Podcast appearances and mentions of marty ehrlich

The music of Bobby Previte and ensembles recorded between 1987 and 2018 at the Roulette performance spaces in New York. Admired as a drummer, composer, and bandleader, Previte is also one the great raconteurs of the downtown experimental music scene. We'll hear the 1987 band with Marty Ehrlich (reeds),Tom Varner (horn), Wayne Horvitz (keys), Dave Hofstra (bass); a trio from 1994 with Horvitz (piano & electronic keyboards), and Skerik (tenor sax & electronics); and the Rhapsody Band from 2018 with Nels Cline (acoustic guitars), John Medeski, (piano), Zeena Parkins (harp), Jen Shyu (voice and erhu fiddle), Fabian Rucker (alto sax), and the composer on drums, autoharp,electronics, and percussion. Photo: Musikchule Basel.

The music of Bobby Previte and ensembles recorded between 1987 and 2018 at the Roulette performance spaces in New York. Admired as both a drummer and composer, Previte is also one the great raconteurs of the downtown experimental music scene. We'll hear the 1987 band with Marty Ehrlich (reeds),Tom Varner (horn), Wayne Horvitz (keys), Dave Hofstra (bass); a trio from 1994 with Horvitz (piano & electronic keyboards), and Skerik (tenor sax & electronics); and the Rhapsody Band from 2018 with Nels Cline (acoustic guitars), John Medeski, (piano), Zeena Parkins (harp), Jen Shyu (voice and erhu fiddle), Fabian Rucker (alto sax), and the composer on drums, autoharp, electronics, and percussion.

Here is the second part of an edition of Mondo Jazz celebrating the birth of James Baldwin, 100 years ago in Harlem, through the countless connections between his life and work, the music he loved and the music he inspired. The playlist features David Linx; Marty Ehrlich; Heroes Are Gang Leaders; Byron Asher; Bessie Smith; Mahalia Jackson; and Viktor Lazlo. Detailed playlist at https://spinitron.com/RFB/pl/19628356/Mondo-Jazz (from "A Lover's Question, Pt. II" onwards). Happy listening! Photo credit: Richard Avedon.

STEVE SWALLOW PLAYING IN TRAFFIC Madeira, September 5, 2008 Days of old, Up too late New Paltz, NY, April 9, 2009 Quiet insideOhad Talmor (ts) Steve Swallow (el-b) Adam Nussbaum (d) NEW YORK JAZZ COLLECTIVE DON'T KNOW THIS WORLD WITHOUT DON CHERRY Stamford, CT, April 11 & 12, 1996I don't know this world without Don Cherry, Nock down under, El nino (1)Baikida Carroll (tp,flhrn) Frank “Ku-umba” Lacy (tb) Marty Ehrlich (cl,b-cl,fl,as) Mike Nock (p) Michael Formanek (b) Pheeroan ak Laff (d) Steve Johns (d-1) LENA BLOCH HEART KNOWS Hampton, NJ, July 27, 2017Lateef suite, Three treasuresLena Bloch (ts) Russ Lossing (p) Cameron Brown (b) Billy Mintz (d) Continue reading Puro Jazz 05 de Julio 2024 at PuroJazz.

STEVE SWALLOW PLAYING IN TRAFFIC Madeira, September 5, 2008 Days of old, Up too late New Paltz, NY, April 9, 2009 Quiet insideOhad Talmor (ts) Steve Swallow (el-b) Adam Nussbaum (d) NEW YORK JAZZ COLLECTIVE DON'T KNOW THIS WORLD WITHOUT DON CHERRY Stamford, CT, April 11 & 12, 1996I don't know this world without Don Cherry, Nock down under, El nino (1)Baikida Carroll (tp,flhrn) Frank “Ku-umba” Lacy (tb) Marty Ehrlich (cl,b-cl,fl,as) Mike Nock (p) Michael Formanek (b) Pheeroan ak Laff (d) Steve Johns (d-1) LENA BLOCH HEART KNOWS Hampton, NJ, July 27, 2017Lateef suite, Three treasuresLena Bloch (ts) Russ Lossing (p) Cameron Brown (b) Billy Mintz (d) Continue reading Puro Jazz 05 de Julio 2024 at PuroJazz.

