Podcast appearances and mentions of Roy Orbison

Chaque matin, Ombline Roche vous raconte l'histoire qui se cache derrière un artiste. Un rendez-vous incontournable pour mieux apprécier l'œuvre de son auteur.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Saxófón- og klarínettleikarinn, tónskáldið og útsetjarinn Haukur Gröndal fagnar 50 ára afmæli með stórtónleikum í Norðurljósasal Hörpu annað kvöld. Haukur á að baki yfir þrjátíu ára feril í íslensku og alþjóðlegu tónlistarlífi, þar sem hann hefur skapað sér einstakan sess fyrir frumlega rödd. Við fórum aðeins með honum yfir ferilinn í dag og hann sagði okkur frá tónleikunum. Blekfjelagið er félag meistaranema í ritlist og árlega kemur út bók fyrir jólin sem heitir einfaldlega jólabókin. Þetta er í fjórtanda sinn sem jólabókin kemur út, sú fyrsta kom árið 2012 og þá máttu sögurnar einungis innihalda 100 orð auk titils. Á hverju ári fækkar orðunum um eitt og fyrir vikið mega sögurnar í ár einungis innihalda 87 orð. Í ár er þemað "Kyngja", og samanstendur bókin af örsögum og ljóðum eftir 17 höfunda. Undanfarin ár hafa þau komið í Mannlega þáttinn og lesið upp verkin sín og svo er einnig í ár. Við heyrðum fyrri hluta örsagnanna í dag og svo verður seinni hlutinn á dagskrá í þættinum á morgun. Höfundar í fyrri hluta: Móeiður Helgadóttir, Sigurlína Hermannsdóttir, Sturla Óskarsson, Ásta H. Ólafsdóttir, Jóhannes Árnason, Áslaug Ýr Hjartardóttir, Inga Maren Rúnarsdóttir, Lovísa Rut Kristjánsdóttir og Vala Hauks. Svo fengum við Valdimar Þór Svavarsson ráðgjafa, sem hefur leitt okkur í gegnum mannlegu samskiptin á fimmtudögum í þættinum, enda geta samskipti verið afar flókin. Nú eru að koma áramót og því skoðaði Valdimar ýmislegt sem kemur upp á slíkum tímamótum og hvernig getur verið gott að snúa sér. Tónlist í þættinum: Þá komu jólin / Sigurður Guðmundsson og Memfismafían (Roy Orbison og Joe Melson, texti Bragi Valdimar Skúlason) A Trip to Florina / Byzantine Silhouette (Byzantine Silhouette) Better Than Snow / Laufey og Norah Jones (Laufey & Norah Jones) Fairytale of New York / The Pogues & Kirsty McColl (Jem Finer & Shane MacGowan) UMSJÓN: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

January 2026 opens with an extraordinary astrological landscape — one that invites reflection, choice, and conscious participation.In this episode, we explore a rare continuation of out-of-bounds planetary activity, with the Moon, Mercury, Venus, and Mars all operating beyond their usual limits in the opening days of the year. When planets go out of bounds, they behave with fewer internal restraints, offering powerful opportunities to act, create, decide, and respond in new ways — if we're paying attention.You'll hear about: What out-of-bounds planets mean in astrology, and how to work with them intentionally How Mercury, Venus, and Mars out of bounds in Capricorn may challenge habits, plans, and self-control Why Cardinal signs (Aries, Cancer, Libra, Capricorn) are especially activated this month Emotional intelligence as a resource while the Moon repeatedly goes out of bounds in Cancer How different Cardinal signs may experience these energies internally and relationally January also carries the final phase of the Saturn–Neptune conjunction in Pisces, a long transit associated with disillusionment, endings, grief, realism, and the reshaping of dreams. As Neptune prepares to leave Pisces for the last time in our lifetime, this episode reflects on what it means to allow something to dissolve — and how acceptance can quietly prepare the ground for a new foundation.Along the way, we draw inspiration from music and myth, including reflections on Roy Orbison, whose Saturn–Neptune signature speaks poignantly to the tension between dreams and reality.This forecast also covers: A powerful run of stelliums from Capricorn into Aquarius A rare six-planet, double-sign stellium around January 19 How to work with intense concentrations of planetary energy through focus and leadership A brief but meaningful opposition to Jupiter, highlighting themes of polarization, excess, and negotiation The shift from Capricorn's managerial intelligence to Aquarius' visionary design This episode is best enjoyed as a contemplative listen — whether you're reflecting on your own chart, navigating change in your life, or simply tuning into the larger collective moment as we cross fully into 2026.To explore these themes further, you're invited to join upcoming conversations and webinars featured on the Astrology University events calendar.Take care of yourself, stay connected to what matters, and remember: astrology doesn't tell us what will happen — it helps us understand how to meet what's happening with greater awareness, choice, and compassion.

Roy Orbison was a West Texas boy with an operatic voice. He was drawn to the guitar at age six. His monumental global career successes were matched by extraordinary personal tragedies. Jeff Slate is the co-author of the book The Authorized Roy Orbison.

Ett specialprogram med julvärden Lena Nordlund. Från Roy Orbison till Stevie Wonder julmusik som speglar samhällsfrågor och önskan om ett bättre år. Lyssna på alla avsnitt i Sveriges Radios app. Julmusik är mer än bjällror och glittrande melodier. I det här specialprogrammet möter Lena Nordlund Magnus Carlson från Weeping Willows, en artist som tar högtiden på allvar och ser musiken som en spegel av både glädje och sorg. Samtalet rör sig från klassiska ballader med stråkar till punkens råa realism och vidare till låtar med starka samhällsbudskap. Här finns Roy Orbisons enda julsång, Frank Sinatras stämningsfulla klassiker och Stevie Wonders vision om fred under Vietnamkrigets dagar. Julen är en tid av kontraster – förväntan och fest blandas med ensamhet och eftertanke. Därför blir de mest minnesvärda jullåtarna ofta de som bär på ett stråk av melankoli och hopp. Programmet utforskar varför sentimentala toner och allvarliga texter fortsätter att beröra, och hur julmusik kan bli en plats för både tradition och reflektion.Programledare: Lena Nordlundlena.nordlund@sr.se

Julmusik handlar inte alltid bjällerklang och glädje. Weeping Willows sångare Magnus Carlson förklarar varför sorgliga jullåtar känns mer i hjärtat. Lyssna på alla avsnitt i Sveriges Radios app. För Magnus Carlson är julen en högtid att ta på allvar – och det märks inte minst i hans favoritjulsånger. Över några sånger av Roy Orbison, Frank Sinatra, Ramones och Stevie Wonder samtalar han med Lena Nordlund om julmusik med en lite bitterljuvare klang. Programledare: Lena NordlundProducent: Tommie Jönsson

