Podcast appearances and mentions of joe lawlor

Welcome to Paige Against the Machine, a new series on Haynes Boone's Legal Landscape podcast. This mini series chronicles wedding dress designer Hayley Paige's four-year legal battle to reclaim her name, her brand and her ability to work.In episode one, Hayley is joined by intellectual property partners Tiffany Cooke, Rich Rochford and Joe Lawlor. Together, they revisit the early days of her lawsuit, how she lost the rights to use her own name and social media accounts, her crash course in IP law and how entrepreneurs can prevent the same issues. 

This time on More Deadly, we're joined by one of our favorite fellow spooky gals, Mary Beth McAndrews of the Scarred for Life Podcast & Dread Central, to discuss Rose Plays Julie, directed by Christine Molloy & Joe Lawlor.  So, did this movie do its story justice? Or do we want retribution for our time?... Read More The post The More Deadly Podcast Episode 91: Rose Plays Julie appeared first on The Zombie Grrlz Horror Podcast.

This time on More Deadly, we’re joined by one of our favorite fellow spooky gals, Mary Beth McAndrews of the Scarred for Life Podcast & Dread Central, to discuss Rose Plays Julie, directed by Christine Molloy & Joe Lawlor.  So, did this movie do its story justice? Or do we want retribution for our time?... Read More The post The More Deadly Podcast Episode 91: Rose Plays Julie appeared first on The Zombie Grrlz Horror Podcast.

Andrew Scott is the latest in a long line of actors to play Thomas Ripley - the seductive, sociopathic conman created by American crime writer Patricia Highsmith, and immortalised in films from Plein Soleil to The Talented Mr Ripley. Ellen E Jones and Mark Kermode look at Ripley and other social strivers on screen, asking how these interlopers have insinuated themselves into our hearts and minds.Ellen explores what makes Patricia Highsmith's work so cinematic, with a lifelong Highsmith fan – critic and novelist Kim Newman. And she speaks to Swiss documentary filmmaker Eva Vitija about her 2022 film Loving Highsmith – a fascinating look at the author's life and artistry, told through her unpublished diaries, and interviews with her friends and former lovers.Mark Kermode looks beyond Highsmith's work, to explore how the 'Ripleyesque' figure has endured. He discusses cinema's most notorious interlopers, from The Great Gatsby to Saltburn, with Manuela Lazic, a French critic, writer and filmmaker. Mark also talks to two of his favourite filmmakers, Christine Molloy and Joe Lawlor. Christine and Joe's newest film Baltimore – about the debutante turned IRA member Rose Dugdale – is just one of many stories about interloping and identity that they've brought to the screen over the years. They tell Mark why the theme fascinates them. Producer: Jane Long A Prospect Street production for BBC Radio 4

In this Film Ireland podcast, Gemma Creagh talks to Christine Molloy & Joe Lawlor, about their film Baltimore. Based on the infamous true story of the English heiress who became a revolutionary. Debutante Rose Dugdale (Imogen Poots) enjoys a life of wealth and privilege, but her rebellious nature soon leads her down a militant path. Amongst the political turmoil of the 1970s, her sympathy towards the IRA's conflict evolves into radicalisation, culminating in an armed raid on an Irish estate with three comrades. However, when her simple heist turns violent, is Rose prepared to face the devastating consequences? Baltimore is in cinemas from 22nd March 2024. https://filmireland.net/

In this final episode of 2023 (and season 18), we (Neil and Dario) ruminate on a year spent thinking cinematically and engaging with cinema in the unique way that has become the hallmark of The Cinematologists; thoughtful, personal, searching for meaning and meaningful experiences across the movie spectrum. We both share brief discussions of two films that stuck with us from different points of the year, Neil talking about Mark Jenkin's short A Dog Called Discord and Christine Molloy and Joe Lawlor's The Future Tense, while Dario ponders Patricio Guzman's My Imaginary Country and Samsara, directed by Lois Patiño. Then, we spend more time discussing three films each at greater length in what could be seen as their top 3 films of the year, if we were so inclined to frame them that way (and we go to great pains in the episode to make sure that they don't come across as ‘ranked'). Dario shares his thoughts on and fondness for Laura Poitras's All The Beauty and the Bloodshed, Celine Song's Past Lives and Todd Haynes's May December. While Neil decides to go deep on Cyril Schäublin's Unrest (which he shamefully claims is set in the 1920s when it's clearly late 19th Century!), Felix van Groeningen and Charlotte Vandermeersch's The Eight Mountains and Aki Kaurismäki's Fallen Leaves. ——— Thank you to all our guests this season and to our listeners, we thank you for your continued support of The Cinematologists, and hope you join us for season 19, which commences in February 2024. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

While the band has been on a much deserved break, so have we, but as some of the DMB family hit the road again, so did we. Nolan was lucky enough to catch Tim Reynolds and Joe Lawlor in Raleigh, NC last week as TR3 kicked off their fall tour in style. We recap this special night and highlight how incredible it is to be up close and personal with these true musical virtuosos. We also finally give our opinions surrounding the good and bad surrounding the BTCS 25th anniversary re-release and related merch. It's good to be back and we hope you all enjoy!

