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7 episodes with Ashkenazy
2 episodes with Ashkenazy
2 episodes with Ashkenazy
2 episodes with Ashkenazy
2 episodes with Ashkenazy
2 episodes with Ashkenazy
2 episodes with Ashkenazy
3 episodes with Ashkenazy
2 episodes with Ashkenazy
durée : 01:28:43 - Relax ! du lundi 19 mai 2025 - par : Lionel Esparza - Vladimir Ashkenazy est l'un des pianistes les plus solides et omniprésents du circuit musical des six dernières décennies. Ses talents très divers en font à la fois un soliste, un partenaire de musique de chambre et un chef d'orchestre. Sa discographie, multiple, compte largement plus de 200 CD !
durée : 01:28:43 - Relax ! du lundi 19 mai 2025 - par : Lionel Esparza - Vladimir Ashkenazy est l'un des pianistes les plus solides et omniprésents du circuit musical des six dernières décennies. Ses talents très divers en font à la fois un soliste, un partenaire de musique de chambre et un chef d'orchestre. Sa discographie, multiple, compte largement plus de 200 CD !
SHOSTAKOVICH: El canto de los bosques, Op. 81 (36.30). M. Kotliarov (ten.), N. Storojev (baj.), The New London Children's Choir, Coro del Festival de Brighton, Orq. Royal Philarmonic de Londres. Dir.: V. Ashkenazy. Tras una larga separación (De la poesía popular hebrea, Op. 79) (2.41). N. Dorlian (sop.), Z. Dolukhanova (mez.), A. Maslenikov (ten.), D. Shostakovich (p.).Escuchar audio
https://benashkenazy.com/ Ashkenazy Acquisition Corp. recently revitalized 800 Madison Avenue, a 1928 Upper East Side landmark, blending classic elegance with modern sophistication. Located near Central Park, the newly updated residences offer high-end finishes and luxurious features designed for the lifestyle of today's Manhattan residents. US Commercial Lending City: New York Address: 135 West 36th Street Website: https://uscommerciallending.com Phone: +1 203 912 7244
Nimrod Borenstein is a brilliant composer, who was a child prodigy as both a composer and performer. His often complex music is beloved by performers and audiences alike, and has been widely recorded and performed internationally. He is also a renowned conductor, and he spoke to me about his difficult decision to cut short his career as a violin soloist in order to find alternate career options as he developed his career as a composer. Vladimir Ashkenazy has been an active champion of Nimrod's music, and you'll hear the charming story of their first meeting. Ashkenazy first conducted Borenstein's orchestral work The Big Bang and Creation of the Universe op. 52 to great acclaim, and the Chandos label released a very successful album devoted to Borenstein's music conducted by Ashkenazy featuring his Violin Concerto and orchestral works. Nimrod shares his insights about interpreting music for performers and conductors, the development of his compositional style and his views on creativity in general. Nimrod has an infectious energy in his enthusiasm for the pursuit of beauty. Nimrod has exceptional parents, and you'll hear how they met, and we start with Nimrod's close relationship to his father the renowned painter Alec Borenstein. You'll be hearing excerpts from a couple of recordings, with thanks to both SOMM recordings and Naxos; links to Nimrod Borenstein's compositions and recordings below This episode is also a captioned video on YouTube, and you can read the transcript at this link as well: https://www.leahroseman.com/episodes/nimrod-borenstein Nimrod Borenstein website, for his discography, compositions and current projects: https://www.nimrod-borenstein.com/recordings To support this series, please either buy me a coffee or shop at my merchandise store Newsletter sign-up Catalog of Episodes Timestamps: (00:00) Intro (03:27) father Alec Borenstein, sharing ideas about great art and creativity (10:44) Un moment de sérénité Shirim, op. 94, no. 5 performed by pianist Clélia Iruzun with thanks to SOMM recordings (13:24) the importance of contrast (15:06) importance of dynamics, notation, interpretation (18:04) evolution of Nimrod's compositions, decision to give up career as a violin soloist (22:37)Concertos (24:51) piano Etudes (30:11) Tango Etude. op. 66 No. 3 on the Naxos label with pianist Tra Nguyen (32:32) piano Etudes, first symphony (35:24) Chopin performed very little, Nimrod's decision to prioritize composition (36:41)decision to conduct (43:47) excerpt from the 3rd movement of the Borenstein Concerto for Piano and Orchestra op. 91, performed by Clélia Iruzun and the Royal Philharmonic Orchestra, Nimrod Borenstein conductor (47:11) conducting, composition and interpretation (55:35)past episodes you may enjoy, different ways to support this series (56:20) English Chamber Orchestra 2025 collaboration Shakespeare Songs (57:16)how Vladimir Ashkenazy became a champion of Nimrod's compositions (01:06:38) evolution of Nimrod's compositional style, use of polyrhythms, finding his voice (01:24:09) excerpt from the 2nd movement of the Borenstein Concerto for Piano and Orchestra, op. 91, performed by Clélia Iruzun and the Royal Philharmonic Orchestra, with Nimrod conducting. (01:27:31) Nimrod's childhood in France, then move to the UK, musical influences, rating composers (01:37:32) Nimrod's family (01:42:55) piano pedagogy books and approach to teaching (01:48:42) great art separate from the creator photo: Sonia Fitoussi
CHOPIN: Trío para piano, violín y violoncello, Op. 8 (29.21). G. Kremer (vl.), G. Dirvanauskaite (vc.), G. Osokins (p.). Nocturno nº 2 en Fa sostenido menor, Op. 49 (7.28). E. Leonskaja (p.). Lejos de mis ojos (nº 6, 17 Cantos Polacos Op. 74) (2.45). E. Soderstrom (sop.), V. Ashkenazy (p.).Escuchar audio
CHOPIN: Concierto para piano nº 2 en Fa menor, Op. 21 (32.25) (versión con p. y quinteto de cuerda) (32.52). F. Shiraga (p.), H. Peterson (vl.), P. Olman (vl.), R. Westlund (vla.), P. Nystroem (vc.), J.-I. Haukas (con.). 17 Cantos polacos, Op. 74 (nº 13 Aquello que no tengo, nº 17 Caen las hojas del árbol) (9.02). E. Soderstrom (sop.), V. Ashkenazy (p.).Escuchar audio
CHOPIN: Barcarola en Fa sostenido mayor, Op. 60 (8.27). G. Cziffra (p.). Scherzo nº 4 en Mi mayor, Op. 54 (12.04). C. Arrau (p.). Polonesa en La bemol mayor, Op. 53 “Heroica” (6.46). N. Freire (p.). 4 Mazurkas, Op. 33 (9.27). V. Ashkenazy (p.). Vals nº 3 en Re bemol mayor, Op. 70 (2.25). M.-J. Pires (p.).Escuchar audio
CHOPIN: Sonata para piano nº 1 en Do menor, Op. 4 (23.44). V. Ashkenazy (p.). Balada nº 1 en Sol menor, Op. 23 (8.35). M. Pollini (p.). Scherzo nº 1 en Si menor, Op. 20 (8.18). B. Grosvenor (p.). Preludio nº 17 en La bemol mayor (24 Preludios, Op. 28) (2.26). A. Cortot (p.).Escuchar audio
CHOPIN: Variaciones sobre “La ci darem la mano” de Don Giovanni de Mozart, Op. 2 (arr. para p.) (17.04). D. Trifonov (p.). Gran Rondó de concierto para piano y orquesta en Fa mayor, Op. 14 “Krakowiak” (13.36). J. Lisiecki (p.), Orq. NDR ElbPhilarmonie. Dir.: K. Urbanski. Introducción y variaciones sobre “Je vends des scapulaires de “Ludovic” de Ferdinand Herold, Op. 12 (8.10). V. Ashkenazy (p.). Preludio nº 24 en Re menor (24 Preludios, Op. 28) (2.26). A. Cortot (p.).Escuchar audio
Ever wonder what it would be like to leave a prestigious corporate role and head off to start your own venture? Today's guest, Boaz Ashkenazy, did just that. He left his executive position at Meta to co-found Simply Augmented, an AI consultancy specializing in solving complex problems using generative AI. In this episode, Boaz shares his inspiring journey and the innovative strategies that have fueled his success in the fast-evolving AI landscape. Tune in to learn from a leader who's made that momentous career transition and is now redefining what's possible with AI!In this episode, you're going to learn:The inside story of transitioning from corporate role to entrepreneurshipHow to build an AI consultancyThe importance of a customer-first approach in AI solutionsNetworking strategies for entrepreneursHow to leverage partnerships with major tech companiesIdeas for managing intellectual property in consulting partnershipsBoaz's advice for aspiring consultants and entrepreneursConnect with Boaz AshkenazyDiscover more about Simply AugmentedBook your complimentary growth session call