ChatGPT 5.1 says: “In this hard-hitting and hilariously honest episode of Randumb Thoughts, host Darren O'Neill tackles a wild mix of music legend tributes, live-performance controversies, skyrocketing electricity bills, social-media crackdowns, and a pair of unbelievable delivery-driver nightmares that could only happen in modern America. The show opens with a heartfelt look back at Raul Malo, the powerhouse vocalist of The Mavericks, whose passing leaves a void in the country-Americana world that no AI-generated voice could ever touch. Darren dives into Malo's remarkable vocal range, musical roots, and decades-long impact — a must-hear segment for fans of Roy Orbison, classic country, roots music, and real live performance. From there, things heat up as Darren breaks down the viral debate ignited by Dave Grohl:Is Taylor Swift actually singing at her concerts? Using audio analysis, machine-learning vocal isolation, and multiple tour recordings, Darren unpacks whether the world's biggest pop star is delivering a truly “live” experience — or a tightly-controlled, choreographed illusion. If you're into music production, audio engineering, live-show authenticity, or pop-culture controversies, this section is pure gold. Then the show jolts into the real world with a deep dive into why electricity bills are exploding across the United States, especially in Democrat-run states. Darren unpacks new data, state-level energy mandates, and the high-cost consequences of “green policy theater.” A must-listen for anyone frustrated by their rising utility costs or interested in energy policy, cost-of-living issues, and political accountability. And just when you think the insanity peaks… Darren drops two outrageous delivery-driver stories involving Jewel-Osco, Uber, Lou Malnati's, ID checks gone wrong, and frozen pizza that wasn't supposed to be frozen. If you enjoy real-life fails, consumer-service trainwrecks, and the absurdity of the gig-economy, you'll be laughing and shaking your head at the same time. Finally, Darren wraps up with a value-for-value thanks, holiday updates, and a reminder to appreciate every moment — especially the ones the algorithm can't steal from us.” Thanks for listening! EXECUTIVE PRODUCERS:Mark KodraEricPPTHANK YOU FOR SUPPORTING THE SHOW! PLEASE SUPPORT RANDUMB THOUGHTS!TRY INCOGNI: https://incogni.cello.so/KpYfMWSF57i SUBSCRIBE / DONATE: http://randumbthoughts.com/donatePATREON: https://patreon.com/randumbthoughts CHECK OUT MY OTHER SHOWS: PLANET RAGE: https://planetrage.showUNRELENTING: https://unrelenting.showGRUMPY OLD BENS: http://grumpyoldbens.com Thank you for listening to Randumb Thoughts! Please, tell a friend!

National St. Nicholas day. Entertainment from 1967. Rudolph the Red Nosed Reindeer debuted, Washington Monument capped off, Slavery abolished, Gerld Ford 1st unelected Vice President. Todays birthdays - Ira Gershwin, Agnes Moorehead, Wally Cox, Jo Beth Williams, Tom Hulce, Steven Wright, Janine Turner. Roy Orbison died.Intro - God did good - Dianna Corcoran        https://www.diannacorcoran.com/Little St. Nick - Beach BoysDaydream believer - The MonkeesIt's the little things - Sonny JamesRudolph the red nosed reindeer - Gene AutryBirthdays - In da club - 50 Cent    https://www.50cent.com/ Swanee - Judy GarlandUnderdog TV themeAnimal House movie clipSteven Wright stand up clipPretty woman - Roy OrbisonExit - Knock Knock - Derryl Perry      https://www.derrylperry.com/countryundergroundradio.comHistory & Factoids about today podcast

On the December 6 edition of the Music History Today podcast, a music festival goes tragically wrong & it's not the Fyre Fest, the Eagles reunite before they reunite, & two 60s classic albums are released. Also, happy birthday to Ira Gershwin, Dave Brubeck, & Peter Buck from REMFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday 

Fabrice Lafitte nous plonge dans l'univers fascinant de Roy Orbison, l'un des pionniers du rock'n'roll. Nous découvrons les détails captivants de la carrière de ce chanteur à la voix unique, depuis ses débuts dans le Texas jusqu'à son succès mondial avec le tube "Oh Pretty Woman". À travers des anecdotes surprenantes et des révélations sur son processus créatif, Fabrice nous offre un regard inédit sur la vie et l'héritage de cette légende de la musique populaire.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Nate Wilcox and Ed Ward continue their discussion of Ed's ⁠⁠⁠⁠⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ "⁠⁠⁠⁠ with the first of two shows discussing 1963. This week we'll be talking about how Berry Gordy perfected his Motown assembly line, Phil Spector and the wrecking crew, Roy Orbison's operatic dramas, Patsy Cline's final year, and how James Brown finally seized control of his career and became the Godfather of Soul. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's mixtape rewind, we go back a couple of years to when Matt and Sam did a deep dive into music supergroups.Imagine loading a playlist where legends keep walking through the door. That's the ride we built as we dive into supergroups that actually deliver, from the crunch of Audioslave and the finesse of Cream to the indie cohesion of Boygenius and the pure joy of the Traveling Wilburys. We chase the central mystery behind these collaborations: when distinct sounds collide, what holds, what changes, and why does it matter?We start with the gravitational pull of great voices. Chris Cornell gives Audioslave immediate identity while Tom Morello adds that unmistakable edge, and Maynard James Keenan turns A Perfect Circle into a masterclass in mood without copying Tool. Then we test chemistry in the engine room: Chickenfoot fires up old-school rock craftsmanship, and Them Crooked Vultures stretch grooves into cinematic builds powered by Dave Grohl, Josh Homme, and John Paul Jones. For a genre swerve, Mount Westmore brings bass and swagger with Snoop, Too Short, E-40, and Ice Cube trading bars like it's a victory lap.Contrast keeps the mix alive. Wild Flag threads surfy drums with indie bite, and Boygenius shows how three solo voices can trade lead without crowding the song. Prophets of Rage fuse protest and power, pulling rap and rock tight around a sharp social focus, while The Highwaymen remind us that sometimes the most classic move—four giants trading verses—still lands hardest. And to cap it all, the Traveling Wilburys prove that when Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty decide to have fun, the hooks practically write themselves.Be Yourself by AudioslaveBig Subwoofer by MOUNT WESTMOREWhite Room by CreamDown the Drain by ChickenfootElephants by Them Crooked VulturesRomance by WILD FLAGPassive by A Perfect CircleBruised by The BensLiving on the 110 by Prophets of RageHighwayman by HighwaymanSatanist by boygeniusWilbury Twist by The Traveling Wilburys Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Jeudi soir, RTL2 Pop-Rock Station déroule une soirée marquée par Rage Against The Machine, Red Hot Chili Peppers, les B-52s, Gossip ou encore Roy Orbison, célébré à l'occasion de l'anniversaire de son dernier concert en 1987. L'émission démarre "Manchester style" avec The Charlatans, puis replonge en 2012 avec Gossip avant de passer par Infectious Grooves, U2, Gary Glitter et un nouvel extrait de l'album de la semaine signé Midlake, "A Bridge To Far", que le groupe présentera bientôt à Paris. La soirée met en lumière Nine Inch Nails, Steppenwolf et The Who avant une reprise explosive de "My Generation" par Patti Smith, la prêtresse punk new-yorkaise. Dans la deuxième heure, Marjorie Hache enchaîne Red Hot Chili Peppers, Rage Against The Machine et une nouveauté recommandée par Francis Zégut : Dead Air, trio londonien fondé en 2020. Suivent Crosby, Stills & Nash, Courtney Barnett, Marvin Gaye, Björk puis la découverte Fresh Fresh Fresh du jour : Bruise Control, formation mancunienne mêlant énergie punk et indie rock. The Charlatans - Deeper And Deeper Gossip - Perfect World Roy Orbison - I Drove All Night Them - Gloria Infectious Grooves - Violent & Funky U2 - Elevation Gary Glitter - Rock & Roll Part 2 Midlake - A Bridge To Far The B-52'S - Love Shack Nine Inch Nails - March Of The Pigs Steppenwolf - Born To Be Wild Deftones - Infinite Source Patti Smith - My Generation Red Hot Chili Peppers - Dani California Rage Against The Machine - Killing In The Name Dead Air - Black Flag Crosby, Stills & Nash - Teach Your Children Liam Gallagher - Greedy Soul Courtney Barnett - Stay In Your Lane Marvin Gaye - Whats Going On Björk - It's Oh So Quiet Bruise Control - Gone To Ground The Undertones - Teenage Kicks Linkin Park - Papercut The Clash - This Is England Queens Of The Stone Age - Little Sister Foo Fighters - Asking For A Friend Nico - Chelsea GirlsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On the December 4 edition of the Music History Today podcast, the Million Dollar Quartet performs, the Duke plays a legendary club, & a few people break up & pass away. Also, happy birthday to Jay_Z & Ferry Corsten For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

