Podcasts about Pappano

durée : 00:20:47 - Disques de légende du lundi 07 avril 2025 - Roberto Alagna grava deux fois La Bohème : une fois en 1999 avec Riccardo Chailly, version devenue célèbre, et une autre fois en 1995 avec Antonio Pappano - intégrale moins connue mais bouleversante.

durée : 00:20:47 - Disques de légende du lundi 07 avril 2025 - Roberto Alagna grava deux fois La Bohème : une fois en 1999 avec Riccardo Chailly, version devenue célèbre, et une autre fois en 1995 avec Antonio Pappano - intégrale moins connue mais bouleversante.

durée : 00:16:13 - Le Disque classique du jour du lundi 10 février 2025 - Un nouvelle version du ballet intégral de Ravel par Antonio Pappano à la tête du London Symphony Orchestra et des voix du Tenebrae Choir

durée : 00:16:13 - Le Disque classique du jour du lundi 10 février 2025 - Un nouvelle version du ballet intégral de Ravel par Antonio Pappano à la tête du London Symphony Orchestra et des voix du Tenebrae Choir

PUCCINI: La rondine, Ópera en tres actos (Acto III) (33.02). A. Gheorghiu (sop.), R. Algna (ten.), W. Matteuzzi (ten.), I. Mula (sop.), A. Rinaldi (bar.), P. Biccire (sop.), London Voices, Orq. Sinf. de Londres. Dir.: A. Pappano. Scossa Elettrica – Marcetta Brillante, S. 72 (arr. para órg. y perc.) (2.09). L Tamminga (órg.), V. Marrè (perc.), M. Natalizi (perc.).Escuchar audio

PUCCINI: La rondine, Ópera en tres actos (Acto II) (27.54). A. Gheorghiu (sop.), R. Alagna (ten.), W. Matteuzzi (ten.), I. Mula (sop.), A. Rinaldi (bar.), P. Biccire (sop.), London Voices, Orq. Sinf. de Londres. Dir.: A. Pappano. JAÉLL: 12 Valses et Finale pour piano a quatre mains, Op. 8 (selec.) (nº 10-13) (6.23). L. Bizjak (p.), S. Bizjak (p.).Escuchar audio

PUCCINI: La rondine, Ópera en tres actos (Acto I) (38.16). A. Gheorghiu (sop.), R. Algna (ten.), W. Matteuzzi (ten.), I. Mula (sop.), A. Rinaldi (bar.), P. Biccire (sop.), London Voices, Orq. Sinf. de Londres. Dir.: A. Pappano.Escuchar audio

"We're killing an industry that is the most productive to Canada." Gina Pappano, executive director of Investnow inc., says Canada's greatest resource is under attack and your money is being used to fight this war. She created her company to help fight back against Canada's attempts to shut down the production of oil and gas. Stopping production doesn't stop the demand. Is this really about the environment or is there something else going on? 

"We're killing an industry that is the most productive to Canada." Gina Pappano, executive director of Investnow inc., says Canada's greatest resource is under attack and your money is being used to fight this war. She created her company to help fight back against Canada's attempts to shut down the production of oil and gas. Stopping production doesn't stop the demand. Is this really about the environment or is there something else going on? 

Public education has a long and varied history in the United States. But Laura Pappano says the challenges it faces now from parent-activists and partisan politics is unlike anything America's schools have seen.   Pappano is an award-winning journalist and author who has written about K–12 and higher education for over 30 years. A former education columnist for the Boston Globe, Pappano has written about education for the New York Times, Hechinger Report, Harvard Education Letter, Washington Post, USA Today and Christian Science Monitor, among other publications. She is the author or co-author of four books, including, “The Connection Gap: Why Americans Feel So Alone,” “Playing with the Boys: Why Separate is Not Equal in Sports,” “Inside School Turnarounds” and her most recent book, “School Moms: Parent Activism, Partisan Politics and the Battle for Public Education.” “School Moms” is an investigative study of the far-right's attack on education and an on-the-ground look at the parent activist battle, on either side of the debate, to control the future of public schools. Combining on-the-ground reporting with research and expert interviews, “School Moms” will take a hard look at where these battles are happening, what is at stake, and why it matters for the future of our schools. See omnystudio.com/listener for privacy information.

durée : 00:11:42 - Le Disque classique du jour du lundi 29 avril 2024 - Shéhérazade de Rimski-Korsakov et Une Nuit sur le Mont Chauve de Moussorgski, deux œuvres emblématiques du répertoire russe au programme du dernier disque du chef d'orchestre britannique Antonio Pappano

durée : 01:28:37 - En pistes ! du lundi 29 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ils sont au programme du jour d'Emilie et Rodolphe, Nikolaï Rimski-Korsakov, Marc'Antonio Ziani, Sergueï Rachmaninov, mais également Gabriel Fauré, Jean-Sébastien Bach et Ludwig van Beethoven. En pistes !

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

LoveBabz LoveTalk: Laura Pappano by WNHH Community Radio

Buy Tickets for the Stand Up PodJam Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls School Moms: Parent Activism, Partisan Politics and the Battle for Public Education Laura Pappano, an award-winning journalist and author, has been a frequent contributor to The New York Times and The Hechinger Report. She is a writer-in-residence at the Wellesley Centers for Women at Wellesley College and was the 2018-2019 Poynter Fellow-in-Residence at Yale. Laura is founder of The New Haven Student Journalism Project, operated through Yale University's Office of New Haven Affairs. Through the program, New Haven Public School students in grades 3-8 work with Yale mentors to cover the most pressing issues of the day and produce The East Rock Record, which is published in print and online at eastrockrecord.org.Laura is a moderator, speaker and media guest. She has lead keynotes, including at SXSW.edu, and speaks frequently about education and gender issues. She has been a TV and radio guest, including on NPR. She is a former education columnist for The Boston Globe and contributor to the Harvard Education Letter.  Her work has appeared in The New York Times, The Atlantic, The Christian Science Monitor, The Washington Post, USA Today, The Boston Globe Magazine and elsewhere.  Her story, “How Big Time Sports Ate College Life,” published in The New York Times, is included in The Norton Sampler: Short Essays for Composition (8th and 9th editions, 2013; 9th edition, 2017). She is author or co-author of Inside School Turnarounds (2010), Playing With the Boys (2008) and The Connection Gap (2001). Her new book, School Moms: Parent Activism, Partisan Politics and the Battle for Public Education will be published by Beacon Press in January 2024. A 1984 Yale grad, Laura was goalkeeper for the 1980 Ivy League Championship Field Hockey team. She serves on the board of the Yale Field Hockey Association, is a past board chair of Long Wharf Theatre in New Haven, CT and of the West Suburban YMCA in Newton, MA.  She bikes, plays USTA tennis, is a passionate theatre-goer, reader and cook. Laura is the mom to three mostly grown children. She lives in Seattle, WA and New Haven, CT. Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll   

In this thought-provoking episode, Mike Palmer welcomes education journalist Laura Pappano to discuss her new book School Moms: Parent Activism, Partisan Politics and the Battle for Public Education. Laura shares her experiences attending Moms for Liberty summits, witnessing alarming rhetoric portraying public schools as indoctrination centers. She also touches on the work she is doing at the New Haven Student Journalism. While marketed as a grassroots parent movement, we learn Moms for Liberty is well-funded by far-right groups aiming to shift the political balance of local school boards. Laura recounts the transformation from 2022 to 2023 summits, with protestors surrounding the latter event in Philadelphia amid heightened tensions. The conversation highlights how extremist tactics like book bans and policies stripping educator authority threaten public education's democratic foundations. We explore the concerning nationalization of these trends, with local school boards becoming partisan battlegrounds disconnected from community needs. However, Laura reminds us public schools remain vital unifying spaces for children's growth and identity development. While imperfect, the system provides an essential community fabric to nurture, not destroy. By coming together, valuing expertise, and rejecting disinformation, we can preserve quality public education. The stakes are high, but our potential for positive impact as engaged citizens remains. Subscribe to Trending in Ed wherever you get your podcasts. Visit us at TrendinginEd.com for more sharp takes on the future of education.

