Podcasts about Yuja Wang

   Viaxamos ao París de inicios do s. XX, para descubrir algo máis sobre a Historia da Arte Contemporánea, seguindo a guia das obras seleccionadas polo grupo de Historia de Arte da CIUG para as probas PAU.  Obra: A alegría de vivir, de Henri Matisse.    Serie: Historia da Arte Contemporánea, Historia da Arte, 2º de Bacharelato.Músicas:Sintonía (Creative Commons Attribution 3.0): District Four, de Kevin MacLeod (https://incompetech.com), Temptation March, de Jason Shaw (http://audionatix.com).  A consagración da primavera, de Igor Stravinsky, interpretado por Yuja Wang & Martin Grubinge.Este pódcast está baixo a licencia CC BY-NC 4.0.  Máis recursos en: facemoshistoria.gal

In deze twijfelachtige aflevering komen er 2 onderwerpen ter sprake. We trappen af met de eeuwige twijfel en onzekerheid. Prachtig verwoord door de living legend Sir. Simon Rattle. En we kijken naar de imposante carrières van twee legendes van onze eigen kopersectie. Tubaïst Hendrik-Jan Renes heeft nog een handje vol concerten te gaan en dan mag hij aan zijn welverdiende pensioen beginnen. In de Solistenkamer bespreken we onder andere met hem hoe de twijfel zich manifesteerde gedurende zijn carrière. En "Het verhaal uit de zaal" komt deze keer van niemand minder dan oud-collega en hoornist Jos Buurman. Onze Pierre zit op zijn stoel, en we bespreken hoe het toch komt dat die stoel zo heet is. Speelt Jos nog? Komt hij nog wel eens luisteren? Duidelijk wordt dat deze legendes niet voor 1 pensioengat zijn te vangen. Het pareltje is deze keer van Jos Buurman. Hij vertelt dat op tournee met Yuja Wang het toegift hem altijd in de juiste stemming bracht :)Je kan niet tegen de wind in plassen..Jan-GhendrikHet staat er maar 1 keer.Abonneer nu snel op onze podcast en volg ons op:FacebookInstagramTikTokYoutubeRotterdams Philharmonisch Orkest Hosted on Acast. See acast.com/privacy for more information.

Dans cet épisode du podcast Louis Vuitton [EXTENDED], Loïc Prigent reçoit Yuja Wang, pianiste prodige et Ambassadrice de la Maison, connue pour ses performances époustouflantes, ses interprétations audacieuses et son sens du style affirmé. Yuja revient sur son parcours, de la découverte du piano dès son plus jeune âge à sa redéfinition créative de la musique classique, tout en partageant comment la mode renforce son assurance sur scène. Cette conversation inspirante offre un aperçu de la vie d'une artiste alliant innovation et singularité.

In this episode of the Louis Vuitton [EXTENDED] Podcast, host Loïc Prigent welcomes Yuja Wang, a prodigy pianist and House Ambassador for Louis Vuitton renowned for her breathtaking performances, fearless interpretations, and bold sense of style. Yuja reflects on her journey from discovering the piano at a young age to redefining classical music with creativity, sharing how fashion empowers her on stage. This joyful conversation offers a glimpse into the life of an artist who effortlessly blends innovation and individuality.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:08:56 - Le Disque classique du jour du vendredi 24 janvier 2025 - Andris Nelsons dirige la vaste partition de Messiaen avec les forces du Boston Symphony Orchestra mais aussi la pianiste Yuja Wang et Cécile Lartigau aux ondes Martenot. Une Turangalîla-Symphonie à ne pas manquer !

durée : 00:08:56 - Le Disque classique du jour du vendredi 24 janvier 2025 - Andris Nelsons dirige la vaste partition de Messiaen avec les forces du Boston Symphony Orchestra mais aussi la pianiste Yuja Wang et Cécile Lartigau aux ondes Martenot. Une Turangalîla-Symphonie à ne pas manquer !

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Yunjie Chen ist nicht so bekannt wie seine chinesischen Kollegen Lang Lang und Yuja Wang. Aber auch er ist ein exzellenter Pianist. Das stellt er jetzt mit der Einspielung aller zehn Klaviersonaten des russischen Komponisten und geheimnisvollen Mystikers Alexander Skrjabin unter Beweis.

Each generation of classical music lovers may wonder if their generation will be the last to truly enjoy the fusion of beautiful sound and emotional depth expressed by the master composers and performers of this centuries-old artistic tradition. Changing economic and social pressures in the early 21st century dented the interest in classical music in the West, a trend exacerbated by the COVID pandemic. But other forces of change are also at work, including a rapidly increasing interest in Asia following upon the worldwide success, among other performers, of Lang Lang and Yuja Wang (both of whom were discovered and whose early careers were managed for several years by Earl Blackburn). Blackburn will explore what it means to make a career work in today's classical music industry and will discuss the principles that help thousands of great artists continue to grow both artistically and commercially. Decades ago careers in classical music necessitated getting a powerful agent. Now the tables have flipped somewhat. The creation of classical music has become much more of a collaboration among artist, agent, concert presenter and the audiences who enjoy this art form. Everyone involved is given a chance to test what it means to exercise their imaginations, creating beauty out of sound. Blackburn will be joined in this discussion by one of his artists, the prize-winning violinist Nancy Zhou, who will also perform. Organizer: George Hammond   A Humanities Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's my Classicstoday.com review: https://www.classicstoday.com/review/built-last-murray-perahias-masterful-hammerklavier/. And here's a review I wrote comparing both Murray Perahia and Yuja Wang performing the Hammerklavier in New York on consecutive weekends in New York: https://www.classicstoday.com/tale-two-hammerklaviers/