This week on Screentime John Fardy talk to the makers of Sky's new Documentary 'Mission to Burnley' where viewers are granted incredible access to an amazing time in the Premiership Football Club. Chris Wasser reviews the new comedy horror 'The Blackening' as well as the new French Caper Movie 'The Innocent'. Plus John chats to one half of the renowned husband and wife filmmaking team of Molloy and Lawlor when he hears from Joe Lawlor about their intriguing new film 'The Future Tense'.

Joe Lawlor is a renaissance man within the Dave Matthews Band camp and a legend amongst the fanbase. From his duties as the band's live recording engineer, archivist, real-time setlist updater, to his ripping on-stage appearances, Joe has seen and done it all throughout his 20+ year career touring the world with DMB. He was generous enough to sit down with us for more than 2 hours to discuss his musical background outside of DMB, taking the stage for the first time with them in 2006, his favorite DMB show of all time, a little bit of new album talk and SO much more. Thanks to Joe for his time and his generosity in sharing stories and his insight into what it's like to be side stage and backstage for the Dave Matthews Band. Enjoy!

Joe Lawlor is a highly talented musician and producer who co-founded the bands Egypt and Joe Lawlor & Friends. Joe is a live recording audio engineer and archivist for Dave Matthews Band, and he has worked for the band since 2002. Joe and his partner, Kristen Rae Bowden, just finished a tour with TR3. We catch Joe fresh off the tour, and he dives into all things music with The Stallions. This is both the longest interview and episode on Vinyl Stallions to date.