Jazz in the Garden, Episode Three: “Return to the Garden” An overwhelmingly popular series of jazz concerts in MoMA's Sculpture Garden in 1985 proved…a little too popular, and it would be nearly a decade before live jazz was once again a regular occurrence at the Museum. In our third and final episode, hear about a new generation of musicians who revived the legacy of jazz at the Museum in the 1990s, and brought it into the 21st century. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Strauss Waltz Medley.” Written by Johann Strauss II. Performed by the United States Air Force Band. Public domain recording; “The Thrill Is Gone.” Written by Ray Henderson and Lew Brown. Performed by Claudia Acuña. Used by permission. By arrangement with Warner Chappell Music; “Mambo Jazz.” Written (as “Titorama”) by Chris Washburne. Performed by Chris Washburne and the Syotos Band. Used by permission. Courtesy Wash and Burne Music; “Moon Bird.” Written by Myra Melford. Performed by Myra Melford's The Tent. Used by permission. Courtesy Myra Melford; “Malinke's Dance.” Written by Marty Ehrlich. Performed by the Marty Ehrlich Sextet. Used by permission. Courtesy Marty Ehrlich

STONE ALLIANCE STONE ALLIANCE Kent, N.Y., June 1975 & June 1976Vaya mulatto, King Tut, Duet (gp out)Steve Grossman (ts) Gene Perla (el-b,el-p) Don Alias (d,cga,bgo,perc) GEORGE COLEMAN AMSTERDAM AFTER DARK New York, December 29, 1978Amsterdam after dark, New arrival, Lo JoeGeorge Coleman (ts) Hilton Ruiz (p) Sam Jones (b) Billy Higgins (d) RON HORTON A PRAYER FOR ANDREW Brooklyn, NY, June 2 & July 15, 2016A prayer for Andrew (1), Home, Dusk (1)Ron Horton (tp,flhrn,comp) Marty Ehrlich (as-1,b-cl-1) John O'Gallagher (as) replaces Ehrlich, Marc Mommaas (ts) Frank Kimbrough (p) Dean Johnson (b) Tim Horner (d) Andrew Hill (comp) Continue reading Puro Jazz 21 de junio 2024 at PuroJazz.

STONE ALLIANCE STONE ALLIANCE Kent, N.Y., June 1975 & June 1976Vaya mulatto, King Tut, Duet (gp out)Steve Grossman (ts) Gene Perla (el-b,el-p) Don Alias (d,cga,bgo,perc) GEORGE COLEMAN AMSTERDAM AFTER DARK New York, December 29, 1978Amsterdam after dark, New arrival, Lo JoeGeorge Coleman (ts) Hilton Ruiz (p) Sam Jones (b) Billy Higgins (d) RON HORTON A PRAYER FOR ANDREW Brooklyn, NY, June 2 & July 15, 2016A prayer for Andrew (1), Home, Dusk (1)Ron Horton (tp,flhrn,comp) Marty Ehrlich (as-1,b-cl-1) John O'Gallagher (as) replaces Ehrlich, Marc Mommaas (ts) Frank Kimbrough (p) Dean Johnson (b) Tim Horner (d) Andrew Hill (comp) Continue reading Puro Jazz 21 de junio 2024 at PuroJazz.

