Podcast appearances and mentions of John Pizzarelli

Música de Pat Metheny grabada por Los Angeles Guitar Quartet ('Road to the sun part. 5' -con el propio Metheny-) y por el guitarrista Jason Vieaux en 'From paths of light part. 2' en el disco de Pat Metheny 'Road to the sun' de 2021. Jason Vieaux, en su disco de hace veinte años 'Images of Metheny', tocando 'Always and forever' y en '5 songs in the form of a baroque suite' las piezas I. 'Last train home' (Prelude), II. 'Antonia' (allemande). III. 'Tell her you saw me' (Chaconne), IV. 'Question and answer' (Gavote) y V. 'James' (Gigue). Otro guitarrista, John Pizzarelli, con 'James', 'Spring ain´t here' y 'Better days ahead' de su disco 'Better days ahead (Solo guitar takes on Pat Metheny)'. Y, para terminar, 'Minuano', del disco del guitarrista andaluz Santiago Lara 'Flamenco tribute to Pat Metheny'. Escuchar audio

This conversation was recorded during The Jazz Cruise earlier this year, and it featured a conversation between two of our longtime favorite performers – vocalist Catherine Russell and guitarist and vocalist John Pizzarelli, with Catherine taking on the interviewer role.  For the last few years, John and Catherine have been performing together in a project they call 'Billie and Blue Eyes,' spotlighting the music of Billie Holiday and Frank Sinatra. John talked about coming up in the jazz and music world and hanging (and playing) with legends like Benny Goodman, Les Paul, Joe Venuti, Zoot Sims, Slam Stewart, Clark Terry, George Shearing, and of course, his father Bucky. Plus, John shared some stories about working with pop icons James Taylor and Paul McCartney.

M

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE- Anspiel ist diesmal: „Stars fell on Alabama” – ein Jazzstandard aus dem Jahr 1934, komponiert von Frank Perkins. Folgende Titel sind zu hören: 1. When the Saints go marching in – Louis Armstrong & his Orchestra 2:46 2. The Summer Wind – Madeleine Peyroux 3:55 3. Midnight blue – Kenny Burrell 3:59 4. Straighten up and fly right – John Pizzarelli 5:09 5. Stars fell on Alabama – Toots Thielemans 3:15 6. Tonight I shall sleep with a smile on my face – Sarah Vaughan 3:59 7. Tears in Heaven – Joshua Redman 3:24 8. Misty – Johnny Mathis 3:31 9. Split feelin's – Hank Mobley 4:50 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Hace 20 años que el percusionista estadounidense de origen puertorriqueño Ray Barretto publicó, al frente de su sexteto de jazz latino, el disco 'Time was time is' con piezas como 'Drume negrita', 'Mags', 'One for Ray' o 'Syracuse', una canción de Bernard Dimey y Henri Salvador que escuchamos en la voz del propio Henri junto a 'Count Basie' -adaptación al francés de 'Lil Darlin'- y 'Une chanson douce'. Michael Franks con 'I love Lucy' -con la guitarra de Toninho Horta- y 'Antonio's song', canción de 1977 inspirada por Antonio Carlos Jobim, que retomó 40 años después el guitarrista y cantante John Pizzarelli en 'Sinatra & Jobim @ 50' un disco grabado con el nieto de Jobim, Daniel, piano y voz, para recordar el disco que habían firmado 50 años antes Francis Albert Sinatra y Antonio Carlos Jobim.Escuchar audio

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

Today's Hot Jazz Network Podcast finds host George Cole delving into the intricate mastery of expert luthier, RYAN THORELL, of Thorell Guitars.ABOUT Ryan Thorell:Ryan Thorell is known for worldclass original guitars collected and coveted by some of the best musicians around the planet including Frank Vignola, John Pizzarelli, Tommy Emmanuel and many others. Thorell guitars are all built one at a time by luthier Ryan Thorell in Logan Utah. Ryan built his first guitar in 1994 and opened his shop and started selling fine handmade instruments in 2003. He has averaged 10 guitars a year ever since putting around two hundred Thorell guitars all around the world where they are collected and valued among the best instruments available. LINKS:Website: https://www.thorellguitars.com/

