Podcasts about The Notwist

Part 2 of my conversation with guest Jay Breitling as we count down our favorite music of 2026 so far. Show notes: Breitling's #6: Kurt Vile's love letter to Philly KV writes songs about nothing and they're great Kumar's #6: Great album from Chicago's Ratboys Leading the wave of bands with sweet female vocals and rocking instrumentation Breitling's #5: 17-track compilation from the Laughing Chimes It's like a typewriter, retro and satisfying Kumar's #5: Hot indie rock from Philly's Gladie Led by former singer of Cayetana Breitling's #4: First new LP from Broken Social Scene in a decade Reembracing the combustible Freakin' Fanelli Bootlegs became readily available in the early '00s Kumar's #4: Montreal post-punk trio with an excellent release Political lyrics Breitling's #3: The Notwist returns with a sound that combines their different phases Back to basics Documentary captures their weirdness Kumar's #3: Austin synth-punk weirdos Drakulas return with gloriously fun release Featuring members of the Riverboat Gamblers and Rise Against Breitling's and Kumar's #2: We did it! Courtney Barnett with a triumphant album recorded in California Sings about everyday issues in her life Breitling's and Kumar's #1: We did it again! Alex Edkins of METZ with his second Weird Nightmare album Not as dark and heavy as METZ, but exciting and exhilarating Very hooky and uplifting Looking forward to new stuff from Kiwi Jr., Strange Pains, Johnny Foreigner, Afghan Whigs, The Cramps (archival release), The Fall, Eddy Current Suppression Ring, Evil Island   Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

The 183th IndieRE broadcast is brought to you by Radio Corax from Halle, Germany. Today we'll listen to Music from Halle, Leipzig and beyond. There is a lot to discover, loads of new music. From musicwith guitars to electronic music, electronic music with guitars – you name it. Featured artists : Jazz https://turbodiscos.bandcamp.com/album/der-irrtum-hat-mal-wieder-gewonn The Notwist https://thenotwist.bandcamp.com/album/news-from-planet-zombie Corrupted Noise https://ph4nt24.bandcamp.com/album/psychrophile Marie Tjong Ayong https://knackless.bandcamp.com/album/knackless-8 Blue Error https://blueerror.bandcamp.com/album/the-great-malaise The Zoomies https://zoomiesmusic.bandcamp.com/album/zoomies The Broom https://ubac.bandcamp.com/album/the-broom SENSEI CHUCK https://geleeregen.bandcamp.com/album/angel-d-st-demo-2025 MICHAEL https://geleeregen.bandcamp.com/album/promotional-cs MR Vast https://mrvast.bandcamp.com/album/upping-the-ante Produced by Radio Corax, Germany. Prepared and announced by Birk Kowalski. ----------------------------------------------------- INDEPENDENT RADIO EXCHANGE - INDIERE Discover the local music scene in Europe Independent Radio Exchange (IndieRE) project aimed to promote unrecognized local indie and urban music production across multiple European countries in order to increase transborder mobility of music creativity and improve the capacity of cultural operators for long-term, sustainable intercultural exchange. www.indiere.eu ------------------------------------------------------ RADIO CAMPUS FRANCE Radio Campus France est le réseau des radios associatives, libres, étudiantes et locales fédérant 30 radios partout en France. NOUS SUIVRE | FOLLOW US www.radiocampus.fr IG www.instagram.com/radio_campus As part of IndieRE – the Independent Radio Exchange – this show is produced in collaboration with free and community radios across Europe. Each week, one country takes the spotlight.

Le strategie di marketing ai tempi di TikTok. I nostri dischi di Marzo sono quelli di James Blake, The Notwist (ne parliamo insieme a Enzo Baruffaldi) e Avalon Emerson & the Charm. Annunci di nuovi album per Aldous Harding, Widowspeak e Death Cab for Cutie. Per la rubrica #libri, è uscita l'edizione italiana di Mood Machine di Liz Pelly, mentre arriva a giugno un nuovo libro di Simon Reynolds.

Will and Jason discuss new releases by Special Friend, The Notwist, Memorials, and Ex-Pilots + Gaadge, plus a live report and bonus songs.

Die Songs zur Folge findet ihr ⁠⁠⁠⁠⁠⁠⁠⁠hier:https://open.spotify.com/playlist/2CE0eaNs5JUVJUJenRjnl5?si=WxgA_ifDRKGqugRKEtwYWA Diesmal besprechen wir:- die Beefs des Monats: Franz Ferdinand vs. IDF / Radiohead vs. ICE- neue Singles und/oder Albumankündigungen von Death Cab For Cutie, Black Keys, Muse, Modest Mouse, Afghan Whigs & Get Well Soon- die neuen Alben von Morrissey, The Notwist & Kim Gordon + kurz & gut: Brigitte Calls Me Baby, Morgan Nagler, Gladie & Surfbort- den 30. Geburtstag von Afghan Whigs' „Black Love“- eure Sprachnachrichten an uns

No méi wéi 36 Joer Band-Existenz erfannen sech The Notwist alt nach eemol nei: "News from Planet Zombie" gouf am Münchner Import Export a just enger Woch opgeholl. Wéi d'Opname verlaf sinn, wisou net am Studio opgeholl gouf a wéi et sech als Band um Planet Zombie lieft - dat hunn d'Gebridder Acher an den Cico Beck dem Jeff Schinker an engem laangen Interview erzielt - dee mat Extraiten aus dem neien Album ënnermoolt gëtt.

Où il est entre autres question de : [00:00:00] Le bon anniversaire et la diète (entre autres) [00:49:29] La trompette émotionnelle et le jeu gagné (entre autres) [01:27:18] Slay the Spire 2 [01:51:26] Yoa, L'aeronef et Neon Golden de The Notwist [02:11:36] Remerciements La page Patreon du Cosy Corner : https://www.patreon.com/lecosycorner -- Playlist -- - Supergrass - Alright - The Do - Only Takes a Night - The Rolling Stones - Sympathy for the Devil - The Notwist - Consequence - ALB - A Thanks Angel Thesis (Cosy Corner 177 Special Thanks)

Welcome Back zu LIV189. Es herrscht noch immer ein wenig Chaos bei uns aber so langsam haben wir den Berg der vor uns lag erklommen. Heute haben wir z.B. Joji, Mandy Indiana, The Notwist und natürlich die Gorillaz im Gepäck. Genießt doch einfach!

Met ditmaal: The Black Crowes, Arctic Monkeys, Earth Tongue, The Hickey Underworld, Kim Gordon, De Baron, Ora Cogan, Fontaines D.C., Bonnie “Prince” Billy, The Lemonheads, The Notwist, Foy Vance, Depeche Mode, Kevin Morby, plus een exclusieve instore van Iskander Moon. Concerto Radio, aflevering 640 (20 maart 2026): The Black Crowes, Do The Parasite!: A Pound Of […]

Ihr erstes Album seit fünf Jahren ist für die deutschen Indie-Veteranen The Notwist eine Rückbesinnung. Zum ersten Mal seit 30(!) Jahren haben sie wieder mit der erweiterten Live-Band aufgenommen. Ohne Gefrickel, ohne Indietronica – dafür gibt's ein Neil-Young-Cover. Ist das nur retro oder auch gut?

The Notwist verëffentlechen eng nei Plack – knapp fënnef Joer no "Vertigo Days". Fir déi däitsch Band, déi sech meeschtens vill Zäit tëschent den Albe léisst, kléngt dat scho bal no enger Zort Urgence. Wisou "News from Planet Zombie" weder apokalyptesch ass, nach no Schnellschoss kléngt – doriwwer schwätzen de Jeff Schinker an de Marc Clement an hirer Plackerezensioun.

