Podcasts about Yuja Wang

What makes a piece of public art “legitimate”? Denverite recently profiled artist Tom Dorsa, an appliance repairman by day who also installs his own artwork when and where he likes. “27 PACKETS OF TACO BELL DIABLO SAUCE” was a fixture on the Cherry Creek Trail – set amongst 48 other city-approved pieces – for more than two years before it was covered up. Podcast host and regular guest Michelle Jackson joins host Bree Davies and producer Olivia Jewell Love to dig into the idea of sanctioned vs. unsanctioned art in public spaces. They also discuss how personal perceptions of the state of downtown can overshadow the actual experience of being there, plus the trio shares their can't-miss concerts for the summer season!  Bree mentioned the Amyl and the Sniffers show tonight at Red Rocks, as well as Sierra Ferrell's appearance in August. Olivia talked about concert pianist Yuja Wang's concert at Chautauqua Auditorium in July. Michelle discussed the free Flobots show on the 4th of July at Levitt Pavilion.  For even more news from around the city, subscribe to our morning newsletter at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm What do you think? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 If you enjoyed this interview with Kelsey Simpkins, the Communications and Programs Manager at the Regional Air Quality Council, learn more here. Learn more about the sponsors of this June 17th  episode: Central City Opera Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise

durée : 00:06:08 - Montée des marches des compositeurs, prix de la meilleure création sonore, œuvre immersive avec Yuja Wang : la musique prend une place de plus importante au Festival de Cannes. Reportage sur place. - réalisation : Sofia Anastasio, Louis-Valentin Lopez Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

„Ef maður er ekki alltaf að, þá er hjartað manns ekki opið fyrir tækifærunum. Í gamla daga voru menn oft að vinna bara fyrir ákveðnar sýningar, en ég held að þetta sé öfugt. Þú bara gerir og gerir og þá kemur sýningin til þín. Þetta er þannig sem þetta virkar,“ segir Gabríela Friðriksdóttir. Í vikunni verður sýndarveruleika innsetningin Playing with Fire, sem hún gerði í samstarfi við píanóstjörnuna Yuja Wang og leikstjórann Pierre-Alain Girraud, frumsýnd í Cannes, en verkið er tilnefnt til Gullpálmans í flokki alltumlykjandi innsetninga. Verkið var frumflutt í Fílharmóníunni í París fyrr í vetur og verður sýnt víða um heim í framhaldinu, en Gabríela segir það vera einskonar mannkynssögu fyrir skilningarvitin. Meira um það í þætti dagsins. Ásta Kristín Benediktsdóttir, bókmenntafræðingur, lítur einnig við og segir frá hinsegin lestri á skáldsögunni Sölku Völku eftir Halldór Laxness, og Haukur Þorgeirsson veltir fyrir sér raunveruleikanum á bak við helgikvæði um konur sem dóu fyrir trúarsannfæringu sína.

Dietmar Mueller-Elmau is the owner of Schloss Elmau, a resort hotel in the Bavarian Alps, 60 miles from Munich. It was set up in 1916 by his grandfather, the philosopher and writer Johannes Müller. He wanted people to take “a holiday from the ego” and to enjoy classical concerts.Over the decades, it hosted performances by the likes of Benjamin Britten, Yehudi Menuhin and Alfred Brendel. Dietmar continues that tradition, with musicians such as Yuja Wang and the Kanneh-Masons, along with jazz concerts, events with writers and philosophers, and the G7 leaders conference – twice. Dietmar's music choices include Mendelssohn, Beethoven, Liszt and Chopin.

Hello Aria Code fans, pianist Emanuel Ax is dropping into the feed to introduce Classical Music Happy Hour, a new podcast he hosts that you might enjoy.  The show is all about the joy in chatting about music with all sorts of people, including some of Manny's dearest friends like pianist Yuja Wang, composer John Adams, actor David Hyde Pierce, and cellist Yo-Yo Ma. So grab a drink and join Manny Ax for music, merriment and conversation. Listen and Subscribe to Classical Music Happy Hour wherever you get your podcasts.  Classical Music Happy Hour is produced by WQXR in partnership with Carnegie Hall.

[@ 2 min] Alright, this week…Countertenor Hugh Cutting takes a Free Throw! The OBS artist-to-watch is set to perform with the Irish Baroque Orchestra in Manhattan later this month ,and joins us from England with dodgy audio...but we're thrilled to have him, at any rate. [@ 17 min] Plus, in the ‘Two Minute Drill'… Yuja Wang makes sure that disc is fully slipped... GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