¡No nos engañemos! Detrás de los sofisticados argumentos de muchas objeciones a la fe cristiana, no hay más que la impresión que tenemos la mayoría de que la religión es un verdadero aburrimiento. Es algo pesado y agobiante. Te complica la vida, más que alegrarte. En ese sentido, Jesús tiene poco que ver con la religión, como nos muestra Juan en este segundo capítulo de la Buena Noticia. Tras la sintonía de Ruta 66, esta vez a cargo del trío del veterano cantante y guitarrista de jazz John Pizzarelli, escuchamos la popular canción de Siloé sobre "La verdad" (2016). Tras este nombre bíblico hay un músico católico formado en Berklee, llamado Fito Robles. Dice que recibió la fe de sus padres y la comparte con otros en una parroquia de Valladolid: "Intentó ser fiel en todo, pero no te engaño, soy como cualquiera que no acude a misa, cometo las mismas faltas e incluso más, pero es algo muy profundo que siento, Dios me ha rescatado de mucho y me ha dado también la vida, que sin Dios no tendría sentido, es algo que necesito". Si Siloé canta al que "ha convertido el agua en vino", también lo hace Jarvis Cocker, que fundó el grupo Pulp a finales de los 70 en Sheffield (Inglaterra). Aunque él confiesa que le "gustaría convertir el agua en vino", reconoce: "No soy Jesús, aunque tenga las mismas iniciales", J. C (Dishes 1998). También hace referencia a este primer milagro del Evangelio, el judío Leonard Cohen en su último disco antes de morir, que comienza también con "el cambio del agua en vino" en busca de un "Acuerdo" (Treaty 2016). Aunque es más clara la fe cristiana del también cantautor canadiense Bruce Cockburn, la expresa de forma instrumental en "Agua en vino" (Water Into Wine 1976), después de que escuchemos el relato mismo del Evangelio en la voz de Johnny Cash a los reclusos de la prisión de San Quintín en 1969. Paul Schrader se cría en la Iglesia Cristiana Reformada de Michigan, donde estudia en la Universidad Calvino de Grand Rapids, tras una estricta educación sin poder ir al cine o ver la televisión. Cuando descubre las películas con su hermano Leonard, que estudia cine después de haber sido misionero en Japón, se dedica como él a escribir guiones y hacer critica como estudioso del "estilo trascendental" del séptimo arte. Su guion de "Taxi Driver" para el antiguo seminarista católico Martin Scorsese, une el alejamiento de Dios a la búsqueda de redención al inicio de una obra torturada por el sentido calvinista de "depravación total" y la esperanza de una Gracia que se manifiesta en medio de la mayor miseria. La película "El Reverendo" (First Reformed 2017) refleja su vuelta a una iglesia presbiteriana en el estado de Nueva York en la agónica fe que encuentra el pastor encarnado por Ethan Hawke a la "Luz de invierno" del personaje del hijo del pastor luterano sueco Ingmar Bergman en la obra que se llamó en España, "Los comulgantes". José de Segovia comenta algunas escenas con la música de Stefan Nilsson para la banda sonora de "Las mejores intenciones" de Bergman, ya que "El Reverendo" no tiene música a la "Luz de invierno". El veterano músico británico Peter Gabriel hace también referencia al "agua convertida en vino" en su primer disco en solitario, al dejar de cantar para el grupo de "rock progresivo" Genesis. Su canción "Solsbury Hill" (1977) cuenta una experiencia espiritual que tuvo en ese lugar de Somerset (Inglaterra), que interpreta en clave más cercana al cristianismo, que al vago misticismo orientalista de la época. La última canción que escuchamos es una clara referencia a las palabras de Jesús al final de este segundo capítulo del Evangelio según Juan. Es obra de uno de los primeros grupos racialmente mixtos de la llamada "música cristiana contemporánea" a finales de los 70, Andrus, Blackwood y Company. Me habla de Aquel que me "Conoce mejor que yo a mí mismo" (Better Than I Know Myself 1982).

Guitarist and singer John Pizzarelli is from an illustrious jazz family. His father was the legendary guitarist Bucky Pizzarelli and John grew up around jazz legends like Benny Goodman, Zoot Sims, Les Paul and Slam Stewart. Pizzarrelli discusses his recent album "Stage and Screen," his current trio, and his upcoming performances with JazzMn Orchestra and with his trio at the Dakota May 11th and 12th.

Guitarist and singer John Pizzarelli is from an illustrious jazz family. His father was the legendary guitarist Bucky Pizzarelli and John grew up around jazz legends like Benny Goodman, Zoot Sims, Les Paul and Slam Stewart. Pizzarrelli discusses his recent album "Stage and Screen," his current trio, and his upcoming performances with JazzMn Orchestra and with his trio at the Dakota May 11th and 12th.