Electro-acoustic sound-manipulation rubs shoulders with extended techniques on acoustic instruments, while influences from ’80s industrial, ’70s krautrock, ’00s folktronica and ’90s dub techno can be found alongside indie rock, breakbeat, and good ol’ classic freeform noise. It’s Sunday. It’s Utility Fog. LISTEN AGAIN to good ol’ classic freeform ‘fog. Stream on demand at fbi.radio, podcast here. Bibi Club – A Different Light [Secret City Records/Bandcamp] Bibi Club – Le Styx [Secret City Records/Bandcamp] The Montréal duo of Adèle Trottier-Rivard and Nicolas Basque are Bibi Club, a name which presumably makes more sense to French speakers, but their songs are split fairly evenly between French & English. Their quirky indie pop, part jangly guitars and part electronic, owes something to the British-French band Stereolab (who they covered last year), as well as Francophone indie music that often gets tagged with “chanson”, the French word for “song”. From their lovely third album Amaro, I started tonight with a driving piece of postpunk that clearly shows their debt to Blonde Redhead, which segues into an instrumental that loops part of the krautrocky groove and introduces hovering drones and sampled operatic voices. This might just be the emotional avant-garde indie rock you’ve been looking for. The Notwist – The Turning [Morr Music/Bandcamp] In 2001, German band The Notwist, having begun as hardcore punks and transitioned through emo to some kind of indie rock, released their breakthrough album Neon Golden – a significant date only in that a couple of years later was when I started Utility Fog on the newly-official FBi Radio. Arguably with their 1998 album Shrink, The Notwist were well on the way to their hybrid genre that we perhaps briefly called “indietronica”, with influences from IDM, drum’n’bass and techno as well as krautrock combined with indie rock. Meanwhile, Thomas Morr founded his Morr Music label in 1999, which quickly became a home to a similar clade of indie/IDM, shoegaze-tronic bands – many of which involved members of The Notwist, particularly brothers Micha and Markus Acher. It wasn’t actually until 2020 that The Notwist themselves signed to Morr Music, but it’s always seemed their spiritual home. The band’s new album News from Planet Zombie is perhaps their most “rock” album for some time, intentionally splitting from their studio-mediated workflows by bringing the whole band together to write & perform these songs in person. 10 years ago Superheroes, Ghostvillains + Stuff documented The Notwist’s live setup at the time, with modular synths & other electronics prominent alongside the (kraut)rock instruments; here the electronics are less prominent but clearly an integral part of whatever The Notwist does; but it’s the undeniable, distinctive songwriting that can’t help but shine through. Daniel Jumpertz – I Would Never Do That To You [Feral Media/Bandcamp] In the early days of Utility Fog/FBi, Danny Jumpertz was a strong supporter of Utility Fog, and the indietronica, folktronica and postrock sides of the playlists were reflected in the sorts of music he released on his Feral Media label. For a while now the in-the-family indie rock band Clairaudience has been his main musical outlet, but he’s now begun releasing a cache of solo songs, I believe once a month, starting with the stirring “Everything Is Lost” and now followed by the pretty krautrocky “I Would Never Do That To You“. From Jumpertz’ time in NYC, producer Abe Seiferth contributes “wig-out Moog mayhem”, which you’ll recognize as soon as you listen to the song! Looking forward to more in coming months. Praed – Assarab السراب [Ruptured Records/Bandcamp/Annihaya Records/Bandcamp] Now 20 years old, Praed is the combination of two Lebanese musicians, clarinettist/composer/more Paed Conca (part-Switzerland-based) and bassist/sound-artist/more Raed Yassin (part Berlin-based). The music – sometimes billed as “PRAED Orchestra” with friends from the MENA/SWANA region and Europe – draws from Egyptian street music (Shaabi, now mutating into Mahraganat) and the traditional Sufi spiritual/trance music Mulid, both in their ways based around hypnotic, repetitive beats. It’s always psychedelic, swirling, extremely rhythmic, a free jazz of Lebanese & Egyptian music. While new album Al Wahem الوهم is back in duo formation, they are still joined by many talented Beirut musicians (the album was recorded at Tunefork Studios in Beirut). As always this music is full of joy and yearning, and neverending forward motion. Simo Cell & Abdullah Miniawy – Living Emojis [Dekmantel/Bandcamp] Simo Cell & Abdullah Miniawy – Easing The Hearts [Dekmantel/Bandcamp] In 2020, French beatmaker Simo Cell and Egyptian singer, poet, trumpeter, composer & more Abdullah Miniawy teamed up for a frankly game-changing mini-album, Kill Me Or Negotiate. Simo’s music is equal parts UK bass, US bass and French club, transforming the Arabic vocals and jazz-trained trumpet of Miniawy, who had collaborated extensively with the post-dubstep kraut-tronic band Carl Gari (not to mention his own laptop experiments, no longer available online). The pair are not afraid to abstract Miniawy’s lyrics into cut-up samples, nor are they afraid to let him fly with gorgeous melodicism. Their second outing together is the brilliant album Dying Is The Internet, whose title couldn’t be more apposite really – it feels like it’s bringing the world down with it, and while you probably couldn’t blame Netanyahu on the internet, surely Trumpianism is as much a product of what the internet’s become as, well, all the other shit. There’s real humanity in these tracks, as well as futuristic technology; high drama and low grooves. If the internet’s dying, let this be the future. Damos Room – Molars [Limbo Tapes/Bandcamp] I’m not sure who Damos is or what’s in their Room, but signs point to it being three guys: Luke Miles, Nicholas Elson & Huw Oleskar. I’ve just found out (because they told me, nothing underhand) that Huw Oleskar is also known as Elijah Minnelli, responsible for some of the most interesting and lovely dub-folk hybrids in recent times, ostensibly under the auspices of Breadminster County Council. As for Damos Room, you can find a series of fantastic, weirdly-shaped releases on their Bandcamp, including a mixtape of two bizarre 40-minute radio pieces, some quasi-singles of abstracted dub/spoken-word/electronics, and the experimental electronics of their collaboration with rapper LYAM, which I played on this show a few years back. The band finally have an album coming, and Walk With The Militia… is not that album. It’s a mixtape, entirely in keeping with the mystery what all this is about. It collects a whole lot of weird shit, but it’s all dub-based experimental electronics, with Minnelli’s distinctive spoken word & low-key singing, odd radio interludes and noise bits and so on. It’s really fantastic. No doubt All Shall Go, the real album, will be well worth bending your ear to when it comes out in only a few weeks! New Age Doom featuring H.R. – We’re All the Same [We Are Busy Bodies/Bandcamp] Having previously collaborated with Lee “Scratch” Perry, Canadian collective New Age Doom know a thing or two about combining freeform psychdedelic noise with dub. Their latest collaborator H.R. co-founded Bad Brains, some of the earliest hardcore punks who combined rasta philosophy and reggae with their punk music. It appears that for all the peace-and-love preaching, H.R.’s fundamentalist religious outlook inherits the homophobia rampant in Rastafarianism, but that’s not apparent in these songs, thankfully. This is swirling dub with some excellent electric violin from Alina Petrova. DJ Sprinter – Floaterr [unreleased] Oslo’s DJ Sprinter has popped up in the last year and a bit as an absolutey top-tier producer of bass-heavy breakbeat. You can find a whole lot on his Bandcamp, but the other day he invited followers to message him on Instagram for some unreleased cuts, so I did, and I’ve brought you one tonight. Just as great as the plethora of stuff he’s already put out there, irresistible grooves. Rotate – Hot Glue [YUKU/Bandcamp] UK producer Rotate is also known as RWB, making dubsteppy, garagey cuts galore. Not sure what warrants being a Rotate track rather than RWB, but the more serious, full releases, especially for other labels, seem to be under Rotate. This is still absolutely bass music, wobbly and spacey, with just enough of that experimental edge to be very comfortable in the YUKU yuniverse. Teerath Majumder – Dust [Infrequent Seams/Bandcamp] Bangladeshi artist Teerath Majumder, based in Chicago, creates interdisciplinary art & music that explores the interaction between audience and artist/composer through technology, as well as producing music & sound-design in collaboration with other artists, directors & musicians. His new album Dust To Dust, however, is an entirely solo work, from the music & production to mastering & artwork. Here there are flittery synths, Bangladeshi samples at times, and when there are beats they skitter and thump. This album