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The Wire places Sara Schoenbeck in the "tiny club of bassoon pioneers" at work in contemporary music today, while the New York Times has called her performances "galvanizing" and "riveting.” She has performed with or been a member of Anthony Braxton's 12+1(tet) and Tri-Centric Orchestra, Wayne Horvitz's Gravitas Quartet, Harris Eisenstadt's Golden State, Wavefield Ensemble, SEM Ensemble, Wet Ink, Marty Ehrlich's Duende Winds, Nels Cline's Lovers, Adam Rudolph's Organic Orchestra, and the Michael Leonhart Orchestra. She has worked with many of creative music's luminaries including Roscoe Mitchell, Henry Threadgill, Butch Morris, Yusef Lateef, Wadada Leo Smith, George Lewis, and Pamela Z. She can be heard on music and film recordings including Matrix 2 and 3, Spanglish and Dahmer. She has performed at major venues throughout North America and Europe. A partial list includes Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, Redcat, the Kennedy Center, the Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, the American Festival of Improvised Music, MicroFest, SXSW, New Orleans, Newport, Berlin, Victoriaville and Ottawa Jazz Festivals; the Vancouver International Jazz Festival, Angel City Jazz Festival in Los Angeles; San Francisco, Saalfelden and Tempere Jazz festivals. Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts. Sara has been adjunct faculty at California Institute of the Arts, Citrus College, and Pasadena Conservatory and has given master classes at Amherst College, Hampshire College, Cornish College, University of Denver, and Western Washington University. She is currently on faculty at Brooklyn Conservatory of Music and Packer Collegiate Institute. In this episode, I speak to Sara about her musical journey, how her career developed and took off, and the inspiration behind her recent self-titled album release, she gives me some practical tips on how to become a better improviser and how to approach free improvisation, tips on creativity, her main musical influences, the challenges of working as a female musician, tips for young musicians and she fills me in on the jazz/music scene in New York, and which jazz clubs I should visit in New York. Listen to her album here: https://open.spotify.com/album/6SMnwqkm8odd2KXNaUqku9?si=3JzotXziSY6u_InOokxYfA Find out more about Sara: https://www.saraschoenbeck.com LOR podcast is being sponsored by Baron Cane, use the coupon code "legendsofreed", to enjoy free shipping on Barton Cane. https://www.bartoncane.com/

This week a playlist that focuses on the contribution of jazz musicians to pop, hip-hop, and rock projects, from the Art Ensemble of Chicago playing with French singer Brigitte Fontaine, to John Zorn featured on the debut album by the Brazilian queen Marisa Monte and The Thing's mighty alliance with Neneh Cherry. And a tribute to the late Dr. Lonnie Smith a jazz master known for his boundary-defying attitude. The playlist also features Iggy Pop; D'Angelo, Roy Hargrove; Guru, Branford Marsalis; Justin Warfield, Michael Blake, Steven Bernstein; A Tribe Called Quest, Ron Carter; MC Solaar; Michael Leonhart, JSWISS, Keyon Harrold; Steely Dan; Jim Beard, Jon Herrington; Michael Stipe, Bill Frisell, Doug Wieselman; Marisa Monte, John Zorn, Marty Ehrlich; Neneh Cherry & The Thing; Gigi, Bill Laswell, Henry Threadgill; Brigitte Fontaine, Art Ensemble of Chicago; Danny Wilson, Lester Bowie; Ivano Fossati, Enrico Rava. Detailed playlist at https://spinitron.com/RFB/pl/14250210/Mondo-Jazz (up to "Jubilaeum Bolero"). Happy listening! Photo credit: Kim Hiorthoy

"The Hard Blues" The Julius Hemphill Sextat: fat man and the hard blues (Black Saint, 1991) Julius Hemphill, Marty Ehrlich, Carl Grubbs, James Carter, Andrew White, Sam Furnace. El sexteto de saxofonistas interpretaba la composición de Julius Hemphill que ya había grabado anteriormente.  © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. El disco, fat man and the hard blues, aparecía dentro de la caja Julius Hemphill: The Complete Remastered Recordings On Black Saint and Soul Note (Cam Jazz, 2012), que reseñaba Pachi Tapiz en https://www.tomajazz.com/web/?p=5311

Guru dell'"Associazione per la promozione dei musicisti creativi" di Chicago, l'ambito da cui sono emerse figure ancora oggi di punta come Anthony Braxton, Roscoe Mitchell, Henry Threadgill e Wadada Leo Smith, il pianista Muhal Richard Abrams, mancato nel 2017, è stato a partire dagli anni sessanta uno dei protagonisti cruciali dell'avanguardia. Su commissione di Bobby Zankel, leader di una formazione di Philadelphia, The Warriors of the Wonderful Sound, Muhal scrisse una composizione, Soundpath, che con la sua direzione fu presentato con successo appunto a Philadelphia nel 2012. Qualche mese prima di morire Muhal incoraggiò Zankel a riprendere il lavoro e a continuare a interpretarlo. Nel 2018 effettivamente Soundpath è stato riproposto a Philadelphia, con la direzione di Marty Ehrlich, forte di una lunga confidenza con la musica di Abrams, e con una formazione comprendente alcuni dei Warriors, e musicisti che avevano lavorato con Muhal a New York. Il giorno dopo la presentazione dal vivo Soundpath è stato inciso in studio, ed è adesso un album pubblicato dall'etichetta portoghese Clean Feed, che ci fa il regalo di una creazione prima inedita su disco di un musicista tanto importante, amato e rispettato. Fra i musicisti dell'orchestra, oltre a Ehrlich e Zankel, diversi nomi di tutto rilievo come Graham Haynes, Steve Swell, Michael Formanek e Chad Taylor.

