Podcast appearances and mentions of Ellen E Jones

On this episode, host Dr Pasquale Iannone is joined by award-winning writer, critic and broadcaster Ellen E. Jones. Ellen presents BBC Radio 4's Screenshot with Mark Kermode and has written for The Guardian, The Observer, Little White Lies, Empire and many other outlets. In March this year, Ellen won the Broadcasting Press Guild Award for Best Radio Presenter for her work on Screenshot.Ellen joins Pasquale to talk about her book Screen Deep: How Film and TV Can Solve Racism and Save The World which came out in paperback via Faber in February. It's a brilliantly sharp, impassioned and entertaining look at film and TV's role in both constructing racial identities and combating racism. Works discussed include No Way Out (1950), Imitation of Life (1959), Get Out (2017), Black Panther (2018), Bridgerton (2020-), Atlanta (2016 - 2022), I May Destroy You (2020), Small Axe (2020) and Hard Truths (2024).

Fifty years ago this summer, Jaws was released in the US. Directed by Steven Spielberg and based on the bestselling novel by Peter Benchley, the film - about a coastal resort town threatened by a great white stark at the busiest time of the year - was a groundbreaking box office phenomenon.Jaws changed the industry overnight - pioneering new marketing and release patterns, and altering the focus and mix of movies that Hollywood made - some say for the worse. From Jaws and Star Wars through to the double whammy of Barbenheimer, summer blockbusters have dominated cinemas. But is this changing? And is there more to the summer blockbuster than big box office and a summer release date? Ellen E Jones and Mark Kermode join the queue for popcorn to explore the genre. Mark speaks to critic and author Tim Robey about how Jaws went from potential disaster to record-breaking hit, and about the summer blockbusters that followed. And he also speaks to Jenny He, senior exhibitions curator at the Academy Museum of Motion Pictures in Los Angeles, about the museum's forthcoming ‘Jaws: The Exhibition' and the marketing techniques that helped make the 1975 film such a success. Meanwhile, Ellen talks to pop culture critic Kayleigh Donaldson about box office mega-hits for the modern age - and how the inescapable megalith of Marvel has impacted the summer film landscape. And Ellen also speaks to Canadian filmmaker Nyla Innuksuk about her 2022 film Slash/Back - a Spielberg-influenced summer-blockbuster-in-spirit sci-fi adventure movie set in the remote Arctic fishing town of Pangnirtung. Producer: Jane Long A Prospect Street production for BBC Radio 4

Pretty Woman was released in 1990. One of the most beloved and successful romantic comedies of all time, the film tells the Cinderella story of a sex worker, played by Julia Roberts, who finds love with a slick businessman - Richard Gere - after he picks her up on Hollywood Boulevard.Fast forward to 2025 and the astonishing Oscar success of Anora - director Sean Baker's tale of a young sex worker whose whirlwind affair with a Russian billionaire's son turns bad, fast.So how has the way we treat sex work on screen changed? Ellen E Jones and Mark Kermode delve into the long and thorny relationship between cinema and sex work. Mark speaks to film historian and critic Pamela Hutchinson about how sex work has been tackled in over a hundred years of movies - from early silent films like Pandora's Box, to the work of Sean Baker. They discuss Jane Fonda's Oscar-winning turn as a ‘call girl' in Klute, and look at how male sex worker films like Midnight Cowboy might approach the subject differently. Meanwhile, Ellen talks to Andrea Werhun, the writer, performer and real-life sex worker who served as a consultant on Anora - about her work on the film, and her love for another Richard Gere sex work film, American Gigolo. And Ellen also speaks to Kristen Lovell and Zachary Drucker, whose 2023 documentary The Stroll traced the history of trans sex workers in New York City's Meatpacking District. Kristen and Zachary discuss why sex work has been a key part of trans history - and what they think Anora's success means for sex workers. Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode waltz into the magical world of Studio Ghibli, as the animation giant celebrates its 40th birthday.Ellen speaks to the film, TV and video game critic, Kambole Campbell about Studio Ghibli's origin story and key aspects of visual style. Also, the animator and co-founder of Irish animation studio Cartoon Saloon, Nora Twomey discusses the emotional impact of films like My Neighbour Totoro, and Grave of the Fireflies. Mark meets actor, Emily Mortimer who discusses the process of re-dubbing for the film, Howl's Moving Castle. And the animator and director, Michaël Dudok de Wit discusses the collaborative relationship forged with Studio Ghibli, while working on his feature length production, The Red Turtle.Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

With the latest series of the much-discussed drama The White Lotus recently wrapped up, Screenshot asks why cinema and TV make so many return visits to hotels as a setting.Whether sinister and scary like in The Shining or Psycho, fabulous but faded like The Grand Budapest Hotel, or comically chaotic like in Fawlty Towers, hotels offer a myriad of possible opportunities for drama. Ellen E Jones and Mark Kermode check in to check out their rich history on screen. Ellen talks to film critic Hannah Strong about the timeless appeal of screen stays from the 1932 classic Grand Hotel to The White Lotus - and about how directors Wes Anderson and Sofia Coppola have made hotels the focus of some of their most famous films. Ellen also speaks to Sean MacPherson, hotelier, cinephile and co-owner of the storied Hotel Chelsea in New York City, about the glamorous allure of historic hotels - and the impact of the movies on hotel design. Mark speaks to writer and critic Anne Billson about the seedier - and scarier - side of hotels on screen, from the Coen Brothers' 1991 cult classic Barton Fink, to the 1990 Roald Dahl fantasy The Witches. And Mark also talks to director Rodney Ascher, whose 2012 documentary Room 237 explored Stanley Kubrick's The Shining from the unusual points of view of a number of theorists - all of whom seem to have checked into the film's Overlook hotel and never been able to leave.Producer: Jane Long A Prospect Street production for BBC Radio 4