may have come from Majumder’s contemplation of death, but it’s teeming with life. MATA – Adolf Hippy [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] MATA – Compro Oro Et Laboro [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] Where did this even come from? Well… Italy. Italy is where the trio named MATA come from, making industrial/noise/glitch which could almost look like a typical rock band – guitar/vocals, bass, drums – if you ignore the electronics through everything. This is the kind of music where anything can happen, often grating, often strangely catchy? The label CÆR is the musical arm of Chiærichetti Æditori Recordings who also publish an underground comix anthology called LEGIONE, and I look forward to reading some when the package finally reaches Australia. Noémi Büchi – dislocated bodies (feat. Anushka Chkheidze) [-OUS/Bandcamp] With last year’s excellent Liquid Bones EP, Swiss/French composer Noémi Büchi shifted from dense electronic orchestrations to a somewhat lighter touch, with rhythm more to the forefront. Her new album Exuvie is body music made of deceptively simple parts that are bent and shuffled into unexpected shapes. It’s great, not least on this track, a collaboration with Georgian composer & producer Anushka Chkheidze. Roman Rofalski – Monday [Oscillations/Bandcamp] German musician Roman Rofalski is a classically-trained pianist and a jazz musician, releasing recordings of contemporary composers as well as jazz piano trios. He’s also interested in extending these forms into electronic realms, and we’ve heard him on this show as one half of electro-acoustic duo Saving Kaiser. In 2024, we heard him deconstructing his piano on the album Fractal, released by London-based Oscillations Music. He’s now followed that up with Awaiting PM, combining the inside & out of a new grand piano with distorted Akai MPC 2000 beats. There’s a sense of tension and expectation to these tracks, which were recorded while awaiting the birth of his son. It’s excellent stuff, and I’m glad to note that he’s got another release coming hot on its heels, which you’ll hear here in a couple of weeks. Autistici & datewithdeath – Grusch’s Biologics [Audiobulb/Bandcamp] Sheffield-based sound-artist David Newman has run the Audiobulb label since the netlabel days of the early 2000s, and for a similar length of time he’s made exploratory sounds as Autistici of a similar aesthetic to the label – post-IDM beats, glitchy sound processing, an electro-acoustic approach to found sounds, field recordings and instrumentation. Artistic collaboration has been a big part of what Newman’s done as Autistici and Volume Objects – the 2010 remix album Resonating Wires was a favourite release back then, but even his “solo” releases have often featured guests. Last year, two of three “familiarity” EPs came out from Autistici on Audiobulb – Familiarity Folded and Familiarity Enfolded, both of which featured simpatico either artists remixing Autistici or working with him, creating meticulous sound-art, sometimes with beats, usually mixing acoustic sounds with electronic approaches. Those two releases have limited CD editions; the third, out now, is Familiarity Unfolded, which can be found on vinyl as well. One of the best collaborations is with St. Augustine, Florida musician & writer Travis Johnson, who worked for many years under the alias datewithdeath, as well as running the Poverty Electronics label. Following an illness, datewithdeath has been retired – although not without clearing the cupboards with some stunning collections, including the collaboration/remix album Culotte Sine and the posthumous (so to speak) album Apple Tree Brightness. Johnson can now be found prioritising writing with Frolic Press, but there’s still a musical arm – Frolic Press Recordings that will feature his & others’ work – forthcoming is a novella from Aidan Baker of Nadja, with an accompanying solo album out for pre-order now. In any case, the glitchy & detailed “Grusch’s Biologics” is one of my favourite tracks from Autistici’s trio of releases. Bruce Russell – The Letter [Marhaug Forlag/Bandcamp] Lasse Marhaug – Turntable Oil Blues [Marhaug Forlag/Bandcamp] This one’s a huuuge deal in the noise world, or at least to me it is. Bruce Russell is a member of New Zealand’s iconic experimental rock trio The Dead C, a highly influential band across indie, shoegaze and noise. Lasse Marhaug is a giant of the noise scene, and also a producer of many surprising Norwegian & other artists including Korean jazz/experimental cellist Okkyung Lee, Jenny Hval and Kelly Lee Owens. As befits the noise scene, both are very intuitive workers with sound, and that’s where part of the joy of this release comes from. It’s actually their second collaboration, but Re-Make Re-Model came out of the idea of remixing each other, and thus is released as a 2CD set, each credited to the artist who completed the work (the remixer). It also comes in a beautiful open-spine hardcover book published by Marhaug (whose Marhaug Forlag also publishes the Personal Best magazine of noise music – the 2011 first issue of which included a feature on Bruce Russell), with photos & essays by both musicians about their relationship and their musical practice, and fascinating, detailed descriptions of how each track was made. Thus: Bruce Russell’s “The Letter” is based on Marhaug’s 2005 work Carnival of Souls, which is a soundtrack to a short film called The Letter. Russell chopped out tasty bits of the original, which he re-pitched, pushed the right & left channels out of sync & further tampered with. The results are deeply sinister. On Marhaug’s “Turntable Oil Blues”, he’s messing with Russell’s “Nigerian Delta Oil Well Blues”, a short track from his 21st Century Field Hollers And Prison Songs LP. The funny thing is, the ascending & descending slides aren’t a turntable slowing down & speeding up – they’re in Russell’s track. This is as directly a remix as it is a destruction of the original work, progressively distorting the original (played at the wrong speed) over a number of run-throughs. Ultimately noise is doing whatever the fuck you want with sound, and finding some artistry in it, and these two are past masters of the art of noise. Nabelóse – Niriides [Trost/Bandcamp] Pianist Ingrid Schmoliner and French horn player Elena Kakaliagou have played together for about a decade, making music that sits somewhere between contemporary composition and free jazz. Both also contribute voice to their Nabelóse project, including layers of spoken work, and – with prepared piano and horn that produces breathy wind as often as warm, slow melodies – their third album HAAR is a thing of mysterious beauty. Their previous albums – 2017’s Nabelóse and 2022’s OMOKENTRO – feature more singing that draws from their respective folk musics (Schmoliner is also a yodeler), but share this album’s patience and sonic exploration. Rosenau & Sanborn – Harm [Psychic Hotline/Bandcamp] Chris Rosenau of Collections of Colonies of Bees and Volcano Choir, and Nick Sanborn of Sylvan Esso have been friends for a long time, and made their first EP under their surnames back in 2019. The sequel (what Americans would call a “sophomore” effort) shares with the first a love of folky guitar, studio electronics and incidental found-sound. To me this is bliss, as it recalls the laptop folk of The Books and other airy, homespun folktronica of the early ’00s. Absolutely a little gem, do not miss. Booker Stardrum – Inside Sounds [WeJazz/Bandcamp] New York percussionist & composer Booker Stardrum is a member of Los Angeles (post-)jazz supergroup SML, and music runs in his family – his surname is adopted from the names of his parents, both avant-garde musicians themselves: flautist Stefani Starin and microtonal composer & instrument maker Dean Drummond. So Close-up On The Outside might be expected to be an avant-garde release, and in some ways it is, but in a very friendly, warm manner. Many friends from SML and the broader scene appear as guests on these compositions, but they flit in & out around careful edits; the main focus is on pitched and un-pitched wooden percussion, and glinting loops. There’s a low-key, positive outlook to the album which is uncommon and welcome. Richard Pike – I. “What Happened” [Salmon Universe/Bandcamp] Sydney’s Richard Pike, alum of PVT, is now based in London. He can be found in various ensembles, including with Joe Quirke, with whom he co-runs the Salmon Universe label, and under his own name has been making ambient-techno-hybrid-orchestral soundtracks for TV. Outside of that, he’s released solo music under the alias DEEP LEARNING on Oxtail Recordings, based around subtly rhythmic glitchy loops, but now returns to his own name for album that mixes late-night piano and glitchy dub-techno. It’s not surprising to discover that the creation of this music was directly triggered by the death of Ryuichi Sakamoto, but the music takes darker paths than the Japanese master. The full album’s out later in May, but the singles so far are rich & murky. Listen again — ~224MB

