Podcasts about maazel

Follow our COTW playlist: https://monster.cat/3Zhj7st Follow the show: https://monster.cat/cotwradio Tracklist 00:30 zensei ゼンセー - colors [Monstercat] 05:33 Papa Khan - Beg For U [Monstercat] 08:20 CloudNone & Direct - Arms Race [Monstercat] 11:45 zensei ゼンセー - need you [Monstercat] 14:57 zensei ゼンセー - haunted [Monstercat] 18:37 No Mana, Kuspe & Bertie Scott - Losing Focus [Monstercat] 22:13 Tony Romera - VHS [Monstercat] 24:46 zensei ゼンセー - magic [Monstercat] 26:34 zensei ゼンセー - sound therapy (ft. Delaney Kai) [Monstercat] 29:14 Bishu - DO OR DIE (ft. PROP) [Tails Remix] [Monstercat] 32:33 Conro - Wastin Time [Monstercat] 34:48 Mr. Bill - Wybe [Monstercat] 37:40 Silent Child - Psycho [Monstercat] 39:31 Bad Computer & Bianca - Land of the Living [Monstercat] 42:09 Tokyo Machine - AUTOMATIC (ft. DYSON) [Monstercat] 44:59 KUURO & Bianca - Snakes & Ladders [Monstercat] 47:56 Maazel - Another Way [Monstercat] 50:45 Maazel & glasscat - Right Now [Monstercat] 53:39 Conro - Backseat Lovers [Monstercat] 56:23 zensei ゼンセー - who we are [Monstercat] 59:25 zensei ゼンセー - games [Monstercat] Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

RAVEL: L´heure espagnole, Comedia musical en un acto (46.03). J. Berbie (sop.), J. Giraudeau (bar.), G. Becquier (baj.), J. Van Damme (baj.), M. Senechal (ten.), Orq. Nac. de Francia. Dir.: L. Maazel.Escuchar audio

durée : 00:17:57 - Disques de légende du mercredi 27 novembre 2024 - Toujours dans notre semaine spéciale Un automne avec Puccini, nous écoutons aujourd'hui Il Trittico dirigé par Lorin Maazel.

durée : 00:17:57 - Disques de légende du mercredi 27 novembre 2024 - Toujours dans notre semaine spéciale Un automne avec Puccini, nous écoutons aujourd'hui Il Trittico dirigé par Lorin Maazel.

In der Folge wird es wild und verrückt. Maazel ist wieder zu Gast und hat sich der nächsten Challenge gestellt.  10.000 Höhenmeter verteilt auf über 400km innerhalb von 24 Stunden fahren. Aber nicht in einer sagenhaft schönen Landschaft bei mollig sommerlichen Temperaturen. Nein, zu Hause, im Oktober, durch die Dunkelheit und bei bestem Regenwetter. Warum ihn trotzdem nichts aufgehalten hat, was bei solchen Event in seinem Kopf los ist und warum es immer extremer werden muss, das hat er mir in der Folge erzählt.  Ganz nebenbei hat er mit der Aktion wieder über 10.000€ an Spenden gesammelt und diese fließen direkt in Trinkwasserprojekte.  Willst du auch noch Spenden? Dann check den Link hier Wenn du dir noch 10% auf alles im PACEPRESSO Shop sichern willst, dann geh auf www.pacepresso.de und nutz den Code “MOVEMBER”.  Die Aktion geht noch bis Ende November. Dauerhaft 15% gibts übrigens für Supporter, also check gern auch unseren Supporter Club aus und unterstützt mich bei meinen Projekten.

durée : 00:17:20 - Disques de légende du jeudi 24 octobre 2024 - Maazel enregistre Ravel en novembre 1960 avec l'Orchestre national de la RTF, qui deviendra Orchestre National de France quelques années plus tard.

durée : 00:17:20 - Disques de légende du jeudi 24 octobre 2024 - Maazel enregistre Ravel en novembre 1960 avec l'Orchestre national de la RTF, qui deviendra Orchestre National de France quelques années plus tard.

durée : 00:22:44 - Disques de légende du lundi 24 juin 2024 - La direction de Lorin Maazel donne à cet Otello une dimension toute particulière.

Follow our COTW playlist: https://monster.cat/3Zhj7st Follow the show: https://www.monstercat.com/COTW Tracklist 00:30 Codeko & ALLKNIGHT - Alibi [Monstercat] 04:20 Aviella - Scared To Love Again [Monstercat] 07:06 Hollywood Principle & Dr. Awkward - Solar Eclipses VIP [Monstercat Exclusive] 10:36 Vikkstar & Masked Wolf - Know Me Better (ft. Jme) [Monstercat] 13:16 Bad Computer - Just Dance [Monstercat] 16:00 Conro - Hypnotized [Monstercat] 18:20 Mick Mazoo - Happiness (Just A Pursuit) [ft. Leela Rosa] [Monstercat] 20:33 Maazel & Darby - Mirrors (ft. Bella) [Monstercat] 23:44 Mr FijiWiji - Narcissist [Monstercat] 25:08 No Mana - Out of the Dark [Monstercat] 28:23 Bad Computer & imallryt - So Lost [Monstercat] 31:34 Direct - Ghost [Monstercat] 34:19 Tom Ferry, WILL MAC & Nina Carr - The One You Call [Monstercat] 37:45 Stonebank - Breathe Me Back To Life (ft. Lena Sue) [Monstercat] 40:00 Codeko & Bertie Scott - So High [Monstercat] 43:05 Bhaskar & Afterclapp - Não Sei Parar [Monstercat] 45:39 No Mana, vowl. & Layla Diamondi - Falling In Love [Monstercat] 48:11 BIJOU & Honey & Badger - Daybreak [Monstercat] 50:54 Curbi & Jess Ball - Lose Our Minds [Monstercat] 53:23 Ryan Case - Don't Wanna Know (ft. Jake Neumar) [Monstercat] 55:57 Hollywood Principle & Conro - Take Me Away [Monstercat] Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:28:22 - Les 90 ans de l'Orchestre National IV - les années 90 et 2000 (1/4) : La fin de l'ère Maazel - par : Christian Merlin - Les années 90 et 2000 sont au programme de notre histoire de l'Orchestre National : on y croisera les figures de Charles Dutoit, Kurt Masur, mais aussi de nombreux musiciens dont beaucoup sont encore présents et qui contribuent à l'évolution comme à la continuité de l'identité orchestrale. - réalisé par : Marie Grout

durée : 01:58:16 - Les 90 ans de l'Orchestre National III - les années 70 et 80 - par : Christian Merlin - Voici les décennies 1970 et 1980, celles du tournant : la glorieuse génération des pionniers prend sa retraite pour laisser arriver une brillante relève, le démantèlement de l'ORTF amène le changement de nom en National « de France », Martinon, Celibidache et Bernstein passent, Maazel reste. - réalisé par : Marie Grout

durée : 00:28:22 - Les 90 ans de l'Orchestre National III - les années 70 et 80 (4/4) : Nouveaux horizons - par : Christian Merlin - Voici les décennies 1970 et 1980, celles du tournant : la glorieuse génération des pionniers prend sa retraite pour laisser arriver une brillante relève, le démantèlement de l'ORTF amène le changement de nom en National « de France », Martinon, Celibidache et Bernstein passent, Maazel reste. - réalisé par : Marie Grout

durée : 00:28:11 - Les 90 ans de l'Orchestre National III - les années 70 et 80 (3/4) : Les années Maazel - par : Christian Merlin - Voici les décennies 1970 et 1980, celles du tournant : la glorieuse génération des pionniers prend sa retraite pour laisser arriver une brillante relève, le démantèlement de l'ORTF amène le changement de nom en National « de France », Martinon, Celibidache et Bernstein passent, Maazel reste. - réalisé par : Marie Grout

durée : 00:28:15 - Les 90 ans de l'Orchestre National III - les années 70 et 80 (2/4) : Les météores Celibidache et Bernstein - par : Christian Merlin - Voici les décennies 1970 et 1980, celles du tournant : la glorieuse génération des pionniers prend sa retraite pour laisser arriver une brillante relève, le démantèlement de l'ORTF amène le changement de nom en National « de France », Martinon, Celibidache et Bernstein passent, Maazel reste. - réalisé par : Marie Grout

durée : 00:28:34 - Les 90 ans de l'Orchestre National III - les années 70 et 80 (1/4) : Les années Martinon - par : Christian Merlin - Voici les décennies 1970 et 1980, celles du tournant : la glorieuse génération des pionniers prend sa retraite pour laisser arriver une brillante relève, le démantèlement de l'ORTF amène le changement de nom en National « de France », Martinon, Celibidache et Bernstein passent, Maazel reste. - réalisé par : Marie Grout