Daisy Prince's directing work includes the Original Off-Broadway production of The Last Five Years and the Original Off-Broadway production of Songs for a New World, both by Jason Robert Brown; It's Only Life: The Songs of John Bucchino at Rubicon Theatre (Los Angeles Ovation Award and Independent Award, Best Direction) also at Theatre Row for SPF and American Songbook at Lincoln Center; Jessica Molaskey's Pentimento with John Pizzarelli, Christine Ebersole, and Frank McCourt at The 92 Street Y. Daisy's concert staging includes Jason Robert Brown and Stephen Sondheim at Town Hall 50th SubCulture Residency Concert June 2019, NYSF Public Theater, PUBLIC SINGS!, Jazz at Lincoln Center's American Songbook Lance Horne: First Things Last, Lyrics and Lyricists at 92nd St. Y, The Genius of Autism, Zankel Hall at Carnegie Hall, and Tom Kitt: An Evening at Stella Del Mare at Joe's Pub. As a performer, Daisy's credits include Merrily We Roll Along (Meg, Original Broadway Cast), Follies in Concert (Young Phyllis, Lincoln Center); Pal Joey (Linda English, Encores! City Center), Michael John LaChiusa's The Petrified Prince (Elise, NYSF Public Theater), and featured performer with The New York Pops at Carnegie Hall. Her recordings include all the above and Grateful: The Songs of John Bucchino. In addition, she co-produced three plays with Bonnie Metzgar and Thalia Field as House Frau, inc. at BACA downtown. Daisy is a graduate of Brown University, has spent 20 years teaching as part of the New York City faculty of Syracuse University's The Tepper Semester, and is a proud member of the SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

John Pizzarelli, Bobby Short and Mose Allison. All will be revealed on The Hot Box #114!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Estreno de 'The Hidden World of Piloo', séptimo trabajo discográfico de la saxofonista Ada Rovatti en el que han colaborado Randy Brecker, Fay Claassen o Kurt Elling, entre otros. En el repaso a novedades de la música Smooth Jazz reseñamos los álbumes de Tom Reaves Jr., Kait Dunton, Mark Winkler, The Brit Funk Association y U-Nam. En el bloque del recuerdo rescatamos el álbum 'Brazil', uno de los últimos grandes trabajos de Rosemary Clooney antes de su fallecimiento en 2002. En él participaban John Pizzarelli y Diana Krall.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

La estadounidense Rickie Lee Jones cantando clásicos como 'All the way', 'Here´s that rainy day', 'September song' o 'Just in time' en su disco 'Pieces of treasure'. Y el guitarrista y cantante John Pizzarelli ('Just in time', 'Where or when', 'Time after time'), el pianista italiano Stefano Bollani ('Un giro por Bahia', 'Vale a Cuba'), el dúo italiano Musica Nuda ('Il viaggio straordinario', 'I giapponesi', 'Un semaforo blu') y el guitarrista estadounidense Ralpa Towner ('Make someone hapyy').Escuchar audio

El pianista, compositor y arreglista Arturo O'Farrill con 'Un poco loco' y 'Obsesión', de su disco en trío 'Legacies', y con 'Bebochicochuchoturo' y 'Cielito lindo' del disco 'Fandango at the wall in New York' compartido con The Conga Patria Son Jarocho Collective. Y el guitarrista y cantante John Pizzarelli en su disco 'Stage and screen' con 'Too close for comfort', 'Tea for two', 'Some other time' y 'Where or when'. Para despedir, Gaia Wimer Large Ensemble y su grabación de 'Karatê' de Gismonti.Escuchar audio

Las guitarras de John Pizzarelli en 'Stage and screen' ('Just in time', 'Some other time', 'Where or when', 'Time after time'), Chico Pinheiro & Romero Lubambo en 'Two brothers' ('Wave', 'Send one your love', 'My future', 'For no one', 'Morro dois irmãos') y Zé Paulo Becker en 'Outro mundo' ('Outro mundo', 'Alujazz', 'Mistral').Escuchar audio

Back in April of 2021, before there was a podcast component to Jazz Guitar Life, I "sat" down with John Pizzarelli during the hight of the Pandemic to talk about his latest album at that time, Better Days Ahead: Solo Guitar Takes on Pat Metheny. John talked about the album, the making of the album, his relationship with Pat, his father and mother and much more. He also demonstrated certain ideas that he was working out on his guitar, which of course, you couldn't "hear" in the original print form. It's a fun, insighful, informative and entertaining interview and is definitely worth checking out! As always, I'd love to hear or read your feedback so don't be shy!And for more Jazz Guitar related content including interviews, reviews and more, please visit Jazz Guitar Life at www.thejazzguitarlife.com. As always, I'd love to hear or read your feedback so don't be shy! Enjoy :)

This episode was recorded on June 25th, 2023 at the Culture Center Theater in Charleston, WV. The lineup includes John Pizzarelli, Maria Muldaur, Jennifer Hartswick Band, Melissa Carper, and Gabriel Royal. https://bit.ly/3QlGfDB

This week's episode honors a recently released biopic on Wayne Shorter entitled Zero Gravity. The three part series is perhaps the best of it's kind I have ever seen. Also are some discoveries from jazztodon.com (a jazz-centric social media platform) from guitarist John Pizzarelli and drummer Johnathan Blake. The show ends with classic tunes from Nelson and Hubbard. Playlist Artist ~ Name ~ Album Wayne Shorter ~ Black Nile ~ Night Dreamer Wayne Shorter ~ Infant Eyes ~ Speak No Evil Wayne Shorter ~ Footprints (Live) ~ Footprints Live! John Pizzarelli ~ James ~ Better Days Ahead Johnathan Blake ~ Tears I Cannot Hide ~ Passage Oliver Nelson ~ Stolen Moments ~ The Blues And The Abstract Truth Freddie Hubbard ~ Red Clay ~ Red Clay

Performing on his own, guitarist and singer John Pizzarelli fills a room with joyful music and stories.