Guru dell'"Associazione per la promozione dei musicisti creativi" di Chicago, l'ambito da cui sono emerse figure ancora oggi di punta come Anthony Braxton, Roscoe Mitchell, Henry Threadgill e Wadada Leo Smith, il pianista Muhal Richard Abrams, mancato nel 2017, è stato a partire dagli anni sessanta uno dei protagonisti cruciali dell'avanguardia. Su commissione di Bobby Zankel, leader di una formazione di Philadelphia, The Warriors of the Wonderful Sound, Muhal scrisse una composizione, Soundpath, che con la sua direzione fu presentato con successo appunto a Philadelphia nel 2012. Qualche mese prima di morire Muhal incoraggiò Zankel a riprendere il lavoro e a continuare a interpretarlo. Nel 2018 effettivamente Soundpath è stato riproposto a Philadelphia, con la direzione di Marty Ehrlich, forte di una lunga confidenza con la musica di Abrams, e con una formazione comprendente alcuni dei Warriors, e musicisti che avevano lavorato con Muhal a New York. Il giorno dopo la presentazione dal vivo Soundpath è stato inciso in studio, ed è adesso un album pubblicato dall'etichetta portoghese Clean Feed, che ci fa il regalo di una creazione prima inedita su disco di un musicista tanto importante, amato e rispettato. Fra i musicisti dell'orchestra, oltre a Ehrlich e Zankel, diversi nomi di tutto rilievo come Graham Haynes, Steve Swell, Michael Formanek e Chad Taylor.

Episode 2 of "HEY BALTIMORE" - KRAFT with Mike Kuhl Live at An Die Musik! Kuhl/Ballou/Stewart/Dierker An die Musik Live! 409 N. Charles St. Baltimore, MD 21201 https://andiemusiklive.com/ Facebook: Mike Kuhl https://www.facebook.com/mike.kuhl.16 Facebook: Dave Ballou https://www.facebook.com/dballou Facebook: Luke Stewart https://www.facebook.com/luke.stewart.902266 Facebook: John Dierker https://www.facebook.com/john.dierker.3 Drummer, recording artist, educator, Michael Kuhl hails from the musically diverse city of Baltimore. Kuhl studied and performed in numerous genres, making him a first call drummer for any situation. A graduate of Towson University, Kuhl has performed locally and throughout the globe alongside jazz greats Dave Liebman, Tony Malaby, Michael Formanek, Dave Ballou, Ellery Eskelin and Claudio Roditi. Outside of jazz, Kuhl has shared the stage with many international acts such as Beach House, Arboretum, Cigarettes After Sex, Tom Tom Club, and The Ravonnettes. As a leader, Kuhl performed with his trio every Tuesday night at Bertha's in Fells Point before the pandemic. Alongside his musical career, Mike is an accomplished martial artist of Bagua Kung Fu, in which he says the two arts go hand in hand. Trumpeter/Composer Dave Ballou can be heard in a variety of settings; from solo trumpet improvisations to large ensembles. His recordings can be found on the Steeplechase, CleanFeed and pfMentum record labels. Ballou has performed or recorded with Rabih Abou-Kahlil, Steely Dan, Michael Formanek, Mary Halvorson, Woody Herman, Andrew Hill, John Hollenbeck, Sheila Jordan, Oliver Lake, Dave Liebman, Dewey Redman, Maria Schneider and Gunther Schuller. His compositions have been performed and recorded by the Meridian Arts Ensemble, trumpeter Jon Nelson, French hornist Adam Unsworth, saxophonist Ellery Eskelin and the TILT Brass Ensemble. Ballou is a Professor of Music at Towson University and Division Leader of the Jazz and Commercial Music Division. He is the founding director of the Bill and Helen Murray Jazz Residency. Luke Stewart is a DC/NYC-based musician and organizer of important musical presentations. He has a presence in the national and international professional music community. He was profiled in the Washington Post in early 2017 as “holding down the jazz scene,” selected as “Best Musical Omnivore” in the Washington City Paper's 2017 “Best of DC,” chosen as “Jazz Artist of the Year” for 2017 in the District Now, and in the 2014 People Issue of the Washington City Paper as a “Jazz Revolutionary,” citing his multifaceted cultural activities throughout DC. In DC his regular ensembles include experimental jazz trio Heart of the Ghost, Low Ways Quartet featuring guitarist Anthony Pirog, and experimental rock duo Blacks' Myths. He has been compiling a series of improvisational sound structures for Upright Bass and Amplifier. Steward holds a BA in International Studies and a BA in Audio Production from American University, and an MA in Arts Management and Entrepreneurship from the New School. Multi-reedman John Dierker has become a major improvisational stylist, interweaving concepts augmented by howling lines, injections of blues-drenched choruses and Albert Ayler-like display of energy." (All About Jazz.) A Baltimore native, Dierker has worked in a wide variety of musical settings collaborating with Peter Zummo, Jason Willett, Jad Fair, The Basement Boys, Michael Formanek, and Marty Ehrlich. He is a longtime member of Lafayette Gilchrist and The New Volcanoes. Currently, he is working with Quartet Offensive, Lubbock, and Microkingdom and freelancing in the Baltimore/D.C. area. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