Reil, Juliane www.deutschlandfunk.de, Corso

The Notwist um die beiden Brüder Markus und Micha Acher gilt als eine der besten und wichtigsten bayerischen Bands.

...y más nuevas canciones de Modelo De Respuesta Polar, Cervatana, La Plazuela, Baby Keem, Thundercat, Apparat y Broken Social SceneEscuchar audio

Jeden Freitag stellen vier Popmusikjournalistinnen und -journalisten ab 21 Uhr ihre Alben der Woche im "Soundcheck" auf radioeins vor. Andreas Müller diskutiert diesmal mit seinen Gästen Claudia Gerth (radioeins), Christian Schröder (Tagesspiegel) und Jens Balzer (Kulturjournalist) über diese Neuveröffentlichungen: "News From Planet Zombie" von The Notwist, "Trying Times" von James Blake, "Thirteen" von Soft Machine und "Liebe Glaube Monster" von Unheilig.

durée : 00:05:02 - Dans la playlist de France Inter - par : Marion Guilbaud, Matthieu Conquet - C'est un des secrets les mieux gardés du rock allemand, le groupe The Notwist dans la Playlist de France Inter. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Ein Strand am Meer, wo jede und jeder die Sonne geniessen kann. Mit dieser Utopie im Kopf hat die 6-köpfigen Münchner Band Die Sauna ihr neustes Kapitel «tut beni» in Angriff genommen: eine warme, trippy, Schunkelplatte für Fans von Isolation Berlin, The Notwist oder Stahlberger.

Christopher & Jobst im Gespräch mit Jonas. Wir reden über Schluckleser, Struktur & Verantwortung, schöne Lego-Sets, das Selbstbewusstsein sich nicht als Hochkultur zu verstehen, die wunderbaren Kix-Comics, Punk auf verschiedenen Medien spielen, Mangareihen zum 87. Mal lesen, die Bänker-Mentalität des Großvaters, japanische Buch-Schutzhüllen, unterschiedliche Wahrnehmungen von Wertschätzung, super-diszipliniert sein, alle Plattenkäufe dokumentiert, Gedanken zu "Ich sehe die Schiffe den Fluss herunterfahren" von Abwärts, die sich ständig neu erfindenden NoMeansNo, das Zap im Wuppertaler Plattenladen, Nonoyesno im Juz Bingen, Rasmus Englers "Tobende Mumie", ein Gymnasium am Fuß der Loreley, pre-Grüne-friedensbewegte Birkenstockträger, fanatischer ???-Fan sein, das Klausner-Fanzine von Kai Damkowski, "Lipstick Traces", billige Kurt-Schwitters-Collagen, das Komparatistik-Studium, man kann auch in der Pflege arbeiten und trotzdem Bücher lesen, Martin Büsser im Vorprogramm von The Notwist im Juz Bingen, ehrfürchtig beim Praktikum im Ventil Verlag, spontan als Kollektivist einsteigen, die (Nicht)Wahrnehmung als Vegan-Verlag, der Literatur-Zirkus, Martins Krebserkrankung, "Die Heebie Jeebies im CBGB´s", die Reflektion jüdischen Lebens im Punk, die Tradition des Luftmenschen-Denkens, die wichtigsten Bücher für Jonas im Ventil Verlag, mit 40 die erste Festanstellung, die Schwierigkeit linker Politik, die Streitlust & das Abprallenlassenkönnen des Punk, X-Ray Spex > Sex Pistols, die Schlagerpiloten in ohrenbetäubender Lautstärke, perfektes Styling, uvm.Drei Songs für die Playlist:1) Ein Lieblingslied vom 15-jährigen Jonas: NOMEANSNO - Rags And Bones2) Der beste Punk/HC-Song aller Zeiten: X-RAY SPEX - Identity 3) Ein aktuelles Lied, das Jonas Hoffnung gibt: SLEAFORD MODS ft. GWENDOLINE CHRISTIE & BIG SPECIAL - The Good Life

'Hakikat İçin Söyleşiler': Hrant Dink anısına etkinlikler başlıyor; tiyatro sahnesinde yepyeni bir deneyim vaat eden Beyaz Tavşan Kırmızı Tavşan bugün başlıyor ve 40 gece boyunca farklı bir oyuncu tarafından sahnelenecek; Salon İKSV'nin 2026 programında Makaya McCraven'dan Notwist'e büyük isimler var. Kent Takvimi'yle kültür ve sanat etkinliklerinden notlar yayında.

Die Songs zur Folge findet ihr ⁠⁠⁠⁠⁠⁠⁠⁠hier: https://open.spotify.com/playlist/0w0ttsK9sydALPyxZbPxB8?si=xZWBtqlZQae5rsGK884lKg Diesmal besprechen wir:- die Beefs des Monats: Garbage vs. Strandbälle, Los Campesinos und Die Heiterkeit vs. Streaming- die neue Single und Albumankündigung von The Notwist- unsere Alben des Jahres 2025Folgt uns bei ⁠instagram.com/loveisnoisepodcast/⁠ , ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/LoveIsNoisePodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ und schreibt uns unter loveisnoisepodcast@gmail.com

Part 2 of my conversation with guest Jay Breitling about our favorite music of 2025. Show notes: Counting down the rest of our favorite albums of the year Kumar's #8: Indie rock godfather Bob Mould is still pissed off and rocking Mould has also reunited his '90s band Sugar Kumar's #7: Triumphant return for Mclusky Falco and crew having fun ripping on various targets Breitling's #6: Superchunk keeps going with new drummer If you thought they were angry in 2018... Chock full of "banglociraptors" Kumar's #6: Straight outta Asheville with Wednesday's killer combo of alt-country, shoegaze and heavy guitar rippers  Band features MJ Lenderman but it's Karly Hartzman's show Breitling's #5: Debut from Slumberland act The Cords Scottish indie jangle-pop banglociraptors Kumar's #5: Thrilling post punk from South London act Shame Returning to harder rocking sound of first few albums More albums are shorter nowadays Breitling's #4: Prolific Chicago psych-pop act Sharp Pins keeps bringing it Flashes of GBV and early Kinks Breitling's #3: Crutchfield sisters (Waxahatchee, Swearin') drop surprise release as Snocaps Again with the Lenderman, on drums this time Kumar's #3: PUP applies newfound maturity to pop-punk bangers Singing about adult stuff  Breitling's #2: Mini-album from Peel Dream Magazine Autumnal-sounding leftovers from previous album recording session Kumar's #2: Sloan keeps bringing the heat with 14th release of diverse and rewarding power pop Four singer-songwriters keep the offerings varied and on point Breitling's #1 and Kumar's #4: Monumental four-album conceptual triumph from Hallelujah the Hills Lot of guest stars including Ezra Furman, Clint Conley, Sadie Dupuis, Patrick Stickles Staggering amount of excellence  Kumar's #1 and Breitling's #7: NYC's Geese blows up with wide-ranging collection that grabs your attention Their club tour sold out immediately Frontman Cameron Winter leads a sound that ranges from Pavement to soul Looking forward to 2026 releases from: Notwist, Kiwi Jr., Courtney Barnett, Sleaford Mods, Crooked Fingers, Strange Pains Reunion shows next year from Silkworm, Superdrag Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Episode 771: December 21, 2025 playlist: Velvet, "Catherine" (porcelain and velvet) 2025 [self-released] Matmos, "Great Geometry (live in Australia)" (Great Geometry (live in Australia)) 2025 [self-released] Surya Botofasina, "SharedSunsets" (RentParty77) 2025 [self-released] Lucrecia Dalt, Y La Bamba, Niño de Elche, Victor Herrero, "caes (u suerte)" (caes EP) 2025 RVNG Intl. SPC ECO, "Bleak Mid Winter" (Bleak Mid Winter) 2017 [self-released] Christina Vantzou, John Also Bennett and Oliver Coates, "Death, Reverb and Decay" (Death, Reverb and Decay) 2025 Editions Basilic Buck Curran, "Solstice" (Far Driven Sun) 2025 ESP-Disk The Notwist, "X-Ray" (News from Planet Zombie) 2026 Morr Music David Shea, "Memories Of Sitting In A Painted Cave" (Meditations) 2026 Room40 The Stargazer Lilies, "Listen The Snow Is Falling" (Listen The Snow Is Falling) 2016 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