With the Robert Pattinson starring film Mickey 17 fresh out in the cinema, Ellen E Jones and Mark Kermode explore the world of doppelgangers and doubles on screen.Ellen speaks to academic and doppelganger scholar Adam Golub about the difference between clones and doppelgangers and what the doppelganger tells us about life in 2025. Ellen then talks to an actress about what its like playing a clone.Mark speaks to director Richard Ayoade about his 2013 film The Double. It stars Jesse Eisenberg and Mia Wasikowska and is an adaptation of the classic Fyodor Dostoevsky novel from 1866. Mark and Richard discuss adapting such a classic novel, the distinct look of the film and the idea of Jung's 'shadow self' and its influence on doubles on screen.Produced by Freya Hellier A Prospect Street production for BBC Radio 4

WHERE to Watch Films for LESS THAN £1 . CINEMA TOURS Loved by Mark Kermode. Amazing SRI LANKAN restaurant that also helps the homeless. Website with the inside scoop on London's Cinemas. BEST OF LONDON with NIGEL SMITH & BEN HOLLAND produced by Ben Afleck My guest has worked for the BBC and is a true lover of London, film and history who has tours which celebrate all of these and YOU can book on them. His tours have been recommended by countless people on review sites and by musician, author and world's best film critic Mark Kermode. He's also recommended by me as I've been on his tour of Camden's Lost Cinemas. He runs a London film club where you can join and watch some amazing films for less than a pound each.He's helping to keep London film making and cinemas alive with his Memory Palaces website which is a beautiful and informative guide to London's cinemas past and present. BEST OF LONDON according to NIGEL SMITHPlease FOLLOW and SUBSCRIBE to  BEST OF LONDON as we have great shows coming up. For links on all the platforms and social media, just click here:⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon ⁠⁠⁠⁠⁠ E-mail:⁠⁠ben@lifemac.com⁠⁠ I read and reply to all your e-mails.You can book onto Nigel's tours here: https://www.eventbrite.co.uk/o/nigel-smith-guided-walking-tours-51402283783Nigel's Memory Palaces Website: https://memorypalaces.co.uk/Tufnell Park Film Club: https://www.tufnellparkfilmclub.com/  Follow Nigel Smith on Instagram here:https://www.instagram.com/nigelsmithwalks/ Hackney History Festival here:https://hackneyhistoryfestival.org/ Yogi's Sri Lankan Restaurant in Camden Passage:https://www.instagram.com/yogissrilankan_kitchen/ -Screenshot the Radio 4 show Nigel works on with Mark Kermode and Ellen E Jones:https://www.bbc.co.uk/programmes/m00121bvBEST OF LONDON did one episode as a video on YouTube here: ⁠https://www.youtube.com/@benpodz⁠Each week I ask a guest 7 questions including what's your best London venue, event, place to eat, area and London Lifehack. You'll find out the best things to do and places to go.Intro and Outro music by Ben HollandBest of London is presented and produced by Ben Holland and Ben Afleck.Ben's instagram is ⁠⁠https://www.instagram.com/benpodz/⁠⁠ Ben's TikTok is⁠⁠ https://www.tiktok.com/@benpodz⁠⁠Ben's X is⁠⁠ https://x.com/benpodz⁠⁠BEST OF LONDON logo and artwork by my good friend Bobby Magill of recolodesign.com. E-mail bob@recolodesign.com for all your logo, artwork and design needs.Chapters and transcript are created by Spotify and may contain inaccuracies these also take 24 hours show up. If you're listening to it in the first 24 hours thank you and why not guess what the chapters will be called. Spotify need to get their AI to work harder so you don't have to wait around for so long for these.Follow and subscribe to BEST OF LONDON for links on ALL the platforms including apple podcasts, amazon music, audible, instagram, twitter/x and Facebook, please click here :⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon⁠⁠⁠⁠⁠

Send us a textOn this episode Ellen E. Jones speaks to us about Screen Deep, How Film and TV can Solve Racism and Save the World. Many of you will know Ellen from Radio 4's Screen Shot, in which, alongside her co-host Mark Kermode, she enters the various worlds of Doris Day, jobbing hitmen and the longest running video shop in the world. Screen Deep is written with the same insight, encyclopaedic knowledge and social consciousness that Ellen brings to her broadcasting. (She also does a fantastic line in knowing asides.) It is a reiteration of the power of story telling; both for good and for bad. From the overt racism of early Hollywood to the deft brilliance of Steve McQueen's Small Axe series, Ellen chronicles the struggle for representation, dismantles reconciliation fantasies and questions the invisibility of whiteness. She also argues that Martin Goodman of Friday Night Dinners is in fact the TV dad our times demand.‘Jones navigates a history of cultural racism assiduously, ranging from The Birth of  a Nation to blackface in sharp, brisk prose.'Kevin Harley, TOTAL FILMScreen Deep is published by Faber and is available in your nearest independent book shop. @fieldzine www.fieldzine.comwww.patreon.com/fieldzine

