Podcasts about junge deutsche philharmonie

Es gibt sie seit genau 50 Jahren, aber sie bleibt ewig jung. Denn die Junge Deutsche Philharmonie vereint Musikerinnen und Musiker bis zum Alter von 28 Jahren, die im deutschsprachigen Raum studieren. Jetzt feiert das „Zukunftsorchester“, wie es sich selbstbewusst nennt, seinen 50. Geburtstag - und startet in die neue Saison 2024/25 mit „Freispiel“, einem Festival für experimentelle Begegnungen in Frankfurt: Rap trifft auf Beethoven, Techno auf Orchestermusik. Vier Tage lang geht es um Mentale Gesundheit und Mode, um Nachhaltigkeit und Demokratie - und darum, was Musik zu diesen Themen zu sagen hat. Christoph Scheffer hat die Junge Deutsche Philharmonie bei den Proben besucht und mit Musikerinnen und Musikern gepsprochen.

110 years ago in Paris, Stravinsky's The Rite of Spring caused a furore and changed music forever. Did the police have to be called? It's still a piece that shocks and stuns and is filled with something amazing every second. Listening time c45 mins (podcast, 12', Music 33')   Music here on Spotify, Amazon and Apple Music played by the Junge Deutsche Philharmonie with conductor, Peter Eötvös. You can buy the recording or stream it too at Presto Music   There are plenty of video performances on Youtube. I like this one, played by the Orchestre philharmonique de Radio France with Mikko Franck. The TV director really captures the personalities in the orchestra and gets in nice and close. What do you think? Tell me with a comment at www.cacophonyonline.com! I'd love to hear from you!   If you'd like to support Cacophony there are easy, great, ways:   – help with the costs of running it (and me) with a one-off contribution  or with a regular payment at ko-fi.com. https://ko-fi.com/cacophonyonline – share this episode with someone you know – share the 100 second trailer: http://cacophonyonline.com/trailer – subscribe/ review and keep listening!   More episodes at: www.cacophonyonline.com/     Thanks for listening!

Eine Beethoven-Sinfonie nicht nur hören, sondern auch mit anderen Sinnen erleben - als Pantomime oder "Action Painting" - dieses Experiment hat die Junge Deutsche Philharmonie gewagt. Hans Ackermann berichtet aus der Berliner Elisabeth-Kirche.

Unter dem Motto "Credo" tritt die Junge Deutsche Philharmonie ab 10. März in Bamberg, Aschaffenburg, Ludwigshafen, Hamburg, Köln und Berlin auf. Vor dem Tourstart hat sich BR-KLASSIK-Redakteurin Kathrin Hasselbeck mit den beiden Vorstandsmitgliedern Dorothea Schröder und Justin Auer unterhalten.

Als Brückenschlag zwischen Musikstudium und professioneller Musikkarriere als Orchestermusiker fungiert die Junge Deutsche Philharmonie, die sich derzeit mit einem sehr jazzig angehauchten Programm unter dem Motto "Sax & Crime" präsentiert. Doch wie unterscheidet sich das Orchester von anderen?

I had such a great time spending a week with Diego at Andrés Martin’s bass festival this fall.  Diego is one of the most inspiring double bassists I know, and he's doing great things for the double bass both in Spain and in his home country of Uruguay. About Diego Zecharies: Diego Zecharies is a highly dedicated professional musician who has mastered his art globally, branching out as recording artist, professor, soloist, principal bass, producer and pedagogue, born in Montevideo Uruguay, nowadays based in Spain. Diego began his studies in his hometown, continues in Jerusalem and graduated with the highest qualification in the ÜdK Berlin (University of Arts Berlin) under the guidance of Prof. Rainer Zepperitz, Prof. Klaus Stoll and violin Prof. Ilan Gronich. During his studies, Diego performed as a principal bass at the Mahler Jugend Orchester, the Junge Deutsche Philharmonie and the Jeunesses Musicales World Orchestra. He won the Friczay Stipendium at Deutsche Symphonie Orchester Berlin and played as a substitute with the Rundfunk Symphonie-Orchester Berlin. Diego served as Principal Bass position in The Mahler Chamber Orchestra, the bandArt Orchestra, Brandenburg Symphoniker, Philharmonie Potsdam, and Sinfonica di Milano. He also is assiduously invited as Principal Bass at the Orchestra della Svizzera Italiana (Lugano, Switzerland); the Ensemble Les-Dissonances (Paris) with violinist David Grimal; collaborated with the the Israel Philharmonic; the Jerusalem Chamber Orchestra and the Luzern Festival Orchestra, recording together with Maestro Abbado many concerts for ARTE and for the Deutsche Grammophone. Diego played chamber music concerts with Emmanuel Ax, Christian Zacharias and Elizabeth Leonskaya, symphonic concerts with world-class conductors such as Mehta, Maazel, Abbado, Nagano, Ashkenazy, Temirkanov, Pappano, Sinopoli, Ozawa, Welzer Möst and soloists such as Yo-Yo Ma, Yuri Bashmet, Anna Sophie Mutter, F.P. Zimmerman, Martha Argerich, Alfred Brendel, Maurizio Pollini, Gordan Nikolic and others, always as Principal Bass. Diego is Principal Solo Bass in Galicia Symphony Orchestra from the year 2002. Renowned as a very active and passionate soloist, Diego’s research has brought him to perform some world-premiere material including entire unaccompanied Double Bass recitals, like at the BASS EUROPE Convention in Amsterdam 2014 and ISB World Convention 2015 in Denver (U.S.A) with great appreciation both critics and public. Diego appeared as soloist with: the Chamber Orchestra of Galicia Symphony; the Camerata of the Ministry of Education and Culture of Montevideo; the Galicia Symphony Orchestra; the OJS of Montevideo, the Orquesta de Baja California,among others and gave the opening unaccompanied Double Bass recital for the UNESCO Chair Culture of Peace and Human Rights under the World Peace Forum 2010. Diego has given numerous master classes in Europe, South América and South Korea, been assigned as coach on many youth orchestras across Spain and Germany and has recently been appointed as Director of the International Double Bass Festival of Montevideo and Director of the Double-Bass Cathedra of the Uruguayan National Orchestral Training Plan. This cathedra foresees a minimum of 3 seminars with solo recitals and telematic virtual master classes given throughout the year, plus an international festival every 2 years. In Spain, Diego is the Artistic Director of the “ReSuena Project”, which brings together kids from diverse cultural and social backgrounds, throughout the creation of youth symphony orchestras and choirs all over the city, project originally inspired on Venezuela’s “El Sistema de Orquestas”. Links to Check Out: Diego's website Music For Double Bass Solo, Duo And Quintett (new album) Montevideo International Double Bass Festival Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D’Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Subscribe to the podcast to get these interviews delivered to you automatically!

