Podcasts about Warner Chappell Music

No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more.About Pete:Pete Ganbarg is a 2X Grammy Award-winning record producer and A&R executive who is currently President of Pure Tone Music. Most recently President of A&R for Atlantic Records, Pete has spent the past 35 years as a senior A&R executive for major label groups, including Arista, Epic, and SBK/EMI. Some of the artists that Pete has worked with in his career include Santana (the 9X Grammy-winning album “Supernatural”), Lin-Manuel Miranda (the Diamond-certified “Hamilton” cast album), as well as contemporary stars (Twenty One Pilots, Christina Perri, Melanie Martinez), all-time classic artists (Chaka Khan, Donna Summer, America), and hit Broadway cast recordings and film soundtracks (Dear Evan Hansen, Mean Girls, The Greatest Showman).Pete's two GRAMMY Awards come from his role as producer on the Original Broadway Cast Recording of Dear Evan Hansen and the Original Broadway Cast Recording of Jagged Little Pill. Additionally, he was named International Music Person Of The Year for 2023 by the music industry organization MUSEXPO and currently serves as a member of the board of directors of the Songwriters Hall of Fame.As a music publisher, Ganbarg operates Songs With A Pure Tone and Margetts Road Music, joint ventures currently in partnership with Warner Chappell Music. Songs published by Pure Tone include 2024's Grammy-winning Record of the Year, "Flowers" by Miley Cyrus, as well as hits by Benson Boone, Charli XCX, Beyoncé, Lizzo, Justin Bieber, Maroon 5, Katy Perry, OneRepublic, Lewis Capaldi, Ed Sheeran, Andy Grammer, and more.

Inside the Secret World of Sync: How Top Brands REALLY Pick Music. What does it really take to land your song in a major ad campaign? In this episode, we sit down with Jessica Entner, VP of Sync at Warner Chappell Music, who's navigated the worlds of independent music and major publishing. Jessica shares her journey from songwriter to sync leader, reveals the hidden relationship-building skills behind successful placements, and discusses how seasonality, timing, and emotional impact drive the music licensing world. Get top insight on how sync works for artists, from advertising to artist development!

Catalina Santa, directora General de Warner Chappell Music, habló con KienyKe.com sobre el reconocimiento que recibió por parte de Billboard en el prestigioso listado de Mujeres Latinas en la Música 2025.

Welcome back to Diving in Deep with Sara Evans! On this week's episode, Sara Evans sits down with up and coming country star Taylor Austin Dye. Taylor gives an inside look into her journey through music and also shares how she knew she wanted to be a musician from a young age. The two of them share many laughs after discovering how much they have in common; including some horror stories about disastrous co-writes. Tune into this week's episode to hear about Taylor's Opry debut, eating gas station sushi, and her past experience in clogging!Listen to Unbroke: (https://ffm.to/seunbroke)About Taylor Austin Dye:Austin Dye is a Kentucky born and raised singer-songwriter currently based in Nashville, Tennessee. Dye artistically bends genres while also writing about difficult yet important topics as she believes that, "music is a healer". She signed a global publishing deal with Warner Chappell Music and LEX Music Group. Dye then released her debut album "Out of These Hills" in 2023 which has over 38 million streams across all streaming platforms.LET'S BE SOCIAL:Follow Taylor Austin Dye:Instagram – (@tayloraustindye)Tiktok – (@tayloraustindye)Twitter/X – (@TaylorAustinDye)YouTube – (@TaylorAustinDye)Facebook – (@TaylorAustinDye)Website – tayloraustindye.comFollow Diving in Deep Podcast:Instagram –(@divingindeeppod)TikTok – (@divingindeeppod)Twitter – (@divingindeeppod)Facebook – (@divingindeeppod)Follow Sara Evans: Instagram – (@saraevansmusic)TikTok – (@saraevansmusic)Twitter – (@saraevansmusic)Facebook – (@saraevansmusic)Produced and Edited by: The Cast Collective (Nashville, TN)YouTube – ( @TheCastCollective )Instagram – (@TheCastCollective)Twitter – (@TheCastCollective)Directed by: Erin DuganEdited By: Sean Dugan, Corey Williams, & Michaela Dolphhttps://www.thecastcollective.com