Ellen E Jones and Mark Kermode celebrate weddings in film and TV, from Muriel's Wedding to Married at First Sight. Mark speaks to Richard Curtis about the inspiration behind the classic British wedding film, Four Weddings and a Funeral, and about Curtis' own recent wedding to long-term partner Emma Freud. And he gets critic Manuela Lazic's rundown of some of the most memorable cinematic weddings, from The Godfather to The Graduate. Meanwhile, Ellen talks to actor Susan Wokoma about her favourite wedding romcoms - including the Julia Roberts-starring My Best Friend's Wedding. And she attempts to get to grips with the world of wedding reality TV with comedian Ashley Ray. Producer: Jane Long A Prospect Street production for BBC Radio 4

With physical media sales on the rise and streaming fatigue setting in, Ellen E Jones and Mark Kermode explore the life, death and rebirth of the video shop. Ellen takes a trip to one of the UK's few remaining stores, 20th Century Flicks in Bristol, which has a strong claim to being the longest-running video shop in the world, first opening in 1982. She speaks to manager Dave Taylor about the evolution of the shop over the last 43 years, and finds out how he feels about how video shop clerks have been depicted on screen. Mark talks to American filmmaker Alex Ross Perry about his new essay film Videoheaven, which explores the history of videotape as a medium and video stores as physical locations, told entirely through their depiction in film and TV shows. And Mark also speaks to writer and producer Kate Hagen about her search for the world's last great video stores.Produced by Jane Long A Prospect Street production for BBC Radio 4

Front Row continues to look at how culture has changed in the first 25 years of the century with an edition focusing on film and TV.Samira is joined by Radio 4's Screenshot presenters Mark Kermode and Ellen E. Jones, Jane Tranter, who relaunched Doctor Who in 2005 and co-founded Bad Wolf productions and Boyd Hilton, the Entertainment Director of Heat magazine. From reality TV to superhero franchises and the rise of binge-watching, the panel discuss how transformations have changed what we watch, how we watch it and who makes it.Presenter: Samira Ahmed Producer: Claire Bartleet

Ellen E Jones and Mark Kermode explore the visionary world of veteran British filmmaker Mike Leigh, as he returns with Hard Truths - his first film in six years. Born in 1943 and raised in Salford, Leigh started his career in the theatre, before moving to TV in the 1970s, making a string of plays and films for the BBC. Since his very first film Bleak Moments in 1971, Mike Leigh has been at the cutting edge of British screen culture, creating a diverse body of work which ranges from the exquisitely excruciating 1970s comedy of manners Abigail's Party, to his epic biopic of the 19th century painter Mr Turner. Ellen attempts to get to grips with Leigh's singular creative process - which involves assembling a group of actors and getting them to research and develop their characters in detail. She speaks to Mike Leigh himself about how he approaches each of his films, and about the unmade big budget project he'd still like to see realised.Mark learns about an actor's role on a Mike Leigh project - speaking to Hard Truths lead actor Marianne Jean Baptiste, who was Oscar-nominated for her role in Leigh's 1996 film Secrets & Lies. And Mark also speaks to American independent filmmaker Sean Baker - whose latest film Anora is shaping up as a major Oscar contender - about the profound impact Leigh's 1993 film Naked had on his career. Produced by Jane Long A Prospect Street production for BBC Radio 4

How does film and TV make time travel real? Ellen E Jones and Mark Kermode take a quantum leap into the world of time travel and time loops on screen, from Back To The Future to Groundhog Day. Mark speaks to theoretical physicist Sean Carroll about how movies like Bill & Ted's Excellent Adventure and Interstellar have handled the science of time travel - and whether it really is just the stuff of fantasy. And he talks to Star Wars: The Last Jedi and Knives Out director Rian Johnson about the dramatic allure of playing with time, and about Rian's 2012 film Looper, which starred Bruce Willis as a criminal sent back to the past to be eliminated by his younger self. Meanwhile, Ellen explores a sub-genre less concerned with mechanics and physics, and more with emotion and moral dilemmas - the time loop story. She speaks to Black Doves screenwriter Joe Barton about his time loop TV series The Lazarus Project. And film critic Anne Billson runs her through some examples of the genre she finds most - and least - captivating, from Palm Springs to About Time.Produced by Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode explore how therapists have been portrayed on screen throughout cinema and television history. From the benign care of Claude Rains' Dr Jaquith in Now, Voyager (1942), and the neuroses of Woody Allen, to the deadly Hannibal Lecter in Silence of the Lambs (1991), they survey the archetypes, the foibles, and the dramatic potential of the psychotherapist - both fictional and real.Mark speaks with Richard Hughes, the TV producer and director turned psychotherapist, about his favourite screen therapists. And actor and writer Brett Goldstein talks about his Emmy nominated TV show, Shrinking, which features a therapist going off the rails.Ellen speaks to Dr Orna Guralnik from the TV show Couples Therapy about what it's like conducting real therapy sessions on screen and what film and TV gets wrong about its depiction of therapy. ‘Therapy Speak' is everywhere on social media, but it's also present in many film and TV shows - Ellen discusses its rise with journalist Billie Walker.Produced by Freya Hellier A Prospect Street production for BBC Radio 4