Are you struggling to set your cybersecurity company apart in a crowded market? Do you find it challenging to communicate your product's unique value to the right audience? Are you curious how storytelling and personality can revolutionize your brand's image?In this conversation, we discuss:
Summary Severyn Ashkenazy, a Holocaust survivor and key figure in the creation of West Hollywood, shares his story and insights on Jewish identity, anti-Semitism, and the importance of education amongst the Jewish people. He emphasizes the need for Jews to understand and explain their heritage, and for others to learn the truth about Jewish culture and history. Ashkenazy also discusses the role of humor in Jewish culture and the challenges facing Israel today. He calls for unity and support in the fight against anti-Semitism and for peace in Jerusalem. Takeaways Understanding and explaining Jewish heritage is crucial for combating anti-Semitism and promoting understanding. Jewish humor is a unique and important aspect of Jewish culture, even amidst the pain. Education and knowledge are key to preserving Jewish identity and combating ignorance. Support and unity are needed to fight against anti-Semitism and promote peace in Jerusalem. Chapters 00:00 - Introduction and Background 05:48 - The Experience of the Holocaust 09:34 - The Meaning of Being Jewish 10:48 - Religion and Education 19:40 - The History of Anti-Semitism 23:58 - The Power of Jewish Humor 28:29 - The Return to the Land of Israel 36:32 - Fighting Anti-Semitism and Spreading Truth 39:29 - A Message to Christians 41:18 - Closing Remarks
Boaz Ashkenazy is the CEO and founder of Simply Augmented. He's on a mission to equip small and medium sized companies with AI superpowers. Boaz talks to the Futurists about the prospect of fully automated corporations, digitally augmented workforce, and how every company can get started on the process of AI reinvention. Boaz Ashkenazy, AI insights Boaz Ashkenazy is an emerging voice on on the future of work and how to leverage AI into businesses operations and product offerings. His expertise includes product development, design thinking and building enterprise productivity tools from his time at Meta. He is also the host of the Shift AI Podcast which explores how AI and ML is changing the way that we work in the digital age through interviews with thought leaders who are redefining how businesses and employees will be impacted by emerging technology. As CEO of Simply Augmented, Boaz is building an AI-first company with the mission of helping businesses leverage the power of generative AI to supercharge employees and accelerate productivity. Want to connect? Shoot me an email at hello@simplyaugmented.com See more podcasts here.
Boaz Ashkenazy is the CEO and founder of Simply Augmented. He's on a mission to equip small and medium sized companies with AI superpowers. Boaz talks to the Futurists about the prospect of fully automated corporations, digitally augmented workforce, and how every company can get started on the process of AI reinvention. Boaz Ashkenazy is an emerging voice on on the future of work and how to leverage AI into businesses operations and product offerings. His expertise includes product development, design thinking and building enterprise productivity tools from his time at Meta. He is also the host of the Shift AI Podcast which explores how AI and ML is changing the way that we work in the digital age through interviews with thought leaders who are redefining how businesses and employees will be impacted by emerging technology.As CEO of Simply Augmented, Boaz is building an AI-first company with the mission of helping businesses leverage the power of generative AI to supercharge employees and accelerate productivity. Want to connect? Shoot me an email at hello@simplyaugmented.com
On Shift AI Live, Ashwin Kadaru and Boaz Ashkenazy, discuss the influence of AI on different industries, current events related to the fast changing AI landscape and new use cases that directly impact business ROI. Connect with Ashwin Kadaru X LinkedIn Connect with Boaz Ashkenazy X LinkedIn Email: shift@simplyaugmented.com Join the Simply Augmented newsletter. Every Tuesday morning, you'll get actionable tips to leverage AI in your business and empower your teams to grow. --- Send in a voice message: https://podcasters.spotify.com/pod/show/shift-ai/message
Welcome to Breaking Through in Cybersecurity Marketing, where we explore the hottest topics in cyber marketing, interview experts and help you become a better cybersecurity marketer! In this episode, Shlomi Ashkenazy, Head of Brand at Cybellum, joins Maria and Gianna to discuss how to maximize your branding potential. To begin, Shlomi defines branding as the core narrative and story your organization wants to tell. This narrative can be uncovered by asking customers key driving questions to determine how their perception grows over time. These questions may include things like How well do you know our company? Who do you see us as? and What do we do? Brand momentum is typically generated from a combination of what you do as a founder and the work of the sales team. Next, Shlomi shares his story of tying brand into a venture capital investment. It all comes down to convincing investors that something big is in store for your idea. Shlomi sees branding as an engineering discipline as if you are building out a product scientifically. It requires less intuition and more customer feedback. Next, Shlomi speaks to how companies can stand out in such a crowded market like cybersecurity. The first thing to do is try to simplify things as much as possible to help people better understand what you do. Then, try to find a niche and really stick with it. He also shares about the efforts he has made which didn't work out as planned. As long as you remain agile and can afford to make mistakes, there is always something to be learned when things don't work out. He also shares his discovery that a CEO is not important for a brand, but rather the CEO is the brand. The best way to know when your company's story is not working is when the sales team is unhappy. If, after trying it out and it still isn't sticking, it's time to change direction. In the first few years of operations, around 30-40% of a brand's budget should go to marketing. Finally, they engage in a fun guessing game to reveal what career Shlomi would pursue outside of the cybersecurity marketing field. Links: Follow Shlomi Ashkenazy on LinkedIn. Keep up with Hacker Valley on our website, LinkedIn, Instagram, and Twitter. Follow Gianna on LinkedIn. Catch up with Maria on LinkedIn. Join the Cybersecurity Marketing Society on our website, and keep up with us on Twitter.
Eine bittersüße Melodie gleich zu Beginn, eine ordentliche Prise Jazz im zweiten Teil und dazwischen eine Solokadenz, die die Klarinette in schillerndes Rampenlicht rückt – das ist Aaron Coplands Klarinettenkonzert.
In our last episode, we learned about the Russian composer Sergei Rachmaninoff. You might recall learning that he composed in the Romantic style of music, and especially featured the piano in his work. Today we're going to take a more in-depth at some of his most famous piano compositions, his collection of preludes. While we won't learn about each and every one of them (he wrote one for each major and minor key!), we'll learn about the collection as a whole and some of the ones that are performed most frequently. MUSIC HEARD IN THIS EPISODE Rachmaninoff Prelude in C Sharp minor Op.3 No.2 Lisitsa Yuja Wang – Rachmaninov: Prelude in G Minor, Op. 23, No. 5 (Live at Philharmonie, Berlin / 2018) Ashkenazy plays Rachmaninov Prelude Op.32 No.12 in G sharp minor MUSIC LISTENING SCHEDULE FOR EPISODE 97 I've created a curated playlist on YouTube of some of the music from today's episode as well as complete performances of all Rachmaninoff's piano preludes. Listen to the playlist here. Subscribe & Review in Apple Podcasts Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in Apple Podcasts! If you're feeling extra magnanimous, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!
