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Sintonía: "Wild Cat Blues" - Sidney Bechet"Feliz The Cat" - Paul Whiteman and His Orchestra; "Hep Cat´s Holiday" - The Cats and The Fiddle; "The Cat and the Dog" - Harry Reser; "Pussy Cat Rag" - Halfway House Orchestra; "Kitten on the Keys" - Zez Confrey; "Tom Cat Blues" - King Oliver/Jelly Roll Morton; "Ace in the Hole" - Al Katz and His Kittens; "Bearcat Stomp" - Savoy Bearcats; "Kickin´ The Cat" - Joe Venuti´s Blue Four; "Dog and Cat" - Washboard Rhythm Kings; "Swingin´ Dem Cats" - The Missourians; "Wild Cat´s Ball" - Eddie Edinborough and His New Orleans Wild Cats; "The Hep Cat´s Ball" - Louis Armstrong and His Orchestra; "Pussy Willow" - Duke Ellington and His Famous Orchestra; "March of the Bob Cats" - Bob Crosby´s Bob Cats; "Kitty on Toast" - Horace Henderson and His Orchestra; "Wholly Cats" - Benny Goodman Septet.Todas las músicas extraídas de la recopilación (1xCD) "Jazz Cats: Felix and other Cats (Saga Jazz, 2003).Escuchar audio
1 - Complainin' (It's Human Nature to Complain) - Sophie Tucker – 19222 - I Want What I Want When I Want It (Victor Herbert) - Royal Dadmun - 19233 - Human Hearts - Dornberger's Dance Orchestra – 19224 - Oh, How I Hate to Get Up in the Morning - Arthur Fields – 19185 - I Am Only Human After All – Scrappy Lambert with Joe Venuti and his New Yorkers - 19306 - I'll Get Even with You - Edith Wilson - 19307 - New Year's Resolution - Roy Milton and his Solid Senders – 19478 - I Don't Want to Get Thin - Sophie Tucker – 19299 - You're Getting to Be a Habit with Me - Waring's Pennsylvanians – 193210 - There's Lots of Stations on My Railroad Track - Eddie Morton - 191211 - He Used to Be Your Man but He's My Man Now - Edith Wilson – 192212 - Envy - Fran Warren – 194913 - They Go Wild, Simply Wild, Over Me - Marion Harris – 191714 - To Make a Mistake is Human - The Murphy Sisters – 194715 - Was That the Human Thing to Do – Elmer Feldkamp with Bert Lown and his Orchestra – 193216 - I'm Just an Ordinary Human - Ozzie Nelson and his Orchestra – 1935
Kraft Music Hall - 45-03-08 - Guest-Joe Venuti
Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967
This conversation was recorded during The Jazz Cruise earlier this year, and it featured a conversation between two of our longtime favorite performers – vocalist Catherine Russell and guitarist and vocalist John Pizzarelli, with Catherine taking on the interviewer role. For the last few years, John and Catherine have been performing together in a project they call 'Billie and Blue Eyes,' spotlighting the music of Billie Holiday and Frank Sinatra. John talked about coming up in the jazz and music world and hanging (and playing) with legends like Benny Goodman, Les Paul, Joe Venuti, Zoot Sims, Slam Stewart, Clark Terry, George Shearing, and of course, his father Bucky. Plus, John shared some stories about working with pop icons James Taylor and Paul McCartney.
Wer beim Stichwort "Jazzgeige" nicht weiter kommt als zu Stephane Grappelli oder Joe Venuti, wird mit dem Niederländer Frans Poptie und seiner Band, den Swing Specials, ein gehöriges blaues Wunder erleben. Von Götz Alsmann.