In the year that Jacques Demy's beloved Umbrellas of Cherbourg turns 60, Mark Kermode and Ellen E Jones reflect on their favourite aspects of the screen musical.According to some, we're currently in the midst of a movie musicals revival, with Jon M Chu's Wicked hot on the heels of Emila Perez and Joker: Folie à Deux, but will any of them match what Ellen considers to be the pinnacle of the form, the 1950s Hollywood musical? Her love of the classic MGM musicals primed Ellen to be a huge fan of the TV show Crazy Ex Girlfriend when it came along. This is the musical sitcom that took all of these essential elements of the 1950s Hollywood musical, then recombined them with a very 21st Century approach to relationships and mental health. Ellen speaks with Crazy Ex Girlfriend creator and star Rachel Bloom about Disney, writing jokes for the screen, and spontaneous singing. But it's essential to pay proper tribute to the classics, and in particular the work of American lyricist and producer Arthur Freed. Ellen sat down with writer, filmmaker and actor Manuela Lazic to talk about Freed's masterpiece, 1952's Singin' in the Rain which stars Gene Kelly, who also co-directed with Stanley Donen. And Mark meets Janis Pugh, director of Chuck Chuck Baby, a low budget, British indie charmer set in a chicken processing factory that is deeply influenced by Jacques Demy's 1964 French hit The Umbrellas of Cherbourg. Janis Pugh is not alone in her love of The Umbrellas of Cherbourg. It follows the story of two young lovers whose future together is interrupted by the Algerian war, with the French dialogue entirely sung and set perfectly to the music of Michel Le Grand. Writer and editor of Little White Lies, David Jenkins, is a huge fan of Jacques Demy, and he speaks with Mark about the film's influences and legacy.Produced by Freya Hellier. A Prospect Street production for BBC Radio 4

As Gia Coppola's The Last Showgirl premieres at TIFF, Ellen E Jones and Mark Kermode explore the dark world of Las Vegas on screen, from Showgirls to the Rat Pack.A Hidden Flack production for BBC Radio 4

As November marks the TV premiere on BBC 2 of Made in England: The Films of Powell and Pressburger, as well as a season of films on the BBC and iPlayer, Ellen E Jones and Mark Kermode explore the films of these two titans of British Cinema.Film and culture writer, Lilian Crawford shares with Mark why the works of Powell and Pressburger are a matter of life and death, and how the duo's technicolour films took their cue from the worlds of ballet and opera. Mark also speaks to British filmmaker Jeanie Finlay, for whom Powell and Pressburger's films hold a strong personal allure. She discusses the technical wizardry and in-camera magic found across their productions, and how that has inspired her own image-making. Meanwhile, Kevin Macdonald, the Academy Award-winning filmmaker and grandson of Emeric Pressburger, shares with Ellen how some Powell and Pressburger films are nuanced examples of wartime propaganda, and why some still resonate and remain relevant to Britain today. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

With Robert Eggers' Nosferatu - a remake of the 1922 adaptation of Dracula - hitting UK cinemas in the new year, Mark Kermode and Ellen E Jones take a look at one of cinema's most enduring monsters, the vampire. Mark talks to friend of the show and vampire expert, Kim Newman, about the evolution of vampires over the last century. They discuss everything from Bela Lugosi's career defining performance as Count Dracula to the Twilight series.Meanwhile, Ellen meets host and producer of The Evolution of Horror podcast, Mike Muncer. They go deep on teen vampire films and the everlasting appeal of cult classic The Lost Boys.Ellen also speaks to Jane Schoenbrun, director of the new film, I Saw the TV Glow. They discuss their shared love of TV series Buffy the Vampire Slayer and its influence on Jane's film about outsider teens who are obsessed with a fantasy TV show.Producer: Queenie Qureshi-Wales A Prospect Street production for BBC Radio 4

To mark the tenth anniversary of BBC sitcom Detectorists, Mark Kermode and Ellen E Jones dig into archaeologists and treasure hunters on screen. Mark speaks first to stand-up comedian and actor Alexei Sayle about his small, but pivotal, role in the third Indiana Jones film The Last Crusade. Mark then talks to Italian director Alice Rohrwacher, whose recent film La Chimera is the story of a down-at-heel tomb raider, played by Josh O'Connor, looting Etruscan artefacts in 1980s Italy. Meanwhile, Ellen speaks to French-Senegalese filmmaker Mati Diop about her new film Dahomey - a docudrama that follows 26 looted treasures from the 19th century Kingdom of Dahomey, as they make their return trip from Paris to present-day Benin. And she talks to Mackenzie Crook, creator and star of Detectorists, about how an episode of Time Team inspired the series - about a pair of Essex metal detectorists hunting for long-buried treasures from the past.Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode look at the impact of Saturday Night Live, or SNL, as the long-running US sketch show prepares to celebrate its 50th anniversary. Just how important is SNL in the history of American comedy? And why have we never quite understood it over here? Ellen speaks to actor and former SNL writer Paula Pell about how it felt to get a job on the show after growing up as an obsessed fan - and whether the hectic schedule of Saturday Night Live is always conducive to the best comedy. And she talks to US comedian and podcaster Ashley Ray about SNL's enduring influence on American humour, and its relevance for audiences as it enters its 50th season. Meanwhile, Mark discusses the cinema that has emerged from the series - from big hitters like The Blues Brothers and Wayne's World to box office flops MacGruber and A Night at the Roxbury - with author and Empire magazine editor Nick de Semlyen. And he gets the inside track on working with SNL's legendary super-producer Lorne Michaels - and on bringing the music of Queen to a whole new generation - from Wayne's World's director Penelope Spheeris. Producer: Jane Long A Prospect Street production for BBC Radio 4

As The Shawshank Redemption turns 30, Ellen E Jones and Mark Kermode explore life behind bars as seen on screen, investigating how film and TV have shaped our ideas about the prison system. Why do prisons make such good settings for cinema? Ellen investigates the relationship between prison exploitation and prison reform, talking to director S Craig Zahler about his ultra-violent 2017 film Brawl In Cell Block 99 and the movies that inspired it, from Birdman of Alcatraz to Riot in Cell Block 11. And she speaks to Dr Kalima Young about the impact of Netflix's hit series about a women's prison, Orange Is The New Black. Meanwhile, Mark talks to writer and broadcast Richard Weight about the enduring relevance of the classic British sitcom Porridge. And he speaks to 'the daddy' of prison dramas - Ray Winstone - about the impact of his breakout role as a borstal boy in the controversial, banned TV play Scum.Producer: Jane Long A Prospect Street production for BBC Radio 4