O que significa ser mulher de 50 nos dias atuais? Com esta pergunta, lançamos em 10 de março de 2020 - um dia antes do início oficial da pandemia da COVID-19 - o podcast “Mulheres de 50”. A ideia original era compartilhar experiências sobre saúde, família, lazer, trabalho e também informações e notícias úteis para essa geração de mulheres que, como dissemos naquele primeiro episódio, se recusa a aceitar a velhice esperada pela sociedade. Para nós, a idade não define como essa mulher contemporânea pensa, age e faz escolhas. Recentemente, aquele primeiro episódio foi excluído pelo Spotify por termos usado um trechinho da música “Pretty Woman”, de Roy Orbison. Agora, reeditado, o republicamos.

On this week's show, we find out what happens when bad organizing, a biker gang, & beer mix together & we lose four music legends under completely different circumstances.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayCHAPTERS:00:00 Intro00:32 Altamont Festival07:52 Ad Break08:15 John Lennon passes away17:01 Dimebag Darrell Abbott passes away18:05 Break18:13 Otis Redding passes away27:24 Roy Orbison passes away 32:44 outro

Continuamos en La Gran Travesía con el programa dedicado a la Ruta 66 y al mejor rock americano. Hoy con la tercera parte. En este programa vamos a recorrer el estado de Texas, la conocida zona del Panhandle, aunque nos desviaremos algo del itinerario para poder ver y escuchar a 13th Floor Elevators, Buddy Holly, Stevie Ray Vaughan, ZZ Top, Johnny Winter, Roy Orbison…. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Raquel, Poncho C, Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Register your feedback here. Always good to hear from you!Every year it seems I have more and more to be thankful for, and it's high time I said so on the podcast. this week I'll tell you which Hebrew word brings joy to my heart and why; the particular genre of book that piquest my interest the most and where I find them; the reason Roy Orbison and Brian Wilson are better musicians than your favorite current chart-topper ever will be alive; and why two players at the table are better than one -- and maybe even better than four.Check out Hal on YouTube at https://www.youtube.com/@halhammons9705Hal Hammons serves as preacher and shepherd for the Lakewoods Drive church of Christ in Georgetown, Texas. He is the host of the Citizen of Heaven podcast. You are encouraged to seek him and the Lakewoods Drive church through Facebook and other social media. Lakewoods Drive is an autonomous group of Christians dedicated to praising God, teaching the gospel to all who will hear, training Christians in righteousness, and serving our God and one another faithfully. We believe the Bible is God's word, that Jesus died on the cross for our sins, that heaven is our home, and that we have work to do here while we wait. Regular topics of discussion and conversation include: Christians, Jesus, obedience, faith, grace, baptism, New Testament, Old Testament, authority, gospel, fellowship, justice, mercy, faithfulness, forgiveness, Twenty Pages a Week, Bible reading, heaven, hell, virtues, character, denominations, submission, service, character, COVID-19, assembly, Lord's Supper, online, social media, YouTube, Facebook.

Billy Fury, Brian Poole and the Tremeloes and another "could it be anything other than a posthumous record" from Jim Reeves. Decent, but not overly strong material from Roy Orbison and Marianne Faithful. Thankfully, there's the Animals and DC5 to hold up the higher end of the spectrum! #madeonzencastr. Support this podcast at the $6/month level on patreon to get extra content! Also, Create your own podcast today! #madeonzencastr

It's the Danzig debut album Charlie Brown! This week we're celebrating the Halloween season with a dark, blues-inspired heavy metal masterpiece.We'll discuss how the Misfits and Samhain laid the foundation for Glenn Danzig's solo work, the introduction of longtime collaborator and producer Rick Rubin, co-writing tracks for Hollywood and Roy Orbison, and the chaotic recruiting of jazz guitar scholar John Christ and veteran hardcore punk drummer Chuck Biscuits.Recommendations:The Simpsons: Treehouse of Horror (I-X)House (1977)Son of Sam - Songs from the EarthLimp Bizkit - Three Dollar Bill, Y'allAmenra, Cave In, Marissa Nadler - Songs of Townes Van Zandt Vol IIIHouse of Usher (1960)Noctule - Wretched AbyssHalloween III: Season of the Witch (1982)Follow Riff WorshipInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/riffworshippod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/RiffWorshipPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@RiffWorshipPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our Official Playlists:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riffs on Repeat (Spotify)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riffs on Repeat (YouTube Music)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hits from the Crypt (Apple)⁠

Send us a textIntro song: Oh, Pretty WomanSong 1: Go Go GoSong 2: Only the LonelySong 3: Mean Little MamaSong 4: You Got ItSong 5: She's a Mystery to MeOutro song: Handle With Care

Jazz Neuerscheinungen, Und auch aeltere Stücke von Roy Orbison und anderen tollen Interpreten

Three R&B-pop tunes rub up against three chaps of varying degrees of coolness, thus completing this season's selections.Listen to this episode in full, with all tracks embedded (seven-day free trial).Playlists: YouTube // Spotify // extra tracks & bonus bitsTo join in with the voting, please submit your 1st, 2nd and 3rd favourites, plus your "most bad and hated" selection, to:The Patreon Supporters Club // Bluesky: whichdecadetops // Facebook // whichdecadeistops@gmail.comThe voting deadline for this episode is 6pm UK time, Sunday 16th November 2025. Hosted on Acast. See acast.com/privacy for more information.