The first AM of the last month of 2025 hopefully sounds a bit less wintry than the world outside. Tune in for a throwback to Talk Talk's final album, new music from AM favourites like Chad VanGaalen, The Notwist, and Teen Daze, and a mix of genres from the ambient and experimental to the groovy and garage-y. Here's hoping it helps you ease into December.Playlist: Mount Maxwell - Water BabiesC.R. Gillespie - The GardenLoula Yorke - FontanaTeen Daze - Don't Think About ItCharles Webster & The South African Connection, featuring Emamkay, Bokang Ramatlapeng - RainVarious Artists, featuring Charles A.D. - Snow loverSimon Pyke - The UnstoppableThe Central Office Of Information - Animal FurnitureVarious Artists, featuring Greg Licher - Zen and the Art of Long Distance DrivingPeter Gagliardi - HauntedCosmique Hypnotique - FuschreKing Khan, Wolf Clan Jo - Morning SongCris Derksen - TreatiesFabiano do Nascimento, E Ruscha V - NascerHilary Woods - FaultsVanbur - My OwnTalk Talk - New GrassFull Moon Bummer - Moon Eats the SunUlrika Spacek - Square Root of NoneThe Radiation Flowers - Sunshine on the HeavensThe Notwist - X-RayPocket Dimension - MindTony Molina - Violets of DawnLab Coast - Back to Your FutureSharp Pins - Queen of Globes and MirrorsOctoduck - Crying ShameOrbital Ensemble - DaydreamsMagic Fig - Sensation SeekerHeems, featuring Unknown Mortal Orchestra - LoveseatHélène Barbier - Kindness in a CupBernardo Devlin - 5:45Gruff Rhys - Dos AmdaniFrankie Cosmos - Joyride

As we swiftly approach December, tonight is the second-last “new music” show of the year. There’s a lot of music coming out on December 5th! But then that’s it, the next 3 will be Best of 2025. Keen listeners will be surprised that I’m mixing up the structure tonight. Really, it usually goes the way it goes due to thematic and tonal segues, and this time round the jazz & ambient(ish) stuff just fitted best after our early songs, and the beats are the bulk of the second half. The Notwist – X-Ray The Notwist – Magnificent Fall Muyassar Kurdi – Child of the Sun (feat. Chris Williams) Peter Knight – The Coiling of the Tide Laura Jurd – Praying Mantis Má Estrela – Top Suki Girl BLACK HAUGE – Papiret (Radio Edit) Dina Maccabee – Outbreak Joni Void – Walker Joni Void – Lighters Samuele Strufaldi – Musica Invisibile Mac Seldom – ILUVU Om Unit – Lost Stories (Bok Bok Remix) Om Unit – The Chase (Alter Echo & E3 Remix) Ghost Dubs – Hope Fatwires x Atsushi Izumi – Ga UNTECHCIRCLE – Dying Light UNTECHCIRCLE – not just chaos Mattr – Tayl CHEAHDX – Earthbound dreadmaul – No Shade Low End Activist – Hope III (Demdike Stare Stressed Version)

Stereogum mette il paywall e Pitchfork sperimenta con i voti degli utenti. Gli album più caldi di novembre sono quelli di Rosalía, Oneohtrix Point Never e Sorry. Nuovi dischi annunciati per Bill Callahan, Charli xcx e The Notwist. Le nomination ai Grammy, e un consiglio di ascolto da Lido Pimienta (iscrivetevi a telegrammy per l'intervista completa). Una buona notizia: nel Regno Unito rivendere biglietti a prezzo maggiorato potrebbe diventare illegale, grazie ad anni di attivismo dal basso. Sono tornati i bellissimi video di From The Basement e gli ospiti di Nigel Godrich questa volta sono i Geese.

Indie News, Still Blank, The Notwist, Austra ...

Strange Brew #413 Still Tryin' (11/04/25) Does it ever stop, like? Chatting with Yoni Wolf this week - can't stop picturing him sitting beside Brian Eno, copying his homework - also, Paddy Hanna's superb new album, Oylegate is out, so you're going to want to get all over that. I did not expect to be playing some DJ Koze, but he's only gone and released a track with Markus Archer from The Notwist, which also samples Consequence from Neon Golden, so yeah, let's have a go of that. Other stuff too. It's all good.

Aquí lo que importa es que sea fresco del día, en nuestro caso, de la quincena. En Radio Curie te ofrecemos una selección de novedades musicales del circuito alternativo internacional hecho con amor y todo el rigor posible. Durante una hora repasamos lo último de lo último, desde el folk a los sonidos más eclécticos de la electrónica, pasando por el postpunk o el hiphop. Aquí cabe casi todo. 1) April + VISTA - Love Unspent 2) DARKSIDE - One Last Nothing 3) SML - Taking out the Trash 4) Ashes And Diamonds - ON 5) Packaging; cindygod - Running Through the Airport (feat. cindygod) 6) BIG SPECIAL - PLAINTIVE NATIVE 7) Backyard Baseball - No Panic / All Panic 8) Portugal. The Man - Angoon 9) Caution - Mind Like a Tool 10) Courtney Barnett - Stay In Your Lane 11) Formal Sppeedwear - Hit ‘n' Run 12) Sorry - Today Might Be The Hit 13) The Mystery Lights - Kids of Today 14) Library Card - Art School 15) SUEP - The Rain 16) Long Fling - Cool Bottle Water Park 17) This Is Lorelei - Name the Band 18) Found Space - nostalgia 19) The Notwist; Ada - Run Run Run - Ada Remix

Le Spiegelberg Festival est un évènement culturel itinérant qui se déroule au cœur des Franches-Montagnes, dans le Canton du Jura, en Suisse, du 26 au 28 juin 2025. Il offre une programmation intimiste et accessible. Avec des artistes musicaux comme Tshegue, Bonnie Banane ou encore The Notwist. Félicien Donzé, co-directeur artistique, est au micro de Layla Shlonsky.