Fünf Zugaben! So viele gab es gestern bei dem Konzert von Yuja Wang und Víkingur Ólafsson in der Isarphilharmonie in München. Das Programm: abwechslungsreich mit zeitgenössischer Kunst und große Werke von Schubert oder Rachmaninow. Die Musiker: zwei spannende Individualisten, die unterschiedlicher nicht sein könnten. Wie viel Einigkeit es auf der Bühne gab, darüber sprechen Uta Sailer und Denise Maurer.

Magnús Sigurðsson rithöfundur verður gestur okkar í dag en hann var að gefa út bókina Glerþræði, etnógrafísk brot. Í Glerþráðunum fléttar Magnús atvikum og persónum úr sögu landsins listilega saman og tengir við sögur úr nútímanum á einstakan hátt. Þetta er form sem Magnús hefur áður unnið með, en í þetta sinn vinnur hann einungis úr rammíslenskum heimildum. Heimildum sem margar hverjar komu úr bókahillunni á Eiðistorgi á Seltjarnarnesi þar sem hægt er að nálgast gefins bækur. Í kvöld verður frumsýnd heimildarmyndin, Dagurinn sem Ísland stöðvaðist, en hún fjallar um aðdraganda Kvennaverkfallsins 1975. Hrafnhildur Gunnarsdóttir meðhöfundur og framleiðandi myndarinnar verður einn af gestum okkar í dag. Arndís Björk Ásgeirsdóttir rýnir í Sinfóníutónleikana sem fram fóru 17.október síðastliðinn og tónleika Yuja Wang og Víkings Heiðars og Katla Ársælsdóttir rýnir í Litlu hryllingsbúðina í uppsetningu Leikfélags Akureyrar.

Víkingur Heiðar kemur í heimsókn og segir frá tónleikaferð þeirra Yuja Wang sem hefst í Hörpu um helgina. Bæði teljast þau til stórstjarna í hinum alþjóðlega tónlistarheimi, en það er óvenjulegt að tveir píanóleikarar fari í tónleikaferð saman, hvað þá listamenn af þessu kaliberi. Meira um það í þætti dagsins. Við heyrum líka af forvitnilegri sýningu Arnar Alexanders Ámundasonar sem nú stendur yfir í Skaftfelli. Sýningin, sem kallast Titill á sýningu, inniheldur eiginlega ekkert nema ímynduð viðbrögð við sýningunni í fjölmiðlum og á facebook, og sum gagnrýnin er ansi óvægin. Arndís Björk Ásgeirsdóttir rýnir í tvo viðburði sem fram fóru á State of the Art hátíðinni og við heyrum einnig brot úr viðtali við nýbakaðan verðlaunahafa Bókmenntaverðlauna Tómasar Guðmundssonar.

Link to purchase: https://www.prestomusic.com/classical/products/9613664--the-vienna-recital

HT1957 - Layers of Understanding I went to a piano recital last night featuring the world-famous Yuja Wang. Wow. But there is more to this story than I listened to some music.

Teddy Abrams, Musical America's 2022 Conductor of the Year, starts his tenth season as music director of the Louisville Orchestra in the fall of 2024.  Teddy has been the galvanizing force behind the orchestra's extraordinary artistic renewal and commitment to innovative community engagement since his appointment in September 2014. Teddy is also a prolific and award-winning composer.  We'll hear an excerpt from his piano concerto written for his regular collaborator Yuja Wang, with whom he and the Louisville Orchestra made their Deutsche Grammophon debuts on the virtuoso pianist's March 2023 release, The American Project. He is now at work on ALI, a new Broadway musical about boxing legend and activist Muhammad Ali, which is scheduled to receive its fall 2024 world premiere in Louisville, the boxer's birthplace, before opening on Broadway in spring 2025. Teddy Abrams remains in high demand as a guest conductor, which is how I met him.

Our updated list of the year's best songs includes a sweet reflection from beabadoobee, Nathy Peluso's wildly infectious "Aprender A Amar," the mind-blowing virtuosity of pianist Yuja Wang and more.Featured songs and artists:1. Nathy Peluso: "APRENDER A AMAR," from 'GRASA'2. Jakob Lindberg: "Musette" and "Tombeau" from 'Robert de Visée: Theorbo Solos'3. Brijean: "Workin' On It," from 'Macro'4. Yuja Wang: "Danzón No. 2 (Marquez)," from 'The Vienna Recital'5. beabadoobee: "Coming Home," from 'This Is How Tomorrow Moves'6. Grupo Frontera & NICKI NICOLE: "DESQUITE," from JUGANDO A QUE NO PASA NADA'Enjoy the show? Tell a friend and leave us a review!Question, comments or any feedback always welcome at allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Yuja Wang steht für unbestechlich pianistisches Können. Sie begeistert einmal mehr mit ihrem neuen Album "The Vienna Recital". Aufgenommen im Wiener Konzerthaus am 26. April 2022, unterstreicht dieses Live-Album ihr Alleinstellungsmerkmal. Wer das auf Ihr Äußeres reduziert, hat verloren. Mehr von Musikchefin Ursula Magnes.