Award-winning pianist Isaiah J. Thompson is navigating life as a rising star in the jazz world, an in-demand sideman touring the world with John Pizzarelli and a newly-wed! It's a lot to balance but Thompson finds a way to that and also serenade his mother's old Volvo in song form.

Caity Gyorgy & Mark Limacher, Pierrick Pedron & Gonzalo Rubalcaba, Nick Green, John Pizzarelli, Isaiah J. Thompson, Domo Branch, George Coleman Jr., George Coleman Sr., Robert Edwards, Nicky Schrire, Artificial Jazz, Linda Carone, Laila Biali, Aline's etoile magique, and The Titillators.Playlist: Caity Gyorgy, Mark Limacher - I'll Be Hard to HandlePierrick Pedron, Gonzalo Rubalcaba - The Folks Who Live on the HillNick Green - The Song is YouJohn Pizzarelli, featuring Mike Karn & Isaiah J. Thompson - I Love BetsyIsaiah J. Thompson, featuring Julian Lee, Philip Norris & Domo Branch - For PhineasDomo Branch, featuring Stefon Harris - The Journey: I Trust ItGeorge Coleman Jr. - The ScorpionGeorge Coleman - New York New YorkRobert Edwards - The ManhattanersNicky Schrire - This TrainArtificial Jazz, featuring Chris Donnelly & Nicky Schrire - She WalksLinda Carone - You Don't Know What Love IsLaila Biali, featuring Gregoire Maret - Corcovado (Quiet Nights of Quiet Stars)Aline's étoile magique - Starring SpaceThe Titillators - Hot Toboggans

Del disco 'Lendas', del guitarrista brasileño Fabiano do Nascimento, 'Retratos', 'Fonte', 'Rio' y 'Mãe de luz'. De 'Two brothers', de los también guitarristas brasileños Chico Pinheiro y Romero Lubambo, 'Aquele um', 'Samba e amor' y 'Windmills of your mind'. Del disco del guitarrista francés Sylvain Luc, 'Simple song', 'What are you doing the rest of your life', 'Children song', 'My song', 'Julia' y 'You´ve got a friend'. Cierra el guitarrista y cantante John Pizzarelli con 'Tea for two' de su disco 'Stage and screen. Escuchar audio

Legendary guitarist, vocalist and radio host John Pizzarelli hopped on the phone with Jazz88 to discuss his new album and his recent travels with his trio.

Jazz Guitar Life "sat down" with the wonderful Swing Jazz Guitarist John Pizzarelli to talk about his latest album Stage & Screen. We not only discuss his latest recording project but also we chat about his new Trio, his 40 years as a recording artist, his guitar collection and much more!It's an insighful, informative and entertaining interview and is definitely worth checking out! And for more Jazz Guitar related content including interviews, reviews and more, please visit Jazz Guitar Life at www.thejazzguitarlife.com. As always, I'd love to hear or read your feedback so don't be shy! Enjoy :)

Listening to Russ Titelman talk about music is a blessing. His passion for music has never waned. He grew up with it in his home in Los Angeles. It soared while listening to the LA radio of his youth, especially his beloved doo-wop. And it culminated in him producing a wide variety of our greatest musicians, from James Taylor and Paul Simon to John Pizzarelli and Rufus andChaka Khan. What's it like to produce these great artists, like Randy Newman, Eric Clapton and so many more? Grab a coffee and settle in for a conversation about a lifetime love affair with musicSee omnystudio.com/listener for privacy information.

The great jazz guitarist and vocalist John Pizzarelli released his first album 40 years ago. It was called I'm Hip (Please Don't Tell My Father).  His father, by the way, was the great jazz guitarist Bucky Pizzarelli, who passed away in 2020. Since the release of that album, John has toured the world and established himself as one of the great interpreters of the Great American Songbook. He's appearing at Keystone Korner here in Baltimore this weekend, and his sets will feature music from his latest release: Stage and Screen, which celebrates great music from Broadway and Hollywood.See omnystudio.com/listener for privacy information.