Producers/Hosts: Jim Campbell and Amy Browne This series is made possible in part by a grant from the Maine Arts Commission Maine: The Way Life Could Be, a series in which we look at challenges and opportunities facing Maine in the lifetimes of people alive today. This episode: At the outset of this series, we invited anyone interested to participate in a Zoom call to help us gather information on what folks saw as major challenges facing Maine people during the lifetime of those alive today. One of those challenges mentioned by several of the participants on that call was affordable and accessible health care. It's important to note right at the beginning of today's program that health care and health insurance are two different things that are sometimes conflated. Health care refers to the care that providers such as doctors, nurses, therapists, and others provide to people with health issues. How to pay for that care is a separate challenge, often provided in part by either for-profit insurance companies or government programs such as Medicaid, for those with very low incomes; or Medicare, for those age 65 and over. On today's program, we will speak with two retired physicians who, over long careers, took somewhat different paths but wound up at the same conclusion about how to provide Maine people, and all Americans, with affordable, accessible health care. Guests: Dr. Geoff Gratwick practiced medicine with a specialty in rheumatology in the Bangor area, and in clinics across Maine for over 40 years. He eventually became so concerned about what he saw as problems with Mainers getting access to quality health care that he ran for the Maine Senate after serving 9 years on the Bangor City Council. He served four terms in the Maine Senate before leaving because of term limits, and while there served on the Opioid Task Force, as well as on several legislative committees. He was a key player in establishing the state's Health Care Task Force which has been charged with determining how to make health care in Maine universal, affordable, accessible and of high quality. Dr. Phil Caper, in addition to practicing as a physician, spent a good part of his career in policy areas related to health care. From 1971 to 1976, he was a professional staff member on the United States Senate Labor and Public Welfare's subcommittee on Health. He served on the National Council on Health Planning and Development from 1977 to 1984, chairing the panel from 1980 to 1984. He has also taught at Dartmouth Medical School, the University of Massachusetts Medical School and the Harvard School of Public Health, and worked in private industry trying to improve the technology of hospital medical records. Both guests are active with Maine AllCare FMI: Maine AllCare From the National Bankruptcy Forum, 10/22/21: 10 Statistics about US Medical Debt that Will Shock You Health care executive pay soars during pandemic, Bob Herman, AXIOS, Jun 14, 2021 Universal health care could have saved more than 338,000 lives from COVID-19 alone, Rachel Nuwer, Scientific American, June 13, 2022 Sudden resolution of Anthem and Maine Med dispute leaves more questions than answers, Caitlin Andrews, Bangor Daily News, 8/20/22 2022 Maine Shared Community Health Needs Assessment Report Hidden charges, denied claims: Medical bills leave patients confused, frustrated, helpless, Joe Lawlor, Portland Press Herald, 8/21/22 About the hosts: Jim Campbell has a longstanding interest in the intersection of digital technology, law, and public policy and how they affect our daily lives in our increasingly digital world. He has banged around non-commercial radio for decades and, in the little known facts department (that should probably stay that way), he was one of the readers voicing Richard Nixon's words when NPR broadcast the entire transcript of the Watergate tapes. Like several other current WERU volunteers, he was at the station's sign-on party on May 1, 1988 and has been a volunteer ever since doing an early stint as a Morning Maine host, and later producing WERU program series including Northern Lights, Conversations on Science and Society, Sound Portrait of the Artist, Selections from the Camden Conference, others that will probably come to him after this is is posted, and, of course, Notes from the Electronic Cottage. Amy Browne started out at WERU as a volunteer news & public affairs producer in 2000, co-hosting/co-producing RadioActive with Meredith DeFrancesco. She joined the team of Voices producers a few years later, and has been WERU's News & Public Affairs Manager since January, 2006. In addition to RadioActive, Voices, Maine Currents and Maine: The Way Life Could Be, Amy also produced and hosted the WERU News Report for several years. She has produced segments for national programs including Free Speech Radio News, This Way Out, Making Contact, Workers Independent News, Pacifica PeaceWatch, and Live Wire News, and has contributed to Democracy Now and the WBAI News Report. She is the recipient of the 2014 Excellence in Environmental Journalism Award from the Sierra Club of Maine, and Maine Association of Broadcasters awards for her work in 2017 and 2021. The post Maine: The Way Life Could Be 9/6/22: Health- Care & Insurance first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Ben Slater is a writer, editor and lecturer based in Singapore who has written on film for newspapers, books, magazines and journals. He's the author of Kinda Hot: The Making of Saint Jack in Singapore (Marshall Cavendish: 2006), the writer/editor of 25: Histories & Stories of the Singapore International Film Festival (SGIFF: 2014), and the editor of NANG 1: Screenwriting (Cinemasias Editions: 2016). He's also a script editor, most recently for Joe Lawlor and Christine Molloy's Rose Plays Julie (2020) and wrote the screenplay for a Singapore-made feature MALAM (2021). Ben is currently writing a creative non-fiction work called LOST FILMS as part of his PhD, while teaching narrative and screenwriting at Nanyang Technological University's School of Art, Media & Design.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Here we go again Cave Dwellers. On this episode of The Neanderthal Mind, we have yet ANOTHER visit from everyone's favorite Neanderthal, Neanderthal Joe Lawlor. As always, Joe gives us awesome content and some education about our Neanderthal Ancestors/Cousins. We also let a cat out of the bag about what Neanderthal Joe and The Neanderthal Mind podcast have in the works. My Cave Dwellers and Joe's community will be dancing and singing in the streets after we let you both know what's in store. OK, maybe not dancing and singing in the streets, but, at least dancing in your seats. So, without further a-do, sit back, relax, and enjoy the show. I will see you on the flip side Cave Dwellers. https://www.paypal.me/lawlorjoseph. Minds: https://www.minds.com/neanderthaljoeTikTok: https://vm.tiktok.com/ZMeGgbbMV/Esty shop: https://etsy.me/3cdUPtfFacebook group: https://www.facebook.com/groups/17011... Facebook shop: https://www.facebook.com/Neanderjoe/0

Joe Lawlor, Christine Molloy and Orla Brady join IFL's Niamh Branigan to chat about their brave new feature film. Rose Plays Julie follows an adopted girl who seeks out her birth mother and discovers that the woman has no desire to meet her. What she discovers changes both of their lives. The Irish Film London Podcast is presented by Niamh Branigan and mixed and edited by Owen Billcliffe. For more about Irish Film London, visit irishfilmlondon.com, and follow us on our social media platforms:  twitter.com/irishfilmlondon facebook.com/IrishFilmFestivalLondon instagram.com/irishfilmlondon Our theme music is Acid Trumpet by Kevin McCloud.  Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

In this Film Ireland podcast, Natasha Waugh talks to Christine Molloy and Joe Lawlor about their film Rose Plays Julie. This podcast was recorded at the 2020 Dublin International Film Festival ahead of the film's premiere. Rose Plays Julie is an intense, edge-of-your-seat story of revenge centring on a young woman searching for her biological mother. Addressing a deep longing, Rose undertakes a journey that leads her to revelations that are both devastating and dangerous. Rose Plays Julie features Ann Skelly, Orla Brady and Aidan Gillen. This interview was recorded in 2020 ahead of the film's premiere at the Dublin International Film Festival. Rose Plays Julie is in cinemas from 17th September 2021.