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

Women of Substance with Dr. Scarlett Horton⁣ Episode 71 - Dr. Scarlett Horton interviews Jennifer Larmore __________⁣ Jennifer Larmore is an American mezzo-soprano, a Grammy winner with over 100 recordings to her name, a Chevalier of the French government, Richard Tucker winner, Hall of Famer and an author! Add straight actress to the list with her appearance in a new Netflix series entitled *King the Land.* She has a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart’s La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and London Covent Garden. She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as DVDs of “Countess Geschwitz” in Lulu, Jennifer Larmore in Performance for VAI, Il Barbiere di Siviglia (Netherlands Opera), L’Italiana in Algeri (Opera de Paris), La Belle Hélène (Hamburg State Opera), Orlando Furioso (Opera de Paris) and Jenufa (Deutsche Oper Berlin). She has recorded three charming books on tape for Atlantic Crossing Records with stories by Kim Maerkl entitled Mozart’s Magical Night with Hélène Grimaud and the Bavarian State Orchestra, Puccini’s Enchanted Journey with story by Kim Maerkl, and The King’s Daughter with story and music for flute and string orchestra by Kim Maerkl with the flute player Natalie Schwaabe. With the pianist Antoine Palloc, she has made many International recital tours, including appearances in Amsterdam, Paris, Madrid, Hong Kong, Seoul, Tokyo, Vietnam, Vienna, London, San Juan, Prague, Melbourne, Brussels, Berlin, Rio de Janeiro, Lisbon, Sao Paolo, Athens and Copenhagen, as well as all the major American venues. Symphonic repertoire has played a large role in this mezzo’s career with the works of Mahler, Schoenberg, Mozart, de Falla, Debussy, Berlioz and Barber featuring prominently. Miss Larmore has enjoyed great collaborations with world orchestras under the direction of Muti, Lopez-Cobos, Bernstein, Runnicles, Sinopoli, Masur, von Dochnanyi, Jacobs, Mackerras, Nelson, Spinosi, Abbado, Barenboim, Bonynge, Maazel, Osawa and Guidarini. Jennifer’s repertoire has expanded to include roles such as “Marie” in Berg’s masterpiece Wozzeck, which she sang to great success at the Grand Théâtre de Genève. Berg is now a specialty of Miss Larmore, with her having sung “Countess Geschwitz” in Berg’s Lulu at Covent Garden in the Christof Loy production with Antony Pappano, then again in Madrid. At Paris Opera Bastille she sang in the Willy Decker production and she reprised the role yet again in a new production of William Kentridge with Lothar Zagrosek conducting for the Nederlandse Opera, and at the Rome Opera. She has also become well known for “Kostelnička Buryjovka” in Janacek’s Jenůfa which she performed with Donald Runnicles at Berlin Deutsche Oper. The DVD of this production was nominated for a Grammy. She reprised her “Kostelnička” in this same production for the New National Theater in Tokyo. ”Lady Macbeth” in Verdi’s opera Macbeth is a role she debuted in a striking new production of Christof Loy at the Grand Théâtre de Genève, then in the Bob Wilson production in Bologna and Reggio Emilia. Her first “Eboli” was in the French version of Don Carlos at the Caramoor Music Festival in New York, with Will Crutchfield conducting, and she sang “Jocasta” in Stravinsky’s Oedipus Rex at the Bard Festival. Adding to her growing list of new repertoire, Miss Larmore debuted the role of ”Mère Marie” in Les dialogues des carmélites at the Caramoor Festival, New York. She went back to her roots with “Ottavia” in Monteverdi’s l’Incoronazione di Poppea at the Theater an der Wien in October 2015 and returned there in December 2016 for her debut in the role of “Elvira” in Mozart’s Don Giovanni. Debuts for more new roles came in 2017 with the title role of La Belle Hélène at Hamburg State Opera, and then “Anna 1” in Kurt Weill’s The Seven Deadly Sins for the Atlanta Opera. In 2018 she debuted the role of “La Dama” in Hindemith’s Cardillac for the Maggio Musicale in Firenze, “Fidalma” In Il Matrimonio Segreto for Opera Köln, and “Marcellina” In Le Nozze di Figaro in Tokyo. Engagements in 2019 included concerts in Grenoble, Olten and Magève with OpusFive, “Marcellina” in Paris at the Théâtre des Champs-Elysées, and she returned to Opera Köln in the title role of a new production in her on-going collaboration with Doucet/Barbe of La Grand Duchesse de Gérolstein. 2020 was an interesting year, but also because she debuted “Herodias” in Salome for the Atlanta Opera before going into lockdown. Continuing with their collaboration, in 2021, Jennifer sang ”Genevieve” in their new production of Pelleas et Melisande in Parma. Miss Larmore, in collaboration with the double bass player Davide Vittone, created an ensemble called Jennifer Larmore and OpusFive. This a string quintet offering programs that are entertaining and varied with Songs and Arias, Cabaret/Operetta and Movies and Broadway. They have given concerts in Seville, Pamplona, Valencia, Las Palmas, Venice, Amiens, Olten, Aix en Provence, Dublin, and Paris. At the Magève Festival in August, 2018 they presented a World Premiere work by composer Scott Eyerly, called Creatures Great and Small on the theme of animals. In July of 2022, Jennifer and OpusFive performed at the Liestal Stimmen zu Gast Festival in a program entitled America! Throughout her career Jennifer Larmore has garnered awards and recognition. In 1994 Jennifer won the prestigious Richard Tucker Award. In 1996 she sang the Olympic Hymn at the Closing Ceremonies of the Olympics in Atlanta. In 2002, “Madame” Larmore was awarded the Chevalier des arts et des lettres from the French government in recognition of her contributions to the world of music. In 2010 she was inducted into the Georgia Music Hall of Fame in her home state of Georgia. In addition, to her many activities, travels, performances and causes, author Jennifer Larmore is working on books that will bring a wider public to the love of opera. Her book “Una Voce” explores the world and psychology of the performer. Miss Larmore is widely known for teaching and giving master classes and in 2018, she went to New York’s Manhattan School of Music, Santiago, Chile, Luxembourg, Atlanta, and to the new Teatro Nuovo at Suny Purchase College, New York. She began the New Year 2019 with master classes for the Atlanta Opera and Kennesaw State University in Kennesaw, GA. In March, 2019 Miss Larmore gave master classes and workshops at the École Normale and for the Philippe Jaroussky Academy in Paris. In 2020 she gave classes at the École Normale, Atlanta Opera, Kennesaw State University, Luxembourg, and on ZOOM for the Kiefersfelden Master Classes and Utah Valley University. In 2022 classes were in Malta, Tirol, Lausanne, Sion, Martina Franca and Valencia! In 2023 she began the year with a master class at the Eva Lind Akademie in Achenkirch, Austria! Miss Larmore lives in Paris with her husband and little Opera dog Buffy. “Train up a child in the way he should go [and in keeping with his individual gift or bent]...” Proverbs 22:6a (AMPC) In this episode, Scarlett and David interview Jennifer about how her love for the arts was nurtured and encouraged at a very young age, which opened doors for her gift in great places. Your faith will be inspired as you watch. __________ https://JenniferLarmore.info https://ScarlettHorton.com __________ TO SUPPORT THIS PODCAST: https://gvly.org/s/NNHT.5REoBw OR TEXT Proverbs31 to 844-544-7171

Follow our COTW playlist: https://monster.cat/3Zhj7st Follow the show: https://www.monstercat.com/COTW Tracklist 00:30 Bhaskar & Afterclapp - Não Sei Parar [Monstercat] 03:45 Aiobahn & NUZB - All of This [Monstercat] 07:16 KDYN - Rhythm [Monstercat] 10:34 Dummu - Blinded 13:54 Direct & CloudNone - Elixir [Monstercat] 16:59 Carola - Work My Body [Monstercat] 18:30 Carola & NUZB - Groovemasta [Monstercat] 19:45 Carola x NUZB x Jauz x Pegboard Nerds - Groovemasta x Get On Up (Darby Mashup) [Monstercat] 22:27 Honey & Badger - Bassline Phenomena [Dim Mak] 25:35 Bad Computer & Bianca - Land of the Living [Monstercat] 28:05 Rome in Silver x Hellberg x Cozi Zuehlsdorff - Cicero x The Girl (Darby Mashup) 31:25 Tony Romera - Dakar to London [Monstercat] 33:42 Tony Romera - Top Top [Monstercat] 36:28 CloudNone & Skybreak - Feeling Free [Monstercat] 36:58 CloudNone x Skybreak x Maazel x Darby x BELELA - Feeling Free x Mirrors (Darby Mashup) [Monstercat] 38:52 CloudNone & Direct - Margarita [Monstercat] 42:23 Laszlo - Messiah [Monstercat] 46:09 Habstrakt & Marten Hørger - Ya Think [Monstercat] 48:52 Rootkit - Real Love (ft. Danyka Nadeau) [Monstercat] 53:35 Astronaut & EYES - Pinball (Skapes & Astronaut Remix) [Monstercat] 57:08 CloudNone & Direct - Arms Race [Monstercat] Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

DUTILLEUX: L'Arbre des songes (24.31). I. Stern (vl.), Orq. Nac. de Francia. Dir.: L. Maazel. Mystere de l'instant (17.11). Orq. de Cámara de Laussane. Dir.: H. Holliger. Blackbird (1.28). Bergerie (1.08). R. Levin (p.).Escuchar audio