durée : 01:28:40 - Gary Graffman, pianiste et pédagogue exceptionnel - par : Aurélie Moreau - Gary Graffman s'est perfectionné avec Horowitz et Serkin. Pianiste invité des grands orchestres américains, il se consacre à partir de 1979 au répertoire pour la main gauche, à la suite d'une blessure. Parmi ses élèves : Yuja Wang et Lang Lang. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Fabien Gabel is Music Director of the Tonkünstler-Orchester Niederösterreich, leading concerts across the orchestra's three venues in Vienna. He has established an international career with Orchestre de Paris, Chicago Symphony Orchestra, London Philharmonic, The Cleveland Orchestra, NDR Elbphilharmonie Orchester, Royal Stockholm Philharmonic Orchestra, Orchestre symphonique de Montréal, Seoul Philharmonic and Melbourne Symphony Orchestra. The 2025/2026 season is marked by important collaborations: Fabien made his debut at the Metropolitan Opera with Carmen; he lead a five-city tour of Spain with Yuja Wang and Mahler Chamber Orchestra; and he conducted premiere performances of Samy Moussa's Concerto for Flute and Orchestra (with Emmanuel Pahud) with French National Orchestra and the Detroit Symphony, as well as Donghoon Shin's viola concerto Threadsuns with Minnesota Orchestra and Tonkünstler-Orchester. Fabien works regularly with all major Parisian orchestras, having made his debut at the Opéra national de Paris during the 2022/2023 season. He recently led the recording of a new score for Abel Gance's 1927 epic film Napoléon with the Orchestre National de France and Orchestre Philharmonique de Radio France. The first part of the film was presented at the 2024 Festival de Cannes and shown in theaters, on French television, and Netflix. Born in Paris to a family of accomplished musicians, Fabien Gabel began playinghe trumpet at the age of six and honed his skills at the Conservatoire National Supérieur de Musique de Paris, and at the Hochschule für Musik Karlsruhe with Reinhold Friedrich.        Fabien Gabel was named ‘Chevalier des Arts et des Lettres' by the French government in January 2020.

Au sommaire : Un pôle de recrutement est créé pour répondre aux besoins de l'industrie de la défense, qui fait face à une pénurie de main-d'œuvre avec 10 000 postes vacants.Pour attirer les jeunes abstentionnistes aux élections municipales, le gouvernement s'associe à des applications de rencontres comme Tinder et Happen pour diffuser des messages incitant à aller voter.La Philharmonie de Paris propose une expérience de réalité virtuelle autour d'un concert de la pianiste Yuja Wang, permettant au public d'être immergé dans des paysages fantastiques au rythme de la musique.Le livret A n'attire plus les épargnants français, qui se tournent davantage vers l'assurance-vie, tandis que l'espérance de vie sans pathologie a augmenté de près de 2 ans depuis 2008.Après Nestlé, Lactalis rappelle des lots de lait infantile en raison de la présence d'une bactérie pouvant provoquer des troubles digestifs chez les bébés.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 01:00:12 - Francis Kurkdjian, parfumeur - par : Priscille Lafitte - Francis Kurkdjian est l'un des "nez" les plus recherchés de Paris - pour Dior ou pour sa propre maison Francis Kukrdjian -, l'un des plus mélomanes aussi. Par des collaborations avec des musiciens tels que Klaus Mäkelä, Yuja Wang, Katia et Marielle Labèque, le parfumeur s'approche de la synesthésie. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Robert Schumann (1810 - 1856) - Tre Romanze per violino e pianoforte, op. 941.      Nicht schnell: Moderato 00:002.      Einfach, innig: Semplice, affetuoso 3:083.      Nicht schnell: Moderato 7:17 Joshua Bell, violín Yuja Wang, piano

Vor 75 Jahren wurde Messiaens Turangalîla-Sinfonie uraufgeführt. Zum Jubiläum hat Andris Nelsons sie mit Gästen wie Yuja Wang und Cécile Lartigau in Boston aufgeführt.

Dr. Janneke Wittekoek is cardiologe, gezondheidswetenschapper, en oprichtster van de HeartLife Klinieken. En ze brengt haar spreekkamer naar het theater met De vrouwenhart show! In dit interactieve theatercollege leert ze ons alles over het vrouwenhart. Wist je dat maar liefst 80% van doodsoorzaak nummer 1 de hart-en vaatziekten, voorkomen kunnen worden met een slimme gezonde leefstijl? Dr. Janneke is dus onze perfecte gast in onze laatste aflevering van dit concertseizoen. Een cardioloog luistert naar het hart en wij spelen met ons hart. De oren blijken dus sowieso de weg naar ons mooie hart.. En we blijken inderdaad een hele logische match! Het lijden van ons musicerende hart op het podium. De druk die komt kijken bij presteren op het hoogste niveau elke dag opnieuw. Tegenover het hart van de luisteraar wat wordt beroert. Het welzijn en reguleren van de emoties en het zenuwgestel van de luisteraar. Een tegenstelling die interessante vragen oproept! Wees gewaarschuwd, na deze aflevering staat ons hart in lichterlaaie..! word ik al dente vanen toen je verliefd was weet je nog?helend effectHier de links naar de interessante video van het hartslag onderzoek met Yuja Wang en 'onze' Yannick Nézét-Séguin. En natuurlijk en verplicht bezoek een van de activiteiten van onze lieve Dr. Janneke Wittekoek!Tracking Yuja Wang's heartbeatHeartlife KliniekenDe vrouwenhart showAbonneer nu snel op onze podcast en volg ons op:FacebookInstagramTikTokYoutubeRotterdams Philharmonisch Orkest Hosted on Acast. See acast.com/privacy for more information.