Researchers at the University of Chicago took a fairly standard large language model of AI and fed it a bunch of balance sheets and income statements and asked it to make predictions about earnings. In backtests, AI beat human calls by a small margin, and outperformed the market generally. Have fund managers been dealt yet another kill shot? Katie Martin and Robert Armstrong discuss, and go long shareholder commitments, and the musical genius of Yuja Wang.For a free 30-day trial to the Unhedged newsletter go to: https://www.ft.com/unhedgedofferYou can email Robert Armstrong at robert.armstrong@ft.com and Katie Martin at katie.martin@ft.com. Hosted on Acast. See acast.com/privacy for more information.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A playlist dedicated to the cross-pollination between jazz and classical music or opera, with jazz musicians inspired by classical music and classical music composers and pianists nodding to jazz. The playlist features John Ellis; Yuja Wang; Brad Mehldau [pictured]; Enrico Pieranunzi; Marcella Carboni. Detailed playlist at https://spinitron.com/RFB/pl/19003066/Mondo-Jazz [from "Gypsy Song" to "Canto Nascosto"]. Happy listening!

LITTERATURVECKAN I P1 UPPLÄSNING: Robert Fux Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: ”Den läsande flickan” av Staffan LarssonDIKTSAMLING: Sub Rosa (Albert Bonniers förlag, 1953)MUSIK: Felix Mendelssohn: Lied ohne worte op 67 nr 3EXEKUTÖR: Andreas Ottensamer, klarinett och Yuja Wang, piano

We dagen onszelf graag uit, op verschillende manieren. Daarin staan we niet alleen want deze week speelde Yuja Wang het reuze moeilijke 2e pianoconcert van Béla Bartok met het Rotterdams Philharmonisch Orkest en ze deelt met ons haar allereerste gedachte nadat ze haar  laatste noot gespeeld heeft. Verder geven we een klein inkijkje in de instrumentenwereld en spreken we Onno Servaas van de Vriendenvereniging van het RPhO daarover.- Yuja kort van stof - Waarde van instrumenten- Veel of weinig haarHosted by Springcast, see springcast.fm for privacy information.Stuur uw suggesties en ideeën voor het profiel van de chef-dirigent, of reactie op de podcast naar onderstaand mail adres, of onze socials, schroom niet!Email:reactie@eentoontjelager.nlFacebookInstagramTikTokShownotes:- Yuja Wang door de jaren- Vegan strijkstok

Los Angeles, the city in which Sergei Rachmaninoff (1873-1943) spent the last few months of his life, played host to an exceptional festival of music last February. As part of this year's Rachmaninoff 150 celebrations, Yuja Wang joined the Los Angeles Philharmonic and its Music and Artistic Director Gustavo Dudamel over two consecutive weekends to perform all four of the composer's piano concertos and the Rhapsody on a Theme of Paganini. Deutsche Grammophon were there to capture their sold-out and critically acclaimed performances live at Walt Disney Concert Hall. Rachmaninoff: The Piano Concertos and Paganini Rhapsody is now set for release on 2 CDs, 3 LPs, and digitally on 1 September 2023. The Allegro vivace finale of Piano Concerto No. 1 comes out as an e-single and e-video on 23 June; the filmed cycle of five performances will be premiered on STAGE+ on 24 June and will also be available on the LA Phil's online concert series SOUND/STAGE later in September. Track Listing:1 Piano Concerto No. 2 in C minor op. 18 – 1. Moderato2 2. Adagio sostenuto3 3. Allegro scherzando 4 Piano Concerto No. 1 in F sharp minor op. 1 – 1. Vivace – Moderato5 2. Andante6 3. Allegro vivace 7 Piano Concerto No. 4 in G minor op. 40 – 1. Allegro vivace8 2. Largo9 3. Allegro vivace 10 Rhapsody on a Theme of Paganini op. 43 – Introduction – Variation I11 Tema12 Variation II13 Variation III14 Variation IV15 Variation V16 Variation VI17 Variation VII18 Variation VIII19 Variation IX20 Variation X21 Variation XI22 Variation XII23 Variation XIII24 Variation XiV25 Variation XV26 Variation XVI27 Variation XVII28 Variation XVIII29 Variation XiX30 Variation XX31 Variation XXI32 Variation XXII33 Variation XXIII34 Variation XXIV 35 Piano Concerto No. 3 in D minor op. 30 – 1. Allegro ma non tanto36 2. Intermezzo. Adagio37 3. Finale. Alla breveHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