Follow our COTW playlist: https://monster.cat/3Zhj7st Follow the show: https://www.monstercat.com/COTW Tracklist 00:30 Jaron - Venture [Seeking Blue] 02:55 Maazel & Darby - Mirrors (ft. BELELA) [Monstercat] 04:23 ARMNHMR & NURKO - Won't Make A Sound (ft. Micah Martin) [Monstercat] 06:18 Stonebank - Placebo [Monstercat] 08:30 Koven - Gold [Monstercat] 11:04 Au5 - Awaken (ft. NOHC) [Monstercat] 13:44 Fairlane & sad alex - nature [Seeking Blue] 16:29 Sabai - Million Days (ft. Hoang & Claire Ridgely) [Monstercat] 18:41 ARMNHMR - Saving Lives (ft. Bella Renee) [Monstercat] 21:10 ARMNHMR - Here With Me (ft. Nevve) [Dim Mak] 22:29 SABAI & RUNN - Landslide [Monstercat] 25:27 MYRNE - Lyra [Monstercat] 27:0 Kaivon - 77 (ft. Kini Solana) [Dim Mak] 29:31 AWAY & Midoca - Too Close (ft. Dark Waves) [Seeking Blue] 31:23 DROELOE - Bon Voyage [Monstercat] 33:13 ARMNHMR & Lights - Someone To Forget [Monstercat] 36:00 Afinity & Dror - Love Runs Out [Monstercat] 38:39 Jessica Audiffred - Stay With Me [Monstercat Exclusive] [Monstercat] 40:35 Said The Sky & Kwesi - All I Got [Seeking Blue] 42:35 CloudNone - From Here VIP [Monstercat] 46:09 Dylan Matthew & Nitti Gritti - Drive You Crazy [Monstercat] 47:58 Koven - Higher Ground (ft. Kairos Grove) [Monstercat] 50:19 Maazel & Sam Lamar - The Truth [Monstercat] 51:16 ARMNHMR - Drowning (ft. Heleen) [Monstercat] 53:46 Ray Volpe & RUNN - IT ISN'T ME [Monstercat] 55:18 yetep - Daisies (ft. Olmos) [Monstercat] 57:48 Direct x Killabyte x Matt Van x Jauz x HALIENE - One Less Star x Oceans & Galaxies (Rocketman Mashup) [Monstercat] Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Stephen Walking - Turtle Town 03:09 PROFF & Idd Aziz - Mipango 04:20 Danny Leax & Reeva - Reason 06:22 Carola - Safer Place (ft. LUX) [Monstercat Exclusive] 08:33 Angara - Kyoto 09:59 ORACLE & Nina Carr - Golden 12:04 Tony Romera - VHS 13:21 Tokyo Machine - PLAY (LöKii Remix) 14:15 Sullivan King - Came To Rage 15:45 Bossfight & hayve - Deadlock [Monstercat Exclusive] 18:32 HVDES & CRaymak - Subliminal (Even the Ghosts are Laughing) [ft. AFTERMYFALL] 20:10 Whales - No Rules 21:19 Maazel & Darby - Mirrors (ft. BELELA) 23:14 Duumu - Recovery 24:20 Pixel Terror & Aviella - Enigma 25:13 Julian Calor & BeauDamian - Flying Nimbus 26:43 Athena & smle - Eternal 28:22 Tony Romera - Eyes On Me (ft. Choice) [Miller Miller Remix] 29:34 KUURO - Can't Say (ft. Syon) 30:50 Going Quantum & hayve - Double Tap 31:33 IVORY, Hammerhead & Dani King - Bad For You 33:46 Koven - Your Pain (The Prototypes Remix) 34:30 Whales - No Rules 37:04 hayve & Typhon - SCREAM 38:23 Eptic x Dirty Audio - Undefeated x Gorilla Glue (Jayeson Andel Smash) 39:27 Whales - No Rules 40:05 Laszlo - Destination 42:09 Bishu - Astra 43:26 Droptek - Fragments 44:54 REAPER - SAWTOOTH 46:06 Mazare & Saint Agnes - Light It Up 47:32 Au5 - The Encryption (ft. Nasty Purple & Kenny Raye) 49:19 hayve & Skyelle - Change 52:15 Koven & Circadian - The Outlines [Monstercat Exclusive] 54:50 WHIPPED CREAM - Angels 57:08 Tut Tut Child - Idyll 58:35 Manu Zain - By The Sea Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Throttle x Bishu - Bloom x WYGD 03:57 Bishu - WYGD 04:36 Papa Khan - Beg For U 06:07 Fractal x Feathervane x OREONIC - Mountain Hunter x Overcast 07:05 Cloudnone & Direct - Told U 08:35 Tony Romera - Party On My Own (ft. Max Wassen) [Vladimir Cauchemar Remix] 09:20 Bad Computer - Sanctuary 10:05 Bad Computer x EDDIE x Voicians - Sanctuary x Night Runners 12:05 No Mana - Out Of The Dark 13:20 Crankdat & Tisoki - Wobble (Carisen's House Edit)  15:02 Gammer - Needed U (Tony Romera Remix) 15:33 Will Sparks & SCNDL - Tombstone 16:20 Will Sparks x SCNDL x Godlands - Tombstone x SCUMBAG 17:13 Godlands - SCUMBAG 17:40 REAPER - BARRICADE (Poni Remix) 18:31 REAPER x Poni x Pegboard Nerds x SPLITBREED - BARRICADE x High Roller 19:21 Leotrix - H3dup 21:33 Sullivan King & SVDDEN DEATH - Pursuit of Violence 23:18 Slippy & TYNAN - Sell Your Soul 25:13 Tisoki - WAVEY 26:49 Maazel & Darby - Mirrors (ft. BELELA) 28:06 Leotrix - Wild Time 30:14 Tokyo Machine & Weird Genius - Last Summer (ft. Lights) [Gammer Remix] 31:31 Enjac - ok 32:48 Pegboard Nerds - Just Like That (ft. Johnny Gr4ves) 34:17 zensei ゼンセー & Mr. Hilroy - roadtrip 35:30 Taska Black - We Would Never Do (ft. Nevve) (Live Session) 36:32 Modestep - Not IRL 37:36 Au5 - Awaken (ft. NOHC) 39:32 Enjac - meant to be 40:54 Approaching Black - You Fill My Soul 43:18 Liam Thomas x NERVO x Timmy Trumpet - Waterloo x Anywhere You Go 44:30 Stephen Walking - Wake Up, The House Is Underwater! 45:34 Shingo Nakamura - Focus 47:12 Ellis & NOËP - Speak Français 48:01 Glacier - Neos 49:29 Rameses B - Lonely 51:19 Flite - We Are One 53:08 Asdek - Melbourne 53:52 Koven - Light Up 56:04 Pegboard Nerds - Speed of Light (Andy C Remix) Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Seawayz - Sunflowers [Silk Spotlight] 03:57 Matrx - A Moment Apart 07:05 Foxela - Oasis 09:56 Sarah De Warren & Weird Genius - Sugar [Instinct Spotlight] 13:05 Bound to Divide x Julian Gray x Avrii Castle - Losing My Mind 14:53 Koven - 14th Canon [Gold Feature] 17:29 Pierce Fulton & Puppet - Boy and the Beast 19:20 WHIPPED CREAM - Rewind (But I Love You) [Monstercat Exclusive] 20:56 CloudNone - None Trick Pony [Community Pick] 24:31 SABAI & RUNN - Landslide [Monstercat Exclusive] 25:54 hayve - Between the Lines 29:36 F.O.O.L & hayve - Valhalla [Uncaged Spotlight] 33:27 MUZZ - Catharsis (ft. Koven) 37:55 zensei ゼンセー - oasis [Monstercat Exclusive] 40:31 Aether - Tourmaline 43:34 Duumu - Recovery 47:48 Maazel x Sam Lamar x YMIR - The Truth x Tripwire [Monstercat Mashup] 50:48 Ace Aura - UMBRA (ft. Voicians) 53:34 CHYL - Fool Me [Monstercat Exclusive] 55:55 Koven - Higher Ground (ft. Kairos Grove) [Gold Feature] Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Shingo Nakamura - Come Closer [Silk Spotlight] 06:03 Mr FijiWiji & Direct - Hysteria 08:34 Direct & Danyka Nadeau - Same Thing 10:50 Bad Computer & David Feldman - Calling Us (ft. Jordan Grace) 14:55 Tisoki - WAVEY 16:38 Au5 & Chime - The Other Side 20:17 Pegboard Nerds & Bossfight - Powerplay [Monstercat Exclusive] 23:33 Gent & Jawns - Reconcile (ft. Liz) 28:07 SKYLER - Hit My Line [Uncaged Spotlight] 30:22 Koven - Get Through 33:24 Feint - Snake Eyes (ft. CoMa) 37:17 Dr. Ushūu - Love Me [Gold Feature] 40:42 Pixel Terror, Chime & Teminite - Sleepless [Community Pick] 44:15 Conro - Every Little Thing [Instinct Spotlight] 47:23 Ellis - Unfold (ft. Tamzene) 51:12 Maazel & Danni Carra - Sundaze  54:22 Blanke & helloworld - Used to Losing You (ft. Luma & JT Roach) [Monstercat Exclusive] Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Stonebank - Breathe Me Back To Life (ft. Lena Sue) [Monstercat Exclusive] 03:38 TVDS - Another Day  07:53 Stonebank & EMEL - Healing Me  11:06 Topi x MUZZ x Excision, Pegboard Nerds, & Mayor Apeshit - Got To Be x Nemesis x Bring The Madness (Baldie Edit)  12:47 Topi x Modestep x Noisestorm - Got To Be x Summer x Breakdown VIP (Baldie Edit)  14:16 Koven - Followers (A.M.C Remix)  17:38 Whales & Roee Yeger - It's Not Love (ft. Meggie York) [Monstercat Exclusive] 22:22 Subtact x Maazel, Darby, & BELELA - Tunnel Vision x Mirrors (Baldie x Arylith Mashup)  24:20 Scarr. & Haen - Moved  27:08 soupandreas - Melatonin  30:33 Dion Timmer - Lost  33:57 Tisoki - HOLD ON ME  35:28 Whales - Addicted  37:35 Afinity & Nevve - Back To Me [Monstercat Exclusive] 42:08 Danny Leax & Mick Mazoo - Be With You  45:08 Airdraw - Olaen  47:35 Stonebank & EMEL - Lift You Up  52:20 nanobii - 2NITE [Gold Feature] 55:31 CloudNone - Wasted  57:12 CloudNone & Direct x Shingo Nakamura - Margarita x The Longest Hour (Baldie Mashup)  59:00 Mick Mazoo x helloworld - Happiness (Just a Pursuit) x 2hard2letgo (Baldie Edit) Thank you for listening to Monstercat: Call of the Wild! Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:58:35 - Grands Chefs du Concert du Nouvel An à Vienne (4/5) : Lorin Maazell, finesse et intelligence étincelante - par : Aurélie Moreau - Lorin Maazel a été l'un des chefs les plus souvent invités par l'Orchestre Philharmonique de Vienne, et il a dirigé le Concert du Nouvel An onze fois, de 1980 à 1986, en 1994, 1996, 1999 et 2005. Il y a aussi fréquemment joué du violon. - réalisé par : Françoise Cordey

Der letzte Talk mit meinem Stammgast Jan ist viel zu lange her. Euch erwartet eine ganz bunte Mischung mit der ein oder anderen Hörerfrage und auch Gegenfrage. Unsere Themen

Viviane Hagner gehört zu den profiliertesten Musikerinnen ihrer Generation. Schon als junges Mädchen war die Geigerin bei den großen Orchestern der Welt zu Gast: In Israel, Berlin, New York, Chicago oder Leipzig arbeitete sie mit den namhaftesten Dirigenten wie Abbado, Barenboim, Eschenbach, Maazel oder Nagano. Regelmäßig ist sie zu Gast bei den international renommierten Festivals wie „Marlboro Music“ in den USA, den Festspielen Mecklenburg-Vorpommern oder den Sommerlichen Musiktagen Hitzacker. An dem geschichtsträchtigen Ort Kreisau feiert das „Kreisauer Kammermusikfestival“ mit Viviane Hagner als Künstlerische Leiterin die inzwischen achte Saison.

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Crankdat - Power Stone [Gold Feature] 03:41 Tisoki - MADE 4 THIS 06:09 Bad Computer - Fly [Monstercat Exclusive] 10:09 Puppet & Pierce Fulton - Just You [Community Pick] 12:56 Ethani - Mix Contest Demo Submission 22:30 ATTLAS & Mango - Over The Water [Silk Spotlight] 26:22 Vicetone - Harmony 30:37 Bad Computer - Your Spell 33:41 Koven - All We Needed 37:22 HALIENE - Dream In Color (Stonebank Remix) 41:01 Bossfight - Toxic [Uncaged Spotlight] 44:39 Rogue - Starlight [Monstercat Exclusive] 46:37 Fransis Derelle & CRaymak - Here For Now (ft. Josh Rubin) [Monstercat Exclusive] 50:16 Grant, Anevo & Conro - Without You (ft. Victoria Zaro) 53:34 Pixel Terror - Chroma (ft. EMELINE) 56:21 Maazel & Darby - Mirrors (ft. BELELA) [Instinct Spotlight] Thank you for listening to Monstercat: Call of the Wild!