Same Time, Same Station 02/16/2025 Bing Crosby Part 2. “15 Minutes With Bing Crosby” 09/02/1931 (01) First Song – Just One More Chance. 8 minutes only. Edited. “Kraft Music Hall” 01/09/1936 First Song – A Little Bit Independent, Guest – Joe Venuti. 45 minutes, not complete. “Yesterday USA” 11/12/2023 Sunday Night Show. Perry Huntoon with Bing Crosby part 2.c If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com
Same Time, Same Station 02/16/2025 Bing Crosby Part 2. “15 Minutes With Bing Crosby” 09/02/1931 (01) First Song – Just One More Chance. 8 minutes only. Edited. “Kraft Music Hall” 01/09/1936 First Song – A Little Bit Independent, Guest – Joe Venuti. 45 minutes, not complete. “Yesterday USA” 11/12/2023 Sunday Night Show. Perry Huntoon with Bing Crosby part 2.c If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com
Rehearsals are not parties. They can be fun and satisfying, but the bottom line is that rehearsals are work sessions. The Flood is always trying to learn new songs, and since that's where the songs are worked out, some rehearsals are just more fun than others. So the band usually try to end the evening on a high note. At one such rehearsal recently, Charlie Bowen asked if anybody had a tune in mind to end with. “How about something we know?” said Danny Cox with a chuckle and a grin. In a minute the band had rolled into the 1930s standard “Moonglow” and it turned into the best moment of the whole night.The Song HistoryAs reported here earlier, "Moonglow" was first recorded by Joe Venuti in 1933, with subsequent recordings by Benny Goodman and Ethel Waters.Penned by Eddie DeLange and Will Hudson, the tune has since become a jazz standard, performed and recorded numerous times by a wide array of musical talents.The Jazz Discography estimates that by 2016, the song had been recored 572 times, including in studio sessions, unreleased masters, live performances and radio transcriptions.For more about the song's creation and its history, click here.Finding Other TunesBy the way, if you have a specific tune you like to hear Floodified, drop by the Song Index on the band's web site. More than 700 weekly episodes of the Flood podcast since its launch in late 2008 are linked from there.On the page, you can browse the alphabetized list and click on the underlined date on the song you want to hear; then on the subsequent page, click on the title of the song and the audio will start.A few words about the Song Index's organization:* The first of the links with a specific tune is always the most recent performance, followed by earlier renditions. * Most of the links connect to audio, though some are to videos of performances, which are indicated with the *v designation. * Occasionally links lead to audio or video of multiple songs; in that case, a time designation (such as "08:22") indicates where your selected song begins.* Some songs also include a “Flood Watch” and/or a “Story” reference. Clicking either of those links takes you to further information about the tune, perhaps a Flood Watch newsletter article about the song's history or maybe just a brief comment or discussion about it recorded at a jam session, rehearsal or performance. Click here to reach the web site's Song Index. Enjoy! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
In this week's "Saturday Matinee" on Vintage Classic Radio, we kick off with the "Life of Riley" episode titled "Riley the Milkman," which originally aired on March 22nd, 1947. In this humorous episode, Chester A. Riley, portrayed by William Bendix, takes on the job of a milkman in an attempt to prove his worth and industriousness to his family. The episode is filled with Riley's characteristic blunders and misunderstandings, leading to a series of comedic situations. Joining Bendix in the cast are Paula Winslowe as Peg Riley, his understanding wife, along with John Brown as the conniving neighbor, Gillis, and Barbara Eiler as their daughter, Babs. The family dynamics and Riley's well-meaning but often misguided efforts provide a delightful listen. Following the laughter from "Life of Riley," we move on to the "Blondie" episode titled "Dagwood Wins a Ring," which first delighted audiences on March 11th, 1945. This episode centers on Dagwood Bumstead, played by Arthur Lake, who wins a diamond ring in a raffle. The excitement quickly turns to chaos as Dagwood and his ever-patient wife, Blondie, portrayed by Penny Singleton, navigate the challenges and misunderstandings the prized ring brings into their lives. The episode showcases the comedic timing and chemistry of Lake and Singleton, with additional performances by Larry Simms as their son Alexander, and Daisy the dog adding to the family's misadventures. The finale of our "Saturday Matinee" is an episode from the "General Electric Show," hosted by the legendary Bing Crosby, which aired on December 18th, 1952. This particular episode is notable for featuring guest stars Ella Fitzgerald and Joe Venuti, adding a musical extravaganza to the mix. Crosby, with his smooth voice and charming demeanor, leads the show, which includes musical performances by Fitzgerald, showcasing her incredible vocal range and jazz stylings, and Venuti's masterful violin. The episode not only offers listeners a chance to enjoy timeless music but also provides a glimpse into the casual, yet captivating, hosting style of Crosby. Together, these episodes from "Life of Riley," "Blondie," and the "General Electric Show" offer a rich tapestry of entertainment from the golden age of radio. From the comedic mishaps of Riley and Dagwood to the musical brilliance of Crosby, Fitzgerald, and Venuti, this "Saturday Matinee" promises to transport listeners back to a cherished era of radio broadcasting, filled with laughter, music, and the timeless appeal of classic storytelling.