Pianist Yuja Wang is a phenomena in our time. A remarkable artist who is young enough in mind to make shockingly original music on stage, while being experienced enough to navigate the sometimes cut throat world of the classical music industry.  Between the bars host Yannick Dondelinger joins Yuja Wang for a taxi ride to Amsterdam, and an especially informal chat about the genius of Rachmaninov, the joy of China's cuisine, living in the USA, religion, the privacy of Bachs music, performing with the late and great Claudio Abbado, and many many more topics….. enjoy the ride. For a full transcript of the episode, please visit our website.  photo: Yuja Wang © Julia Wesely music excerpts: © Deutsche Grammophon (2011): Yuja Wang/Mahler Chamber Orchestra/Claudio Abbado: Rachmaninov - Paganini Rhapsody 

Birželio 12 d. Valdovų rūmuose atidaroma paroda, skirta vienam žymiausių Abiejų Tautų Respublikos XVIII a. tapytojų Simonui Čechavičiui.Klaipėda mini Simono Dacho metus.Kėdainiuose planuojama restauruoti seniausią Lietuvoje mūrinį minaretą.Pasaulio muzikos naujienose kompozitorius Jurgis Kubilius pasakoja apie trimitų vagis Nyderlanduose, pianistės Yuja Wang virtualios realybės koncertą ir Veronoje prasidedantį operos festivalį.Rubrikoje „Be kaukių“ – menininkė Agnė Gintalaitė.Ved. Donatas Šukelis

   Viaxamos ao París de inicios do s. XX, para descubrir algo máis sobre a Historia da Arte Contemporánea, seguindo a guia das obras seleccionadas polo grupo de Historia de Arte da CIUG para as probas PAU.  Obra: A alegría de vivir, de Henri Matisse.    Serie: Historia da Arte Contemporánea, Historia da Arte, 2º de Bacharelato.Músicas:Sintonía (Creative Commons Attribution 3.0): District Four, de Kevin MacLeod (https://incompetech.com), Temptation March, de Jason Shaw (http://audionatix.com).  A consagración da primavera, de Igor Stravinsky, interpretado por Yuja Wang & Martin Grubinge.Este pódcast está baixo a licencia CC BY-NC 4.0.  Máis recursos en: facemoshistoria.gal

In deze twijfelachtige aflevering komen er 2 onderwerpen ter sprake. We trappen af met de eeuwige twijfel en onzekerheid. Prachtig verwoord door de living legend Sir. Simon Rattle. En we kijken naar de imposante carrières van twee legendes van onze eigen kopersectie. Tubaïst Hendrik-Jan Renes heeft nog een handje vol concerten te gaan en dan mag hij aan zijn welverdiende pensioen beginnen. In de Solistenkamer bespreken we onder andere met hem hoe de twijfel zich manifesteerde gedurende zijn carrière. En "Het verhaal uit de zaal" komt deze keer van niemand minder dan oud-collega en hoornist Jos Buurman. Onze Pierre zit op zijn stoel, en we bespreken hoe het toch komt dat die stoel zo heet is. Speelt Jos nog? Komt hij nog wel eens luisteren? Duidelijk wordt dat deze legendes niet voor 1 pensioengat zijn te vangen. Het pareltje is deze keer van Jos Buurman. Hij vertelt dat op tournee met Yuja Wang het toegift hem altijd in de juiste stemming bracht :)Je kan niet tegen de wind in plassen..Jan-GhendrikHet staat er maar 1 keer.Abonneer nu snel op onze podcast en volg ons op:FacebookInstagramTikTokYoutubeRotterdams Philharmonisch Orkest Hosted on Acast. See acast.com/privacy for more information.

Dans cet épisode du podcast Louis Vuitton [EXTENDED], Loïc Prigent reçoit Yuja Wang, pianiste prodige et Ambassadrice de la Maison, connue pour ses performances époustouflantes, ses interprétations audacieuses et son sens du style affirmé. Yuja revient sur son parcours, de la découverte du piano dès son plus jeune âge à sa redéfinition créative de la musique classique, tout en partageant comment la mode renforce son assurance sur scène. Cette conversation inspirante offre un aperçu de la vie d'une artiste alliant innovation et singularité.

In this episode of the Louis Vuitton [EXTENDED] Podcast, host Loïc Prigent welcomes Yuja Wang, a prodigy pianist and House Ambassador for Louis Vuitton renowned for her breathtaking performances, fearless interpretations, and bold sense of style. Yuja reflects on her journey from discovering the piano at a young age to redefining classical music with creativity, sharing how fashion empowers her on stage. This joyful conversation offers a glimpse into the life of an artist who effortlessly blends innovation and individuality.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:08:56 - Le Disque classique du jour du vendredi 24 janvier 2025 - Andris Nelsons dirige la vaste partition de Messiaen avec les forces du Boston Symphony Orchestra mais aussi la pianiste Yuja Wang et Cécile Lartigau aux ondes Martenot. Une Turangalîla-Symphonie à ne pas manquer !

durée : 00:08:56 - Le Disque classique du jour du vendredi 24 janvier 2025 - Andris Nelsons dirige la vaste partition de Messiaen avec les forces du Boston Symphony Orchestra mais aussi la pianiste Yuja Wang et Cécile Lartigau aux ondes Martenot. Une Turangalîla-Symphonie à ne pas manquer !