Mark Kermode and Ellen E Jones ask if we still go to the movies to be shocked.As Caligula: The Ultimate Cut hits cinemas, Mark talks to stars of the notorious cult classic, Dame Helen Mirren and Malcolm McDowell. They discuss the film's long journey to the new version, and what it was really like on set of one of independent cinemas most controversial productions.Ellen examines what shock value means in the digital age and how shocking cinema has evolved over cinema's history. She speaks to film critic Virginie Selavy about how critical and audience perception of 'shocking' content has evolved from Tod Browning's Freaks to the cinema of Lar Von Trier, and if audiences really are harder to shock. Ellen then talks to comedian and director Bobcat Goldthwait about his transgressive films, which are favourites of John Waters, and how an increasingly bizarre political landscape has affected his filmmaking.Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode take a deep ‘dive' into the world of water to mark the 40th anniversary this summer of the joyous romantic comedy Splash hitting our screens. Splash features Tom Hanks' leading man debut as he meets and falls for mermaid Daryl Hannah in New York, before they finally swim off into the sunset together. From The Little Mermaid through Miranda to The Lure, mermaids have a long rich history in the movies.Mark talks to director Agnieszka Smoczyńska about her 1980s set Polish mermaid musical The Lure. They discuss cinema's fascination with the mermaid myth.Ellen looks back into cinema history to explore the films of Esther Williams - nicknamed the Million Dollar Mermaid - a swimmer turned actress whose ‘aquamusicals' in the 40s and 50s featured elaborate synchronised swimming sequences and made waves at the box office. She speaks to synchronised swimming choreographer Mēsha Kussman and friend of the show Lillian Crawford about the enduring appeal and surprising legacy of the aquamusical.Producer: Queenie Qureshi-Wales A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode look at how popstars - and their fans - have been depicted in film and TV over the years. Mark speaks to record producer and documentary director Jeremy Dylan about some of the most memorable pop idols on screen, from A Hard Day's Night to Spice World. And he talks to legendary songwriter Paul Williams about his dual role as both star actor and music composer on Brian DePalma's prescient 1974 pop fable Phantom of the Paradise. Meanwhile, Ellen looks at portrayals of pop fans on screen with critic Kayleigh Donaldson, and screenwriter Janine Nabers, who co-created the recent Beyonce-inspired satirical comedy-horror TV miniseries Swarm.Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode take a deep dive into Spike Lee's incendiary 1989 drama about simmering racial tension in and around a Brooklyn pizzeria.We celebrate 35 years of a film that announced itself like a beat box on full blast. Set within a single inner city block in Brooklyn, New York City on the hottest day of the summer, the movie depicts racial tensions that simmer, as things look set to explode.Ellen speaks to the film's director Spike Lee to find out how this extraordinary, legacy-defining film originated, and his reaction to its initial mixed reception. And we hear from film critic and Spike Lee biographer, Kaleem Aftab - to discuss the impact of the film, and the United States that it depicts.Meanwhile, Mark meets upcoming film director, Dionne Edwards to find out how the title sequence of Do the Right Thing inspired her own opening scene in the movie, Pretty Red Dress. Long time Spike Lee collaborator and cinematographer on Do The Right Thing, Ernest Dickerson, joins Mark to share his classical and dramatic visual influences, and how his use of colour palette and lighting rigs created such a scorching viewing experience.Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

The Great American Western is having a resurgence - from Yellowstone and Bass Reeves on TV, to Beyoncé's acclaimed country album Cowboy Carter. Kevin Costner is back in the director's saddle too, with his Horizon: An American Saga Chapter 1 - the first in a planned series of epic Westerns - recently riding into cinemas.But has the cinematic Western adapted to the modern age or is it trapped in a one-sided history of the past? Ellen E Jones and Mark Kermode examine the enduring popularity of a genre that refuses to die.Mark speaks to cultural historian and Spaghetti Western obsessive Christopher Frayling about the genre's 19th century roots, and about the impact of films like The Searchers and The Wild Bunch. And he talks to prolific independent director John Sayles, whose 1996 film Lone Star was nominated by the American Film Institute as one of the Fifty Best Westerns of all time. Meanwhile, Ellen explores the history of Black cowboys on screen with Mia Mask, author of Black Rodeo: A History of the African American Western. And she speaks to Jeymes Samuel - the galvanising force behind films like recent biblical epic The Book Of Clarence and 2021's all-Black, all-star Western, The Harder They Fall. Jeymes tells Ellen why he was drawn to the genre - and why Quentin Tarantino's Django Unchained might be due a reassessment.Producer: Jane Long A Prospect Street production for BBC Radio 4

In the past year, triangular love stories have loomed large in cinema - Past Lives, Challengers and Passages all had different angles on the spiky geometry of three-cornered relationships. Since Casablanca, these complicated love affairs have fascinated filmmakers and audiences alike. They can be the subject of romantic comedies, at the centre of a melodrama or the motive for murder in a thriller - the relationships can be gay or straight and the budgets big or small.Jean Luc Godard's iconic new wave robbery tale Bande à part is 60 this year. It seems that each generation has its iconic love triangle movie - The Philadelphia Story, Sabrina, The Graduate, Blood Simple, Y Tu Mama Tambien, The Notebook and My Best Friend's Wedding - the films could not be more different but the dynamics are always rich and provocative. Mark Kermode and Ellen E Jones ask where love triangles have taken us over the years and how they reflect the sexual politics of the times.Guest interviews include Ira Sachs, director of the acclaimed Passages, and writer and critic Anne Billson.Producer: Tom Whalley A Prospect Street production for BBC Radio 4

