Podcasts about Isuma

Nördlich des Polarkreises auf einer Insel im Nordpolarmeer arbeitet das Künstlerkollektiv ISUMA. Unter extremen Arbeitsbedingungen entstehen hier Filme, die sich aus erster Hand mit Kultur und Geschichte der Inuit beschäftigen. ISUMA-Filme beruhen oft auf mündlichen Überlieferungen, die Drehbücher werden mit den einheimischen Darstellern entwickelt und umgesetzt. Die Filme spiegeln die gewaltsame Vergangenheit: die christliche Missionierung, die Zwangsansiedlung der nomadischen Jäger in den 60er-Jahren. Und versuchen, überliefertes Wissen lebendig zu halten, in einer Zeit, in der der Klimawandel hungernde Eisbären in die Siedlungen treibt.

LGBTQ+ and Alaskan Indigenous (learning and studying these cultures). www.Isuma.tv www.twosofttwohard.com

Ein Feature von Jane Tversted und Martin Zähringer Nördlich des Polarkreises auf einer Insel im Nordpolarmeer arbeitet das Künstlerkollektiv ISUMA. Unter extremen Arbeitsbedingungen entstehen hier Filme, die sich aus erster Hand mit Kultur und Geschichte der Inuit beschäftigen. ISUMA-Filme beruhen oft auf mündlichen Überlieferungen, die Drehbücher werden mit den einheimischen Darstellern entwickelt und umgesetzt. Die Filme spiegeln die gewaltsame Vergangenheit: die christliche Missionierung, die Zwangsansiedlung der nomadischen Jäger in den 60er Jahren. Und versuchen, überliefertes Wissen lebendig zu halten, in einer Zeit, in der der Klimawandel hungernde Eisbären in die Siedlungen treibt. Von: Jane Tversted und Martin Zähringer Redaktion WDR: Leslie Rosin und Adrian Winkler Redaktion NDR: Joachim Dicks Produktion: WDR 2023

Seit über 30 Jahren produzieren Zacharias Kunuk und sein Kollektiv Spielfilme und TV-Programme auf Inuktitut, der Sprache der Inuit. Weltberühmt wurde die Produktion "Der schnelle Läufer", die in Cannes eine goldene Palme gewann.// Von Jane Tversted und Martin Zähringer/ WDR 2023/ www.radiofeature.wdr.de Von Jane Tversted und Martin Zähringer.

Seit über 30 Jahren produzieren Zacharias Kunuk und sein Kollektiv Spielfilme und TV-Programme auf Inuktitut, der Sprache der Inuit. Weltberühmt wurde die Produktion "Der schnelle Läufer", die in Cannes eine goldene Palme gewann.// Von Jane Tversted und Martin Zähringer/ WDR 2023/ www.radiofeature.wdr.de Von Jane Tversted und Martin Zähringer.

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In 1966, at nine years old, Zacharias Kunuk was no longer able to live on the land with his family—the only way of life he'd known. Like many other Inuit and indigenous children, he and his siblings were required to go to school in larger communities like Igloolik in the territory of Nunavut. The community was a place of transition, where the old ways of Inuit life were being replaced by the culture and traditions introduced by christian religion and government policy. Zacharias Kunuk's 1985 documentary From Inuk Point of View tells the story of Igloolik, its people and the changing ways of Inuit life. The film broke the race barrier by becoming the first ever Inuit or indigenous film to receive a Canada Council for the Arts grant. In this episode of Cinema Reignited, host Samah Ali speaks with Zacharias Kunuk about the creation of From Inuk Point of View and Blandina Makkik from the Inuit Art Foundation.From Inuk Point of View is currently available to stream online on Hot Docs at Home until December 29, 2022. Visit https://hotdocs.ca/whats-on/films/from-inuk .Isuma was co-founded by Zacharias Kunuk, Paul Apak, Pauloosie Qulitalik and Norman Cohn. To learn more about Isuma visit http://www.isuma.tv/isuma . To learn more about the Inuit Art Foundation visit https://www.inuitartfoundation.org/ . Cinema Reignited is a podcast by the Academy of Canadian Cinema & Television, powered by Telefilm Canada.If you found this episode interesting, please share it with your network and tag @TheCDNAcademy and @sistersamah. Rate and review the podcast to help us connect with other Canadian film lovers. This podcast episode was produced by Quill