Ep #196 - Energy is all around us. Emotions are energy in motion. You know how you have felt blocked, like something inside you is holding you back, or just doesn't feel right. The main problem is that most of us attempt to reconcile this internal charge through our rational thinking mind, or if addiction still steers us, we hit the bottle, straw, or pipe hard. We all know when we feel life is in flow. We know what that feeling of flying on cloud nine is - and no I'm not referencing the high we get off intoxicants. I am talking about that universally known energy we feel inside of us when the restraints are pulled off and we can move ourselves in a way that evokes our divinity and unconscious essence. Imagine if you knew the secrets of unlocking your energetic blocks. Heck, let's all live in a world where we inner-stand that energy isn't just real, it's all around us, Energy IS US, and directs us like a conductor does an orchestra. Let the musical energy of life be your guide. Silence yourself and you will hear your energy calling you. Like in the Avatar movies, there is a light inside us all and it touches everyone and everything. The butterfly effect starts with you. Will you move your body and bring warmth to yourself or will you continue down a path you already know you are sick and tired of being sick and tired of? The answers to these ponderings may just be on the other side of my conversation with Elesia... Just hit play and let's dive in with our open minds, hearts, and energies bringing everyone into the fold - you are in the right place, at the right time...right now. It is time. It has been time. To live is to shine. Step into the SUN. Stand up, step forward, raise your hand - it's your turn, head the call! ******************************************** I know you enjoy the show, so PLEASE SUBSCRIBE, RATE, AND REVIEW on your preferred streaming app or click this link to review on iTunes - Your simple action of rating and reviewing does wonders in helping others find the show. Let's spread the word about our show TOGETHER! Thank you so much for listening and being a part of my tribe and this wonderfully supportive community. Here's to being a part of ending the stigma, No longer are we living in the shadows - Anonymous no more!! ******************************************** CLICK HERE FOR ALL LINKS RELATED TO THE SHOW!!! ******************************************** Join the Tribe through The HUB: https://www.jessemogle.com/thehub/ ******************************************** Check out my Store! It's like an inventory of things I sell!! The Jesse Mogle Store https://stan.store/jessemogle ******************************************** Wanna support me, my show, and my goal of reaching 1,117,117 humans seeking their way from the darkness into the light?!?! Buy me a coffee to keep me going or some gas for my work in the field - Buy me a coffee, gallon of gas, or a bite to eat! http://buymeacoffee.com/jessemogle Be a Patron on Patreon! https://www.patreon.com/jessemogle ******************************************** I know you enjoy the show, so please subscribe, rate, and click this link to review on iTunes - even if you listen on Spotify or others apps. Help me spread the word about my show! Your simple action of rating and reviewing does wonders in helping others find the show. If you have questions you'd like addressed on the show, want to book me to speak at an event, want to have me as a guest on your show - or simply want to let me know a bit about you, your journey, and how my show has helped you…please contact me through any of the social media links below or via email. ******************************************** Set up a complimentary 30-minute call with me: callcoachjesse.com Tik Tok: http://www.tiktok.com/@jessemogle Instagram: https://instagram.com/fromsobrietytorecovery Facebook: https://facebook.com/fromsobrietytorecovery Twitter: https://twitter.com/jessemogle LinkedIn: https://www.linkedin.com/in/jessemogle/ Email: sobriety@jessemogle.com Website: https://www.jessemogle.com From Sobriety to Recovery Podcast: https://www.jessemogle.comfromsobrietytorecovery/ College Success Habits Podcast: https://www.jessemogle.com/collegesuccesshabitspodcast/ ******************************************** Join the Tribe through The HUB: https://www.jessemogle.com/thehub/ ********************************************
Onyx Funding is a trusted name in the commercial real estate finance industry because we deliver results through a proven and comprehensive process.By choosing to be represented by a strong and experienced industry leader, you are ensuring that you and your projects will demonstrate optimal success.http://www.onyxfunding.com
The Death of Transcendence (Palgrave MacMillan, 2022) presents a clear and compelling close reading and interpretation of the five essays included in Jean Améry's At the Mind's limit, describing them as one continuous and progressing argument on the possibility of human society in wake of the Holocaust. Through the works of philosophers such as Wittgenstein, Murdoch, J.M. Bernstein and Charles Taylor, Ashkenazy uncovers the importance and significance of such concepts as transcendence, loss, self, other, love, and home for establishing and maintaining a human life and world, and recovering it should it be lost. Finally, the book examines the concept of resentment, described as a reactive and corrupting emotion by Nietzsche, and follows Améry's argument that in extreme cases, it is in fact the moral, healthy choice. Written with both clarity and academic rigour, The Death of Transcendence offers novel ideas, firmly grounded in existing philosophical literature, and is intended for both professional scholars and enthusiasts. Yoav Ashkenazy is an independent researcher. After receiving a Ph. D. from the Hebrew University in Jerusalem he continued to teach philosophy and literature in various settings and serve as a research fellow at the Hartman Institute for Advanced Study. He currently lives in Vienna and is engaged in research, consultancy and management for various private organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Was Mordechai the uncle of Esther or was he her cousin?[1] On Parshas Shekolim we forgot to prepare the 2nd Sefer Torah. To roll the 2nd ST to Parshas Ki Sisa will take longer than rolling from Vayakhel to Ki Sisa. Should we still take out the 2nd ST?[2] Is it important to hear the reading of Parshas Zochor in one's familiar dialect: Ashkenazy, Sefardy etc.?[3] During the reading of the Megila I was daydreaming. Do I have to listen again?[4] How much is a Prutah in today's currency?[5] What is the minimum amount for Matonos loEvyonim?[6] On Shabbos, may one fold serviettes (napkins) into a specific shape?[7] May one use a Cafetiere / French Press on Shabbos?[8] When dressing a Chosson with the Kitel, Gartel etc. – is it done by both Mechutonim together or should be done in turns?[9] Is there an objection to pouring Negel Vasser into the kitchen sink full of dishes?[10] [1] תרגום שני אסתר ב. שבת נג ב. סדר הדורות ג"א תד. [2] ביאור הלכה סי' תרסט. [3] נטעי גבריאל – פורים פרק כא ס"ד. [4] חו"מ סי' ער ס"ג. [5] שיעורי ציון (לרא"ח נאה) ע' עו: 401 של גרם. מחיר גרם של כסף: 63p = פרוטה בערך 1.5 פעני. נפק"מ לחילול מע"ש ולמכירת חמץ. [6] משנה ברורה סי' תרצ סק"ב משער בפרוטה. אבל יש פוסקים שצ"ל שיעור סעודה. [7] פסקי תשובות סימן שב ס"ק יב; משנ"ב מהדורת 'דרשו' שם הע' 23. וש"נ לשמירת שבת כהלכתה פי"א ס"מ. [8] שוע"ר סי' שיט סעיפים יב, יג, יח. [9] שלחן העזר ח"ב כז א; נטעי גבריאל – נישואין ריש פט"ו; ימי מלך ח"א ע' 272. [10] ראה פסקי תשובות סימן קפא סק"ו. וראה גם אשל אברהם (בוטשאטש) סי' ד רס"ח דמועיל הדחת הכלי.
Ludwig van Beethoven (1770 - 1827)Piano Trio n. 1 in Mi bemolle Maggiore, Op. 1, n. 11.Allegro2.Adagio cantabile (la bemolle maggiore)3.Scherzo. Allegro assai (do minore)4.Finale. PrestoItzhak Perlman, violinoLynn Harrell, violoncelloVladimir Ashkenazy, pianoforte[32'13”]"Triplo concerto" in do maggiore per pianoforte, violino e violoncello, op. 561.Allegro2.Largo (la bemolle maggiore)3.Rondò alla PolaccaSviatoslav Richter, pianoforteDavid Oïstrakh, ViolinoMstislav Rostropovitch, VioloncelloBerlin Philharmonic OrchestraHerbert von Karajan, direttore
durée : 00:58:09 - Vladimir Ashkenazy, du clavier à la baguette - par : Aurélie Moreau - Interprétations au plus haut niveau de Vladimir Ashkenazy, notamment des extraits d'Asrael de Josef Suk, du 2ème Concerto pour piano de Beethoven qu'il dirige du piano, des Tableaux d'une exposition de Moussorgski dont il a écrit une orchestration.
„Sie sind ein trefflicher Poet!“ sagte Robert Schumann zu seinem Kollegen Niels Wilhelm Gade aus Dänemark. Ein Poet mit Komponistenfeder und mit dem vielbeschriebenen „nordischen Ton“, den Schumann in Gades Musik so schätzte.
Pëtr Il'ič Čajkovskij: Piano Concerto No. 1 in Si b minore op. 23I. Allegro non troppo e molto maestoso II. Andantino semplice III. Allegro con fuoco London Symphony OrchestraVladimir Ashkenazy, pianoforteLorin Maazel, direttore
Sergei Rachmaninov: Sinfonia n. 1 in Re minore Op. 13 (1895)I. Grave—Allegro ma non troppoII. Allegro animatoIII. LarghettoIV. Allegro con fuoco.Concertgebouw Orchestra Vladimir Ashkenazy, direttore
On Episode 19 of AHL Live, Ben Pundole, Founder of A Hotel Life chats with Stefan Ashkenazy, Proprietor of Petit Ermitage Hotel and Co-founder of Bombay Beach Biennale.We chat with Stefan about giving back during the pandemic, the passion that you have to have to succeed in hospitality, and much more.