Heute mal was ganz anderes, es hat nichts mit Büchern zu tun. Am Samstag war ich, die sich wenig mit Musik auskennt, schon gar nicht mit klassischer Musik, in einem Konzert. Im Auftrag vom Nationalen Centrum für Tumorerkrankung spielte die Junge Deutsche Philharmonie in der Heidelberger Stadthalle mehr als 1174 Takte gegen Krebs. Hört rein!

Die Junge Deutsche Philharmonie, für die die Bamberger Symphoniker seit 2014 eine Patenschaft übernommen haben, versammelt die besten Musikstudierenden deutscher Hochschulen. Das Orchester spielt am 4. März in der Bamberger Konzerthalle unter der Leitung von Jonathan Nott Werke von Mahler, Ravel und Schostakowitsch. Carlo Schindhelm war bei den Proben vor Ort.

I programmet diskuterar panelen bl.a. Weinbergs opera Idioten samt Mahlers 10e symfoni med Nézet-Séguin. Dessutom har Sofia Nyblom intervjuat dirigenten och violinisten Nikolaj Znaider. I panelen Alexander Freudenthal, Johanna Paulsson och Måns Tengnér som tillsammans med programledaren Johan Korssell betygsätter följande skivor:FELIX MENDELSSOHN Stråkkvartetter nr 1 och 4 Escher-kvartetten Bis BIS 1960GUSTAV MAHLER Symfoni nr 10 Orchestre Métropolitan Yannick Nézet-Seguin, dirigent Atma ACD 2 2711PROKOFJEV TJAJKOVSKIJ Pianokonsert nr 2 Pianokonsert nr 1 Beatrice Rana, piano Santa Cecilia-akademins orkester Antonio Pappano, dirigent Warner Classics 0825646009091MIECZYSLAW WEINBERG Idioten Juhan Tralla, Steven Scheschareg m.fl. Mannheims nationalteaters orkester Thomas Sanderling, dirigent PanClassics PC 10328Sofia möter Sofia Nyblom träffade den danskfödde violinisten och dirigenten Nikolaj Znaider då han gästspelade i Stockholms konserthus och dirigerade Dvoraks sjätte symfoni.Mendelssohns stråkkvartetter med Emerson-kvartetten på skivmärke DG; Mosaïque-kvartetten på Astrée samt med Talich-kvartetten på Calliope. Bruckners sjunde symfoni med Stuttgart-radions symfoniorkester ledd av Kurt Sanderling på Hänssler jämfördes med Orchestre Metropolitan och dirigenten Yannick Nézet-Seguin på Atma. Mahlers tionde symfoni med Berlins symfoniker ledd av Kurt Sanderling på Berlin Classics; Polska radions symfoniorkester dirigerad av Robert Olson på Naxos; Junge Deutsche Philharmonie under Rudolph Barshai på Brilliant Classics; Simon Rattles två inspelningar gjorda på EMI med Berlins filharmoniker respektive Bournemouths symfoniorkester samt med Berlin-radions symfoniorkester under ledning av Riccardo Chailly på Decca. Prokofjevs pianokonsert med Yuja Wang tillsammans med Simón Bolívars symfoniorkester ledd av Gustavo Dudamel på DG. Tjajkovskijs pianokonsert Svjatoslav Richter och Tjeckiska filharmonin under ledning av Karel Ancerl på märke Supraphon. Weinbergs opera Idioten jämfördes med Wagners Parsifal. Båda arbetar med ledmotiv-teknik.Johan sveper över den nyutkomna utgåvan med violinisten Vilde Frang som solist i Korngolds och Brittens violinkonserter tillsammans med Hessiska radions symfoniorkester i Frankfurt, ledda av James Gaffigan. Utgiven på Warner Classics.