Stock markets, woke ideology and pension plans. Ideas and power players are steering the investment dollars away from sound business principles toward the support for woke agendas.  David Leis speaks with Gina Pappano, a skilled professional with 20 years of experience in the financial services sector about where investment dollars are being steered and what that means for our pension plans.

Stock markets, woke ideology and pension plans. Ideas and power players are steering the investment dollars away from sound business principles toward the support for woke agendas.  David Leis speaks with Gina Pappano, a skilled professional with 20 years of experience in the financial services sector about where investment dollars are being steered and what that means for our pension plans.

Sign up to testify at NYC Council class size hearings on Feb. 29 at 1 PM News articles on NYS Legislature education budget hearings: NY1 and The City here  and here Class Size Matters budget testimonyClass Size Matters Testimony on Mayoral control  and presentation  to the NYC Bar AssociationPurchase Laura Pappano's book, School Moms: Parent Activism, Partisan Politics, and the Battle for Public Education at Beacon Press or AmazonUSA Today, In school board elections across America, voters offer stunning rebuke of culture war politics Bucks County Beacon, Pulling Back the Curtain on the Leadership Institute's Dominion Over Moms for Liberty Mother Jones, That Time when Moms for Liberty Came to Deep Blue NYCCNN, Moms for Liberty faces new challenges and growing pushback over its conservative education agenda 

In this podcast, I welcome Laura Pappano, author of "School Moms: Parent Activism, Partisan Politics, and the Battle for Public Education," to explore the intense politicization of American public schools. Pappano, with over thirty years of experience, delves into the far-right's efforts to control education, highlighting the shift from parental support to activism amidst challenges like local school failures and the pandemic. This conversation sheds light on the battle for the soul of our nation, emphasizing the critical role of public schools in democratic society and the ongoing fight to preserve them as a cornerstone of inclusion, hope, and belonging.

Ellen talks with Laura Pappano, an award-winning journalist who has written about education for more than 30 years. Laura has a new book out from Beacon Press. The title is "School Moms: Parent Activism, Partisan Politics, and the Battle for Public Education." By the way, Beacon also published our book, “What Works in Community News.”  Dan and Ellen are recording their segments separately, because Ellen was travelling. So, don't worry, they're not breaking up. Ellen has a Quick Take on a philanthropic gift from Craig Newmark, founder of Craigslist, that is designed to cover full tuition for many graduate students in journalism at the City University of New York. That's good news for students wondering whether to take on $50,000 or more in tuition debt to get a master's degree in journalism at a private university. Craigslist destroyed the classified ad market, but Newmark continues to make his mark as a philanthropist.   Dan offers two cheers for billionaire newspaper ownership. With the news business dealing with a difficult round of layoffs, a number of media observers have jumped to the conclusion that billionaire owners are not the solution to what ails journalism. Well, of course it isn't. No one ever said otherwise. But the record shows that civic-minded ownership by wealthy owners has proven to be a workable solution in several cities. 

Laura Pappano is a veteran journalist who has covered the heated disagreements that surround K-12 education for over thirty years. Yet, today's high stakes battle is unlike anything she's seen before. "It isn't rooted in a passion for the success of all children," she writes. "Rather, it's about the hijacking of public education by a far-right Christian movement and the quest to do away with the community-rooted education enterprise." Parent involvement is no longer about baking treats or donating classroom supplies, she notes. It's about organizing to protect the very existence of public schools. Join us when award-winning journalist and founder of The New Haven Student Journalism Project, operated through Yale University's Office of New Haven Affairs chronicles how this cultural and political war has unfolded in hot spots across the country and how mom activists, including in some cases conservative Christian women, are holding the line against the far-right takeover of public schools, on this installment of Leonard Lopate at Large.

We're officially back in the swing of things here after the holidays and we're jumping right into it with an interview about public schools. But first, our hosts Rachel Vindman, Amanda Weinstein, and Jasmine Clark catch up about the news. We recently passed the 3-year anniversary of the January 6th insurrection and it's upsetting to see how so many Americans have shifted their views from condemning it to explaining it away. It's so important to have accurate journalism so narratives like “Jan 6 wasn't a big deal” don't catch on. The hosts also discuss the scapegoating and resignation of Harvard president Claudine Gay and the bill in OH that would ban gender-affirming care.Then we dive into the importance of education and the role that deeply involved “school moms” can play in saving our public schools with journalist Laura Pappano. We were so excited to talk to Laura about her new book, “School Moms: Parent Activism, Partisan Politics and the Battle for Public Education.” She shares what it was like to attend a Moms for Liberty conference, why inclusion is so crucial, and even that she listens to The Suburban Women Problem while she does Peloton. “School Moms” will be available on January 30th and you can read Laura's Vanity Fair article here.Finally, Rachel, Amanda and Jasmine raise a glass to new Akron mayor Shammas Malik, to Jasmine's fantastic fundraising event earlier this month, and to high hopes for a new legislative session in this episode's “Toast to Joy.”This week, Amanda mentioned the bill in Ohio that would ban critical gender affirming care - if you're in Ohio, please call your state reps and tell them to vote no on overturning Gov. Dewine's veto of HB68.And speaking of supporting the LGBTQ community, we're also hosting a live virtual event with author and former pod guest Lesléa Newman to talk about her new book "Always Matt: A Tribute To Matthew Shepard.” The event is on Tues 1/16 at 7:30 Eastern - you can learn more and RSVP here.For a transcript of this episode, please email theswppod@redwine.blue. You can learn more about us at www.redwine.blue or follow us on social media! Twitter: @TheSWPpod and @RedWineBlueUSA Instagram: @RedWineBlueUSA Facebook: @RedWineBlueUSA YouTube: @RedWineBlueUSA

- Marzy mi się opera napisana z myślą o mnie, współczesna muzyka z moim udziałem. To się dotąd nie zdarzyło. Jestem wielbicielem "Cardillaca" Hindemitha, który doskonale pasowałby do tych wszystkich odmieńców i malkontentów, w których wcielam się zwykle w operach. Czasami wracam myślami do 1989 roku, do konkursu w Cardiff i do mojej wygranej w kategorii pieśni. Muszę się uszczypnąć, żeby uwierzyć, że współpracowałem z Abbado, z Mutim, Soltim, Levinem, Gardinerem, Pappano, Hardingiem, Nelsonsem - mówił w Dwójce Bryn Terfel.