Claude & Jobst im Gespräch mit Thorsten. Wir reden über Kathleen Hanna, eigene Religionen, Ramones, Ideal & Spider Murphy Gang, Bedienstete auf den Philippinen, first world Problems, gutes Essen auf den Philippen, veganes Sinegan mit Tamarind-Sauce, ein Konzert mit Die Negation, die Eltern waren record collector, dann kam Public Enemy, ein bekiffter Metal-Gitarrist, Immi von Fluid to Gas kam vorbei, Misfits in der Schulband, Fanzines, Heresy & Napalm Death, die Punks vor Karstadt in Limburg, eine Devillock cool finden, Deviated Instict auf einer Mode-Bomberjacke, ein Freiheitsgefühl dank Skateboard-Fahren, Sigurd legte oft Lethal Aggression auf, das Kalkwerk in Limburg, eine Ausbildung zum Bürokaufmann, Alkohol nicht gut vertragen, ein Infest-Pullover sorgt für Ärger, Notwist & Schwarze Feuer in Limburg, Die Radierer und die Limburger Pest, Wirtschaftswunder bei Biolek, ein Restaurant-Besuch mit Tod, das erste Tattoo in Manila, eine Tribal-artige Flamme, die Demos von Bubonic Plague, Proben im Partykeller, Cover von Slapshot & Red Hot Chili Peppers, das erste Konzert mit Acid Rain Dance, Growing Concern und Acid Rain Dance, das Schönste ist wenn ne Band ne Einheit ist, Tour mit Ratos de Porao, Karaoke Til Death, angestellt als Tätowierer, In Memoriam Tattoo in Koblenz, Philipp Loi, zum ersten Mal selbständig, Geld immer Scheiße finden, Polomski Tattoo, Tattoos weglasern, sehr eitel gewesen sein, negatives Umfeld, "This is a drama free zone", Gesichtstattoos, Kunsthandwerker & Dienstleister, "Music for Psychedelic Experience", gute Tools in der Baghavad Gita, Spiritualität hat nix mit Esoterik zu tun, Yoga & Mantren singen, Veil & Baby Gopal, gern ne Vegan Straight Edge Band gründen wollen, ein Mix aus Blumfeld & Sonic Youth, Morph auf Moving Magnet, don´t bring musicians into punk, Bubonix 2.0, das Kein-Kultur-Festival, verletzt am Juzi Göttingen, mehrstündige Touren mit Gravelbike, sich aufgehoben fühlen, uvm.Drei Songs für die Playlist1) Ein Lieblingssong vom 15-jährigen Thorsten: IDEAL - Herrscher2) Ein Lied, das Thorsten gern beim Tätowieren hört: JON HOPKINS - Deep in the Glowing Heart 3) Ein aktueller Lieblingssong: AURORA - Runaway

Die Musik? Heim-Electronica auf dem höchsten Level, wie immer. Auf der Gästeliste? Damon Albarn, Markus Acher von The Notwist, Sophia Kennedy, Soap&Skin! Das Interview? Ein Abgesang auf die Clubkultur und die Immer-mehr-und-immer-schneller-Gesellschaft. Kosi comes around, einmal mehr. «Music Can Hear Us» ist unser neues Sounds! Album der Woche. Vinyl, CDs und Kühlschrankmagnete gibt's bis Freitag jeden Abend in der Livesendung zu gewinnen. Sounds! Ahoi!

Gampert, Christian www.deutschlandfunkkultur.de, Fazit

I discuss the Notwist's 2002 samplicious classic, Neon Golden.

Der wandelbare Singer-Songwriter mit Forscherdrang und Faible fürs Extraterrestrische lädt auf seinem neuen Album zu "Weltraumspäßchen im Zeitalter der spirituellen MaschinenEigentlich heißt er ja Florian Kreier. Doch wenn er nicht gerade unter seinem eigenen Namen beispielsweise an einer "Tatort"-Filmmusik mitarbeitet oder unter dem Alias Heiner Hendrix das Poesie-Performance-Potential seiner Schreibmaschine erkundet, schlüpft er gerne in die Rolle seines wohl produktivsten Alter Egos. Dann wird aus dem 1983 in Traunstein geborenen Bayer Kreier ein Singer-Songwriter aus Bilbao namens Angela Aux. Mal mit blonder Langhaarperücke und Kleid, dann wieder in einen reptiloiden Ganzkörperlatexanzug gewandet – oder leger mit Flauschmantel und Käppi unterwegs. Immer aber mit einem einnehmenden Sound zwischen Folk und Pop im Angebot, an Harmonien ebenso reich wie an Brüchen und Klangexperimenten, der seinem Urheber bereits Vergleiche mit Brian Wilson, Beck, Tame Impala oder The Notwist eingebracht hat. Am Freitag erscheint sein neues, sechstes Album "Spacelarking In The Age of Spiritual Machines". Wie der Titel schon andeutet fungiert hier der Künstler als augenzwinkernder Mittler zwischen des Menschen Innerem und (vielleicht nur vermeintlich) Außerweltlichem, bereist den eigenen Geist ("Traveler Of The Mind") oder lauscht den Selbstgesprächen von möglichen Außerirdischen ("Alien Monolgoue").

Der wandelbare Singer-Songwriter mit Forscherdrang und Faible fürs Extraterrestrische lädt auf seinem neuen Album zu "Weltraumspäßchen im Zeitalter der spirituellen MaschinenEigentlich heißt er ja Florian Kreier. Doch wenn er nicht gerade unter seinem eigenen Namen beispielsweise an einer "Tatort"-Filmmusik mitarbeitet oder unter dem Alias Heiner Hendrix das Poesie-Performance-Potential seiner Schreibmaschine erkundet, schlüpft er gerne in die Rolle seines wohl produktivsten Alter Egos. Dann wird aus dem 1983 in Traunstein geborenen Bayer Kreier ein Singer-Songwriter aus Bilbao namens Angela Aux. Mal mit blonder Langhaarperücke und Kleid, dann wieder in einen reptiloiden Ganzkörperlatexanzug gewandet – oder leger mit Flauschmantel und Käppi unterwegs. Immer aber mit einem einnehmenden Sound zwischen Folk und Pop im Angebot, an Harmonien ebenso reich wie an Brüchen und Klangexperimenten, der seinem Urheber bereits Vergleiche mit Brian Wilson, Beck, Tame Impala oder The Notwist eingebracht hat. Am Freitag erscheint sein neues, sechstes Album "Spacelarking In The Age of Spiritual Machines". Wie der Titel schon andeutet fungiert hier der Künstler als augenzwinkernder Mittler zwischen des Menschen Innerem und (vielleicht nur vermeintlich) Außerweltlichem, bereist den eigenen Geist ("Traveler Of The Mind") oder lauscht den Selbstgesprächen von möglichen Außerirdischen ("Alien Monolgoue").

Der wandelbare Singer-Songwriter mit Forscherdrang und Faible fürs Extraterrestrische lädt auf seinem neuen Album zu "Weltraumspäßchen im Zeitalter der spirituellen MaschinenEigentlich heißt er ja Florian Kreier. Doch wenn er nicht gerade unter seinem eigenen Namen beispielsweise an einer "Tatort"-Filmmusik mitarbeitet oder unter dem Alias Heiner Hendrix das Poesie-Performance-Potential seiner Schreibmaschine erkundet, schlüpft er gerne in die Rolle seines wohl produktivsten Alter Egos. Dann wird aus dem 1983 in Traunstein geborenen Bayer Kreier ein Singer-Songwriter aus Bilbao namens Angela Aux. Mal mit blonder Langhaarperücke und Kleid, dann wieder in einen reptiloiden Ganzkörperlatexanzug gewandet – oder leger mit Flauschmantel und Käppi unterwegs. Immer aber mit einem einnehmenden Sound zwischen Folk und Pop im Angebot, an Harmonien ebenso reich wie an Brüchen und Klangexperimenten, der seinem Urheber bereits Vergleiche mit Brian Wilson, Beck, Tame Impala oder The Notwist eingebracht hat. Am Freitag erscheint sein neues, sechstes Album "Spacelarking In The Age of Spiritual Machines". Wie der Titel schon andeutet fungiert hier der Künstler als augenzwinkernder Mittler zwischen des Menschen Innerem und (vielleicht nur vermeintlich) Außerweltlichem, bereist den eigenen Geist ("Traveler Of The Mind") oder lauscht den Selbstgesprächen von möglichen Außerirdischen ("Alien Monolgoue").