ÖVERSÄTTNING: Per Hallström UPPLÄSNING: Clas Göran Söllgård Önskad av Lars-Göran Persson i Lund. Lyssna på alla avsnitt i Sveriges Radio Play. ”Till hösten” av John KeatsDIKTSAMLING: Originalet (To autumn) från 1819. Översättningen publicerad första gången 1914. Hämtad ur All världens lyrik (Bonniers, 1943)MUSIK: Johannes Brahms: Wie Melodien zieht es mirEXEKUTÖR: Andreas Ottensamer, klarinett, Yuja Wang, piano

durée : 00:05:11 - Classic & Co - par : Anna Sigalevitch - Rachmaninov ce matin, pour célébrer les 150 ans de la naissance du compositeur, la pianiste Yuja Wang interprète avec l'orchestre philharmonique de Los Angeles sous la direction de Gustavo Dudamel les Concertos et la Rhapsodie sur un thème de Paganini… (double album paru chez Deutsche Grammophon)

Tota una setmana dedicada a grans virtuosos del piano com Vladimir Horowitz, Arcadi Volodos, Yuja Wang o Lang Lang, ara resumida en menys d'una hora de r

La pianista xinesa ha esdevingut, per m

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Yuja Wang gives a dazzling solo performance in the world premiere recording of a major new work specially written for her by her friend Teddy Abrams. Although originally conceived as a short companion composition to Gershwin's Rhapsody in Blue, Abrams' Piano Concerto blossomed to become a 35-minute standalone showpiece. Celebrating the richness of America's musical culture and the sheer depth and breadth of Yuja Wang's virtuosity, the work now features on Yuja Wang · The American Project. Also included on the album is You Come Here Often?, created for the star pianist by another close friend, Michael Tilson Thomas. Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In this episode, podcast host Sarah Willis welcomes pianist Yuja Wang. Join them for a lively and fun conversation to find out more about Yuja's new album "The American Project“, playing boogie woogie and jazz and also about her friendship with conductor and composer Michael Tilson Thomas.

Pianist Zsolt Bognár had a light-bulb moment while building his first artist website in 2012. What if, instead of short clips of his performances — something every pianist publishes on their website — he interviewed his musician friends about their craft and careers? Inspired by Bognár's love for Bravo's Inside the Actor's Studio, the first iteration of the web series that would become Living the Classical Life was born. And more than a decade later, it has grown into an incredibly popular, award-winning show that's featured the best of the best in the classical music world. With more than three million views on YouTube alone, Bognár's in-depth conversations with the likes of Daniil Trifonov, Yuja Wang, Joyce DiDonato, Lisa Batiashvilli, and Susanna Mällki illuminate the inner world of classical musicians — revealing the passions, fears, and rewards that fuel their lives in music. To find success in today's content-saturated landscape, Bognár knew he would need to build a network of like-minded professionals who could support his vision for Living the Classical Life not only as a creative outlet, but as a business venture. That's a perspective he hopes to impart on anyone seeking advice on launching a new project. "Seek out people who you are really on the same wavelength with," Bognár shares on the latest episode of the Classical Post podcast, "or you may not have the same values that can connect you with others you'll resonate with. This is a world of business, as much as we don't like to think in those terms. Identify the people whose qualities you trust." In this episode, Bognár and I talk more about the early days of Living the Classical Life — when it was simply called Zsolt Bognár and Friends — as well as the mix of hard work, luck, and opportunity that helped the show take off, and the importance of strategic introductions, no matter your industry. Full disclosure: I have a very close relationship with Living the Classical Life. I'm a member of the Board of Directors and have regularly advised Bognár on the show's branding, outreach, and marketing over the past 10 years. It's been my absolute pleasure to see how Living the Classical Life has grown over the past decade, and I hope this deep dive into the show's evolution inspires you in your own creative journeys. — Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Yuja Wang!

