Podcast appearances and mentions of Don Murray

Send us a textWhat if a mojito-flavored sparkling water could spice up a trip down memory lane? Join us on a whimsical adventure as we revisit the iconic world of vintage primetime soap operas. In this episode, we pay homage to Knott's Landing, particularly season three, episode four, exploring how the series reshaped our view of classic soaps. With nostalgic anecdotes and humorous twists, we honor the unforgettable Sid Fairgate and uncover the surprising backstory of Don Murray, the actor who brought him to life. We also celebrate the vibrant fan community, featuring feedback from Oklahoma City about the unsettling Peter DeFillibuster and Kelly K's joy in rediscovering these shows on SoapNet.Sid Fairgate's departure is a focal point, and we delve into the dynamics of his role at Knott's Landing Motors. Known for his charm and unpredictability, Sid became the quintessential soap opera hero, leaving a lasting impact on the show and its audience. We explore how Don Murray's expectations and regrets shaped his exit, with John Pleshette's involvement crafting Sid's dramatic farewell. Meanwhile, Abby's gripping search for her missing children and Valene's struggle with her mother's newfound fame add layers of complexity and tension, highlighting generational divides and familial responsibilities.As we wrap up this episode filled with drama and intrigue, we invite you, our listeners, to share your thoughts and suggestions. We're looking for a new title for Lily Mae, as "Vidalia Onion Queen 2.0" just doesn't cut it anymore! Join us next time for more soapy debauchery, and remember to keep the drama on TV. Stay hydrated, moisturized, and never hold back from speaking your mind. Your voice matters, whether it leads you to your desired destination or not. Until next time, enjoy the chaos from a safe distance!

With all of the people running around the streets in cheap masks we thought we would dump this one on Halloween. Enjoy! As always follow us on all of the things ⁠HERE⁠. Conquest of the Planet of the Apes, 1972. Directed by J. Lee Thompson. Written by Paul Dehn. Produced by Arthur P. Jacobs. Starring Roddy McDowall, Don Murray, Ricardo Montalbán, Natalie Trundy and Hari Rhodes. Battle for the Planet of the Apes, 1973. Directed by J. Lee Thompson. Screenplay by John William Corrington and Joyce Hooper Corrington. Story by Paul Dehn. Produced by Arthur P. Jacobs. Starring Roddy McDowall, Claude Akins, Natalie Trundy, Severn Darden, Lew Ayres, Paul Williams and John Huston.

RED MCKENZIE & EDDIE CONDON:“THE CHICAGOANS” Chicago, December 8 & 16, 1927Sugar, China boy, Nobody's sweetheart (1), Liza (1)Jimmy McPartland (cnt) Frank Teschmacher (cl) Bud Freeman (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu,b) Gene Krupa (d) Mezz Mezzrow (cymbals -1) “CHICAGO RHYTHM KINGS” Chicago, March 27, 1928I've found a new babyMuggsy Spanier (cnt) Frank Teschmacher (cl) Mezz Mezzrow (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu) Gene Krupa (d) Red McKenzie (vcl) BUD FREEMAN Chicago, December 3, 1928Crazeology, Can't help lovin' dat man (rmk vcl)Johnny Mendell (tp) Floyd O'Brien (tb) Bud Jacobson (cl,as) Bud Freeman (ts) Dave North (p) Herman Foster (bj) Johnny Mueller (b) Gene Krupa (d) Red McKenzie (vcl) New York, December 4, 1935What is there to say ?, The buzzard, Tillie's downtown now, Keep smiling at troubleBunny Berigan (tp) Bud Freeman (cl,ts) Claude Thornhill (p) Eddie Condon (g) Grachan Moncur (b) Cozy Cole (d) FRANKIE TRUMBAUER New York, February 4, 1927Singin' the blues (1), Trumbology, Clarinet marmalade,Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Jimmy Dorsey (cl,as) Paul Mertz (p) Howdy Quicksell (bj) Eddie Lang (g-1) Chauncey Morehouse (d) New York, August 25, 1927Three blind mice, Blue river (se vcl), There's a cradle in Caroline (se vcl)Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Doc Ryker (as) Don Murray (cl,bar) Adrian Rollini (bassax) Itzy Riskin (p) Eddie Lang (g) Chauncey Morehouse (d) Seger Ellis (vcl) Continue reading Puro Jazz 25 de octubre, 2024 at PuroJazz.

RED MCKENZIE & EDDIE CONDON:“THE CHICAGOANS” Chicago, December 8 & 16, 1927Sugar, China boy, Nobody's sweetheart (1), Liza (1)Jimmy McPartland (cnt) Frank Teschmacher (cl) Bud Freeman (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu,b) Gene Krupa (d) Mezz Mezzrow (cymbals -1) “CHICAGO RHYTHM KINGS” Chicago, March 27, 1928I've found a new babyMuggsy Spanier (cnt) Frank Teschmacher (cl) Mezz Mezzrow (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu) Gene Krupa (d) Red McKenzie (vcl) BUD FREEMAN Chicago, December 3, 1928Crazeology, Can't help lovin' dat man (rmk vcl)Johnny Mendell (tp) Floyd O'Brien (tb) Bud Jacobson (cl,as) Bud Freeman (ts) Dave North (p) Herman Foster (bj) Johnny Mueller (b) Gene Krupa (d) Red McKenzie (vcl) New York, December 4, 1935What is there to say ?, The buzzard, Tillie's downtown now, Keep smiling at troubleBunny Berigan (tp) Bud Freeman (cl,ts) Claude Thornhill (p) Eddie Condon (g) Grachan Moncur (b) Cozy Cole (d) FRANKIE TRUMBAUER New York, February 4, 1927Singin' the blues (1), Trumbology, Clarinet marmalade,Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Jimmy Dorsey (cl,as) Paul Mertz (p) Howdy Quicksell (bj) Eddie Lang (g-1) Chauncey Morehouse (d) New York, August 25, 1927Three blind mice, Blue river (se vcl), There's a cradle in Caroline (se vcl)Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Doc Ryker (as) Don Murray (cl,bar) Adrian Rollini (bassax) Itzy Riskin (p) Eddie Lang (g) Chauncey Morehouse (d) Seger Ellis (vcl) Continue reading Puro Jazz 28 de octubre, 2024 at PuroJazz.

EPISODE 53 - “Tribute to Gena Rowlands” - 09/16/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** When screen legend GENA ROWLANDS passed away last month at the age of 94, she left behind a film and TV legacy that will undoubtedly influence artists for decades to come. She was an acting titan who changed the way modern audiences looked at acting. From her historic independent movies with husband JOHN CASSAVETES to mainstream Hollywood to powerful performances in iconic television films, Rowlands' performances were always honest, complicated, and emotionally raw. There was just no one like her; and there never will be again. This week, we pay tribute to her endearing legacy on and off the screen. SHOW NOTES:  Sources: Cassavetes on Cassavetes (2001), by Ray Carney; In The Moment: My Life As An Actor (2004), by Ben Gazzara; “Family First, Says Pretty Blonde,” November 16, 1963, The Tribune (South Bend, IN); “I Want It All…Husband…Children…Career!” June 1975, by Ronald Bowers, Photoplay; “NBC Offers Drama About AIDS,” November 11, 1985, by John J. O'Connor, The New York Times; “To Mom With Love: Gena Rowlands' Son Directs Her Latest Film,” February 23, 1997, by Terry Lawson, Detroit Free Press; “Idol Chatter: Gena Rowlands,” 1999, by Al Weisel, Premiere Magazine; “Shop Talk: Actress Gena Rowlands, Not Much of a Shopper, Tells Tales,” February 15, 2002, by Gwen Davis, The Wall Street Journal; “Gena Rowlands On Pioneering The Indie Film Movement With Her Late Husband John Cassavetes,” November 13, 2015, by Scott Feinberg, The Hollywood Reporter; “Oscar Goes To Gena Rowlands,” November 14, 2015, by Susan King, Los Angeles Times; “And The Honorary Oscar Goes To…” November 20, 2015, by Scott Feinberg, The Hollywood Reporter; “The Notebook's Gena Rowlands Has Alzheimer's, Is in Full Dementia,” June 25, 2024, by Cara Lynn Shultz, People Magazine; “Gena Rowlands, Actress Who Brought Raw Drama To Her Roles, Dies at 94,” August 14, 2024, by Anita Gates, New York Times; TCM.com; IBDB.com; Movies Mentioned:  The High Cost of Loving (1958), starring Jose Ferrer; Lonely Are the Brave (1962), starring Kirk Douglas; The Spiral Road (1962), starring Rock Hudson; A Child is Waiting (1963), starring Burt Lancaster, Judy Garland; Tony Rome (1967), starring Frank Sinatra; Faces (1968), starring John Cassavetes; Minnie and Moskowitz (1971), starring Seymour Cassel; A Woman Under the Influence (1974), starring Peter Falk; Opening Night (1977), starring John Cassavetes, Ben Gazzara; A Question of Love (1978), starring Jane Alexander; The Brink's Job (1978), starring Peter Falk; Gloria (1980), starring John Adams; Tempest (1982), starring John Cassavetes; Love Streams (1984), starring John Cassavetes; Thursday's Child (1984), starring Don Murray; An Early Frost (1985), starring Aidan Quinn, Ben Gazzara; The Betty Ford Story (1987), starring Josef Sommer; Another Woman (1988), starring Mia Farrow; Once Around (1991), starring Richard Dreyfuss, Holly Hunter; Night On Earth (1991), starring Winona Ryder; Face of A Stranger (1992), starring Tyne Daly; Crazy In Love (1992), starring Holly Hunter; The Neon Bible (1995), starring Jacob Tierney; Unhook The Stars (1996), starring Marisa Tomei; She's So Lovely (1997), starring Sean Penn; Hope Floats (1998), starring Sandra Bullock; Hysterical Blindness (2003), starring Uma Thurman; The Notebook (1999), starring Ryan Gosling, Rachel McAdams; Broken English (2007), starring Parker Posey; Six Dance Lessons in Six Weeks (2014), starring Cheyenne Jackson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on another episode of the Rarified Heir Podcast, we continue our conversation with actor Christopher Murray and delve deeper into some fun and fascinating new stories about his mother actor Hope Lange, father actor Don Murray and step father Director Alan J. Pakula. Christopher talks to us about one of the most interesting connections he and his parents have – Director David Lynch. Hope Lange starred in Blue Velvet and both Christopher and Don played roles on Twin Peaks all in three separate decades. A totally weird Lynchian through line that is perhaps only rivaled by Laura Dern and Diane Ladd. Moreover we discuss some of the backstage jealousies of making the film Bus Stop which his parents were both cast in – although no one knew they were married. It sheds a light on some of the insecurities and well documented frailties of Marilyn Monroe. We also discuss Sean Connery's golf game, Scarlett Johansen's first role in the film Just Cause, how you ingratiate yourself into the good graces of a Scotsman and more. This leads to a Christopher's reminisces of his truly remarkable stepfather Alan J. Pakula both at home and at work. From his time on the set of the film Klute where he met Jane Fonda to the trips Alan took he and his sister on to Morocco & Italy we really feel like we are getting a story very few know about. Part two of our conversation with Christopher is filled with beautiful memories and some tragic losses. Thanks for taking us along for the ride Chris. The Rarified Heir Podcast. Everyone has a story.

Today on the Rarified Heir Podcast we are talking to actor Christopher Murray, who we find out, was quite literally born into show business. From both his maternal and paternal grandparents as well as both of his parents, Christopher likely couldn't have escaped a career in front of the camera if he tried. So who are his parents? Well, both are Oscar nominated and his mother is a two-time Emmy award winner. Can you guess? None other than actors Don Murray & Hope Lange. Between his parents, they have starred in films and TV productions with Marilyn Monroe, Elvis Presley, Robert Wagner, Charles Laughton, Roddy McDowell, Michelle Lee, Kathleen Turner, Joan Crawford, Glenn Ford, Suzy Parker and more. And if that isn't enough, his stepfather was a giant of a director,  Alan J. Pakula who directed some of the best films of the 70s as well. Our time  with Christopher was more a conversation than an interview and frankly, those are the ones we love best on this podcast. We jumped around a lot but the connections were never more apparent than when we were discussing how it is that Charles Nelson Reilly spent so much time at his house. We delved into just about everything with Christopher to the story of how his parents helped displaced European war refugees from WWII & the Korean War that still functions to this day as well as the fabulous dinner parties his mother gave that were a safe haven for gay Hollywood couples in an era when things like that were very rare. This conversation that spans the stage, film and television and involves everyone from Hubert H. Humphrey to Eleanor Roosevelt, Sean Connery to Ed Harris & Freddy Kruger to Don Deer. But to hear all of those stories, we had to spread this episode into two parts – there was just too much great stuff to cut out. You'll have to take a listen to this episode, part one,  of the Rarified Heir Podcast to begin this verbal scavenger hunt.  Everyone has a story.

In Memoriam dedicado a los actores Carl Weathers, Chita Rivera, Sandra Milo y Don Murray. Este reportaje pertenece al programa “El Cine de LoQueYoTeDiga” nº 429 (15x14) y fue emitido el 10 de febrero de 2024.

After his centrist coalition suffered a humiliating loss to the far right in European elections early last month, French President Emanuelle Macron called snap elections for France's own Parliament in hopes of pushing back.Instead, Marine Le Pen's National Rally continued their momentum and won the first round of voting last Sunday.So will Macron's election gamble backfire? Why are the far right surging? And what would it mean for Europe and the world if they took power in the final round of voting this weekend?Don Murray is a freelance journalist currently in Southern France. For years, he covered Europe for CBC as a reporter and documentary maker.