Das Wort "Ditty" ließe sich mit "Liedchen" ins Deutsche übersetzen – doch nette Belanglosigkeiten trällert die in Neu-Delhi geborene und aufgewachsene Aditi "Ditty" Veena nicht. Stattdessen befasst sich die Künstlerin und Klimaschutzaktivistin mit der "untrennbaren Verbindung von Musik und Natur", schreibt "sanfte und poetische Protestsongs, die uns anhalten, besser auf unsere Erde aufzupassen – und auf uns selbst." Seit 2022 lebt Ditty in Berlin und hat mit Musikern, die aus dem Umfeld von The Notwist, Stromae und Woodkid stammen, eine hochkarätige Band um sich versammelt. Die fünf Songs ihrer neuen EP "Skin" allerdings nahm sie an verschiedenen Orten ihrer indischen Heimat auf, deren musikalische Tradition bereits vor über einem halben Jahrhundert beispielsweise die Beatles beeinflusste, und deren Besonderheiten auch die Mittdreißigerin geprägt haben: "Ich bin in einem kolonialisierten Land aufgewachsen", erklärt sie, "in dem ich zwei Sprachen spreche und eine widersprüchliche Koexistenz von Kulturen kennengelernt habe." Da erscheint es plausibel, dass den englischsprachigen Stücken von "Skin" in naher Zukunft eine weitere EP namens "Kaali" folgen wird, deren Texte auf Hindi verfasst wurden. Egal aber, welcher Sprache sie sich bedient: Dittys Botschaft ist eine der Verbundenheit, der Achtsamkeit, der Emotionen; ob sie nun Bäume pflanzt, sich für sauberes Trinkwasser einsetzt, oder mit ihren Songs eine neue Perspektive auf Indien bietet, wo "gerade eine Indie-Szene zum Leben erwacht."

Das Wort "Ditty" ließe sich mit "Liedchen" ins Deutsche übersetzen – doch nette Belanglosigkeiten trällert die in Neu-Delhi geborene und aufgewachsene Aditi "Ditty" Veena nicht. Stattdessen befasst sich die Künstlerin und Klimaschutzaktivistin mit der "untrennbaren Verbindung von Musik und Natur", schreibt "sanfte und poetische Protestsongs, die uns anhalten, besser auf unsere Erde aufzupassen – und auf uns selbst." Seit 2022 lebt Ditty in Berlin und hat mit Musikern, die aus dem Umfeld von The Notwist, Stromae und Woodkid stammen, eine hochkarätige Band um sich versammelt. Die fünf Songs ihrer neuen EP "Skin" allerdings nahm sie an verschiedenen Orten ihrer indischen Heimat auf, deren musikalische Tradition bereits vor über einem halben Jahrhundert beispielsweise die Beatles beeinflusste, und deren Besonderheiten auch die Mittdreißigerin geprägt haben: "Ich bin in einem kolonialisierten Land aufgewachsen", erklärt sie, "in dem ich zwei Sprachen spreche und eine widersprüchliche Koexistenz von Kulturen kennengelernt habe." Da erscheint es plausibel, dass den englischsprachigen Stücken von "Skin" in naher Zukunft eine weitere EP namens "Kaali" folgen wird, deren Texte auf Hindi verfasst wurden. Egal aber, welcher Sprache sie sich bedient: Dittys Botschaft ist eine der Verbundenheit, der Achtsamkeit, der Emotionen; ob sie nun Bäume pflanzt, sich für sauberes Trinkwasser einsetzt, oder mit ihren Songs eine neue Perspektive auf Indien bietet, wo "gerade eine Indie-Szene zum Leben erwacht."

Hola os damos la bienvenida a ERA Magazine, el podcast de la música independiente española, en esta tercera y última parte de los especiales que estamos realizando sobre el CanelaParty, el festival que se celebra del 23 al 27 de agosto en Torremolinos, Málaga. Y desde este marco incomparable en el que nos encontramos junto al mar, y al que hemos apodado “La Terracita”, estamos escuchando “Estrella solitaria”, el tema que abre el nuevo disco de Triángulo de Amor Bizarro, que tocarán en la jornada de clausura del Canela, y del que estamos más que enamorados en este podcast. Nos acompañan, nuestras colaboradoras habituales y las mejores que tenemos, para qué engañarnos, Andrea Trujillo batería de Yoko Factor, y a Esther Oller, guitarrista y cantante de Peligro! En este programa escucharemos: Triángulo de Amor Bizarro, "Estrella solitaria". Pony Bravo, "Político neoliberal". The Notwist, "Consecuenque". Cave In, "Moral eclipse". Entrevista con Marina, de Pantocrator: "No te puto pilles". "Continuará (jeta)". "Teléfono de aludidos". "Publicidad (estado del malestar"). Hasta aquí el programa de hoy. Muchas gracias a nuestra audiencia que nos apoya tan incondicionalmente y que nos ayuda a financiar este proyecto a través de eramagazine.fm/donacion. Si vosotros y vosotras, esto sería imposible. Hasta el próximo programa, quién sabe cuál será el tema. Posiblemente otro festival… Ya veremos. Os esperamos muy pronto. Un fuerte abrazo.

Christopher & Jobst im Gespräch mit Patrick. Wir reden über Slime, Jingo de Lunch & Tu-Do Hospital, die meisten Klischees haben ein Sinn, mit Skateboard ohne Freundeskreis, Rockstore in Essen, Konzerte in der Zeche Carl, ein Jugendzentrumskonzert mit Marylin´s Army & The Notwist, die Münster Monster Mastership 1991, Anders Pulpaneck Deck von Titus, ein Surfladen in der Dortmunder Innenstadt, typisches working class Aufwachsen, kettenrauchende Alkoholiker-Eltern, Urlaub in Bayern, Fuck You Style, hinter der Turnhalle rauchen, Anzeige wegen schwerer Körperverletzung, von den Eltern rausgeschmissen werden, Nervenzusammenbruch & Therapie, beknackte Musik hören, amerikanische Hippies der 1. Generation. Bücher von Robert Bertz, Prügeleien mit Faschos, Amerika verdient Trump, der Versuch Sachen besser zu machen, Skills um Sachen aus dem Nichts zu machen, sich nicht mehr mit der Szene identifizieren, Spawn-Platten für 1,70€, die erste eigene Band, eine Mahnung von Crucial Response Records, Umzug & Hochzeit in den USA, Geschäftsführung in Tattoo Shops, warum Bane nicht bei Reaper gelandet sind, die letzte NYHC-Platten die etwas taugt, die zweite Carnivore LP, die Fotografien von BJ Papas auf der Straight Ahead 12“, Reaper als zweites Victory, 100% Hardcore leben, RKL gut finden müssen, durch Zufall Cowboy werden, 40 Autostunden nach Montana, therapeutisches Reiten mit Kindern, Leffingwell Cattle Company, Lassowerfen, natural horsemanship, Leben wie vor 100 Jahren, zwanzig Minuten um Emails zu checken, nichts anderes akzeptieren als Ravensburger Puzzle, eine Winchester im Pick up Truck, Stop Extremism, Tribal Publishing, good intentions, lernen sich zu verstehen, bekennende Klaus Lage- & Peter Maffay-Fans, krampfhaft versuchen abzunehmen, uvm.

Claude und Christopher sprechen mit Friese über Chewbacca, Die Ärzte und Ekelpack, das Aufwachsen im Emsland und das Anatopia Hüttendorf, Zuverlässigkeit und Pünktlichkeit, Entspannung und Familienbande, prägende Einflüsse von V-Mann Joe, Slime und Aufbruch und die Gründung einer eigenen Antifa ohne lokal vorhandene Nazis, das Apex in Papenburg, Wasserwerk und JUZ Aschendorf. Spätzündung in der amourösen Entfaltung, Fußball statt Flöte, Mixtapes von den älteren Geschwistern, die Bedeutung von Tötensen, Feeble Minded, The Notwist und ganz besonders Motorpsycho, Peace-Joghurt und Baywatch-Brüste, seine Band Maroon sowie die Abnabelung nach Hamburg und dann nach Köln, Company With The Golden Arm, die Aktivitäten der K-Town Mosh Crew, Sunshine, Yage, Against Me, Red Light Sting, Level Plane Records und Frieses Einstieg bei P.U.M.A. und den Abbruch des Studiums, finanzielle Sorgen und die Leidenschaft für Brettspiele (Star Wars Rebellion, Wingspan und Blood Rage), seine „Karriere“ als Mercher und Reiseleiter von Turbostaat, die Turbostaatfamilie, sein Merch-Label „Sisters of Merchi“, die Freude bei der Arbeit im Underdog Plattenladen, als DJ und die „Be My Quarantine“ Kampagne, seine Krebs-Diagnose, den Verlust des linksseitigen Gesichtsnervs und die Aussichten und Prognosen seines gesundheitlichen Kampfes, erneut Diskussionen um Komplimente und Lob, das Rezept für das weltbeste Tomaten-Sandwich, uvm.