Concluimos nuestro exhaustivo examen de la obra con el Sanctus por el Orfeón Donostiarra y Plasson, el Ofertorio en la versión de Barenboim con Anja Harteros, Elina Garança y los conjuntos de La Scala; Lux eterna en la antigua versión de Bruno Walter (1959) y las voces de Rosalind Elias, Giorgio Tozzi y Carlo Bergonzi, y Libera me, cuyo comienzo canta Elisabeth Schwarzkopf junto al Coro y la Orquesta de La Scala dirigidos por Victor de Sabata. Luego intervienen Giulini con Ilba Ligabue y el Coro y a Filarmónica de Londres, Karajan con Antonietta Stella y los conjuntos vieneses y por último Pappano con Santa Cecilia y Harteros. Escuchar audio

Operngesamtaufnahmen unter Studiobedingungen sind heute eine Rarität. Eine davon fand letzten März im römischen Parco della Musica statt: Die Plattenfirma Warner spendierte ihrem langjährigen Stardirigenten Antonio Pappano Puccinis „Turandot“. Pappano versammelte zum Ende seines Vertrags mit dem Orchestra dell‘Accademia Nazionale di Santa Cecilia nicht nur eine Starbesetzung mit Jonas Kaufmann, Sondra Radvanovsky und Ermonela Jaho, sondern schloss auch erstmals in einer Komplettaufnahme den vollständigen Franco-Alfano-Schluss für den „Turandot“-Torso mit ein. Manuel Brug hat sich mit dieser Einspielung näher beschäftigt.

"In classical music, we're not here to repeat," declares the universally acclaimed Sir Antonio Pappano, "we're here to bring back, to resuscitate, to make the music jump off the page as if it never existed before." The esteemed conductor talks with Gramophone's James Jolly about the need for constant reinvention, the right approach in bringing contemporary music to more traditional audiences, the special greatness of the London Symphony Orchestra, the changing role of the 21st-century conductor, and the danger of scheduling an early morning flight after an evening performance of Wagner's Götterdämmerung… Presented with the generous support of Madame Aline Foriel-Destezet.

The Mitchell Institute invites you to listen to our virtual Nuclear Deterrence Forum with RADM Scott W. Pappano, Program Executive Officer, Strategic Submarines, USN. The admiral joins us to discuss the Columbia Class ballistic missile submarine and D-5/2 ballistic missile modernization programs. Links: Subscribe to our Youtube Channel: https://bit.ly/3GbA5Of Website: https://mitchellaerospacepower.org/ Twitter: https://twitter.com/MitchellStudies Facebook: https://www.facebook.com/Mitchell.Ins... LinkedIn: https://bit.ly/3nzBisb Instagram: https://www.instagram.com/mitchellstudies/?hl=en  #mitchellstudies #AerospaceNation #nuclear #navy #usn Thank you for your continued support!

SBUnfurled and Friends are back for an August episode as we get closer to what hopefully will be a historical Bonnies season. The guys discuss Bonaventure's reported new athletic director and what he could hopefully do for the athletic department (2:23). The guys are also joined by Matt Pappano, director of basketball operations for the Bonnies men's team. Pappano explains the chaos the team faced navigating last season's COVID-altered season en route to an Atlantic 10 title (9:32). He also gets into this season's schedule, including a possible game against UConn, and how some of the new Bonnies are playing in the offseason (40:52). Finally, the guys also talk about their trip to Columbus for the Bona's alumni team playing in its first TBT (1:15:49).

Episode Summary:In this episode, Matthew speaks with Marcela Benítez (@mebenitez85), an assistant professor in the department of Anthropology at Emory University and co-director of the Capuchinos de Taboga research project.They start out by talking about social comparisons in humans and non-human primates. They discuss mutual assessment and Marcela's work exploring mutual assessment in geladas. Then they talk about non-human primate perceptions of inequity, its implications for cooperation, and the role of outgroups in promoting in-group cooperation. After the break, they discuss the overlap between psychology, anthropology, and evolutionary anthropology as well as the work of Marcela and her colleagues to make primate fieldwork for accessible for undergraduates.For more content from this interview with Marcela, check out the Supplemental Material bonus episode in your feed.This week's Two-Minute Takeaway comes from Sateesh Vankatesh (@SVenkatesh__), a graduate student in the labs of Dr. Joshua Plotnik (@cccanimals) and Dr. Shifra Goldenberg (@ShifGold), working with the Smithsonian (@NationalZoo). Read more about the Comparative Cognition for Conservation lab here. Papers relevant to today's show:1. The discussed review of social comparisons and their evolutionary originsBenítez, M. E., & Brosnan, S. F. (2019). The Evolutionary Roots of Social Comparisons. Social Comparison, Judgment, and Behavior, 462.2.  Marcela's paper demonstrating mutual assessment of fighting ability in geladasBenítez, M. E., Pappano, D. J., Beehner, J. C., & Bergman, T. J. (2017). Evidence for mutual assessment in a wild primate. Scientific reports, 7(1), 1-11.3. Sarah Brosnan's TED talk, including video of a capuchin rejecting a cucumber in the face of inequity (~2:40 into the talk)Video here Credits:The Animal Behavior Podcast is created by Matthew Zipple (@MatthewZipple) and Amy Strauss (@avstrauss).You can contact us at animalbehaviorpod@gmail.com and find us on Twitter (@AnimalBehavPod).Our theme song is by Sally Street (@Rainbow_Road13), assistant professor in evolutionary anthropology at Durham University in the UK. You can find her on Sound Cloud here: https://soundcloud.com/rainbow_road_music.Musical transitions by André Gonçalves (@fieryangelsfell), a researcher at the primate research institute at Kyoto University.Our logo was designed by Adeline Durand-Monteil (@adelinedurandm), a master's student in ecology and evolution. You can see more of Adeline's work on her website: https://adelinedurandmonteil.wordpress.com/.The Animal Behavior Podcast is produced with support from the Animal Behavior Society (@AnimBehSociety)

Tom Service talks to two world-class conductors of today, Sir Antonio Pappano and Sir Simon Rattle, as they swap roles at the London Symphony Orchestra, and looks back at one of music history's first great conductors, Richard Wagner. Four weeks ago, Sir Antonio Pappano was announced as the new Chief Conductor of the London Symphony Orchestra - he will leave his current role of Music Director at the Royal Opera at Covent Garden in 2024. Pappano also has a continuing role at the Orchestra dell'Accademia Nazionale di Santa Cecilia - and it’s from the Orchestra’s home in Rome that he speaks to Tom about his early life growing up in London, his plans for the LSO, and his thoughts on conducting during lockdown. Richard Wagner was one of the great conductors of his day, and he wrote extensively about the about the philosophy as well as the technique of conducting. Chris Walton has made a new translation of Wagner's Essays on Conducting - writings which influenced generations of conductors for the next hundred years, and that still resonate with conductors today. Wagner's orchestral players used to say that they felt he was watching them all the time - Chris will be revealing why he thinks this might be so. Sir Simon Rattle shocked the musical world in January when he announced that he would be graduating his role as Music Director at the London Symphony Orchestra to take a lifetime position as their Conductor Emeritus, and joining the Munich Radio Symphony Orchestra. He speaks to Tom about his relationship with the two ensembles, reflects on Wagner’s conducting legacy, and discusses the struggles of musicians during lockdown as well as the LSO’s recent special concert with and in support of freelance musicians.,He reveals who his number one composer is. Tom pays tribute, too, to the German mezzo-soprano Christa Ludwig, who died last weekend at the age of 93, He introduces a highlight from his visit to her for Music Matters in 2016, where she made a fascinating comparison between some of the great conductors she had worked with.