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Ellis & Nu Aspect - U (2017) 06:03 helloworld - see str8 [Instinct Spotlight] 09:55 CloudNone - Spring Snow 14:43 OAI & Ra5im - Echoes Of Silence [Silk Spotlight] 18:12 Mr FijiWiji - Yours Truly (ft. Danyka Nadeau) 22:21 Stonebank - Another Day (ft. EMEL) 25:51 Grant & Ellis - Dead Man Walking [Gold Feature] 29:53 Justin OH & Nitro Fun - Killswitch  32:45 Mazare & Calva Louise - Throne [Uncaged Spotlight] 36:38 Leah Culver - Cold 39:50 Dion Timmer - Panic [Community Pick] 43:34 Maazel & Darby - Mirrors (ft. BELELA) [Monstercat Exclusive] 45:21 Stonebank - Eagle Eyes (ft. EMEL) 50:23 Eptic - Power 54:26 Bossfight - Toxic [Monstercat Exclusive] 57:51 Lookas - Eclipse Thank you for listening to Monstercat: Call of the Wild!

durée : 01:58:12 - Relax ! du jeudi 09 juin 2022 - par : Lionel Esparza - Aujourd'hui dans Relax, portrait du chef d'orchestre américain Lorin Maazel. Et en disque de légende, nous écouterons la 9e symphonie de Gustav Mahler par Bruno Walter. - réalisé par : Antoine Courtin

Folge 64 vom PACEPRESSO Podcast ist wieder was ganz besonderes. Mit Marcel Martens hatten wir wieder ein Mitglied aus dem Supporter Club zu Gast, wir waren aber nicht allen, sondern hatten ein geiles Publikum für den Livepodcast im CLUBHOUSE. Gemeinsam haben wir uns erst den Kurzfilm OBUNTU angeschaut um dann im Podcast mit Marcel über seine verrückten Projekte für den guten Zweck zu sprechen. Was macht eigentlich die Neven Subotic Stiftung? Hier gibt´s Infos Mehr zu Marcel Martens aka Maazel auf Instagram oder in seinem Blog Schaut dir den Film OBUNTU auf YouTube an PACELETTE: Bis zum 30. Mai könnt ihr online noch die geilen Schlappen im IMMER DOPPIO Style bestellen. Hier gibt´s alle Infos Mehr PACEPRESSO Bohnen Shop Member werden STRAVA CLUB Instagram YouTube --- Send in a voice message: https://anchor.fm/pacepresso/message

Synopsis In 1987, Telarc Records asked the late conductor Lorin Maazel if he would make a purely orchestral distillation of the four operas that make up Richard Wagner's “The Ring of the Nibelung.” Telarc wanted it all to fit on just one CD. Now, with these four Wagner operas clocking in at about 15 hours, that's a slimming-down assignment worthy of The Biggest Loser. Maazel crafted a 75-minute sequence, played without pause, beginning with the opening pages of the first opera and ending with the closing pages of the last, with all the music appearing in the same order as it does in Wagner's four operas. For the Telarc CD release, Maazel recorded his “Ring without Words” with the Berlin Philharmonic. But what had started as a purely studio affair proved an attractive orchestral showcase for other ensembles, so on today's date in 1990, Maazel led the Pittsburgh Symphony in the debut of his “Ring without Words” as a concert hall work. Since then, he has performed it with orchestras ranging from the New York to the Vienna Philharmonic. Maazel confessed he resisted the idea at first. "I said… it would be desecrating a unique masterpiece. But they kept after me.” In the end, Maazel capitulated, but insisted there couldn't be one note by Lorin Maazel. When one instrumentalist shuddered at a particularly abrupt transition, Maazel told him, "Sorry! That's the composer." Music Played in Today's Program Richard Wagner (1813 - 1883) arr. Lorin Maazel (1930 -2014) — Ring without Words (Berlin Philharmonic; Lorin Maazel, cond.) Telarc 80154.

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 Kage & MASTERIA - Lights Out [Uncaged Spotlight] 04:03 Kohmi - What We Do 05:35 Slowpalace, FWLR & qwinn x Kohmi - Already Gone x What We Do [Monstercat Mashup] 07:07 Punctual - We Could Have It All [Monstercat Exclusive] 09:26 Kayzo & Gammer - Over The Edge (ft. AU8UST) 13:06 Laszlo - Sphere 17:21 Rogue - Atlantic [Community Pick] 21:21 Pegboard Nerds - Emergency (ft. Nothing But Thieves) [Community Pick] 25:06 Half an Orange, Disero & Josh Bogert - Sit like a Flamingo 28:10 Nitro Fun - So Far Away 30:45 Hausman & Lumynesynth - Faded [Silk Spotlight] 34:57 Bishu - Cage [Monstercat Exclusive] 37:21 Papa Khan - The Tide 39:38 Leotrix - FUNNYFACE [Gold Feature] 42:24 Maazel x Sam Lamar x YMIR - The Truth x Tripwire [Monstercat Mashup] 45:23 Silent Child - Perfect [Instinct Spotlight] 48:07 Veeshy - Californian Dreams 51:47 Notaker - Infinite 54:40 FWLR - Numb (ft. Che'Nelle) 58:02 Pixel Terror - Machina Thank you for listening to Monstercat: Call of the Wild!

Season 2, Episode 5: Guest Joey from Affable Chat Part 2: George Romero's failed age discrimination educational film, the Amusement Park, 1975 (Lincoln Maazel) Joey from Affable Chat reviews a second movie with me, the Amusement Parkthis production is a bizarre failed public service educational film commissioned by the Lutheran Service Society of Western Pennsylvania George Romero went off the rails and added so many horror elements to the film that it was deemed unusable and shelved. The production was rediscovered in 2017the Amusement park is supposed to represent society in general, in which seniors face tremendous discrimination  the sheer number of age discrimination episodes in the movie is overkill and it's even complete with a biker gang to beat up

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 OBLVYN - exit sim 02:26 Anamanaguchi - Water Resistant (ft. 8 4 8 5) [Instinct Spotlight] 05:41 Pixel Terror - Magma 08:41 Snavs - You & Me 11:27 Kompany, Whales & Elle Vee - Stand By Me [Gold Feature] 15:17 Koven - Board Game 18:24 Maazel & Sam Lamar - The Truth 22:14 YMIR - Tripwire [Monstercat Exclusive] 24:31 Slippy - Standstill 27:17 Stonebank - Blast From The Past [Community Pick] 32:02 Danny Leax - Daydream 34:34 Direct - Opal 38:15 AK - Back Again 41:18 Sabai & Hoang - Million Days (ft. Claire Ridgely) 44:23 ARMNHMR - Saving Lives (ft. Belle Renee) [Monstercat Exclusive] 48:20 REAPER - BARRICADE (Poni Remix) 51:19 Pixel Terror & Spag Heddy - Carbonara [Uncaged Spotlight] 54:08 SLANDER & Said The Sky - Potions (ft. JT Roach) 57:35 Matrx - A Moment Apart [Silk Spotlight] Thank you for listening to Monstercat: Call of the Wild!

Follow the show: https://www.monstercat.com/COTW Tracklist 00:45 KDYN - Closer [Instinct Spotlight] 05:00 AK - Mellow Evening 07:50 Direct - Nobody Like You 11:24 Lookas & Able Heart - On My Own 14:21 Haen, Banaati & Lewyn - Chasing Shadows [Silk Spotlight] 18:58 Mr FijiWiji - Believe Her (ft. Meron Ryan) [Community Pick] 22:49 Aiobahn & NUZB - All of This 25:48 Papa Khan - The Tide [Gold Feature] 28:12 Fractal - Amor (ft. Syrin) 33:36 Maazel & Sam Lamar - The Truth [Monstercat Exclusive] 37:14 So Sus & Maazel - Not Me (ft. Madelen Duke) 40:41 Stephen - Play Me Like A Violin 44:18 Pixel Terror - Bittersweet 47:23 Pixel Terror & Spag Heddy - Carbonara [Monstercat Exclusive] 48:40 SLANDER & Spag Heddy - Running To You (ft. Elle Vee) 51:58 Masayoshi Iimori - Losing Control [Uncaged Spotlight] 54:34 Masayoshi Iimori - Losing Control VIP [Uncaged Spotlight] 55:19 Koven - Gold (BMotion Remix) 58:15 DESERT STAR - Carissa Thank you for listening to Monstercat: Call of the Wild!

Franz von Suppè (1819-1895) - Ouvertures1.Leichte Kavallerie2.Ein Morgen, ein Mittag und ein Abend in Wien (Emanuel Brabec, solo cello)3.Pique Dame4.Dichter und Bauer (Emanuel Brabec, solo cello)Wiener Philharmoniker – direttore Sir Georg Solti5.Banditenstreiche (Jolly Robbers)Berlin Staatskapelle – direttore Otmar Suitner6.Die schöne GalathéeWiener Philharmoniker – direttore Lorin Maazel

On this week's show Don plays some of the new tracks from his album Forever, along with music from SEKH, Kisch, Maazel, Alexander Cruel & Loris Buono , King Topher, Vouti and many more. 1. Don Diablo Ft. AU/RA - Sail Away2. Kisch - All I Need (feat. Emily Williams)3. Ois Bosh Featuring Noah Scolard - 4 AM4. Gil Sanders - Rushing5. Don Diablo - Beautiful Feeling6. Bad Addict - Feel The Fire7. Vouti - Need Nobody8. Silque - Faith In You9. AC Slater X Bleu Claire - Green Light (Flava D Extended Remix)10. Don Diablo - High Low11. SEKH - Say12. PØP CULTUR & DJ Siar - For You13. Weird GRRL & Kastelo - Ananas14. Alexander Cruel & Loris Buono - Tik Tok (King Topher Edit)15. CastNowski - Take Me Down16. DØBER - Cream17. Akylla - Someday18. Maazel - Memories

Pëtr Il'ič Čajkovskij: Piano Concerto No. 1 in Si b minore op. 23I. Allegro non troppo e molto maestoso II. Andantino semplice III. Allegro con fuoco London Symphony OrchestraVladimir Ashkenazy, pianoforteLorin Maazel, direttore