On Truth & Movies this time everybody's talking about Everybody's Talking About Jamie, the adaptation of the hit musical which arrives on Prime Video this week. We're also discussing new thriller Rose Plays Julie, from directors Joe Lawlor and Christine Molloy, and in our film club we're going back twenty years for John Cameron-Mitchell's cult favourite Hedwig and the Angry Inch. Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by Little Dot Studios See acast.com/privacy for privacy and opt-out information.

For the season 14 premiere Neil and Dario discuss one of 2021's best releases, Christine Molloy and Joe Lawlor's dark and magnetic psychodrama Rose Plays Julie starring Ann Skelly, Orla Brady and Aidan Gillen. Neil talks to the filmmakers about their unique, exploratory process, growing as filmmakers, working with actors and timing. Elsewhere Neil and Dario catch up about some recent watches and what they've been up to over the summer, before heading off to the bonus episode for Patreon subscribers to discuss Jean-Paul Belmondo and Michael K. Williams. It's good to be back. Thank you to Nicki at Premier PR and Claire At Eclipse Pictures for their help in setting up the conversation and for advance access to the film. ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

This gripping and beautifully rendered drama from filmmakers Christine Molloy and Joe Lawlor, Rose Plays Julie, tells the tale of Rose, a young veterinary student who has wanted to know who her biological parents are and the facts of her true identity for as long as she can remember. Rose (Ann Skelly) decides to contact Ellen (Orla Brady), the birth mother who gave her up for adoption. But Ellen, now a successful London-based actress, doesn't want to know her. Undeterred, Rose presses forward. And curiosity leads her to discoveries that shake the fragile identity she has built for herself. With Rose Plays Julie co-directors Christine Molloy and Joe Lawlor have crafted a slow-burn thriller that builds a sense of dread inside an exquisite world of immaculate architecture, rendered through an icy performance style and enveloped by a claustrophobic soundtrack. Ann Skelly and Orla Brady are both exacting and measured in their delivery, as the film takes us through longing and revenge to arrive at the dark places of power and its abuses. Joining us to talk about their meticulous work of Rose Plays Julie are co-directors Christine Malloy and Joe Lawlor. The filmmaking duo work under the moniker of Desperate Optimists, having spent years making atmospheric cinema that often wades into the deep psychology of identity, personal trauma, as they dive into the complicated and the inherently elusive nature of truth. For news and updates go to: filmmovement.com/rose-plays-julie For more on the film go to: samsonfilms.com/rose-plays-julie

Welcome again Cave Dwellers. I hope you have been anticipating this episode, I know I have! Joining me today, is the one, the only, Neanderthal Joe, for those of you who know him, he is also known as Joe Lawlor. Joe was my very first guest on the podcast, and now, he holds the title of very first return guest on the podcast. I was going to go through a long drawn out introduction, and “pre-cap” of what Neanderthal Joe and I talk about, but I want to just jump right into it, hint, it has a few things to do with potential Neanderthal Burial Rituals, Neanderthal Joes influencers, and some new things Joe is getting into creating . For those of you that joined me on my first two episodes, you know what is coming up with my conversation with Joe. For those of you that were not able to join the rest of us on the previous episode with Joe, sit back, relax, and hold on for some awesome knowledge about Neanderthals, and Neanderthal Life. Make sure you check Neanderthal Joe out at the following places:https://www.minds.com/neanderthaljoehttps://etsy.me/3cdUPtfhttps://www.paypal.me/lawlorjosephhttps://www.facebook.com/groups/170118903534062/?ref=sharehttps://www.facebook.com/Neanderjoe/

Recent television work includes playing the female lead, Beth Winters, opposite Jamie Dornan and Matthew Rhys in DEATH AND NIGHTINGALES, an adaptation of the novel written and directed by Allan Cubitt (creator of THE FALL), which aired on BBC2 early in 2019. Ann's latest feature film, ROSIE PLAYS JULIE sees her opposite Aiden Gillen and Orla Brady playing the lead role of Julie, directed by Joe Lawlor and Christine Molloy and was released late 2019. Ann appeared in the title role of independent feature film KISSING CANDICE (2017) directed by Aoife McArdle for which she was nominated for a Rising Star Award and Best Actress In A Lead Role at the 2018 IFTA's (Irish Film and Television Awards) and which went on to win nominations and awards at the Berlin, Prague, Boston, Dublin and Toronto International Film Festivals. In thesame year Ann appeared as Annie Moffat in the BBC/PBS mini-series LITTLE WOMEN directed by Vanessa Caswell. She made her screen debut in the recurring role of Rachel Reid in the IFTA award winning serialised Irish drama, RED ROCK for TV3 produced by Element Pictures and Angel Station, later appearing on BBC & Amazon Prime, from 2015 to 2017. Ann also appeared as Biddy Lambert in the RTE Drama REBELLION (2016) and more recently as Ethelfled in VIKINGS Season 5 for History/MGM. In 2016 Ann appeared as Hannah Baylor in the Blackpills series PLAYGROUND for Apple TV France, a series created by Luc Besson. Ann will grace television screens this year, playing one of the leads in the HBO series THE NEVERS.