HIGHLIGHTS FROM EPISODE 4:Janet Fitch talks about seeing a three-hour concert with Leonard Cohen; Joni Mitchell; what she'd ask Patti Smith, Björk, Neil Young, and Leonard Cohen if she could; creating an “I will survive” music playlist; Amy Winehouse; Janis Joplin; X; Nico; Jackson Brown.Janet and I talk about some of the major themes of her novel ‘Paint it Black'; grief and the aftermath of suicide; the significance of the title of her novel; the freedom that punk rock gives fans and musicians alike; why ‘Paint it Black' is a punk rock novel as opposed to a more generalized rock novel; how each of the three main characters in ‘Paint it Black' has their own distinct soundtrack; classical music and early 20th century Americana music; L.A. punk, especially The Germs and The Cramps; the deaths of John Lennon and Darby Crash; the changing punk scene in L.A. in the early ‘80s; how the Ingmar Bergman film ‘Persona' influenced the creation of Janet's novel; Janet's experience as a student filmmaker in the ‘80s; the 1913 poem “Trans-Siberian Prose and Little Jeanne from France”; the movie adaptation of ‘Paint it Black'.Pleasant Gehman talks about the beginning of the L.A. punk scene and her involvement in it. She mentions various bands and iconic L.A. punk rock venues, becoming friends with Darby Crash and Pat Smear of The Germs before they were in The Germs and dating Pat Smear, smoking pot with Tony Curtis, rooming with Belinda Carlisle and smoking pot with Screamin' Jay Hawkins at Disgraceland, hanging out with Joan Jett.To hear more from Pleasant about her involvement with some of the hottest punk bands in L.A. in the early ‘80s, including The Cramps, The Weirdos, Blondie, The Damned, X, and Black Flag, and how the scene began to deteriorate, listen to the outtake from this episode in the Rock is Lit Vault.Nicole Panter shares her memories of being friends with and managing The Germs; Darby Crash's childhood; why Germs shows were a trainwreck; Darby's abuse of alcohol and drugs; the making of The Germs' album, including Joan Jett's involvement; ‘The Decline of Western Civilization' documentary, in which Nicole and The Germs are featured; why Nicole stopped managing the band; Darby's fascination with Adam Ant; how Nicole heard about Darby's death; Nicole's dislike of the biopic about Darby and The Germs, ‘What We Do Is Secret', and The Germs reunion tour with the actor who played Darby in the film, Shane West; the legacy of The Germs. CLIPS OF MUSIC PLAYED IN THE EPISODE IN ORDER OF APPEARANCE:"Paint it Black" by the Rolling Stones"Land" by Patti SmithBrahms Piano Concerto No. 2 in B-flat major Op. 82, played by Yuja Wang with the Munich Philharmonic, conducted by Valery Gergiev, Dec 1, 2018“West End Blues” by Louis Armstrong“What We Do Is Secret” by The Germs“Human Fly” by The CrampsErich Wolfgang Korngold: ‘Kings Row', Main Title, music for the 1941 film“Our Way” by The Germs“Media Blitz” by The Germs“American Leather” by The GermsTwo short clips from the 1981 documentary 'The Decline of Western Civilization', directed by Penelope Spheeris,  featuring Darby Crash and The Germs appear in the episode. CONTACTS: Janet Fitch's websiteJanet Fitch Twitter, @JanetFitch323Janet Fitch Instagram, @janetfitch323Pleasant Gehman's websitePleasant Gehman Twitter, @PleasantGehman1Pleasant Gehman Instagram, @princessofhollywoodThe Devil's Music With Pleasant Gehman podcastBelle, Book, and Candle, Instagram, @belle_book_and_candleNicole Panter Instagram, @poseypChristy Alexander Hallberg's websiteChristy Alexander Hallberg Instagram, @christyhallbergChristy Alexander Hallberg Twitter, @ChristyHallbergChristy Alexander Hallberg YouTubeRock is Lit Vault

HIGHLIGHTS FROM EPISODE 4: Janet Fitch talks about seeing a three-hour concert with Leonard Cohen; Joni Mitchell; what she'd ask Patti Smith, Björk, Neil Young, and Leonard Cohen if she could; creating an “I will survive” music playlist; Amy Winehouse; Janis Joplin; X; Nico; Jackson Brown. Janet and I talk about some of the major themes of her novel ‘Paint it Black'; grief and the aftermath of suicide; the significance of the title of her novel; the freedom that punk rock gives fans and musicians alike; why ‘Paint it Black' is a punk rock novel as opposed to a more generalized rock novel; how each of the three main characters in ‘Paint it Black' has their own distinct soundtrack; classical music and early 20th century Americana music; L.A. punk, especially The Germs and The Cramps; the deaths of John Lennon and Darby Crash; the changing punk scene in L.A. in the early ‘80s; how the Ingmar Bergman film ‘Persona' influenced the creation of Janet's novel; Janet's experience as a student filmmaker in the ‘80s; the 1913 poem “Trans-Siberian Prose and Little Jeanne from France”; the movie adaptation of ‘Paint it Black'. Pleasant Gehman talks about the beginning of the L.A. punk scene and her involvement in it. She mentions various bands and iconic L.A. punk rock venues, becoming friends with Darby Crash and Pat Smear of The Germs before they were in The Germs and dating Pat Smear, smoking pot with Tony Curtis, rooming with Belinda Carlisle and smoking pot with Screamin' Jay Hawkins at Disgraceland, hanging out with Joan Jett. To hear more from Pleasant about her involvement with some of the hottest punk bands in L.A. in the early ‘80s, including The Cramps, The Weirdos, Blondie, The Damned, X, and Black Flag, and how the scene began to deteriorate, listen to the outtake from this episode in the Rock is Lit Vault. Nicole Panter shares her memories of being friends with and managing The Germs; Darby Crash's childhood; why Germs shows were a trainwreck; Darby's abuse of alcohol and drugs; the making of The Germs' album, including Joan Jett's involvement; ‘The Decline of Western Civilization' documentary, in which Nicole and The Germs are featured; why Nicole stopped managing the band; Darby's fascination with Adam Ant; how Nicole heard about Darby's death; Nicole's dislike of the biopic about Darby and The Germs, ‘What We Do Is Secret', and The Germs reunion tour with the actor who played Darby in the film, Shane West; the legacy of The Germs.   CLIPS OF MUSIC PLAYED IN THE EPISODE IN ORDER OF APPEARANCE: "Paint it Black" by the Rolling Stones "Land" by Patti Smith Brahms Piano Concerto No. 2 in B-flat major Op. 82, played by Yuja Wang with the Munich Philharmonic, conducted by Valery Gergiev, Dec 1, 2018 “West End Blues” by Louis Armstrong “What We Do Is Secret” by The Germs “Human Fly” by The Cramps Erich Wolfgang Korngold: ‘Kings Row', Main Title, music for the 1941 film “Our Way” by The Germs “Media Blitz” by The Germs “American Leather” by The Germs Two short clips from the 1981 documentary 'The Decline of Western Civilization', directed by Penelope Spheeris, featuring Darby Crash and The Germs appear in the episode.   CONTACTS:  Janet Fitch's website Janet Fitch Twitter, @JanetFitch323 Janet Fitch Instagram, @janetfitch323 Pleasant Gehman's website Pleasant Gehman Twitter, @PleasantGehman1 Pleasant Gehman Instagram, @princessofhollywood The Devil's Music With Pleasant Gehman podcast Belle, Book, and Candle, Instagram, @belle_book_and_candle Nicole Panter Instagram, @poseyp Christy Alexander Hallberg's website Christy Alexander Hallberg Instagram, @christyhallberg Christy Alexander Hallberg Twitter, @ChristyHallberg Christy Alexander Hallberg YouTube Rock is Lit Vault Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:29:50 - En pistes ! du mercredi 21 septembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme du jour : le Psyché de Matthew Locke par Sébastien Daucé et son ensemble Correspondances, Brahms et Rachmaninoff par Gautier Capuçon et Yuja Wang mais également Gustav Leonhardt interprétant William Byrd.