01. DLMT - Don’t Wanna Wait (feat. Laura Davie) (Dim Mak) 02. Mahalo & Montell Jordan - This Is How We Do It (Mahalo's 90's Baby Rework) 03. DJ Susan & Skonka - Pull Up (New Noise) 04. FRIDAY FLASHBACK: Yvng Jalapeño & Just A Gent - Geekin' (feat. Nerve) (Clean Mix) (Dim Mak) 05. Riot Ten & Dogma - Ready For War (feat. Joe Buras Of Born Of Osiris) (Dim Mak) 06. Bear Grillz & Figure - Vortex Engine (Figure Drumstep VIP) (Dim Mak) 07. GAWM - Parasite (New Noise) 08. DIM MAK PICK OF THE WEEK: Steve Aoki & Yves V - Complicated (feat. Ryan Caraveo) (Dim Mak) 09. A.C.E - Fav Boyz (feat. Thutmose) (Steve Aoki's Gold Star Remix) (Dim Mak) 10. Dr. Fresch - Bon Appétit (feat. Chetta) (Clean Mix) (Dim Mak) 11. Godlands - My Weakness (feat. BRUX) (Dim Mak) 12. Guest Mix: Maazel What So Not - We Can Be Friends (Quiet Bison Remix) Vincent - Breathe 2.0 ARMNHMR & Maazel - Everybody Feels (feat. Zack Gray) Needed You Vs. Silence (Illenium Edit) Maazel - ID* Tyraz - Smog Kanye West - POWER (Knock2 Edit) w/ Chopsoe - Carbon Maazel - ID* CODE ZERO - DEEPER Vluarr - Let Me Jack Ü - To Ü / Mind (Maazel Revival)* Flume & Juelz - The Difference x Distancing (TELLAH Edit) Duke & Jones - Lost In Motion Justin Bieber x Maazel - Holy x Dead Inside (TELLAH & SLICK Edit) Black Eyed Peas x Boombox Cartel - Where Is The Love x Alamo (Maazel Refix) 13. DIM MAK NEW RELEASE PLAYLIST: Andrekza - Paris (Dim Mak En Fuego)

David is back with his guest, Ilann Maazel. They discuss, false confessions, faulty witness ID procedures, and police reform.    Ilann is a civil rights lawyer, partner at Emery Celli Brinckerhoff & Abady (U.S. News & World Report’s 2013 Civil Rights “Law Firm of the Year”), Civil Rights Litigation Columnist for the New York Law Journal, writer, pianist, and composer. Ilann helped save the High Line in New York City, and has brought class actions on behalf of hundreds of disabled preschool children in New York City, thousands of inmates in New York City prisons, and millions of Americans surveilled by the National Security Agency.     Firm:  https://ecbawm.com/our-people/ilann-margalit-maazel/   NYLJ Article: https://www.law.com/newyorklawjournal/2021/03/10/false-confessions-mistaken-identification-and-wrongful-convictions/   Law.com: https://www.law.com/sites/ilannmmaazel/#:~:text=Ilann%20M.-,Maazel,writer%2C%20pianist%2C%20and%20composer.   http://ilann.com/   https://twitter.com/imaazel?lang=en    

durée : 00:58:28 - L'énergie et la précision de Lorin Maazel - par : Aurélie Moreau - Il est celui à propos de qui les musiciens de tous les orchestres s'accordent pour reconnaître la virtuosité de sa technique, l'infaillibilité de son oreille et la prodigiosité de sa mémoire : Lorin Maazel dirige Prokofiev, Sibelius, Puccini, Johann Strauss, Rimsky-Korsakov et Scriabine. - réalisé par : Adrien Roch

STRAVINSKY: Concertino para cuarteto de cuerda (6.58). P. Oundjian (vl.), K. Ikeda (vl.), K. Isomura (vla.), S. Harada (vc.), Cuarteto de Tokio. Los cinco dedos (Ocho piezas fáciles) (7.33). M. Damerini (p.). Octeto para instrumentos de viento (15.22). Sección de viento de la Orq. de la Svizzera Italiana. Dir.: I. Stravinsky. 3 Canciones de la lírica japonesa (incluye previamente grabación del ensayo con el propio compositor) (5.12). E. Lear (sop.), Orq. Sinf. Columbia. Dir.: I. Stravinsky. Fuegos artificiales, Op. 4 (4.04). Orq. Fil. de Viena. Dir.: L. Maazel. Escuchar audio

Présentée par Stéphane Blet, Musiques en liberté est une nouvelle émission d'ERFM ! Au sommaire de ce troisième épisode : 03'53 : Everyday - Todd Levin 13'26 : Nocturne Es-dur for piano 01- F.Chopin - K.Vilensky 19'10 : Corale n°1 BWV 645 - J. S. Bach - The Swingle Singers 20'26 : Fugue n°2 in C Minor BWV 847 - J. S. Bach - The Swingle Singers 23'04 : Badinerie - J. S. Bach - The Swingle Singers 26'21 : And The Waltz Goes On - André Rieu 36'37 : Pictures at an Exhibition Baba Yaga - Mussorgsky - Stéphane Blet 40'16 : The Hut and the Curse Baba Yaga - Emerson, Lake and Palmer 49'13 : Valse de Faust - F.Liszt - Gounod - Stéphane Blet 59'54 : Cuban Overture - G.Gershwin - L.Maazel 01h10'51 : Masquerade Suite - Khachaturian- Kirill Kondrashin 01h16'11 : Toccata in E-flat minor - Khatchaturian - Stephane Blet Source: https://bit.ly/3idoymI

The Chess Playing Turk AutomatonThe magic trick that astounded the world was not made by a magician. It was not even intended to be a magic trick. It was a challenge and from the challenge one of the most interesting stories about magic and robots came to be.Maria Theresa of Austria had a performance planned for her court in 1769 to watch a demonstration of magnetic tricks.Her counselor, a Hungarian scientist Wolfgang Von Kempelen was unimpressed and said he could do better He returned in 1770 to perform, the creation took him six months.Created a life-size automaton. The Turkish chess player. He showed the court all of the mechanics. All the court saw was the gears and rods that would make the automaton move. The automaton was wound up ready to play, and a member of the court was chosen to play chess against the automaton.The court reported to hearing whirrs and clicks as the automation moved its' pieces.The automaton nodded twice to signal the check and three times for checkmate off its' opponent.The chess-playing Turk Automaton gathered many famous challengers playing and defeating Benjamin Franklin and Napolean Bonaparte. Edgar Allan Poe wrote an essay about the automaton.Wolfgang was not a magician he was a naturalist, a scientist, an architect, and a hydraulic engineer.The automaton had a long “life” touring Europe and the Americas for 84 years.The device was later purchased in 1804 and exhibited by Johann Nepomuk Mälzel. Maazel installed a voice box in the automaton that would say check whenever it cornered its’ opponent's king. Maazel set up the game with Napolean. It was said that the emperor, who ultimately lost, attempted to cheat multiple times with the automaton shaking its’ head and placing the chess piece back where it had been.How did a machine play chess? How did it account for variables and strategy? You are going to have to think outside the box to solve this puzzle. If you did not guess don’t feel badly. This automaton confounded most of the world. The gears were a front. A hidden cabinet exited where a very small chess master could fit inside the secret compartment and play using puppeteering levers and dangling metal discs that were attracted to the magnets at the base of the chess pieces. The chess masters who secretly operated it included Johann Allgaier, Boncourt, Aaron Alexandre, William Lewis, Jacques Mouret, and William Schlumberger, but the operators within the mechanism during Kempelen's original tour remain a mystery.The illusion was completely shattered when Maelzel died unexpectedly in 1838 and the automaton was taken by one of his creditors.The original automaton was destroyed in a fire but there are reproductions. John Gaughan spent a reported 120,000 to build his own version in 1984. It uses the original chess board which had not been destroyed in the fire. It ran not with a human chess master but with a computer running a chess program.Bibliography:Magic 1400’s-1950’s Daniel, Noel Caveney, Mike Jay, Ricky and Steinmeyer Jim TaschenWikipediahttps://en.wikipedia.org/wiki/The_Turk See acast.com/privacy for privacy and opt-out information.

How can students move from a fixed mindset to a growth mindset which will allow them to discover, develop, and demonstrate their abilities and talent with purpose? What problems do you want to solve in this world? How can you use your talents to help solve these problems? Anjali Maazel joins us today to share her thoughts and advice for students on the importance of finding a college that is the best fit. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/college-scoops/support

Jennifer Larmore was one of my first opera idols, and I am so privileged to sit down with her for this episode of Technique Talks. She is so intelligent, talented, funny, and full of incredible technical advice! I hope you enjoy this conversation where we discuss breathing optimization, clear vowels, coloratura, and more! Jennifer Larmore is an American mezzo-soprano, with a wide-ranging repertoire, having begun with coloratura roles from the Baroque and bel canto then adding music from the Romantic and Contemporary periods. She began her career at Opera de Nice in 1986 with Mozart's La Clemenza di Tito and went on to sing at virtually every major opera house in the world, including the Metropolitan Opera, La Scala, Paris Opera, Tokyo, Berlin Deutsche Oper, and Covent Garden. Hear Jennifer sing live here: https://youtu.be/ByPRpeI64Ic She is a two-time Grammy Award winner who has recorded widely for the Teldec, RCA, Harmonia Mundi, Deutsche Grammophon, Arabesque, Opera Rara, Bayer, Naive, Chandos, VAI and Cedille labels in over one hundred CDs to date as well as numerous DVDs With her frequent collaborator Antoine Palloc, she has made many International recital tours at major cities throughout the world, as well as all the major American venues. Symphonic repertoire plays a large role in this mezzo's career and she has enjoyed great collaborations with world orchestras under the direction of Muti, Bernstein, Runnicles, Masur, Barenboim, Bonynge, Maazel, and Osawa, to name a few. Miss Larmore is widely known for teaching and giving master classes at the most prestigious conservatories and major cities throughout the world. Miss Larmore lives in Paris with her husband and little Opera dog Buffy. Her book "Una Voce" is available at Barnes & Noble, Amazon, and Lulu.com and explores the world and psychology of the performer. Show Notes: 00:00 Jennifer Larmore's Bio 8:00 How to find individual technique success 14:20 How to have a margin of error in practice and performance 18:13 How to breathe when singing 24:14 How shoulder blades assist in a singing breath 28:05 How to develop coloratura 33:27 How to manage coloratura in the passaggio 35:21 How to balance a singers registration 37:54 How to develop your voice overtime 42:12 How to manipulate your individual physiology 46:56 How to sing low notes 49:04 How to sing high notes 51:21 How to modify vowels 54:04 How to sing when you have a natural accent 57:26 What is your desert island vocalise ❤️  JOIN my FB Group: https://www.facebook.com/groups/techniquetalksforsingers/ ❤️  Subscribe to never miss a video: https://www.youtube.com/channel/UCGibxkvaN8KVff0ztzYznMg ❤️  More at https://www.voicewithjulia.com ❤️  To stay in the know, and gain behind-the-scenes access to upcoming guests: https://www.voicewithjulia.com/techniquetalks/ ❤️  Instagram: @voicewithjulia  ❤️  Facebook: Voice With Julia