Tiokasin's guest in the first half-hour is Candice Hopkins, a citizen of Carcross/Tagish First Nation. Candice is executive director of Forge Project in Taghkanic, NY. Forge Project is a Native-led initiative centered on Indigenous art, decolonial education and supporting leaders in culture, food security and land justice. Candice's writing and curatorial practice explore the intersections of history, contemporary art and Indigeneity. She is Senior Curator for the 2019 and 2022 editions of the Toronto Biennial of Art. Candice was part of the curatorial team for the Canadian Pavilion at the 58th Venice Biennale, featuring the work of the media art collective Isuma; and co-curator of notable exhibitions including the national traveling survey Art for New Understanding: Native Voices, 1950s to Now; SITElines.2018: Casa Tomada, SITE Santa Fe; documenta 14, Athens and Kassel; and Sakahàn: International Indigenous Art, National Gallery of Canada, Ottawa. Notable essays include “The Gilded Gaze: Wealth and Economies on the Colonial Frontier,” in the documenta 14 Reader; “Outlawed Social Life,” in South as a State of Mind; and “The Appropriation Debates (or The Gallows of History),” in Saturation: Race, Art, and the Circulation of Value (New Museum/MIT Press, 2020). For more information about Forge Project, visit forgeproject.com In the second half, Tiokasin comments on the Aug. 26, 2022 article in Canada's National Observer newspaper, “Native American Journalists Association bars New York Times from its conference over harmful coverage”: https://bit.ly/3e5ePks Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Malcolm Burn, Studio Engineer, Radio Kingston, WKNY 1490 AM and 107.9 FM, Kingston, NY Tiokasin Ghosthorse, Audio Editor  Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) (00:00:22) 2. Song Title: In the Anthropocene Artist: Nick Mulvey Album: On Limited Edition Vinyl (2019) Label: N/A (00:23:55) 3. Song Title: When It Rains It Pours Artist: Thelma Plum Album: N/A (Single) Label: N/A (Single) (00:40:50) 4. Song Title: Blue Moon Drive Artist: iskwē, Tom Wilson feat. Chuck Copenace Album: Mother Love (2022) Label: iskwē Music, Inc. (00:44:45) 5. Song Title: Things have Changed Artist: Bob Dylan CD: Wonder Boys - Music from The Motion Picture (2000) Label: Columbia/Sony Music/Soundtrax (00:48:45) 6. Song Title: Warrior Artist: Xavier Rudd and the United Nations Album: Nanna (2015) Label: Nettwerk (00:54:10) AKANTU INSTITUTE Visit Akantu Institute, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuinstitute.org/ to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse. 

Mitschnitt des Sets von K-Isuma & Heribert von der Electronic Finest (13.11.2021) *In memoriam of Chai Michi*