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Traditions are traditions... For this year's Hanksgiving episode we celebrate the work of a truly original artist, Hank Roberts. The Indiana-born, upstate New York-based, cellist, jazzaphone fiddler and vocalist, is one of those rare musicians whose name on the front or the back of an album should make any one purchase that record without questions asked, run home and play it immediately. This week we try to squeeze into a couple of hours a discography that spans over three decades and illustrates the artistic trajectory of a key figure in the famed New York downtown scene that continues to be at the forefront of creative music. In this first part, we focus in particular on some of his projects as a leader and on his ongoing collaboration with Bill Frisell. In the second part we focus on a number of other projects he is the leader of, including yet unreleased material of his current sextet. This segment also spotlights his work as a member of 858 Strings, the string section he shares with Jenny Scheinmann and Eyvind Kang featured on a number of projects by Bill Frisell, as well as his Italian adventures with Pipe Dream and trombonist Filippo Vignato. To complete this overview of Robert's discography during this segment we also feature a number of projects he has recorded with Tim Berne as well as with other luminaries of the New York scene like Marty Ehrlich or Ralph Alessi as well as collaborations with singers. Hank in there! It must be a very nice Hanksgiving then! Detailed playlist at https://spinitron.com/RFB/pl/9867097/Mondo-Jazz Photo credit: Christopher DelCollo.

Classe 1952, nato a Los Angeles, Mark Dresser è certamente uno dei più valenti contrabbassisti della sua generazione e del jazz di ricerca posteriore al free (per quasi dieci anni, fra gli ottanta e i novanta, è stato il bassista del quartetto di Anthony Braxton), ma è anche un compositore e leader di tutto rispetto, come, se ancora ce ne fosse bisogno, questo album intelligente e vivace testimonia. E' il secondo lavoro che Dresser incide in settetto per l'etichetta portoghese Clean Feed: il primo era stato nel 2016 il molto apprezzato Sedimental You. Con lui musicisti di generazioni diverse e di diversa notorietà, ma tutti di valore: Nicole Mitchell ai flauti, Marty Ehrlich alle ance, Michael Dessen al trombone, il giovane Keir GoGwilt al violino, Joshua White al piano e Jim Black alla batteria.