Do you have a business model for your gym?In this episode of “Run a Profitable Gym,” host Mike Warkentin and Two-Brain founder Chris Cooper lay out five gym business models that have been proven to be successful—and that's based on data from thousands of gyms around the world. The models are:1. Group only.2. Group plus personal training.3. Group plus high-ticket offers.4. Semi-private training.5. Guided access.Tune in to learn the pros and cons of each model, and then get Coop's full guide to these models via the link below. In the full guide, “5 Gym Business Models That Work,” you'll find everything from bulleted executive summaries to spreadsheets full of data, so you can make an informed decision and create the best long-term plan for your gym.LinksFull guide: "5 Gym Business Models That Work"Brian Bott on semi-private training Joe Venuti and Alessandra Bisalti on guided accessBook a Call1:21 - Is the group model still viable?7:51 - Is on-ramp a barrier?11:53 - Other revenue for group models18:47 - Semi-private training27:39 - Guided access and how it works
Having trouble staffing your gym? You aren't alone.In this episode of “Run a Profitable Gym,” Chris Cooper sits down with Joe Venuti and Alessandra Bisalti of CrossFit MASS, who share how they've used "guided access" to transform their gym in the face of staffing shortages. Essentially, they've learned to leverage technology. In a guided or enhanced access model, clients receive individually designed programming delivered to their phones and can access the gym during non-coached hours to get their workouts done. The gym's clients still receive top-tier fitness services, while Joe and Alessandra get to enjoy reasonable working hours and flexible time off.Because numbers never lie, Chris breaks down a model profit and loss (P&L) statement to show how guided access could be used to generate over $100,000 in net owner benefit.If you're a gym owner who is struggling to secure staff, check out the guided access plan and decide if it might work in your fitness business.LinksBook a CallGym Owners United0:01 - Guided access in practice25:38 - P&L statement27:05 - How many clients to break even28:26 - Bringing in new clients32:56 - Bring in a backup36:31 - The big picture
David "Dawg" Grisman: Stéphane Grappelli told me that, when he and Django first met and started playing together in between sets at a big hotel in Paris, he said they were basically trying to imitate Eddie Lang and Joe Venuti. George Cole: Thank you. Thank you for saying that. Listeners out there in podcast land, that is a very important piece of information, because if you read the books, people will try to tell you that Django was mostly influenced by Duke Ellington, who's great, and Louis Armstrong, who's great. We love all that. But I've always thought the same thing as you just mentioned.Welcome, welcome to the Hot Jazz Network Podcast. I'm your host, George Cole. On our show today, we have one of the most important musicians in American history. He's a legendary mandolinist and composer, but more important, he's also my friend. He's the creator of Dawg Music, has recorded with Jerry Garcia, The Grateful Dead, Doc Watson, Del McCoury, and countless others.Ladies and gentlemen, the one and only David Grisman, the man we call Dawg.
First broadcast on March 27, 1979. Barrett Deems discusses his upbringing where he began drumming at age 4 and recalls touring with Louis Armstrong and other musicians. He also talks about meeting drummers in Africa. Music is played throughout: "Flip"- Joe Venuti, "Shine"- Barrett Deems Hottet, "Now You Has Jazz"- Bing Crosby and Louis Armstrong (from "High Society"), "Muskrat Ramble"- Louis Armstrong, "Struttin' with Some Barbecue"- Louis Armstrong, "Slipped Disc"- Benny Goodman, "Stompin' at the Savoy"- Louis Armstrong. Music has been removed from this recording for copyright reasons.
The season finale!
Just a few more.
Still in Paris!
In this episode of The Outbound Sales Podcast, Joe Venuti, Head of Sales Development at Cube, joins Chris Zuby of UpLead to share the strategies for sales and team building that can be adopted for business growth.
More from Paris!
Still in France!
Bing and Lindsay Crosby entertain us again!
The next 7 shows are from Paris!
Another episode that I don't think I've ever brought to you folks before!
Don't know if I've ever brought this one to you folks before.
Rosemary Clooney stops to visit with Bing by for the third week in a row!
This week's show takes us across the landscape of the state of Georgia and then reminisces about ladies that share her name. No genre is off limits and no era too far in the past is excluded in this latest Deeper Roots show that takes on a theme. We're also hoping that the will of the people is not interfered with in a state that's struggling to awaken; a lumbering giant of democracy still haunted (and celebrated at the highest levels) by plantation politics. Our music this week will feature some tradition from Georgia's own Jake Xerxes Fussell, country tunes from Lefty Frizzell and Charley Crockett, jazz from Nina Simone and Joe Venuti, and we'll visit a Georgia Camp Meeting and One More Sunday in Savannah. Tune in for a collection of tunes about a state of mind and some fine women who share the name of a southern state where peaches and a darker past prosper. Tune in on Friday morning here on Sonoma County Community Radio.
Bing and Rosemary Clooney!
George Clooney's aunty Rosemary Clooney stops by!
Bing and Dinah Shore!