From early, Oscar-winning roles in The Deer Hunter and Sophie's Choice, through to Mamma Mia! and The Iron Lady, Meryl Streep has earned a reputation as the greatest actress of our times. As the star receives an honorary Palme D'Or at the Cannes Film Festival, Ellen E Jones and Mark Kermode discuss the remarkable depth, breadth and legacy of her career.Ellen speaks to writer Michael Schulman, author of Her Again: Becoming Meryl Streep, about the actor's beginnings in the 1970s, and the power of a Meryl acceptance speech. And she discusses the actress' breakout comedic role alongside Roseanne Barr in 1989's She-Devil, with the film's director Susan Seidelman. And Mark speaks to actor Kate Winslet about her decades-long love for Meryl's work, from Angels In America to Death Becomes Her, and about how it felt to beat her heroine to a Best Actress Oscar. Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode explore whether films and TV can change the world.First up, Ellen talks to the award-winning independent filmmaker Eliza Hittman, whose critically acclaimed 2020 drama, Never Rarely Sometimes Always, charts the odyssey of 17 year-old Autumn, played by newcomer Sidney Flanigan from her home town in rural Pennsylvania, to her nearest accessible abortion clinic in New York City. Ellen also meets Caren Spruch, National Director for Arts and Entertainment Engagement at US-based organisation Planned Parenthood. They discuss her activism towards shaping TV and film storylines around abortion. Mark ponders how two film makers have addressed homelessness in their work - rising star Lorna Tucker who's deeply personal documentary Someone's Daughter, Someone's Son has recently brought homelessness back into the spotlight, and film legend Ken Loach who shares how his 1966 BBC TV play Cathy Come Home came to be and alerted the public and politicians alike to the country's growing housing crisis. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

In 1974, Chinatown - now widely considered to be among the greatest films ever made - was nominated for 11 Oscars. Despite the creative confidence and freedom of the era, the 1970s were a time of tolerance for the morally questionable, or even downright illegal, behaviour of some of the powerful men creating these movies.Chinatown's director, Roman Polanski, is the most totemic of those figures. His 1977 indictment for drugging and raping a 13 year-old led the director to flee the United States and seek legal and creative sanctuary in France, where he has remained and continued to make celebrated movies such at The Pianist, for which he won the Best Director Academy Award in 2003. Fifty years on from Chinatown's release, Mark Kermode and Ellen E Jones ask how we can appreciate cinematic masterpieces like Chinatown which have been made by very problematic people? Ellen gets about as close as it's possible to get to the creators of Chinatown - Hawk Koch worked with Roman Polanski on the set of Rosemary's Baby and, as the First Assistant Director on Chinatown, he was deeply connected with the movie and its director. In a wide ranging interview, he shares his memories from the set, discusses his friendship with Polanski and reflects on remaining in love with a movie despite its troubled past.Claire Dederer's Monsters: A Fan's Dilemma is a highly personal account of her own relationship with the works of film-makers like Roman Polanski and Woody Allen, and the questions of how knowledge of an artist's personal life does or doesn't change the way we feel about their art. Mark talks to Claire about the ethical and emotional issues of separating the art from the artist.Produced by Freya Hellier. A Hidden Flack production for BBC Radio 4

Mark Kermode and Ellen E Jones examine the rich history of style and the moving image, from Pret A Porter to The Devil Wears Prada. Ellen talks to fashion historian and curator Amber Butchart about the close relationship between couture and cinema. They discuss the timeless influence on high fashion of Fritz Lang's Metropolis and Powell & Pressburger's The Red Shoes, and the movies that inspire what we all wear in real life. Mark enlists the help of a Screenshot regular, critic Christina Newland, to explore how the fashion industry has been depicted on screen, from the fashion editors of Funny Face and The Devil Wears Prada to the male models of Zoolander. And Mark talks to director Kevin Macdonald about his new documentary, High & Low: John Galliano, which follows the disgraced British fashion designer. Producer: Jane Long A Prospect Street production for BBC Radio 4

As rising British director Rose Glass (St Maud) brings us Love Lies Bleeding - a film about female bodybuilders - Mark Kermode and Ellen E Jones examine the precedents, including the action stars of the 80s like Schwarzenegger who broke out of the gym and into the mainstream, as well as how gyms make a rich setting for drama and action.Mark explores what bodybuilders have brought to the screen over the years. He talks to editor of Empire magazine and author of The Last Action Heroes, Nick de Semlyen, about the history of muscles and bodybuilders on screen. Mark then speaks to rising star Katy O'Brian about her breakout role in Love Lies Bleeding and her own background in bodybuilding. Ellen looks at how the gym and fitness culture are rich settings for drama. She speaks to film writer Brandon Streussnig about how the gym is portrayed on screen and his favourite gym movies. She then talks to Annie Weisman, the creator of Apple TV's Physical, about fitness culture in the 80s and its relationship to women's empowerment.Producer: Queenie Qureshi-Wales A Prospect Street production for BBC Radio 4