STRAVINSKY: The rake´s progress (Ópera en tres actos) (Final del Acto 3) (23.30). A. Young (ten.), J. Raskin (sop.), J. Reardon (bar.), R. Sarfaty (mez.), K. Miller (ten.), J. Manning (mez.), The Sadler´s Wells Opera Chorus, Orq. Royal Philarmonic de Londres. Dir.: I. Stravinsky. Historia del soldado (arr. de 5 movimientos para vl., cl. y p.) (14.49). A. Brind (vl.), D. Ashkenazy (cl.), V. Ashkenazy (p.). Escuchar audio
STRAVINSKY: Epitaphium (A la memoria del príncipe Max Egon de Fürstenberg) (1.21). L. Mac Ghee (fl.), D. Ashkenazy (cl.), C. Bianchi (arp.), European Soloists Ensemble. Dir.: V. Ashkenazy. Variaciones orquestales (A la memoria de Aldous Huxley) (4.53). Orq. Sinf. “Columbia”. Dir.: R. Craft. Septeto (arr. para dos pianos) (11.19). H. Bugallo (p.), A. Williams (p.), Dúo de piano Bugallo-Williams. Monumentum pro Gesualdo. Arreglo libre de 3 Madrigales de Carlo Gesualdo: Asciugate I begli occhi (Madrigal XIV, Libro V), Ma tu, cagion di quella (Madrigal XVIII, Libro V), Belta Poi che t´Assenti (Madrigal II, Libro VI) (7.04). Orq. Sinf. Columbia. Dir.: I. Stravinsky. Tilimbom (Historias para niños, nº 1) (1.01). E. Lear (sop.), Orq. Sinf. Columbia. Dir.: R. Craft. 3 Pequeñas canciones. Recuerdos de mi infancia (La Urraca, La Graja, La Grajilla) (4.02). C. Berberian (mez.), Orq. Sinf. Columbia. Dir.: I. Stravinsky. Scherzo a la rusa (arr. para veinte pianos) (4.36). Dir.: M. Bon. Escuchar audio
Morénike and I talk about gender assigned at birth, gender identity, gender expression and sexuality. If you are unsure about what all of these terms mean or want to learn more or just want to check out an open and candid conversation, listen now!! Morénike Giwa Onaiwu is an educator, writer, public speaker, parent, and global advocate. A proactive, resourceful professional and disabled woman of color in a multicultural, neurodiverse, serodifferent family, Morénike, who is American-born to immigrant parents, possesses undergraduate and graduate degrees in International Relations and Education. She is passionate about human rights, justice, and inclusion.She is involved in various social justice advocacy endeavors including HIV awareness, learning via technology, research, gender, disability, and racial equity and other issues. A prolific writer, Morénike has written for and/or been featured in numerous blogs, abstracts, magazines, books, and other platforms, often drawing from her personal experiences as a late-diagnosed Autistic adult woman, a person of color, an Autistic parent of Autistic and non-Autistic children, and a survivor of intimate partner violence. She is also involved in several projects in addition to her advocacy and writing; notably, she is one of the editors (along with Lydia X.Z. Brown and E. Ashkenazy) of a groundbreaking anthology on autism and race as well as a co-coordinator of the Fund for Community Reparations for Autistic People of Color’s Interdependence, Survival, and Empowerment.Currently balancing her roles as a faculty member at a state college and as a doctoral student in an educational leadership program, Morénike considers herself a “lifelong learner” who is constantly growing and changing, hopefully for the better! She considers her wonderful children (biological and adopted and all of whom have various disabilities) to be her greatest accomplishment.She can be contacted by making a direct appointment at MorenikeGO.youcanbook.me and/or by emailing her at MGO@morenikego.com(^This is derived from my “real” bio. For a more casual/”fun”/informal version, visit my About page.)
You've likely heard of virtual reality, but what do you know about augmented reality? Boaz Ashkenazy of Simply Augmented is helping dealers and brokers to showcase their products to customers using the interactive tool of augmented reality, and he's sharing all about it. So what is augmented reality? It is an interactive experience of a real-world environment. Why would this be important to the contract interiors industry? Think of creating entire virtual showrooms. Creating scale models of interiors in which customers can change the layout and materials used in the space. There are so many applications for our industry that would help facilitate a smoother buyer's journey and experience. Listen as Boaz chats about ways his company Simply Augmented has helped companies in the contract interiors space to streamline their showrooms and sell despite the effects of Covid. We tend to be late adapters of new technology, but with the changes in our society and the world, this is one time that we need to be ahead of the game. The uses are endless and the need is great. Along with creating a solid eCommerce platform, start looking into added AR to your marketing and sales processes.In this episode:[01:18] Shout out to JCWall7 for the five star review![02:44] Welcome to the show, Boaz![02:53] Boaz shares his background and the company that he leads.[03:58] Listen, as Boaz describes the difference between augmented reality (AR) and virtual reality (VR).[05:48] Boaz discusses how he went from being an architect to working with AR.[08:42] Why AR is important in the contract interiors industry specifically.[11:39] Per Boaz, and me, eCommerce suites are the way of the future.[14:20] How AR can enhance the customer's journey.[16:36] Boaz shares the feedback they have had from the dealer community.[17:43] Another game changer for the industry is removing the cost of physical mock ups.[23:06] Go to the Nook website if you want to see the work Simply Augmented does.[25:46] Listen as Boaz shares why he uses the term “content” when discussing AR.[28:09] What he would say to anyone on the fence about using AR.[30:11] How AR allows for interactive showroom tours for potential buyers.[35:20] Thank you so much for being on the show!Links and Resources: Connect with Boaz Ashkenazy:Simply AugmentedNook PodO.W. LeeLinkroomInstagram | Facebook | LinkedIn | Twitter | EmailConnect with Sid:www.sidmeadows.comEmbark CCT on FacebookSid on LinkedInSid on InstagramThe Trend Report introduction music is provided by: Werq by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4616-werq License: http://creativecommons.org/licenses/by/4.0/
http://healthymindfitbody.com/2020/12/10/144-aerosolized-nanobodies-rna-vaccines-institutional-problems-beef-for-health-non-sacrificial-ethics/ http://healthymindfitbody.com/2020/12/29/145-medical-establishment-problems-rapid-antigen-tests-personal-empowerment-amidst-domination-systems/ Heather Heying & Bret Weinstein: The Lab Hypothesis | Real Time (HBO) https://www.youtube.com/watch?v=ZMGWLLDSA3c https://gimletmedia.com/shows/science-vs/dvheexn/coronavirus-was-it-made-in-a-lab https://jamiemetzl.com/origins-of-sars-cov-2/ Court in Thailand Sentences Woman to 43 Years for Criticizing Monarchy https://www.nytimes.com/2021/01/19/world/asia/thailand-king-lese-majeste.html Pro-Navalny Protests Sweep Russia in Challenge to Putin https://www.nytimes.com/2021/01/23/international-home/russia-protests-navalny.html https://reason.com/2021/01/27/biden-administration-affirms-support-for-protectionist-jones-act-throwing-hawaiians-puerto-ricans-to-the-sharks/ https://reason.com/2021/01/21/biden-set-to-entrench-trumpist-protectionism-with-buy-american-order/ https://reason.com/2021/01/21/a-letter-from-a-florida-inmate-asked-for-help-it-arrived-too-late/ https://www.slowboring.com/p/the-welfare-state-is-extremely-good https://www.aljazeera.com/amp/opinions/2020/12/31/ancient-egypt-a-pyramid-scheme-that-worked http://hipcrimevocab.com/2019/10/13/is-socialism-contrary-to-human-nature/ http://hipcrimevocab.com/2020/03/01/of-course-billionaires-shouldnt-exist/ https://en.wikipedia.org/wiki/Alcoa https://en.wikipedia.org/wiki/Business_Roundtable https://www.skeptic.com/michael-shermer-show/david-sloan-wilson-atlas-hugged-individualism-objectivism-cooperation-altruism-collective-action/ The future of management is teal https://www.strategy-business.com/article/00344/ Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage in Human Consciousness: Frederic Laloux, Ken Wilber (forward) https://www.amazon.com/Reinventing-Organizations-Frederic-Laloux/dp/2960133501 2021 Online NVC Conference - Feb 19-21 https://nvctraining.com/media/_2021/NVCA/NVC-conference/index.html bumper music Ashkenazy, Beethoven Piano Sonata No.16 in G major, Op.31 - 1 https://www.youtube.com/watch?v=PTJy2nFFXpo
In this episode, Morénike and I have a great conversation talking about a wide range of topics from parenting to educating those around us about autism, from self awareness and advocacy to the intersectionality of culture, gender, race and autism and how it can impact diagnosis and finding the best supports for each individual. Morénike Giwa Onaiwu is an educator, writer, public speaker, parent, and global advocate. A proactive, resourceful professional and disabled woman of color in a multicultural, neurodiverse, serodifferent family, Morénike, who is American-born to immigrant parents, possesses undergraduate and graduate degrees in International Relations and Education. She is passionate about human rights, justice, and inclusion.She is involved in various social justice advocacy endeavors including HIV awareness, learning via technology, research, gender, disability, and racial equity and other issues. A prolific writer, Morénike has written for and/or been featured in numerous blogs, abstracts, magazines, books, and other platforms, often drawing from her personal experiences as a late-diagnosed Autistic adult woman, a person of color, an Autistic parent of Autistic and non-Autistic children, and a survivor of intimate partner violence. She is also involved in several projects in addition to her advocacy and writing; notably, she is one of the editors (along with Lydia X.Z. Brown and E. Ashkenazy) of a groundbreaking anthology on autism and race as well as a co-coordinator of the Fund for Community Reparations for Autistic People of Color’s Interdependence, Survival, and Empowerment.Currently balancing her roles as a faculty member at a state college and as a doctoral student in an educational leadership program, Morénike considers herself a “lifelong learner” who is constantly growing and changing, hopefully for the better! She considers her wonderful children (biological and adopted and all of whom have various disabilities) to be her greatest accomplishment.She can be contacted by making a direct appointment at MorenikeGO.youcanbook.me and/or by emailing her at MGO@morenikego.com(^This is derived from my “real” bio. For a more casual/”fun”/informal version, visit my About page.)