My guest today is the phenomenal jazz violinist, mandolinist, arranger, and writer Aaron Weinstein. Aaron is a self-taught violinist and attended the renowned Berklee College on a 4 year talent based scholarship. As a young man he performed and recorded with many jazz legends. In this episode we talked about some of these mentors, including Bucky and John Pizzarelli, Les Paul, and this interview is full of Aaron's stories and insights as a performer and educator. He has generously agreed to let me use two of his previously released self-produced videos so you can hear some of his playing. I first discovered Aaron in his comedy series with Linda Lavin; I encourage you to check it out along with his other projects and albums: http://www.aaronweinstein.net/ All my episodes are also a video and the transcript is at the same link: https://www.leahroseman.com/episodes/aaron-weinstein Buy me a coffee? https://ko-fi.com/leahroseman Timestamps: (00:00) Intro (01:41) Aaron's start on old-time fiddle (03:16) Bucky Pizzarelli, John Pizzarelli (06:50) Mel Bay books Swingin' Jazz Fiddle Solos and Mandolin Chord Melody System (09:28) Aaron Weinstein plays Avalon, both violin and mandolin (11:05) Don Stiernberg (12:27) “Give Me the Simple Life” Aaron Weinstein on mandolin (13:56) difference between jazz mandolin and jazz violin (17:18) Album 3x3 on Chesky label (18:21) Berklee College of Muisic, Sandy Kott first formal violin lessons (23:32)Les Paul (25:05) playing with jazz legends as a young man, learning the tunes, Annie Ross (27:46) lyrics, Sondheim, Andy Zerman (30:35) working with Broadway singers and appreciating different genres (33:59) self-criticism, dealing with different performance realities (36:15) Joe Venuti, Eddie Lang, Johnny Frigo (38:54) Linda Lavin, Irvin Arthur (45:12) agents, jazz in the music business (46:59) mandolin, violin, guitar, Hamilton de Holanda (49:11) teaching jazz (56:03) giving and getting feedback (59:04) getting established in New York, support from John Pizzarelli (01:01:26) arranging, practicing classical music, interpretation and originality (01:06:43) writing (01:13:54) advice for younger players, problems with social media (01:20:19) how to practice, improvisation (01:26:05) Les Paul story (01:28:00) missing the opportunity to hear Stéphane Grappelli --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message
Bing Crosby and Gordon MacRae are here to entertain you!
M1 Oh, Lady Be Good (George and Ira Gershwin, 1924), Django, CBS Realm Jazz Series 1969/1934 (2:50)... M2 Dinah, (Akst, Lewis, Young, 1925) Django, CBS Realm Jazz Series 1969/1934 (2:30)... M3 I Saw Stars (Sigler, Goodhart, Hoffman, 1934), Django, CBS Realm Jazz Series 1969/1934 (2:20)....... M4 Confessin', (Daugherty, Reynolds, 1929), Django, CBS Realm Jazz Series 1969/1935 (2:40).... M5 The Sunshine of Your Smile, (Ray, Cooke, 1913) Django, CBS Realm Jazz Series, 1969/1935 (2:50)..... M6 Swannee River (Old Folks at Home), (Foster, 1851), Django, CBS Realm Jazz Series, 1969/1935 (2:50)... M7 Lover Man (Oh, Where Can You Be?)(Davis, Ramirez, Sherman, 1941) Best of Django Reinhardt, EMI / Columbia, 1970/1947 (3:10) M8 Golden Green (Ponty, 1972), Ponty/Grappelli, Inner City Records, 1976/1973 (4:42) Today's Vinyl Vibrations podcast features the artistry of French Violinist Stephane Grappelli. Stephane Grappelli is best known as the founder of the Quintette du Hot Club de France along with guitarist Django Reinhardt in 1934. This was a GYPSY jazz band. Grappelli is considered the grandfather of jazz violinists. He lived 90 years, from 1908 until 1997. He began playing violin at the age of 12, early on, preferring to learn in the streets by watching how other violinists played, such as at the Barbes (pron BAR-bez) metro station in Paris. Then he was enrolled by his father at the Conservatory of Paris to learn music theory, sight reading, and ear training. He graduated three years later. Starting at age 15, he worked in the pit orchestra at the Theatre Gaumont, accompanying silent films, then at the Ambassador Hotel orchestra, where jazz violinist Joe Venuti was playing. For a while, Grappelli abandoned violin --- in favor of playing piano in a big band, it was easier to get paid for big band work. Jazz violinists were a relatively unknown and rare breed. In this big band, Grappelli met gypsy jazz guitarist Django Reinhardt. It was 1931 and Grappelli was just 23, Django was 21. Three years later, Django and Grappelli formed the Quintette du Hot Club de France . This was an all-string jazz band, and they performed regularly at the Montmartre district, an artistic village on the hill in the northside of Paris. This continued until 1939 when the Quintette disbanded due to the outbreak of World War II. ‘' When the war was over, the original Quintette never did reform. Django and Grappelli did continue to perform together in Paris. In 1949, they briefly toured in Italy, where some 50 tunes were recorded. That would turn out to be the last time the two would record together, 1949, due to Django's untimely death at the age of 43. Many of those recorded songs were released as an album titled Djangology in 2005 on Bluebird Records. Most of the recordings featured in today's podcast were recorded between 1934 and 1947 and were recorded in Paris, as performed by the Quintette du Hot Club de France. Stephane Grappelli is a master of improvisation. He had said that he was not a fan of BEBOP jazz, which was then very fashionable in the jazz world. Instead, he was a strong proponent of SWING music, another popular jazz style. Swing developed in the US in 1935-1945 ….. This was the SWING ERA in America.