Recent television work includes playing the female lead, Beth Winters, opposite Jamie Dornan and Matthew Rhys in DEATH AND NIGHTINGALES, an adaptation of the novel written and directed by Allan Cubitt (creator of THE FALL), which aired on BBC2 early in 2019. Ann's latest feature film, ROSIE PLAYS JULIE sees her opposite Aiden Gillen and Orla Brady playing the lead role of Julie, directed by Joe Lawlor and Christine Molloy and was released late 2019. Ann appeared in the title role of independent feature film KISSING CANDICE (2017) directed by Aoife McArdle for which she was nominated for a Rising Star Award and Best Actress In A Lead Role at the 2018 IFTA's (Irish Film and Television Awards) and which went on to win nominations and awards at the Berlin, Prague, Boston, Dublin and Toronto International Film Festivals. In thesame year Ann appeared as Annie Moffat in the BBC/PBS mini-series LITTLE WOMEN directed by Vanessa Caswell. She made her screen debut in the recurring role of Rachel Reid in the IFTA award winning serialised Irish drama, RED ROCK for TV3 produced by Element Pictures and Angel Station, later appearing on BBC & Amazon Prime, from 2015 to 2017. Ann also appeared as Biddy Lambert in the RTE Drama REBELLION (2016) and more recently as Ethelfled in VIKINGS Season 5 for History/MGM. In 2016 Ann appeared as Hannah Baylor in the Blackpills series PLAYGROUND for Apple TV France, a series created by Luc Besson. Ann will grace television screens this year, playing one of the leads in the HBO series THE NEVERS.

Sometimes you have to appreciate the journey and understand that actions will always have a reaction. 'Rose Plays Julie' is the story of Rose (Ann Skelly) who is at university studying veterinary science. An only child, she has enjoyed a loving relationship with her adoptive parents. However, for as long as Rose can remember she has wanted to know who her biological parents are and the facts of her true identity. After years trying to trace her birth mother, Rose now has a name and a number. All she has to do is pick up the phone and call. When she does it quickly becomes clear that her birth mother has no wish to have any contact. Rose is shattered. A renewed and deepened sense of rejection compels her to keep going. Rose travels from Dublin to London in an effort to confront her birth mother, Ellen (Orla Brady). Ellen is deeply disturbed when Rose turns up unannounced. The very existence of this young woman threatens the stability of the new life Ellen has painstakingly put together. But Rose proves very tenacious and Ellen is forced to reveal a secret she has kept hidden for over 20 years. This shocking revelation forces Rose to accept the violent nature of how she came into existence. Rose believes she has little to lose but much to gain when she sets out to confront her biological father, Peter (Aidan Gillen). What Rose cannot possibly foresee is that she is on a collision course that will prove both violent and unsettling – dark forces gather and threaten to destroy her already fragile sense of her own identity. To put it simply this is a brilliant film and we got the distinct pleasure to sit down with the writer/director's of this stunning film Joe Lawlor and Christine Molloy in advance of it's release on VOD and select Virtual Cinema platforms today. We talked about the inspiration for the film, the process that Joe and Christine like to work in as they tell stories and the art of letting the wheels turn inside their characters heads rather then hitting audiences over the head with it as storytellers. By the way...don't forget to sign up for the fantastic streaming service 'Flim Movement Plus' click through the link below for our special rate! https://www.filmmovementplus.com/checkout/subscribe/purchase?code=seats&plan=monthly

Well Cave Dwellers, I feel I need to apologize for this episode! It is my first attempt at a solo episode. To my dismay, I feel it is not of a quality episode as I believe my Cave Dwellers deserve, but, it is my first attempt, so, I can only get better from here. In this episode, I recap my very first interview with Joe Lawlor, aka, Neanderthal Joe. I define most of the terms Neanderthal Joe shared with us when He was explaining Flint Knapping. Joe is, what I would call, an expert of the process. Joe gives a history of Flint Knapping, and some of the more common terms used when talking about Flint Knapping and the history of it and our Neanderthal Ancestors. So, sit back, relax, and enjoy the show. It is a lot shorter of an episode than your use to, but it is just a recap of a previous episode, which, you can go back and download to listen to the entire episode, if you have not already. Thank You again Cave Dwellers, for all the support you have given me. I look forward to hearing from my community any time you would like to discuss The Neanderthal Mind, and where we as a community, would like to see the podcast go and grow. Well, until next time Cave Dwellers.