1) Illenium - Nightlight (Nick's 3-Way Edit) 2) SLANDER & William Black - Back To U 3) So Dope ft Annalise Azadian - Better Days 4) BLACKPINK ft Selena Gomez - Ice Cream (Muzik Junkies Edit) 5) Tory Lanez & Bryson Tiller - Keep In Touch 6) DaBaby ft Young Thug - BLIND 7) Major Lazer ft Alessia Cara - Hell & High Water 8) J Balvin - Ahora (Edit) 9) Doctor P feat KoolKid - OD 10) Opia & Whethan - Falling (Whethan Redo) 11) Steve James - In My Head (feat. RKCB) 12) Maazel & glasscat - Right Now 13) RAC & Louis The Child - Passion (Hotel Garuda Remix) 14) Clew - Tarzan 15) Hoodboi - Don't Cry 16) Morgan Page & Vivid - Fire & Gold (feat. Allé & Damon Sharpe) (Ship Wrek Remix) 17) i_o & Tommy Trash (feat. Daisy Guttridge) - Let Me Go 18) Marshmello & Imanbek ft Usher - Too Much 19) Sunlike Brothers, LANNÉ & Brenton Mattheusv - Mistakes 20) Sigala & James Arthur - Lasting Lover (TIESTO Remix) 21) Loote  feat. gnash- 85% (GOLDHOUSE Remix) 22) Justin Mylo  feat SMBDY - Still Around 23) William Black  feat. Nevve - I'm Fine (Maazel Remix) 24) Duskus - Rising

Part 2 of a two-part HD episode. Mark Kaplan is a leading violinist of our time. He has performed solo at nearly every major American orchestra including the New York and Los Angeles Philharmonic Orchestras, the Cleveland and Philadelphia Orchestras and many more. Mark Kaplan has collaborated with the world's foremost conductors, among them Ormandy, Maazel, Masur, Foster, Gatti, Rattle, Slatkin and so many others. In Part 1 of this conversation, we talked about Mark's early career and how he got started as a soloist for the world's foremost orchestras. In Part 2 we focused on his chamber music and his most interesting predictions of where big-time professional music will be after the pandemic. Along the way we included excerpts from Mark's performances of Bach, Bartok, Lerdahl and Schoenfield. This is a wonderful listen and should not be missed.CONTACT: upperwestsideradio@gmal.com See acast.com/privacy for privacy and opt-out information.

Part 1 of a two-part HD episode. Mark Kaplan is a leading violinist of our time. He has performed solo at nearly every major American orchestra including the New York and Los Angeles Philharmonic Orchestras, the Cleveland and Philadelphia Orchestras and many more. Mark Kaplan has collaborated with the world's foremost conductors, among them Ormandy, Maazel, Masur, Foster, Gatti, Rattle, Slatkin and so many others. In Part 1 of this conversation, we talked about Mark's early career and how he got started as a soloist for the world's foremost orchestras. In Part 2 we focused on his chamber music and his most interesting predictions of where big-time professional music will be after the pandemic. Along the way we included exceprts from Mark's performances of Bach, Bartok, Lerdahl and Schoenfield. This is a wonderful listen and should not be missed.CONTACT: upperwestsideradio@gmal.com See acast.com/privacy for privacy and opt-out information.

durée : 01:58:22 - L'Orchestre de Cleveland dirigé par Lorin Maazel - par : Frédéric Lodéon - Un coffret Decca réunit les enregistrement de Lorin Maazel à la tête de l'Orchestre de Cleveland. - réalisé par : Régine Barjou

© Murci, Inkline, Nostalgix, Stormecloudz, Slowpalace, Woof Logik, Plezier, Charli XCX, Virtual Self, Moore Kismet, Golden Child, Floret Loret, Super Ave, Runnit, Chow Chow, A$AP Ferg, ERBES, Nari & Milani, Oriental Cravings, Peekaoo, XO Man, Jon Casey, Quiet Bison, Hendrick Joerges, LOJ, THRPY, Yellow Liar, Slowpalace, Nite School Klik, Shöckface, Virtual Riot, Robu, RL Grime, Juelz, Maazel, San Holo, Shwirl, G Jones, Bouhi, Scullion, Zeds Dead, Urbandawn, Shöckface, XTALS, Zack Fox, Kenny Beats, Point Clare, Nxsty, Alexandre, Mefjus, Blink 182, ELEX, Tails & Inverness, Nevve, Memba, DJ Ride, Chase, Status, Suku, Benny L, Quix, Imanu

Jay ends with “Rustle of Spring,” the piano piece by Christian Sinding. It used to be universally known. It deserved to be. Jay also plays Tchaikovsky, Brahms, Shostakovich, Amy Beach, Havergal Brian, and Jörg Widmann. He tells some stories, makes some points. A rich and diverse world, music. Tracks played: Tchaikovsky, Piano Concerto No. 1 Brian, Double Fugue in E flat Widmann, “Con brio” Brahms, Violin Concerto Shostakovich, Symphony No. 5 (Bernstein, New York Philharmonic) Shostakovich, Symphony No. 5 (Maazel, Pittsburgh Symphony Orchestra) Beach, “Ah, Love, but a Day” Sinding, “Rustle of Spring”

Life Purpose: A Key to Wellbeing, Academic Success and College Admissions with Anjali Maazel

Weekend Workout 215: Up & Comers Mix (ft. neutral., Godamn, Maazel, and Bohkeh) neutral. Guest Mix: 01. neutral.- ID 02. Lookas & Krewella- Alarm (neutral. Remix) 03. Lost Kings- When We Were Young (Nolan van Lith & neutral. Remix) W/ The Chainsmokers- Side Effects (feat. Emily Warren) 04. Kendrick Lamar- X (Rickyxsan x YehMe2 Remix) 05. WRLD & Father Dude- Galaxies (Masayoshi Iimori Remix) 06. Rustie- Big Catzz vs. Stuca- Split (The Lost Boys Mashup) 07. Cheat Codes & DVBBS- I Love It (neutral. Remix) 08. San Holo- I Still See Your Face (neutral. Remix) 09. Joji- TEST DRIVE (neutral. Remix) [UNRELEASED] GODAMN Guest Mix: 01. GODAMN- Intro 02. Adult Art Club - Lungs 03. Boombox Cartel - NBD (Phlegmatic Dogs Remix) 04. GODAMN - Vegan 05. GODAMN - All Good 06. Malaa - Cash Money (KOOS remix) 07. GODAMN & Crossnaders - I Love Girls 08. Kage - ID 09. MNNR - ID 10. ATRIP - ID 11. Gorgon City - Motorole (Max Chapman Remix) 12. GODAMN - Messin’ 13. GODAMN - Trouble 14. GODAMN - Pretend Maazel Guest Mix: 01. sanjaux - Trinity 02. Ookay - Bad Habits (Olmos Remix) 03. Louis The Child - From Here (Sem & Tonton Remix) 04. Fairlane - Wildfire (feat. Nevve) 05. Squired - Burn 06. San Holo - Lift Me From The Ground (Jaron Remix) 07. Porter Robinson vs Illenium vs Skrillex & Poo Bear - Sea Of Voices / Leaving / Would You Ever (Ekali Edit) 08. Vincent - Breathe 2.0 09. Taska Black - In The End (feat. Aviella) 10. Petit Biscuit - Safe 11. Grant - The Edge (feat. Nevve) 12. Maazel - Fire 13. Getter - Hold On Tight (feat. Njomza) 14. LH4L - Laws Of Attraction (feat. Matt Waro & Kkurtis)(Maazel Remix) [UNRELEASED] Bohkeh Guest Mix: 01. Frank Ocean - White ft. John Mayer 02. Bohkeh - Summer High ft. Akasmalls 03. Teedra Moses - Be Your Girl (Bohkeh Remix) 04. Shaggy - It Wasn't Me (Bohkeh Remix) 05. Bohkeh - Hold You 06. Louis The Child - Better Not ft. Wafia (Bohkeh Remix) 07. Nas - Owe Me (Midas Hutch Remix) 08. Ariana Grande - thank u, next (Bohkeh Remix) 09. Mark Redito - Cloud Keep ft. Abbi Press (Bohkeh Remix) 10. Too Short - Blow The Whistle (Bohkeh Remix) 11. Carly Rae Jepsen - Call Me Maybe (Bohkeh Remix) 12. MadeinTYO - Uber Everywhere (Bohkeh Remix) 13. Travis Scott - SICKO MODE ft. Drake (Bohkeh Remix)