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022.In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt.Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018. 

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022. ​ In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt. ​ Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018.  ​ Dedicated to music education and outreach, Marlon is a jazz faculty member of CSArts San Gabriel Valley. He also serves as a double bass coach for the Capistrano Unified School District, and collaborates with the Inner City Youth Orchestra of Los Angeles. With the support of the Colburn School and Billy Strayhorn Songs Inc., Marlon will record educational lectures and performances on the music of Billy Strayhorn, with Marlonius Jazz Orchestra, for Colburn School's Amplify Series in 2022.

Andris Nelsons is Music Director of the Boston Symphony Orchestra and the the Leipzig Gewandhaus Orchestra. With both appointments, and in leading a pioneering alliance between these two esteemed institutions, Nelsons is widely considered as one of the most renowned and innovative conductors on the international scene today. In October 2020, the BSO and GHO jointly announced extensions to Mr. Nelsons' contracts. His contract with the BSO was extended until 2025, and his GHO contract until 2027. Tonight's BSO Opening Night concert begins with a benediction by Leonard Bernstein, a setting in Hebrew for baritone that was the composer's last work with orchestra; baritone Jack Canfield makes his BSO debut. The brilliant Chinese pianist Yuja Wang performs Franz Liszt's Piano Concerto No. 1. And Igor Stravinsky's revolutionary 1913 ballet score The Rite of Spring will be performed.

¡Penúltimo episodio de la temporada! Compositor, director y pianista, trás Debussy, Ravel es considerado el segundo compositor francés más importante de todos los tiempos. Su Bolero es una de las piezas de música clásica más escuchadas en todo el mundo, pero en este episodio podrán conocer muchas otras más que también son igual de increíbles. ¡No te lo pierdas!   LO QUE VAN A ESCUCHAR EN ESTE EPISODIO 00:36  Boléro, M. 81. Interpretado por London Symphony Orchestra & Arpad Jóo. 02:57  Tabuhan Djoged. Interpretado por Gamelan Angklung.  04:53  Introduction et Allegro Pour Harpe, Flûte, Clarinette et Quatuor à Cordes. Interpretado por Academy of St. Martin-in-the-Fields Chamber Ensemble. 06:34  Introduction et Allegro Pour Harpe, Flûte, Clarinette et Quatuor à Cordes. Interpretado por Academy of St. Martin-in-the-Fields Chamber Ensemble. 07:41  Gaspard de la Nuit, M.55, II: Le Gibet. Interpretado por Seong-Jin Cho.  09:59  Piano Concerto for the Left Hand in D Major, M. 82: II. Allegro. Interpretado por Yuja Wang, Tonhalle-Orchester Zürich & Lionel Bringuier.  12:50  Daphnis et Chloe: Part III: Lever du jour. Interpretado por Bordeaux Aquitaine National Orchestra & Laurent Petitgirard. 13:56   Gaspard de la Nuit, M.55, III: Scarbo. Interpretado por Seong-Jin Cho. 15:13  Miroirs, M.43: 3. Une barque sur l'océan. Interpretado por Lilya Zilberstein.  16:14  Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19. Interpretado por London Symphony Orchestra & Arpad Jóo.  17:36  Ma Mère l'Oye. Interpretado al piano por Lucas & Arthur Jussen.  19:13  Boléro, M. 81. Interpretado por London Symphony Orchestra & Arpad Jóo.   Notas del episodio en http://www.allegromagico.com/99 Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan con nosotras sobre música clásica.   ¿Quieres aprender lo básico sobre música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos. ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños y con nuestro cuento podrán conocerla además de aprender muchas cosas interesantes. Ver audiolibro y booklet. ¿Quieres apoyar de otra forma a Allegro Mágico? Tenemos un tarro de propinas para todos aquellos que aman nuestro trabajo y quieren apoyar el proyecto. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com 