Rotoclassica: In studio remoto Claudio Ricordi..-la Scala si prepara a portare spettacoli nei quartieri milanesi..-Pappano al Covent Garden..-Gustavo Dudamel all'Opéra di Parigi..-i cento anni di Franco Corelli..-un ricordo di Rocco Filippini, di Luca Chierici..-il Concerto per pianoforte di Stravinsky: in prova con l'autore e nella rubrica“Igor Stravinsky inventore di musica” di Massimiliano Caldi, ospite il pianista Sergio Lattes..-musica per la Giornata della Terra: dalle Stagioni di Haydn “Oh wie lieblich”..-per il 25 aprile: le parole di Aldo Zargani e la musica di Paolo Fresu e gli Swingle Singers

Rotoclassica: In studio remoto Claudio Ricordi..-la Scala si prepara a portare spettacoli nei quartieri milanesi..-Pappano al Covent Garden..-Gustavo Dudamel all’Opéra di Parigi..-i cento anni di Franco Corelli..-un ricordo di Rocco Filippini, di Luca Chierici..-il Concerto per pianoforte di Stravinsky: in prova con l’autore e nella rubrica“Igor Stravinsky inventore di musica” di Massimiliano Caldi, ospite il pianista Sergio Lattes..-musica per la Giornata della Terra: dalle Stagioni di Haydn “Oh wie lieblich”..-per il 25 aprile: le parole di Aldo Zargani e la musica di Paolo Fresu e gli Swingle Singers

Sir Antonio Pappano has recently been named as the new Chief Conductor of the London Symphony Orchestra (succeeding Sir Simon Rattle at the start of the 2024 season). With perfect timing, the orchestra releases a new recording of Vaughan Williams's Symphonies No 4 and 6, the latter recorded live the day before the first lockdown. Next month, finds Pappano in front of his Roman ensemble, the Orchestra dell'Accademia Nazionale di Santa Cecilia, for a new Warner Classics album of Richard Strauss's Ein Heldenleben and the Burleske (with the pianist Bertrand Chamayou). James Jolly caught up with the conductor by video call at his house in Rome to talk about the two new releases, but also to discuss how he has been making music in these unusual and troubling times. Gramophone Podcasts are presented in association with Wigmore Hall.

This week, we start out with a rousing round of Classical Chronology and then we move on to our three topics:UNFINISHEDOrchestra comes back to bargaining table Met players invited to join Dallas for concerts Yo-Yo Ma's Post-Vaccine RecitalLondon plans for new concert hall scrapped Pappano takes LSOMUSIC FOR 420Could Weed Be Your Gateway to Classical Music?LOWELL LIEBERMANN'S “PERSONAL DEMONS”Listen to the album on Spotify CLASSICAL MIXTAPEThe full playlistLowellLiszt, Totentanz TiffanyRavel, Piano Trio in A minorKenshoErnst, The Last Rose of SummerWillJohn Eccles, The Mad LoverTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

Antonio Pappano ist derzeit Musikdirektor am Royal Opera House in London. Ab September 2023 wird er neuer Chefdirigent das London Symphony Orchestra, als Nachfolger von Sir Simon Rattle. Trotz Brexit und Corona blickt Pappano optimistisch in die Zukunft.

durée : 00:58:26 - Sir Antonio Pappano, l'ami des voix et des solistes - par : Aurélie Moreau - réalisé par : Vivian Lecuivre

I fanciullini italiani (un fanciullino in particolare che inizia per A e finisce per RCURI) pensavano che i tedeschi se ne sarebbero stati con le mani in mano ad aspettare i vaccini UE per spirito di fratellanza. Alla Merkel non è importato una cippa e ha ordinato 30 MILIONI DI DOSI DEL VACCINO PFIZER.GAME-SET-MATCH

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Les deux musiciens enregistrent un disque Brahms / Martucci pour le label Arcana. "Même un chef d'orchestre star comme Antonio Pappano peut se consacrer avec passion à la musique de chambre : il accompagne de plus en plus souvent au pianoforte des artistes renommés tels que Dmitry Sitkovetsky, Diana Damrau, Ian Bostridge ou encore Joyce DiDonato... Fruit d'une amitié longue de 15 ans et d'une intense collaboration musicale entre Pappano et Luigi Piovano, ce disque fascinant propose une nouvelle lecture des deux Sonates pour violoncelle et pianoforte de Brahms, développée au fil des années par des dizaines d'exécutions publiques à Rome, Milan, Florence ou encore Bruxelles. Le programme du disque est complété par un petit bijou de la musique instrumentale italienne de la fin du XIXe siècle : les Deux Romances op. 72 de Giuseppe Martucci. Deux autres éléments rendent cette production particulièrement fascinante : les instruments joués (un somptueux violoncelle Alessandro Gagliano de 1710 et un splendide piano Steinway & Sons construit à New York en 1878) et l'environnement plein d'atmosphère dans lequel l'enregistrement a été réalisé - non pas un studio aseptisé, mais la magnifique villa, au coeur de la paisible campagne toscane, d'un grand ami des deux musiciens, Nicola Bulgari"

Laura Pappano, a freelance journalist for The New York Times, The Hechinger Report and The Women's Review of Books joins hosts Kevin Lapka and Curtis Grube in the latest episode of the Lantern Sports Podcast. As decisions on the fall sports season hang in the balance, this episode provides strong insight and understanding of the economic impact for college athletics in 2020 and beyond. Conferences and universities across the country, including the Big Ten, have made changes to their fall sports seasons. Pappano evaluates the economic significance of a conference-only schedule for the Big Ten and what's at stake for smaller schools who collect less revenue from athletics than Ohio State. Whether sports are played at some capacity or they're cancelled altogether, Pappano stresses the financial importance of students returning to campus and how that may be the most important factor in determining the economic stability of a fall sports season. The 2020 sports season is going to look drastically different one way or the other, but we also discuss how the economic scenarios of 2020 may affect sports when they return in full in 2021. Listen here, on Spotify, Apple Podcasts or anywhere else you find your podcasts.

durée : 00:09:45 - Le Disque classique du jour du jeudi 25 juin 2020 - Une intégrale de l'opéra Otello de Verdi, enregistrée en studio sous la baguette d'Antonio Pappano, qui donne à entendre les détails de l’orchestre de manière saisissante. La voix sombre de Jonas Kaufmann offre une dimension profonde et tragique à ce personnage.

durée : 00:09:30 - Le Disque classique du jour du lundi 08 juin 2020 - Le ténor Ian Bostridge et le pianiste Antonio Pappano célèbrent ensemble l'année Beethoven. Sur ce disque, ils invitent la violoniste Vilde Frang et le violoncelliste Nicolas Altstaedt pour donner ensemble une belle version de toutes ces chansons populaires qui faisaient le bonheur de Beethoven.

SBUnfurled and Friends is back in quarantine with Matt Pappano, who's the director of basketball operations for St. Bonaventure, to reflect on parts of last season, along with the future of the Bonnies. On this episode, we discuss a potentially exciting nonconference home game against Yale, along with how last year's Toronto game against Rutgers happened (1:36). We also talk about the Bonnies will (hopefully) go to the U.S. Virgin Islands in November for the Paradise Jam Tournament (9:13). We also ask Pappano about how the Bonnies would be affected if the Atlantic 10 follows other conferences and has a 20-game schedule (13:36). We also discuss Gannonfest and how everyone's favorite D1 vs. D2 game happened (18:02). Pappano also talks about how coach Schmidt's recruiting has changed over the years and some future impacts from proposed transfer rules (22:46). We also reflect on the awesome 100th anniversary celebration against Hofstra (30:26). There's also some jersey talk, including some news about old and new jerseys for SBU (35:06). We also talk about the future of the Canisius and Niagara rivalries, along with the Bonnies future in the new Atlantic 10-Mountain West Challenge (39:12). Finally, we think of some creative ways a team live St. Bonaventure can fill a nonconference schedule in today's college basketball landscape (46:50).