Uhu! Encerrando a temporada 13 em ritmo dançante com esse super sucesso que marca a estreia de Rihanna na série

In this edition of What Do You Call That Noise? The XTC Podcast, we go behind the scenes to see how deals get signed, press releases get written and records get released. Joining us are Ronnie Gurr, who went from producing a punk fanzine to working in the Virgin press office; Mike Smith, who signed Andy Partridge to Warner Chappell Music as a songwriter; Ben Wardle, who paved the way for one of the collaborations between Andy and Stephen Duffy; and Youie Mourra, who got tantalisingly close to releasing a series of XTC retrospective collections. Music from Jordan Cooper  XTC photos in Hanging Around Books   What Do You Call That Noise? An XTC Discovery Book available from www.xtclimelight.com  If you've enjoyed What Do You Call That Noise? The XTC Podcast, please show your support at https://www.patreon.com/markfisher Thanks to the Pink Things, Humble Daisies and Knights in Shining Karma who've done the same. Illustration of Andy Partridge by Mike Smith ★ Support this podcast on Patreon ★

Linktree: https://linktr.ee/Analytic Estrella en Ascenso Gabito Ballesteros - Analytic DreamzEn este segmento de Notorious Mass Effect, Analytic Dreamz explora el ascenso del cantante y compositor mexicano Gabito Ballesteros. Aquí te contamos:Quién es Gabito: Desde su nacimiento en Cumpas, Sonora, hasta su influencia musical.Carrera Musical: Desde sus inicios con la guitarra hasta éxitos como "AMG" con Natanael Cano y Peso Pluma.Colaboraciones y Éxitos: Análisis de sus hits y colaboraciones clave.Reconocimientos: Su nombramiento por Billboard y su acuerdo con Warner Chappell.Próximo Álbum y Tour: Detalles sobre The GB y sus fechas de gira en 2024.Eventos Especiales: Su actuación con Peso Pluma y Belinda, y el sencillo "Presidente".Cómo Seguirlo: Dónde encontrar actualizaciones sobre Gabito.Únete a Analytic Dreamz para conocer más sobre Gabito Ballesteros en este segmento de Notorious Mass Effect.Rising Star Gabito Ballesteros - Analytic DreamzIn this segment of Notorious Mass Effect, Analytic Dreamz explores the meteoric rise of Mexican singer-songwriter Gabito Ballesteros, a name becoming synonymous with the fresh wave of Corridos Tumbados. Here's what the segment covers:Introduction to Gabito Ballesteros: Who is Gabito Ballesteros? Learn about his background, from his birth in Cumpas, Sonora, to his early musical influences shaped by both traditional mariachi and modern beats.Musical Journey: Trace Gabito's path from learning guitar at eight years old to his significant achievements in the music industry, including his collaboration on "AMG," which not only hit the Billboard Hot 100 but also topped the Hot Latin Songs chart.Impactful Singles and Collaborations: Dive into the stories behind hits like “El Chaman,” “El Sereno,” and “La Bolsa Gucci,” and discuss his collaborations with artists like Natanael Cano, Peso Pluma, and Junior H., showcasing his versatility and appeal in the music scene.Recognition and Growth: Gabito's ascent was marked by his recognition as Latin Artist on the Rise by Billboard and his recent publishing deal with Warner Chappell Music, highlighting his growing influence in the genre.Upcoming Projects: Get the scoop on Gabito's new album The GB, set for release on May 23, 2024, with a focus on the key track “La Niña” featuring Kenia OS. Discuss the significance of this album in his career trajectory.2024 Tour Overview: Analytic Dreamz will outline Gabito's tour schedule, from his performance in El Cajon, CA, to Los Angeles, CA, providing listeners with insights on where they can catch him live.Special Events and Collaborations: Highlight his upcoming performances with Peso Pluma and Belinda, and delve into his latest single "Presidente," released on October 21, 2024, with Natanael Cano, Luis R, and Neton Vega.Where to Follow Gabito: Tips on how fans can stay updated with Gabito Ballesteros's music releases, live performances, and more through social media and music platforms.Join Analytic Dreamz as we unpack the world of Gabito Ballesteros, understanding not just the music but the man behind the melodies in this comprehensive segment of Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Marv Green is a grammy nominated songwriter and singer originally from Southern California. Over the course of his multi-decade career, he has had cuts with legendary artists such as George Strait, Eric Church, Tim McGraw, Morgan Wallen and many, many others. His song “Amazed” recorded by