Hoy en la Gran Travesía viajamos hasta el año 1963, con los acontecimientos musicales más destacados desde mayo hasta agosto, y donde podréis escuchar a las Ronettes, Sam Cooke, Beatles, The Searchers, los Rolling Stones, Roy Orbison, Bob Dylan, Elvis Presley, Joan Baez, Del Shannon, Elmore James, Martha and the Vandellas, The Surfaris, The Crystals...y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Join Kari and Joe as they cover some soundtrack songs of the 80s, including two versions of a theme to a cult classic that was originally going to star Debbie Gibson, the demo version of what would become one of the biggest soundtrack songs of the decade and a collaboration between Roy Orbison and... Glenn Danzig??!!?? Yes, it's as weird as it sounds.Send us a text

Much of the material in this podcast is related to Grant Cameron's books Tuned-In, Inspiration, Contact Modalities, and Paranormal Music.Podcast Description: The Download: Where Truly Great Ideas Come FromWhere do our most brilliant, game-changing ideas actually come from? We like to believe they're the product of our own hard work and genius, but what if the greatest breakthroughs in history—from timeless songs to world-changing inventions—aren't created, but received?In this episode, we dive into the mysterious source of creativity, exploring the compelling theory that the human brain is less an originator and more a sophisticated receiver, tuning into ideas that already exist in a non-local field of consciousness. We trace the history of this concept, from the muses of ancient Greece and Socrates' guiding “demon,” to the pivotal Renaissance shift where we stopped having a genius and started being one. This ego-centric view, we argue, might be the very thing blocking the signal.Through stunning, firsthand accounts, we explore the evidence:Paul McCartney waking with the fully-formed melody of “Yesterday” in his head, convinced it was a memory, not an original creation.Bono dreaming a complete song that sounded like Roy Orbison, only for Orbison to unexpectedly appear and ask for a new track.The Guess Who spontaneously channeling their hit “American Woman” in a live jam, unaware they were even creating a song.Nikola Tesla visualizing his complex inventions in perfect, minute detail before building a single prototype.We then investigate the mechanism: how does the brain act as a receiver? The key seems to be silencing the analytical, self-doubting ego. We examine the power of the hypnagogic state between sleep and waking, the disciplined receptivity of deep meditation as practiced by Carlos Santana, and even shocking scientific evidence where temporarily inhibiting the brain's left hemisphere can unlock savant-like abilities.Finally, we meet the modern creators who maintain active relationships with their non-physical guides, from Joni Mitchell and her muse, “Art,” to the extraordinary case of Rosemary Brown, a housewife with no musical training who channeled new compositions from deceased masters like Liszt and Beethoven.This journey challenges our deepest assumptions about originality, ownership, and the very nature of creativity itself. If the best ideas are downloads, then the creator's real work is not to struggle, but to become a clear, quiet, and receptive vessel. Join us as we learn how to quiet the noise and tune in.Grant Cameron Websitewww.presidentialufo.org

Hamas hostages, Trump and autocracy, and the strangely quiet shutdown — we tackle all three. Why Trump's blunt style played in the Middle East, whether “competitive authoritarianism” really fits his second-term instincts and enablers, and who's taking the fall for Obamacare-premium brinkmanship. Plus: goat-grinders (pointless rebrands at Max and Apple TV, Crowder's vest-and-glass cosplay, and the humbling age math of Roy Orbison, the Skipper, and the Golden Girls). Produced by Corey Wara Production Coordinator Ashley Khan Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠

"If your hands are dirtier than your junk… should you really be washing your hands after using the bathroom?"That's the wild question that kicks off this hilariously unfiltered episode of The Ben and Skin Show. Broadcasting live from Dallas-Fort Worth, the gang dives into:The Texas Twinkie Palooza at Roy Hutchins Original Barbecue, where buying two gets you a third fo' free—plus a chance to win Texas Twinkies for a year!Global Handwashing Day, which spirals into a wildly funny and oddly philosophical debate about hygiene, anatomy, and the misunderstood cleanliness of private parts.Roy Name Nostalgia: From Roy Hobbs to Roy Orbison (and the lesser-known Ray Orbison), the crew explores the golden age of the name “Roy” with hilarious tangents and personal stories.

This week, I sit down with Chase and Laura from Sun Records — yes, the Sun Records. The birthplace of rock & roll, where Elvis, Johnny Cash, and Roy Orbison first got their start. Presented by LANDR - Click here for an EXCLUSIVE subscription discount: http://landr.com/otherrecordlabels We talk about what it means to protect and evolve a label that helped invent modern music. How do you stay true to Sam Phillips' “perfect imperfection” while still making new records in 2025? This episode is part music history, part masterclass in legacy label management — and 100% inspiring for anyone running or dreaming of running their own label. --- LABELMATES - Our Fall 2025, 6-week Labelmates Sessions start on October 21st. Tuesdays at 4:30PM Eastern. Grab your spot here: http://otherrecordlabels.com/register

Adrian Belew's 1990 album Young Lions blends his signature experimental guitar work with pop-friendly rock songwriting. Though it features David Bowie on two excellent tracks, “Pretty Pink Rose” and closer "Gunman," it does not take away from Belew's opportunities behind the mic, finding a balance between the croon of Roy Orbison and quirk of David Byrne. He balances quirky, textured arrangements with strong melodies, making the album both adventurous and approachable. Lyrically, it touches on themes of modern anxieties and cultural shifts, filtered through Belew's surreal perspective on UFOs,  government helicopters, and more, without being preachy or on the nose.   Songs In This Episode Intro - Young Lions 22:17 - Pretty Pink Rose 29:30 - Looking For A UFO 38:44 - Heartbeat Outro - Gunman   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

It's a short and sweet one!Side A: A look at U2's cover of Lou Reed's "Satellite of Love."Side B: "She's a Mystery to Me," written by Bono and The Edge, recorded by Roy Orbison. It's one of our favorites! And of course, questions for Bono over whiskey and cake. www.thegardentarts.comSUPPORT: www.patreon.com/thegardentarts AND www.buymeacoffee.com/thegardentartstwitter: @the_gardentartsinstagram: @the_gardentartswatch this ep on YouTube: @thegardentarts

