okay? was "no". Plus the highs of Top of the Pops and live performing in the UK.80SOGRAPHY QUICKFIRE ROUNDDavid is on Twitter @HennyYoungbloodPlease support the podcast via PayPal - 80sography@gmail.comTwitter/Blue Sky @80sography                  Men Without Women Are Like Fish Without Water To Swim In.                 With Their Eyes Bugging Out, They Flop On The Beach,                 And Look Up At The Girls Who Are Just Out of Reach. Send us a text

PARK AND RECREATIONS. This month's animated spotlight judges the kickoff of Star Trek: Lower Decks' third season, which include a pair of episodes that pay homage to iconic moments from throughout the franchise. One *could* say that about every episode of Lower Decks -- do Bryan and Katie do that? You'll just have to listen. The grades begin at (15:09). Jump right to "The Least Dangerous Game" at (41:27).

 He was a member of Nashville's A-Team. He invented the electric guitar ‘fuzz' effect by accident in a Marty Robbins recording session. He played on some of the most recognizable hit songs and landmark albums; not just country but rock, soul, folk, country rock and released some jazz guitar albums of his own. You can hear his work day in and day out: the Spanish-style acoustic work on Marty's El Paso, the opening and unforgettable lick on Roy Orbison's Oh Pretty Woman, plus dozens upon dozens more. He was one of the most sought after session men in the industry. Oh, and his jazz work with Mancini, Hirt and Fountain were followed by a gig as session leader for Vanguard Records' album releases of Joan Baez, Buffy Sainte-Marie and Country Joe. If there's a word that goes a step beyond prolific, it describes Grady Martin. Join us for a show that celebrates the legend. 

The life, the legacy, and the art of David Lynch, with Jack Mason of The Perfume Nationalist SOUNDTRACK Julee Cruise "Rockin' Back Inside my Heart"Brother JT "This is the Life"Felt "Primitive Painters" Roy Orbison "In Dreams" LINKSTPN The Films of David Lynch Part One and Part Two 

durée : 00:54:41 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas nous entraîne dans un rêve, mais un de ces rêves dont on ne sait trop s'ils sont heureux ou si c'est tout le contraire. - réalisé par : Stéphane Ronxin

This week, Desmond and Tom review a newish (2016) film from a favorite director: Takashi Miike. The film in question is the wild sci-fi manga adaptation Terra Formars. Then Des goes solo on a Dread Media Top 5 Takashi Miike Films. And we pay tribute to one of the great American artists: David Lynch. Songs included: "In Dreams" by Roy Orbison, "To Mars" by Early Man, "Fend You Off" by Zeal and Ardor, and "The Pink Room" by David Lynch. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Desmond and Tom review a newish (2016) film from a favorite director: Takashi Miike. The film in question is the wild sci-fi manga adaptation Terra Formars. Then Des goes solo on a Dread Media Top 5 Takashi Miike Films. And we pay tribute to one of the great American artists: David Lynch. Songs included: "In Dreams" by Roy Orbison, "To Mars" by Early Man, "Fend You Off" by Zeal and Ardor, and "The Pink Room" by David Lynch. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Der SRF 3 Musikabend zum Wochenendstart mit den Hinhörern aus den heute erschienenen neuen Alben (The Weather Station! Ela Minus!), einem Zückerchen aus der Schweiz (Aino Salto!), einer neuen Tocotronic-Single(!) UND unserer ersten «Eurosonic»-Entdeckung. +++ PLAYLIST +++ · 21:55 – UNBELIEVABLE von DJ KOZE & ADA · 21:49 – DEMOLITION von MARIE DAVIDSON · 21:46 – QQQQ von ELA MINUS · 21:42 – IDOLS von ELA MINUS · 21:40 – CUNTOLOGY 101 von LAMBRINI GIRLS · 21:37 – SCHWARZE MAGIE von DIE HEITERKEIT · 21:34 – NEVER TEAR US APART von INXS · 21:31 – ADORE von YES I'M VERY TIRED NOW FEAT. NATASHA WATERS · 21:27 – STAND UP TALL von DIZZEE RASCAL · 21:24 – SCUMBAG von JESHI · 21:21 – UNLEASH ME von BUSTA RHYMES · 21:16 – FUNNY PAPERS von MAC MILLER · 21:13 – LLORANDO (CRYING) von REBEKAH DEL RIO · 21:07 – IN DREAMS von ROY ORBISON · 21:04 – LIKE CLEOPATRA von BABE RAINBOW · 20:55 – HOW DO YOU WANT TO BE LOVED? von SOPHIE JAMIESON · 20:50 – CAMERA von SOPHIE JAMIESON · 20:45 – POWERLINES von AINO SALTO · 20:41 – WE MUST HAVE BEEN ASLEEP von AINO SALTO · 20:37 – AIN'T THAT ENOUGH von TEENAGE FANCLUB · 20:33 – SNOWFLAKES von DROPKICK · 20:30 – DOLLY von GEOWULF · 20:26 – KEEP ME SATISFIED von JUNGLE · 20:24 – IGNORED von BOKO YOUT · 20:19 – RUSTLE von HUTCH · 20:16 – YOU'VE GOT THE LOVE von FLORENCE + THE MACHINE · 20:13 – RIBBON von THE WEATHER STATION · 20:07 – NEON SIGNS von THE WEATHER STATION · 20:03 – BLEIB AM LEBEN von TOCOTRONIC