Lonestar won the BMI Award for song of the year. Currently, he is signed to Warner Chappell Music and Red Door Music Group. In this episode, we discuss Marv's origin story before moving to Nashville, what it's like writing with artists like Eric Church, where he finds inspiration, his advice to his younger self, and many other stops along the way.join the ten year town community at tenyeartown.com New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Welcome to Supreme Court Opinions. In this episode, you'll hear the Court's opinion in Warner Chappell Music, Inc. v Nealy. In this case, the court considered this issue: Under the discovery accrual rule applied by the circuit courts and the Copyright Act's statute of limitations for civil actions, 17 U-S-C § 507(b), may a copyright plaintiff recover damages for acts that allegedly occurred more than three years before the filing of a lawsuit? The case was decided on May 9, 2024. The Supreme Court held that the Copyright Act entitles a copyright owner to obtain monetary relief for any timely infringement claim, no matter when the infringement occurred. Justice Elena Kagan authored the 6-3 majority opinion of the Court. The Copyright Act's statute of limitations provision establishes a three-year period for filing a copyright infringement suit, which begins to run when the claim accrues. This case assumes that a copyright claim accrues upon discovery of the infringement (the “discovery rule”), rather than when the infringement occurred, although the Court has not definitively resolved which rule applies. If a plaintiff has a timely claim under the discovery rule, the Act's remedial provisions do not impose any separate time limit on the recovery of damages. Those provisions state, without qualification, that an infringer is liable for either statutory damages or the owner's actual damages and the infringer's profits. The Second Circuit's view, relying on language from the Court's decision in Petrella v MGM, that damages are limited to the three years prior to filing suit, even if earlier infringements are timely under the discovery rule, lacks textual support and effectively nullifies the discovery rule. The Court's decision in Petrella does not support such a damages cap, as the Court merely described how the limitations provision works when a plaintiff, as in that case, has no timely claims for infringing acts more than three years old. In contrast, if a plaintiff like Nealy in this case has timely claims for earlier infringements under the discovery rule, he may obtain damages for those infringements, as the Copyright Act contains no separate time-based limit on monetary recovery. Justice Neil Gorsuch authored a dissenting opinion, in which Justices Clarence Thomas and Samuel Alito joined, arguing that the discovery rule of accrual, which the majority assumes without deciding in this case, is decidedly incorrect, and thus that any decision that relies on that rule is likely to soon become a “dead letter.” The opinion is presented here in its entirety, but with citations omitted. If you appreciate this episode, please subscribe. --- Support this podcast: https://podcasters.spotify.com/pod/show/scotus-opinions/support

Hoje temos o furacão Tina Turner na série "Aprenda Inglês com Música". Lembrando que o hit "Proud Mary", da banda Creedence Clearwater Revival, que também foi sucesso na voz da cantora, já está aqui no podcast - é só buscar na lupa. É claro que uma aula completa como esta, você só encontra só aqui na série "Aprenda Inglês com música", que te ensina inglês de maneira divertida e eficaz (ah, e de graça!) desde 2016

Welcome to the latest MBW Podcast – this time a special podcast entry in our long-running World's Greatest Producers series.Salaam Remi is, by any measure, a World's Greatest Producer. A Grammy winner, he's worked closely – and made timeless hits – with musical legends from Nas to Amy Winehouse, Alicia Keys, The Fugees, and many more. He's also an accomplished music biz executive and entrepreneur. On this podcast, Salaam joins MBW founder, Tim Ingham, to discuss topics including techniques for staying creatively hungry, why he decided to stop actively producing records on his 50th birthday, and what he's learned working with some of the most important artists of all time.Salaam also discusses his own music rights management company, Analog Metaverse, and its new partnership with Warner Chappell Music. (WCM's CEO is Remi's long-time friend, Guy Moot.)MBW's World's Greatest Producers series is supported by Hipgnosis.