Pour ce nouvel épisode, je vous emmène sur un vol un peu spécial. Car ce n'est pas une mais trois histoires que je vous raconte.  La première histoire, tragique, nous ramène au XIXe, au temps de l'Europe coloniale et des “zoos humains”. C'est celle d'Abraham Ulrikab et de 7 ses compagnons inuit.  La deuxième histoire, héroïque, se déroule sur les champs de batailles de la Première Guerre Mondiale, dans le Nord de la France. C'est là que le caporal suppléant John Shiwak tombera au combat, en 1917.  Pour faire le lien entre ces deux récits qui mêlent le peuple Inuit, le Canada et la France, une troisième histoire, incroyable elle aussi. Il s'agit de celle de notre invitée, la Québécoise France Rivet, qui, un jour, a décidé d'écouter sa petite voix intérieure… Elle a scellé par la même occasion son destin à celles des communautés inuït du Nunatsiavut.  Paré pour un nouveau voyage spatio-temporel ? C'est parti !   Réalisation et narration: Marie Cousin, Ambassade du Canada en France et Centre culturel canadien en France. Production: Studio La Fugitive "Sur les traces d'Abraham Ulrikab",par France Rivet Extraits de "Isuma", par Twin Flames  English version France Rivet, on the Inuit Path in the Human zoos and on the First World War battlefields. For this new episode, I take you on a special flight. Today, I'll share not one story, but three. The first story is tragic. It is set in 19th century colonialist Europe and its “Human Zoos”. It is the story of Abraham Ulrikab and his seven Inuit companions.  The second story is heroic. It is set in the First World War battlefields, in the North of France. This is where Lance Corporal John Shiwak fell in combat, in 1917.  The link between these two stories, drawing together the Inuit, Canada and France, is our third story. This is France Rivet's story, our guest, who decided one day to listen her inner voice and in doing so sealed her destiny to the Nunatsaviut Inuit communities.  Ready for this new journey through time and space? Let's go !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: Chad Crouch, Feeding Flock (Instrumental) , 2019Photo: Jeneen Frei Njootli and Ts̱ēmā Igharas, Sinuosity , 2018-2019, image: Yuula Benevolski, courtesy Toronto Biennial of Art.   

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: LUCA.Images:Portrait: Life of a Craphead, photo by Yuula BenevolskiWork: King Edward VII Statue Floating Down the Don River, 2017, photos courtesy of Life of a Craphead.

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: Blue Dot Sessions, The Popular Grove (2019); LUCA.Images:Portrait: Diane Borsato, photo by Yuula BenivolskiWork: YOU ARE A GOOD APPLE , 2019, photos by Yuula Benevolski, courtesy Toronto Biennial of Art. 

Filmmaker Lucy Tulugarjuk discusses her career path, after starring in the first Inuktitut film, Atanarjuat. She talks about Indigenous women in film, and shares advice to those aspiring to work in the industry. Host: Tessa Kunuk

I och med corona-viruset har våra kulturmönster hastigt tvingats att förändras. Vad betyder det att kulturens mötesplatser stänger och finns det rent av något att lära sig här? I samband med internationella Piano day nästa vecka har pianisten Anders Teglund konsert i vardagsrummet hemma hos artisten Love Antell  de är gäster i dagens program. AKADEMIKRISEN BLIR OPERA Svenska akademiens kris i kölvattnet av metoo och avslöjandena kring kulturprofilen blir nu opera. Ikväll uruppförs Makten och härligheten på Helsingborgs konserthus. P1 Kultur har träffat tonsättaren Fredrik Österling. WITOLD LUTOSLAWSKI  EN MILD MODERNIST Polske Witold Lutoslawski är en av efterkrigstidens främsta tonsättare. Nu är hans tredje symfoni aktuell med en ny inspelning med Finska radions symfoniorkester som spelar under ledning av Hannu Lintu. P2:s Johan Korssell har lyssnat till denne milda men aldrig slätstrukna modernist. INUITISKA FILMKOLLEKTIVET ISUMA VISAS I GÖTEBROG På Göteborgs konsthall pågår just nu utställningen "Varje Löv är ett öga" med bland andra det inuitiska filmkollektivet Isuma som deltog i Kanadas paviljong på förra årets konstbiennal i Venedig. P1 Kultur passade då på att träffa Asinnajaq - curatorn för 2019 års paviljong - och Isumas Lucy Tulug-arjuk. CHINUA ACHEBE OCH VÄRLDENS SÖNDERFALL Chinua Achebe föddes 1930 i Nigeria och dog 2013 i USA och han var en av 1900-talets både mest lästa och inflytelserika författare. Dagens Obs-essäist; Dan Jönsson, reflekterar här över Achebes betydelse och litteratur, kanske med särskilt fokus på den löst sammanhållna trilogi som inleddes redan med den tongivande debuten från 1958: "Allt går sönder". Programledare: Lisa Wall Producent: Eskil Krogh Larsson

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: LUCA; Daniel Birch & Ben Pegley, Slowly Open Your Eyes, 2017.Images:  Lisa Steele and Kim Tomczak. Courtesy of the artists. 