Andrew Scott is the latest in a long line of actors to play Thomas Ripley - the seductive, sociopathic conman created by American crime writer Patricia Highsmith, and immortalised in films from Plein Soleil to The Talented Mr Ripley. Ellen E Jones and Mark Kermode look at Ripley and other social strivers on screen, asking how these interlopers have insinuated themselves into our hearts and minds.Ellen explores what makes Patricia Highsmith's work so cinematic, with a lifelong Highsmith fan – critic and novelist Kim Newman. And she speaks to Swiss documentary filmmaker Eva Vitija about her 2022 film Loving Highsmith – a fascinating look at the author's life and artistry, told through her unpublished diaries, and interviews with her friends and former lovers.Mark Kermode looks beyond Highsmith's work, to explore how the 'Ripleyesque' figure has endured. He discusses cinema's most notorious interlopers, from The Great Gatsby to Saltburn, with Manuela Lazic, a French critic, writer and filmmaker. Mark also talks to two of his favourite filmmakers, Christine Molloy and Joe Lawlor. Christine and Joe's newest film Baltimore – about the debutante turned IRA member Rose Dugdale – is just one of many stories about interloping and identity that they've brought to the screen over the years. They tell Mark why the theme fascinates them. Producer: Jane Long A Prospect Street production for BBC Radio 4

As the British Board of Film Classification publishes its new guidelines, Ellen E Jones and Mark Kermode delve into the long, chequered history of film censorship and classification in the UK.Mark speaks to BBFC President (and original Strictly Come Dancing winner) Natasha Kaplinsky about her role, and about her reaction to the new guidelines. And he discusses the Board's controversial history, and some of its most notorious decisions, with ex-BBFC Head of Compliance Craig Lapper. Ellen talks to director Prano Bailey-Bond about her debut film Censor, which was inspired by the 'video nasty' moral panic of the 1980s. And pop culture critic Kayleigh Donaldson talks her through some of the differences between the BBFC and its US equivalent, the MPA Ratings Board. Producer: Jane Long A Prospect Street production for BBC Radio 4

Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC's Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC's Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC's Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC's Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC's Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC's Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Summary   "Defiantly a loser." Our favourite professional gadabout Steven Schelling drops by to discuss the favourites and the frontrunners for this year's Oscars.      Show notes: Beyond the pale: where are all the films about ‘whiteness'? (Ellen E. Jones in The Guardian)   Music credits  "Electrodoodle" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   Theme song "Pyro Flow" by Kevin Macleod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   "Good Times" by Podington Bear From:  Free Music Archive Licensed under Creative Commons: By Attribution 3.0 License     Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Intro voiced by Morgan Brayton Pop This! is a podcast featuring three women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Press play and come hang out with your new best friends. Pop This! podcast is produced by Andrea Gin.  

Let's talk cinema!  We were very lucky to have Ellen E. Jones on the show to discuss film & TV through the lens of race and representation - and we don't hold back when it comes to Alexei's oeuvre! Enjoy! Get Ellen's brilliant new book "Screen Deep:  How film and TV can solve racism and save the world" here - https://linktr.ee/screen_deep Help those in need in Gaza by visiting map.org.uk Become a Patron here to support the show and get access to live episodes of The Alexei Sayle Podcast and more - patreon.com/AlexeiSaylePodcast Send your fan art, thoughts and questions to alexeisaylepodcast@gmail.com Please consider leaving us a review on Apple Podcasts or wherever you get your podcasts. Subscribe to Alexei's YouTube channel here and join him for his Bike Rides. The Alexei Sayle Podcast is produced and edited by Talal Karkouti Music by Tarboosh Records Photograph from the Andy Hollingworth Archive 

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 116 Sam is joined by film and television writer Ellen E Jones. She is the co-host of BBC Radio 4's Screenshot with Mark Kermode, and her book Screen Deep: How film and TV can solve racism and save the world is available now.  Ellen has chosen Stanley Kubrick's second feature Killer's Kiss (67 mins). The 1955 film stars Frank Silvera, Jamie Smith and Irene Kane. Sam and Ellen discuss Frank Silvera's mixed-race heritage and what that brings to the film, Kubrick's ability to maximise his limited production budget to big effect and how the location shooting depicts a 1950s New York City.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a top at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @MsEllenEJones. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. 

The journalist and broadcaster Ellen E. Jones explores the immense potential of film to challenge the status quo in her book, Screen Deep: How Film And TV Can Solve Racism And Save The World. She explores different genres from superheroes and westerns to horror and arthouse. And she argues that such a popular art form - either shared in the cinema, or beamed direct into your home – revels in the diversity of its story-telling. The Iranian-Australian filmmaker Noora Niasari has chosen to draw from her own personal experience in her debut feature, Shayda (open in cinemas across the UK & Ireland on Friday 8th March 2024). Set in a women's shelter, the film explores what it means for an Iranian woman to divorce her husband and fight for a new life for herself and her child. But what about other art forms and the stories they tell? The Royal Academy's latest exhibition – Entangled Pasts: Art, Colonialism and Change (until 28th April) – places work from the 18th century alongside contemporary work to explore how art, both old and new, is entangled with and reflected by Britain's colonial past. Hew Locke will be showing his major work, Armada, which consists of a giant flotilla of model boats. Producer: Katy Hickman