The mobile industry have always been a uncharted territory to game developers outside the mobile game industry. But the conversation with Nadav helps fill in that gap and why mobile games is laying the foundation of our industry. ► Check out the video version: https://youtu.be/yDNEYviNEnY ···················································································· ●https://supersonic.com/ ●https://www.linkedin.com/in/nadav-ashkenazy-34083aba/?originalSubdomain=il ···················································································· Watch live 11 AM PST Tuesdays on https://www.twitch.tv/blu_champs ♥ Subscribe: http://www.youtube.com/bluchamps?sub... ● Join our Discord: https://discord.com/invite/sJtGmpV ● Website: http://gamedevunchained.com ●Twitter: https://twitter.com/BLUchamps ● Patreon: https://www.patreon.com/bluchamps Every week Brandon talk to game developers on how to be successful.
Our guest this week is David Ashkenazy. David is a certified consulting hypnotist, certified smoking cessation specialist, and founder of Inspired Living Hypnosis.“I'm dedicated to offering you the latest, most reliable and most effective hypnosis techniques. Your sessions utilize advanced hypnosis along with cutting-edge neurological processing to help you make powerful, positive change in your life. Our work together will help you release habits that plague you, such as smoking addiction, weight issues and stress, once and for all.” On this episode we explore:Men's groups as a fast track to deep friendshipTrance StatesHypnosisCreating trustDeeper states of awarenessDiscover more about David: https://inspiredlivinghypnosis.com/
Seeing is believing, but in the age of 3D product views through AR technology, seeing is also conceptualizing. Simply Augmented CEO Boaz Ashkenazy comes on the show to explain how AR-enabled 3D viewing will revolutionize everything from how we shop, to how we work. Alan: Hey everyone, Alan Smithson here. Today we're speaking with Boaz Ashkenazy from SimplyAugmented. We're going to be talking about how 3D is revolutionizing furniture views and products on the web. All that coming up on the XR for Business podcast. Boaz, welcome to the show, my friend. Boaz: Hey, thank you very much. It's good to be here. Alan: Oh, it's my absolute pleasure. I love the work you guys are doing. Let's get right into it. What is it that SimplyAugmented does, and how is it benefiting your customers now? Boaz: Well, we have a 3D platform that benefits customers both in the sales and marketing teams, and one of our products is called Simply3D. It allows for sales and marketing teams to easily share augmented reality. We found a lot of challenges around sharing augmented reality online and Simply3D.io is a vehicle for helping folks share. And we also create product and room configurators that exist online that allow people to experience environments and products really easily with augmented reality integration. Alan: So I got a chance to try one of the samples. I got to configure a-- it was like a quiet room or almost like a study room for open office furniture. So you go in, you close the door, and make yourself a phone call or whatever, but I got to configure it on the web. I hit a button, and it was in my living room here, this giant pod. And I was like, "Oh wow. This pod is huge in real life." So it was a great understanding of how big these things are, and I think that's truly the power of this technology. Maybe you can speak to some of the specific clients that you've worked with. What are they seeing, results wise? Boaz: You know what's interesting about what you said is a lot of folks have trouble visualizing products at scale, especially with the bigger the product, the harder it is to visualize. I am an architect by training. And I spent years designing spaces, and a lot of times people are surprised about what those designs end up looking like, because it's hard to understand objects at scale. And the pods that you mentioned, they're called Nook pods. And they're large rooms within a room, basically. You can have a quiet room inside an open office, which is pretty typical these days. For two people for four people, for one person. And to see it online and configure it is one thing, but to see it in the environment and walk into is another. One of the things that we recognized was there was two things that people really wanted to do. They wanted to quickly customize any of their products -- We're used to doing it with cars and vehicles, customize your products with colors, with options -- but then immediately be able to drop that in your environment and walk around it, look underneath it, walk inside it. And that's really what our configurator does. One of the challenges that a lot of folks face in the XR space is how do you spin up augmented reality with so many possible variations? That's the hard part about building these configurators. There's so many options, that you would never be able to create the augmented reality content beforehand. You wouldn't be able to predict it. And so what we've done is we've allowed for on-demand, real time augmented reality, depending on the choices that you make. Alan: So once I've configured it -- and I don't know, I didn't actually think about this until now -- but once I've configured -- let's say -- the Nook and I drop it
Seeing is believing, but in the age of 3D product views through AR technology, seeing is also conceptualizing. Simply Augmented CEO Boaz Ashkenazy comes on the show to explain how AR-enabled 3D viewing will revolutionize everything from how we shop, to how we work. Alan: Hey everyone, Alan Smithson here. Today we're speaking with Boaz Ashkenazy from SimplyAugmented. We're going to be talking about how 3D is revolutionizing furniture views and products on the web. All that coming up on the XR for Business podcast. Boaz, welcome to the show, my friend. Boaz: Hey, thank you very much. It's good to be here. Alan: Oh, it's my absolute pleasure. I love the work you guys are doing. Let's get right into it. What is it that SimplyAugmented does, and how is it benefiting your customers now? Boaz: Well, we have a 3D platform that benefits customers both in the sales and marketing teams, and one of our products is called Simply3D. It allows for sales and marketing teams to easily share augmented reality. We found a lot of challenges around sharing augmented reality online and Simply3D.io is a vehicle for helping folks share. And we also create product and room configurators that exist online that allow people to experience environments and products really easily with augmented reality integration. Alan: So I got a chance to try one of the samples. I got to configure a-- it was like a quiet room or almost like a study room for open office furniture. So you go in, you close the door, and make yourself a phone call or whatever, but I got to configure it on the web. I hit a button, and it was in my living room here, this giant pod. And I was like, "Oh wow. This pod is huge in real life." So it was a great understanding of how big these things are, and I think that's truly the power of this technology. Maybe you can speak to some of the specific clients that you've worked with. What are they seeing, results wise? Boaz: You know what's interesting about what you said is a lot of folks have trouble visualizing products at scale, especially with the bigger the product, the harder it is to visualize. I am an architect by training. And I spent years designing spaces, and a lot of times people are surprised about what those designs end up looking like, because it's hard to understand objects at scale. And the pods that you mentioned, they're called Nook pods. And they're large rooms within a room, basically. You can have a quiet room inside an open office, which is pretty typical these days. For two people for four people, for one person. And to see it online and configure it is one thing, but to see it in the environment and walk into is another. One of the things that we recognized was there was two things that people really wanted to do. They wanted to quickly customize any of their products -- We're used to doing it with cars and vehicles, customize your products with colors, with options -- but then immediately be able to drop that in your environment and walk around it, look underneath it, walk inside it. And that's really what our configurator does. One of the challenges that a lot of folks face in the XR space is how do you spin up augmented reality with so many possible variations? That's the hard part about building these configurators. There's so many options, that you would never be able to create the augmented reality content beforehand. You wouldn't be able to predict it. And so what we've done is we've allowed for on-demand, real time augmented reality, depending on the choices that you make. Alan: So once I've configured it -- and I don't know, I didn't actually think about this until now -- but once I've configured -- let's say -- the Nook and I drop it
durée : 00:12:08 - Disques de légende du jeudi 27 février 2020 - Parue en 1976 sur le label Decca, cette intégrale des Préludes de Sergueï Rachmaninov par le pianiste Vladimir Ashkenazy est devenue très rapidement une grande version de référence.