Kate Molleson heads down to Covent Garden where rehearsals are under way for a new production of Beethoven's Fidelio at the Royal Opera House. She speaks to conductor Sir Antonio Pappano, director Tobias Kratzer and soprano Amanda Forsythe, who sings Marzelline. Fidelio is sometimes considered a problem opera, with its mix of comic and serious, but Kratzer emphasises the deep themes of political revolution and unjust imprisonment, while for Pappano, Beethoven's score opened a new world for German opera, not least for Wagner. Kate also talks to Marta Gardolinska, Young Conductor in Association at the Bournemouth Symphony Orchestra, about the challenges of forging a career as a conductor, and about her love of Polish music. And Music Matters joins the composer Valgeir Sigurdsson and director Stewart Laing as they discuss We Are In Time, a new music-theatre piece for the Scottish Ensemble about a heart transplant. It's a profound exploration of the emotional and scientific aspects of this most risky operation, with the ensemble's string players also taking on dramatic roles and singing. Kate also investigates the effectiveness of mood-based music playlists, with James Foley from Spotify and Hugo Shirley from classical streaming site Idagio - and gets a concert programmer's point of view from Helen Wallace, programme director of King's Place in London. Are mood lists a gateway to the treasures of classical music, or just dumbing down the art form?

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This year is Beethoven's 250th anniversary, and Sir Antonio Pappano is marking the occasion with a new production of Beethoven's only opera, Fidelio. He tells Andrew Marr how this work combined the composer's keen interest in politics with his bold new symphonic style. But Beethoven was never happy with the finished opera, and redrafted it many times. Pappano also tells Andrew about the enormous - and inescapable - influence Beethoven had on later generations. Rembrandt was another artist who had an enormous influence on later generations. But a new exhibition at the Ashmolean in Oxford, curated by An Van Camp, shows the Dutch artist also redrafting and learning his craft. Young Rembrandt assembles drawings and paintings showing Rembrandt's astonishing rise, from unknown teenager to celebrity artist within a decade. Dame Mary Beard looks at a more pervasive artistic influence in her new BBC Two series, The Shock of the Nude. Beard shows how artists from the classical era to the present day have decided what we think a body should look like and how we should respond to naked flesh. She explores what happens when the artistic traditions of the past confront the Me Too scandals and gender fluidity of the present. Producer: Hannah Sander

durée : 01:29:03 - Happy birthday Antonio Pappano ! (5/5) - par : François-Xavier Szymczak - Suite et fin de notre série consacrée à Antonio Pappano avec la violoniste Janine Jansen, le ténor Ian Bostridge, la mezzo-soprano Joyce Di Donato. - réalisé par : Romain Masson

durée : 01:29:04 - Happy birthday Antonio Pappano ! (4/5) - par : François-Xavier Szymczak - Antonio Pappano travaille avec une nouvelle génération d'artistes comme Jonas Kaufmann, Rolando Villazón et Anna Netrebko... et poursuit à la tête de l'Académie nationale Sainte-Cécile de Rome. - réalisé par : Romain Masson

durée : 01:11:56 - Happy birthday Antonio Pappano ! (3/5) - par : François-Xavier Szymczak - En ce premier janvier, c'est sur une valse de Tchaïkovski que nous ouvrons cette émission. Nous entendrons aussi la voix de Nina Stemme, de Ian Bostridge ou encore le piano de Leif Ove Andsnes. - réalisé par : Romain Masson

durée : 01:28:17 - Happy birthday Antonio Pappano ! (2/5) - par : François-Xavier Szymczak - Antonio Pappano s'affirme comme chef lyrique. Il poursuit sa collaboration avec Angela Gheorghiu et Roberto Alagna, mais aussi avec Barbara Bonney, Placido Domingo, Deborah Voigt... - réalisé par : Romain Masson

durée : 01:28:49 - Happy birthday Antonio Pappano ! (1/5) - par : François-Xavier Szymczak - Dans ce premier volet, ses débuts à l'Opéra national de Norvège, à la Monnaie de Bruxelles, sa rencontre avec Roberto Alagna et Angela Gheorghiu. - réalisé par : Romain Masson

USBets.com Managing Editor Eric Raskin and Senior Analyst John Brennan analyze Michigan nearing the finish line on legalizing sports betting and online gaming, Indiana's uptick on betting handle in November, and two new sports betting bills in the works in Missouri, plus they talk to FIS Senior Vice President of U.S. Gaming Joe Pappano about the ins and outs of payment processing and what innovations await. Find us on Twitter @US_Bets or go to USBets.com for more.

durée : 00:27:11 - Antonio Pappano, chef d'orchestre (5/5) - par : Judith Chaine - En 1992, Antonio Pappano est nommé directeur musical du Théâtre de la Monnaie de Bruxelles. Il succède ensuite en 2002 à Bernard Haitink au poste de directeur musical du Royal Opera House de Londres : "Ça a été un long chemin pour arriver où je suis, ici et maintenant, 16 ans après !" - réalisé par : Gilles Blanchard

durée : 00:27:10 - Antonio Pappano, chef d'orchestre (4/5) - par : Judith Chaine - Après le New York City Opera, Antonio Pappano travaille comme chef de chant dans différentes maisons d'opéra en Europe : le Grand Théâtre du Liceu de Barcelone, l'Opéra de Francfort... et enfin Bayreuth où, âgé de 26 ans, il assiste Daniel Barenboim dans plusieurs productions. - réalisé par : Gilles Blanchard

durée : 00:27:10 - Antonio Pappano, chef d'orchestre (3/5) - par : Judith Chaine - Chef de chant au New York City Opéra depuis 1980, Antonio Pappano va diriger un opéra pour la première fois en 1987 à Oslo, en Norvège. C'est "La Bohème" de Puccini : "J'étais comme un volcan ! J'ai compris que j'étais un homme de théâtre, c'est là que toutes mes forces sont au maximum." - réalisé par : Gilles Blanchard

durée : 00:27:04 - Antonio Pappano, chef d'orchestre (2/5) - par : Judith Chaine - A l'âge de 13 ans, Antonio Pappano quitte l'Angleterre avec ses parents pour la ville Bridgeport, dans le Connecticut aux Etats-Unis. Il y rencontre la pianiste Norma Verrilli qui devient sa professeure de piano : "Elle a changé ma vie, elle m'a compris, elle m'a créé, quelque part..." - réalisé par : Gilles Blanchard

durée : 00:27:09 - Antonio Pappano, chef d'orchestre (1/5) - par : Judith Chaine - Dans ce premier volet de nos entretiens, le chef d'orchestre Antonio Pappano commence par évoquer la figure de ses parents, originaires du sud de l'Italie et ayant immigré à Londres en 1958 : "On parle beaucoup ces derniers temps de l'immigration... c'est dur mais c'est une opportunité !" - réalisé par : Gilles Blanchard