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 42 - “Eva Marie Saint: Star of the Month (July)” - 07/01/2024 Blonde, beautiful, sophisticated, and chic, there was no one in Hollywood quite like EVA MARIE SAINT. This versatile, elegant actress had an incredible emotional range and left an indelible mark on the landscape of film. July 4th marks her 100th birthday of this national treasure and in this episode we take a look at her extraordinary career. Come hear about her incredible life and a career that spanned from live TV to Broadway to film and television where she was directed by all the greats — Hitchcock, Kazan, Preminger, Fred Zinnemann, John Frankenheimer, Paul Bogart — and held her own opposite Hollywood's greatest leading men — Cary Grant, Marlon Brando, Gregory Peck, Paul Newman, Montgomery Clift, James Garner, Bob Hope, and Warren Beatty.  SHOW NOTES:  Sources: Eva Marie Saint: A Journey From Newark to Hollywood's Iconic Heights (2024), by Alexander Harmony; Hitchcock's Heroines (2018), by Caroline Young; Kazan: The Master Director Discusses His Films (1999), by Jeff Young; Hitch (1978), by John Russell Taylor; Destination Hitchcock: The Making of North by Northwest (2000), by Peter Fitzgerald; “As Eva Marie Saint Turns 97, Celebrating Her Seductive Turn in ‘North by Northwest',” July 4, 2021, by Brent Lang, Variety; Robert Osborne interview(s) with Eva Marie Saint, www.TCM.com; “In Search of a Classic Saint Revisits Hitchcock Role,” September 10, 2000, by Gene Triplett, The Oklahoman; “Saint in Hollywood; Forthright Star Actress Illustrates Devotion to Work and Family,” May 10, 1964, New York Times; “All About Eva Marie,” February 22, 2011, Vanity Fair; IMDBPro.com; Wikipedia.com; Movies Mentioned:  On The Waterfront (1954), starring Marlon Brando, Eva Marie Saint, and Karl Malden; That Certain Feeling (1956), starring Bob Hope, Eva Marie Saint, and George Sanders; A Hatful of Rain (1957), starring Anthony Franciosa, Don Murray, and Eva Marie Saint; Raintree County (1957), starring Elizabeth Taylor, Montgomery Clift, Eva Maire Saint, and Rod Taylor; North By Northwest (1959), starring Cary Grant and Eva Marie Saint; Exodus (1960), starring Paul Newman, Eva Marie Saint, and Sal Mineo; All Fall Down (1962), Warren Beatty, Eva Marie Saint, Karl Malden, Angela Lansbury, and Brandon deWilde;  The Sandpiper (1965), staring Richard Burton, Elizabeth Taylor, and Eva Marie Saint; The Russians Are Coming, The Russians Are Coming (1966), starring Alan Arkin, Carl Reiner, and Eva Marie Saint; Grand Prix (1966), starring James Garner, Yves Montand, and Eva Marie Saint;  The Stalking Moon (1968), starring Gregory Peck, Eva Marie Saint, and Robert Forster; Cancel My Reservations (1972), starring Bob Hope, Eva Marie Saint, Forest Tucker, Ralph Bellamy, and Anne Archer; Splendor In the Grass (1981) (TV-movie), starring Melissa Gilbert, Cyril O'Reilly, Ned Beatty, Eva Marie Saint, and Michelle Pfeiffer; Nothing In Common (1986), starring Tom Hanks, Jackie Gleason, Eva Marie Saint, Bess Armstrong, and Sela Ward; I Dreamed Of Africa (2000), starring Kim Basinger, Daniel Craig, and Eva Marie Saint; Because of Winn Dixie (2005), starring Jeff Daniels, Cicely Tyson, and Eva Marie Saint; Don't Come Knocking (2005), starring Sam Shepherd, Jessica Lange, and Eva Marie Saint; Superman Returns (2002), starring Brandon Routh, Kate Bosworth, Kevin Spacey, and Eva Marie Saint; Mariette in Ecstasy (2019), starring Geraldine O'Rawe, Eva Marie Saint, Mary McDonnell, and Rutger Hauser; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we return to our series on the Planet of the Apes with the 4th film in the franchise...1972's Conquest of the Planet of the Apes. Special guest Zach Pappas joins us to discuss a film that is fraught with injustice, violence, and circuses. Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your throughout all of Aperil! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Zach Pappas.

In this episode of "Tales from Hollywoodland," Julian, Arthur, and Steve discuss the intricacies of film distribution and exhibition, reflecting on personal experiences and the evolution of the industry. They pay homage to Don Murray's humanitarian efforts and explore the roles of marketing, concessions, and technological advancements in movie success. The impact of streaming services on traditional models and the future of film distribution are also debated.  Links Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland  Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ Tales From Hollywoodland on YouTube https://www.youtube.com/channel/UCdLX2kbwHqdn47FNN6vVN7Q  We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcast, Spotify, iHeartRadio, PlayerFM, YouTube, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #MovieDistribution #ExhibitionStrategies #TalesFromHollywoodlandPodcast #FilmIndustryInsights #MovieMarketing #DistributionChannels #CinemaTrends #PodcastEpisodes #EntertainmentBusiness #FilmExhibitionTactics #HollywoodInsights #MovieIndustryPodcast #DistributionModels #FilmPromotion #HollywoodStories #StevenJayRubin #Podcast #TalesFromHollywoodland #ArthurFriedman #JulianSchlossberg

Welcome back to News of the Month, where I talk about a few different entertainment news stories that feel important and/or interesting to me. The stories I'll be talking about this time involve 76th Primetime Emmys details, Quentin Tarantino's THE MOVIE CRITIC update, Best Casting Award at the Oscars, as well as the deaths of David Soul Sarah Rice, Joyce Randolph, Hinton Battle, Chita Rivera, Carl Weathers, and Don Murray. *I do not own any of the content used in this podcast. If you love this show, please leave us a review. Go to ⁠⁠⁠RateThisPodcast.com/karereviewspodcast⁠⁠⁠ and follow the simple instructions. Follow Kare Reviews at ⁠⁠⁠www.karereviews.net⁠⁠⁠ and on Twitter:⁠⁠⁠@KareReviews⁠⁠⁠ Also please visit the newly launched Patreon page:⁠⁠⁠https://www.patreon.com/jeffreykare?fan_landing=true⁠⁠⁠ Follow Jeffrey Kare on Twitter:⁠⁠⁠@JeffreyKare⁠⁠ If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. ⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Google⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support

In this week's episode, Patrick and Tommie discover dogs are good for your health, salute Corporal Smoky the Yorkshire Terrier, pay tribute to Charles Dickens and Eubie Blake, pay their respects to Carl Weathers, Don Murray, Toby Keith, and the man who owned the legendary Continental Baths, stop at the Caffe Cino, learn who started Black History Month and the origin of "the bonfire of the vanities", debate the "Italianess" of fettucine alfredo, laugh at the Russian police and the dangerous rainbow frog earrings, and name their favorite 20th century R&B/soul singers.

El estreno de “El color púrpura” nos lleva a hablar con Mary Carmen Rodríguez de los musicales que nos han llegado en el siglo XXI, siendo un género que se resiste a desaparecer de las pantallas y que ha tenido más de un ejemplo destacable aunque sea ya lejos de su edad dorada. Ponemos rumbo a los Goya 2024 con las claves de esta edición y tenemos In Memoriam dedicado a los actores Carl Weathers, Chita Rivera, Sandra Milo y Don Murray. En Leer cine, la biblioteca sonora de Carlos López-Tapia, “La coleccionista” de Marie Benedict y Victoria Christopher Murray, recomendaciones en Colgados de la plataforma y la crítica de las favoritas “Sala de profesores”, “En el Adamant”, “Pobres criaturas” y “Los tres mosqueteros: Milady”. Spooky a los mandos técnicos. ¡Muchas gracias por escucharnos!

Gay homosexuals Nick and Joseph discuss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rocky - a 1976 American sports drama film directed by John G. Avildsen, starring Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers, and Burgess Meredith. Additional topics include: -The Where Is Wendy Williams? trailer -Dirty ass Chipotle -Nicki Minaj vs. Megan Thee Stallion -The deaths of Carl Weathers, Don Murray, Sandra Milo, and Chita Rivera Join us on Patreon: ⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠ Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

Remembering the life and careers of Carl Weathers and Don Murray. --- Send in a voice message: https://podcasters.spotify.com/pod/show/kelli-n/message Support this podcast: https://podcasters.spotify.com/pod/show/kelli-n/support

: Jason Marriner is our Remember When Legend : Rick Milne talks Antiques and Collectables : Kevin pays tribute to Chita Rivera, Don Murray, Norman Jewison : Kevin Trask takes us to 1961 in Trask's Time Tunnel : Music montage of the hits of 1951 : Wes Turnbull asks about your Sunday Drives : Tony McManus previews Australia Overnight : Produced by Karl Bianco with Karalee Katsambanis in the newsbooth.See omnystudio.com/listener for privacy information.

The Oscar Nominated Actor Who played Sid Fairgate for 2 seasons on Knots Landing , Don Murray, has passed away (2/2/24). James Lott Jr recalls his role on the show and a very important moment he is a part of on tv history!

In Episode 68 of the Business Development Podcast, host Kelly Kennedy discusses the changes in the printing industry with guest Don Murray, a graphic design and printing expert with 30 years of experience. They explore how the rise of digital technology, including the internet and email, has transformed the print media landscape and impacted business development strategies. Murray emphasizes the importance of incorporating both digital and physical marketing materials, such as brochures, to effectively engage with clients and promote business growth. He also highlights the evolution of printing techniques, from film-based photography to digital scanning, and the challenges businesses face in keeping up with rapid changes in the industry.In the episode, Kennedy and Murray also delve into the decline the printing industry experienced in the past decade, as more people shifted to digital reading and publications. However, they note that the magazine market has rebounded, with a growing demand for print materials as people's needs and preferences change. They discuss the significance of creating well-designed brochures and the value of physical print products in building relationships with clients. Murray shares his insights on the advancements in color management and printing technology, as well as the need for businesses to adapt and drive their businesses forward amidst evolving technologies and market demands.Key Takeaways:Utilizing both print and digital marketing materials can be effective in driving business growth.Physical brochures and print products can still have a valuable impact in the digital age.Graphic design and printing technologies have evolved significantly over the years, requiring businesses to adapt and embrace new approaches.The magazine market rebounded after the rise of digital technologies, demonstrating the importance of understanding changing consumer needs and preferences.The ability to rapidly change and deliver information through the internet has transformed the way businesses communicate with their target audiences.The advancement of digital printing has provided new opportunities for the printing industry, but offset printing still holds its own advantages.In the digital age, businesses should focus on creating efficient and streamlined processes to drive business growth.The decline in the print industry led to the need for alternative revenue streams and adapting to new market demands.Color management and color science have undergone significant changes in the printing industry, improving the quality of print products.

Mick is joined by guest co-host Don Murray from The Hamityville Horror Podcast to discuss the differences between horror and elevated horror.Afterwards Mick has some things to discuss and a new format change!Check out Don on The Hamityville Horror Podcast: https://linktr.ee/hamityvillehorrorWatch Live on our a Patreon - https://www.patreon.com/TheSceneSnobsGo to SnobsMerch.com and use Promo Code "Snobs" for 10% Off your order!Get More of @TheSceneSnobs : linktr.ee/thescenesnobsCheck out our affiliate links for discounts!Entertainment Earth - https://ee.toys/scenesnob Use our link for 10% off any in-stock purchase. Also free domestic shipping on orders $79+Use TubeBuddy to help grow your YouTube Channel - https://www.tubebuddy.com/pricing?a=S... - Use our link to sign up!TheSceneSnobs.comThe Scene Snobs Podcast is LIVE every Tuesday at 7PM EST on our YouTube and available on all our YouTube Channel & Podcast Platforms afterwards.Snobnation Morning Show is LIVE every Friday morning 8-10AM ESTMental Health Resources:For finding a therapist in your area: https://www.psychologytoday.com/us/therapistsTips to Find Affordable Therapy Resources: https://www.psycom.net/how-to-find-affordable-therapy https://www.goodrx.com/insurance/low-cost-free-healthcare/free-mental-health-support-groupsSubstance Abuse and Mental Health Services Administration: https://www.samhsa.gov/find-help/national-helpline

Everyone's talking about AI right now. It's proven to be one of the biggest disruptors to the tech space post-Covid, but how has it affected geospatial data and location intelligence? How can ML and NLM's be used to recreate and map our world digitally? And how should you go about implementing AI in your business?In this episode of the EM360 Podcast, Head of Content Matt Harris speaks to Don Murray, Co-Founder and CEO of Safe Software, to discuss:AI and its impact on location intelligenceImplementing AI across the business Advice for business leaders

The clarinet playing vaudevillian had very popular bands in the 1920's and 30's, but his playing was not it's feature - he would hire fine jazzmen such as clarinetists Don Murray, Jimmy Dorsey, Frank Teschemacher and Slats Long (and Benny Goodman, who we played on a previous show) as well as George Brunies and Muggsy Spanier . . great hot dance from 1928-1933. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

SONG-STYLIST, LIVING KIDNEY DONOR, FORMER FLYING TRAPEZE ARTIST, VOCALIST, MEDIOCRE GARDENER After eight years in Seattle working as a professional circus artist, vocalist and former co-owner of Emerald City Trapeze Arts, Kari Kirkland left the dazzle of the Big Top and the death-defying practice behind to take center stage as a full-time musician in Southern California. The Canadian-born daughter of two working musicians from the US, Kari's childhood was spent crisscrossing North America by car. She played in various pop, rock, cabaret, and jazz groups through the early 2000's in Canada and the US before moving to Europe in 2003 where she spent 4 years writing, recording, and performing. While working in Seattle as a private chef by day, and performing music at night, Kari signed up for a flying trapeze class. There, she met her husband, Gary, in midair; he owned a circus school and performance venue in downtown Seattle. They married a year to the day later. Working together, they produced professional large-scale theatrical circus shows. Kari's debut album, Wild is the Wind, arranged and produced by four-time Grammy nominee, Shelly Berg, is a collection of contemporary songs and jazz standards. Recorded at United Recording in Los Angeles with Dean Parks (Guitar), Kevin Axt (Bass), Gregg Field (Drums), Brian Kilgore (Percussion), three-time Grammy winner John Daversa (Trumpet), two-time Grammy winner Roy Hargrove (Trumpet/Flugelhorn), and Shelly himself on piano and organ. The project was engineered and mixed by Don Murray in Los Angeles, and mastered by Paul Blakemore in Nashville. While the presence of jazz greats such as Berg and Hargrove establish Wild is the Wind as a jazz vocal album, the selection of songs cross musical boundaries, ranging from Adult Contemporary, pop, and blues, with moments of Latin and cabaret. Berg's feelings about his decision to work with Kari speak to the talents of this newcomer to the jazz scene. “Kari's voice and style are uniquely ‘her'. There is a depth of truth and heart in her singing that is very, very compelling. I'm proud and blessed to have done this project with her.” In October, 2021, Kari and Shelly collaborated once again, recording 15 new tracks at Capitol Records in Los Angeles, this time with the legendary Peter Erskine on drums, featuring Carlitos del Puerto on bass, and Terell Stafford on trumpet. Just four days after wrapping at Capitol, Kari flew to Seattle to donate her left kidney to a fellow musician, and spent the remainder of 2021 recovering from surgery. When she's not performing, Kari enjoys exploring the desert she calls home, near Palm Springs, CA, and can often be found in the backyard, gardening and soaking in the sunshine. Her second album entitled 'if (when you go)', was released on January 13, 2023.