I 1958 optrådte den russiske pianist Vladimir Ashkenazy for første gang i USA. Han var bare 21 år, da han gav koncert sammen med USA's hotteste klassiske musiknavn, dirigenten Leonard Bernstein, der netop var tiltrådt som chefdirigent for New York Filharmonikerne.Ved samme koncert dirigerede Bernstein det endnu ret ukendte mesterværk Arcana, skrevet i 1920'erne af Edgar Varèse - og barokmusik af Vivaldi!Prokofjev: Klaverkoncert nr. 2.Varèse: Arcana.Vivaldi: Dobbeltkoncert, C-dur, 1. sats.Schumann: Symfoni nr. 4.Vladimir Ashkenazy, klaver.New York Filharmonikerne.Dirigent: Leonard Bernstein.(Optagelse fra Carnegie Hall, New York, 29. november 1958). Vært: Rie Koch. www.dr.dk/p2koncerten
durée : 01:59:00 - Relax ! du jeudi 06 février 2020 - par : Lionel Esparza - On dresse le portrait du grand pianiste et chef d'orchestre russe Vladimir Ashkenazy, qui a mis un terme à sa carrière le 17 janvier dernier. Et notre disque de légende est la version mythique des Concertos Brandebourgeois de Jean-Sébastien Bach enregistrée par le violoniste Adolf Busch en 1935. - réalisé par : Antoine Courtin
Senior Editor Alex Milstein talks with Boaz Ashkenazy, CEO of 3D solutions company Simply Augmented, about how 3D technology is affecting the interior design industry. Ashkenazy explains how 3D product models and augmented reality can help designers run their businesses more efficiently, and how designers can get their hands on this technology.This podcast is sponsored by Houzz
Sometimes it takes a major shift in our lives to break free from our own resistance to change. For Miki, meditation, yoga, and many other forms of artistry carried her through some of her darker times. And so, she continues to imbue grace and compassion.
Jasper Parrott talks to Gramophone's James Jolly about the role of recording in an artist's professional and artistic life, and how it has changed during the 50 years that HarrisonParrott has been one of the world's leading artist management companies.
In a high stakes society, many young adults nowadays live with anxiety and depression stemming from the pressure to find their true purpose. Mani Ashkenazy shares her story about identifying and nurturing her mental health through self-motivation.
In this episode, international violin soloist James Ehnes talks about what the essence of mindful instrumental practice is: having a clear goal, work efficiently, listen intently, and connect with others. He elaborates on: His artistic journey – growing up in Brandon Manitoba, the practicing habits he developed as a child that helped him succeed, and the mentors that helped shape his career Practicing efficiently – how practicing should be goal oriented, how we should practice practicing, the importance of identifying and analyzing problems Competitions – how they can be beneficial for one's career How we should have a performance mindset while practicing Figuring out how to find balance in our life and career His process to learn a work and to prepare for a performance The importance of developing the skill to truly listen to ourselves objectively while we play How music really addresses our humanity and brings us together Website: http://www.jamesehnes.com/james/ Facebook: https://www.facebook.com/jamesehnes/ Instagram: https://www.instagram.com/jamesehnes/ James' discography: http://www.jamesehnes.com/james/index.php?id=62 His recording of the Aaron Jay Kernis Concerto Beethoven Celebrations – Recital with Andrew Armstrong at Northwestern University on January 13, 2019 David Copperfield by Charles Dickens Biography James Ehnes has established himself as one of the foremost violinists of his generation. Gifted with a rare combination of stunning virtuosity, serene lyricism and an unfaltering musicality, Ehnes is a favourite guest of many of the world's most respected conductors including Ashkenazy, Alsop, Sir Andrew Davis, Denève, Dutoit, Elder, Ivan Fischer, Gardner, Paavo Järvi, Noseda, Robertson and Runnicles. Ehnes's long list of orchestras includes, amongst others, the Boston, Chicago, Cleveland, Philadelphia, Los Angeles, Pittsburgh, New York, London Symphony, Philharmonia, BBC Philharmonic, Czech Philharmonic, DSO Berlin and the NHK Symphony orchestras. Ehnes has an extensive discography and has won many awards for his recordings including a Gramophone Award for his live recording of the Elgar Concerto with Sir Andrew Davis and the Philharmonia Orchestra. His recording of the Korngold, Barber and Walton violin concertos won a Grammy Award for ‘Best Instrumental Soloist Performance' and a JUNO award for ‘Best Classical Album of the Year'. His recording of the Paganini Caprices earned him universal praise, with Diapason writing of the disc, “Ehnes confirms the predictions of Erick Friedman, eminent student of Heifetz: ‘there is only one like him born every hundred years'.” Ehnes's recent recording of the Bartók Concerti was nominated for a Gramophone Award in the Concerto category. Recent releases include concertos by Britten, Shostakovich, Prokofiev and Khachaturian and sonatas by Debussy, Elgar and Respighi, and his recording of the Beethoven Violin Concerto with the Royal Liverpool Philharmonic Orchestra and Andrew Manze will be released in October 2017 (Onyx Classics). Ehnes began violin studies at the age of four, became a protégé of the noted Canadian violinist Francis Chaplin aged nine, made his orchestral debut with Orchestre Symphonique de Montréal aged 13 and graduated from The Juilliard School in 1997, winning the Peter Mennin Prize for Outstanding Achievement and Leadership in Music. He is a Fellow of the Royal Society of Canada and in 2010 was appointed a Member of the Order of Canada and the Artistic Director of the Seattle Chamber Music Society. James Ehnes plays the "Marsick" Stradivarius of 1715. He currently lives in Bradenton, Florida with his family. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to producer, Bella Kelly! If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit the website and the facebook page for information about past and future podcasts, and for more resources on mindful practice. MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/
"You expect Frank Sinatra to sing this sort of music, these sorts of harmony changes. But it’s a Prokofiev Violin Concerto." - violinist Pekka Kuusisto on Prokofiev's First Violin Concerto Pekka Kuusisto takes a very personal look at Prokofiev's light-filled First Violin Concerto, which he performs with the Philharmonia Orchestra, conducted by Vladimir Ashkenazy in May 2018: https://www.philharmonia.co.uk/concerts/series/68/voices_of_revolution_russia_1917