Yuja Wang, Verbier Festival Orchestra Mendelssohn: Piano Concerto No. 1 in G minor, Op. 25 Mendelssohn: Piano Sextet in D Major, Op. 110 Purchase the music (without talk) at:Yuja Wang Plays Mendelssohn (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

每日英語跟讀 Ep.K358: Fashion, fabrics and fishtails: Why we need to talk about what female classical performers wear   Discussing clothing is something of a taboo in classical music, for performers as much as critics. “Most musicians don't feel like they can talk about it,” says Jocelyn Lightfoot, managing director of the London Chamber Orchestra. There is the entrenched idea that classical musicians are supposed to be heard and not seen. In this performance ideal, the performer's personality — expressed through his or her choice of clothing — is excised, deferring to “the music itself”. 在古典音樂中，討論服裝是一種禁忌，對表演者和評論家來說都是如此。“大多數音樂家都不覺得他們可以談論它” 倫敦室內管絃樂團 （London Chamber Orchestra）董事總經理喬斯林·萊特富特（Jocelyn Lightfoot）說。有一種根深蒂固的觀念認為，古典音樂家應該是被聽到而不是被看到。在這種表演理念中，表演者的個性 - 通過他或她選擇的衣服來表達 – 都是被切除，完全源於“音樂本身”。 Those musicians who step outside the norm in their clothing choices have, accordingly, been subject to severe criticism. But at least part of the controversy surrounding artists like violinist Nigel Kennedy, with his jeans and spiky hair, is that they remind us that live music is a visual medium. We don't just hear — we see musicians performing. 因此，那些在服裝選擇上超越常規的音樂家受到了嚴厲的批評。但是，圍繞著小提琴家奈傑爾·甘迺迪（Nigel Kennedy）等牛仔褲和尖頭髮的藝術家的爭議至少有一部分的人，他們提醒我們，現場音樂是一種視覺媒介。我們不只是聽到 - 我們也看到音樂家表演 For women, the stakes of their clothing choices are considerably higher because women are more frequently sexualized than their male counterparts. While Kennedy's informal clothes were criticized by some as “ludicrous,” the furore around pianist Yuja Wang betrays this double standard. As much ink has been spilt over Wang's hemlines as her playing – and with a couple of exceptions, commentary has focused on how “short and tight” her dresses are. 對於女性來說，她們選擇服裝的風險要高得多，因為女性比男性更頻繁地被性物化。雖然甘迺迪的非正式服裝被一些人批評為「荒謬可笑」，但圍繞鋼琴家王裕佳的憤怒暴露了這種雙重標準。就像她的演奏一樣，王的下擺也是有兩極看法——除了幾個例外，評論都集中在她的裙子有多“短而緊”。 The problem isn't that critics are talking about Wang's clothes. It's that by viewing everything she wears through a sexualized lens, they're presenting her as a sexual object first and an artist second. There is no room in this worldview for women's clothes to be both an artistic and personal choice. Perhaps part of the issue is that fashion lies outside the traditional classical critic's toolkit. 問題不在於批評者在談論王的衣服。而是通過性物化的鏡頭觀察她所穿的一切，他們首先將她呈現為性物件，其次是藝術家。在這種世界觀中，女性服裝既不能成為藝術選擇，也可以作為個人選擇。也許部分問題在於，時尚不在傳統古典音樂批評家的工具包之內。 The inability to talk about Wang's clothing in a sensitive and respectful way reveals damaging and longstanding assumptions around women and their dress on the classical stage. The notion that what we see might “distract from” music, rather than shape our experience of it, stems from a centuries-old division of body and mind, physicality and rationality, that claims classical music as purely cerebral stuff. The body has no place here. And this idea is gendered. Rationality and the mind have historically been coded masculine, sensuality and the body feminine, with the result that women and their bodies have been marginalized within classical music. 無法以敏感和尊重的方式談論王的服裝，揭示了古典舞臺上圍繞女性及其著裝的破壞性和長期存在的假設。我們所看到的可能會“分散”對於音樂的注意力，而不是塑造我們對音樂的體驗，這種觀念源於幾個世紀以來對身體和思想，物理性和理性的劃分，它聲稱古典音樂是純粹的大腦的東西。身體在這裡沒有位置。這個想法是性別化的。理性和心靈歷來被編碼為男性化，性感和身體女性化，結果女性及其身體在古典音樂中被邊緣化。 The denial of Wang's agency also feeds into racist stereotypes around the submissiveness and inexpressiveness of both women and classical musicians of Asian descent — stereotypes that Wang's clothing choices actively disrupt. 對王的行為的否認也助長了圍繞亞裔女性和古典音樂家的順從和無表情的種族主義刻板印象——王的服裝選擇積極地打破了這些刻板印象。 We need to find ways of talking about women's clothes that respect them as artistic choices, and integral to performance. Dress is becoming more important as questions around diversity and inclusion are pushed to the forefront of institutions' agendas. The London Chamber Orchestra, for example, has recently removed the dress code for its players. Dispensing with the heavily gendered expectations of black tie is partly, Lightfoot says, to celebrate the individuality of the orchestra's players and build an inclusive space for musicians whose “way of expressing themselves physically doesn't fit with that classical music stereotype.” But it's also to create a “mirror between the audience and orchestra,” reaching out to those “who don't feel welcome in a concert hall.” 我們需要找到談論女性服裝的方法，尊重她們的藝術選擇，並且是表演不可或缺的一部分。隨著圍繞多樣性和包容性的問題被推到機構議程的最前沿，著裝變得越來越重要。例如，倫敦室內管絃樂團（London Chamber Orchestra）最近取消了對演奏者的著裝要求。萊特富特說，摒棄對黑色領帶的高度性別化的期望，部分原因是為了慶祝樂團演奏者的個性，併為那些“表達自己身體的方式不符合古典音樂刻板印象”的音樂家建立一個包容性的空間。但這也是為了在觀眾和管弦樂隊之間創造一面鏡子，向那些“在音樂廳里不受歡迎的人”伸出援手。 Moreover, social media has made classical music “so much more visual” says Maxine Kwok, a violinist in the London Symphony Orchestra. Orchestras and soloists alike are now attuned to the branding possibilities it offers, from sharing clips of concerts to photographs of rehearsals in jeans and jumpers. And this can, perhaps, be a way of making musicians more accessible. 此外，社交媒體使古典音樂“更加直觀”，倫敦交響樂團的小提琴家Maxine Kwok說。管弦樂隊和獨奏家現在都適應了它提供的品牌可能性，從分享音樂會的剪輯到穿著牛仔褲和毛衣排練的照片。這也許可以成為使音樂家更容易接近的一種方式。