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: Antonio Bizarro, Marina, 2019; Nctrnm, La Femme, 2017. Image: Michelle Siu, The Canadian Press.

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: LUCA; Daniel Birch, The Fugue, 2019.ImagesPortrait: Adrian Blackwell, photo: Jane HuttonWork: Adrian Blackwell, Isonomia in Toronto? (harbour), 2019; photos courtesy of the artist, Toni Hafkenscheid, and Toronto Biennial of Art. 

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: Parvus Decree, Cerebral Cortex Drone Mix; Lee Rosevere, Happy Little Clouds (2015); Hawkin, Woods (2015); Kevin McLeod, Bathed in the Light (2014).Image courtesy of Lisa Kannako.

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: Pictures of the Floating World, Bumbling, 2019; LUCA; Blear Moon, Recalling, 2019.Image credit: Rinrigaku, 2016. Documentation by Yuula Benivolski

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music Credit: LUCA.Images: Portrait, Caroline Monnet, photo by Ulysse Del DragoFor more information, visit: torontobiennial.org, @torontobiennial, and #TObiennial19 on Facebook, Twitter, and Instagram.

In expanding dialogues around the inaugural Toronto Biennial of Art, selected artists discuss their practice and processes in a series of short format podcasts. Interviewed artists and collectives include Adrian Blackwell, Ayumi Goto, Caroline Monnet, Diane Borsato, Isuma, Jeneen Frei Njootli, Life of a Craphead, Lisa Steele and Kim Tomczak, Maria Thereza Alves, Syrus Marcus Ware, and Tsēmā Igharas.Music: Chris Zabriskie, Remember Trees?, 2016; We Were Never Meant to Live Here, 2016.Image: Portrait, Maria Thereza Alves

Friday, November 8, 2019 Over the last 12 years, Isuma’s Media Player technology has brought high quality indigenous language videos to remote, low-bandwidth Inuit communities in Nunavut, the territory in the Canadian arctic where we are based. We launched IsumaTV in 2007 as an indigenous language video streaming platform. Yet soon after we realized that the majority of the Inuit were unable to watch IsumaTV through the cloud, due to the fact that Inuit communities have one of the most expensive and slow internet connections in the world. We were pushed to find a way for Inuit to access the Inuktitut language videos on IsumaTV. We came up with the idea of our Media Players, an edge computing network that gives remote communities access to their videos and films by locally hosting the entire content of IsumaTV (now 8,000 videos in more than 70 languages). The media players gradually synchronize and transcode new videos, audio, images and other large files to and from the central website as they are uploaded. We have since installed Media Players in more than 15 indigenous communities. Many of these communities have used them as a repository of Inuit content in their libraries, schools, and local television stations. Session Type30-Minute Session (Presentation or Case Study) TrackSystems Key Outcomes After attending this session, participants will learn how our Media Players and edge computing can make multimedia archives engaging and accessible for remote, low-bandwidth communities. Speaker: David Ertel, Developer, Isuma