Yunjie Chen ist nicht so bekannt wie seine chinesischen Kollegen Lang Lang und Yuja Wang. Aber auch er ist ein exzellenter Pianist. Das stellt er jetzt mit der Einspielung aller zehn Klaviersonaten des russischen Komponisten und geheimnisvollen Mystikers Alexander Skrjabin unter Beweis.

Each generation of classical music lovers may wonder if their generation will be the last to truly enjoy the fusion of beautiful sound and emotional depth expressed by the master composers and performers of this centuries-old artistic tradition. Changing economic and social pressures in the early 21st century dented the interest in classical music in the West, a trend exacerbated by the COVID pandemic. But other forces of change are also at work, including a rapidly increasing interest in Asia following upon the worldwide success, among other performers, of Lang Lang and Yuja Wang (both of whom were discovered and whose early careers were managed for several years by Earl Blackburn). Blackburn will explore what it means to make a career work in today's classical music industry and will discuss the principles that help thousands of great artists continue to grow both artistically and commercially. Decades ago careers in classical music necessitated getting a powerful agent. Now the tables have flipped somewhat. The creation of classical music has become much more of a collaboration among artist, agent, concert presenter and the audiences who enjoy this art form. Everyone involved is given a chance to test what it means to exercise their imaginations, creating beauty out of sound. Blackburn will be joined in this discussion by one of his artists, the prize-winning violinist Nancy Zhou, who will also perform. Organizer: George Hammond   A Humanities Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's my Classicstoday.com review: https://www.classicstoday.com/review/built-last-murray-perahias-masterful-hammerklavier/. And here's a review I wrote comparing both Murray Perahia and Yuja Wang performing the Hammerklavier in New York on consecutive weekends in New York: https://www.classicstoday.com/tale-two-hammerklaviers/

Fünf Zugaben! So viele gab es gestern bei dem Konzert von Yuja Wang und Víkingur Ólafsson in der Isarphilharmonie in München. Das Programm: abwechslungsreich mit zeitgenössischer Kunst und große Werke von Schubert oder Rachmaninow. Die Musiker: zwei spannende Individualisten, die unterschiedlicher nicht sein könnten. Wie viel Einigkeit es auf der Bühne gab, darüber sprechen Uta Sailer und Denise Maurer.

Magnús Sigurðsson rithöfundur verður gestur okkar í dag en hann var að gefa út bókina Glerþræði, etnógrafísk brot. Í Glerþráðunum fléttar Magnús atvikum og persónum úr sögu landsins listilega saman og tengir við sögur úr nútímanum á einstakan hátt. Þetta er form sem Magnús hefur áður unnið með, en í þetta sinn vinnur hann einungis úr rammíslenskum heimildum. Heimildum sem margar hverjar komu úr bókahillunni á Eiðistorgi á Seltjarnarnesi þar sem hægt er að nálgast gefins bækur. Í kvöld verður frumsýnd heimildarmyndin, Dagurinn sem Ísland stöðvaðist, en hún fjallar um aðdraganda Kvennaverkfallsins 1975. Hrafnhildur Gunnarsdóttir meðhöfundur og framleiðandi myndarinnar verður einn af gestum okkar í dag. Arndís Björk Ásgeirsdóttir rýnir í Sinfóníutónleikana sem fram fóru 17.október síðastliðinn og tónleika Yuja Wang og Víkings Heiðars og Katla Ársælsdóttir rýnir í Litlu hryllingsbúðina í uppsetningu Leikfélags Akureyrar.

Víkingur Heiðar kemur í heimsókn og segir frá tónleikaferð þeirra Yuja Wang sem hefst í Hörpu um helgina. Bæði teljast þau til stórstjarna í hinum alþjóðlega tónlistarheimi, en það er óvenjulegt að tveir píanóleikarar fari í tónleikaferð saman, hvað þá listamenn af þessu kaliberi. Meira um það í þætti dagsins. Við heyrum líka af forvitnilegri sýningu Arnar Alexanders Ámundasonar sem nú stendur yfir í Skaftfelli. Sýningin, sem kallast Titill á sýningu, inniheldur eiginlega ekkert nema ímynduð viðbrögð við sýningunni í fjölmiðlum og á facebook, og sum gagnrýnin er ansi óvægin. Arndís Björk Ásgeirsdóttir rýnir í tvo viðburði sem fram fóru á State of the Art hátíðinni og við heyrum einnig brot úr viðtali við nýbakaðan verðlaunahafa Bókmenntaverðlauna Tómasar Guðmundssonar.

Link to purchase: https://www.prestomusic.com/classical/products/9613664--the-vienna-recital

HT1957 - Layers of Understanding I went to a piano recital last night featuring the world-famous Yuja Wang. Wow. But there is more to this story than I listened to some music.

Teddy Abrams, Musical America's 2022 Conductor of the Year, starts his tenth season as music director of the Louisville Orchestra in the fall of 2024.  Teddy has been the galvanizing force behind the orchestra's extraordinary artistic renewal and commitment to innovative community engagement since his appointment in September 2014. Teddy is also a prolific and award-winning composer.  We'll hear an excerpt from his piano concerto written for his regular collaborator Yuja Wang, with whom he and the Louisville Orchestra made their Deutsche Grammophon debuts on the virtuoso pianist's March 2023 release, The American Project. He is now at work on ALI, a new Broadway musical about boxing legend and activist Muhammad Ali, which is scheduled to receive its fall 2024 world premiere in Louisville, the boxer's birthplace, before opening on Broadway in spring 2025. Teddy Abrams remains in high demand as a guest conductor, which is how I met him.