Adam: You may have heard me talking here a couple of weeks ago about the Quarrelmen Beatles miniseries I'm doing. It's my birthday so I'm birthing it everywhere you get your podcasts plus I'm putting the first episode here too to tempt you into subscribing. You're not gonna be able to resist after hearing this episode that we did at none other than Abbey Road Studios when my band Stones n Roses was on tour there back in 2021. I told the other We Will Rank You hosts I'd have all the Beatles albums ranked within a year. Four years later, I've only recorded about half of them but here they come!  You're not going to see any more episodes here until the one where all four OG hosts ranked- Well I'm not telling you which one. You'll have to wait and see and if you want to hear Jim and I rank an album in Liverpool, you'll just have to figure out how to spell Quarrelmen and go subscribe, won't you? WON'T you? We're on Facebook, Instagram and Threads too so do the thing. Breaking up the band to start a solo career? Nah but, for now, here's the Fab Four…. THE QUARRELMEN PODCAST #1Please Please Me ranked at Abbey RoadWhat's your most loved and least favorite song on the first Beatles album?! One, two, three, FAH! The Quarrelmen Beatles podcast miniseries kicks off with England's own Richard Merrett (Airhead/the Wilsons) and his young sons Frank and George Merrett ranking Please Please Me in the most famous studio in the world.  Recorded back in 2021 at the end of the last Stones n' Roses UK tour, the California band recorded a version of "Revolution 9" with 1960s microphones used by "the boys" and Beatles Anthology, Rock Band and Love engineer Chris Bolster with Joe Wyatt (now Giles Martin's assistant). After a quick photoshoot of the band walking across THE street, singer Adam Gimbel welcomed the Merretts into the cozy Gatehouse studio to record the very first episode of the Quarrelmen. He had no idea it would be four busy, crazy years before the world would hear it. The kids are now senior citizens. The results are, quite simply, the most endearing Beatles podcast episode ever immortalized at Abbey Road....or anywhere else. Decades of fandom and childlike wonder collide with memories and a ranking of least and most favorites on the 1963 classic debut. Listen at QuarrelmenPod.com, Apple, Spotify and...a place.Follow us and weigh in with your favorites on Facebook, Instagram & Threads @quarrelmenpod.SPOILERS/FILE UNDER:Abbey Road, Airhead, Arthur Alexander, Anna (Go to Him), Ask Me Why, Baby It's You, Burt Bacharach, the Beatles, Chris Bolster, Boys, Cavern Club, Chains, coffee, the Cookies, debut, Do You Want to Know a Secret, EMI, England, Adam Gimbel, harmonica, George Harrison, I Saw Her Standing There, Isley Brothers, Carol King, John Lennon, Liverpool, London, Love Me Do, George Martin, Paul McCartney, Frank Merrett, George Merrett, Richard Merrett, Misery, Nirvana, Roy Orbison, piano, Please Please Me, Pretty Green, P.S. I Love You, Revolution 9, Ride, sha la la la la, The Shirelles, Ringo Starr, Stones n Roses, A Taste of Honey, There's a Place, Twist and Shout, Andy White, the Wilsons, Joe Wyatt, zoos, 1963.US: http://www.QuarrelmenPod.comhttp://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/QuarrelmenPodhttp://www.instagram.com/QuarrelmenPodhttps://www.threads.net/@QuarrelmenPodhttp://www.StonesnRoses.comhttp://www.AbbeyRoad.com

In 1968 while Joplin, Hendrix, the Doors and Jefferson Airplane were singing about sex, drugs and rock ‘n' roll, Bobby Goldsboro was singing about “Honey.” After a career in which he sold more than 35 million records, hosted a national TV show, wrote six best-selling children's books and produced a national PBS show, you'd think the almost 85 year old Goldsboro would be winding down. Think again.Bobby Goldsboro was born in the small town of Marianna, Florida. Growing up in a modest setting, he discovered a love for music at an early age. By the time he was a teenager, he was already playing guitar and dreaming about a life in the spotlight. After high school, Bobby attended University but quickly found himself drawn more to music than academics. That passion led him to join a band called The Webs—the first real stepping stone to his career.The Webs were talented enough to catch the attention of rock legend Roy Orbison. In 1962, Orbison invited the band to back him on tour. Bobby suddenly found himself on the road with one of the most iconic voices in rock history, gaining invaluable experience. For two years, he traveled the world with Orbison, honing his skills and learning the ins and outs of the music business. In 1964, Bobby launched his solo career, and his very first single, “See the Funny Little Clown,” became a hit. The song shot into the Top 10 and introduced his unique, heartfelt vocal style to the world. More singles followed that proved he wasn't a one-hit wonder. Everything changed in 1968 with the release of “Honey.” The emotional ballad tells the story of a man grieving the loss of his wife. Goldsboro's tender delivery turned it into a cultural phenomenon. The song spent five weeks at No. 1 and became one of the decade's best-selling singles, topping charts worldwide. Love it or find it schmultzy “Honey” defined Bobby Goldsboro's career and remains his signature song.Though “Honey” was his biggest success, Bobby continued to deliver memorable music. Songs like “Summer (The First Time)” and “Watching Scotty Grow” touched audiences everywhere. Bobby's tracks showcased his versatility, blending country, pop, and folk influences while always keeping the storytelling front and centre.During the '70s, Bobby expanded his career beyond the recording studio. He became the host of The Bobby Goldsboro Show, a syndicated musical variety program that ran for several years. It highlighted his warmth, charm, and sense of humour—qualities that endeared him to audiences far beyond his music.As the '80s rolled in, Bobby gradually stepped away from the spotlight of hit records and touring. But creativity still flowed. He turned his attention to painting, creating detailed wildlife and landscape art that quickly gained recognition. Collectors admired his work, and he established himself as a respected visual artist.He also ventured into children's programming, producing the animated series The Swamp Critters of Lost Lagoon.What makes Bobby Goldsboro special is the emotional connection he forges with his audience. He has a rare ability to capture universal feelings in simple, beautiful ways. His soft, vulnerable voice made listeners feel like he was singing directly to them, a gift that explains why his songs have endured for so long.Today, Bobby Goldsboro may no longer dominate the charts, but his influence is undeniable. He continues to paint, create, and inspire, while fans old and new revisit his music with appreciation. His career is a reminder that creativity comes in many forms and that an artist's legacy isn't defined by a single moment, but by a lifetime of work.Tune in to hear Bobby relive the story of his career and let him take you back to your youth, to a time when his songs dominated the charts.Please reach out to me with any comments or feedback through the website https://www.abreathoffreshair.com.au