The Visitors jump ahead to the far-off future year of 1991. America is under fascistic rule. The Planet of the Apes series enters into a darker phase. This is a movie that channels the hatred and chaos of the early 70s into a pop—art cataclysm of slavery and revolution. An ape named Caesar will take the reins and possibly forge a new destiny for the planet Earth. The result ends up being the most 80s a film from the 70s has ever looked. Put on your black turtleneck and download this episode. Also, find out the Visitors favorite fictional robots from film and television.

 If you only listen to one of our manufacturing leader podcasts, then let it be this one. Don Murray, is the MD of spincraft in Newcastle. He has had an unbelievable career, holding extremely senior roles such as the President of Board of Directors, for a rolls Royce marine division In this episode you will understand what it takes to transfer your skill set from a global company to a SME, and how to create an Environment where people succeed, and more important actually want to succeed We Discuss:-  What does being a leader mean to you?Creating an environment where people succeed Lessons from good managersLearning from other countries and culturesGoing from a huge global company, to an SMEThe need to be passionate about what you do and what you produce The first steps into a new role as an MDHow manufacturing has changed over the yearsChallenges of ManufacturingGUEST Q - Going back in time – what would you go back to / would you change?   You will learn so much from this time with Don. Thanks again for coming on the showPlease subscribe to the channel for more content! Theo James are a Manufacturing & Engineering Recruiter based in the North East, helping Manufacturing and Engineering firms grow across the UK. Please call us on 0191 5111 298