Welcome back to THE DISCOURSE, a podcast about film, entertainment & culture.In this episode, Carl and Tony discuss a fascinating recent article by Ellen E. Jones calling for 'white cinema' to become a recognised term, citing filmmakers like Wes Anderson and Sofia Coppola. They examine the argument.Plus! With copyright on major comic-book figures like Superman & Batman set to expire in the not too distant future, they consider a 2030s where we might have a franchise landscape filled with superhero Never Say Never Again's.And finally, following a recent list of 75 of the most iconic TV moments in history, they question why the list had to be so expressly American, and what else you could throw into that canon...--Remember: subscribe to THE DISCOURSE+ for early access, ad-free listening and bonus episodes not available to regular listeners.Support the show here:https://wemadethis.supportingcast.fm/the-discoursehttps://podcasts.apple.com/gb/podcast/the-discourse/id1645920271www.patreon.com/thediscoursepodcastNew episodes of The Discourse drop each week every Monday and Wednesday...Host / EditorCarl SweeneyCo-HostTony BlackFollow us on social media:https://linktr.ee/thediscoursepodcastFollow Tony & Carl:Carl: @CKJSweeney on TwitterTony: https://linktr.ee/ajblackwriterListen to Carl's THE MOVIE PALACE podcast:https://wemadethispodcasts.com/podcast/the-movie-palace-podcastListen to Tony's AT THE MOVIES IN THE 90s podcast:https://wemadethispodcasts.com/podcast/at-the-movies-in-the-90sWe Made this Twitter: @we_madethisWebsite: wemadethispodcasts.comTitle music: The Subtle Ones (c) John Ahlin via epidemicsound.com

On a truly epic episode of Truth & Movies we discuss Sean Durkins's wrestling tragedy The Iron Claw, Steve McQueen's documentary on the Nazi occupation of Amsterdam, Occupied City and for film club revisit Darren Aronofsky's The Wrestler. We also have interviews with documentary filmmaker Jeanie Finlay and the subject of her latest film Aubrey Gordon as well as a sit down with Steve McQueen and Bianca Stigter.Joining host Leila Latif are film critic, programmer and podcast regular Rafa Sales Ross and first-time guest Ellen E Jones, film critic and broadcaster and author of the new book ‘Screen Deep: How film and TV can solve racism and save the world'. https://linktr.ee/screen_deepTruth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Ellen E Jones and Mark Kermode look at divorce in film and TV, from His Girl Friday to The Split.Ellen looks at comedic takes on divorce, first discussing marriage, divorce and remarriage in the 1930s screwball comedy genre with critic Pamela Hutchinson.She then speaks to comedian Rob Brydon, who made what she considers to be the greatest TV programme about divorce - the BBC2 sitcom Marion and Geoff.Meanwhile, Mark talks to screenwriter Abi Morgan about her BBC1 series The Split, which follows a family of high-end divorce lawyers working in London.He also talks to Los Angeles family law attorney and chief of divorce evolution at Divorce.com, Laura Wasser about how accurate or misleading Hollywood depictions of breakups really are. Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode take a deep dive into the cinematic subconscious to explore dreams in film and television. Mark talks to Sandra Hebron, psychotherapist and head of screen arts at the National Film and Television School, about the origins and history of dreams in film.He also speaks to director Bernard Rose, best known for his 1992 film, Candyman. They discuss his debut film, Paperhouse, and how it portrays the blurred lines between reality and dreams.Taking a look at everything from The Sopranos to The Big Lebowski, Ellen investigates some of film and TV's most memorable dream sequences with help from film critic, Anne Billson.Ellen then speaks to independent film director, Tom DeCillo, whose 1995 film, Living in Oblivion sought to subvert the clichés of the cinematic dream sequence.Producer: Queenie Qureshi-Wales A Prospect Street production for BBC Radio 4

Forty years on from 1984 and the release of the John Hurt-starring big screen adaptation of George Orwell's novel, Ellen E Jones and Mark Kermode explore dystopian visions from British film and TV. Mark speaks to film critic Kim Newman about the literary roots of the dystopia, from 1984 to A Clockwork Orange. And he talks to actor Brian Cox about how, in a career that has included roles as Dr Hannibal Lecter and Logan Roy, the prophetic 1968 TV play The Year of The Sex Olympics remains one of the projects he is most proud of.Meanwhile, Ellen talks to Ngozi Onwurah, the director of landmark film Welcome II The Terrordome. Released in 1995, the radical British dystopian tale was the first feature directed by a black woman to get a UK cinema release. Ellen and Ngozi discuss why Welcome II The Terrordome was so prescient. And Ellen also speaks to Kibwe Tavares, who co-directed new film The Kitchen, about a dilapidated housing estate in a near-future London, with Get Out star Daniel Kaluuya.Producer: Jane Long A Prospect Street production for BBC Radio 4

In the year of a Presidential election, Ellen E Jones and Mark Kermode investigate the murky world of American Elections on screen.Donald Trump's victory in the 2016 Presidential election, inspired many film lovers to reconnect with two films - John Frankenheimer's 1962 political thriller, The Manchurian Candidate, and David Cronenburg's 1983 adaptation of Stephen King's sci-fi horror The Dead Zone. Both films are steeped in subterfuge, conspiracy and corruption. Mark speaks with politically engaged comedian Greg Proops to ask why two movies from the 20th century seem so relevant to 21st century politics. Former Obama speech writer turned podcaster Tommy Vietor talks with Mark about the relationship between fictional presidents and real life PR.Ellen takes a look at the iconic and beloved drama The West Wing, and how it affects real world opinions on American politics and presidents. She speaks with West Wing writer Paul Redford to talk about what this portrayal of the perfect President does to real life democracy and the mindset of the electorate. Does it give us something to aim for? Or might it distract us from what's really going on?And Professor Kristina Riegert talks about the wealth of academic research that The West Wing has been the focus of - political compromise is just as essential on screen as it is in real life.Producer: Freya Hellier A Prospect Street production for BBC Radio 4