Today's guest is Chris Stamey. He's done A LOT! He grew up in North Carolina, playing bass with Mitch Easter and Peter Holsapple. They played in churches and coffee shops because those were the only places at the time that encouraged original music. Around this time he began studying music at the University of North Carolina. He transferred to NYU but because of some weird scheduling issues, his music studies translated to a degree in philosophy. But his time there also introduced him to Alex Chilton and Richard Lloyd. Richard played a huge part in the formation of one of Chris' early bands, The dB's. We barely scratch the surface of his career here.  Chris is very candid about his time in The dB's as well as his latest album, Anything Is Possible. It took shape in a unique way and there are some unusual musical ideas there; like combining Humphrey Bogart with Roy Orbison. That'll make more sense once you listen to the episode. The album is a journey through Chris' evolution of musical loves and influences. Check it out on streaming platforms. Buy it wherever you can. Check out chrisstamey.com for more info, social media links, and ways to buy the album. Follow the show @PerformanceAnx on socials. Our merch, including a Spinal Tap inspired design, is at performanceanx.threadless.com or just send money to ko-fi.com/performanceanxiety. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tyler Ballgame is a modern savant. On his four released tracks, there's a sweeping melancholy underpinned by the haunting beauty of Roy Orbison or wry-smiled dreamy Harry Nilsson. In this chat, Tyler talks of Shakespeare inspiration, studying songwriting Berkeley but never successfully shaking the idea that he was an outsider, and blagging a job interview that transplanted him on the other side of the country - where he started his new life, and now, career. Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 DistroKid makes music distribution fun and easy with unlimited uploads and artists keeping the ENTIRETY of their revenue. Get 30% off the first year of their service by signing up at https://distrokid.com/vip/101pod Learn more about your ad choices. Visit megaphone.fm/adchoices

All week we're revisiting archival interviews with key figures in early rock and roll, rockabilly and R&B. Sam Phillips discovered Elvis Presley and produced his first records, which many consider Elvis' best. He also founded Sun Records and launched the careers of Jerry Lee Lewis, Roy Orbison, Charlie Rich and Johnny Cash. Cash is one of the most influential figures in country music. His collaboration with producer Rick Rubin, starting in the late 1990s, transformed Cash's image and gained him a new, young audience. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Tributo a The Beach Boys en forma de versiones. Evitamos a otros grupos vinculados al surf vocal o grabaciones realizadas en los mismos años en que se editaban los originales y que solían buscar la clonación del original. Preferimos buscar chicos de la playa en otros estilos musicales y a lo largo de todas las décadas, y dejar patente la enorme influencia que tuvo la música de aquella banda californiana en la historia de la música pop y rocknroll.Playlist;(sintonía) LOS STRAITJACKETS “In my room”HUGO MONTENEGRO and HIS ORCHESTRA “Good vibrations”ROY ORBISON “Help me Rhonda”FRANK BLACK “Hang on to your ego”YO LA TENGO “Little Honda”THE JESUS and MARY CHAIN “Surfin USA”JOAN JETT “Fun fun fun”MELOPEA “Siempre haciendo surf”BILLY CHILDISH and THE HEADCOATS “409”THE CYNICS “Be true to your school”SHONEN KNIFE “Don’t hurt my little sister”RONNIE SPECTOR “Don’t worry baby”ELTON JOHN “God only knows”ALEX CHILTON “I wanna pick you up”KIM FOWLEY “Almost summer”SHE and HIM “Do it again”NIKKI SUDDEN and THE MERMAIDS “Wonderful / Whistle-In”Escuchar audio

All week we're revisiting archival interviews with key figures in early rock and roll, rockabilly and R&B. Sam Phillips discovered Elvis Presley and produced his first records, which many consider Elvis' best. He also founded Sun Records and launched the careers of Jerry Lee Lewis, Roy Orbison, Charlie Rich and Johnny Cash. Cash is one of the most influential figures in country music. His collaboration with producer Rick Rubin, starting in the late 1990s, transformed Cash's image and gained him a new, young audience. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Julian, Madeline, and Emilio begin a new episode cycle focusing on Audience Interrogation in film with a "View-nanimous" discussion on David Lynch's 1986 masterpiece "Blue Velvet," and are joined by returning guest, multi-talented musician and fellow Lynch fan Lily Desmond for the conversation. Marking their long-awaited first episode on a Lynch film, the group discuss their formative past experiences with "Blue Velvet" and its undeniable staying power, on account of its simultaneous adherence to and divergence from narrative conventions. As the film famously polarized critics upon release, the group also discuss the surprising watchability of its most unsettling scenes, along with distinctly "American" sensibilities tapped into by Lynch and other offbeat filmmakers of his generation, and the desires which underly the dually transparent and enigmatic actions of the film's main characters, Jeffrey, Dorothy, Frank, and Sandy.  What kind of beer do you like? Heineken or Pabst Blue Ribbon? Let us know here: https://docs.google.com/forms/d/1r4zRKEPPyh5TrQzLE_vuqnMYFmrNL7IHqvwgPgVoPHU/edit Listen to Lily Desmond's music on Bandcamp and all other streaming services, and follow them on IG @lilygoddamndesmondIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and continue to grow!Follow us on IG and TikTok @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

[Originally aired: 5/4/23] Chuck Girard, singer, songwriter, recording artist, and worship leader, is one of the pioneers of Contemporary Christian Music. He was co-founder and lead singer of the group LOVE SONG from it's beginning to the present. Born in Los Angeles, Chuck began playing music at an early age. In his teens, he formed a group called THE CASTELLS, which had two national top 20 hits. They also released the song “I Do”, which was produced by Brian Wilson of the Beach Boys. Chuck shared the stage with stars such as Roy Orbison, Jan and Dean, Jerry Lee Lewis, Bobby Vee, and others. This led to a successful career as a studio singer and musician which included singing the lead vocals on THE HONDELLS first two albums and their biggest hit, “Little Honda.” In his early twenties Chuck became disillusioned with life, and like so many of his generation began experimenting with drugs. This led to a five-year search for God through LSD, eastern religion, and a committed “hippie” lifestyle.  Rock & Roll Preacher - Chuck Girard After years of searching for meaning through drugs, Buddhism, sex, and Eastern philosophy, a long-haired hippie musician walked his bare feet into a little country church and encountered the living God. Confounded by the simplicity of the gospel, a young Chuck Girard dedicated his life to Jesus during the height of the sexual revolution and civil unrest that characterized the decade of the '60s. Along with thousands of other "Jesus Freaks" who came to be known as the Jesus Movement, Chuck's story was only just getting started. This raw and honest memoir is both refreshing and convicting.  MORE Love Song - The Band, The Ministry, The Movement [Trailer] Follow Chuck and Love Song on Facebook! Alisa (Girard) Childers on Stand Up

[Originally aired: 5/4/23] Chuck Girard, singer, songwriter, recording artist, and worship leader, is one of the pioneers of Contemporary Christian Music. He was co-founder and lead singer of the group LOVE SONG from it's beginning to the present. Born in Los Angeles, Chuck began playing music at an early age. In his teens, he formed a group called THE CASTELLS, which had two national top 20 hits. They also released the song “I Do”, which was produced by Brian Wilson of the Beach Boys. Chuck shared the stage with stars such as Roy Orbison, Jan and Dean, Jerry Lee Lewis, Bobby Vee, and others. This led to a successful career as a studio singer and musician which included singing the lead vocals on THE HONDELLS first two albums and their biggest hit, “Little Honda.” In his early twenties Chuck became disillusioned with life, and like so many of his generation began experimenting with drugs. This led to a five-year search for God through LSD, eastern religion, and a committed “hippie” lifestyle.  Rock & Roll Preacher - Chuck Girard After years of searching for meaning through drugs, Buddhism, sex, and Eastern philosophy, a long-haired hippie musician walked his bare feet into a little country church and encountered the living God. Confounded by the simplicity of the gospel, a young Chuck Girard dedicated his life to Jesus during the height of the sexual revolution and civil unrest that characterized the decade of the '60s. Along with thousands of other "Jesus Freaks" who came to be known as the Jesus Movement, Chuck's story was only just getting started. This raw and honest memoir is both refreshing and convicting.  MORE Love Song - The Band, The Ministry, The Movement [Trailer] Follow Chuck and Love Song on Facebook! Alisa (Girard) Childers on Stand Up