Classe 1952, nato a Los Angeles, Mark Dresser è certamente uno dei più valenti contrabbassisti della sua generazione e del jazz di ricerca posteriore al free (per quasi dieci anni, fra gli ottanta e i novanta, è stato il bassista del quartetto di Anthony Braxton), ma è anche un compositore e leader di tutto rispetto, come, se ancora ce ne fosse bisogno, questo album intelligente e vivace testimonia. E' il secondo lavoro che Dresser incide in settetto per l'etichetta portoghese Clean Feed: il primo era stato nel 2016 il molto apprezzato Sedimental You. Con lui musicisti di generazioni diverse e di diversa notorietà, ma tutti di valore: Nicole Mitchell ai flauti, Marty Ehrlich alle ance, Michael Dessen al trombone, il giovane Keir GoGwilt al violino, Joshua White al piano e Jim Black alla batteria.

Classe 1952, nato a Los Angeles, Mark Dresser è certamente uno dei più valenti contrabbassisti della sua generazione e del jazz di ricerca posteriore al free (per quasi dieci anni, fra gli ottanta e i novanta, è stato il bassista del quartetto di Anthony Braxton), ma è anche un compositore e leader di tutto rispetto, come, se ancora ce ne fosse bisogno, questo album intelligente e vivace testimonia. E' il secondo lavoro che Dresser incide in settetto per l'etichetta portoghese Clean Feed: il primo era stato nel 2016 il molto apprezzato Sedimental You. Con lui musicisti di generazioni diverse e di diversa notorietà, ma tutti di valore: Nicole Mitchell ai flauti, Marty Ehrlich alle ance, Michael Dessen al trombone, il giovane Keir GoGwilt al violino, Joshua White al piano e Jim Black alla batteria.

The Jazz Hole with Linus showcases some of the recently introduced new music today. Enjoy tracks from “Her Morning Waltz” by the Hyuna Park Trio, “New Year” by Curtis+Garabedian+Sperrazza (recently featured on The Jazz Hole Live), “Ain't Nothing But A Cyber Coup & You” by the Mark Dresser Seven, “Sanctuary” by Matt Slocum (featuring Gerald Clayton and Larry Grenadier) and “Our People” by Gerry Gibbs & Thrasher People. Hyuna Park Trio - “Her Morning Waltz” & “Flight of Migrants” Album: Her Morning Waltz Hyuna Park (p), Myles Sloniker (b) and Peter Traunmueller (d) Curtis+Garabedian+Sperrazza - “Vinnoa”, “Fred’s Hope” & “New Year” Album: New Year Caleb Wheeler Curtis (as), Noah Garabedian (b) and Vinnie Sperrazza (d) ------- Mark Dresser Seven - Black Arthur’s Bounce (In Memory of Arthur Blythe) Album: Ain't Nothing But A Cyber Coup & You Mark Dresser (b, McLagan tines), Nicole Mitchell (fl, alto fl, picc), Marty Ehrlich (cl, b-cl, as), Keir Gogwilt (vio), Michael Dessen (tb), Joshua White (p) and Jim Black (d, perc) Matt Slocum - “Consolation Prize” & “Aspen Island” Album: Sanctuary Matt Slocum (d), Gerald Clayton (p) and Larry Grenadier (b) ------- Gerry Gibbs & Trasher People - “The Calm Before The Storm” & “The Journey Begins” Album: Our People Gerry Gibbs (d, perc, syn, prog, elect soundscape, tp, ...), Alex Collins (all solos, p, kbds, syn, vib, as, ss, g, acc, perc, voc ...), Gianluca Renzi (b, e-b, sting section, perc, …), Mayu Saeki (picc, fl, alto fl, voc) and Kyeshie Gibbs (voc, perc, ...) 00:00 - The Jazz Hole with Linus 02:05 - Her Morning Waltz - Hyuna Park Trio 06:29 - Flight of Migrants - Hyuna Park Trio 12:14 - Vinnoa - Curtis+Garabedian+Sperrazza 16:08 - The Jazz Hole with Linus 17:38 - Fred’s Hop - Curtis+Garabedian+Sperrazza 22:38 - New Year - Curtis+Garabedian+Sperrazza 25:55 - Black Arthur’s Bounce (In Memory of Arthur Blythe) - Mark Dresser Seven 38:13 - The Jazz Hole with Linus 41:12 - Consolation Prize - Matt Slocum 46:18 - Aspen Island - Matt Slocum 52:18 - The Jazz Hole with Linus 53:38 - The Calm Before The Storm - Gerry Gibbs & Thrasher People 55:45 - The Journey Begins - Gerry Gibbs & Thrasher People 62:12 - Finish