This week's guest In the Flamingo Lounge, Yod Crewsy, recorded on January 4, 2025, is a former guitarist with the Splatcats, founding member of the legendary garage rock and roll band the JackLords and band leader of the Dark Marbles. Yod opened for Roy Orbison at Kleinhans Music Hall in Buffalo with the JackLords in 1989.  Other infamous moments include him opening for the Ramones at Fredonia State College with the revved-up punk band the SplatCats.  His most recent achievment was the airing of recent recording of "Runaround" from his "Brit-Pop Faves" CD on Little Steven's Underground Garage on SiriusXM.

Roy Orbison was a West Texas boy with an operatic voice. He was drawn to the guitar at age six. His monumental global career successes were matched by extraordinary personal tragedies. Jeff Slate is the co-author of the book The Authorized Roy Orbison.

In Part 2 of our Best of 2024 podcast, we revisit some of the more memorable excerpts from our interviews over the past year: -- Thomas Austin, on what it's like to deal with being fired by Dabo Swinney. In 2008, Austin was an offensive lineman on the team that helped Swinney secure the head-coaching job with a victory over South Carolina. Swinney even rode on Austin's shoulders to midfield that day to shake the hand of Steve Spurrier. -- Otis Pickett, on returning to his alma mater from Mississippi to be the historian of Clemson University. A significant part of Pickett's mission is introducing and framing the public conversation on Clemson's past, which includes difficult and complicated topics on race. -- Cliff Ellis, former Clemson basketball coach, shares numerous stories about his musical career. Had he not chosen coaching, Ellis could've easily spent his life as a professional musician. In the mid-1960s, his group The Villagers was a sensation and even recorded at the legendary Fame Studios in Muscle Shoals, Ala. Ellis remembers joining Roy Orbison on stage at a sold-out concert in Dothan, Ala. "If you can perform in front of people with Roy Orbison behind you, you're going to be OK going up against Dean Smith and Mike Krzyzewski," he said. -- Tommy West looks back to a totally different time for Clemson football in the 1990s when the Tigers didn't have any facilities to speak of and were so behind on that front that he once tried to stage an August practice at a local livestock arena.      

In this very special Christmas episode of VRP Rocks, Paul Stephenson sits down with Merseybeat legend Billy J. Kramer to reflect on his incredible career and enduring passion for music. As one of the key figures of the British Invasion, Billy shares unforgettable stories about his early days on the Liverpool music scene, being discovered by John Lennon—who personally championed Billy's career and even helped shape his iconic stage name - and the influence of Brian Epstein. Billy talks about his chart-topping hits like “Do You Want to Know a Secret” and “Bad to Me”, performing alongside The Beatles, Roy Orbison, James Brown and more, and the surreal experience of conquering America during the height of Beatlemania. We also discuss his latest project, a heartwarming new Christmas song, “Christmas Kind of Feeling” and the emotional return to Abbey Road Studios to record his recent album. At 80 years old, Billy's love for music remains as strong as ever and his stories from the golden age of rock 'n' roll are the perfect way to close out the year. Join us for this festive celebration of music, memories and Christmas cheer with one of the greats from rock's most transformative era. Don't forget to subscribe for more interviews with rock legends in the new year! Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 2 is here! Our resident film expert Julius dives right into their list, which is full of great music in addition to mesmerizing films that feature it. From the Lynchian "Blue Velvet" to the short but perfect party film "Lovers Rock," you will be more than satisfied checking out any of the films on this list!Songs/Movies Discussed"In Dreams" - Roy Orbison - from Blue Velvet (1986) - dir David Lynch"Love and Happiness" - Al Green  - from Menace II Society (1993) dir. Allen and Albert Hughes"(I Can't Get No) Satisfaction" - DEVO - from Casino (1995) dir. Martin Scorsese"Silly Games" - Janet Kay - from Lovers Rock (2020) (from Small Axe series) dir. Steve McQueen"Everytime" - Britney Spears - from Spring Breakers (2012) dir. Harmony KorinePlaylistsDanny: Spotify - Apple Music - YoutubeJulius: Spotify - Apple Music - YoutubeStay tuned for a bonus episode paying tribute to Quincy Jones and discussing the new Kendrick Lamar album! Menace II Society is back on in the cultural spotlight mainly because Julius chose to discuss it in this episode, but I guess Kendrick did reference it in the squabble up video. He must have hacked our Google Drive and saw our notes! He a fan, he a fan, he a fan...Send us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