2 - Founder and principal of K Altman Law, a nationally recognized law firm specializing in student defense and complex litigation and attorney for Holly and Aisling Magalengo, Keith Altman joins us. How does the Colonial School district define sex? Why has Aisling's privacy and right been violated in this particular case? What kind of precedent does this case set? Why did the town and the PIAA not step in when Colonial SD made their decision to allow their trans student to compete? 215 - Dom's Money Melody! 220 - How much is Lenny Kravitz' farm worth? 230 - Attorney Linda Kerns joins us again today. Who is better, Elvis or Roy Orbison? Why is Linda going to Graceland? Who spent 5 years of their life with Elvis? Why does the DOJ want voting records from states like Pennsylvania? Is this going to be a good thing or is it infringing on privacy? Why are they combining voting precincts in Bucks County? Will Pennsylvania move towards voter ID? What is coming down Linda's pipeline in the near future? 250 - The Lightning Round!

12 - Dom needs some advice from the listeners on a parking issue. Left-wing media outlets are now gaslighting conservatives into thinking that the outrage on the Sydney Sweeney ad and trans kids in girls sports is all coming from the right. 1205 - Do we need more legislation around electric scooters? 1215 - Side Question - associated with the farm/farming 1220 - Stephen Miller is spot on yet again! Which suburban politician is the worst? Dom gives his nominees. 1230 - How many 18 dollar beers did Henry drink at the Eagles game last night? Why is this Bucks County official coming for our healthcare? 1240 - Your calls. 1250 - Who is responsible for the sex toy throwing at WNBA games. A correction. Scott Bessent calls Trump “the ultimate executive”. Your calls. 1 - Returning to a discussion on local politics. Some sad store closures in the city are coming. 115 - Oklahoma Superintendent Ryan Walters joins us today. What is the big tourism draw to Oklahoma? Why is Ryan making teachers take Dom explains a local case in which he believes a girl's privacy was violated due to a trans competitors presence, what does Ryan think about the precedent that sets and what does he think can be done about it? 120 - Why is the crime rate in the nation's capital skyrocketing? Is Philadelphia next? 135 - Does Dom have his theme for Mulligan's next week yet? Reminiscing on the first event. 150 - Why aren't the kids drinking beer? Why are they addicted to nicotine? Is cinnamon a mint? 2 - Founder and principal of K Altman Law, a nationally recognized law firm specializing in student defense and complex litigation and attorney for Holly and Aisling Magalengo, Keith Altman joins us. How does the Colonial School district define sex? Why has Aisling's privacy and right been violated in this particular case? What kind of precedent does this case set? Why did the town and the PIAA not step in when Colonial SD made their decision to allow their trans student to compete? 215 - Dom's Money Melody! 220 - How much is Lenny Kravitz' farm worth? 230 - Attorney Linda Kerns joins us again today. Who is better, Elvis or Roy Orbison? Why is Linda going to Graceland? Who spent 5 years of their life with Elvis? Why does the DOJ want voting records from states like Pennsylvania? Is this going to be a good thing or is it infringing on privacy? Why are they combining voting precincts in Bucks County? Will Pennsylvania move towards voter ID? What is coming down Linda's pipeline in the near future? 250 - The Lightning Round!

Tami Neilson has a new record out called "Neon Cowgirl" and it is a powerhouse of a record. The songwriting is great. It sounds incredible. And she collaborates with incredible artists like Neil Finn (Crowded House) Ashley McBride, Grace Bowers, and many other. We also talk about her connection with Willie Nelson, and how big of an influence Roy Orbison has on her sound. Check out the new album, it's a banger. Hope you dig it! 

Welcome to our final Season Three episode of 80s TV Ladies! Hosts Sharon Jonson and Susan Lambert Hatem continue their in-depth conversation with actor Jon Cryer. In this second part, Jon shares behind-the-scenes stories from his television and film career, including his start in 80s television with "The Famous Teddy Z," the ups and downs of sitcom life, and his experiences working with legends like Charlie Sheen, Christopher Reeve, and Gene Hackman.In this episode:Jon's journey from 80s movies to TV stardomThe making (and unmaking) of "The Famous Teddy Z"Working with one of his idols, Hugh Wilson (WKRP in Cincinnati, Frank's Place)Lessons learned from sitcoms like "Partners" and "Getting Personal"The inside story of landing "Two and a Half Men" and working with Chuck Lorre and Charlie SheenFavorite guest stars and the casting of Holland Taylor and Conchata FerrellReflections on the show's humor, its approach to masculinity, and Lorre's ability to write for womenJon's Emmy wins and what they meant to himPlaying Lex Luthor in the Arrowverse and being a lifelong comics fanProducing podcasts, including the award-winning "The Man Who Calculated Death"The importance of storytelling, speaking truth, and making art in today's worldPlus:A special trailer for "The Man Who Calculated Death" podcastFun anecdotes about the joy of making art and how he was involved in the making of the k.d. lang and Roy Orbison duet, “Crying”Links:The Man Who Calculated DeathJon Cryer on IMDbLawyers, Guns and Money PodcastListen to Jon Cryer, Part 1 at 80sTVLadies.comVote for us:Help us get THREE PODCAST AWARDS! GO HERE: Podcastawards.comGive an email and register. It's easy! CLICK ON: "Sign Up To Vote Now". NOMINATE 80s TV Ladies for: Best Female Hosted, People's Choice and TV & FilmPS: While you're there, also NOMINATE Richard Hatem's Paranormal Bookshelf in Religion and Spirituality. Podcastawards.comDon't forget to subscribe, rate, and review! Follow us for more conversations with the women (and men) who shaped 80s TV and pop culture.

 Jukeboxes were not only cultural touchstones and vital engines for the music industry in the forties and fifties, but they also contributed to the democratization of music consumption in a way that radio could not: by allowing people to pay a nickel and choose the exact song they wanted to hear. Radio's best effort was to feed the listener versus allow the listener to make their own choice. Over a half century later, streaming has become juggernaut replacing the jukebox. Like streaming of today, the jukebox once helped with music discovery driving regional hits and elevating lesser-known artists, turning local favorites into national stars. This week's show will be a thematic one and, yes, we're picking the music. But it's a fun and mixed bag of country, early rock and pop all with the jukebox as centerpiece. Drop into Deeper Roots this morning for some classic Bill Haley, Chuck Berry, Roy Orbison and Little Richard from the edgy side of the aisle and be ready for upbeat and swinging country from Ernest Tubb, Buck Owens, and Mel Tillis. Tune in for a show that recognizes this cultural phenomenon and proves the old saw “what is old is new again”. 