I had such a great time spending a week with Diego at Andrés Martin’s bass festival this fall. Diego is one of the most inspiring double bassists I know, and he's doing great things for the double bass both in Spain and in his home country of Uruguay. About Diego Zecharies: Diego Zecharies is a highly dedicated professional musician who has mastered his art globally, branching out as recording artist, professor, soloist, principal bass, producer and pedagogue, born in Montevideo Uruguay, nowadays based in Spain. Diego began his studies in his hometown, continues in Jerusalem and graduated with the highest qualification in the ÜdK Berlin (University of Arts Berlin) under the guidance of Prof. Rainer Zepperitz, Prof. Klaus Stoll and violin Prof. Ilan Gronich. During his studies, Diego performed as a principal bass at the Mahler Jugend Orchester, the Junge Deutsche Philharmonie and the Jeunesses Musicales World Orchestra. He won the Friczay Stipendium at Deutsche Symphonie Orchester Berlin and played as a substitute with the Rundfunk Symphonie-Orchester Berlin. Diego served as Principal Bass position in The Mahler Chamber Orchestra, the bandArt Orchestra, Brandenburg Symphoniker, Philharmonie Potsdam, and Sinfonica di Milano. He also is assiduously invited as Principal Bass at the Orchestra della Svizzera Italiana (Lugano, Switzerland); the Ensemble Les-Dissonances (Paris) with violinist David Grimal; collaborated with the the Israel Philharmonic; the Jerusalem Chamber Orchestra and the Luzern Festival Orchestra, recording together with Maestro Abbado many concerts for ARTE and for the Deutsche Grammophone. Diego played chamber music concerts with Emmanuel Ax, Christian Zacharias and Elizabeth Leonskaya, symphonic concerts with world-class conductors such as Mehta, Maazel, Abbado, Nagano, Ashkenazy, Temirkanov, Pappano, Sinopoli, Ozawa, Welzer Möst and soloists such as Yo-Yo Ma, Yuri Bashmet, Anna Sophie Mutter, F.P. Zimmerman, Martha Argerich, Alfred Brendel, Maurizio Pollini, Gordan Nikolic and others, always as Principal Bass. Diego is Principal Solo Bass in Galicia Symphony Orchestra from the year 2002. Renowned as a very active and passionate soloist, Diego’s research has brought him to perform some world-premiere material including entire unaccompanied Double Bass recitals, like at the BASS EUROPE Convention in Amsterdam 2014 and ISB World Convention 2015 in Denver (U.S.A) with great appreciation both critics and public. Diego appeared as soloist with: the Chamber Orchestra of Galicia Symphony; the Camerata of the Ministry of Education and Culture of Montevideo; the Galicia Symphony Orchestra; the OJS of Montevideo, the Orquesta de Baja California,among others and gave the opening unaccompanied Double Bass recital for the UNESCO Chair Culture of Peace and Human Rights under the World Peace Forum 2010. Diego has given numerous master classes in Europe, South América and South Korea, been assigned as coach on many youth orchestras across Spain and Germany and has recently been appointed as Director of the International Double Bass Festival of Montevideo and Director of the Double-Bass Cathedra of the Uruguayan National Orchestral Training Plan. This cathedra foresees a minimum of 3 seminars with solo recitals and telematic virtual master classes given throughout the year, plus an international festival every 2 years. In Spain, Diego is the Artistic Director of the “ReSuena Project”, which brings together kids from diverse cultural and social backgrounds, throughout the creation of youth symphony orchestras and choirs all over the city, project originally inspired on Venezuela’s “El Sistema de Orquestas”. Links to Check Out: Diego's website Music For Double Bass Solo, Duo And Quintett (new album) Montevideo International Double Bass Festival Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D’Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Subscribe to the podcast to get these interviews delivered to you automatically!
Contrabassist Wilmar de Visser werd in 1972 geboren in Den Helder, nam al gauw de wijk naar Utrecht om contrabas te studeren bij Peter Stotijn, en rondde die opleiding met hoogste onderscheiding af. In Hannover vervolgde hij daarna zijn studie. Al tijdens zijn Conservatoriumstudie maakte Wilmar deel uit van het European Youth Orchestra onder grootheden als Haitink, Rostropovitsj en Ashkenazy. Wilmar is als 2e Solo-Contrabassist verbonden aan het Radio Filharmonisch Orkest, en ? ondanks de snaren ? aan het Nederlands Blazers Ensemble. Als veelzijdige bassist is Wilmar niet alleen een groot ambassadeur van zijn instrument, hij is ook een onvermoeibaar organisator van muzikale ensembles en initiatieven. Samen met violiste Sonja van Beek richtte hij in 2002 het Ensemble Caméleon op, dat met topmusici uit de Nederlandse orkesten in grotere bezettingen kamermuziek speelt. Én hij is initiator en oprichter van Splendor, een muziekgebouw dat gerund wordt door 50 gelijkgestemde maar zeer uiteenlopende musici. Samen met hun publiek ontwikkelden zij een plek in de Amsterdamse binnenstad om elkaar te ontmoeten, te experimenteren en natuurlijk concerten te spelen. De Raad voor Cultuur noemde Wilmar vorige week nog als lichtend voorbeeld van een nieuw genre musicus: ?de netwerkende multiplatform kunstenaar?. Zo stond Wilmar de Visser ook nog eens aan de wieg van het Ludwig collectief ? een groep musici die na de bezuinigingen bij het Muziekcentrum van de Omroep besloot om het heft in eigen hand te nemen. Inmiddels heeft Ludwig grote internationale successen gevierd, en gaan zij komende weken weer op tournee met sopraan en dirigente Barbara Hannigan. Wilmar is getrouwd met hoboïste Aisling Casey. Ze hebben 1 dochter en wonen in Amsterdam.
Contrabassist Wilmar de Visser werd in 1972 geboren in Den Helder, nam al gauw de wijk naar Utrecht om contrabas te studeren bij Peter Stotijn, en rondde die opleiding met hoogste onderscheiding af. In Hannover vervolgde hij daarna zijn studie. Al tijdens zijn Conservatoriumstudie maakte Wilmar deel uit van het European Youth Orchestra onder grootheden als Haitink, Rostropovitsj en Ashkenazy. Wilmar is als 2e Solo-Contrabassist verbonden aan het Radio Filharmonisch Orkest, en ? ondanks de snaren ? aan het Nederlands Blazers Ensemble. Als veelzijdige bassist is Wilmar niet alleen een groot ambassadeur van zijn instrument, hij is ook een onvermoeibaar organisator van muzikale ensembles en initiatieven. Samen met violiste Sonja van Beek richtte hij in 2002 het Ensemble Caméleon op, dat met topmusici uit de Nederlandse orkesten in grotere bezettingen kamermuziek speelt. Én hij is initiator en oprichter van Splendor, een muziekgebouw dat gerund wordt door 50 gelijkgestemde maar zeer uiteenlopende musici. Samen met hun publiek ontwikkelden zij een plek in de Amsterdamse binnenstad om elkaar te ontmoeten, te experimenteren en natuurlijk concerten te spelen. De Raad voor Cultuur noemde Wilmar vorige week nog als lichtend voorbeeld van een nieuw genre musicus: ?de netwerkende multiplatform kunstenaar?. Zo stond Wilmar de Visser ook nog eens aan de wieg van het Ludwig collectief ? een groep musici die na de bezuinigingen bij het Muziekcentrum van de Omroep besloot om het heft in eigen hand te nemen. Inmiddels heeft Ludwig grote internationale successen gevierd, en gaan zij komende weken weer op tournee met sopraan en dirigente Barbara Hannigan. Wilmar is getrouwd met hoboïste Aisling Casey. Ze hebben 1 dochter en wonen in Amsterdam.