The newest head coach for the Brockport State Golden Eagles, Sam Recco!! Recco takes the reins from the legendary coaches of Don Murray and Bill Jacatout. Sam who is a 2012 NYS Champ for Section 5's Lydonville HS comes back to Rochester area after spending his collegiate career at Edinboro and coaching at General McLane HS, Lincoln College and Edinboro. Having a NY and Section 5 native at the helm is just what SUNY Brockport needs!! We are just under a month until the Golden Eagles take the mat!! If you've enjoyed this episode, be sure to give it a rate and review on Apple Podcast!! Facebook- Brockport Wrestling Instagram- brockportwrestling --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Baby, Now That I've Found You" by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Turtles songs in the episode. There's relatively little information available about the Turtles compared to other bands of their era, and so apart from the sources on the general LA scene referenced in all these podcasts, the information here comes from a small number of sources. This DVD is a decent short documentary on the band's career. Howard Kaylan's autobiography, Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc.,  is a fun read, if inevitably biased towards his own viewpoint. Jim Pons' Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God is much less fun, being as it is largely organised around how his life led up to his latter-day religious beliefs, but is the only other book I'm aware of with a substantial amount of coverage of the Turtles. There are many compilations of the Turtles' material available, of which All The Singles is by far and away the best. The box set of all their albums with bonus tracks is now out of print on CD, but can still be bought as MP3s. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've spent a lot of time recently in the LA of summer 1967, at the point where the sunshine pop sound that was created when the surf harmonies of the Beach Boys collided with folk rock was at its apex, right before fashions changed and tight sunny pop songs with harmonies from LA became yesterday's news, and extended blues-rock improvisations from San Francisco became the latest in thing. This episode is the last part of this four-episode sequence, and is going to be shorter than those others. In many ways this one is a bridge between this sequence and next episode, where we travel back to London, because we're saying goodbye for a while to the LA scene, and when we do return to LA it will be, for the most part, to look at music that's a lot less sunshine and a lot more shadow. So this is a brief fade-out while we sing ba-ba-ba, a three-minute pop-song of an episode, a last bit of sunshine pop before we return to longer, more complicated, stories  in two weeks' time, at which point the sun will firmly set. Like many musicians associated with LA, Howard Kaylan was born elsewhere and migrated there as a child, and he seems to have regarded his move from upstate New York to LA as essentially a move to Disneyland itself. That impression can only have been made stronger by the fact that soon after his family moved there he got his first childhood girlfriend -- who happened to be a Mouseketeer on the TV. And TV was how young Howard filtered most of his perceptions -- particularly TV comedy. By the age of fourteen he was the president of the Soupy Sales Fan Club, and he was also obsessed with the works of Ernie Kovacs, Sid Caesar, and the great satirist and parodist Stan Freberg: [Excerpt: Stan Freberg, "St. George and the Dragonet"] Second only to his love of comedy, though, was his love of music, and it was on the trip from New York to LA that he saw a show that would eventually change his life. Along the way, his family had gone to Las Vegas, and while there they had seen Louis Prima and Keeley Smith do their nightclub act. Prima is someone I would have liked to do a full podcast episode on when I was covering the fifties, and who I did do a Patreon bonus episode on. He's now probably best known for doing the voice of King Louis in the Jungle Book: [Excerpt: Louis Prima, "I Wanna Be Like You (the Monkey Song)"] But he was also a jump blues musician who made some very good records in a similar style to Louis Jordan, like "Jump, Jive, an' Wail" [Excerpt: Louis Prima, "Jump, Jive, an' Wail"] But like Jordan, Prima dealt at least as much in comedy as in music -- usually comedy involving stereotypes about his Italian-American ethnic origins. At the time young Howard Kaylan saw him, he was working a double act with his then-wife Keeley Smith. The act would consist of Smith trying to sing a song straight, while Prima would clown around, interject, and act like a fool, as Smith grew more and more exasperated, and would eventually start contemptuously mocking Prima. [Excerpt: Louis Prima and Keeley Smith, "Embraceable You/I've Got It Bad and That Ain't Good"] This is of course a fairly standard double-act format, as anyone who has suffered through an episode of The Little and Large Show will be all too painfully aware, but Prima and Smith did it better than most, and to young Howard Kaylan, this was the greatest entertainment imaginable. But while comedy was the closest thing to Kaylan's heart, music was a close second. He was a regular listener to Art Laboe's radio show, and in a brief period as a teenage shoplifter he obtained records like Ray Charles' album Genius + Soul = Jazz: [Excerpt: Ray Charles, "One Mint Julep"] and the single "Tossin' and Turnin'" by Bobby Lewis: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] "Tossin' and Turnin'" made a deep impression on Kaylan, because of the saxophone solo, which was actually a saxophone duet. On the record, baritone sax player Frank Henry played a solo, and it was doubled by the great tenor sax player King Curtis, who was just playing a mouthpiece rather than a full instrument, making a high-pitched squeaking sound: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] Curtis was of course also responsible for another great saxophone part a couple of years earlier, on a record that Kaylan loved because it combined comedy and rock and roll, "Yakety Yak": [Excerpt: The Coasters, "Yakety Yak"] Those two saxophone parts inspired Kaylan to become a rock and roller. He was already learning the clarinet and playing part time in an amateur Dixieland band, and it was easy enough to switch to saxophone, which has the same fingering. Within a matter of weeks of starting to play sax, he was invited to join a band called the Nightriders, who consisted of Chuck Portz on bass, Al Nichol on guitar, and Glen Wilson on drums. The Nightriders became locally popular, and would perform sets largely made up of Johnny and the Hurricanes and Ventures material. While he was becoming a budding King Curtis, Kaylan was still a schoolkid, and one of the classes he found most enjoyable was choir class. There was another kid in choir who Kaylan got on with, and one day that kid, Mark Volman came up to him, and had a conversation that Kaylan would recollect decades later in his autobiography: “So I hear you're in a rock 'n' roll band.” “Yep.” “Um, do you think I could join it?” “Well, what do you do?” “Nothing.” “Nothing?” “Nope.” “Sounds good to me. I'll ask Al.” Volman initially became the group's roadie and occasional tambourine player, and would also get on stage to sing a bit during their very occasional vocal numbers, but was mostly "in the band" in name only at first -- he didn't get a share of the group's money, but he was allowed to say he was in the group because that meant that his friends would come to the Nightriders' shows, and he was popular among the surfing crowd. Eventually, Volman's father started to complain that his son wasn't getting any money from being in the band, while the rest of the group were, and they explained to him that Volman was just carrying the instruments while they were all playing them. Volman's father said "if Mark plays an instrument, will you give him equal shares?" and they said that that was fair, so Volman got an alto sax to play along with Kaylan's tenor. Volman had also been taking clarinet lessons, and the two soon became a tight horn section for the group, which went through a few lineup changes and soon settled on a lineup of Volman and Kaylan on saxes, Nichol on lead guitar, Jim Tucker on rhythm guitar, Portz on bass, and Don Murray on drums. That new lineup became known as the Crossfires, presumably after the Johnny and the Hurricanes song of the same name: [Excerpt: Johnny and the Hurricanes, "Crossfire"] Volman and Kaylan worked out choreographed dance steps to do while playing their saxes, and the group even developed a group of obsessive fans who called themselves the Chunky Club, named after one of the group's originals: [Excerpt: The Crossfires, "Chunky"] At this point the group were pretty much only playing instrumentals, though they would do occasional vocals on R&B songs like "Money" or their version of Don and Dewey's "Justine", songs which required more enthusiasm than vocal ability. But their first single, released on a tiny label, was another surf instrumental, a song called "Dr. Jekyll and Mr. Hyde": [Excerpt: The Crossfires, "Dr. Jekyll and Mr Hyde"] The group became popular enough locally that they became the house band at the Revelaire Club in Redondo Beach. There as well as playing their own sets, they would also be the backing band for any touring acts that came through without their own band, quickly gaining the kind of performing ability that comes from having to learn a new artist's entire repertoire in a few days and be able to perform it with them live with little or no rehearsal. They backed artists like the Coasters, the Drifters, Bobby Vee, the Rivingtons, and dozens of other major acts, and as part of that Volman and Kaylan would, on songs that required backing vocals, sing harmonies rather than playing saxophone. And that harmony-singing ability became important when the British Invasion happened, and suddenly people didn't want to hear surf instrumentals, but vocals along the lines of the new British groups. The Crossfires' next attempt at a single was another original, this one an attempt at sounding like one of their favourite new British groups, the Kinks: [Excerpt: The Crossfires, "One Potato, Two Potato"] This change to vocals necessitated a change in the group dynamic. Volman and Kaylan ditched the saxophones, and discovered that between them they made one great frontman. The two have never been excessively close on a personal level, but both have always known that the other has qualities they needed. Frank Zappa would later rather dismissively say "I regard Howard as a fine singer, and Mark as a great tambourine player and fat person", and it's definitely true that Kaylan is one of the truly great vocalists to come out of the LA scene in this period, while Volman is merely a good harmony singer, not anything particularly special -- though he *is* a good harmony singer -- but it undersells Volman's contribution. There's a reason the two men performed together for nearly sixty years. Kaylan is a great singer, but also by nature rather reserved, and he always looked uncomfortable on stage, as well as, frankly, not exactly looking like a rock star (Kaylan describes himself not inaccurately as looking like a potato several times in his autobiography). Volman, on the other hand, is a merely good singer, but he has a naturally outgoing personality, and while he's also not the most conventionally good-looking of people he has a *memorable* appearance in a way that Kaylan doesn't. Volman could do all the normal frontman stuff, the stuff that makes a show an actual show -- the jokes, the dancing, the between-song patter, the getting the crowd going, while Kaylan could concentrate on the singing. They started doing a variation on the routine that had so enthralled Howard Kaylan when he'd seen Louis Prima and Keeley Smith do it as a child. Kaylan would stand more or less stock still, looking rather awkward, but singing like an angel, while Volman would dance around, clown, act the fool, and generally do everything he could to disrupt the performance -- short of actually disrupting it in reality. It worked, and Volman became one of that small but illustrious group of people -- the band member who makes the least contribution to the sound of the music but the biggest contribution to the feel of the band itself, and without whom they wouldn't be the same. After "One Potato, Two Potato" was a flop, the Crossfires were signed to their third label. This label, White Whale, was just starting out, and the Crossfires were to become their only real hit act. Or rather, the Turtles were. The owners of White Whale knew that they didn't have much promotional budget and that their label was not a known quantity -- it was a tiny label with no track record. But they thought of a way they could turn that to their advantage. Everyone knew that the Beatles, before Capitol had picked up their contracts, had had their records released on a bunch of obscure labels like Swan and Tollie. People *might* look for records on tiny independent labels if they thought it might be another British act who were unknown in the US but could be as good as the Beatles. So they chose a name for the group that they thought sounded as English as possible -- an animal name that started with "the", and ended in "les", just like the Beatles. The group, all teenagers at the time, were desperate enough that they agreed to change their name, and from that point on they became the Turtles. In order to try and jump on as many bandwagons as possible, the label wanted to position them as a folk-rock band, so their first single under the Turtles name was a cover of a Bob Dylan song, from Another Side of Bob Dylan: [Excerpt: Bob Dylan, "It Ain't Me Babe"] That song's hit potential had already been seen by Johnny Cash, who'd had a country hit with it a few months before. But the Turtles took the song in a different direction, inspired by Kaylan's *other* great influence, along with Prima and Smith. Kaylan was a big fan of the Zombies, one of the more interesting of the British Invasion groups, and particularly of their singer Colin Blunstone. Kaylan imitated Blunstone on the group's hit single, "She's Not There", on which Blunstone sang in a breathy, hushed, voice on the verses: [Excerpt: The Zombies, "She's Not There"] before the song went into a more stomping chorus on which Blunstone sang in a fuller voice: [Excerpt: The Zombies, "She's Not There"] Kaylan did this on the Turtles' version of "It Ain't Me Babe", starting off with a quiet verse: [Excerpt: The Turtles, "It Ain't Me Babe"] Before, like the Zombies, going into a foursquare, more uptempo, louder chorus: [Excerpt: The Turtles, "It Ain't Me Babe"] The single became a national top ten hit, and even sort of got the approval of Bob Dylan. On the group's first national tour, Dylan was at one club show, which they ended with "It Ain't Me Babe", and after the show the group were introduced to the great songwriter, who was somewhat the worse for wear. Dylan said “Hey, that was a great song you just played, man. That should be your single", and then passed out into his food. With the group's first single becoming a top ten hit, Volman and Kaylan got themselves a house in Laurel Canyon, which was not yet the rock star Mecca it was soon to become, but which was starting to get a few interesting residents. They would soon count Henry Diltz of the Modern Folk Quartet, Danny Hutton, and Frank Zappa among their neighbours. Soon Richie Furay would move in with them, and the house would be used by the future members of the Buffalo Springfield as their rehearsal space. The Turtles were rapidly becoming part of the in crowd. But they needed a follow-up single, and so Bones Howe, who was producing their records, brought in P.F. Sloan to play them a few of his new songs. They liked "Eve of Destruction" enough to earmark it as a possible album track, but they didn't think they would do it justice, and so it was passed on to Barry McGuire. But Sloan did have something for them -- a pseudo-protest song called "Let Me Be" that was very clearly patterned after their version of "It Ain't Me Babe", and which was just rebellious enough to make them seem a little bit daring, but which was far more teenage angst than political manifesto: [Excerpt: The Turtles, "Let Me Be"] That did relatively well, making the top thirty -- well enough for the group to rush out an album which was padded out with some sloppy cover versions of other Dylan songs, a version of "Eve of Destruction", and a few originals written by Kaylan. But the group weren't happy with the idea of being protest singers. They were a bunch of young men who were more motivated by having a good time than by politics, and they didn't think that it made sense for them to be posing as angry politicised rebels. Not only that, but there was a significant drop-off between "It Ain't Me Babe" and "Let Me Be". They needed to do better. They got the clue for their new direction while they were in New York. There they saw their friends in the Mothers of Invention playing their legendary residency at the Garrick Theatre, but they also saw a new band, the Lovin' Spoonful, who were playing music that was clearly related to the music the Turtles were doing -- full of harmonies and melody, and inspired by folk music -- but with no sense of rebelliousness at all. They called it "Good Time Music": [Excerpt: The Lovin' Spoonful, "Good Time Music"] As soon as they got back to LA, they told Bones Howe and the executives at White Whale that they weren't going to be a folk-rock group any more, they were going to be "good time music", just like the Lovin' Spoonful. They were expecting some resistance, but they were told that that was fine, and that PF Sloan had some good time music songs too. "You Baby" made the top twenty: [Excerpt: The Turtles, "You Baby"] The Turtles were important enough in the hierarchy of LA stars that Kaylan and Tucker were even invited by David Crosby to meet the Beatles at Derek Taylor's house when they were in LA on their last tour -- this may be the same day that the Beatles met Brian and Carl Wilson, as I talked about in the episode on "All You Need is Love", though Howard Kaylan describes this as being a party and that sounded like more of an intimate gathering. If it was that day, there was nearly a third Beach Boy there. The Turtles knew David Marks, the Beach Boys' former rhythm guitarist, because they'd played a lot in Inglewood where he'd grown up, and Marks asked if he could tag along with Kaylan and Tucker to meet the Beatles. They agreed, and drove up to the house, and actually saw George Harrison through the window, but that was as close as they got to the Beatles that day. There was a heavy police presence around the house because it was known that the Beatles were there, and one of the police officers asked them to drive back and park somewhere else and walk up, because there had been complaints from neighbours about the number of cars around. They were about to do just that, when Marks started yelling obscenities and making pig noises at the police, so they were all arrested, and the police claimed to find a single cannabis seed in the car. Charges were dropped, but now Kaylan was on the police's radar, and so he moved out of the Laurel Canyon home to avoid bringing police attention to Buffalo Springfield, so that Neil Young and Bruce Palmer wouldn't get deported. But generally the group were doing well. But there was a problem. And that problem was their record label. They rushed out another album to cash in on the success of "You Baby", one that was done so quickly that it had "Let Me Be" on it again, just as the previous album had, and which included a version of the old standard "All My Trials", with the songwriting credited to the two owners of White Whale records. And they pumped out a lot of singles. A LOT of singles, ranging from a song written for them by new songwriter Warren Zevon, to cover versions of Frank Sinatra's "It Was a Very Good Year" and the old standard "We'll Meet Again". Of the five singles after "You Baby", the one that charted highest was a song actually written by a couple of the band members. But for some reason a song with verses in 5/4 time and choruses in 6/4 with lyrics like "killing the living and living to kill, the grim reaper of love thrives on pain" didn't appeal to the group's good-time music pop audience and only reached number eighty-one: [Excerpt: The Turtles, "Grim Reaper of Love"] The group started falling apart. Don Murray became convinced that  the rest of the band were conspiring against him and wanted him out, so he walked out of the group in the middle of a rehearsal for a TV show. They got Joel Larson of the Grass Roots -- the group who had a number of hits with Sloan and Barri songs -- to sub for a few gigs before getting in a permanent replacement, Johnny Barbata, who came to them on the recommendation of Gene Clark, and who was one of the best drummers on the scene -- someone who was not only a great drummer but a great showman, who would twirl his drumsticks between his fingers with every beat, and who would regularly engage in drum battles with Buddy Rich. By the time they hit their fifth flop single in a row, they lost their bass player as well -- Chuck Portz decided he was going to quit music and become a fisherman instead. They replaced him with Chip Douglas of the Modern Folk Quartet. Then they very nearly lost their singers. Volman and Kaylan both got their draft notices at the same time, and it seemed likely they would end up having to go and fight in the Vietnam war. Kaylan was distraught, but his mother told him "Speak to your cousin Herb". Cousin Herb was Herb Cohen, the manager of the Mothers of Invention and numerous other LA acts, including the Modern Folk Quartet, and Kaylan only vaguely knew him at this time, but he agreed to meet up with them, and told them “Stop worrying! I got Zappa out, I got Tim Buckley out, and I'll get you out.” Cohen told Volman and Kaylan to not wash for a week before their induction, to take every drug of every different kind they could find right before going in, to deliberately disobey every order, to fail the logic tests, and to sexually proposition the male officers dealing with the induction. They followed his orders to the letter, and got marked as 4-F, unfit for service. They still needed a hit though, and eventually they found something by going back to their good-time music idea. It was a song from the Koppelman-Rubin publishing company -- the same company that did the Lovin Spoonful's management and production. The song in question was by Alan Gordon and Gary Bonner, two former members of a group called the Magicians, who had had a minor success with a single called "An Invitation to Cry": [Excerpt: The Magicians, "An Invitation to Cry"] The Magicians had split up, and Bonner and Gordon were trying to make a go of things as professional songwriters, but had had little success to this point. The song on the demo had been passed over by everyone, and the demo was not at all impressive, just a scratchy acetate with Bonner singing off-key and playing acoustic rhythm guitar and Gordon slapping his knees to provide rhythm, but the group heard something in it. They played the song live for months, refining the arrangement, before taking it into the studio. There are arguments to this day as to who deserves the credit for the sound on "Happy Together" -- Chip Douglas apparently did the bulk of the arrangement work while they were on tour, but the group's new producer, Joe Wissert, a former staff engineer for Cameo-Parkway, also claimed credit for much of it. Either way, "Happy Together" is a small masterpiece of dynamics. The song is structured much like the songs that had made the Turtles' name, with the old Zombies idea of the soft verse and much louder chorus: [Excerpt: The Turtles, "Happy Together"] But the track is really made by the tiny details of the arrangement, the way instruments and vocal parts come in and out as the track builds up, dies down, and builds again. If you listen to the isolated tracks, there are fantastic touches like the juxtaposition of the bassoon and oboe (which I think is played on a mellotron): [Excerpt: The Turtles, "Happy Together", isolated tracks] And a similar level of care and attention was put into the vocal arrangement by Douglas, with some parts just Kaylan singing solo, other parts having Volman double him, and of course the famous "bah bah bah" massed vocals: [Excerpt: The Turtles, "Happy Together", isolated vocals] At the end of the track, thinking he was probably going to do another take, Kaylan decided to fool around and sing "How is the weather?", which Bonner and Gordon had jokingly done on the demo. But the group loved it, and insisted that was the take they were going to use: [Excerpt: The Turtles, "Happy Together"] "Happy Together" knocked "Penny Lane" by the Beatles off the number one spot in the US, but by that point the group had already had another lineup change. The Monkees had decided they wanted to make records without the hit factory that had been overseeing them, and had asked Chip Douglas if he wanted to produce their first recordings as a self-contained band. Given that the Monkees were the biggest thing in the American music industry at the time, Douglas had agreed, and so the group needed their third bass player in a year. The one they went for was Jim Pons. Pons had seen the Beatles play at the Hollywood Bowl in 1964, and decided he wanted to become a pop star. The next day he'd been in a car crash, which had paid out enough insurance money that he was able to buy two guitars, a bass, drums, and amps, and use them to start his own band. That band was originally called The Rockwells, but quickly changed their name to the Leaves, and became a regular fixture at Ciro's on Sunset Strip, first as customers, then after beating Love in the auditions, as the new resident band when the Byrds left. For a while the Leaves had occasionally had guest vocals from a singer called Richard Marin, but Pons eventually decided to get rid of him, because, as he put it "I wanted us to look like The Beatles. There were no Mexicans in The Beatles". He is at pains in his autobiography to assure us that he's not a bigot, and that Marin understood. I'm sure he did. Marin went on to be better known as Cheech Marin of Cheech and Chong. The Leaves were signed by Pat Boone to his production company, and through that company they got signed to Mira Records. Their first single, produced by Nik Venet, had been a version of "Love Minus Zero (No Limit)", a song by Bob Dylan: [Excerpt: The Leaves, "Love Minus Zero (No Limit)"] That had become a local hit, though not a national one, and the Leaves had become one of the biggest bands on the Sunset Strip scene, hanging out with all the other bands. They had become friendly with the Doors before the Doors got a record deal, and Pat Boone had even asked for an introduction, as he was thinking of signing them, but unfortunately when he met Jim Morrison, Morrison had drunk a lot of vodka, and given that Morrison was an obnoxious drunk Boone had second thoughts, and so the world missed out on the chance of a collaboration between the Doors and Pat Boone. Their second single was "Hey Joe" -- as was their third and fourth, as we discussed in that episode: [Excerpt: The Leaves, "Hey Joe"] Their third version of "Hey Joe" had become a top forty hit, but they didn't have a follow-up, and their second album, All The Good That's Happening, while it's a good album, sold poorly. Various band members quit or fell out, and when Johnny Barbata knocked on Jim Pons' door it was an easy decision to quit and join a band that had a current number one hit. When Pons joined, the group had already recorded the Happy Together album. That album included the follow-up to "Happy Together", another Bonner and Gordon song, "She'd Rather Be With Me": [Excerpt: The Turtles, "She'd Rather Be With Me"] None of the group were tremendously impressed with that song, but it did very well, becoming the group's second-biggest hit in the US, reaching number three, and actually becoming a bigger hit than "Happy Together" in parts of Europe. Before "Happy Together" the group hadn't really made much impact outside the US. In the UK, their early singles had been released by Pye, the smallish label that had the Kinks and Donovan, but which didn't have much promotional budget, and they'd sunk without trace. For "You Baby" they'd switched to Immediate, the indie label that Andrew Oldham had set up, and it had done a little better but still not charted. But from "Happy Together" they were on Decca, a much bigger label, and "Happy Together" had made number twelve in the charts in the UK, and "She'd Rather Be With Me" reached number four. So the new lineup of the group went on a UK tour. As soon as they got to the hotel, they found they had a message from Graham Nash of the Hollies, saying he would like to meet up with them. They all went round to Nash's house, and found Donovan was also there, and Nash played them a tape he'd just been given of Sgt Pepper, which wouldn't come out for a few more days. At this point they were living every dream a bunch of Anglophile American musicians could possibly have. Jim Tucker mentioned that he would love to meet the Beatles, and Nash suggested they do just that. On their way out the door, Donovan said to them, "beware of Lennon". It was when they got to the Speakeasy club that the first faux-pas of the evening happened. Nash introduced them to Justin Hayward and John Lodge of the Moody Blues, and Volman said how much he loved their record "Go Now": [Excerpt: The Moody Blues, "Go Now"] The problem was that Hayward and Lodge had joined the group after that record had come out, to replace its lead singer Denny Laine. Oh well, they were still going to meet the Beatles, right? They got to the table where John, Paul, and Ringo were sat, at a tense moment -- Paul was having a row with Jane Asher, who stormed out just as the Turtles were getting there. But at first, everything seemed to go well. The Beatles all expressed their admiration for "Happy Together" and sang the "ba ba ba" parts at them, and Paul and Kaylan bonded over their shared love for "Justine" by Don and Dewey, a song which the Crossfires had performed in their club sets, and started singing it together: [Excerpt: Don and Dewey, "Justine"] But John Lennon was often a mean drunk, and he noticed that Jim Tucker seemed to be the weak link in the group, and soon started bullying him, mocking his clothes, his name, and everything he said. This devastated Tucker, who had idolised Lennon up to that point, and blurted out "I'm sorry I ever met you", to which Lennon just responded "You never did, son, you never did". The group walked out, hurt and confused -- and according to Kaylan in his autobiography, Tucker was so demoralised by Lennon's abuse that he quit music forever shortly afterwards, though Tucker says that this wasn't the reason he quit. From their return to LA on, the Turtles would be down to just a five-piece band. After leaving the club, the group went off in different directions, but then Kaylan (and this is according to Kaylan's autobiography, there are no other sources for this) was approached by Brian Jones, asking for his autograph because he loved the Turtles so much. Jones introduced Kaylan to the friend he was with, Jimi Hendrix, and they went out for dinner, but Jones soon disappeared with a girl he'd met. and left Kaylan and Hendrix alone. They were drinking a lot -- more than Kaylan was used to -- and he was tired, and the omelette that Hendrix had ordered for Kaylan was creamier than he was expecting... and Kaylan capped what had been a night full of unimaginable highs and lows by vomiting all over Jimi Hendrix's expensive red velvet suit. Rather amazingly after all this, the Moody Blues, the Beatles, and Hendrix, all showed up to the Turtles' London gig and apparently enjoyed it. After "She'd Rather Be With Me", the next single to be released wasn't really a proper single, it was a theme song they'd been asked to record for a dire sex comedy titled "Guide for the Married Man", and is mostly notable for being composed by John Williams, the man who would later go on to compose the music for Star Wars. That didn't chart, but the group followed it with two more top twenty hits written by Bonner and Gordon, "You Know What I Mean" and "She's My Girl". But then the group decided that Bonner and Gordon weren't giving them their best material, and started turning down their submissions, like a song called "Celebrity Ball" which they thought had no commercial potential, at least until the song was picked up by their friends Three Dog Night, retitled "Celebrate", and made the top twenty: [Excerpt: Three Dog Night, "Celebrate"] Instead, the group decided to start recording more of their own material. They were worried that in the fast-changing rock world bands that did other songwriters' material were losing credibility. But "Sound Asleep", their first effort in this new plan, only made number forty-seven on the charts. Clearly they needed a different plan. They called in their old bass player Chip Douglas, who was now an experienced hitmaker as a producer. He called in *his* friend Harry Nilsson, who wrote "The Story of Rock & Roll" for the group, but that didn't do much better, only making number forty-eight. But the group persevered, starting work on a new album produced by Douglas, The Turtles Present The Battle of the Bands, the conceit of which was that every track would be presented as being by a different band. So there were tracks by  Chief Kamanawanalea and his Royal Macadamia Nuts,  Fats Mallard and the Bluegrass Fireball, The Atomic Enchilada, and so on, all done in the styles suggested by those band names. There was even a track by "The Cross Fires": [Excerpt: The Cross Fires, "Surfer Dan"] It was the first time the group had conceived of an album as a piece, and nine of the twelve tracks were originals by the band -- there was a track written by their friend Bill Martin, and the opening track, by "The US Teens Featuring Raoul", was co-written by Chip Douglas and Harry Nilsson. But for the most part the songs were written by the band members themselves, and jointly credited to all of them. This was the democratic decision, but one that Howard Kaylan would later regret, because of the song for which the band name was just "Howie, Mark, Johnny, Jim & Al". Where all the other songs were parodies of other types of music, that one was, as the name suggests, a parody of the Turtles themselves. It was written by Kaylan in disgust at the record label, who kept pestering the group to "give us another 'Happy Together'". Kaylan got more and more angry at this badgering, and eventually thought "OK, you want another 'Happy Together'? I'll give you another 'Happy Together'" and in a few minutes wrote a song that was intended as an utterly vicious parody of that kind of song, with lyrics that nobody could possibly take seriously, and with music that was just mocking the whole structure of "Happy Together" specifically. He played it to the rest of the group, expecting them to fall about laughing, but instead they all insisted it was the group's next single. "Elenore" went to number six on the charts, becoming their biggest hit since "She'd Rather Be With Me": [Excerpt: The Turtles, "Elenore"] And because everything was credited to the group, Kaylan's songwriting royalties were split five ways. For the follow-up, they chose the one actual cover version on the album. "You Showed Me" is a song that Roger McGuinn and Gene Clark had written together in the very early days of the Byrds, and they'd recorded it as a jangly folk-rock tune in 1964: [Excerpt: The Byrds, "You Showed Me"] They'd never released that track, but Gene Clark had performed it solo after leaving the Byrds, and Douglas had been in Clark's band at the time, and liked the song. He played it for the Turtles, but when he played it for them the only instrument he had to hand was a pump organ with one of its bellows broken. Because of this, he had to play it slowly, and while he kept insisting that the song needed to be faster, the group were equally insistent that what he was playing them was the big ballad hit they wanted, and they recorded it at that tempo. "You Showed Me" became the Turtles' final top ten hit: [Excerpt: The Turtles, "You Showed Me"] But once again there were problems in the group. Johnny Barbata was the greatest drummer any of them had ever played with, but he didn't fit as a personality -- he didn't like hanging round with the rest of them when not on stage, and while there were no hard feelings, it was clear he could get a gig with pretty much anyone and didn't need to play with a group he wasn't entirely happy in. By mutual agreement, he left to go and play with Crosby, Stills, Nash, and Young, and was replaced by John Seiter from Spanky and Our Gang -- a good drummer, but not the best of the best like Barbata had been. On top of this, there were a whole host of legal problems to deal with. The Turtles were the only big act on White Whale records, though White Whale did put out some other records. For example, they'd released the single "Desdemona" by John's Children in the US: [Excerpt: John's Children, "Desdemona"] The group, being the Anglophiles they were, had loved that record, and were also among the very small number of Americans to like the music made by John's Children's guitarist's new folk duo, Tyrannosaurus Rex: [Excerpt: Tyrannosaurus Rex, "Debora"] When Tyrannosaurus Rex supported the Turtles, indeed, Volman and Kaylan became very close to Marc Bolan, and told him that the next time they were in England they'd have to get together, maybe even record together. That would happen not that many years later, with results we'll be getting to in... episode 201, by my current calculations. But John's Children hadn't had a hit, and indeed nobody on White Whale other than the Turtles had. So White Whale desperately wanted to stop the Turtles having any independence, and to make sure they continued to be their hit factory. They worked with the group's roadie, Dave Krambeck, to undermine the group's faith in their manager, Bill Utley, who supported the group in their desire for independence. Soon, Krambeck and White Whale had ousted Utley, and Krambeck had paid Utley fifty thousand dollars for their management contract, with the promise of another two hundred thousand later. That fifty thousand dollars had been taken by Krambeck as an advance against the Turtles' royalties, so they were really buying themselves out. Except that Krambeck then sold the management contract on to a New York management firm, without telling the group. He then embezzled as much of the group's ready cash as he could and ran off to Mexico, without paying Utley his two hundred thousand dollars. The Turtles were out of money, and they were being sued by Utley because he hadn't had the money he should have had, and by the big New York firm, because  since the Turtles hadn't known they were now legally their managers they were in breach of contract. They needed money quickly, and so they signed with another big management company, this one co-owned by Bill Cosby, in the belief that Cosby's star power might be able to get them some better bookings. It did -- one of the group's first gigs after signing with the new company was at the White House. It turned out they were Tricia Nixon's favourite group, and so they and the Temptations were booked at her request for a White House party. The group at first refused to play for a President they rightly thought of as a monster, but their managers insisted. That destroyed their reputation among the cool antiestablishment youth, of course, but it did start getting them well-paid corporate gigs. Right up until the point where Kaylan became sick at his own hypocrisy at playing these events, drank too much of the complimentary champagne at an event for the president of US Steel, went into a drunken rant about how sick the audience made him, and then about how his bandmates were a bunch of sellouts, threw his mic into a swimming pool, and quit while still on stage. He was out of the band for two months, during which time they worked on new material without him, before they made up and decided to work on a new album. This new album, though, was going to be more democratic. As well as being all original material, they weren't having any of this nonsense about the lead singer singing lead. This time, whoever wrote the song was going to sing lead, so Kaylan only ended up singing lead on six of the twelve songs on what turned out to be their final album, Turtle Soup. They wanted a truly great producer for the new album, and they all made lists of who they might call. The lists included a few big names like George Martin and Phil Spector, but one name kept turning up -- Ray Davies. As we'll hear in the next episode, the Kinks had been making some astonishing music since "You Really Got Me", but most of it had not been heard in the US. But the Turtles all loved the Kinks' 1968 album The Kinks Are The Village Green Preservation Society, which they considered the best album ever made: [Excerpt: The Kinks, "Animal Farm"] They got in touch with Davies, and he agreed to produce the album -- the first time he did any serious outside production work -- and eventually they were able to persuade White Whale, who had no idea who he was, to allow him to produce it. The resulting album is by far the group's strongest album-length work, though there were problems -- Davies' original mix of the album was dominated by the orchestral parts written by Wrecking Crew musician Ray Pohlman, while the group thought that their own instruments should be more audible, since they were trying to prove that they were a proper band. They remixed it themselves, annoying Davies, though reissues since the eighties have reverted to a mix closer to Davies' intentions. Some of the music, like Pons' "Dance This Dance With Me", perhaps has the group trying a little *too* hard to sound like the Kinks: [Excerpt: The Turtles, "Dance This Dance With Me"] But on the other hand, Kaylan's "You Don't Have to Walk in the Rain" is the group's last great pop single, and has one of the best lines of any single from the sixties -- "I look at your face, I love you anyway": [Excerpt: The Turtles, "You Don't Have to Walk in the Rain"] But the album produced no hits, and the group were getting more and more problems from their label. White Whale tried to get Volman and Kaylan to go to Memphis without the other band members to record with Chips Moman, but they refused -- the Turtles were a band, and they were proud of not having session players play their parts on the records. Instead, they started work with Jerry Yester producing on a new album, to be called Shell Shock. They did, though bow to pressure and record a terrible country track called "Who Would Ever Think That I Would Marry Margaret" backed by session players, at White Whale's insistence, but managed to persuade the label not to release it. They audited White Whale and discovered that in the first six months of 1969 alone -- a period where they hadn't sold that many records -- they'd been underpaid by a staggering six hundred and fifty thousand dollars. They sued the label for several million, and in retaliation, the label locked them out of the recording studio, locking their equipment in there. They basically begged White Whale to let them record one last great single, one last throw of the dice. Jim Pons had, for years, known a keyboard player named Bob Harris, and had recently got to know Harris' wife, Judee Sill. Sill had a troubled life -- she was a heroin addict, and had at times turned to streetwalking to earn money, and had spent time in prison for armed robbery -- but she was also an astonishing songwriter, whose music was as inspired by Bach as by any pop or folk composer. Sill had been signed to Blimp, the Turtles' new production and publishing company, and Pons was co-producing some tracks on her first album, with Graham Nash producing others. Pons thought one song from that album, "Lady-O", would be perfect for the Turtles: [Excerpt: Judee Sill, "Lady-O"] (music continues under) The Turtles stuck closely to Sill's vision of the song. So closely that you haven't noticed that before I started talking, we'd already switched from Sill's record to the Turtles' version. [Excerpt: The Turtles, "Lady-O"] That track, with Sill on guitar backing Kaylan, Volman, and Nichol's vocals, was the last Turtles single to be released while the band were together. Despite “Lady O” being as gorgeous a melody as has ever been produced in the rock world, it sank without trace, as did a single from the Shell Shock sessions released under a pseudonym, The Dedications. White Whale followed that up, to the group's disgust, with "Who Would Ever Think That I Would Marry Margaret?", and then started putting out whatever they had in the vaults, trying to get the last few pennies, even releasing their 1965 album track version of "Eve of Destruction" as if it were a new single. The band were even more disgusted when they discovered that, thanks to the flurry of suits and countersuits, they not only could no longer perform as the Turtles, but White Whale were laying legal claim to their own names. They couldn't perform under those names -- Howard Kaylan, Mark Volman, and the rest were the intellectual property of White Whale, according to the lawyers. The group split up, and Kaylan and Volman did some session work, including singing on a demo for a couple of new songwriters: [Excerpt: Steely Dan, "Everyone's Gone to the Movies"] When that demo got the songwriters a contract, one of them actually phoned up to see if Kaylan wanted a permanent job in their new band, but they didn't want Volman as well, so Kaylan refused, and Steely Dan had to do without him. Volman and Kaylan were despondent, washed-up, has-been ex-rock stars. But when they went to see a gig by their old friend Frank Zappa, it turned out that he was looking for exactly that. Of course, they couldn't use their own names, but the story of the Phlorescent Leech and Eddie is a story for another time...