US strikes Iran nuclear sites, Karen Read jurors speak, Antonio Brown's never coming back, Meghan Markle “sells out”, Chip Carey flag flub, and Corey Feldman's new Beatles-esque song. Antonio Brown never has and never will take any accountability, but his Twitter can make us laugh sometimes. Jim's Picks from last week are catching hell. Operation Midnight Hammer bombed the hell out of Iran nuclear facilities. Whoopi Goldberg has Iran's back. Sunny Hostin defends them as well. Americans tend to not want any involvement. Selena Gomez is still sad about ICE raids. MAGA Vice is destined to be a hit. Karen Read's acquittal still muffs Drew. Jurors are speaking out now about their belief that the cops conspired to frame her. The Call Sam Chopper Shop is back! Some 80-year-old man took a wrong turn in Rome and drove down the Spanish Steps. Justin Baldoni has the texts between Taylor Swift and Blake Lively. Meghan Markle remains the most insufferable woman on the Earth. She dropped some more jam and wine recently that sold out immediately. Tyler Perry may be on the down low as he's accused of financial misconduct. Lizzo is not as fat as she used to be thanks to Ozempic. Drew's still not over Brian Wilson and introduces us to Blondie Chaplin. Glenn Danzig gets some love from Drew. He was homies with Roy Orbison. Marc saw Jack White at the Detroit Tigers game. Chip Caray made an error in the broadcast booth. The New York Mets went full pride and started losing games. Fat Joe was allegedly a sexual deviant… 4,000 times. The Diddy case should be wrapping up soon. JorDon Hudson posts a thirst trap. Bill Belichick is a sweaty mess. Bill's ex HATES JorDon. Sports: Shedeur Sanders is a dangerous driver. Henry Ruggs is sorry and wants to play in the NFL again. Tyreek Hill has found a new woman to knock up. We check out some high school cheerleaders and their 9/11 tribute. Michelle Obama hate Barack so much she never wanted a son. Dean Torrence, of Dead Man's Curve fame, is complicit in Frank Sinatra Jr's kidnapping. There was an attempted mass shooting in Wayne today. A baby Black Bear gets his lid blown off (in a good way). If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

We had the pleasure of interviewing Elliot James Reay over Zoom video!23-year-old singer, guitarist, and songwriter Elliot James Reay returns with the irrepressibly upbeat new single, “Who Knew Dancing Was A Sin.” The soulful cut is built on an old school premise: Reay's partner fears he's been unfaithful when really he was just out dancing the night away. The song's music video brings that scenario to life and pays homage to the Northern Soul dancing scene still thriving in Reay's hometown of Manchester, UK. “Who Knew Dancing Was A Sin” is available now at via Interscope / Island EMI.For his fourth song to date, Reay reunites with writer-producer duo SOAP (Manchester's Josh Noble and Karl Ziegler) alongside fellow cowriters Annielle Lisiuk and Glen Roberts. With deep bass groove, sharp guitar stabs, jangling tambourine, and driving drums, “Who Knew Dancing Was A Sin” is itself a powerful enticement to dance. Horns and strings only add to the urgency as Reay growls, quavers, and coos out his passion for movement: “It's a shame she doesn't get it, a shame she doesn't see / It don't make me a traitor and it don't make me cheat / You can try to stop the music, but you can't stop my feet / Just give me a bourbon, a bass line, and a beat.”The music video for “Who Knew Dancing Was A Sin” finds Reay in the hot seat after he comes home late. He's suited up and visibly disheveled as a nightgown-wearing woman gives him a piece of her mind. Through thrilling flashbacks, though, we see the truth as Reay cuts a rug amidst a group of passionate dancers kicking, spinning, and shuffling in a red-curtained club.Reay's new tune further leans into the young artist's loving embrace of '50s and '60s music, and follows March's “Daydreaming,” a swooning single infused with cinematic grandeur and eerie longing. Before that came the upbeat and stylish “Boy in Love,” with a video shot on the streets of his hometown, and the massive breakthrough “I Think They Call This Love,” which enthralled millions around the globe with Reay's refreshing revival of a classic rock 'n' roll sound.Influenced from an early age by artists like Roy Orbison and Elvis Presley, Reay now channels that pioneering era of culture into his music to incredible effect. A truly sensational debut, “I Think They Call This Love” has amassed over 150 million global streams, earned 400 million views across 120,000+ TikTok creates, climbed Spotify Viral Charts in over 27 countries, and helped Reay build a loyal fanbase of more than 5 million followers. The song also marked the arrival of a fascinating new talent who, clearly, has much more to share.ABOUT ELLIOT JAMES REAY:Elliot James Reay has a genuine, lifelong love for not just the music of the '50s but the entire era and he has the voice, look, and magnetism to seemingly transport his fans back in time. But a close listen to his intoxicating forays into doo-wop and rockabilly reveals decade-hopping flourishes, knowing nods, and the occasional bent melody or distorted peel of guitar that would've caused uproar in Billy Fury's Day. Instead — and despite those who told him he'd need to change his sound to succeed — Elliot's grown a huge fan base via modern means, organically amassing over 4.7 million followers and hundreds of millions of views across social media platforms.Reay grew up listening to all kinds of music in the town of Bury, outside of Manchester, but he was drawn to the old stuff from an early age and took it farther than most, thrifting for vintage clothes and busking the town center as a teen. As the crowds grew, so did his confidence, and after earning more than £2,000 in a single day fundraising in the wake of the 2017 Manchester tragedy, Elliot realized the power he had to reach others. He was only 15 years old back then, and ever since he's been working on bringing his velveteen voice to an expanding audience whose appreciation for his music transcends generations, time zones and, yes — to see his fans' comments about his work — quite possibly time itself.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ElliotJameReay #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

The Traveling Wilburys are coming! The Traveling Wilburys are coming! Well, actually they're HERE as of October 29th, 1990 and the release of The Traveling Wilburys vol3 -- the highly anticipated follow-up to the super-group's hit debut record. Despite the shift in decade and the fallen Roy Orbison, the project begun by George Harrison had another hit on their hands with this latest release - successful in both album and singles charts alike. Cuts like Wilbury Twist, Last Night and She's My Baby offered a dose of vitality for the genre of rock'n'roll amidst a crowded marketplace of new sounds that would have been largely unrecognizable a scant decade prior. More importantly, this was new George Harrison music in the 1990s...a signal for more on the horizon? Or perhaps a last burst of excitement... Hosted on Acast. See acast.com/privacy for more information.