I programmet diskuteras Bachs franska sviter med Ashkenazy, Vivaldis och Haydns Årstiderna; violinkonserter resp. oratorium samt Stravinskys Historien om en soldat. Magnus väljer ur 1900-talsboxar. I panelen Bodil Asketorp, Hanns Rodell och skådespelaren Katarina Ewerlöf som tillsammans med programledaren Magnus Lindman betygsätter följande skivor: JOHANN SEBASTIAN BACH Franska sviterna Vladimir Ashkenazy, piano Decca 00289 483 2150 JOSEPH HAYDN Årstiderna Carolyn Sampson, Jeremy Ovenden, Andrew Foster-Williams National Forum of Music Choir Wroclaw Baroque Orchestra Gabrieli Consort and Players Paul McCreesh, dirigent Signum SIG CD 480 ANTONIO VIVALDI FRANTISEK JIRÁNEK De fyra årstiderna Violinkonsert d-moll Ars Antiqua Austria Gunar Letzbor, dirigent Challenge Classics CCD 72700 IGOR STRAVINSKY Historien om en soldat Harriet Walter, Harrison Birtwistle, George Benjamin Royal Academy of Music Manson Ensemble Oliver Knussen, dirigent Linn CKD 552 Referensen Vivaldi Magnus refererar till och jämför med en inspelning av Vivaldis Årstiderna med violinisten Alan Loveday och Academy of Saint-Martin-in-the-Fields, allt under ledning av Neville Marriner. Inspelad på skivmärke Argo. Magnus val Magnus väljer och spelar valda delar ur två (!) boxar med 28 resp. 26 CD; Shaping the Century vol 1, 1900-1949 och vol 2, 1950-2000, vilka innehåller 1900-talsmusik av olika karaktär och upphov. Alla inspelade på Decca och DG och är utgivna på dito. Andra i programmet nämnda eller rekommenderade inspelningar: Vivaldis Årstiderna med Nils Erik Sparf och Drottningholms barockensemble inspelad på Bis; Fabio Biondi och Europa Galante på Opus 111; Il Giardino armonico på Teldec samt med Alan Loveday och Academy of Saint-Martin-in-the-Fields allt under Neville Marriner på Argo (Referensen). Stravinskys Historien om en soldat med Gérard och Guillaume Depardieu som Djävulen respektive Soldaten och med Shlomo Mintz vid rodret utgiven på märket Valois. Bachs franska sviter med Glenn Gould på skivmärket Sony Classical, Andrej Gavrilov på DG samt med András Schiff på Decca. Haydns Årstiderna med bl.a. Marlis Petersen, RIAS kammarkör och Freiburgs barockorkester allt under René Jacobs på Harmonia Mundi samt med bl.a. Barbara Bonney, Monteverdi-kören och Engelska barocksolisterna ledda av John Eliot Gardiner på Archiv. Inget Svep denna vecka
Hur påverkar själva livet musikens uttryck? Hur påverkar musiken det liv som utövaren lever? Och hur påverkas sångdiktare och musiker av sina medmänniskors liv? I detta fjärde program medverkar pianisten, kompositören och entertainern Robert Wells, med svensk mamma och nordamerikansk pappa. Robert Wells kallar sig både hovnarr och gathörns-trubadur och har måttot Less is Less More is Best. Wells har nämligen skrivit och spelat in ouvertyrer till gigantiska evenemang som VM i ishockey och konståkning, och till OS I friidrott. Under nio år såg och hörde vi Robert Wells som ackompanjatör i SVT-programmet Så ska det låta. Rhapsody in Rock, som 2011 firade 25-årsjubileum, har Wells som dynamisk kapellmästare och kreativt nav. Konserterna har hållits på jättelika arenor som Ulllevi, Dalhalla och Råsunda och turnéerna har gått över hela världen. Wells är pianoprofessor i Kina, har pianoskolan King of Piano på nätet och arbetar med stiftelsen Tummeliten till stöd för för tidigt födda barn. Hans pianistiska förebilder är de tre afroamerikanska boogie woogie-legenderna Pete Johnson, Albert Ammons och Meade Lux Lewis. Men även europeiska pianister älskar han, inte minst de två Vladimir, nämligen Horowitz och Ashkenazy. Och Arthur Rubinstein. 2010 gav Robert Wells ut sin första soloplatta Close up Classics med egna tolkningar av pianistiska pärlor av Chopin, Rachmaninov, Liszt, Debussy, Beethoven, Stenhammar och Grieg. Robert Wells var den yngste eleven någonsin vid solistlinjen på Musikhögskolan i Stockholm. Myten att han hoppade av studierna är falsk, men det var när Robert Wells hörde den svenske pianisten Charlie Normans boogie woogie-tappning av Griegs Anitras Dans, som han bestämde sig för att mixa musikstilar. Det berättar Robert Wells för Birgitta Tollan när de möts i hans studio i Stockholm där han tar plats vid sin digitala flygel och säger: - I min värld är ingen musik finare än den andra. Jag älskar att spela och jag älskar musik. Så enkelt är det! Spellista: Spellista Musik & Liv 4: Yemandja Angelique Kidjo, sång, m fl Aye Island Records Mango 74321 16646 2 Minute Waltz Frédéric Chopin Robert Wells, piano Close Up Classics Carpe Diem CD107 Bumble-Bee Boogie Rimskij-Korsakov. Robert Wells Robert Wells, piano. M fl. The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 Rhapsody In Rock no VIII Robert Wells, piano. M fl. The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 Nut Rocker Robert Wells, piano. M fl. The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 Sing Me Another Song Robert Wells. Jakob Samuel. Plusquam Records Anitras Dans Edvard Grieg Robert Wells, Charlie Norman, pianon Norman & Wells Carlton Home Entertainment 751589 honky tonk train blues Meade Lux Lewis Meade Lux Lewis, piano Hungarian Rhapsody No II Franz Liszt Robert Wells, piano. M fl The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 Fantaisie-Impromptu Frédéric Chopin Robert Wells, piano. Close Up Classics Carpe Diem CD107 Clair De Lune Claude Debussy Robert Wells, piano. Close Up Classics Carpe Diem CD107 Honeysuckle Rose Fats Waller. Andy Razaf. Robert Wells, piano. M fl The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 River Deep Mountain High Ike & Tina Turner Robert Wells, piano. Sanne Salomonsen, sång. M fl. The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 Sommarnatt Robert Wells Robert Wells, piano och sång. SCRANTA SACD The Typewriter Leroy Anderson Robert Wells, piano. M fl The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 Belleville Rendez-Vous Benoît Charest, music. Sylvain Chomet, text. Robert Wells, piano. M fl The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6 1812 Overture Tjajkovskij Robert Wells, piano. M fl The Best of Rhapsody in Rock Warner Music WEA 5051442-8614-2-6
Maestro Vladmir Ashkenazy celebrates the Philharmonia Orchestra's 70th anniversary in this short film. Join him at the Purcell School for Young Musicians as he describes the magic at the heart of the Philharmonia. This video is part of a special series of films commissioned by the Philharmonia Orchestra for its 70th anniversary season (2015-2016). Discover more:Philharmonia Orchestra Celebrates 70 Years channel: https://www.youtube.com/playlist?list=PLqR22EoucCycOGFfrFJY587duxWWBYhvuInteractive Timeline: https://philharmonia.co.uk/70
Tríptico de García, Orq. Cámara de GranadaLieder und Gesänge (selc) de Mahler, L. Popp, G. ParsonsBagatela en la menor WoO 59 de Beethoven, V. AshkenazySinfonía nº5 D. 485 de Schubert, Orq. Cámara de EuropaLa Parranda (selc) de Alonso, P. Lorengar, M. Ausensi. Escuchar audio
How does it feel constantly walking the tightrope through life? Composer Flint Juventino Beppe talks about how Asperger's syndrome affects his creative output.
In the first episode ever of the FJB Podcast, composer Flint Juventino Beppe talks about the loss of a good friend – a loss that resulted in a composition.
In a new series of One to One, Olivia O'Leary speaks to people who've reached the peak of their careers about how growing older affects their approach to work. In this first programme, Olivia speaks to one of her heroes - the great Russian-Icelandic pianist, Vladimir Ashkenazy. He left the Soviet union in the sixties, and has played a vast repertoire of the greatest piano music on stages all over the world. Ashkenazy is now conductor laureate with the Philharmonia Orchestra in London and Principal Conductor and Artistic Advisor to the Sydney Symphony Orchestra. At 75 he is still jetting around the world to engagements so we were lucky to catch up with him in a hotel at Heathrow as he was leaving after a brief visit to the UK. In a candid discussion, Ashkenazy discussed the arthrosis (not arthritis as has been reported) in his hands which occasionally means his fingers cannot fit between the black keys; he talks about not wanting to become the kind of 'older' conductor, with failing physical capacity, that orchestras respond to purely out of respect. He also talks more widely - about his decision to leave Russia in the 1960s; about the pianists he holds in great respect and about his decision to concentrate on conducting rather than live performance. Producer: Karen Gregor.
Emma Johnson on Brahms, Mark Bebbington on Bliss, plus Vladimir Ashkenazy and Tine Thing Helseth: the Gramophone Podcast, April 2012
Einmal im Jahr kommt Klarinettist Dimitri Ashkenazy, der bereits in der Hollywood Bowl in LA spielte, nach Oberneukirchen, OÖ. Die Doppel-CD Live at the Klassikmusikfest Mühlviertel bietet einen Querschnitt seiner Konzerte von eben dort, und war zugleich Ausgangspunkt des Podcast Interviews.
In our first podcast of the 2009/10 season we speak to Vladimir Ashkenazy about his career, forthcoming season opening concerts with the Philharmonia Orchestra and future concert plans.
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