It was a pleasure to record a podcast with world-leading British tenor Toby Spence (@toby-spence) on his fiftieth birthday. Enjoy this special interview, in which we discuss: his early musical training and influences, formative years at English National Opera, starring as Captain Vere in Deborah Warner's recent production of Britten's opera Billy Budd at the Royal Opera House, the challenges of being a performer, identity as a singer, and his desert island items. Special thanks to: Natasha Worsley for very kindly arranging this interview and Toby for coming especially to meet me and record on his birthday! Originally published on 28 May 2019. Interview recorded on 22 May 2019 at Askonas Holt, London. An honours graduate and choral scholar from New College, Oxford, Toby Spence studied at the Opera School of the Guildhall School of Music and Drama. He was the winner of the Royal Philharmonic Society 2011 Singer of the Year award. In concert Toby has sung with the Cleveland Orchestra under von Dohnanyi, Berliner Philharmoniker and the Wiener Philharmoniker under Rattle; San Francisco Symphony under Tilson Thomas; the Accademia Nazionale di Santa Cecilia under Pappano; Rotterdam Philharmonic under Gergiev; LSO under Davis; London Philharmonic Orchestra under Nézet-Séguin; Los Angeles Philharmonic under Dudamel; Bayerischer Rundfunk under Gardiner and at the Osterfestspiele Salzburg and Edinburgh International Festival under Norrington and Mackerras. Recent appearances include The Seasons with the Philharmonie de Paris, Bruckner F minor Mass with the Sinfonieorchester Basel; The Creation with the Houston Symphony Orchestra; Messiah, Beethoven’s Choral Fantasy and Haydn’s Nelson Mass with the Bournemouth Symphony Orchestra in Mumbai and Missa Solemnis with the LSO under Tilson Thomas. Recent opera engagements include Ghandi Satyagraha at English National Opera; Captain Vere Billy Budd for Teatro Real and Opera di Roma; Anatol Vanessa for Frankfurt Opera; Don Ottavio at the Liceu Barcelona; Eisenstein Die Fledermaus and Antonio The Tempest for the Metropolitan Opera; Don Ottavio and Tito for the Wiener Staatsoper; Essex Gloriana and Tamino Die Zauberflöte for the Royal Opera House, where his previous roles have also included Ferdinand The Tempest, David Die Meistersinger von Nürnberg, Count Almaviva Il Barbiere di Siviglia, Ramiro and Tom Rakewell; Tamino, Candide, Paris La Belle Hélène, Lensky and Faust for English National Opera; Madwoman Curlew River for the Edinburgh Festival; Tito, Tamino and Henry Morosus Die Schweigsame Frau for the Bayerische Staatsoper; and Tom Rakewell and David Die Meistersinger at Opéra de Paris. Engagements in the 2018-19 season include Dvorak Stabat Mater with Houston Symphony Orchestra; Britten War Requiem with Toronto Symphony Orchestra; Szymanowski’s 3rd Symphony for the Gulbenkian Foundation and Orff’s Carmina Burana in Shanghai and Beijing with Long Yu and Aida Garifullina for Deutsche Grammophon’s 120’s anniversary. Opera engagements include Captain Vere Billy Budd for the Royal Opera House and a staged version of Britten Les Illuminations for Teatro Real Madrid. Subscribe to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. Facebook - @talkingclassicalpodcast Twitter - @tc_podcasts YouTube - bit.ly/2WF4duy Blog - talkingclassicalpodcast.wordpress.com

Officer Brandon Pappano joins Todd and Clinton to tell about his life serving in the military and as a Tulsa Police Officer. Brandon is also a purple belt in BJJ along with being a 13 year army airborne veteran.

Superbarcaccia con la Sutherland, Pappano e le perle nere

Gramophone's Editor Martin Cullingford and Editor-in-Chief James Jolly discuss some of the topics and releases covered in the latest issue, including our cover artist Viktoria Mullova's new recording of the music of Arvo Pärt on Onyx, the New York Philharmonic's new music director Jaap Van Zweden, and this month's best recordings, including our Recording of the Month, Bernstein symphonies conducted by Antonio Pappano on Warner Classics.

Sir Antonio Pappano has recorded Leonard Bernstein's three symphonies - Jeremiah (No 1), The Age of Anxiety (No 2) and Kaddish (No 3) – with his Orchestra of the Accademia di Santa Cecilia in Rome, the ensemble of which Leonard Bernstein was Honorary President. Recorded live this February at orchestra's home in the Parco della Musica, the symphonies set is released by Warner Classics on Friday, August 10. James Jolly went to Rome to report on the sessions and talk to conductor, soloists Beatrice Rana and Marie-Nicole Lemieux, and Bernstein's Personal Assistant Craig Urquhart, about these three major scores.

Annalisa mentions Suzuki training for string players.Interlochen Center for the Arts is an arts education organization in northwest Michigan. www.interlochen.orgThe viola da gamba is the instrument Annalisa plays.Annalisa’s ensemble is the Catacoustic Consort.The OED is the Oxford English Dictionary.Catacoustic Consort includes Elizabeth Motter (baroque harp), Melissa Harvey (soprano), Joanna Blendulf (viola da gamba), David Walker (theorbo), and Michael Leopold (theorbo).The term Early Music refers roughly to art music of the 16th to 18th centuries.Catacoustic premiered the opera “La Fete du Ruel” by Marc-Antoine Charpentier on June 4, 2016.Cincinnati Opera presented “La Calisto” as part of its 2014 season and will present Monteverdi’s “The Coronation of Poppea” in 2018.Annalisa mentioned two composers whose operas she’d like to produce: Jean-Philippe Rameau and Francesca Caccini.Evans mentioned two others: Lully and Grétry.The recording Annalisa mentions is titled Lamentarium; it’s by the group Atalante. http://www.atalante.co.uk/lamentarium.htmThe video associated with the album is available here.The book by Alison Crum that Annalisa refers to is titled The Viol Rules. Here’s a link: https://www.amazon.com/Viol-Rules-Alison-Crum/dp/0952822040The restaurant O Pie O is located on Madison Road in Cincinnati. www.opieo.comCory Henry is a jazz and gospel organist. Learn more at www.coryhenry.com.Annalisa mentions the instruments pardessus de viole and lirone.

I had such a great time spending a week with Diego at Andrés Martin’s bass festival this fall.  Diego is one of the most inspiring double bassists I know, and he's doing great things for the double bass both in Spain and in his home country of Uruguay. About Diego Zecharies: Diego Zecharies is a highly dedicated professional musician who has mastered his art globally, branching out as recording artist, professor, soloist, principal bass, producer and pedagogue, born in Montevideo Uruguay, nowadays based in Spain. Diego began his studies in his hometown, continues in Jerusalem and graduated with the highest qualification in the ÜdK Berlin (University of Arts Berlin) under the guidance of Prof. Rainer Zepperitz, Prof. Klaus Stoll and violin Prof. Ilan Gronich. During his studies, Diego performed as a principal bass at the Mahler Jugend Orchester, the Junge Deutsche Philharmonie and the Jeunesses Musicales World Orchestra. He won the Friczay Stipendium at Deutsche Symphonie Orchester Berlin and played as a substitute with the Rundfunk Symphonie-Orchester Berlin. Diego served as Principal Bass position in The Mahler Chamber Orchestra, the bandArt Orchestra, Brandenburg Symphoniker, Philharmonie Potsdam, and Sinfonica di Milano. He also is assiduously invited as Principal Bass at the Orchestra della Svizzera Italiana (Lugano, Switzerland); the Ensemble Les-Dissonances (Paris) with violinist David Grimal; collaborated with the the Israel Philharmonic; the Jerusalem Chamber Orchestra and the Luzern Festival Orchestra, recording together with Maestro Abbado many concerts for ARTE and for the Deutsche Grammophone. Diego played chamber music concerts with Emmanuel Ax, Christian Zacharias and Elizabeth Leonskaya, symphonic concerts with world-class conductors such as Mehta, Maazel, Abbado, Nagano, Ashkenazy, Temirkanov, Pappano, Sinopoli, Ozawa, Welzer Möst and soloists such as Yo-Yo Ma, Yuri Bashmet, Anna Sophie Mutter, F.P. Zimmerman, Martha Argerich, Alfred Brendel, Maurizio Pollini, Gordan Nikolic and others, always as Principal Bass. Diego is Principal Solo Bass in Galicia Symphony Orchestra from the year 2002. Renowned as a very active and passionate soloist, Diego’s research has brought him to perform some world-premiere material including entire unaccompanied Double Bass recitals, like at the BASS EUROPE Convention in Amsterdam 2014 and ISB World Convention 2015 in Denver (U.S.A) with great appreciation both critics and public. Diego appeared as soloist with: the Chamber Orchestra of Galicia Symphony; the Camerata of the Ministry of Education and Culture of Montevideo; the Galicia Symphony Orchestra; the OJS of Montevideo, the Orquesta de Baja California,among others and gave the opening unaccompanied Double Bass recital for the UNESCO Chair Culture of Peace and Human Rights under the World Peace Forum 2010. Diego has given numerous master classes in Europe, South América and South Korea, been assigned as coach on many youth orchestras across Spain and Germany and has recently been appointed as Director of the International Double Bass Festival of Montevideo and Director of the Double-Bass Cathedra of the Uruguayan National Orchestral Training Plan. This cathedra foresees a minimum of 3 seminars with solo recitals and telematic virtual master classes given throughout the year, plus an international festival every 2 years. In Spain, Diego is the Artistic Director of the “ReSuena Project”, which brings together kids from diverse cultural and social backgrounds, throughout the creation of youth symphony orchestras and choirs all over the city, project originally inspired on Venezuela’s “El Sistema de Orquestas”. Links to Check Out: Diego's website Music For Double Bass Solo, Duo And Quintett (new album) Montevideo International Double Bass Festival Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D’Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Subscribe to the podcast to get these interviews delivered to you automatically!