E hoje fechamos com chave de ouro a 12ª temporada, com mais aula completa inédita! Na aula de hoje você vai aprender inglês com a lindinha "Right Here Waiting" de Richard Marx. É claro que uma aula completa como esta, você só encontra só aqui na série "Aprenda Inglês com música", que te ensina inglês de maneira divertida e eficaz (ah, e de graça!) desde 2016

BJ Hill, originally from Ann Arbor, Michigan, is Senior Vice President of  A&R at Warner Chappell Music. BJ has signed some of your favorite songwriters including Nicolle Gaylon, Jordan Reynolds, Charles Kelley, Dan Smyers (of Dan + Shay) and many more. He has worked in A&R on both the label and publisher side and has been an advocate for songwriters in town for over 20 years.In this episode, we discuss BJ's origins, from studying recording engineering at MTSU to learning what a hit sounds like while interning in the tape room basement, how he finds and develops new songwriting talent, why it's important to be a “good hang” and much more. New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Join Tom Dunlap on this week's episode as he discusses the fascinating history and legal battles of the "Happy Birthday" song. Once subject to stringent copyright claims by Warner Chappell Music, this beloved tune has finally entered the public domain. Discover how filmmaker Jennifer Nelson challenged these claims, leading to a landmark 2015 ruling that freed "Happy Birthday to You" from copyright restrictions. Tom explores the complexities of copyright law, changes over the decades, and what this means for public access to creative works. Don't miss this insightful exploration of copyright, creativity, and the liberation of one of the world's most famous songs.

Jazz in the Garden, Episode Three: “Return to the Garden” An overwhelmingly popular series of jazz concerts in MoMA's Sculpture Garden in 1985 proved…a little too popular, and it would be nearly a decade before live jazz was once again a regular occurrence at the Museum. In our third and final episode, hear about a new generation of musicians who revived the legacy of jazz at the Museum in the 1990s, and brought it into the 21st century. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Strauss Waltz Medley.” Written by Johann Strauss II. Performed by the United States Air Force Band. Public domain recording; “The Thrill Is Gone.” Written by Ray Henderson and Lew Brown. Performed by Claudia Acuña. Used by permission. By arrangement with Warner Chappell Music; “Mambo Jazz.” Written (as “Titorama”) by Chris Washburne. Performed by Chris Washburne and the Syotos Band. Used by permission. Courtesy Wash and Burne Music; “Moon Bird.” Written by Myra Melford. Performed by Myra Melford's The Tent. Used by permission. Courtesy Myra Melford; “Malinke's Dance.” Written by Marty Ehrlich. Performed by the Marty Ehrlich Sextet. Used by permission. Courtesy Marty Ehrlich

We follow up on feedback, puzzle over the Court's apparent continued lack of interest in Fourth Amendment cases, and then discuss two of the latest opinions—Culley v. Marshall (civil forfeiture) and Warner Chappell Music, Inc. v. Nealy (copyright).And yes, we know Dan's audio sounds terrible due to a technical snafu, sorry!

QUESTION PRESENTED:Whether, under the discovery accrual rule applied by the circuit courts and the Copyright Act‚Äôs statute of limitations for civil actions, 17 U.S.C. ¬ß 507(b), a copyright plaintiff can recover damages for acts that allegedly occurred more than three years before the filing of a lawsuit. ★ Support this podcast on Patreon ★