Primer programa del año, primer y único programa de enero, donde reenganchamos con el último programa de 2023 para entrevistar a Paula Boffo, alias Suki o Sukermercado, además de repetir la RE: seña de Santa Sombra. Hablamos sobre sus comienzos como historietista y animadora, sobre el proceso de creación de Santa Sombra y como se convirtió de un comic de 40 páginas a uno de más de 200, y de su trabajo en animación. Invitado: Hernán Carreras. Con música de Clipper, Kumbia Queers, y The Notwist con Juana Molina. Escuchalo o bajalo de acá: http://bit.ly/perdidos518 Próximo programa: Star Trek - Prodigy (Temporada 1).

Episode 607: December 11, 2022 playlist: Low, "Some Hearts (at Christmas Time)" (Some Hearts (at Christmas Time)) 2016 Sub Pop Climax Golden Twins, "Fifty Bucks Worth" (Climax Golden Twins) 2023 Fire Breathing Turtle Mike Tamburo, "Orange Triumph" (Private Humors) 2022 self-released Photay with Carlos Nino, "C U R R E N T" (An Offering) 2022 International Anthem Chris Abrahams, "New Kind Of Border" (Follower) 2022 Room40 The Notwist, "Loose Ends" (Vertigo Days - Live from Alien Research Center) 2023 Alien Transistor Beqa Ungiadze, "time" (Station) 2023 Spirituals Arve Henriksen and Kjetil Husebo, "Sequential Stream (excerpt)" (Sequential Stream) 2022 Smalltown Supersound Aviva Endean, "Nightwork" (Moths and Stars) 2022 Room40 Bardo Pond, "I Forgot" (No Hashish, No Change Money, No Saki Saki) 1993 Self-released / 2023 Three Lobed United Bible Studies, "Lightning With Stag In Its Glare" (Roses In The Voltage) 2022 Pariah Child Hiroshi Ebina, "When It Rains" (In Science and the Human Heart) 2022 Kitchen Label Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 577: June 5, 2022 playlist: Dummy, "Mono Retriever" (Mono Retriever) 2022 Sub Pop 58918012, "No Pain" (micromind) 2022 self-released The Notwist, "Al Sur (feat. Juana Molina)" (Vertigo Dubs Vol. 2: Elijah Minnelli) 2022 Morr Music Gadi Sassoon, "Organico (Binaural Headphone Mix)" (Chaos and Order) 2022 A Strangely Isolated Place Puce Mary, "Uranian Swallow" (You Must Have Been Dreaming) 2022 Hypersomnia London Odense Ensemble, "Sojourner" (Jaiyede Sessions Vol.1) 2022 El Paraiso Kelly Lee Owens, "Sonic 8" (LP.8) 2022 Smalltown Supersound Lloyd Miller, "Carnatic Clarinet (1960s)" (Orientations) 2022 Fountain AVM Jeremy Young, "Earlier Than Energy" (August Tape Sketches) 2022 Meakusma Saajtak, "Mightier Mountains Have Crumbled" (For the Makers) 2022 American Dreams Cube, "Lost the Plot" (Proof of Bells) 2022 H and S Ranch Claudia Molitor, "I caught a train" (Have you ever) 2022 Nonclassical Pontiac Streator, "en glimmers" (Select Works . vol III) 2022 self-released Minamo and Asuna, "Pendulum and Inertia" (Tail of Diffraction) 2022 12k Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Prior to running her own business, Fiona has overseen many careers, including her time at EMI Records, where she ran marketing campaigns for Digable Planets,  Gang Starr, Shara Nelson, The Solsonics, Eternal, and others.She co-owned Sub Verse Music and 3-2-1 Records, where she signed and marketed Blackalicious, MF Doom, C-Rayz Walz, Skeme Team, and more.At the parent company Zero Hour Records, she spearheaded the publicity department and ran campaigns for The Notwist, Varnarline, Swervedriver, Space Needle, Steve Wynn, John Wesley Harding, Threadwaxing Space, just to name a few.As talent booker for Joe's Pub, she developed the highly popular Late Night Series, then went on to run the International Department at TVT Records.She also showcased and gave NY debuts to some of the hottest indie acts on the scene including Slum Village, Saian Supa Crew, Spank Rock, TTC, Loop Troop, Eternia, Timbuktu, Zion I, Atmosphere, Aloe Blacc, Swollen Members, Dub Inc, etc.Before her record Industry work, she was a radio personality in Atlanta with a widely popular urban show on WRFG 89.3FM, a party promoter, freelance publicist, and a voice-over talent.And before that:  A Concert Pianist in England where she grew up!Learn more about Lyte.

Prior to running her own business, Fiona has overseen many careers, including her time at EMI Records, where she ran marketing campaigns for Digable Planets,  Gang Starr, Shara Nelson, The Solsonics, Eternal, and others.She co-owned Sub Verse Music and 3-2-1 Records, where she signed and marketed Blackalicious, MF Doom, C-Rayz Walz, Skeme Team, and more.At the parent company Zero Hour Records, she spearheaded the publicity department and ran campaigns for The Notwist, Varnarline, Swervedriver, Space Needle, Steve Wynn, John Wesley Harding, Threadwaxing Space, just to name a few.As talent booker for Joe's Pub, she developed the highly popular Late Night Series, then went on to run the International Department at TVT Records.She also showcased and gave NY debuts to some of the hottest indie acts on the scene including Slum Village, Saian Supa Crew, Spank Rock, TTC, Loop Troop, Eternia, Timbuktu, Zion I, Atmosphere, Aloe Blacc, Swollen Members, Dub Inc, etc.Before her record Industry work, she was a radio personality in Atlanta with a widely popular urban show on WRFG 89.3FM, a party promoter, freelance publicist, and a voice-over talent.And before that:  A Concert Pianist in England where she grew up!Learn more about Lyte. Hosted on Acast. See acast.com/privacy for more information.

Das schönste Kompliment, welches man der Band Stahlberger machen kann? Genau: «Hey, diese Musik kann man auch hören!» So gesagt vom deutschen Produzenten Olaf Opal, welcher von den fünf Musikern aus St.Gallen für den Produzentenjob ihrer neusten Platte engagiert wurde, weil sie von dessen Produktionsarbeit beim letzten Album von The Notwist ziemlich angetan waren. Und weil Opal des Schweizerdeutschen (noch?) nicht zu 100 % mächtig ist, gab's von ihm weniger Komplimente für Manuel Stahlbergers erneut bezaubernd idiosynkratische Texte, sondern mehr für den musikalischen Teil des neuen Albums. In der Tat klingt «Lüt uf Fotene» wieder frohmütiger als der eher grimmig ausgefallene Vorgänger «Dini zwei Wänd» . Wobei uns Manuel Stahlberger hier wahrscheinlich wiedersprechen würde... und uns spätestens mit dem Text des allerletzten Tracks des neuen Albums («D Welt macht zue... alles muss raus») wieder zurück auf den Boden der Tatsachen zurückholt.

In this episode, David Harris, Holly Hazelwood and Eric Mellor are joined by special guest, Markus Acher of the Notwist, to discuss singing in a second language, trips to Japan and life during the COVID-19 pandemic. Support the show (https://www.patreon.com/bePatron?u=35658686)

Music from the Margaret Malone episode of The Steer, as heard on www.Dublab.com and KZUT 99.1 FM Los Angeles. Artists include Erik Satie, John Coltrane, The Notwist and Juana Molina, among others.