John Pizzarelli 'Stage & Screen' ('Too close for comfort', 'Some other time', 'Time after time', 'Just in time'), Rickie Lee Jones ('Just in time', 'There will never be another you', 'Nature boy') y Zé Miguel Wisnik ('O jequitibá' -con Ná Ozzetti-, 'Chorou e riu' -con Mônica Salmaso-, 'Eu disse sim', 'Terra estrangeira' -con Celso Sim-). Despedida con Gaia Wilmer Large Ensemble tocando 'Lôro' de Egberto Gismonti. Escuchar audio

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 4th May 2023 Artist - Track - Album - Year The Verve Jazz Ensemble    Studio J    All In    2023 Jacques Schwarz-Bart    Time Travel    The Harlem Suite    2023 Marina Pacowski    Up Jumped Spring    Inner Urge    2023 Hailey Brinnel    The Sound    Beautiful Tomorrow    2023 Lauren Henderson    Potions    Conjuring    2023 Jackie Ryan    Contigo Aprendi    Recuerdos de Mi Madre    2022 John Pizzarelli    Some Other Time    Stage & Screen    2023 Tim Fitzgerald    While We're Young    Tim Fitzgerald's Full House    2022 Jason Keiser    Obsequious    Shaw's Groove    2023 The Raisin Cake Orchestra    I'll See You in My Dreams    First Quarter    2023 Arturo O'Farrill    Utviklingssang    Legacies    2023 MEB    Hail to the Real Chief (Long Version)    That You Not Dare to Forget    2023 Lonnie Liston Smith, Ali Shaheed Muhammad & Adrian Younge    Fête    Jazz Is Dead 17    2023 Zeitgeist Freedom Energy Exchange    Eloquence, f. Miryam Soloman    Transmissions from Total Refreshment Centre    2023 Cecilia Smith    Sketch 1: Truth Be Told for MLW    The Mary Lou Williams Resurgence Project: Small Ensemble Repertoire, Volume 1    2023 Yelena Eckemoff    Survivor    Lonely Man and His Fish    2023 Erica Seguine/Shon Baker Orchestra    The New Day Bends Light    The New Day Bends Light    2023 The U.S. Air Force Band "Airmen of Note"    Chega de Saudade    Out of the Clouds    2023 Gaia Wilmer Large Ensemble    Cego Aderaldo    Folia: The Music of Egberto Gismonti    2023 Anchor and Burden    Secret Laboratory    Kosmonautik Pilgrimage    2023 Thom Brennan    Habu Valley    Mountains    1993 The post The Creative Source (#CreativeSource) – 4th May 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Dos guitarristas brasileños de distintas generaciones, Chico Pinheiro y Romero Lubambo, firman el disco 'Two brothers' con grabaciones a dúo de 'Wave', de Jobim, 'Send one your love, de Stevie Wonder, 'My future', de Billie Eilish, 'For no one', de Paul McCartney, o 'Morro dois irmãos' de Chico Buarque. Del nuevo disco del guitarrista y cantante John Pizzarelli, 'Stage and screen', clásicos estadounidenses como 'Just in time', 'Some other time', 'Where or when' y 'Time after time'. De otro guitarrista brasileño, Zé Paulo Becker, 'Outro mundo' -que da título a su último disco-, 'Alujazz' -con la voz de Zé Renato- y 'Mistral'.Escuchar audio

It's hard to believe that forty years have gone by since John Pizzarelli recorded his first record album (on vinyl). He has a delightful new collection drawn from movies and Broadway shows called Stage & Screen (Palmetto Records). It reaffirms our opinion that he is the most engaging jazz musician and entertainer working today. A guitar virtuoso, he learned his craft from his Dad, the late Bucky Pizzarelli, and carries with him great memories of music legends he met while growing up. John believes that good music should be entertaining, too; Leonard and Jessie heartily agree.

Para su nuevo disco, 'Stage & Screen' (Escenario y pantalla), que se publica a los 40 años del primero, el guitarrista y cantante John Pizzarelli ha grabado clásicos de Broadway y Hollywood como 'Too close for comfort', 'Just in time', 'Where or when' o 'Time after time'. Más canciones conocidas en el disco del guitarrista francés Sylvain Luc 'Simple song' ('Waltz for Debbie', 'Over the rainbow', 'My song', 'What are you doing the rest of your life?') y en el de los guitarristas brasileños Chico Pinheiro y Romero Lubambo 'Two brothers' ('The windmills of your mind', 'Aquele um', 'Wave'). Otro guitarrista brasileño, Zé Paulo Becker, despide con 'A viagem de volta' de su disco 'Outro mundo'. Escuchar audio

It's been 40 years since guitarist John Pizzarelli released his debut album, and he's celebrating with a brand new one. Stage & Screen features songs from musical theater and Hollywood movies, and comes out April 21. Pizzarelli will also be at Birdland for a week starting April 25 to kick off his tour. He joins us for a Listening Party.