And there you have it Cave Dwellers. Absolutely amazing and highly informative conversation with Rebecca Wragg Sykes. I know, without a doubt, you took away some fantastic and awesome content from that conversation, and remember, there is a rewind button for you to go back, so you can jot down all of that knowledge Rebecca so graciously shared with the Community. I would like to once again Thank Rebecca for giving up her precious time to hang with the Cave Dweller Community, so, make sure you support her by visiting her home page, and buying her book: Kindred, Neanderthal Life, Love, Death and Art. Amazing is all I can think of. So Cave Dwellers, don't forget, Join me next week. I am going to take a shot at going Solo next episode, and possibly a few after that. I am going to do a series of episodes where I recap all my previous conversations, with the awesome guests I had the utmost privilege to sit down with. I hope to also go into more detail about the subject matter I covered with all of them. I will start with the first episode with Joe Lawlor and work my way through to Rebecca Wragg Sykes conversation, so, I hope to not disappoint you. So, Cave Dwellers, I would love to hear from you about how you feel the podcast is going. Is it what you were expecting? Are there things I can do differently to make this any better? If I don't hear from you, I can only assume that I am giving you what you want from The Neanderthal Mind. I will take all criticism that you give, and try to mold the show to your liking, but, I can't promise I will be able to do everything, everyone wants me to do, so please, email the show at theneanderthalmind@gmail.com, and go to the somewhat of a web site theneanderthalmind.com, and leave me some messages. …. And don't forget to check out Dr. Rebecca Wragg Sykes home page and Social Media links to follow all Rebecca does and plans to do……. Until next time Cave Dwellerswww.rebeccawraggsykes.com@LeMoustier https://trowelblazers.com/ 

Well there you have it Cave Dwellers. I know you got some enjoyment out of that episode, and don't forget to check Gaby out on these Social Media Links:https://anthrobiology.com/https://twitter.com/AnthroBiology, https://www.instagram.com/anthrobiology/  And as always, join me next week, when we start another two parter with Alan VanArsdale, here is a little snippet of what's to come, and Cave Dwellers, I would love to hear from you about how you feel the podcast is going. Is it what you were expecting. Are there things I can do differently to make this any better? If I don't hear from you, I can only assume that I am giving you what you want from The Neanderthal Mind. I will take all criticism that you give, and try to mold the show to your liking, but, I can't promise I will be able to do everything , everyone wants me to do, so please, email the show at theneanderthalmind@gmail.com, and go to the somewhat of a web site: www.theneanderthalmind.com, and leave me some messages. Until next time Cave Dwellers….

Facebook group main platform:https://www.facebook.com/groups/170118903534062/?ref=shareShop page (Facebook)https://www.facebook.com/Neanderjoe/Instagram: https://www.instagram.com/p/CHTgTn4rVUR/?igshid=rmkpg6l2kn40YouTube:https://www.youtube.com/channel/UC5e-E4ZgFeN19YVQ9k5fhJAEtsy:https://etsy.me/2IfGi3wMinds page:https://www.minds.com/neanderthaljoe

Hello, Hello and welcome my Cave Dweller Community. As you all know, my name is Anthony, and I am your host of The Neanderthal Mind. Joining me on today's episode is Joe Lawlor, Primitive Weapons and Tool Maker. Neanderthal Joe, as he is known by His Community, is also a Primitive designer of Jewelry, Clothing and Leather tote bags as well as hide working furs for everyday uses. Neanderthal Joe is well versed and well-polished in the Levallois Style of Flint knapping, common among Mousterian Neanderthal Sites. He creates all of his designs using the Primitive Neanderthal Techniques of Hammer Stone, Bone Hammer, Horsehair, Milkweed Fiber, Pine pitch and good ole wood whittling. You can check all of his creations on His Facebook Shop, Neanderthal Joe's Shop. I will have all his Social Media Homes listed in the Show Notes. Neanderthal Joe will be joining us for two episodes. I had to break it up into two episodes due to so much awesome content, knowledge and history of Primitive Tools, weapons, jewelry and clothing that Neanderthal Joe throws down during our Hour plus conversation. We also touch on when and why Neanderthal Joe got into Flint Knapping, and what started his love for Neanderthals, on a weekend stay with his Gram and they wanted to go to one of the Local (Ontario Canada) Museums. So, without further ado, Join me and Neanderthal Joe in a sit down conversation about Primitive Life and the tools, weapons and articles made of fur and hide that helped our Ancestors survive millions of years, so, let's get this wheel rolling my Cave Dweller Community. Facebook group main platform:https://www.facebook.com/groups/170118903534062/?ref=shareShop page (Facebook)https://www.facebook.com/Neanderjoe/Instagram: https://www.instagram.com/p/CHTgTn4rVUR/?igshid=rmkpg6l2kn40YouTube:https://www.youtube.com/channel/UC5e-E4ZgFeN19YVQ9k5fhJAEtsy:https://etsy.me/2IfGi3wMinds page:https://www.minds.com/neanderthaljoe