Our updated list of the year's best songs includes a sweet reflection from beabadoobee, Nathy Peluso's wildly infectious "Aprender A Amar," the mind-blowing virtuosity of pianist Yuja Wang and more.Featured songs and artists:1. Nathy Peluso: "APRENDER A AMAR," from 'GRASA'2. Jakob Lindberg: "Musette" and "Tombeau" from 'Robert de Visée: Theorbo Solos'3. Brijean: "Workin' On It," from 'Macro'4. Yuja Wang: "Danzón No. 2 (Marquez)," from 'The Vienna Recital'5. beabadoobee: "Coming Home," from 'This Is How Tomorrow Moves'6. Grupo Frontera & NICKI NICOLE: "DESQUITE," from JUGANDO A QUE NO PASA NADA'Enjoy the show? Tell a friend and leave us a review!Question, comments or any feedback always welcome at allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Yuja Wang steht für unbestechlich pianistisches Können. Sie begeistert einmal mehr mit ihrem neuen Album "The Vienna Recital". Aufgenommen im Wiener Konzerthaus am 26. April 2022, unterstreicht dieses Live-Album ihr Alleinstellungsmerkmal. Wer das auf Ihr Äußeres reduziert, hat verloren. Mehr von Musikchefin Ursula Magnes.

Researchers at the University of Chicago took a fairly standard large language model of AI and fed it a bunch of balance sheets and income statements and asked it to make predictions about earnings. In backtests, AI beat human calls by a small margin, and outperformed the market generally. Have fund managers been dealt yet another kill shot? Katie Martin and Robert Armstrong discuss, and go long shareholder commitments, and the musical genius of Yuja Wang.For a free 30-day trial to the Unhedged newsletter go to: https://www.ft.com/unhedgedofferYou can email Robert Armstrong at robert.armstrong@ft.com and Katie Martin at katie.martin@ft.com. Hosted on Acast. See acast.com/privacy for more information.

A playlist dedicated to the cross-pollination between jazz and classical music or opera, with jazz musicians inspired by classical music and classical music composers and pianists nodding to jazz. The playlist features John Ellis; Yuja Wang; Brad Mehldau [pictured]; Enrico Pieranunzi; Marcella Carboni. Detailed playlist at https://spinitron.com/RFB/pl/19003066/Mondo-Jazz [from "Gypsy Song" to "Canto Nascosto"]. Happy listening!

LITTERATURVECKAN I P1 UPPLÄSNING: Robert Fux Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: ”Den läsande flickan” av Staffan LarssonDIKTSAMLING: Sub Rosa (Albert Bonniers förlag, 1953)MUSIK: Felix Mendelssohn: Lied ohne worte op 67 nr 3EXEKUTÖR: Andreas Ottensamer, klarinett och Yuja Wang, piano

Los Angeles, the city in which Sergei Rachmaninoff (1873-1943) spent the last few months of his life, played host to an exceptional festival of music last February. As part of this year's Rachmaninoff 150 celebrations, Yuja Wang joined the Los Angeles Philharmonic and its Music and Artistic Director Gustavo Dudamel over two consecutive weekends to perform all four of the composer's piano concertos and the Rhapsody on a Theme of Paganini. Deutsche Grammophon were there to capture their sold-out and critically acclaimed performances live at Walt Disney Concert Hall. Rachmaninoff: The Piano Concertos and Paganini Rhapsody is now set for release on 2 CDs, 3 LPs, and digitally on 1 September 2023. The Allegro vivace finale of Piano Concerto No. 1 comes out as an e-single and e-video on 23 June; the filmed cycle of five performances will be premiered on STAGE+ on 24 June and will also be available on the LA Phil's online concert series SOUND/STAGE later in September. Track Listing:1 Piano Concerto No. 2 in C minor op. 18 – 1. Moderato2 2. Adagio sostenuto3 3. Allegro scherzando 4 Piano Concerto No. 1 in F sharp minor op. 1 – 1. Vivace – Moderato5 2. Andante6 3. Allegro vivace 7 Piano Concerto No. 4 in G minor op. 40 – 1. Allegro vivace8 2. Largo9 3. Allegro vivace 10 Rhapsody on a Theme of Paganini op. 43 – Introduction – Variation I11 Tema12 Variation II13 Variation III14 Variation IV15 Variation V16 Variation VI17 Variation VII18 Variation VIII19 Variation IX20 Variation X21 Variation XI22 Variation XII23 Variation XIII24 Variation XiV25 Variation XV26 Variation XVI27 Variation XVII28 Variation XVIII29 Variation XiX30 Variation XX31 Variation XXI32 Variation XXII33 Variation XXIII34 Variation XXIV 35 Piano Concerto No. 3 in D minor op. 30 – 1. Allegro ma non tanto36 2. Intermezzo. Adagio37 3. Finale. Alla breveHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

ÖVERSÄTTNING: Per Hallström UPPLÄSNING: Clas Göran Söllgård Önskad av Lars-Göran Persson i Lund. Lyssna på alla avsnitt i Sveriges Radio Play. ”Till hösten” av John KeatsDIKTSAMLING: Originalet (To autumn) från 1819. Översättningen publicerad första gången 1914. Hämtad ur All världens lyrik (Bonniers, 1943)MUSIK: Johannes Brahms: Wie Melodien zieht es mirEXEKUTÖR: Andreas Ottensamer, klarinett, Yuja Wang, piano

durée : 00:05:11 - Classic & Co - par : Anna Sigalevitch - Rachmaninov ce matin, pour célébrer les 150 ans de la naissance du compositeur, la pianiste Yuja Wang interprète avec l'orchestre philharmonique de Los Angeles sous la direction de Gustavo Dudamel les Concertos et la Rhapsodie sur un thème de Paganini… (double album paru chez Deutsche Grammophon)

Yuja Wang gives a dazzling solo performance in the world premiere recording of a major new work specially written for her by her friend Teddy Abrams. Although originally conceived as a short companion composition to Gershwin's Rhapsody in Blue, Abrams' Piano Concerto blossomed to become a 35-minute standalone showpiece. Celebrating the richness of America's musical culture and the sheer depth and breadth of Yuja Wang's virtuosity, the work now features on Yuja Wang · The American Project. Also included on the album is You Come Here Often?, created for the star pianist by another close friend, Michael Tilson Thomas. Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In this episode, podcast host Sarah Willis welcomes pianist Yuja Wang. Join them for a lively and fun conversation to find out more about Yuja's new album "The American Project“, playing boogie woogie and jazz and also about her friendship with conductor and composer Michael Tilson Thomas.

Pianist Zsolt Bognár had a light-bulb moment while building his first artist website in 2012. What if, instead of short clips of his performances — something every pianist publishes on their website — he interviewed his musician friends about their craft and careers? Inspired by Bognár's love for Bravo's Inside the Actor's Studio, the first iteration of the web series that would become Living the Classical Life was born. And more than a decade later, it has grown into an incredibly popular, award-winning show that's featured the best of the best in the classical music world. With more than three million views on YouTube alone, Bognár's in-depth conversations with the likes of Daniil Trifonov, Yuja Wang, Joyce DiDonato, Lisa Batiashvilli, and Susanna Mällki illuminate the inner world of classical musicians — revealing the passions, fears, and rewards that fuel their lives in music. To find success in today's content-saturated landscape, Bognár knew he would need to build a network of like-minded professionals who could support his vision for Living the Classical Life not only as a creative outlet, but as a business venture. That's a perspective he hopes to impart on anyone seeking advice on launching a new project. "Seek out people who you are really on the same wavelength with," Bognár shares on the latest episode of the Classical Post podcast, "or you may not have the same values that can connect you with others you'll resonate with. This is a world of business, as much as we don't like to think in those terms. Identify the people whose qualities you trust." In this episode, Bognár and I talk more about the early days of Living the Classical Life — when it was simply called Zsolt Bognár and Friends — as well as the mix of hard work, luck, and opportunity that helped the show take off, and the importance of strategic introductions, no matter your industry. Full disclosure: I have a very close relationship with Living the Classical Life. I'm a member of the Board of Directors and have regularly advised Bognár on the show's branding, outreach, and marketing over the past 10 years. It's been my absolute pleasure to see how Living the Classical Life has grown over the past decade, and I hope this deep dive into the show's evolution inspires you in your own creative journeys. — Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Yuja Wang!

HIGHLIGHTS FROM EPISODE 4:Janet Fitch talks about seeing a three-hour concert with Leonard Cohen; Joni Mitchell; what she'd ask Patti Smith, Björk, Neil Young, and Leonard Cohen if she could; creating an “I will survive” music playlist; Amy Winehouse; Janis Joplin; X; Nico; Jackson Brown.Janet and I talk about some of the major themes of her novel ‘Paint it Black'; grief and the aftermath of suicide; the significance of the title of her novel; the freedom that punk rock gives fans and musicians alike; why ‘Paint it Black' is a punk rock novel as opposed to a more generalized rock novel; how each of the three main characters in ‘Paint it Black' has their own distinct soundtrack; classical music and early 20th century Americana music; L.A. punk, especially The Germs and The Cramps; the deaths of John Lennon and Darby Crash; the changing punk scene in L.A. in the early ‘80s; how the Ingmar Bergman film ‘Persona' influenced the creation of Janet's novel; Janet's experience as a student filmmaker in the ‘80s; the 1913 poem “Trans-Siberian Prose and Little Jeanne from France”; the movie adaptation of ‘Paint it Black'.Pleasant Gehman talks about the beginning of the L.A. punk scene and her involvement in it. She mentions various bands and iconic L.A. punk rock venues, becoming friends with Darby Crash and Pat Smear of The Germs before they were in The Germs and dating Pat Smear, smoking pot with Tony Curtis, rooming with Belinda Carlisle and smoking pot with Screamin' Jay Hawkins at Disgraceland, hanging out with Joan Jett.To hear more from Pleasant about her involvement with some of the hottest punk bands in L.A. in the early ‘80s, including The Cramps, The Weirdos, Blondie, The Damned, X, and Black Flag, and how the scene began to deteriorate, listen to the outtake from this episode in the Rock is Lit Vault.Nicole Panter shares her memories of being friends with and managing The Germs; Darby Crash's childhood; why Germs shows were a trainwreck; Darby's abuse of alcohol and drugs; the making of The Germs' album, including Joan Jett's involvement; ‘The Decline of Western Civilization' documentary, in which Nicole and The Germs are featured; why Nicole stopped managing the band; Darby's fascination with Adam Ant; how Nicole heard about Darby's death; Nicole's dislike of the biopic about Darby and The Germs, ‘What We Do Is Secret', and The Germs reunion tour with the actor who played Darby in the film, Shane West; the legacy of The Germs. CLIPS OF MUSIC PLAYED IN THE EPISODE IN ORDER OF APPEARANCE:"Paint it Black" by the Rolling Stones"Land" by Patti SmithBrahms Piano Concerto No. 2 in B-flat major Op. 82, played by Yuja Wang with the Munich Philharmonic, conducted by Valery Gergiev, Dec 1, 2018“West End Blues” by Louis Armstrong“What We Do Is Secret” by The Germs“Human Fly” by The CrampsErich Wolfgang Korngold: ‘Kings Row', Main Title, music for the 1941 film“Our Way” by The Germs“Media Blitz” by The Germs“American Leather” by The GermsTwo short clips from the 1981 documentary 'The Decline of Western Civilization', directed by Penelope Spheeris,  featuring Darby Crash and The Germs appear in the episode. CONTACTS: Janet Fitch's websiteJanet Fitch Twitter, @JanetFitch323Janet Fitch Instagram, @janetfitch323Pleasant Gehman's websitePleasant Gehman Twitter, @PleasantGehman1Pleasant Gehman Instagram, @princessofhollywoodThe Devil's Music With Pleasant Gehman podcastBelle, Book, and Candle, Instagram, @belle_book_and_candleNicole Panter Instagram, @poseypChristy Alexander Hallberg's websiteChristy Alexander Hallberg Instagram, @christyhallbergChristy Alexander Hallberg Twitter, @ChristyHallbergChristy Alexander Hallberg YouTubeRock is Lit Vault

HIGHLIGHTS FROM EPISODE 4: Janet Fitch talks about seeing a three-hour concert with Leonard Cohen; Joni Mitchell; what she'd ask Patti Smith, Björk, Neil Young, and Leonard Cohen if she could; creating an “I will survive” music playlist; Amy Winehouse; Janis Joplin; X; Nico; Jackson Brown. Janet and I talk about some of the major themes of her novel ‘Paint it Black'; grief and the aftermath of suicide; the significance of the title of her novel; the freedom that punk rock gives fans and musicians alike; why ‘Paint it Black' is a punk rock novel as opposed to a more generalized rock novel; how each of the three main characters in ‘Paint it Black' has their own distinct soundtrack; classical music and early 20th century Americana music; L.A. punk, especially The Germs and The Cramps; the deaths of John Lennon and Darby Crash; the changing punk scene in L.A. in the early ‘80s; how the Ingmar Bergman film ‘Persona' influenced the creation of Janet's novel; Janet's experience as a student filmmaker in the ‘80s; the 1913 poem “Trans-Siberian Prose and Little Jeanne from France”; the movie adaptation of ‘Paint it Black'. Pleasant Gehman talks about the beginning of the L.A. punk scene and her involvement in it. She mentions various bands and iconic L.A. punk rock venues, becoming friends with Darby Crash and Pat Smear of The Germs before they were in The Germs and dating Pat Smear, smoking pot with Tony Curtis, rooming with Belinda Carlisle and smoking pot with Screamin' Jay Hawkins at Disgraceland, hanging out with Joan Jett. To hear more from Pleasant about her involvement with some of the hottest punk bands in L.A. in the early ‘80s, including The Cramps, The Weirdos, Blondie, The Damned, X, and Black Flag, and how the scene began to deteriorate, listen to the outtake from this episode in the Rock is Lit Vault. Nicole Panter shares her memories of being friends with and managing The Germs; Darby Crash's childhood; why Germs shows were a trainwreck; Darby's abuse of alcohol and drugs; the making of The Germs' album, including Joan Jett's involvement; ‘The Decline of Western Civilization' documentary, in which Nicole and The Germs are featured; why Nicole stopped managing the band; Darby's fascination with Adam Ant; how Nicole heard about Darby's death; Nicole's dislike of the biopic about Darby and The Germs, ‘What We Do Is Secret', and The Germs reunion tour with the actor who played Darby in the film, Shane West; the legacy of The Germs.   CLIPS OF MUSIC PLAYED IN THE EPISODE IN ORDER OF APPEARANCE: "Paint it Black" by the Rolling Stones "Land" by Patti Smith Brahms Piano Concerto No. 2 in B-flat major Op. 82, played by Yuja Wang with the Munich Philharmonic, conducted by Valery Gergiev, Dec 1, 2018 “West End Blues” by Louis Armstrong “What We Do Is Secret” by The Germs “Human Fly” by The Cramps Erich Wolfgang Korngold: ‘Kings Row', Main Title, music for the 1941 film “Our Way” by The Germs “Media Blitz” by The Germs “American Leather” by The Germs Two short clips from the 1981 documentary 'The Decline of Western Civilization', directed by Penelope Spheeris, featuring Darby Crash and The Germs appear in the episode.   CONTACTS:  Janet Fitch's website Janet Fitch Twitter, @JanetFitch323 Janet Fitch Instagram, @janetfitch323 Pleasant Gehman's website Pleasant Gehman Twitter, @PleasantGehman1 Pleasant Gehman Instagram, @princessofhollywood The Devil's Music With Pleasant Gehman podcast Belle, Book, and Candle, Instagram, @belle_book_and_candle Nicole Panter Instagram, @poseyp Christy Alexander Hallberg's website Christy Alexander Hallberg Instagram, @christyhallberg Christy Alexander Hallberg Twitter, @ChristyHallberg Christy Alexander Hallberg YouTube Rock is Lit Vault Learn more about your ad choices. Visit megaphone.fm/adchoices