P1 Kultur rör sig från inuiternas land på Baffin Island till nystartat urfolksresidens i Västerbotten. Dessutom dags att börja fira barnbokslegenden Lennart Hellsing som snart skulle ha fyllt 100 år. "Från gryning till skymning - nordisk konst kring sekelskiftet 1900", så heter sommarens utställning på Nationalmuseum Jamtli i Östersund. Det handlar om en tid i svenskt måleri då konstnärerna lämnat akademiernas instängda måleri och sökte det nordiska ljuset, mentaliteten och naturen. P1 Kulturs programledare Måns Hirschfeldt har sett den och även pratat med curatorn Carl-Johan Olsson. Det inuitiska filmkollektivet Isuma är årets utställare i Kanadas paviljong på Venedigbiennalen. Där visar de långfilmen "One day in the life of Noah Piugattuk" som utspelas på 60-talet då inuiter tvångsförflyttades från sina marker. Dessutom visas ett dokumentärt projekt kring motståndet mot gruvindustrin på Baffin Island. Cecilia Blomberg har träffat curatorn asinnajaq och Isumamedlemmen Lucy Tulugarjuk. Urfolksspår heter ett projekt som vill stärka och utveckla konsten hos olika urfolk genom att skapa ett särskilt urfolksresidens. Nyligen avslutades det första försöket i Granö, Västerbotten. Sju deltagande konstnärer från Sapmi, Grönland och Ainu på Hokkaido i Japan ställer ut tillsammans efter att ha vistats på platsen under en vecka i höstas. Helene Alm besöker utställningen och pratar med några av deltagarna, bland dem Britta Marakatt-Labba och Tomas Colbengtsson. I OBS-essän pratar författaren Mattias Hagberg också om urfolk och om hur ursprungsamerikanen alltmer börjar hitta sin plats i samtiden. Den bild som levt kvar om att USA:s urfolk inte skulle klara det moderna samhället är förlegad och historien måste hela tiden aktualiseras och bearbetas på nytt. Dessutom tjuvstartar vi firandet av Lennart Hellsing som skulle ha fyllt 100 år om en vecka. Hör Lennart Hellsing själv ur Sveriges Radios arkiv i en intervju gjord av Maarja Talgre för 17 år sedan. Programledare: Måns Hirschfeldt Producent: Cecilia Blomberg

This week on TIFF Long Take, Geoff sits down with Jonathan Frantz, a filmmaker, producer, and member of Isuma, an Inuit-led media-arts collective founded by Zacharias Kunuk. Frantz recently produced 'Edge of the Knife', a drama set in the 19th century and directed by Gwaai Edenshaw and Helen Haig-Brown. The film is particularly notable as the first feature made entirely in Haida, an endangered language spoken fluently by fewer than 20 people. 'Edge of the Knife', which features a Haida cast and was made in collaboration with the Council of the Haida Nation, premiered at TIFF in 2018 and will screen as part of our Canada’s Top 10 series in 2019. Frantz talks about the history and mission of Isuma, the long but rewarding process of making 'Edge of the Knife', and what he hopes the film will do for the Haida language and nation. He also discusses working with Edenshaw, Haig-Brown, and Kunuk, how he approaches projects such as this one as a non-Indigenous person, and the best resources for movie lovers looking to see more Indigenous films.

In celebration of winter we explore films of The Arctic, specifically those which portray the native peoples of that region, from Nanook of the North, through the unfortunately short career of Alaskan actor Ray Mala, to the films of Iñuk director Zacharias Kunuk.    Chapter 1: Allakariallak (7:39) Chapter 2: Agnasquiac (23:26) Chapter 3: Atanarjuat (45:45) Chapter 4: Ethan (1:18:08)

Today is Canadian National Aboriginal Day. To show our solidarity, we are putting Zacharias Kunuk's 2001 film Atanarjuat: The Fast Runner up for consideration in the Flixwise Favorites list.  Atanarjuat, the debut feature from Isuma Productions, is a retelling of a centuries-old Inuit legend. It recounts the story of a pair of rival families from Igloolik Village, and the curse that unravels their tenuous peace agreement. Lady P is joined by Emma Guerard and our resident Canuck, Martin Kessler, to weigh in on whether or not Atanarjuat is truly one of the greatest films ever made. Along the way, they discuss why filmmakers should treat diversity as a gift, not a burden; and they talk about the best lens through which to view stories from cultures that are markedly different from one's own. Update: Our next episode will be the 48th film on the Sight and Sound list: Jean-Luc Godard's Histoire(s) du Cinema. It's about 5 hours long, so best get on it just as soon as you're done catching up with Atanarjuat.

Isuma: de Atanarjuat a la televisión por Internet