Qu'est-ce qui a poussé une petite californienne prude, ni très jolie ni très talentueuse, à devenir cette incroyable actrice, jouant tantôt l'innocence et tantôt la sensualité débridée ? Comment est-elle devenue le plus grand sex-symbol de tous les temps, électrisant les foules et continuant à fasciner aujourd'hui ? Et quel prix a-t-elle payé en retour ? Les abus sexuels et les rejets de l'enfance l'ont rendue prête à tout pour réussir. Mais, il lui a fallu l'aide de parrains du crime organisé et son travail acharné avec des coachs et mentors qu'elle séduisait pour percer à Hollywood.Cette série de trois heures, combinant interviews exclusives, archives rares et extraits de films édifiants, nous fait revivre l'épopée Marilyn Monroe, racontée par ceux qui l'ont vécue et ont côtoyée l'actrice : sa soeur adoptive, ses amis et ses partenaires à l'écran parmi lesquels Tony Curtis, Jerry Lewis, Jane Russell, George Chakiris et Don Murray.Les trois épisodes composant ce DVD sont disponibles en VOD : Partie 1 - Partie 2 - Partie 3 Langues: Français, English16/9 - StéréoDVD Pal toutes zones

Jack Pettis was one of the first saxophonists in Jazz - playing C melody with Ben Bernie and His Orchestra, he also headed numerous recording dates with the same personnel - here we have him with Bill Moore, Tony Parenti, Don Murray, Al Goering, Jimmy Dorsey, Eddie Lang and Joe Venuti among others . . great hot dance music with jazz ingredients from 1926-29 --- Support this podcast: https://anchor.fm/john-clark49/support

The trend of data at our fingertips is continuing. Virtually, everything we do is impacted by data. From driving your car to shopping to fighting pandemics such as Covid-19. Everything is impacted by data and understanding is improved by embracing and using it  Data powers many technologies and itself is neither good nor bad. As data influences more of our life, we have to ensure that we use it responsibly so as to improve the lives of everyone from customers, employees, citizens, and the planet we all live on. We face many challenges and data plays a critical role in helping us make the best decisions. In the last episode of a three-part podcast series with Safe Software, Analyst Susan Walsh speaks to Don Murray, President and co-founder of Safe Software, to explore: How data was critical in the fight and management of Covid 19 around the world.  The importance of using data responsibly so that people and organizations understand the often unintended consequences of their actions.     The critical role of data is to drive decisions to meet the challenges we face as individuals, organizations, and a planet. Our future depends on using data. There is no time like now for all of us to embrace data.