I had such a great time spending a week with Diego at Andrés Martin’s bass festival this fall.  Diego is one of the most inspiring double bassists I know, and he's doing great things for the double bass both in Spain and in his home country of Uruguay. About Diego Zecharies: Diego Zecharies is a highly dedicated professional musician who has mastered his art globally, branching out as recording artist, professor, soloist, principal bass, producer and pedagogue, born in Montevideo Uruguay, nowadays based in Spain. Diego began his studies in his hometown, continues in Jerusalem and graduated with the highest qualification in the ÜdK Berlin (University of Arts Berlin) under the guidance of Prof. Rainer Zepperitz, Prof. Klaus Stoll and violin Prof. Ilan Gronich. During his studies, Diego performed as a principal bass at the Mahler Jugend Orchester, the Junge Deutsche Philharmonie and the Jeunesses Musicales World Orchestra. He won the Friczay Stipendium at Deutsche Symphonie Orchester Berlin and played as a substitute with the Rundfunk Symphonie-Orchester Berlin. Diego served as Principal Bass position in The Mahler Chamber Orchestra, the bandArt Orchestra, Brandenburg Symphoniker, Philharmonie Potsdam, and Sinfonica di Milano. He also is assiduously invited as Principal Bass at the Orchestra della Svizzera Italiana (Lugano, Switzerland); the Ensemble Les-Dissonances (Paris) with violinist David Grimal; collaborated with the the Israel Philharmonic; the Jerusalem Chamber Orchestra and the Luzern Festival Orchestra, recording together with Maestro Abbado many concerts for ARTE and for the Deutsche Grammophone. Diego played chamber music concerts with Emmanuel Ax, Christian Zacharias and Elizabeth Leonskaya, symphonic concerts with world-class conductors such as Mehta, Maazel, Abbado, Nagano, Ashkenazy, Temirkanov, Pappano, Sinopoli, Ozawa, Welzer Möst and soloists such as Yo-Yo Ma, Yuri Bashmet, Anna Sophie Mutter, F.P. Zimmerman, Martha Argerich, Alfred Brendel, Maurizio Pollini, Gordan Nikolic and others, always as Principal Bass. Diego is Principal Solo Bass in Galicia Symphony Orchestra from the year 2002. Renowned as a very active and passionate soloist, Diego’s research has brought him to perform some world-premiere material including entire unaccompanied Double Bass recitals, like at the BASS EUROPE Convention in Amsterdam 2014 and ISB World Convention 2015 in Denver (U.S.A) with great appreciation both critics and public. Diego appeared as soloist with: the Chamber Orchestra of Galicia Symphony; the Camerata of the Ministry of Education and Culture of Montevideo; the Galicia Symphony Orchestra; the OJS of Montevideo, the Orquesta de Baja California,among others and gave the opening unaccompanied Double Bass recital for the UNESCO Chair Culture of Peace and Human Rights under the World Peace Forum 2010. Diego has given numerous master classes in Europe, South América and South Korea, been assigned as coach on many youth orchestras across Spain and Germany and has recently been appointed as Director of the International Double Bass Festival of Montevideo and Director of the Double-Bass Cathedra of the Uruguayan National Orchestral Training Plan. This cathedra foresees a minimum of 3 seminars with solo recitals and telematic virtual master classes given throughout the year, plus an international festival every 2 years. In Spain, Diego is the Artistic Director of the “ReSuena Project”, which brings together kids from diverse cultural and social backgrounds, throughout the creation of youth symphony orchestras and choirs all over the city, project originally inspired on Venezuela’s “El Sistema de Orquestas”. Links to Check Out: Diego's website Music For Double Bass Solo, Duo And Quintett (new album) Montevideo International Double Bass Festival Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D’Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Subscribe to the podcast to get these interviews delivered to you automatically!

Fiona Maazel is author of the novels A Little More Human (2017), Woke Up Lonely (2013); and Last Last Chance (2008). Maazel is winner of a 2017 Guggenheim Fellowship and the Bard Prize for Fiction. Her stories have appeared in Conjunctions, Harper’s, Ploughshares, Tin House, and Best American Short Stories 2017. She has taught in the creative writing programs at Brooklyn College, NYU, Adelphi, Princeton, Syracuse, Columbia, and the University of Leipzig, Germany, and is currently the Director of Communications for a legal nonprofit, Measures for Justice. She lives in Brooklyn, NY.  How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you'll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. See acast.com/privacy for privacy and opt-out information.