Baron and The Doc review their second MIFF film - Rose Plays Julie, directed by Christine Molly and Joe Lawlor, and starring Aiden Gillen (aka Little Finger), Ann Skelly and Orla Brady. This film is challenging and has Doc and Baron at odds on a couple points, but both agree the performances and climactic ending are excellent. Tune in to hear more about Rose Plays Julie. Rose Plays Julie can be purchased on its own or as part of the Dark Thriller bundle up until the end of the festival (23 August). https://2020.miff.com.au/film/rose-plays-julie/

On this week's Ep of FNI Wrapchat from the Virgin Media Dublin International Film Festival is Joe Lawlor and Christine Molloy. As a Directing Duo, Desperate Optimists are Christine Molloy and Joe Lawlor, they are multi-faceted creatives rooted in theatre, performance art and mixed media. Hailing from Finglas in Dublin, Ireland they have lived and worked in the UK since 1987. For over ten years desperate optimists have been making works for a variety of media and contexts including film, video, digital arts, performance and radio. They have an abundance of short and Feature content which explores the boundaries of the endless endeavour to challenge an audience and subvert creative and narrative expectations. Their work includes: Rose Plays Julie 2019 Further Beyond (Documentary) Mister John Iong Bahru (Short) Helen Joy (Short) Daydream (Short) Moore Street (Short) Who Killed Brown Owl (Short) Rose plays Julie, Starring Aidan Gillen, Orla Brady and a striking leading performance from Ann Skelly, will be available to view in Irish and UK cinemas from May. Check out the trailer below. https://www.youtube.com/watch?v=PuGsbD0803g Fni wrapchat is brought to you by Film Equiptment Store and Wildcard Distribution. Produced and mixed bt Stephen Bedford on the Headstuff podcast Network. Recorded at The podcast Studios. If you'd like to support Fni Wrachat head over to www.buymeacoffee.com/fni #WeAreFni Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Ep of FNI Wrapchat from the Virgin Media Dublin International Film Festival is Joe Lawlor and Christine Molloy. As a Directing Duo, Desperate Optimists are Christine Molloy and Joe Lawlor, they are multi-faceted creatives rooted in theatre, performance art and mixed media. Hailing from Finglas in Dublin, Ireland they have lived and worked in the UK since 1987. For over ten years desperate optimists have been making works for a variety of media and contexts including film, video, digital arts, performance and radio. They have an abundance of short and Feature content which explores the boundaries of the endless endeavour to challenge an audience and subvert creative and narrative expectations. Their work includes: Rose Plays Julie 2019 Further Beyond (Documentary) Mister John Iong Bahru (Short) Helen Joy (Short) Daydream (Short) Moore Street (Short) Who Killed Brown Owl (Short) Rose plays Julie, Starring Aidan Gillen, Orla Brady and a striking leading performance from Ann Skelly, will be available to view in Irish and UK cinemas from May. Check out the trailer below. https://www.youtube.com/watch?v=PuGsbD0803g Fni wrapchat is brought to you by Film Equiptment Store and Wildcard Distribution. Produced and mixed bt Stephen Bedford on the Headstuff podcast Network. Recorded at The podcast Studios. If you'd like to support Fni Wrachat head over to http://www.buymeacoffee.com/fni #WeAreFni

Stylish and emotionally distant a thrilling film about searching for your natural family and the potential risks in this search. The post Christine Molloy, Joe Lawlor – Rose Plays Julie #LFF2019 appeared first on Fred Film Radio.

Stylish and emotionally distant a thrilling film about searching for your natural family and the potential risks in this search. The post Christine Molloy, Joe Lawlor – Rose Plays Julie #LFF2019 appeared first on Fred Film Radio.

Stylish and emotionally distant a thrilling film about searching for your natural family and the potential risks in this search. The post Christine Molloy, Joe Lawlor – Rose Plays Julie #LFF2019 appeared first on Fred Film Radio.

Stylish and emotionally distant a thrilling film about searching for your natural family and the potential risks in this search. The post Christine Molloy, Joe Lawlor – Rose Plays Julie #LFF2019 appeared first on Fred Film Radio.