The trend of data at our fingertips is continuing. Virtually, everything we do is impacted by data.  From driving your car to shopping to fighting pandemics such as Covid-19. Everything is impacted by data and understanding is improved by embracing and using it  Data powers many technologies and itself is neither good nor bad. As data influences more of our life, we have to ensure that we use it responsibly so as to improve the lives of everyone from customers, employees, citizens, and the planet we all live on. We face many challenges and data plays a critical role in helping us make the best decisions. In the last episode of a three-part podcast series with Safe Software, Analyst Susan Walsh speaks to Don Murray, President and co-founder of Safe Software, to explore: How data was critical in the fight and management of Covid 19 around the world.  The importance of using data responsibly so that people and organizations understand the often unintended consequences of their actions.     The critical role of data is to drive decisions to meet the challenges we face as individuals, organizations, and a planet. Our future depends on using data. There is no time like now for all of us to embrace data.

The trend of data at our fingertips is continuing. Virtually, everything we do is impacted by data.  From driving your car to shopping to fighting pandemics such as Covid-19. Everything is impacted by data and understanding is improved by embracing and using it  Data powers many technologies and itself is neither good nor bad. As data influences more of our life, we have to ensure that we use it responsibly so as to improve the lives of everyone from customers, employees, citizens, and the planet we all live on. We face many challenges and data plays a critical role in helping us make the best decisions. In the last episode of a three-part podcast series with Safe Software, Analyst Susan Walsh speaks to Don Murray, President and co-founder of Safe Software, to explore: How data was critical in the fight and management of Covid 19 around the world.  The importance of using data responsibly so that people and organizations understand the often unintended consequences of their actions.     The critical role of data is to drive decisions to meet the challenges we face as individuals, organizations, and a planet. Our future depends on using data.

The trend of data at our fingertips is continuing. Virtually, everything we do is impacted by data.  From driving your car to shopping to fighting pandemics such as Covid-19. Everything is impacted by data and understanding is improved by embracing and using it  Data powers many technologies and itself is neither good nor bad. As data influences more of our life, we have to ensure that we use it responsibly so as to improve the lives of everyone from customers, employees, citizens, and the planet we all live on. We face many challenges and data plays a critical role in helping us make the best decisions. In the last episode of a three-part podcast series with Safe Software, Analyst Susan Walsh speaks to Don Murray, President and co-founder of Safe Software, to explore: How data was critical in the fight and management of Covid 19 around the world.  The importance of using data responsibly so that people and organizations understand the often unintended consequences of their actions.     The critical role of data is to drive decisions to meet the challenges we face as individuals, organizations, and a planet. Our future depends on using data. There is no time like now for all of us to embrace data.

When I Heard The Testimony Chapters Intro - 00:00 Billy Graham: An Extraordinary Journey (Official Trailer) - 01:29 Billy Graham's Message to New York - 03:33 The Cross and the Switchblade (1970) | Trailer | Pat Boone | Erik Estrada | Jacqueline Giroux - 04:51 My testimony - 11:29 This is your Day - 20:09 ----------------------------------------------------------

Sonya and Frank DiPalma recently spent time in Sardinia, Italy, as part of Sonya's research for a book about the Homeless European Land Project (HELP) which provided refuge for about a dozen displaced persons in the late 1950s thanks to actress Hope Lange and actor Don Murray. HELP served as a model for the United Nations for resettlement of refugees and it also influenced the creation of the Peace Corps. Frank planned the trip around the island from Cardedu, Oristano, Simaxis, Sorso, Porto Torres, Castelsardo, Alghero, Sassari, Bosa, Olbia, Costa Smeraldo, Porto Cervo, San Teodoro and then Cagliari. Sonya and Frank share their journey, along with a history, of this ancient island some call paradise on Earth.  Also on Speaking of Travel, Justin Bellame, founder of the JB Media Group and the publisher of Romantic Asheville.com, shares why vacation and short-term rentals are seeing an uptick and what it means to local economies. 

Digital twins are virtual models designed to accurately reflect a physical object or process. The real-world applications of this are endless - from city planning to construction and decoration, digital twins can help you visualise concepts within spaces with ease. When it comes to processes a digital twin can represent measurements of flows that are difficult to show such as wind direction, or temperature of flows within pipes. What's more, the twinned object can be outfitted with sensors and produce performance data that can be applied to the digital copy. This offers a valuable insight into how the physical object will perform in real life. How do digital twins relate to spatial data? In the second episode of a three-part EM360 Podcast with Safe Software, President Don Murray speaks to Susan Walsh, Founder and MD of The Classification Guru, about: Digital twins and the evolution of spatial data What expertise and requirements are needed to create a digital twin The potential that lies in digital twins for the future and how they can move society forward

Digital twins are virtual models designed to accurately reflect a physical object or process. The real-world applications of this are endless - from city planning to construction and decoration, digital twins can help you visualise concepts within spaces with ease. When it comes to processes a digital twin can represent measurements of flows that are difficult to show such as wind direction, or temperature of flows within pipes. What's more, the twinned object can be outfitted with sensors and produce performance data that can be applied to the digital copy. This offers a valuable insight into how the physical object will perform in real life. How do digital twins relate to spatial data? In the second episode of a three-part EM360 Podcast with Safe Software, President Don Murray speaks to Susan Walsh, Founder and MD of The Classification Guru, about: Digital twins and the evolution of spatial data What expertise and requirements are needed to create a digital twin The potential that lies in digital twins for the future and how they can move society forward

In this episode, we talk to author and artist, Alfred Depew (winner of the Flannery O'Connor Award for Short Fiction), about writing, teaching writing, and what it was like to be in Don Murray's writing workshop. Look for Alfred's award winning book, The Melancholy of Departure, at your local bookstore, or you can order it here: https://ugapress.org/book/9780820344607/the-melancholy-of-departure/ The Ohio Writing Project specializes in professional development for teachers. OWP does on-site PD with schools as well as virtual, hybrid, and in-person courses teachers can take for college + CEU credit. Learn more about the Ohio Writing Project + Programming: http://miamioh.edu/cas/academics/departments/english/academics/graduate-studies/ohio-writing-project/ The Ohio Writing Project features a masters degree program for teachers through Miami University. Featuring the renowned “4-Week”, the OWP's Masters of Arts in Teaching (MAT) program is both practical and transformational. GET INVOLVED! Want to be kept in the loop for future OWP events? Email us here: ohiowritingproject@MiamiOH.edu Find Noah on Twitter: @MrWteach Find OWP on Twitter: @owpmu Looking for a quick and easy writing invitation for your students...or yourself? Follow us on Instagram @owpmu

Frank Vaughan and Don Murray were each widowed in recent years. Listen in as each share the stories of their grief journeys. From diagnosis to where they find themselves today, nothing is held back. From deep despair to their discovery that joy awaited them. Join Herb Knoll as he and his guest co-host, Mike Chepiga, uncover two journeys worth repeating, perhaps by you.   

For Video Edition, Please Click and Subscribe Here: https://youtu.be/a0I3JuTDtoc Hechter Ubarry began his professional career after graduating from the High School of Performing Arts in 1965. He left high school a month early to perform with Raul Julia in a production of Bye Bye Birdie in San Antonio, Texas. Returning to New York he was cast in a new Broadway show, The Royal Hunt Of The Sun starring Christopher Plummer.  During his stint in Spanish theatre he learned about a bus and truck production of Man of La Mancha. He auditioned for its choreographer Jack Cole and was hired. He then joined the Broadway production of La Mancha and was invited to do every major production of Man of La Mancha which lasted almost 3 decades. Ubarry continued with his Broadway work as the Prince's brother in Chu Chem, the first Chinese/Jewish musical. He got his first film role as Moonlight in The Cross And The Switchblade with Pat Boone and Erik Estrada directed by film actor Don Murray. His film career has led him to work in Europe with international film stars such as Dominique Sanda, Helmut Griem and Jean Pierre Leaud, (Ubarry spoke his lines in English and each Star spoke in their native language). He may be best known, however as Rico the drug kingpin in 1988's blockbuster Crocodile Dundee II. Ubarry 's cabaret performances began at Danny's Skylight Room in 2002. In 2011 Ubarry met Barry Kleinbort and Christopher Denny and another musical adventure began. Their first collaboration Call Me Papo is now available on youTube. This musical team is now working on their next show, Hechter Ubarry: On Stage which premieres at The Green Room 42 at the Yotel Hotel on Saturday, Oct.16 and Sunday Oct.17 at 7:00 pm. 

Bix and His Gang . . all the recordings by Bix Beiderbecke with his gang and with Bix and His Rhythm Jugglers . . Don Murray, Bill Rank, Tommy Dorsey, Izzy Friedman, Lennie Hayton and others..the roots of the modern trad jazz repertoire --- Support this podcast: https://anchor.fm/john-clark49/support

On today's Behind the Community, Chamber Director Cecilia Murray talks with CHOICES Program Presenters - Janel Rowell, Don Murray and Michelle Beckley. They share why they present this program to all 8th graders in Pulaski County and why you should too. The CHOICES program is a partnership between the WSR Chamber, Rotary Club of Pulaski County and the newly formed LPC Alumni Foundation.  We have a license agreement with the CHOICES Education Group that is presented to students all over the United States. To learn more about the WSR Chamber and how your business can be featured on the Behind the Community podcast, email us at chamber@wsrchamber.com

Our laborious trek through the Forbidden Zone continues with our fourth entry into the primate parables with Conquest of the Planet of the Apes, quite easily the greatest fourthquel (is that even a word?) ever made. Listen as we examine this franchise's unlikely stamina through its reflection of a contemporary culture jaded by the unfulfilling answers to the weighty promises of the past decade's Civil Rights Movement, some unfortunately subpar makeup from a series that once set industry standards, a litany of ape vs. human violence in the film's thrilling yet indecisive third act, and an appreciation of the great Don Murray. Feel free to skip to 1:08:17 for the beginning of our audio commentary. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

This episode we continue our conversation with the Irish champion Robert Crawford. He and I had such a great chat I have decided to split it across two episodes rather than cut it back.   In part 2 this week, we hear more details about Roberts career including some of the darker times when the passion for the sport evaporated.   We continue to discuss the differences in trials between the early 90's and now, plus we also talk about Robert's move to Montessa, Aprilia, Yamaha and then back to the Beta he started on in his final year.   This is also good opportunity to go back and listen to Episode 12 with Don Murray, who minded for Robert in his last year of competition.   We also discuss the work he is doing on rc-live.net which is his training and tours business. Links are in the show notes.   I hope you enjoy this chat with Robert Crawford.   Links:  https://www.rc-live.net/   Feedback: podcast@trials.com.au

This episode we take a tour of trials from an Irish perspective. Robert Crawford is our guest this week; He and I had such a great chat I have decided to split it across two episodes rather than cut it back.   Robert is from Northern Ireland and his career includes a number of significant highlights: 7th in the World Trial Championship (overall) 2nd in the British Championship Twice winner of the Scott Trial Twice 2nd in the Scottish 6 Days Trial Multi Irish Champion Finalist in the Madrid Indoor Trial Represented Great Britain (ACU) in the Trial Des Nations (World Team Trial) in 1990, 1991 & 1992   In these two episodes we take our time to reflect on the difference in trials between the early 90's and now, plus discuss his trials original story.   He reflects on some of the challenges facing Trials as a sport that need to be worked out, including the economics of competing that differ.   When Robert was riding there was one line and about 100 entrants in a world round. Now, there is significant fragmentation and multiple classes.   This is also good opportunity to go back and listen to Episode 12 with Don Murray, who minded for Robert in his last year of competition.   In Part 2 of this chat in the next episode we also have a very frank chat about Roberts reflection on his time in the sport and how he dealt with a period of his career where he lost the passion for the sport. We also discuss the work he is doing on rc-live.net which is his training and tours business. Links are in the show notes.   I hope you enjoy this chat with Robert Crawford.   Links:  https://www.rc-live.net/   Feedback: podcast@trials.com.au

On December 8th, stickers with swastikas and the message “WE ARE EVERYWHERE” were found plastered over Boise’s Anne Frank Human Rights Memorial . This was the second time Nazi imagery damaged the only Anne Frank memorial in the nation. “We have to each of us examine ourselves in this moment. Who am I and what am I doing to be the values that we want the community to have?” asked Dan Prinzing, executive director of the Wassmuth Center, in an interview with Boise State Public Radio a day after the vandalism. The memorial is one part of the Center’s mission to “promote respect for human dignity and diversity through education.” A few days after the memorial was defaced, the Downtown Boise Association approached the Center with the idea to reclaim the message. Together, they put up 50 banners around downtown with an image of Anne Frank and the phrases “Love Is Everywhere,” and “We Are Everywhere.” Don Murray, president of the Wassmuth Center’s governance board, said their staff turned to

Cecilia loves a good New Year’s resolution or twenty.  She starts her new year off with several notebooks and charts, making vows and setting plans. Hannah’s given up resolutions since most of hers have historically been linked to self-improvement with a negative underlying theme of “not good enough.” But she still expects to grow, and she does have goals. What’s the difference between a resolution and a goal? Resolution has a firmness, an all or nothing, do or don’t do, a command.   A goal suggests a process, a direction with intention.  Resolutions are often about stopping something that is wrong with us, whereas goals are more aligned with our sense of purpose.  Resolutions replay the past, and goals direct the future. What if the new year with all its promise was about becoming, an unfolding of our identity and experience?  And what if, as we age, we could package our goals into practices that invoke pleasure, ease and play?    Join us in this week’s Twisting the Plot podcast as we ponder these questions. As a bonus, Hannah reads an essay from her Dad, Donald Murray’s column from the Boston Globe in 1995.  Don Murray always had goals.  He was a striver and a doer until his last day.  But along the way, he also savored the passage. It’s a beautiful piece.   Change is hard.  Resolutions fail, goals recede.  And yet, we grow.