Siguiendo la sugerencia de un oyente que nos reclama música clásica con másfrecuencia, el programa se detendrá en la audición de música clásica popular, muy asequible, con cuatro de las consideradas mejores pianistas de los últimos tiempos: La portuguesa MA. JOAO PIRES, la japonesa MITSUKO UCHIDA, la argentina MARTHA ARGERICH y la china YUJA WANG.

★ Support the show by becoming a patron: https://www.patreon.com/atpercussion ★ Follow us on:  Facebook: https://www.facebook.com/atperc Instagram: https://www.instagram.com/atpercussion/ PodBean: https://atpercussion.podbean.com/ Hosts: Caleb Pickering, Ben Charles, and Ksenija Komljenović Producer: Ksenija Komljenović Guest: Alex Georgiev (Infinity Percussion) https://www.percussioninfinity.com/ Watch here  Listen below  00:00 Intro 01:36 Music History for December 9: Death of Charles Rosen 03:51 Guest Introduction: Alex Georgiev 05:00 How Infinity Percussion came about 10:00 When did you realize the mallets were professional-quality, and not just a tiny project? 12:05 What are the most necessary skills (both musical and business-related) a person needs to have in order to run a boutique mallet-making company? 15:00 What is good networking? 19:41 What has been the most surprising/challenging facet of doing this line of work? 21:48 Describe the process of designing a mallet. How often do you communicate and check in with the artist/customer? 26:39 Have you ever had any projects go way off-track from the initial idea? 30:12. How do you find a balance between what the artist wants and what the general customers will purchase? How do you learn how to say ‘no'? 32:45 How long does it take to take a project from start to finish? 36:04 For those interested in creating their own instruments or implements - building marimbas or making mallets, for example - what kind of financial expense should they consider it will take to embark on this kind of journey? 45:24 How many people are behind Infinity Percussion? 46:56  You also teach and perform extensively - which already amounts to a busy schedule. How much time does it take to run Infinity Percussion? 50:10 Describing sound qualities is a challenge, even for musicians - we mostly borrow terminology from other senses. How do you ensure that you have an understanding with the customer (artist or buyer) about the qualities they are looking for? 54:14 How do you record sound files to showcase mallets when a microphone by default distorts all sounds? 57:34 Bartok Sonata with Martin Grubinger, Yuja Wang, and the Percussive Planet 1:02:12 Near future plans  

About this Performance: The incomparable Yuja Wang plays John Adams' newest piano concerto, and Gustavo presides over Stravinsky's pulse-pounding vision of pre-historic Russian rituals.   Artists: Los Angeles Philharmonic Gustavo Dudamel, conductor Yuja Wang, piano   Program: GINASTERA: Variaciones Concertantes John ADAMS: Must the Devil have all the Good Tunes? (LA Phil commission) STRAVINSKY: The Rite of Spring    

About the Performance: The astounding Yuja Wang collaborates with Dudamel to give the first-ever performances of John Adams' newest piano concerto, paired with Mahler's beloved song-filled symphony, rife with quintessential Mahlerian touches: nature-inspired lyricism, a funeral march, and explosive crescendos. Program: John ADAMS : Must the Devil Have All the Good Tunes? (world premiere, LA Phil commission with generous support from the Lenore S. and Bernard A. Greenberg Fund) Intermission MAHLER : Symphony No. 1 Artists: Los Angeles Philharmonic Gustavo Dudamel conductor Yuja Wang piano SUN / MAR 10, 2019 - 2:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl