Podcasts about lasse marhaug

Electro-acoustic sound-manipulation rubs shoulders with extended techniques on acoustic instruments, while influences from ’80s industrial, ’70s krautrock, ’00s folktronica and ’90s dub techno can be found alongside indie rock, breakbeat, and good ol’ classic freeform noise. It’s Sunday. It’s Utility Fog. LISTEN AGAIN to good ol’ classic freeform ‘fog. Stream on demand at fbi.radio, podcast here. Bibi Club – A Different Light [Secret City Records/Bandcamp] Bibi Club – Le Styx [Secret City Records/Bandcamp] The Montréal duo of Adèle Trottier-Rivard and Nicolas Basque are Bibi Club, a name which presumably makes more sense to French speakers, but their songs are split fairly evenly between French & English. Their quirky indie pop, part jangly guitars and part electronic, owes something to the British-French band Stereolab (who they covered last year), as well as Francophone indie music that often gets tagged with “chanson”, the French word for “song”. From their lovely third album Amaro, I started tonight with a driving piece of postpunk that clearly shows their debt to Blonde Redhead, which segues into an instrumental that loops part of the krautrocky groove and introduces hovering drones and sampled operatic voices. This might just be the emotional avant-garde indie rock you’ve been looking for. The Notwist – The Turning [Morr Music/Bandcamp] In 2001, German band The Notwist, having begun as hardcore punks and transitioned through emo to some kind of indie rock, released their breakthrough album Neon Golden – a significant date only in that a couple of years later was when I started Utility Fog on the newly-official FBi Radio. Arguably with their 1998 album Shrink, The Notwist were well on the way to their hybrid genre that we perhaps briefly called “indietronica”, with influences from IDM, drum’n’bass and techno as well as krautrock combined with indie rock. Meanwhile, Thomas Morr founded his Morr Music label in 1999, which quickly became a home to a similar clade of indie/IDM, shoegaze-tronic bands – many of which involved members of The Notwist, particularly brothers Micha and Markus Acher. It wasn’t actually until 2020 that The Notwist themselves signed to Morr Music, but it’s always seemed their spiritual home. The band’s new album News from Planet Zombie is perhaps their most “rock” album for some time, intentionally splitting from their studio-mediated workflows by bringing the whole band together to write & perform these songs in person. 10 years ago Superheroes, Ghostvillains + Stuff documented The Notwist’s live setup at the time, with modular synths & other electronics prominent alongside the (kraut)rock instruments; here the electronics are less prominent but clearly an integral part of whatever The Notwist does; but it’s the undeniable, distinctive songwriting that can’t help but shine through. Daniel Jumpertz – I Would Never Do That To You [Feral Media/Bandcamp] In the early days of Utility Fog/FBi, Danny Jumpertz was a strong supporter of Utility Fog, and the indietronica, folktronica and postrock sides of the playlists were reflected in the sorts of music he released on his Feral Media label. For a while now the in-the-family indie rock band Clairaudience has been his main musical outlet, but he’s now begun releasing a cache of solo songs, I believe once a month, starting with the stirring “Everything Is Lost” and now followed by the pretty krautrocky “I Would Never Do That To You“. From Jumpertz’ time in NYC, producer Abe Seiferth contributes “wig-out Moog mayhem”, which you’ll recognize as soon as you listen to the song! Looking forward to more in coming months. Praed – Assarab السراب [Ruptured Records/Bandcamp/Annihaya Records/Bandcamp] Now 20 years old, Praed is the combination of two Lebanese musicians, clarinettist/composer/more Paed Conca (part-Switzerland-based) and bassist/sound-artist/more Raed Yassin (part Berlin-based). The music – sometimes billed as “PRAED Orchestra” with friends from the MENA/SWANA region and Europe – draws from Egyptian street music (Shaabi, now mutating into Mahraganat) and the traditional Sufi spiritual/trance music Mulid, both in their ways based around hypnotic, repetitive beats. It’s always psychedelic, swirling, extremely rhythmic, a free jazz of Lebanese & Egyptian music. While new album Al Wahem الوهم is back in duo formation, they are still joined by many talented Beirut musicians (the album was recorded at Tunefork Studios in Beirut). As always this music is full of joy and yearning, and neverending forward motion. Simo Cell & Abdullah Miniawy – Living Emojis [Dekmantel/Bandcamp] Simo Cell & Abdullah Miniawy – Easing The Hearts [Dekmantel/Bandcamp] In 2020, French beatmaker Simo Cell and Egyptian singer, poet, trumpeter, composer & more Abdullah Miniawy teamed up for a frankly game-changing mini-album, Kill Me Or Negotiate. Simo’s music is equal parts UK bass, US bass and French club, transforming the Arabic vocals and jazz-trained trumpet of Miniawy, who had collaborated extensively with the post-dubstep kraut-tronic band Carl Gari (not to mention his own laptop experiments, no longer available online). The pair are not afraid to abstract Miniawy’s lyrics into cut-up samples, nor are they afraid to let him fly with gorgeous melodicism. Their second outing together is the brilliant album Dying Is The Internet, whose title couldn’t be more apposite really – it feels like it’s bringing the world down with it, and while you probably couldn’t blame Netanyahu on the internet, surely Trumpianism is as much a product of what the internet’s become as, well, all the other shit. There’s real humanity in these tracks, as well as futuristic technology; high drama and low grooves. If the internet’s dying, let this be the future. Damos Room – Molars [Limbo Tapes/Bandcamp] I’m not sure who Damos is or what’s in their Room, but signs point to it being three guys: Luke Miles, Nicholas Elson & Huw Oleskar. I’ve just found out (because they told me, nothing underhand) that Huw Oleskar is also known as Elijah Minnelli, responsible for some of the most interesting and lovely dub-folk hybrids in recent times, ostensibly under the auspices of Breadminster County Council. As for Damos Room, you can find a series of fantastic, weirdly-shaped releases on their Bandcamp, including a mixtape of two bizarre 40-minute radio pieces, some quasi-singles of abstracted dub/spoken-word/electronics, and the experimental electronics of their collaboration with rapper LYAM, which I played on this show a few years back. The band finally have an album coming, and Walk With The Militia… is not that album. It’s a mixtape, entirely in keeping with the mystery what all this is about. It collects a whole lot of weird shit, but it’s all dub-based experimental electronics, with Minnelli’s distinctive spoken word & low-key singing, odd radio interludes and noise bits and so on. It’s really fantastic. No doubt All Shall Go, the real album, will be well worth bending your ear to when it comes out in only a few weeks! New Age Doom featuring H.R. – We’re All the Same [We Are Busy Bodies/Bandcamp] Having previously collaborated with Lee “Scratch” Perry, Canadian collective New Age Doom know a thing or two about combining freeform psychdedelic noise with dub. Their latest collaborator H.R. co-founded Bad Brains, some of the earliest hardcore punks who combined rasta philosophy and reggae with their punk music. It appears that for all the peace-and-love preaching, H.R.’s fundamentalist religious outlook inherits the homophobia rampant in Rastafarianism, but that’s not apparent in these songs, thankfully. This is swirling dub with some excellent electric violin from Alina Petrova. DJ Sprinter – Floaterr [unreleased] Oslo’s DJ Sprinter has popped up in the last year and a bit as an absolutey top-tier producer of bass-heavy breakbeat. You can find a whole lot on his Bandcamp, but the other day he invited followers to message him on Instagram for some unreleased cuts, so I did, and I’ve brought you one tonight. Just as great as the plethora of stuff he’s already put out there, irresistible grooves. Rotate – Hot Glue [YUKU/Bandcamp] UK producer Rotate is also known as RWB, making dubsteppy, garagey cuts galore. Not sure what warrants being a Rotate track rather than RWB, but the more serious, full releases, especially for other labels, seem to be under Rotate. This is still absolutely bass music, wobbly and spacey, with just enough of that experimental edge to be very comfortable in the YUKU yuniverse. Teerath Majumder – Dust [Infrequent Seams/Bandcamp] Bangladeshi artist Teerath Majumder, based in Chicago, creates interdisciplinary art & music that explores the interaction between audience and artist/composer through technology, as well as producing music & sound-design in collaboration with other artists, directors & musicians. His new album Dust To Dust, however, is an entirely solo work, from the music & production to mastering & artwork. Here there are flittery synths, Bangladeshi samples at times, and when there are beats they skitter and thump. This album may have come from Majumder’s contemplation of death, but it’s teeming with life. MATA – Adolf Hippy [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] MATA – Compro Oro Et Laboro [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] Where did this even come from? Well… Italy. Italy is where the trio named MATA come from, making industrial/noise/glitch which could almost look like a typical rock band – guitar/vocals, bass, drums – if you ignore the electronics through everything. This is the kind of music where anything can happen, often grating, often strangely catchy? The label CÆR is the musical arm of Chiærichetti Æditori Recordings who also publish an underground comix anthology called LEGIONE, and I look forward to reading some when the package finally reaches Australia. Noémi Büchi – dislocated bodies (feat. Anushka Chkheidze) [-OUS/Bandcamp] With last year’s excellent Liquid Bones EP, Swiss/French composer Noémi Büchi shifted from dense electronic orchestrations to a somewhat lighter touch, with rhythm more to the forefront. Her new album Exuvie is body music made of deceptively simple parts that are bent and shuffled into unexpected shapes. It’s great, not least on this track, a collaboration with Georgian composer & producer Anushka Chkheidze. Roman Rofalski – Monday [Oscillations/Bandcamp] German musician Roman Rofalski is a classically-trained pianist and a jazz musician, releasing recordings of contemporary composers as well as jazz piano trios. He’s also interested in extending these forms into electronic realms, and we’ve heard him on this show as one half of electro-acoustic duo Saving Kaiser. In 2024, we heard him deconstructing his piano on the album Fractal, released by London-based Oscillations Music. He’s now followed that up with Awaiting PM, combining the inside & out of a new grand piano with distorted Akai MPC 2000 beats. There’s a sense of tension and expectation to these tracks, which were recorded while awaiting the birth of his son. It’s excellent stuff, and I’m glad to note that he’s got another release coming hot on its heels, which you’ll hear here in a couple of weeks. Autistici & datewithdeath – Grusch’s Biologics [Audiobulb/Bandcamp] Sheffield-based sound-artist David Newman has run the Audiobulb label since the netlabel days of the early 2000s, and for a similar length of time he’s made exploratory sounds as Autistici of a similar aesthetic to the label – post-IDM beats, glitchy sound processing, an electro-acoustic approach to found sounds, field recordings and instrumentation. Artistic collaboration has been a big part of what Newman’s done as Autistici and Volume Objects – the 2010 remix album Resonating Wires was a favourite release back then, but even his “solo” releases have often featured guests. Last year, two of three “familiarity” EPs came out from Autistici on Audiobulb – Familiarity Folded and Familiarity Enfolded, both of which featured simpatico either artists remixing Autistici or working with him, creating meticulous sound-art, sometimes with beats, usually mixing acoustic sounds with electronic approaches. Those two releases have limited CD editions; the third, out now, is Familiarity Unfolded, which can be found on vinyl as well. One of the best collaborations is with St. Augustine, Florida musician & writer Travis Johnson, who worked for many years under the alias datewithdeath, as well as running the Poverty Electronics label. Following an illness, datewithdeath has been retired – although not without clearing the cupboards with some stunning collections, including the collaboration/remix album Culotte Sine and the posthumous (so to speak) album Apple Tree Brightness. Johnson can now be found prioritising writing with Frolic Press, but there’s still a musical arm – Frolic Press Recordings that will feature his & others’ work – forthcoming is a novella from Aidan Baker of Nadja, with an accompanying solo album out for pre-order now. In any case, the glitchy & detailed “Grusch’s Biologics” is one of my favourite tracks from Autistici’s trio of releases. Bruce Russell – The Letter [Marhaug Forlag/Bandcamp] Lasse Marhaug – Turntable Oil Blues [Marhaug Forlag/Bandcamp] This one’s a huuuge deal in the noise world, or at least to me it is. Bruce Russell is a member of New Zealand’s iconic experimental rock trio The Dead C, a highly influential band across indie, shoegaze and noise. Lasse Marhaug is a giant of the noise scene, and also a producer of many surprising Norwegian & other artists including Korean jazz/experimental cellist Okkyung Lee, Jenny Hval and Kelly Lee Owens. As befits the noise scene, both are very intuitive workers with sound, and that’s where part of the joy of this release comes from. It’s actually their second collaboration, but Re-Make Re-Model came out of the idea of remixing each other, and thus is released as a 2CD set, each credited to the artist who completed the work (the remixer). It also comes in a beautiful open-spine hardcover book published by Marhaug (whose Marhaug Forlag also publishes the Personal Best magazine of noise music – the 2011 first issue of which included a feature on Bruce Russell), with photos & essays by both musicians about their relationship and their musical practice, and fascinating, detailed descriptions of how each track was made. Thus: Bruce Russell’s “The Letter” is based on Marhaug’s 2005 work Carnival of Souls, which is a soundtrack to a short film called The Letter. Russell chopped out tasty bits of the original, which he re-pitched, pushed the right & left channels out of sync & further tampered with. The results are deeply sinister. On Marhaug’s “Turntable Oil Blues”, he’s messing with Russell’s “Nigerian Delta Oil Well Blues”, a short track from his 21st Century Field Hollers And Prison Songs LP. The funny thing is, the ascending & descending slides aren’t a turntable slowing down & speeding up – they’re in Russell’s track. This is as directly a remix as it is a destruction of the original work, progressively distorting the original (played at the wrong speed) over a number of run-throughs. Ultimately noise is doing whatever the fuck you want with sound, and finding some artistry in it, and these two are past masters of the art of noise. Nabelóse – Niriides [Trost/Bandcamp] Pianist Ingrid Schmoliner and French horn player Elena Kakaliagou have played together for about a decade, making music that sits somewhere between contemporary composition and free jazz. Both also contribute voice to their Nabelóse project, including layers of spoken work, and – with prepared piano and horn that produces breathy wind as often as warm, slow melodies – their third album HAAR is a thing of mysterious beauty. Their previous albums – 2017’s Nabelóse and 2022’s OMOKENTRO – feature more singing that draws from their respective folk musics (Schmoliner is also a yodeler), but share this album’s patience and sonic exploration. Rosenau & Sanborn – Harm [Psychic Hotline/Bandcamp] Chris Rosenau of Collections of Colonies of Bees and Volcano Choir, and Nick Sanborn of Sylvan Esso have been friends for a long time, and made their first EP under their surnames back in 2019. The sequel (what Americans would call a “sophomore” effort) shares with the first a love of folky guitar, studio electronics and incidental found-sound. To me this is bliss, as it recalls the laptop folk of The Books and other airy, homespun folktronica of the early ’00s. Absolutely a little gem, do not miss. Booker Stardrum – Inside Sounds [WeJazz/Bandcamp] New York percussionist & composer Booker Stardrum is a member of Los Angeles (post-)jazz supergroup SML, and music runs in his family – his surname is adopted from the names of his parents, both avant-garde musicians themselves: flautist Stefani Starin and microtonal composer & instrument maker Dean Drummond. So Close-up On The Outside might be expected to be an avant-garde release, and in some ways it is, but in a very friendly, warm manner. Many friends from SML and the broader scene appear as guests on these compositions, but they flit in & out around careful edits; the main focus is on pitched and un-pitched wooden percussion, and glinting loops. There’s a low-key, positive outlook to the album which is uncommon and welcome. Richard Pike – I. “What Happened” [Salmon Universe/Bandcamp] Sydney’s Richard Pike, alum of PVT, is now based in London. He can be found in various ensembles, including with Joe Quirke, with whom he co-runs the Salmon Universe label, and under his own name has been making ambient-techno-hybrid-orchestral soundtracks for TV. Outside of that, he’s released solo music under the alias DEEP LEARNING on Oxtail Recordings, based around subtly rhythmic glitchy loops, but now returns to his own name for album that mixes late-night piano and glitchy dub-techno. It’s not surprising to discover that the creation of this music was directly triggered by the death of Ryuichi Sakamoto, but the music takes darker paths than the Japanese master. The full album’s out later in May, but the singles so far are rich & murky. Listen again — ~224MB

Up in the Arctic Circle sits Lasse Marhaug, a prominent figure in the noise underground since the early 90s. Lasse joins us to dissect his history, from metal and grindcore tape trading to discovering noise to connecting with noiseheads all over the world. Pack your bags for the Northern-most reaches and gear up for another ice cold noise history lesson. For the ExtraNoisextra segment on the patreon, Lasse talks film and tea. This 15 minute segment is near the end of episode on the patreon feed.

Episode 93 Playlist for Part 2 Noise and Improvisations I found a mother lode of noise and experimental music hiding in the crates of my local New York record store. Corum, “Effigy Mounds: Ceremonial Music For Spore Alter” side a from Effigy Mounds: Ceremonial Music For Spore Alter” (2014 Psychic Sounds). Effigy Mounds is the second album of the Beguiling Isles Trilogy (Born of Earth's Torments / Effigy Mounds / Magic Mirror). This LP is about spore modification, the rise of the puffs, and juice modification. All with tabletop electronics and found sounds. Played and recorded 2012/2013. 20:07 Crumer-Franco, “Agony In The Zodiac” from Agony In The Zodiac (2008 Ahaziah). Vinyl, 12", Single Sided, Limited Edition. Droning, beautiful noise, hums, and crackling. Collaborative recording by Jason Crumer and Matt Franco made during the "American Band" sessions. Limited to 100 copies. 13:17 Noise Nomads, “Side B” from Ernest Thrasher (2013 Feeding Tube Records). Vinyl, 12", Album, Limited Edition. Noise and rhythmic noise by Jeff Hartford. Using Tascam 424 With Greenwood Electronics 2012 - 2013. 14:07 Jojo Hiroshige, Pika, Paal Nilssen-Love, Lasse Marhaug, Osaka Fortune (2013 Premier Sang). French release of noise/jazz improvisation. More Drums, Paal Nilssen-Love; Drums, Pika; Guitar, Jojo Hiroshige; Noises, Lasse Marhaug. Recorded at Osaka Chika-Ikkai, February 10th 2011. This noise romp is side two of this record. It begins with a supplementary drum track that sounds like mono to which Pika adds her own crashing, continual rhythms in stereo. 14:58 Pod Blotz, The Swamp Command (2006 Fish Pies). Vinyl, LP, Limited Edition. Pod Blotz is the electronic, experimental noise project of Suzy Poling, started in 2002. Limited to 320 numbered copies. 7:00 Rodger Stella, Kites, “Untitled” (side 1). from Interior Moon (2011 Mutter Wild). Both sides of the LP end in a locked groove. Rhythmic noise that is modulated in real time to gradually shift the timbres of the piece from beginning to end. 17:56 UW OWL, “Black Flag” from Thorn Elemental (2006 Phaserphone). Vinyl, LP, Limited Edition Recorded in 2003 on a broken, dust-filled concrete basement floor in Bushwick, NY. Die-cut record sleeve with letter-pressed inner tip-on. Copy 118 of edition of 333. Electronics and drum machines. Reminiscent of early Cabaret Voltaire. 3:13 Atmospheres Among the new arrival finds were several tracks that I categorize as atmospheric or ambient. Skanfrom, “A Fax” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. Skanfrom is Roger Semsroth. 3:15 AGE, “Landscape” and “Electronics” from Landscapes (1980 Gamm Records). Emmanuel D'haeyere and Guy Vachaudez, a Belgian EM duo with an affinity for ominous electronics. 9:12 AGE, “Hymalaya” from Landscapes (1980 Gamm Records). Emmanuel D'haeyere and Guy Vachaudez, a Belgian EM duo. I wanted contrast this soothing electronic sound with the previous tracks from this group. 2:34 Tangerine Dream, “Ride on the Ray” from Underwater Sunlight (1986 Relativity). Composed, Performed, Produced by Chris Franke, Edgar Froese, Paul Haslinger. Recorded April 1986, Berlin, West Germany. Another entry into the TG catalog. This album has some sounds and textures quite like Le Parc from 1985. 5:31 Nobuyoshi Koshibe (越部信義), Takashi Kokubo (小久保隆), “Midnight Submarine” (ミッドナイト・サブマリ) from Urashiman Synthesizer Fantasy (未来警察ウラシマン シンセサイザー・ファンタジー) (1983 Columbia). Continuing the water theme, some nicely produced Japanese synth music. 5:44 Opening background music: Thom Holmes, “Blader-WW1” (2019 no label). 16:36   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Prolific Irish producer Autumns explores elements of dub + sonic experimentation in his music. His guest mix explores that dub side, w/ cuts from The Prince Stoner, Lee Scratch Perry, Steel Leg, Scientist, General Strike, A Certain Ratio, The Fall, and to close, a few of his new tracks. With music from The Jon Spencer Blues Explosion + Techno Animal. Norwegian noise artist Lasse Marhaug. German dread bass don Christoph de Babalon. The insane metal of Zeal + Ardor. Rolling dubweight/tech from Facta, + Notte Infinitia. New LCY, Univac, Deathbed Tapes, Ian Nyquist, and Echaskech. As well as Reeko, Regis' CUB, Fret, FFT, and Natural Sciences. Episode playlist - https://darkfloor.co.uk/mantisradio349 Support us - https://patreon.com/mantisradio

Esta semana concentramos novedades muy rompedoras y con una gran fuerza que seguro atraerán vuestra atención a la primera escucha. Abriremos Atmósfera con Alex Zethson y seguiremos con Runhild Gammelsæter y Lasse Marhaug, Cheri Knight, Kode9, Alienationist, Kim Myhr, Nacho Sotomayor y Cycloid Dyaxis Escuchar audio

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Boris, "Question 1" (Heavy Rocks (2022)) 2022 Relapse 2. Starless, "Squares" (Initiation) 2022 Despot 3. Yuko Kono, "Ginger" (Minna Miteru 2) 2022 Morr Music 4. The Veldt, "Check Out Your Mind" (Check Out Your Mind EP) 2022 5BC 5. tsx, "Squidge" (recur⁵) 2022 Farmers Manual 6. Caterina Barbieri, "Knot of Spirit (Synth Version)" (Spirit Exit) 2022 Light-Years 7. Pelican Movement, "Fistful of Ivy (excerpt 6)" (Fistful of Ivy) 2022 Feeding Tube 8. BJ Cole, "Ely Revisited" (Luke Schneider Presents Imaginational Anthem vol. XI : Chrome Universal - A Survey of Modern Pedal Steel) 2022 Thompkins Square 9. Lasse Marhaug, "Context 2" (Context) 2022 Smalltown Supersound 10. Sun's Signature, "Apples" (Sun's Signature) 2022 Partisan * Sendung vom 10. Juli 2022 # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Episode 582: July 10, 2022 playlist: Boris, "Question 1" (Heavy Rocks (2022)) 2022 Relapse Starless, "Squares" (Initiation) 2022 Despot Yuko Kono, "Ginger" (Minna Miteru 2) 2022 Morr Music The Veldt, "Check Out Your Mind" (Check Out Your Mind EP) 2022 5BC tsx, "Squidge" (recur5) 2022 Farmers Manual Caterina Barbieri, "Knot of Spirit (Synth Version)" (Spirit Exit) 2022 Light-Years Pelican Movement, "Fistful of Ivy (excerpt 6)" (Fistful of Ivy) 2022 Feeding Tube BJ Cole, "Ely Revisited" (Luke Schneider Presents Imaginational Anthem vol. XI : Chrome Universal - A Survey of Modern Pedal Steel) 2022 Thompkins Square Lasse Marhaug, "Context 2" (Context) 2022 Smalltown Supersound Sun's Signature, "Apples" (Sun's Signature) 2022 Partisan Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Denne uka snakker vi med Lasse Marhaug som forteller hvordan han ble en av pionérene innen støymusikk, hva støymusikk egentlig er og om russisk gjestmildhet.

For the second time in a matter of months, your intrepid hosts find themselves in the frosty arms of Trondheim, Norway, this time to investigate the world of the frustratingly private Albino Slug. Known to few but adored by those who do, Albino Slug's legacy hinges on two, confounding slices of avant-rock and metal. From Melvins-doom to musique concrete, Albino Slug operates, as you will hear, in a universe of its own making. Denied its 15 minutes, even in the prime of its career, Radical Research is looking to set things straight, shining a spotlight on this band's intensely personal relationship with heavy music. Defy the bigotry of those who've come before you and embrace the fascinating weirdness of Norway's most unsung sons. Note 1: Shout out to Lasse Marhaug, a celebrated experimental artist in his own right, for his invaluable insight and intel. Were it not for him, this episode would have been far more speculative. Thank you also to Veiko Rebane and Tom Clark! Note II: We didn't even reveal most of the names of those behind Albino Slug during the episode. Those are: Ove Hjelvik; Audun Eriksen; Mats Ivar Takle; Asgeir Rekkavik; Morten Fagervik. Thank you for your service! Note III: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast CORRECTION: Jeff noted the title "Hnrr 8"...it's actually "Knrr 8." Old habits die hard. We still don't know its meaning. Music cited, in order of appearance: “Knrr 8” (Albino Slug, 1993) “Thorbud” (Albino Slug, 1993) “Du Må Ikke Sove” (Albino Slug, 1993) “Bring Water / Skinner Boxed (The Wavering Solipsist)” (Albino Slug, 1993) “Vaffel” (Albino Slug, 1993) “Bleeding” (Albino Slug, 1993) “Paradise Regained” (two passages) (Albino Slug, 1993) “Barabbas” (three passages) (Barabbas, 1994) episode 49 preview: Nuclear Death, “Spawn Song” (Carrion for Worm, 1992) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it. This is Radical Research Podcast episode 48.

For the second time in a matter of months, your intrepid hosts find themselves in the frosty arms of Trondheim, Norway, this time to investigate the world of the frustratingly private Albino Slug. Known to few but adored by those who do, Albino Slug's legacy hinges on two, confounding slices of avant-rock and metal. From Melvins-doom to musique concrete, Albino Slug operates, as you will hear, in a universe of its own making. Denied its 15 minutes, even in the prime of its career, Radical Research is looking to set things straight, shining a spotlight on this band's intensely personal relationship with heavy music. Defy the bigotry of those who've come before you and embrace the fascinating weirdness of Norway's most unsung sons. Note 1: Shout out to Lasse Marhaug, a celebrated experimental artist in his own right, for his invaluable insight and intel. Were it not for him, this episode would have been far more speculative. Thank you also to Veiko Rebane and Tom Clark! Note II: We didn't even reveal most of the names of those behind Albino Slug during the episode. Those are: Ove Hjelvik; Audun Eriksen; Mats Ivar Takle; Asgeir Rekkavik; Morten Fagervik. Thank you for your service! Note III: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast CORRECTION: Jeff noted the title "Hnrr 8"...it's actually "Knrr 8." Old habits die hard. We still don't know its meaning. Music cited, in order of appearance: “Knrr 8” (Albino Slug, 1993) “Thorbud” (Albino Slug, 1993) “Du Må Ikke Sove” (Albino Slug, 1993) “Bring Water / Skinner Boxed (The Wavering Solipsist)” (Albino Slug, 1993) “Vaffel” (Albino Slug, 1993) “Bleeding” (Albino Slug, 1993) “Paradise Regained” (two passages) (Albino Slug, 1993) “Barabbas” (three passages) (Barabbas, 1994) episode 49 preview: Nuclear Death, “Spawn Song” (Carrion for Worm, 1992) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it. This is Radical Research Podcast episode 48.

The Norwegian noise musician discusses running up stairs, understated drumming and pushing beyond the boundaries of metal music.

Today's Quietus Hour Special is brought to you by John Doran who has the pleasure of talking to Thurston Moore. The rock musician, free improviser, serial collaborator, independent publisher, poet and righteous dude met up with us in Ladbroke Grove to talk about his great new solo album Rock N Roll Consciousness, Buddhism, noise cassettes, near death experiences in Stockholm and hanging out with My Bloody Valentine and the Mary Chain in the 1980s. Thurston has chosen all of the music for the show, including deep cuts from Boredoms, Trash Kit, Menstruation Sisters, Sick Llama, Ela Orleans, Bridget Hayden, Bruce Russell, 16 Bitch Pile Up and Lasse Marhaug. Thanks, as always to the Mighty Seb White and the good folk at Caroline International for providing the studio.

Improvisaciones que en su libertad pueden rozar distintos estilos. Las del trío Sult (Havard Skaset, Jacob Felix Heule, Guro Skumsnes Moe), con Lasse Marhaug desestructurando y llevando al límite el sonido del trío en el LP – download titulado Harpoon (Conrad Sound / Pica Disk, 2017); la del doble trío Trouble Kaze (Natsuki Tamura, Christian Pruvost -trompetas-; Sophie Agnel, Satoko Fujii -pianos-; Didier Lasserre, Peter Orins -batería y percusión), en June (Circum-Disc, 2017); o la del cuarteto Onno Govaert, Marcelo dos Reis, Luis Vicente, Kristjan Martinsson en In Layers (FMR, 2016). Todo ello en la entrega 243 de HDO para el 7 de marzo de 2017. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 243 en http://www.tomajazz.com/web/?p=29616. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

  Rare Frequency Podcast 42: Snow Red 1 Belbury Poly, "Thorn" The Willows (Ghost Box) CD 2005 2 Shackleton, "Something Has Got to Give" Three EPs (Perlon) CD 2009 3 Omar Khorshid, "Alf Layla" Tribute To Om Kolthoum (Voix de l’Orient) CD 1989 4 Sir Richard Bishop, "Sidi Mansour" The Freak of Araby (Drag City) CD 2009 5 Baris Manco, "Lambaya Püf Dee" Ben Belirim (Emre) CD 2008 6 Phirnis, "Portugeisische Galeere" Alpha (self-released) mp3 2010 7 Maja S. K. Ratkje and Lasse Marhaug, "Sound Check" Music For Gardening (Pika Disk) CD 2009 8 UM, "(I Will Survive The) Darkness" Giraffe (Umbusiness) CDr 2004 9 Leif Elggren and Thomas Liljenberg, "Double Heart" Whole Wide World and The Codfish Suit (Firework Edition) CD 1997 10 Wyndel Hunt, "The Invisible Hand Revealed: Iron Fist" Sunshine Noir (Dragon’s Eye) CD 2009 11 10-20, "nei (reversion)" Island (Highpoint Lowlife) mp3 2009 12 Robert Curgenven, "Acciaccatura Amplificata" Oltre (Line) CD 2009 13 Yukitomo Hamasaki, "Untitled 07" d+p (mAtter) CD 2008 14 Tyson’s Autoharp Band, "Mnamkuruane" Mnamkuruane (Trek) mp3 1945

John Peel, Leyland Kirby, The Sabres Of Paradise, Dangerdoom, Blockhead, Trost, Brothomstates, Kim Cascone, Cacao, Maja S.K. Ratkje & Lasse Marhaug and more....

John Peel, Leyland Kirby, The Sabres Of Paradise, Dangerdoom, Blockhead, Trost, Brothomstates, Kim Cascone, Cacao, Maja S.K. Ratkje & Lasse Marhaug and more....

Franco Godi, Fennesz Sakamoto, Strategy, Alexsi Perala, Substance & Vainqeuer, KK Null, Yellotone, Selda, Joe Colley & Jason Lascalleet, Lasse Marhaug, Venetian Snares and more....

Franco Godi, Fennesz Sakamoto, Strategy, Alexsi Perala, Substance & Vainqeuer, KK Null, Yellotone, Selda, Joe Colley & Jason Lascalleet, Lasse Marhaug, Venetian Snares and more....

  Rare Frequency Podcast 19: Spring Flowers 1 Franco Battiato, "Energia" Fetus (Water) CD 2006 2 Aun, "Meldal" Mule (Oral) CD 2007 3 Tetuzi Akiyama and Jozef Van Wissem, "Cry of the Hawk" Hymn For A Fallen Angel(Incunabulum) CD 2007 4 Henry Flynt, "Echo Rock " Backporch Hillbilly Blues, Vol. 2 (Locust) CD 2005 5 Lasse Marhaug, "Spook Asphalt" Million Ways To Spend Your Time (Quasi Pop) CD 2007 6 The Fun Years, "D>>2" Life-Sized Psychoses (Barge) CD 2007 7 Tom Recchion, "The Elephant God" Sweetly Doing Nothing (Birdman) CD 2007 8 Devin Sarno and G.E. Stinson, "Soundfall" Heart Cell Memory (Squirrel Girl) CD 2006 9 Jean-Pierre Gauthier, "Ventilation" Porte disparu dans une quincaillerie (Oral) CD 2007 10 Bernard Bonnier, "”I can’t sing…”" Casse-tete (Creel Pone) CDr 2007

Geir Jenssen, Anthony Pateras & Robin Fox, SunnO))) & Boris, Herve Boghossian, Hecker, Lasse Marhaug, Ryoji Ikeda, Ryoji Ikeda and Carsten Nicolai, Kit Clayton and more....

Geir Jenssen, Anthony Pateras & Robin Fox, SunnO))) & Boris, Herve Boghossian, Hecker, Lasse Marhaug, Ryoji Ikeda, Ryoji Ikeda and Carsten Nicolai, Kit Clayton and more....

This second RF podcast, titled simply "Some Toys Never Lern," features music by Blutsiphon, Satanicpornocultshop, Christian Marclay & Gunter Müller, Felix Kubin, Douglas Lilburn, Don't Dolby 05, and Lasse Marhaug & Kevin Drumm. What happened to the first? You may never know... Oh wait, it's here. Rare Frequency Podcast 2