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022.In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt.Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018. 

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022. ​ In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt. ​ Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018.  ​ Dedicated to music education and outreach, Marlon is a jazz faculty member of CSArts San Gabriel Valley. He also serves as a double bass coach for the Capistrano Unified School District, and collaborates with the Inner City Youth Orchestra of Los Angeles. With the support of the Colburn School and Billy Strayhorn Songs Inc., Marlon will record educational lectures and performances on the music of Billy Strayhorn, with Marlonius Jazz Orchestra, for Colburn School's Amplify Series in 2022.

Andris Nelsons is Music Director of the Boston Symphony Orchestra and the the Leipzig Gewandhaus Orchestra. With both appointments, and in leading a pioneering alliance between these two esteemed institutions, Nelsons is widely considered as one of the most renowned and innovative conductors on the international scene today. In October 2020, the BSO and GHO jointly announced extensions to Mr. Nelsons' contracts. His contract with the BSO was extended until 2025, and his GHO contract until 2027. Tonight's BSO Opening Night concert begins with a benediction by Leonard Bernstein, a setting in Hebrew for baritone that was the composer's last work with orchestra; baritone Jack Canfield makes his BSO debut. The brilliant Chinese pianist Yuja Wang performs Franz Liszt's Piano Concerto No. 1. And Igor Stravinsky's revolutionary 1913 ballet score The Rite of Spring will be performed.

¡Penúltimo episodio de la temporada! Compositor, director y pianista, trás Debussy, Ravel es considerado el segundo compositor francés más importante de todos los tiempos. Su Bolero es una de las piezas de música clásica más escuchadas en todo el mundo, pero en este episodio podrán conocer muchas otras más que también son igual de increíbles. ¡No te lo pierdas!   LO QUE VAN A ESCUCHAR EN ESTE EPISODIO 00:36  Boléro, M. 81. Interpretado por London Symphony Orchestra & Arpad Jóo. 02:57  Tabuhan Djoged. Interpretado por Gamelan Angklung.  04:53  Introduction et Allegro Pour Harpe, Flûte, Clarinette et Quatuor à Cordes. Interpretado por Academy of St. Martin-in-the-Fields Chamber Ensemble. 06:34  Introduction et Allegro Pour Harpe, Flûte, Clarinette et Quatuor à Cordes. Interpretado por Academy of St. Martin-in-the-Fields Chamber Ensemble. 07:41  Gaspard de la Nuit, M.55, II: Le Gibet. Interpretado por Seong-Jin Cho.  09:59  Piano Concerto for the Left Hand in D Major, M. 82: II. Allegro. Interpretado por Yuja Wang, Tonhalle-Orchester Zürich & Lionel Bringuier.  12:50  Daphnis et Chloe: Part III: Lever du jour. Interpretado por Bordeaux Aquitaine National Orchestra & Laurent Petitgirard. 13:56   Gaspard de la Nuit, M.55, III: Scarbo. Interpretado por Seong-Jin Cho. 15:13  Miroirs, M.43: 3. Une barque sur l'océan. Interpretado por Lilya Zilberstein.  16:14  Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19. Interpretado por London Symphony Orchestra & Arpad Jóo.  17:36  Ma Mère l'Oye. Interpretado al piano por Lucas & Arthur Jussen.  19:13  Boléro, M. 81. Interpretado por London Symphony Orchestra & Arpad Jóo.   Notas del episodio en http://www.allegromagico.com/99 Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan con nosotras sobre música clásica.   ¿Quieres aprender lo básico sobre música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos. ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños y con nuestro cuento podrán conocerla además de aprender muchas cosas interesantes. Ver audiolibro y booklet. ¿Quieres apoyar de otra forma a Allegro Mágico? Tenemos un tarro de propinas para todos aquellos que aman nuestro trabajo y quieren apoyar el proyecto. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com 

Yuja Wang, Verbier Festival Orchestra Mendelssohn: Piano Concerto No. 1 in G minor, Op. 25 Mendelssohn: Piano Sextet in D Major, Op. 110 Purchase the music (without talk) at:Yuja Wang Plays Mendelssohn (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.