We've got Josh Phililips with us on the Listening Room stage for this week's brand new episode of Stories Behind the Songs. Josh's journey began listening to the artists that he now has regular cuts with including Jason Aldean and Brantley Gilbert. His career began singing at biker bars in North Carolina until he landed a spot playing local gigs with Luke Combs. What would soon become a collaborative duo, Josh and Luke started taking monthly trips to Nashville where they frequently played at some of Nashville's bars like Winners and Losers. Josh talks about how outside of Winner's bar Luke said to him, “Man, our angels are working overtime.” Co-written by Josh Phillips, Luke Combs, and Josh Thompson, “Angels Workin' Overtime” now has over 35 million streams on Spotify. Josh and I talk about this song in our conversation, as well as how this was a pivotal moment in his career. After flipping an early 20th century farmhouse with his wife, Josh wrote “Dirt Cheap,” and we discuss how this song went from a frustrating indefinite hold to becoming a Cody Johnson (and TLR!) favorite. (If you love “Dirt Cheap,” thank Josh's wife, Jordan - it was her idea to send the song to Cody in the first place!) In this episode, Josh and I also go through the exciting process of his first publishing deal at Warner/Chappell Music, co-signed with Brantley Gilbert. We wrap it up with some hard-earned advice from Josh to aspiring writers - keep doing what you're doing - and to himself - keep playing that guitar. If you enjoyed this episode, give us a follow and check out Josh's socials to stay current with what he's got in the works. We also want to shout-out our sponsors Sennhesier, Imperfect Aesthetician, and Alclair In Ears – if you're looking for a good set of in-ear monitor make sure to take advantage of our code “SBTSONGS” at checkout for 10% off! Show Notes: Josh's Instagram - @imjoshphillips Josh's Spotify Link - here And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   https://linktr.ee/sbtsongs SBTSongs TikTok - @SBTSongs   https://www.tiktok.com/@sbtsongs SBTSongs Instagram - @SBTSongs   https://www.instagram.com/sbtsongs/ SBTSongs YouTube - @SBTSongs   https://www.youtube.com/@SBTSongs Chris Blair's Instagram - @ChrisBlairMusic   https://www.instagram.com/chrisblairmusic/ Chris Blair's Website - ChrisBlair.com   https://www.chrisblair.com/ The Listening Room's Website - ListeningRoomCafe.com   https://www.listeningroomcafe.com/ TLR's Instagram - @ListeningRoomCafe   https://www.instagram.com/listeningroomcafe/ TLR's TikTok - @ListeningRoomCafe   https://www.tiktok.com/@listeningroomcafe #SBTSongs --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Nesta aula de inglês com música, você vai aprender inglês cantando o super sucesso "Let's Dance", estreia de David Bowie, aqui na série "Aprenda Inglês com música", que te ensina inglês de maneira divertida e eficaz (ah, e de graça!) desde 2016

Na semana do Dia Internacional da Mulher, você vai aprender inglês cantando o super sucesso "Flowers", com Miley Cyrus, aqui na série "Aprenda Inglês com música", que te ensina inglês de maneira divertida e eficaz (ah, e de graça!) desde 2016

A case in which the Court will decide whether a copyright plaintiff can recover damages for acts that allegedly occurred more than three years before the filing of a lawsuit.

Civil Procedure: May a copyright plaintiff recover damages for infringements that occurred more than three years before the filing of suit? - Argued: Wed, 21 Feb 2024 15:34:22 EDT