LNOBT muzikos vadovas, dirigentas Robertas Šervenikas neseniai grįžo iš gastrolių Pietų Korėjoje, kur viešėjo šioje šalyje veikiančio P. Čaikovskio fondo kvietimu. Jis dirigavo netoli Seulo esančio Gunpo miesto Praimo filharmonijos orkestrui (Prime Philharmonic Orchestra), koncertavusiam naujutėlėje, pernai rugpjūtį Seule duris atvėrusioje Lotte koncertų salėje. Prancūzija nusprendė restauruoti George‘o Bizet namą Paryžiaus priemiestyje, kuriame kompozitorius sukūrė savo garsiąją operą „Karmen“. Projekto išlaidos bus dengiamos iš taip vadinamo „Crowdfundingo“ platformos, lietuviškai kalbininkai siūlo tai vadinti sutelktiniu finansavimu, kai žmonės internetu perveda pinigų į jiems patinkančio projekto sąskaitą.15 metų ėjęs Londono karališkojo „Covent Garden“ teatro muzikos direktoriaus pareigas maestro Antonio Pappano praneša apie savo atsistatydinimą. Šiame poste jis išaugo į operos pasaulio lyderius. Jo kontraktas baigsis 2020 m. Jis bus ištarnavęs karališkajai operai 18 metų. Tad šiandien ilgiau stabtelėsime ties maestro Pappano, kurio itališka pavardė, pasak britų spaudos, skamba kaip fanfaros, kūrybiniu portretu.O paskutinės laidos minutės prabėgs skambant vasaros naktų muzikai – lietuviškai, amerikietiškai, suomiškai, rusiškai, vokiškai, prancūziškai... Rudens ar žiemos naktis kompozitoriai apdainuoja su liūdesio, melancholijos ar kančios gaidele, o štai vasaros naktys – meilės, vilties, svajonės metas. Tokia ir vasaros naktų muzika.

This is our final episode before the holiday break and before those of you with seniors are facing what is likely D-Day--Deadline-for-college-applications Day--at least, for many, many colleges anyway. We struggled to think of something hopeful to say, and we settled on one last look at a group of colleges your teenager and you might not have considered sufficiently, and that is public universities. They have long been a favorite topic of ours, as evidenced by our detailed coverage of them during our virtual nationwide college tour (Episodes 27 through 53) and our oft-repeated description of public flagship universities as the hidden jewels of our higher education system in the U.S. But recently, I read some new information that might make them even more attractive to you, and that information is about money. Our regular listeners know that I care relatively little about the cost of a college compared to the education and college life it provides and the quality of its match to a particular student. But even I was pleased to find out this information. Perhaps it is just in time for adding one or two more colleges to your teenager’s list (especially if the applications are relatively easy or the deadlines are a bit later than January 1, both of which can be true for large public universities). 1. Out-of-State Tuition Prices Dropping A few weeks ago, I read an Associated Press article, by Jeff Amy, which had a catchy headline: “Seeking students, public colleges reduce out-of-state prices.” It starts with an interesting story from the University of Southern Mississippi (USM) in Hattiesburg, but doesn’t stop there. Here is the USM story: The 14,500-student school has cut annual out-of-state tuition and fees from $16,529 this year to $9,964 next fall, even as it increases the cost for Mississippi residents by 4 percent, to $7,963. The idea is to reverse a 2,000-student enrollment dip by pricing a USM education below some public universities in nearby states, and attract enough high-schoolers from Houston, Dallas and San Antonio to raise overall revenue. (quoted from the article) Of course, as our regular listeners might say, those high school seniors could also come from New York City, Philadelphia, and Chicago. Why? Because kids need to get outside their geographic comfort zone! And now, USM and other public universities are making it even more attractive and cheaper to do just that. According to Mr. Amy’s article, “The Associated Press counted at least 50 public colleges and universities nationwide that have lowered nonresident tuition by more than 10 percent in recent years without making similar reductions for in-state students.” Is there any particular reason for that trend? Mr. Amy’s article offers this statistic: Many [colleges] are squeezed by falling numbers of traditional college-age students. High school graduates have fallen nationwide since 2011 and won't peak again until 2023, according to the Western Interstate Commission on Higher Education. (quoted from the article) Well, that was something I didn’t know. So now, let’s head way north from Hattiesburg and take a look at the University of Maine’s flagship campus. Mr. Amy tells this story: One widely noticed move was made by the University of Maine in Orono, which charges high-achievers from nine other states the same tuition they’d pay at their home state’s flagship. This saves them $12,000 to $17,000 from Maine's out-of-state tuition of $29,498; applicants with lower grades and test scores get $9,000 off. "The state of Maine needs young people, and we're not producing enough of them," said University of Maine Provost Jeffrey Hecker…. It's working: Applications jumped, freshman enrollment rose 9 percent to 2,260 students this fall…. (quoted from the article) This arrangement at the University of Maine echoes some arrangements we talked about during our virtual nationwide college tour (Episodes 27 through 53) where groups of neighboring states in various parts of the country offered good financial deals to students to cross state lines and attend public universities. And, parents, don’t forget to check out about any regional exchanges your state belongs to (e.g., Western Undergraduate Exchange, Midwest Student Exchange Program), which offer tuition discounts to residents of member states. Of course, as we have said before, some public universities take some heat from state taxpayers for recruiting students from outside the state, especially when they believe that out-of-state students who can pay more are admitted instead of in-state students who deserve those places. But, as some states cut back on their funding of their own public universities, it is no surprise that those universities have to seek revenue elsewhere. Thus, at least in some states, out-of-state students are going to get a good deal. 2. Public Universities Recruiting Out-of-State Students Last month, The New York Times published an article by Laura Pappano entitled “How the University of Alabama Became a National Player.” The whole article is well worth reading and tells about many more universities than we are going to talk about in this episode. But here is the Alabama story in a nutshell: With state funding now just 12.5 percent of the university’s budget, campus leaders have mapped an offensive strategy to grow in size, prestige and, most important, revenue. The endgame is to become a national player known for more than championship football…. The university is spending $100.6 million in merit aid, up from $8.3 million a decade ago and more than twice what it allocates to students with financial need. It also has hired an army of recruiters to put Bama on college lists of full-paying students who, a few years ago, might not have looked its way. The University of Alabama is the fastest-growing flagship in the country. Enrollment hit 37,665 this fall, nearly a 58 percent increase over 2006. As critical as the student body jump: the kind of student the university is attracting. The average G.P.A. of entering freshmen is 3.66, up from 3.4 a decade ago, and the top quarter scored at least a 31 on the ACT, up from 27. (quoted from the article) While it is clear that there are Alabama taxpayers who are annoyed that its well-known and much-loved flagship university is spending its money on out-of-state recruiters and merit aid to bright kids, it is also clear that these strategies seem to be working for the University. And that is why the University of Alabama now has 45 recruiters, with 36 of them in out-of-state locations. According to Ms. Pappano’s article, Alabama is just one example of this trend. To take another example, the University of South Carolina (USC) has 20 recruiters, and now USC receives twice as many applications from out-of-state students as from state residents. Ms. Pappano sums it up this way: It is no accident that states with among the largest drops in state allocations since 2008--Arizona (down 56 percent), South Carolina (down 37 percent) and Alabama (down 36 percent), according to the Center on Budget and Policy Priorities--have entrepreneurial public campuses trained on growth. Those same states also had the greatest net gain in students: More entered the state to attend their four-year public institutions than left to study elsewhere, according to fall 2014 data, the most recent available. (quoted from the article) 3. What Does It All Mean? So, what does it all mean? First, giving great tuition breaks to out-of-state students likely means that some in-state kids will lose out on places at those public universities. Second, recruiting out-of-state kids who can afford to pay more likely means that some in-state kids will lose out on places at those public universities.   Third, giving merit scholarships to out-of-state bright kids likely means that some in-state kids will lose out on places at those public universities. All of these scenarios are understandably of concern to state taxpayers. These scenarios are also a concern to those of us who believe that public universities have a mission to make a college education accessible to a wide range of students, not just the best and the brightest and the most able to pay. On the other hand, if you are the parent of a teenager who is looking for another college to add to the list as we get down to the wire, we can say that this could be the time to look both to public flagship universities and to other public universities that are actively recruiting out-of-state students. Check out the articles we have been discussing for more information. Depending on your teenager’s grades and test scores, there might even be a substantial financial break for you. 4. Good Luck! We will be taking a short holiday break next week, and we will be back with you on January 5. At that point, those of you who have a senior with applications due in the first few days of January should be breathing a huge sigh of relief. Of course, some of you will still have deadlines to face in February and March and even later. And if you have a junior at home, your life is about to change. But, parents of seniors, let us say again what we have said before: There is not just one perfect college for each kid. There are many colleges that would make each kid happy and many colleges that would give each kid a great education. Your kid will find one or more than one. Until then, we are keeping our fingers crossed for you. Happy 2017! The Kindle ebook version of our book, How To Find the Right College, is on sale for $0.99 through 2016! Read it on your Kindle device or download the free Kindle app for any tablet or smartphone. The book is also available as a paperback workbook. Ask your questions or share your feedback by... Leaving a comment on the show notes for this episode at http://usacollegechat.org/episode104 Calling us at (516) 900-6922 to record a question on our USACollegeChat voicemail if you want us to answer your question live on our podcast Connect with us through... Subscribing to our podcast on Google Play Music, iTunes, Stitcher, or TuneIn Liking us on Facebook or following us on Twitter Reviewing parent materials we have available at www.policystudies.org Inquiring about our consulting services if you need individualized help Reading Regina's blog, Parent Chat with Regina

I programmet diskuterar panelen bl a Stenhammars första opera "Gillet på Solhaug" och Elgars första symfoni med Barenboim på pulten. Dessutom har Johan Korssell träffat Antonio Pappano! Vi är tillbaka med nya program söndagen den 4 september. Trevlig sommar!I veckans panel sitter Alexander Freudenthal, Bengt Forsberg och Per Lindqvist som tillsammans med programledaren Johan Korssell betygsätter följande skivor: BENJAMIN BRITTEN Verk för röst och gitarr Ivonne Fuchs, mezzosopran Georg Gulyás, gitarr Proprius PRSACD 2075 WARTIME CONSOLATIONS Musik av Hartmann, Weinberg och Sjostakovitj Linus Roth, violin José Gallardo, piano Württembergs kammarorkester, Heilbronn Ruben Gazarian, dirigent Challenge CC 72680 WILHELM STENHAMMAR Gillet på Solhaug Karolina Andersson, Per-Håkan Precht m.fl. Norrköpings symfoniorkester och kör Henrik Schaefer, dirigent Sterling CDO 1108-1110 EDWARD ELGAR Symfoni nr 1 Ass-dur Staatskapelle Berlin Daniel Barenboim, dirigent Decca 478 9353 Johan möter Antonio Pappano Johan Korssell träffade den engelsk-italienske dirigenten i hemstaden London för en intervju dagen efter en utsåld konsert i Londons Barbican, där Pappano dirigerade Sjostakovitjs första violinkonsert med Viktoria Mullova som solist samt Mahlers sjätte symfoni. Pappano är ledare för Covent Garden-operan i London samt chef-dirigent för Santa Cecilia-akademins orkester i Rom. Han är också en mycket stolt ackompanjatör. Andra i programmet nämnda eller rekommenderade inspelningar: Elgars första symfoni i inspelningar med Adrian Boult och John Barbirolli på EMI. Hartmanns Concerto funèbre med Alina Ibragimova och Britten Sinfonia tillsammans med ledaren Jacqueline Shave på Hyperion; Thomas Zehetmair och Tyska kammarfilharmonin på Warner Classics samt med Nilla Pierrou tillsammans med Oskarshamns-ensemblen ledda av Claes Merithz på skivmärke Oak Grove. Weinbergs symfonier med Göteborgs symfoniorkester ledd av Thord Svedlund och utgivna på Chandos.Svepet Johan sveper över ett album utgivet på skivmärke Tröstlösa med Allan Petterssons Barfotasånger framförda av sångaren Ola Sandström, elgitarristen Mikael Karlsson, cellisten Anja Strautmanis samt vibrafonisten Johan Renman. 

Brittney Pappano is a successful business consultant and coach in Denver, Colorado. She was actually the only person in her family to have her own business which goes to show that your circumstances never define you. In this episode, find out what Brittney did that turned her tragedy into victory and inspiring others to do the same. Check out thetaoofselfconfidence.com for show notes of Brittney's episode, Brittney's website, resources, gifts and so much more.

Levante, la giovane cantautrice catanese presenta il suo nuovo album. In diretta il maestro Antonio Pappano. La mostra su Leonardo da Vinci a Milano.

Kevin Rainey presents an audio introduction to Puccini's triptych.

An interview with Antonio Pappano, Music Director for the Royal Opera House, talking about his role at the Royal Opera House and why young people should be interested in music and fanfares.

An interview with Antonio Pappano, Music Director for the Royal Opera House, talking about his role at the Royal Opera House and why young people should be interested in music and fanfares.

Guest: Indie film maker Pablo Pappano, producer of "Clickin For Love," a feature length documentary about online dating. Second guest is Kelly Schwarze, creator/producer of the film "You People," an indie film that even has its very own board game. See www.VDEFilms.com for details!

Pam from the SMJ sits down for a chat with Dr. Pappano about his upcoming article, which describes adolescent fractures resulting from electrical shock.