This is Blacklisted Cinema, where you are encouraged to talk during the movie. The movie this episode is Conquest of the Planet of the Apes a 1972 science fiction film directed by J. Lee Thompson & written by Paul Dehn. It is the fourth of five films in the original Planet of the Apes series produced by Arthur P. Jacobs.The film stars Roddy McDowall, Don Murray and Ricardo Montalbán. In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity. Subscribe to us on itunes rate 5* @ https://itunes.apple.com/us/podcast/blacklisted-podcast/id1058504075?mt=2 PodOmatic http://blacklisted.podomatic.com/ Stitcher http://www.stitcher.com/podcast/blacklisted?refid=stpr Google Play https://play.google.com/music/m/Imonfnjs7535svy3wtwdx7rhbpa?t%3DBlacklisted_Podcast IHeartRadio https://www.iheart.com/podcast/256-blacklisted-podcast-30972563/ Spotify https://open.spotify.com/show/01L8OZCsaKQZrN2Lm2vb22 Amazon Music or wherever you steal your free podcast from

In this episode of Personally Speaking, Monsignor Jim Lisante is joined by Academy Award nominated actor Don Murray. Don’s film credits include starring opposite Marilyn Monroe in “Bus Stop” and “The Hoodlum Priest”, which deals with the issue of capital punishment.Support the show (https://www.gofundme.com/f/help-support-msgr-lisante039s-radio-showpodcast?utm_source=customer&utm_medium=copy_link&utm_campaign=p_cf+share-flow-1)

This is the final part of a story that spans 3 countries and lots of wild experiences, plus some economic talk to boot ========== Related links: Episode 133 Youtube Video: https://youtu.be/N_31mK_xT24 Quora-Will Japan Ever Come Back to Its Glorious Economy? https://www.quora.com/Will-Japan-ever-come-back-to-its-glorious-economy-like-the-1980s-and-1990s/answer/Don-Murray-15?ch=8&share=0d7e706e&srid=uoaDLz Youtube-Japan: The Fading Economy https://youtu.be/ErUQnd-YFGg Email me: questionsforakil@gmail.com Japan According To Akil Instagram Page https://www.instagram.com/japanaccordingtoakil/

Today we are speaking with Derek Thomas.   We first got in touch with Derek after publishing Episode 12 with Don Murray. Although Don is from Australia and Derek from Canada we heard how they traveled Europe together in search of trials.   Well now we get to hear Derek's side of the story.   Derek spent a number of years riding in Europe competing in 15 rounds between '92-99, has represented Canada at the TdN multiple times, competed in the US NATC and has 5 podiums in the Canadian National Championships.   More recently though, he has been a driving force in bringing trials to an area of Canada that you normally wouldn't expect: the flat lands of Saskatchewan province.   In addition to that, the Saskatchewan Flatland Trials Association have hosted Canadian Nationals and Derek is now on the board of Directors for the CMA.   It's a great chat and also follows on nicely from Episode 32 with our other Canadian guest Christy Williams Richards.   I hope you enjoy this chat with Derek Thomas.   Links: https://www.facebook.com/saskflatlandtrials Episode 32: Christy Williams Richards: https://trials.com.au/news/ep-32-christy-williams-richards-and-a-life-among-a-family-of-wierdos-5265 Episode 12: Don Murray: https://trials.com.au/news/ep-12-don-murray-the-self-confessed-trials-tragic-5160   Feedback: podcast@trials.com.au

Don Murray is a self confessed trials tragic. Today Don is the Sherco and Scorpa trials importer for Australia through his business MotoCentral in Canberra. As we discover in this fascinating conversation, we discuss everything from Don's early days into trials and his achievements in domestic competition. We then go on a journey through Europe in the 90s from the prism trials. We talk about Don's combination of trials riding himself, minding for top 10 world trials championship riders, and his TdN competitions both as a rider and a minder. Show Notes:  X-Trial of Austria cancelled as a result of the Coronavirus https://www.x-trial.com/en/news/x-trial-wiener-neustadt-cancelled-as-a-result-of-the-coronavirus As a result of the cancelled Austrian round of X-Trial, Toni Bou has mathematically claimed victory for the 2020 season of X-Trials https://todotrial.com/en/news/item/7555-toni-bou-se-proclama-campeon-del-mundo-de-x-trial-2020.html X-Trial of Nations in Liévin postponed https://www.x-trial.com/en/news/x-trial-of-nations-in-lievin-postponed Corona virus has required the first round of the Japan Trial Championship https://todotrial.com/en/news/item/7535-japon-coronavirus-trial-cancelado.html Alex Ferrer has suffered a serious injury at a FFM event in Colombier-le-Vieux, France https://www.facebook.com/Alex-Ferrer-Officiel-684453191575227/ Jamie Busto will not be at the Baiona round of the Spanish Trials Championship this weekend https://www.trialworld.es/jaime-busto-no-correra-nacional-trial-baiona-precaucion/?fbclid=IwAR3EJgsLwKFkJ74AbwO64p5JO7TtEdys-F5JndsPsylwp9juTzemg3AEsek Keedwell ACU Trial GB kicked of in style at Hookwood in Surrey https://www.acutrialgb.co.uk/  Round 3 of the 2020 ACU S3 Parts Championship - Colmore Cup https://www.stratfordmcc.co.uk/results/the-colmore-cup-2020/ Jordi Pasquet Trial will be move to July in its 3rd running after the last two being in September http://translate.google.com/translate?hl=en&sl=auto&tl=en&u=https%3A%2F%2Ftodotrial.com%2Fen%2Fcompetition%2Flong-term-events%2Fitem%2F7533-iii-2-dias-trial-pascuet-2020-previo.html http://www.trialpascuet.com/ Marc Colomer will be riding an Electric Motion in the upcoming SSDT https://www.trialworld.es/marc-colomer-participara-los-scottish-una-electric-motion/?fbclid=IwAR38SJbY6J___mNtJMtc4A9KwLoqgMiKncGUnOR5_hAqBsY8ypbW5K03NIA OSET day https://www.facebook.com/events/230879524619995/permalink/230919154616032/ Australia Trials Championship will be held in WA in 2021 https://trials.com.au/news/2021-nationals-to-be-held-in-western-australia-5159 OMCC Club Grounds Trial Round 2 – March 15th https://trials.com.au/news/omcc-club-grounds-trial-round-2-this-sunday-march-15th-5158 Tassie Titles was eld last weekend on the 7th & 8th of March. http://www.tastrials.org.au/wp-content/uploads/2020/03/Tas-Titles-Full.pdf Please send feedback to: podcast@trials.com.au

Une nouvelle édition de votre émission mensuelle consacrée au petit écran. Au sommaire :  - Un hommage à Eliane Gauthier (de l'émission "L'Ile aux Enfants") et au présentateur historique de La Une est à Vous, de Septembre 1973 à Octobre 1976, Bernard Golay. - Le 50ème anniversaire de la première diffusion de la série "Les Envahisseurs" (avec Roy Thinnes) en France. - La sortie à venir, courant novembre en DVD, de la série "Les Bannis", avec Don Murray et Otis Young, éditée par Elephant Films. - Focus sur la saison 2 de la série "Mindhunter". Une émission présentée par Christophe Dordain avec le concours de Dominique Candeille, Christophe Colpaert, Jean-François Ballot et Christophe Willaert. Le Magazine des Séries est une émission produite par Le Quotidien du Cinéma. Retrouvez-nous sur Facebook : Le Magazine des Séries Prochaine diffusion le 28 Décembre 2019.

Welcome to Habs Unfiltered via Rocket Sports Radio. This podcast featured on All Habs Hockey Magazine discusses topics that are important to Habs fans. This Week’s Show Segment 1: Game 1 In this segment, Trege and Blain discuss early season positives and negatives for the  Canadiens. Segment 2: Rocket Power Rocket Power is an initiative pioneered by Rocket Sports Media designed to mobilize hockey fans to support charitable organizations and to get involved in their communities.Don Murray, Committee Chair of Hockey Helps the Homeless, joins the show to talk about their charity and it's impact. Segment 3: Last Take The show is wrapped with some final thoughts. Subscribe to Rocket Sports Radio on Blog Talk Radio and receive every episode of Habs Unfiltered as well as all the great podcast content!  

Eric Edelstein joins the podcast to discuss a dilemma that is reminiscent of a very recent college admission scandal!EVERYONE! THIS SUNDAY, SEPTEMBER 29TH - Eric is putting on an AMAZING show for Hollywood legend Don Murray here in Los Angeles that you should definitely attend if you are able! Don Murray's 90th Birthday Extravaganza will be one of a kind night starring Don Murray and a cavalcade of Hollywood royalty. Guests will range from his Oscar nominated work in the 1950’s to last year's Twin Peaks: The Return, and every bit of his groundbreaking work in between. Purchase your tickets here! https://www.dynastytypewriter.com/calendar/donmurraysep29Follow Eric on Twitter and Insta @EricJEdelsteinFollow The Big Ones on Twitter @TheBigOnesPodEmail us at Thebigonespodcast@gmail.comPLEASE CLICK HERE TO JOIN OUR PATREON!PLEASE SUBSCRIBE!PLEASE RATE AND REVIEW! See acast.com/privacy for privacy and opt-out information.

From classic Philly Soul to Progressive Jazz, and beyond: With a career span from the early Seventies until now, recording engineer and producer Don Murray has been behind the board for artists ranging from Phil Collins, Mariah Carey and Whitney Houston to jazz icons Terence Blanchard and Dave Grusin. As one of the recording world’s foremost sonic practitioners, with thousands of projects to his credit, Don is a modest and insightful guest in a rare interlude on the other side of the glass.   

Maria Pacella sits down with the founders of Point Grey Research, a global leader in innovative, high-performance digital cameras. She was joined by Vlad Tucakov, Don Murray and Malcom Steenburgh who share stories from their days at the University of BC to building an organisation of over 300 employees worldwide. They give insights into how Point Grey grew over the years, the challenges they faced and the tough decisions that had to be made, until it was eventually acquired by FLIR Integrated Imaging Solutions in 2016.

This month we interview LSCWA past president Don Murray and LSCWA Board of Director members Jeff VanTorre and Eric Lenz about dialing in the fall bite on Lake St. Clair.  If you aren't

This month we interview LSCWA past president Don Murray and LSCWA Board of Director members Jeff VanTorre and Eric Lenz about dialing in the fall bite on Lake St. Clair.  If you aren't from the region you can take away some great pointers on improving your ability to put together an effective crank bait program.  We also introduce a special benefit for club members through our new partnership with Renegade Outdoor Innovations!