Music night with Bing, Peggy Lee, Joe Venuti, and Gordon MacRae!
Thursday with Bing!
Bing has comedy legend Jack Benny as his guest!
Kay Starr is back!
Bing has guest Kay Starr on his show this week.
Stan Freberg, really?
Bing with guest Rosemary Clooney!
Happy New Year a little early!
Bing and Rosemary Clooney are always great together!
Great early recordings for Pathe and Perfect by Annette Hanshaw - one of the first "crooners" of Tin Pan Alley tunes . . accompanied by Vic Berton, Adrian Rollini, Joe Venuti, Eddie Lang, Jimmy Lytell, Irving Brodsky and Rube Bloom --- Support this podcast: https://anchor.fm/john-clark49/support
An entertaining evening with Bing, Dinah, and Gordon MacRae!
Bing and Dinah Shore always have a good time and then Gordon MacRae's Railroad!
Bing, Jane Wyman, and Gordon MacRae! with Bings 1952-1953 season premiere!
In today's episode, Mike takes us through the life and music of two jazz giants, Joe Venuti and Eddie Lane. This duo revolutionized their instruments and shaped the sound of jazz guitar and violin playing for decades to come.
Jack Pettis was one of the first saxophonists in Jazz - playing C melody with Ben Bernie and His Orchestra, he also headed numerous recording dates with the same personnel - here we have him with Bill Moore, Tony Parenti, Don Murray, Al Goering, Jimmy Dorsey, Eddie Lang and Joe Venuti among others . . great hot dance music with jazz ingredients from 1926-29 --- Support this podcast: https://anchor.fm/john-clark49/support
The voice you will hear is someone I've been a big fan of for years. The violinist you will hear is someone I've never heard of. But they're on the same album compiled from songs recorded in 1935. So get ready to hear a couple of amazing jazz clowns in Volume 80: Hi-Fi Lootin'. Credits and copyrights Joe Venuti And Louis Prima – Hi-Fi Lootin' Label: Design Records – DLP 54 Format: Vinyl, LP, Compilation Country: US Released: 1958 Genre: Jazz I'm Confessin' That I Love You Confessin' by Louis Prima's New Orleans Gang (1936) written by Al J. Neiburg, Doc Daugherty, Ellis Reynolds, Sterling Grant, Chris Smith Doin' Things written by Joe Venuti, Eddie Lang and released in 1928 Hoagie Carmicheal Medley Rockin Chair, Georgia On My Mind, Lazy River Way Down Yonder In New Orleans written by Henry Creamer, Turner Layton Basin Street written by Spencer Williams Monday Date written by Earl Hines I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.
Friday Fundamentals 126: Joe Venuti
Overview:Today on the show we've got Joe Venuti, Vice President of Inside Sales for Sendoso. Joe is an incredible sales leader who is also good at building out teams in the Arizona area. Arizona is a hotbed of sales talent now, so many companies like Sendoso have opened great offices there. Joe is also very familiar with leading large organizations and talented sellers.What You'll Learn Lessons in leadership from life as a card sharkThe unexpected skill you need to develop to be a managerCOVID's impact on building a long-term sales organizationHow to maintain a health culture in a remote environmentThe value of physical artifacts in a digital worldWho sales development should report toShow Agenda and TimestampsLessons in leadership from life as a card shark [6:49]The unexpected skill you need to develop to be a manager [8:05]COVID's impact on building a long-term sales organization [9:56]How to maintain a health culture in a remote environment [14:26]The value of physical artifacts in a digital world [16:27]Who sales development should report to [22:16]Sam's Corner [29:33]