Isaiah J. Thompson is a finalist for the 2023 American Pianists Association (APA) Jazz Competition. Isaiah is a jazz pianist, composer and bandleader from West Orange, New Jersey. He began studying at The Calderone School of Music at an early age, and soon after continued his studies with Jazz House Kids and NJPAC Jazz For Teens. He received both his bachelor's and master's from The Juilliard School, was awarded the 2018 Lincoln Center Emerging Artist Award and earned Second Place in the 2018 Thelonious Monk (now Herbie Hancock) Institute of Jazz International Piano Competition. Isaiah has since performed with major artists including Ron Carter, John Pizzarelli, Christian McBride, Steve Turre and Buster Williams. He was featured on the Golden Globe-nominated soundtrack for "Motherless Brooklyn" and was named a Steinway Artist. Isaiah made his recording debut on Jazz at Lincoln Center's Blue Engine Records' release, “Handful of Keys” with the Jazz at Lincoln Center Orchestra with Wynton Marsalis, and he released his debut album as a leader, "Isaiah J. Thompson Plays the Music of Buddy Montgomery" in 2020.

Trumpeter/composer/arranger/bandleader/educator Tony Kadleck is one of the most sought-after trumpet players on the New York City scene, and has been for some time. He moved to NYC in 1986, following his studies at the New England Conservatory–and a stint in the trumpet section of The Buddy Rich Big Band–and his phone has been ringing ever since. For good reason; at every turn, Kadleck puts the music first, and more than takes care of business. He graduated from the Manhattan School of Music in 1989 and quickly hit the road with the likes of Frank Sinatra, Barbara Streisand, Blood Sweat & Tears, and others. Eventually, Kadleck was in such high demand locally, for studio and stage work, that touring took a back seat. He played on countless jingles, scores for TV and film, and worked with the cream of the crop, including Luther Vandross, Michael Jackson, Elton John, Celine Dion, Stevie Wonder, Ella Fitzgerald, Issac Hayes, and most recently Steely Dan, Tony Bennett/Lady Gaga, Santana, Weezer, Steve Tyrell, and many, many others. In addition to an on-going abundance of freelance sideman work with NYC's A-list artists, Kadleck is currently a member of many organizations, including the New York Pops, John Pizzarelli's “Swing Seven”, the Maria Schneider Orchestra, John Fedchock's NY Big Band, and can currently be heard on Broadway in the band for “MJ”.     To say that Kadleck is a rare bird is a major understatement. Possessing the expertise, musical acumen, phrasing, range, chops, and the desire to handle gigs as diverse as the New York Pops and The Who (for example) with straight-ahead professionalism and excellence is not common. His prowess now bears fruit on his own project, Sides (to be released on Marshall Gilkes' Alternate Side Records on February 10, 2023), which follows up his previous big band album, Around The Horn, and his debut as a leader, Extended Outlook. 

My guest today is the phenomenal jazz violinist, mandolinist, arranger, and writer Aaron Weinstein. Aaron is a self-taught violinist and attended the renowned Berklee College on a 4 year talent based scholarship. As a young man he performed and recorded with many jazz legends. In this episode we talked about some of these mentors, including Bucky and John Pizzarelli, Les Paul, and this interview is full of Aaron's stories and insights as a performer and educator. He has generously agreed to let me use two of his previously released self-produced videos so you can hear some of his playing. I first discovered Aaron in his comedy series with Linda Lavin; I encourage you to check it out along with his other projects and albums: http://www.aaronweinstein.net/ All my episodes are also a video and the transcript is at the same link: https://www.leahroseman.com/episodes/aaron-weinstein Buy me a coffee? https://ko-fi.com/leahroseman Timestamps: (00:00) Intro (01:41) Aaron's start on old-time fiddle (03:16) Bucky Pizzarelli, John Pizzarelli (06:50) Mel Bay books Swingin' Jazz Fiddle Solos and Mandolin Chord Melody System (09:28) Aaron Weinstein plays Avalon, both violin and mandolin (11:05) Don Stiernberg  (12:27) “Give Me the Simple Life” Aaron Weinstein on mandolin (13:56) difference between jazz mandolin and jazz violin (17:18) Album 3x3 on Chesky label (18:21) Berklee College of Muisic, Sandy Kott first formal violin lessons (23:32)Les Paul (25:05) playing with jazz legends as a young man, learning the tunes, Annie Ross (27:46) lyrics, Sondheim, Andy Zerman (30:35) working with Broadway singers and appreciating different genres (33:59) self-criticism, dealing with different performance realities (36:15) Joe Venuti, Eddie Lang, Johnny Frigo (38:54) Linda Lavin, Irvin Arthur (45:12) agents, jazz in the music business (46:59) mandolin, violin, guitar, Hamilton de Holanda (49:11) teaching jazz (56:03) giving and getting feedback  (59:04) getting established in New York, support from John Pizzarelli (01:01:26) arranging, practicing classical music, interpretation and originality  (01:06:43) writing  (01:13:54) advice for younger players, problems with social media (01:20:19) how to practice, improvisation (01:26:05) Les Paul story (01:28:00) missing the opportunity to hear Stéphane Grappelli --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