Warner Chappell Music, Inc. v. Nealy | 02/21/24 | Docket #: 22-1078

Each month, a panel of constitutional experts convenes to discuss the Court's upcoming docket sitting by sitting. The cases covered in this preview are listed below.Corner Post v. Board of Governors of the Federal Reserve System (February 20) - Does the six-year statute of limitations to challenge an action by a federal agency begin to run when the agency issues the rule or when the plaintiff is actually injured?Bissonnette v. LePage Bakeries Park Street, LLC (February 20) - Labor & Employment; Whether the Federal Arbitration Act's exemption for the employment contracts of “workers engaged in interstate commerce” applies to any worker who is “actively engaged” in the interstate transportation of goods, or whether the worker's employer must also be in the “transportation industry.”Warner Chappell Music v. Nealy (February 21) - Intellectual Property; Whether copyright plaintiffs can recover damages for acts that allegedly occurred more than three years before they filed their lawsuit.Ohio v. Environmental Protection Agency (February 21) - Environmental Law; (1) Whether the court should stay the Environmental Protection Agency's federal emission reductions rule, the Good Neighbor Plan; and (2) whether the emissions controls imposed by the rule are reasonable regardless of the number of states subject to the rule.Moody v. NetChoice, LLC (February 26) - First Amendment; (1) Whether the laws' content-moderation restrictions comply with the First Amendment; and (2) whether the laws' individualized-explanation requirements comply with the First Amendment.NetChoice, LLC v. Paxton (February 26) - First Amendment; Whether the First Amendment prohibits viewpoint-, content-, or speaker-based laws restricting select websites from engaging in editorial choices about whether, and how, to publish and disseminate speech — or otherwise burdening those editorial choices through onerous operational and disclosure requirements.McIntosh v. United States (February 27) - Criminal Law & Procedure; Whether a district court can enter a criminal forfeiture order when the time limit specified in the Federal Rules of Criminal Procedure has already passed.Cantero v. Bank of America, N.A. (February 27) - Whether the National Bank Act preempts the application of state escrow-interest laws to national banks.Garland v. Cargill (February 28) - Second Amendment; Whether a “bump stock” – an attachment that transforms a semiautomatic rifle into a fully automatic, assault-style weapon – is a “machinegun,” which is generally prohibited under federal law.Coinbase v. Suski (February 28) - When an arbitration agreement tasks the arbitrator with deciding whether a dispute should be arbitrated, should courts or the arbitrator decide whether the agreement is narrowed by a later contract that does not address arbitration?Featuring: Prof. John F. Duffy, Samuel H. McCoy II Professor of Law, University of Virginia School of LawScott Dixler, Partner, Horvitz & Levy LLPStephen Halbrook, Senior Fellow, Independent InstituteAllison R. Hayward, Independent AnalystJohn Masslon, Senior Litigation Counsel, Washington Legal FoundationModerator: Alexandra Gaiser, General Counsel, Strive

In this episode, we are joined by a legendary figure in the music industry, Greg Sowders. Greg is the Senior Vice President of A&R and Catalogs at Warner Chappell Music, as well as a founding member of the alternative country band, The Long Ryders. Greg discusses the art of A&R, his role in shaping the careers of upcoming artists, and the relentless pursuit of musical excellence. thelongryders.com limitededitionmusicpub.com instagram.com/gregsowders ********************************* Hungry for more? Check us out at ⁠⁠⁠⁠⁠⁠⁠⁠isbreakfast.com⁠⁠⁠⁠⁠⁠⁠⁠ *********************************

Originally from Lawrence, Kansas, Ashley Ray is a songwriter and artist currently signed to Lady Fairchild Publishing and Warner Chappell Music. She has had cuts with numerous artists including Lori McKenna, Charles Kelley, Little Big Town, Ruston Kelly, and more.In addition to her songwriting success, she has recorded and released three studio albums, including her most recent titled “Animal” released in November of 2023. In this episode we discuss being on the road, imposter syndrome, making records with Jay Joyce, and many other stops along the way. New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Long before anyone was a Belieber and Justin Bieber became a household name, Shani Gonzales was already a fan. This instinctive foresight and her unwavering self-confidence have been the cornerstones of her illustrious career, culminating in her present positions. Shani holds the dual roles of Executive Vice President and Managing Director at Warner Chappell Music UK and the Head of International A&R at Warner Chappell Music. Her track record in the music business is distinguished by her knack for signing and guiding some of the most influential artists of our time, including DJ Khaled, Juice Wrld, and Bibi Bourelly, who has penned hits for the likes of Camila Cabello, Rihanna, and Selena Gomez. Among the high-caliber talents she has played a part in developing are Labrinth, Justin Bieber, MeLo-X, Nate Cyphert (famous for his work with Florida Georgia Line), Nic Nac (linked with Chris Brown and DJ Khaled), Poo Bear, P2J (producer for superstars like Beyoncé, Doja Cat, WizKid), Saint Jhn, Travis Scott, and WondaGurl, known for her production work with Drake and Rihanna.   In her leadership capacity at Warner Chappell Music UK, and in tandem with her A&R international duties, Gonzales is pivotal in broadening the publisher's UK roster. She selects artists with a focus on diversity and has been influential in acquiring talents such as BOJ, Central Cee, Daniel Blumberg, Emma-Jean Thackray, Legendury Beatz, P2J, and The Snuts. Her advocacy for international cooperation has been relentless, ensuring that Warner Chappell Music's global network of esteemed artists works together harmoniously, fostering cross-border artistic partnerships.   Shani's extraordinary career achievements, while a product of her relentless effort, are also a testament to the influence of her Jamaican and Trinidadian heritage, thanks to her parents' unwavering support, open-mindedness, and nurturing.   In this discussion, we delve into the nuances of managing one of the leading publishing divisions within a major music company. We explore how Shani synergizes her seasoned judgment with the fresh perspectives of her team, even in areas where she continues to grow. And, we'll uncover her three key strategic plays. You can follow Shani on IG: https://www.instagram.com/shani927/ Join the community and sign up to the newsletter at ⁠⁠⁠⁠www.meetpursuit.com⁠⁠⁠⁠ and don't forget to follow us on IG at @meetpursuit ⁠⁠⁠⁠www.instagram.com/meetpursuit/⁠⁠⁠⁠ This is an AiAi Studios Production - ⁠⁠⁠⁠www.aiaistudios.com⁠⁠⁠⁠ IG: @aiai.studios   This podcast was recorded in April 2023.