One of the giant indoor playgrounds reopened tonight. You want to know stress? Take a couple hundred kids under the age of 6 and cramp them all into an indoor playground and watch your blood pressure rise. This is Short Time Shots, a quick look back at the day’s wrestling scores and more, I’m your host, Hall of Fame wrestling writer, broadcaster and announcer Jason Bryant. While this isn’t an every day show, it typically breaks when there’s at least 10 dual meets or events that are worth discussing. That’s just kind of a loose guide. Some days, there might be 3-4 really good ones I want to give you the scoop on. Others, there are a few matches or the results from some of them weren’t reported by the time I sat down and hit record. Before we start, want to thank the latest contributor to the Mat Talk Podcast Network, Ralph Wetzel from Pennsylvania. Thank you kindly sir. You are entered into the drawing for the $150 prize pack from Compound Clothing. Before we get to the scores, the big news today was Presbyterian College, a small Division I school in Clinton, South Carolina is adding a men’s and women’s wrestling program. I had a chance to talk to AD Danny Sterling today for about 40 minutes to talk about the additions and that will be on the next full Short Time Wrestling Podcast on Monday. Presbyterian had a team in the 1940s and 50s. The last team in Division I that started from scratch and wasn’t a quick reinstatement? Utah Valley in 2003. Kind of hard to call Presbyterian a “reinstatement” since they haven’t had a team since Truman. Only one Division I dual on the docket on Thursday and it wasn’t close as No. 19 Wisconsin opened up its Big Ten schedule by smashing Maryland 32-6 in Madison. Big one for the Badgers came at 141 pounds where Eli Stickley majored NCAA qualifier Ryan Diehl of Maryland 14-1. Maryland heavyweight Youssif Hemida was sharp in helping the Terrapins avoid the shutout with a first-period fall over Ben Stone. That dual was live on BTN, so go ahead and check out the Badgers who earned major decisions from Andrew Crone at 157, Evan Wick at 165, Ryan Christensen at 174 and Hunter Ritter at 197 pounds. In blustery Minneapolis where the match time temperature at Si Melby Hall was 18 degrees. This one was a romp for Augsburg, which came in ranked second in Division III. The Division II Dragons made it a match early, trailing 16-9 after five bouts but the Auggies rolled in the final five weights with four bonus victories including Lucas Jeske’s 13-5 win over Weston Dobler. No. 8 Loras, which is fresh off its win over Augsburg over the weekend, rolled past No. 18 Augustana -- yup, the Illinois one, 32-9 in Rock Island. Second-ranked Jimmy Davis earned a technical fall at 149 pounds, while we had a nationally-ranked battle at 285 as top-ranked All-American Adarios Jones of Augustana knocked off sixth-ranked Quin Gilliam 2-1. These rankings from the NWCA Division III Coaches Association. Our man Andy Vogel at D3wrestle.com has more rankings over there. Eric Van Kley’s Central Dutch -- again, fitting a school named the Dutch is coached by a guy with a Dutch name -- topped the Prairie Wolves of Nebraska Wesleyan 42-3. The Prairie Wolves are a second-year program in Lincoln, Nebraska coached by Virginia native Brandon Bradley. He went to Henrico. Ty Owens coached right there. Central improved to 2-1 on the year and picked up falls from Cam Timok, Tristan Clark, Lane Rumelhart and Daniel “not Harry Potter” Radcliffe. As my wife’s family says, if you ain’t Dutch, you ain’t much. In a battle of New York teams, Don Murray’s College at Brockport Golden Eagles -- hey I wore their hat today as a matter of fact -- topped Rochester Institute of Technology, or RIT 35-12. Top-ranked 125 pounder Jonathan Haas picked up a fall in 4:05, while Dillon Stowell, Sean Peacock, and Triston Engle also recorded falls. Don Murray started coaching when Richard Millhous Nixon was President. In other action, No. 24 Waynesburg beat Muskingum 33-12, while in the NAIA we saw Lindenwood-Belleville top Missouri Baptist 27-22. Missouri Baptist would win the nightcap over first-year St. Mary of Kansas, coached by former Oregon head coach Chuck Kearney. Keeping things in the NAIA, York College of Nebraska, they’re the Panthers, not the one in Pennsylvania, topped Kansas Wesleyan 42-5. On the women’s side, Missouri Baptist’s women defeated Lindenwood-Belleville 29-12 and St. Mary 37-10. No theme tonight. Just a solemn salute to people like my late Granddaddy Otis “Plug” Abbott who served in World War II and was on the second wave of Normandy years after what today’s anniversary of the Pearl Harbor attack is remembered as. December 7, 1941 was a day that according to President Franklin Roosevelt, that will live in infamy. I never had the pleasure of serving this nation, but my family did in numerous branches of the military. My father was in the Army, so were both my grandfathers. I’m not sure where my paternal grandfather was at the time, but Otis was in Europe, where he met my soon-to-be grandmother. My mother was born overseas to an American GI. God Bless America and those who serve and protect her.   JOIN THE TEAM And if you're a fan of the extensive and broad-based reach of the shows on the Mat Talk Podcast Network, become a TEAM MEMBER today. There are various levels of perks for the different levels of team membership. If you like wrestling content -- scratch that -- if you LOVE great wrestling content, consider becoming a team member. You'll get some cool stuff too. The Short Time Time Wrestling Podcast is proudly supported by Compound Clothing. And if you haven't already, leave a rating and a review on iTunes. SUBSCRIBE TO SHORT TIME Apple Podcasts | Stitcher | Spreaker | iHeartRadio | TuneIn Google Play Music | iOS App | Android App | RSS GET DAILY WRESTLING NEWS! You like wrestling news, right? Of course you do. Did you know you can sign up for FREE to subscribe to the Mat Talk Online DAILY WRESTLING NEWS e-mail newsletter that's published EVERY morning with the previous day's top news stories from outlets all around the globe. It's free and it's a great way to start your wrestling day. Almanac Time! Get the Cadet & Junior Nationals All-American Almanac, a 250-page digital download. It's available now and if you use the promo code "JB" you'll save $5 off the cover price. It's got every All-American EVER in Fargo (and the locations that were before Fargo) and every breakdown by year and state. Oh, you know this guy who says he placed at Juniors? Fact check him or her quickly by buying one now! Looking to start a podcast of your own? Get a free month with Libsyn by using the promo code MTO when you sign up. You'll get the remainder of the month from when you sign up as well as the next month free. It'll be enough time to kick the tires and lights some fires.

Here, some of our MECOPP team members share their personal memories of food. We hope you enjoy them! Produced by Emma-Jane Harrington and Ciarán Earls. Project is funded by the Heritage Lottery Fund. Photograph: The original recipe of the featured 'Good Lunch Loaf' by Grandma Ostle, kindly given to us by Michelle Lloyd. Music: Ted Lewis and His Band - Allah’s Holiday (feat. Don Murray on baritone and clarinet), Podington Bear - Across The River, Blue Dot Sessions - Drone Thistle

The Damn Dirty Geeks geek out with the amazing character actor H.M. Wynant, star of one of the best Twilight Zone episodes plus a featured actor in CONQUEST OF THE PLANET OF THE APES, among his lengthy list of credits. H.M. is the first APES veteran we’ve had as a guest on our podcast, though he won’t be the last! Joining the Geeks and H.M. is a talented director/producer and film historian Michael Schlesinger, a friend of the Geeks with a steel trap mind when it comes to Hollywood history — which came in very handy during this episode as H.M. recaps his decades-long acting career and lengthy list of co-stars! Being lifelong fans of the PLANET OF THE APES films, the Geeks were thrilled to have H.M. Wynant as a guest on our podcast as a cast member alumnus from the classic franchise films — but there’s so much more to H.M.’s acting career. Enjoy the tales of his lengthy credit list that including dozens of Hollywood legends including: Clark Gable (RUN SILENT, RUN DEEP), Errol Flynn (PLAYHOUSE 90), director Sam Fuller and actor Charles Bronson (RUN OF THE ARROW), Randolph Scott and director Budd Boetticher (DECISION AT SUNDOWN), creator Rod Serling and actor John Carradine (THE TWILIGHT ZONE), Elvis Presley (IT HAPPENED AT THE WORLD’S FAIR), Adam West (BATMAN), Roddy McDowall, Don Murray, Ricardo Montalbano and Severn Darden (CONQUEST OF THE PLANET OF THE APES) and many more. We try not to fan-geek out discussing H.M.’s guest starring turn on excellent 1960 episode of THE TWILIGHT ZONE, “The Howling Man,” which series fans often consider among the very best produced by Serling for the landmark show. H.M. regales us with tales of how writer Charles Beaumont and episode director Douglas Heyes battled over whether or not to reveal the prisoner’s true identity, and a surprising resolution to this decision. As the delirious and eventually doomed David Ellington, H.M.’s multi-layered performance makes this tale of good versus evil immensely believable despite its simple setup. Enjoy listening to how H.M. approached this pivotal role in the episode, and speculate on why “The Howling Man” remains so highly praised after five decades of syndication. H.M. spoils the Geeks with his tales on the set of CONQUEST, working with Don Murray (who got his first job in Hollywood via H.M.) and Severn Darden, who made an indelible impression on H.M. Then he shifts gears to play a villain with a farcical comedy touch in two episodes of the classic BATMAN series, co-starring as henchman Frosty working for Mr. Freeze (Eli Wallach) in the second season episodes “The Duo  Defy” and “Ice Spy.” Not only does our added guest Michael Schlesinger save our conversational bacon by pulling historic Hollywood names out of thin air during our chat with H.M., but you’ll learn some fascinating details about his work on Larry Blamire’s feature comedies THE LOST SKELETON RETURNS AGAIN and DARK AND STORMY NIGHT, both also featuring H.M. in hilarious supporting roles. Michael also co-wrote and directed THE ADVENTURES OF BIFFLE AND SHOOSTER, a series of simulated 1940s comedy shorts starring a fictional comedy duo (Nick Santa Maria and Will Ryan), along with co-stars including H.M. plus our own Frank Dietz and Trish Geiger. To enjoy this podcast episode, just wire yourself up to the authenticator and we’ll begin streaming the show!

Weekly motivation from Tom Bilyeu as he expounds on the benefits of failure with quotes by Don Murray, Vince Lombardi, and Elon Musk. Tom Bilyeu is the co-founder of 2014 Inc. 500 company Quest Nutrition — a unicorn startup valued at over $1 billion — and the co-founder and host of Impact Theory. Impact Theory is a first-of-its-kind company designed to facilitate global change through the incubation of mission-based businesses and the cultivation of empowering content. Every piece of content Impact Theory creates is meant to underscore the company mission to free people from The Matrix and help them unlock their true potential. Impact Theory exists to inspire the next generation of game-changing companies and creators that will make a true and lasting impact on the world.   FOLLOW TOM BILYEU TWITTER: http://bit.ly/2iyjY5P INSTAGRAM: http://bit.ly/2j7vqX8 FACEBOOK: http://bit.ly/2hPStWo   FOLLOW IMPACT THEORY TWITTER: http://bit.ly/2iC5lN3 INSTAGRAM: http://bit.ly/2hPSGJa FACEBOOK: http://bit.ly/2iystOf   Subscribe to the PODCAST to get episodes early: http://apple.co/2icO5wz

On this week's episode, the gang finds themselves stuck in a strange realm somewhere between the Halloween Spooktacular, A Side Order of Sleaze, and the closest they'll come to an election special, with the totally disgusting and ridiculous, Ghosts Can't Do It! What is with the way they're filming Anthony Quinn as a ghost? Is Bo Derek's character a Stockholm Syndrome-suffering hostage? And is that really Donald Trump? PLUS: In an alternate timeline, Donald Trump loses the election to the dancing chicken from Werner Herzog's Stroszek, who also happens to be a member of the Communist party. Ghosts Can't Do It stars Bo Derek, Anthony Quinn, Don Murray, Julie Newmar, and Donald Trump; allegedly directed by John Derek.

Martin anmelder science fiction-filmen Battle for the Planet of the Apes. (Dansk titel: Kampen om abernes planet.) Instruktion: J. Lee Thompson. Medvirkende: Roddy McDowall, Don Murray, Ricardo Montalban m.fl. Apjac International, 1973. Karakter: ★ _ _ _ _ _ Den 27. november udkom Kampen om abernes planet på dansk blu-ray i den såkaldte Primal Collection fra 20th Century Fox. Læs mere på bloggen: http://filmblast.blogspot.dk Email-kontakt: martinhoulind@gmail.com

Martin anmelder science fiction-filmen Conquest of the Planet of the Apes. (Dansk titel: Oprør på abernes planet.) Instruktion: J. Lee Thompson. Medvirkende: Roddy McDowall, Don Murray, Ricardo Montalban m.fl. APJAC Productions, 1972. Karakter: ★★★★★ _ Den 27. november udkom Oprør på abernes planet på dansk blu-ray i den såkaldte Primal Collection fra 20th Century Fox. Læs mere på bloggen: http://filmblast.blogspot.dk Email-kontakt: martinhoulind@gmail.com

This time out, Elise Moore and David Fiore set forth to explore the interior distances within the human psyche. Along the way, we question the proprietary nature of memory and gesture toward a theory of romantic stoicism.  First up is Francis Ford Coppola's wistful PEGGY SUE GOT MARRIED, starring Kathleen Turner, a young Nicolas Cage (voice-acted by Nicolas Cage's most impish impulses), Jim Carrey, Catherine Hicks, Joan Allen, Kevin J. O'Connor, Barry Miller, Don Murray, Maureen O'Sullivan, Leon Ames, and the immortal John Carradine.  Then we venture into the twilit battleground between fruitfully incompatible auteurs Charlie Kaufman and Michel Gondry for a discussion of ETERNAL SUNSHINE OF THE SPOTLESS MIND. The movie stars Jim Carrey (decidedly less manic in this one), Kate Winslet, Kirsten Dunst, Mark Ruffalo, Elijah Wood, Jane Adams, David Cross, and Tom Wilkinson. We hope you enjoy the program! Please don't hesitate to contact us, either at anotherkindofdistance@gmail.com, on our Facebook Page, our Twitter account (@TimeTravelFilms), or David's Tumblr (where you'll find a bunch of images).  We're now on all of the podcast delivery services, including iTunes and Stitcher, so please rate/review us there, if you can - we really want to get this podcast fluxing!    

Following their high-school graduation, Jade Butterfield (Gabriella Wilde), a sheltered but privileged teen, becomes enthralled with David Elliot (Alex Pettyfer), a working-class youth with a troubled past. Though Jade and David quickly fall in love, Jade's father (Bruce Greenwood) strongly disapproves of the relationship, while David's father (Robert Patrick) advises caution. However, their parents' disapproval only makes the love-struck teens more determined to pursue the intense affair. Stream online: https://amzn.to/2KjAmUE Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

Following their high-school graduation, Jade Butterfield (Gabriella Wilde), a sheltered but privileged teen, becomes enthralled with David Elliot (Alex Pettyfer), a working-class youth with a troubled past. Though Jade and David quickly fall in love, Jade's father (Bruce Greenwood) strongly disapproves of the relationship, while David's father (Robert Patrick) advises caution. However, their parents' disapproval only makes the love-struck teens more determined to pursue the intense affair. Stream online: https://amzn.to/2KjAmUE

LOTL Radio Welcomes Jazz Volcalist , Composer  Arranger , Visual Artist . Carmen Lundy Debut her new CD ' Changes " Carmen Lundy's 12th CD release, and one of her finest ever, features 8 new originals composed and arranged by Carmen Lundy, and one lone but standout classic, “A Nightingale Sang In Berkeley Square”. Her core band of stellar musicians - Anthony Wonsey on piano, Kenny Davis on bass, and Jamison Ross on drums - and special guest artists Oscar Castro-Neves on guitar, Nolan Shaheed on trumpet and flugelhorn, and George Bohanon on trombone, round out this superb collection of new songs. Recorded and mixed by the incomparable Don Murray and mastered by the legendary Doug Sax, this album is sure to win over old and new fans alike.

Caesar the ape (Roddy McDowall) leads simians in revolt against the governor (Don Murray) enslaving them on future Earth. Wikipedia Original release date: June 29, 1972 Director: J. Lee Thompson Budget: $1.7 M --- Send in a voice message: https://anchor.fm/gruesome-hertzogg/message Support this podcast: https://anchor.fm/gruesome-hertzogg/support

Marilyn Monroe stars a young bar singer who catches the eye of an inexperienced and stubborn cowboy who insists on taking her back to his ranch and marrying her. The movie is based on a successful play. The original Broadway production of "Bus Stop" by William Inge opened at the Music Box Theater in New York on March 2, 1955, ran for 478 performances and was nominated for the 1956 Tony Award for the Best Play. Stream online: https://amzn.to/39UpEye Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

Marilyn Monroe stars a young bar singer who catches the eye of an inexperienced and stubborn cowboy who insists on taking her back to his ranch and marrying her. The movie is based on a successful play. The original Broadway production of "Bus Stop" by William Inge opened at the Music Box Theater in New York on March 2, 1955, ran for 478 performances and was nominated for the 1956 Tony Award for the Best Play. Stream online: https://amzn.to/39UpEye