This week we focus our on the music of Wayne Horvitz with special attention for his latest two releases, "The Snowghost Sessions" and "Those Who Remain". It's hard to condense in two hours the long career and many facets of a composer and pianist of great versality, but we will do our best to present highlights from his various projects as a leader and side-man. The playlist contains: Wayne Horvitz, Bill Frisell, Mylab, Michael Shrieve, Jerry Granelli, John Zorn, Sonny Clark Memorial Quartet, Bobby Previte, Marty Ehrlich, Robin Holcomb. Detailed playlist available at https://spinitron.com/radio/index.php?station=rfb&playlist=8847#here

4e émission de la 39e session... Cette semaine, du freebop, avant-jazz et free! En musique: Herbert Joos sur l'album Change of Beauty  (Jazzhaus, 2018); Marty Ehrlich sur l'album Trio Exaltation  (Clean Feed, 2018); Henry Threadgill sur l'album Double Up, Plays Double Up Plus  (Pi, 2018); Daniel Carter, William Parker & Matthew Shipp sur l'album Seraphic Light  (AUM Fidelity, 2018); Der Lange Schatten sur l'album Concurrences  (Trouble in the East, 2018)...

4e émission de la 39e session... Cette semaine, du freebop, avant-jazz et free! En musique: Herbert Joos sur l'album Change of Beauty  (Jazzhaus, 2018); Marty Ehrlich sur l'album Trio Exaltation  (Clean Feed, 2018); Henry Threadgill sur l'album Double Up, Plays Double Up Plus  (Pi, 2018); Daniel Carter, William Parker & Matthew Shipp sur l'album Seraphic Light  (AUM Fidelity, 2018); Der Lange Schatten sur l'album Concurrences  (Trouble in the East, 2018)...

The third episode of the Burning Ambulance podcast features an interview with pianist Myra Melford. Melford has been a prominent figure on the jazz avant-garde since the late 1980s, having worked with numerous figures affiliated with the AACM, including Henry Threadgill, Roscoe Mitchell, Joseph Jarman, Nicole Mitchell, and Leroy Jenkins. She’s also led several of her own groups, including Trio M with bassist Mark Dresser and drummer Matt Wilson; the Myra Melford Trio with bassist Lindsey Horner and drummer Reggie Nicholson, which later became the Myra Melford Expanded Ensemble with the addition of trumpeter Dave Douglas and saxophonist Marty Ehrlich; Be Bread, which explored a blend of jazz and traditional Indian music, which Melford has studied extensively; and Snowy Egret, which includes guitarist Liberty Ellman, cornet player Ron Miles, bassist Stomu Takeishi, and drummer Tyshawn Sorey, and with whom she just recorded a new album, due out in 2018. She’s got many other projects going as well, many of which are explored in this interview. Melford also discusses her early studies and her path to becoming a professional musician; her exploration of Indian music; her role as a professor at UC Berkeley; her participation in the Lincoln Center Jazz Orchestra's “Handful of Keys” salute to jazz piano history; and much more. It’s a fascinating, nearly hour-long conversation I hope you’ll enjoy.

Tom Reney offers an appreciation of piano legend Jaki Byard in this edition of Jazz Beat. Byard’s 95th birthday anniversary was June 22, and his legacy thrives both on records and through his well-known protégés Jason Moran, Larry Goldings, Marty Ehrlich, and Fred Hersch. Tom’s tribute includes personal recollections, details of Byard’s background in Worcester and Boston, and several musical samples.