Wynton Marsalis joined us for Behind The Note Podcast today! We talked many things including leadership, building a team, and turning vision into reality. Rate Behind The Note Podcast on the platform you're using right now to read this script and to listen to the show. Press Play. Enjoy. Share. ---------------------------------------------------------------------------- Here is Wynton's Bio straight from his website: Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers. The Early Years Wynton was born in New Orleans, Louisiana, on October 18, 1961, to Ellis and Dolores Marsalis, the second of six sons. At an early age he exhibited a superior aptitude for music and a desire to participate in American culture. At age eight Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker, and at 14 he performed with the New Orleans Philharmonic. During high school Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and with the popular local funk band, the Creators. At age 17 Wynton became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center. Despite his youth, he was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student. Wynton moved to New York City to attend Juilliard in 1979. When he began to pick up gigs around town, the grapevine began to buzz. In 1980 Wynton seized the opportunity to join the Jazz Messengers to study under master drummer and bandleader Art Blakey. It was from Blakey that Wynton acquired his concept for bandleading and for bringing intensity to each and every performance. In the years to follow Wynton performed with Sarah Vaughan, Dizzy Gillespie, Sweets Edison, Clark Terry, John Lewis, Sonny Rollins, Ron Carter, Herbie Hancock, Tony Williams and countless other jazz legends. Wynton assembled his own band in 1981 and hit the road, performing over 120 concerts every year for 15 consecutive years. With the power of his superior musicianship, the infectious sound of his swinging bands and an exhaustive series of performances and music workshops, Marsalis rekindled widespread interest in jazz throughout the world. Wynton embraced the jazz lineage to garner recognition for the older generation of overlooked jazz musicians and prompted the re-issue of jazz catalog by record companies worldwide. He also inspired a renaissance that attracted a new generation of fine young talent to jazz. A look at the more distinguished jazz musicians of today reveals numerous students of Marsalis’ workshops: James Carter, Christian McBride, Roy Hargrove, Harry Connick Jr., Nicholas Payton, Eric Reed and Eric Lewis, to name a few. Classical Career Wynton’s love of the music of Bach, Beethoven, Mozart and others drove him to pursue a career in classical music as well. He recorded the Haydn, Hummel and Leopold Mozart trumpet concertos at age 20. His debut recording received glorious reviews and won the Grammy Award® for “Best Classical Soloist with an Orchestra.” Marsalis went on to record 10 additional classical records, all to critical acclaim. Wynton performed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pops, The Cleveland Orchestra, Saint Louis Symphony Orchestra, English Chamber Orchestra, Toronto Symphony Orchestra and London’s Royal Philharmonic, working with an eminent group of conductors including: Leppard, Dutoit, Maazel, Slatkin, Salonen and Tilson-Thomas. A timeless highlight of Wynton’s classical career is his collaboration with soprano Kathleen Battle on their recording Baroque Duet. Famed classical trumpeter Maurice André praised Wynton as “potentially the greatest trumpeter of all time.” Record Production To date Wynton has produced over 80 records which have sold over seven million copies worldwide including three Gold Records. His recordings consistently incorporate a heavy emphasis on the blues, an inclusive approach to all forms of jazz from New Orleans to modern jazz, persistent use of swing as the primary rhythm, an embrace of the American popular song, individual and collective improvisation, and a panoramic vision of compositional styles from dittys to dynamic call and response patterns (both within the rhythm section and between the rhythm section and horn players). Always swinging, Marsalis blows his trumpet with a clear tone and a unique, virtuosic style derived from an encyclopedic range of trumpet techniques. The Composer Wynton Marsalis is a prolific and inventive composer. The dance community embraced Wynton’s inventiveness by awarding him with commissions to create new music for Garth Fagan (Citi Movement-Griot New York & Lighthouse/Lightening Rod), Peter Martins at the New York City Ballet (Jazz: Six Syncopated Movements and Them Twos), Twyla Tharp with the American Ballet Theatre (Jump Start), Judith Jamison at the Alvin Ailey American Dance Theatre (Sweet Release and Here…Now), and Savion Glover (Petite Suite and Spaces). Marsalis collaborated with the Lincoln Center Chamber Music Society in 1995 to compose the string quartet At The Octoroon Balls, and again in 1998 to create a response to Stravinsky’s A Soldier’s Tale with his composition A Fiddler’s Tale. With his collection of standards arrangements, Wynton reconnected audiences with the beauty of the American popular song (Standard Time Volumes I-VI). He re-introduced the joy in New Orleans jazz with his recording The Majesty Of The Blues. He extended the jazz musician’s interplay with the blues in Levee Low Moan, Thick In The South and other blues recordings. With Citi Movement, In This House On This Morning and Blood On The Fields, Wynton invented a fresh conception for extended form compositions. His inventive interplay with melody, harmony and rhythm, along with his lyrical voicing and tonal coloring assert new possibilities for the jazz ensemble. In his dramatic oratorio Blood On The Fields, Wynton draws upon the blues, work songs, chants, call and response, spirituals, New Orleans jazz, Ellingtonesque orchestral arrangements and Afro-Caribbean rhythms; and he uses Greek chorus-style recitations to move the work along. The New York Times Magazine said the work “marked the symbolic moment when the full heritage of the line, Ellington through Mingus, was extended into the present.” The San Francisco Examiner stated, “Marsalis’ orchestral arrangements are magnificent. Duke Ellington’s shadings and themes come and go but Marsalis’ free use of dissonance, counter rhythms and polyphonics is way ahead of Ellington’s mid-century era.” Wynton extended his achievements in Blood On The Fields with All Rise, an epic composition for big band, gospel choir, and symphony orchestra – a classic work of high art – which was performed by the New York Philharmonic under the baton of Kurt Masur along with the Morgan State University Choir and the Lincoln Center Jazz Orchestra (December 1999). Marsalis collaborated with Ghanaian master drummer Yacub Addy to create Congo Square, a groundbreaking composition combining elegant harmonies from America’s jazz tradition with fundamental rituals in African percussion and vocals (2006). For the anniversary of the Abyssinian Baptist Church’s 200th year of service, Marsalis blended Baptist church choir cadences with blues accents and big band swing rhythms to compose Abyssinian 200: A Celebration, which was performed by the Jazz at Lincoln Center Orchestra and Abyssinian’s 100 voice choir before packed houses in New York City (May 2008). In the fall of 2009 the Atlanta Symphony Orchestra premiered Marsalis’ composition Blues Symphony. By infusing blues and ragtime rhythms with symphonic orchestrations Wynton creates a fresh type of enjoyment of classical repertoire. Employing complex layers of collective improvisation, Marsalis further expanded his repertoire for symphony orchestra with Swing Symphony, premiered by the renowned Berlin Philharmonic in June 2010, creating new possibilities for audiences to experience a symphony orchestra swing. Marsalis’ rich and expansive body of music for the ages places him among the world’s most significant composers. Television, Radio & Literary In the fall of 1995 Wynton launched two major broadcast events. In October PBS premiered Marsalis On Music, an educational television series on jazz and classical music. The series was written and hosted by Marsalis and was enjoyed by millions of parents and children. Writers distinguished Marsalis On Music with comparisons to Leonard Bernstein’s celebrated Young People’s Concerts of the 50s and 60s. That same month National Public Radio aired the first of Marsalis’ 26-week series entitled Making the Music. These entertaining and insightful radio shows were the first full exposition of jazz music in American broadcast history. Wynton’s radio and television series were awarded the most prestigious distinction in broadcast journalism, the George Foster Peabody Award. The Spirit of New Orleans, Wynton’s poetic tribute to the New Orleans Saints’ first Super Bowl victory (Super Bowl XLIV) received an Emmy Award for Outstanding Short Feature (2011). From 2012 to 2014 Wynton served as cultural correspondent for CBS News, writing and presenting features for CBS This Morning on an array topics from Martin Luther King, Nelson Mandela and Louis Armstrong to Juke Joints, BBQ, the Quarterback & Conducting and Thankfulness. Marsalis has written six books: Sweet Swing Blues on the Road, Jazz in the Bittersweet Blues of Life, To a Young Musician: Letters from the Road, Jazz ABZ (an A to Z collection of poems celebrating jazz greats), Moving to Higher Ground: How Jazz Can Change Your Life and Squeak, Rumble, Whomp! Whomp! Whomp! a sonic adventure for kids. Awards and Accolades Wynton Marsalis has won nine Grammy Awards® in grand style. In 1983 he became the only artist ever to win Grammy Awards® for both jazz and classical records; and he repeated the distinction by winning jazz and classical Grammys® again in 1984. Today Wynton is the only artist ever to win Grammy Awards® in five consecutive years (1983-1987). Honorary degrees have been conferred upon Wynton by over 25 of America’s leading academic institutions including Columbia, Harvard, Howard, Princeton and Yale (see Exhibit A). Elsewhere Wynton was honored with the Louis Armstrong Memorial Medal and the Algur H. Meadows Award for Excellence in the Arts. He was inducted into the American Academy of Achievement and was dubbed an Honorary Dreamer by the “I Have a Dream Foundation.” The New York Urban League awarded Wynton with the Frederick Douglass Medallion for distinguished leadership and the American Arts Council presented him with the Arts Education Award. Time magazine selected Wynton as one of America’s most promising leaders under age 40 in 1995, and in 1996 Time celebrated Marsalis again as one of America’s 25 most influential people. In November 2005 Wynton Marsalis received The National Medal of Arts, the highest award given to artists by the United States Government. United Nations Secretary-General Kofi Annan proclaimed Wynton Marsalis an international ambassador of goodwill for the Unites States by appointing him a UN Messenger of Peace (2001). In 1997 Wynton Marsalis became the first jazz musician ever to win the Pulitzer Prize for Music for his epic oratorio Blood On The Fields. During the five preceding decades the Pulitzer Prize jury refused to recognize jazz musicians and their improvisational music, reserving this distinction for classical composers. In the years following Marsalis’ award, the Pulitzer Prize for Music has been awarded posthumously to Duke Ellington, George Gershwin, Thelonious Monk and John Coltrane. In a personal note to Wynton, Zarin Mehta wrote: “I was not surprised at your winning the Pulitzer Prize for Blood On The Fields. It is a broad, beautifully painted canvas that impresses and inspires. It speaks to us all … I’m sure that, somewhere in the firmament, Buddy Bolden, Louis Armstrong and legions of others are smiling down on you.” Wynton’s creativity has been celebrated throughout the world. He won the Netherlands’ Edison Award and the Grand Prix Du Disque of France. The Mayor of Vitoria, Spain, awarded Wynton with the city’s Gold Medal – its most coveted distinction. Britain’s senior conservatoire, the Royal Academy of Music, granted Mr. Marsalis Honorary Membership, the Academy’s highest decoration for a non-British citizen (1996). The city of Marciac, France, erected a bronze statue in his honor. The French Ministry of Culture appointed Wynton the rank of Knight in the Order of Arts and Literature and in the fall of 2009 Wynton received France’s highest distinction, the insignia Chevalier of the Legion of Honor, an honor that was first awarded by Napoleon Bonaparte. French Ambassador, His Excellency Pierre Vimont, captured the evening best with his introduction: “We are gathered here tonight to express the French government’s recognition of one of the most influential figures in American music, an outstanding artist, in one word: a visionary… I want to stress how important your work has been for both the American and the French. I want to put the emphasis on the main values and concerns that we all share: the importance of education and transmission of culture from one generation to the other, and a true commitment to the profoundly democratic idea that lies in jazz music. I strongly believe that, for you, jazz is more than just a musical form. It is tradition, it is part of American history and culture and life. To you, jazz is the sound of democracy. And from this democratic nature of jazz derives openness, generosity, and universality.” Jazz at Lincoln Center In 1987 Wynton Marsalis co-founded a jazz program at Lincoln Center. In July 1996, due to its significant success, Jazz at Lincoln Center was installed as new constituent of Lincoln Center, equal in stature with the New York Philharmonic, Metropolitan Opera, and New York City Ballet – a historic moment for jazz as an art form and for Lincoln Center as a cultural institution. In October 2004, with the assistance of a dedicated Board and staff, Marsalis opened Frederick P. Rose Hall, the world’s first institution for jazz. The complex contains three state-of-the-art performance spaces (including the first concert hall designed specifically for jazz) along with recording, broadcast, rehearsal and educational facilities. Jazz at Lincoln Center has become a preferred venue for New York jazz fans and a destination for travelers from throughout the world. Wynton presently serves as Managing and Artistic Director for Jazz at Lincoln Center. Under Wynton’s leadership, Jazz at Lincoln Center has developed an international agenda presenting rich and diverse programming that includes concerts, debates, film forums, dances, television and radio broadcasts, and educational activities. Jazz at Lincoln Center is a mecca for learning as well as a hub for performance. Their comprehensive educational programming includes a Band Director’s Academy, a hugely popular concert series for kids called Jazz for Young People, Jazz in the Schools, a Middle School Jazz Academy, WeBop! (for kids ages 8 months to 5 years), an annual High School Jazz Band Competition & Festival that reaches over 2000 bands in 50 states and Canada. In 2010 the Jazz at Lincoln Center Orchestra established its first residency in Cuba with a rich cultural exchange of performances with Cuban musicians including Chucho Valdes and Omara Portuondo and education programs for kids. Education In 2011 Harvard University President Drew Faust invited Wynton to enrich the cultural life of the University community. Wynton responded by creating a 6 lecture series which he delivered over the ensuing 3 years entitled Hidden In Plain View: Meanings in American Music, with the goal of fostering a stronger appreciation for the arts and a higher level of cultural literacy in academia. From 2015 to 2021 Wynton will serve as an A.D. White Professor at Cornell University. A.D. White Professors are charged with the mandate to enliven the intellectual and cultural lives of university students. Giving Back Wynton Marsalis has devoted his life to uplifting populations worldwide with the egalitarian spirit of jazz. And while his body of work is enough to fill two lifetimes, Wynton continues to work tirelessly to contribute even more to our world’s cultural landscape. It has been said that he is an artist for whom greatness is not just possible, but inevitable. The most extraordinary dimension of Wynton Marsalis, however, is not his accomplishments but his character. It is the lesser-known part of this man who finds endless ways to give of himself. It is the person who waited in an empty parking lot for one full hour after a concert in Baltimore, waiting for a single student to return from home with his horn for a trumpet lesson. It is the citizen who personally funds scholarships for students and covers medical expenses for those in need. Immediately following Hurricane Katrina, Wynton organized the Higher Ground Hurricane Relief Concert and raised over $3 million for musicians and cultural organizations impacted by the hurricane. At the same time, he assumed a leadership role on the Bring Back New Orleans Cultural Commission where he was instrumental in shaping a master plan that would revitalize the city’s cultural base. Wynton Marsalis has selflessly donated his time and talent to non-profit organizations throughout the country to raise money to meet the many needs within our society. From My Sister’s Place (a shelter for battered women) to Graham Windham (a shelter for homeless children), the Children’s Defense Fund, Amnesty International, the Sloan Kettering Cancer Institute, Food For All Seasons (a food bank for the elderly and disadvantaged), Very Special Arts (an organization that provides experiences in dance, drama, literature, and music for individuals with physical and mental disabilities) to the Newark Boys Chorus School (a full-time academic music school for disadvantaged youths) and many, many more – Wynton responded enthusiastically to the call for service. It is Wynton Marsalis’ commitment to the improvement of life for all people that portrays the best of his character and humanity. In 2011 Wynton joined with Harvard University President, Drew Faust to present a series of 6 lectures to the student body over 3 years. The series entitles Hidden In Plain View: Hidden Meanings in American Music was developed to foster a stronger appreciation of the arts and a higher level of cultural literacy amount college students.

The fabulous lady sings the following material in Elektra: 1. Monologue of Elektra under Karl Boehm in 1980. 2. Scene (as Chrysothemis) with Varnay under Richard Kraus in 1953 3. Klytamenestra scene with Behrens from 1996 under Maazel. 4. Scene w.Birgit Nilsson (again as Chrysothemis) from 1965 Vienna. 5. From the 1980 film under Boehm:the recognition Scene with Fischer-Dieskau. 6. Finale of the opera 9as Chrysothemis) with Christel Goltz from Munich 1965 under Boehm.                                                             (76 min.)

Fiona Maazel is the guest. Her new novel, Woke Up Lonely, is now available from Graywolf Press. The Daily Beast says "[Maazel] has a real talent for taking these existential millstones of modern life—fear of death, failure, being alone, everything—and filtering them into morbidly funny, troublingly familiar forms. . . . Woke Up Lonely easily refutes the idea that the novel is a staid, obsolete form of writing. The stakes in Maazel's book are at least as real as any work of nonfiction, and it's a good deal more fun to read than any manifesto." And Bookforum raves "Woke Up Lonely is another wunderkammer, a deeply felt and wildly original novel that repays the attention it demands, and once read won't be soon forgotten." Monologue topics: having nothing to say, saying something anyway, to-do lists, talking about writing, my dogs, dog baths. Learn more about your ad choices. Visit megaphone.fm/adchoices

As part of his epic cycle of Mahler's major works this season with the Philharmonia Orchestra, Lorin Maazel talks to Classic FM's Anne-Marie Minhall about Gustav Mahler, the man. The series runs from April - October 2011. Visit www.philharmonia.co.uk/mahler for more details.

In preparation for the Philharmonia Orchestra's Maazel: Mahler Cycle 2011, celebrated conductor Lorin Maazel discusses the music of the great composer with Classic FM’s Anne-Marie Minhall. The series runs from April - October 2011. Visit www.philharmonia.co.uk/mahler for more details.