Frumess once again attempts to discuss, dissect, and extrapolate more of Glenn Danzig's Misfits lyrics. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Darkness Syndicate members get the ad-free version: https://weirddarkness.tiny.us/2p8kvwu9Info on the next LIVE SCREAM event: https://weirddarkness.com/LiveScreamIN THIS EPISODE: The mythos of rock and roll music started as soon as Elvis and his swiveling hips hit the stage. But with a powerful mystique comes stories, legends, and myths—some of them true, some of them true but exaggerated, and some of them just plain made up. Others are misconceptions passed down through the generations, despite never being true. These are the most persistent urban legends and rumors in rock history, with an emphasis on the rock myths that are a little more unknown. Sure, you know about Phil Collins and the drowning man, but did you know that despite wearing dark glasses all the time, Roy Orbison was not actually blind? Or that two famous rock legends actually did die in the same apartment, years apart? The most infamous urban legends, tragedies, curses, and even a few hauntings within the annals of Rock and Roll, in this episode of Weird Darkness!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Disclaimer and Cold Open00:01:06.501 = Show Intro00:03:24.757 = Urban Legends of Rock and Roll00:24:58.793 = Rock and Roll Curses and Superstitions00:40:32.617 = Rock Band Tragedies00:54:58.996 = Bobby Mackey's Haunted Nightclub01:09:29.980 = Show CloseSOURCES AND REFERENCES FROM THE EPISODE…“Urban Legends of Rock and Roll” by Mike Rothschild https://weirddarkness.tiny.us/glsstdfw, and Jodi Smith https://weirddarkness.tiny.us/lp9dyn08“Rock and Roll Curses & Superstitions” by Jacob Shelton https://weirddarkness.tiny.us/33oyxyt7“Rock Band Tragedies” by Daniel Kohn https://weirddarkness.tiny.us/37ufqpg5“Bobby Mackey's Haunted Night Club” by Michelle Nati https://weirddarkness.tiny.us/1sxph150Weird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: February 19, 2021CUSTOM LANDING PAGE: https://weirddarkness.com/RockAndRollUrbanLegends

Noel catches up with Britta Phillips, one half of the husband-wife duo, Dean and Britta. They just released their latest album, A Peace of Us, featuring a cover of Roy Orbison's Pretty Paper. Dean and Britta spun off from the band, Luna, and have released multiple albums. Britta got her start as the singing voice of Jem in the animated series, "Jem and The Holograms." She also voiced multiple characters in Adult Swim's "Morel Orel." Britta's solo album featured the amazing cover of The Cars' "Drive."

Captain Dan and Penny Lane look at some of the fantastic music featured in cult movies on this episode of Punks in Parkas!Hear tracks from the likes of The Undead, Steelers Wheel, Roy Orbison and more!For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of Punks In Parkas, Mondays from Midday – 1 PM EST / 5 - 6 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

We had the pleasure of interviewing Åsa Orbison over Zoom video!Originally from Stockholm, Sweden Åsa Orbison had a fondness for music at a young age, where she attended music school in Sweden. Into adulthood, she then transitioned into working in marketing, but later came to the realization that music was always something she ultimately gravitated to and wanted to pursue. Åsa decided to make the move to America when she found love with now husband Roy Orbison Jr! She came back to her musical roots when working together with her husband (whom she collaborated with on her new album). As a huge feat, Åsa received a platinum record award for singing backup vocals on her father-in-law, Roy Orbison's ‘Unchained Melodies” in 2019. The “Blue Bayou” album is Åsa's first album and passion project, recorded at Roy Orbison Jr's "Pretty Woman Studio", Nashville A Team member Wayne Moss' “Cinderella Studio” and Jack Clement's “The Cowboy Arms Hotel And Recording Spa”. "Blue Bayou” album is a stunning representation of Åsa's Jazz/Pop soft, breathy singing style with her top singles "Blue Bayou”, ”Green Eyes” “Unchained Melody”, & “Satin Doll”.Åsa resides in Malibu, California with her 4 adorable children and husband Roy Orbison Jr. In her free time, she enjoys music, running, Pilates and hiking. Åsa is also passionate about supporting causes that are close to her heart including, Music Cares, Operation Smile and BabytoBaby. We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ÅsaOrbison #RoyOrbison #RoyOrbisonJr #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Not that Toni and Bonnie's Oral Report on Hungarian dictator Victor Orban wasn't great - it was the only Orban report ever featuring a lot about Roy Orbison. But actual professor Kim Lane Scheppele is here to, um, elaborate. And then it's the return of the Poundstone Riddle Invitational! GUEST Kim Lane Scheppele @KimLaneLaw HOUSE BAND Eric Wolff fusetheatrect.org SPONSORS Go to Quince.com/nobody for free shipping on your order and 365-day returns! Go to helixsleep.com/Paula for 20% all mattress orders! Learn more about your ad choices. Visit megaphone.fm/adchoices