Stylish and emotionally distant a thrilling film about searching for your natural family and the potential risks in this search. The post Christine Molloy, Joe Lawlor – Rose Plays Julie #LFF2019 appeared first on Fred Film Radio.

Stylish and emotionally distant a thrilling film about searching for your natural family and the potential risks in this search. The post Christine Molloy, Joe Lawlor – Rose Plays Julie #LFF2019 appeared first on Fred Film Radio.

In this podcast I talk to the London-based Irish filmmaker Christine Molloy. Along with her partner Joe Lawlor, as the production company Desperate Optimists, they have written, directed and produced a series of short films under the name of Civic Life, two feature films, Helen (2008) and Mister John (2013) and the documentary Further Beyond (2016). They are currently working on the final stages of their new film Rose Plays Julie. Christine was invited as a plenary speaker to the Geomedia 2019 conference and a recording of this can be found via the Geomedia website (geomedia.se/conference/2019/) as well as the Q&A session after the screening of Further Beyond. The following links provide details of the films that we discussed. Moore Street 2004 Short Film: vimeo.com/27145510 Leisure Center 2005 Short film: vimeo.com/17215802 Joy 2008 Short Film: vimeo.com/185302603 Helen 2008 Trailer: vimeo.com/17214414 Mister John 2013 Trailer: www.youtube.com/watch?v=kyt7JSOs6dI Further Beyond 2016 Trailer: www.youtube.com/watch?v=FQUwhzHZ5xs Rose Plays Julie, 2019 Clips: vimeo.com/334409463 Elephant (Gus van Sant, 2003) Trailer: www.youtube.com/watch?v=htlsOf3PnGY Elephant (Alan Clarke, 1989) Film: www.youtube.com/watch?v=7OzEbS-ukyk

Sam Gunderson is one of Reston's original guitar heroes. His knowledge of music and love of grooves allows him to navigate easily between blues, rock, hip-hop, go-go, and more. Gunderson grew up listening to Jimi Hendrix, Stevie Ray Vaughn, and Randy Rhoads, while also learning at the feet of other local legends such as Jon Rustad and Mike Davis of The Iceboxers and Joe Lawlor of Egypt. Gunderson jammed with keyboardist David Linsenmayer early on in elementary school, but it wasn't until they met drummer Gabe Kader and bass player Lefty Furr that they were able to form a real band. Those four came together, naming themselves Crunchy Water after the Dweezil Zappa song, and started writing the songs that would be the backbone of their sets at Jam for Man and beyond. At the same time, Gunderson joined Kader's brother, Tarik, in the diverse go-go band Split Decision. After high school, Gunderson formed the band Cactus Groove and has continued to play with those musicians off and on for decades. Gunderson eventually moved farther down south to Birmingham, Alabama, and continues to learn from the rich blues tradition there, while also marrying and forming a band with his wife, the SBG's. You can stay current on Gunderson's many projects and shows at https://www.facebook.com/samgun00/.

Host and editorial page editor Greg Kesich is joined by health care reporter Joe Lawlor and columnist Bill Nemitz to talk about Republican Susan Collins's position on health care policy that put her in the middle of the ACA debate and on the edge of her party. Related stories: Sen. Collins likely to be at center of Obamacare fixes Susan Collins withstood intense pressure, ultimately voted against health care repeal Bill Nemitz: Whine about insurance? For many Mainers it's really about surviving

Medicaid is the country's largest public healthcare system. It made up 17% of the federal budget last year. The program subsidizes healthcare costs for people with low incomes, people with disabilities, and families with children. While Medicaid is mainly funded by the US government, states provide funding too. That means enrollment criteria and costs change from state to state and from year to year depending on state policy. So sometimes it gets a little confusing. Health and human services reporter Joe Lawlor sat down with editorial page editor Greg Kesich to untangle the  overlapping systems and detail the recent and upcoming changes to MaineCare, the state's name for its Medicaid administration program. Related stories: Mainers to vote on whether to expand access to Medicaid under ACA Maine would be among first states to impose work requirements, premiums on Medicaid recipients Sen. Collins says Indiana's plan to expand Medicaid could be model for Maine

In the last of our suite of salons, Experimenta programmer and BFI head of cinemas Helen de Witt takes Christine Molloy and Joe Lawlor's (aka Desperate Optimists) Further Beyond and Alia Syed's On a Wing and a Prayer as the point of departure for a conversation about journey, exile, and personal and formal risk-taking. Raising questions about the unreliability of mediation through narrative, and responding to a hazardous situation through recreating and embodying biographical details, both films use bravely exposed formal innovation to throw light on all too current questions of migration and displacement. See acast.com/privacy for privacy and opt-out information.