For this episode I play some music from some modern big bands: You’ll hear The Clayton Hamilton Jazz Orchestra with John Pizzarelli, The Brian Setzer Orchestra, and Kansas Smitty’s. One somewhat older big band too–Maynard Ferguson Orchestra from 1964. Closing off with something really weird from Martin Kuchen’s Angles. I also talk about how, when…Continue reading Episode 219: More Bopless Jazz and Big Band/Swing Evolution. (Part 2)

En este monográfico repasamos algunas de las colaboraciones que ha realizado Michael McDonald en discos de otros artistas. En concreto le escuchamos acompañando a Kenny Loggins, Norman Brown, Julia Fordham, Aretha Franklin, Ray Charles, Steve Porcaro, Amy Holland, Diana Ross, John Pizzarelli, The Winans, Nathan East, Dave Koz & Summer Horns, Thundercat y Lee Ritenour. Puedes escuchar el anterior episodio que dedicamos a Michael McDonald en la edición 1381 de este podcast.

John Pizzarelli is a remarkable performer, combining guitar virtuosity, musical knowledge and a clever sense of humor to create a memorable night of music.  I've known John for a long time, watching him grow from playing clubs in New Jersey and New York to venues all around the world.  His love affair with music started early, listening and watching his father Bucky Pizzarelli play with friends and family around the house.  The torch was eventually passed and John has run with it, creating a career of sweet sounds.See omnystudio.com/listener for privacy information.

CarneyShow 11.03.22 Kelly Chase, Jay Ashcroft, John Pizzarelli, Marshall Brain by

Italians have been a force in jazz almost since the music was born, and this week's guest is no exception! Vanessa Racci has dedicated her career to being an ambassador not only for her Italian heritage but also for the heritage of jazz music. Vanessa grew up in Westchester County, New York amid an Italian American family that steeped her in Italian song, theater music, and jazz, which allowed her to develop a vocal style drawn from all three, combining a tart, brassy, catch-in-the-throat sound with Italianate ardor, dramatic flair, and swing. This week, Vanessa joins us to celebrate the release of her latest album, “Jazzy Italian,” which launches on October 21. Vanessa tells us about how Italian Americans have always been connected to jazz music, from the Sicilian community of New Orleans who lived and worked alongside African Americans, to its influences throughout the pantheon of great Italian American singers. Vanessa also tells us about her plans to do three more albums, following the example of Harry Warren, John Pizzarelli, and Henry Mancini, all of whom were Italian Americans who made their mark on the music industry. And Vanessa talks about her upcoming album launch party on Sunday, October 23, at Birdland Jazz Club, and how it's not just a celebration of her music, but of all Italian American music in general. Join us as we discover the world of Italian American jazz music!

#785 - Harry Allen Harry Allen brings in 19 years of The Paul Leslie Hour! Are you here? Ladies and gentlemen, We. Welcome. You. tooooo The Paul Leslie Hour. There's really just a few announcements I want to make before our special guest joins us. First thing I want to do is say this: It's official! As of this very episode we celebrate 19 years of these programs. As always, thank you for tuning in! Okay, the second thing is —- telling you about the special guest. On this episode we welcome Harry Allen — Tenor Saxophonist, Recording Artist, Composer, Arranger and Producer. In the world of jazz, Harry Allen is a name that means something. To hear his work is more than just listening to music, it's an experience. It's why your host Paul E. Leslie asked him to be the guest for this anniversary transmission. Jazz guitarist, singer and our past guest John Pizzarelli said this about him: “Harry Allen's playing is nothing less than perfect.” The late jazz critic and lyricist Gene Lees wrote this: “Stan Getz was once asked his idea of the perfect tenor saxophone soloist. His answer was, ‘My technique, Al Cohn's ideas, and Zoot's time.' The fulfillment of that ideal may well be embodied in... Harry Allen.” One more thing, before we get to the Harry Allen interview, you should know that The Paul Leslie Hour is made possible by viewers and listeners like you. Please help keep this going. Just visit www.thepaulleslie.com/support and we thank you. All right, please stay tuned after the interview for a message from Paul. He just wants a minute of your time. And now, ladies and gentlemen. It's time for Harry Allen. Let's do this. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