En la entrega 203 hincamos el diente, a tema por CD, a cinco novedades discográficas: “The” de Before The Silence (del siempre interesante sello lituano NoBusiness Records) del cuarteto formado por Albert Cirera, Hernâni Faustino, Gabriel Ferrandini, Agustí Fernández –anunciado inicialmente como Albert Cirera Lisbon Trio + Agustí Fernández-, en una grabación realizada en la Jazz Cava de Vic, que ya pudimos disfrutar en Tomajazz en forma de Instantzz de Joan Cortès; “Et la roue de la vie”, un tema clásico de Valentin Clastrier suena en la versión recogida en el CD Fabuloseries (Home Records), grabada por este maestro de la zanfoña y el clarinetista y saxofonista Steven Kamperman; el tercer tema es “Liberty” de Desire & Freedom (Not Two), del Rodrigo Amado Motion Trio formado por Miguel Mira, Gabriel Ferrandini y el propio Rodrigo Amado; el cuarto ingrediente del programa es “Hobby Lobby Horse” del CD Sedimental You (Clean Feed) de Mark Dresser Seven, formación en la que participan Nicole Mitchell, Marty Ehrlich, David Morales Boroff, Michael Dessen, Joshua White y Jim Black; finaliza la entrega con el tema que da título a The Joy Of Being (NoBusiness Records) de François Carrier, Michel Lambert, Rafal Mazur. © Pachi Tapiz, 2016 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 203 en http://www.tomajazz.com/web/?p=27850 Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

A uma semana da abertura do SeixalJazz, que decorre de 24 a 27 de outubro, no Fórum Cultural do Seixal, é lançado mais um podcast do festival. Dezanove minutos ao som das noites desta edição e as voz dos que vão subir ao palco. No quinto episódio falam os músicos sobre os seus trabalhos, a música, os companheiros de estrada, a proximidade com o público e as suas expetativas para os concertos. Jazzafari ainda no ano passado esteve na plateia do SeixalJazz e não poderia imaginar que este ano teria a responsabilidade de abrir o festival no dia 24 de outubro, ao lado de Carlos Barretto, Alexandre Frasão, Vitor Zamora, Ricardo Toscano e Diogo Duque. Ao telefone, no outro lado do Atlântico, Ray Anderson fala sobre a sua ligação a Marty Ehrlich, da forma fácil como se entendem em palco e deixa um convite para a noite de 25 de outubro. Lars Arens, um dos 10 músicos que compõem a Tora Tora Big Band, não tem problemas em assumir a qualidade do elenco e promete deixar a ferver toda a plateia na apresentação do último trabalho do grupo «Salteado», que conta com a voz de Mariana Norton no disco e também no Seixal, no dia 26. Os Angles vêm da Suécia encerrar o festival e o líder deste sexteto, Martin Küchen, está expectante para o que poderá acontecer na noite de 27 de outubro. Alinhamento ANGLES - Today Is Better Than Tomorrow / Epileptical West – Live In Coimbra | JAZZAFARI UNIT - Vale de Lobos | Speak No Evil | RAY ANDERSON / MARTY EHRLICH QUARTETT - Hear You Say | Alligatory Rhumba / Hear You Say - Live In Willisau | TORA TORA BIG BAND - Low Flow | Odd Dog / Salteado | ANGLES - Present Absentees/Pygmi | Every Woman Is A Tree | Today Is Better Than Tomorrow / Epileptical West – Live In Coimbra

Trombonist Ray Anderson teams up with longtime friend Marty Ehrlich for the new live record, Hear You Say (Challenge Records, 2010). In this interview, Anderson talks about his friendship with Ehrlich, which goes back to their days with Anthony Braxton; how he came to have such an open musical mind; and some breaking news regarding another new CD coming out this spring. Learn more at www.rayanderson.org. Tunes in this episode: Portrait of Leroy Jenkins; Hot Crab Pot; My Wish; The Lion's Tanz; Alligatory Rhumba.

Trombonist Ray Anderson teams up with longtime friend Marty Ehrlich for the new live record,...

Marty Ehrlich is everywhere. Since moving from St. Louis to New York in 1978, Ehrlich has established himself as both an in-demand sideman and a leader with a distinct and multi-faceted musical vision. His CD Things Have Got To Change (Clean Feed, 2009), finds Ehrlich leading his Rites Quartet through a program of music written by, or inspired by, saxophonist Julius Hemphill, with whom Ehrlich played. In this interview, Ehrlich talks about his pan-stylistic approach to composition; the influence of the St. Louis scene on his own playing and on New York; and how he approaches the distinct roles of sideman and leader. Learn more at www.martyehrlich.com. If you'd like to buy this album, you can support The Jazz Session by purchasing it via the link below:

Marty Ehrlich is everywhere. Since moving from St. Louis to New York in 1978, Ehrlich...