#779 - Jessica Molaskey The Jessica Molaskey Interview is featured on The Paul Leslie Hour. Are you here? Or… are you there? Maybe you're over there. Ohhh, I see you're here - listening to The Paul Leslie Hour - an interview show going strong for 18 plus years, as seen in The New York Times, Huff Post, Entertainment Tonight, The Hollywood Reporter and the Atlanta Journal-Constitution.  Jessica Molaskey interview coming up, but first a word to the wise. You can contribute and help keep The Paul Leslie Hour going. Just go to www.thepaulleslie.com/support You can be a patron of the spoken word and supporter of independent media. Yes. So just what do we have for you on this episode? We're featuring an interview with Jessica Molaskey, a singer of Broadway and Torch songs. Jessica Molaskey talks with Paul E. Leslie about her music-filled life, her recorded discography, oh and then there's “Radio Deluxe” the radio program she co-hosts with her husband John Pizzarelli. And so much more! Okay, everything is in place. Let's hear the interview with Jessica Molaskey. The Paul Leslie Hour - Helping People Tell Their Stories is a talk show with new episodes every Monday, Wednesday and Friday. Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

Inspiration set the path to jazz, the subsequent learning process required mentors, trial and error and “dues paying." Sweets Edison, Clark Terry, Eddie Locke and John Pizzarelli share their memories.

For Video Edition, Please Click Here and Subscribe: https://youtu.be/SI4GFOisahM Written by a career vocalist, The Contemporary Singer's Blueprint: From Amateur to Professional and Beyond (Meredith Music Publications) is a valuable blueprint providing readers with the professional insight and practical steps for building a top notch, profitable singing career. JILL SWITZER is a singer/songwriter, voice/life coach, morning radio producer and personality of the popular Legends Radio show of eight years The Morning Lounge with Jill and Rich, plenary speaker, spokesmodel, and author of The Diva Next Door: How to be a Singing Star Wherever You Are which Tony Award® winner Linda Lavin called “warm, funny, right to the heart of what counts in the pursuit of a singing career.” Jill's thirty years in showbiz from Palm Beach to New York includes stage appearances and/or recordings with Nicolas King, Faith Prince, Steve Tyrell, John Pizzarelli, Marilyn Maye, Ann Hampton Callaway, Mary Wilson of The Supremes and The Four Freshmen. Her voice has been heard on The Ellen Show, countless national commercial jingles, and the internationally syndicated radio show Dick Robinson's American Standards by the Sea, where she was voted by listeners three consecutive years the “Best New Female Vocalist.” She resides in her native Palm Beach County, FL, with Rich, her husband and musical soulmate of twenty-six years. Deemed “South Florida's First Couple of the Great American Songbook,” Jill and Rich are one of the most sought-after acts in the area and perform regularly at high-profile venues. “I highly recommend this book for anyone who is trying to make a bigger impact with their musical career and is looking for inspiration and guidance!” -Tony-nominated singer/songwriter Ann Hampton Callaway

"Before The Cheering Started with Budd Mishkin," a new podcast all about the journey to success: the doubt, terrible first jobs, plan B's and the passion to push forward and realize a dream.  Compelling conversations with musician/actor/activist Steven Van Zandt, the co creators of Friends, Marta Kauffman and David Crane, broadcaster Bob Costas and musician John Pizzarelli.  "Before The Cheering Started with Budd Mishkin," New episodes drop in September.  Join us for the journey.See omnystudio.com/listener for privacy information.

En esta edición presentamos 'Twenty Twenty 2', el nuevo disco de Special EFX & Chieli Minucci con este guitarrista manteniendo viva la llama de ese proyecto que él mismo fundó junto al ya fallecido George Jinda a comienzos de los 80. En el repaso a novedades de la música Smooth Jazz reseñamos los álbumes de OTOOTO, JJ Sansaverino, Monday Michiru, Eric Essix y Lexsoul Dancemachine. En el bloque del recuerdo escuchamos temas a ritmo de Bossa Nova interpretados por el guitarrista y cantante John Pizzarelli.

"Going Pop" can mean many different things where jazz musicians are concerned, from adding electricity (dang it, Miles, why you do that?), to covering pop songs, to actually experimenting with writing pop songs (not too many take this path and few emerge unscathed).  And then there's rare jazzer combining jazz and pop songs, as you'll soon find out.   This time out we look at approaches all over the spectrum, ending with a vocal album Mike has already pegged as an album of the year contender.  Cecile McLoren – GHOST SONG; John Pizzarelli – DOUBLE EXPOSURE; Reuben Wilson – LOVE BUG; Bill O'Connell – A CHANGE IS GONNA COME.

It's the delightfully delicious "Frim Fram Sauce" on this episode of Same Difference! John AJ and Johnny as they listen to and discuss versions by Nat King Cole, Ella Fitzgerald and Louis Armstrong, Diana Krall, John Pizzarelli, Down For The Count, and new-to-us artist Phil Wiggins and The Chesapeake Sheiks!