Episode NotesOUR SPONSOR:  Global Pet Foods Eat /Play/Love GLOBAL PET FOODS  Dundas Location- WHERE OUR PETS ARE UNDENIABLY PART OF THE FAMILY Song's Played in this episode: Publishing infoTia McGraff / Fawn Ti Publishing - SOCANTommy Parham/ MandiTY Music - ASCAP We would like to welcome a new sponsor to Jake's Place Songs n TailsNEW SPONSOR:  Global Pet Foods Eat /Play/LoveGLOBAL PET FOODS  Dundas Location- WHERE OUR PETS ARE UNDENIABLY PART OF THE FAMILYhttp://www.facebook.com/Global-Pet-Foods-Dundurnhttps://www.instagram.com/globalpetfoodsdundurn Song's Played in this episode: Publishing infoTia McGraff / Fawn Ti Publishing - SOCANTommy Parham/ MandiTY Music - ASCAP PARTY CROWD: Jimbeau Hinson/ David Lee Murphy © Copyright 1994 Old Desperados, LLC (ASCAP), N2D Publishing Company, Inc.(ASCAP), American Romance Songs (ASCAP) International Copyright Secured. All Rights ReservedFANCY FREE: written by Jimbeau Hinson & Don August - GOLDLINE ASCAP / Universal Music Publishing Group, Warner Chappell Music, Inc.HILLBILLY HIGHWAY: Jimbeau Hinson - Steve Earle GOLDLINE ASCAP/ Universal Music Publishing Group, Warner Chappell Music, Inc.MY DAYS ON EARTH: Jimbeau Hinson / Dillon Dixon AMERICAN ROMANCE SONGS ASCAPjimbeauhinson.comhttps://www.facebook.com/jimbeau.hinson/https://www.reverbnation.com/jimbeauhinsonAll Jimbeau Hinson songs played by permission by American Romance Songs Publishing ASCAP Acoustic Guitar Instrumental Background Music for Videos I No Copyright Music   Jake's Place Songs'n'Tails logo design by Ryan Szucs https://www.facebook.com/szucs.ryanIntro Song: Abigail - from the Break These Chains CDOutro Song: Radical Road- from the Diversity CDwww.tiamcgraff.comJake's Place Song n Tails merchandise is available athttps://tiamcgraff.com/lake-country-storehttps://www.youtube.com/channel/UCIenjKbCobp2jChW2SoCyog Jake's Place Songs'n'Tails logo design by Ryan Szucs https://www.facebook.com/szucs.ryanIntro Song: Abigail - from the Break These Chains CDOutro Song: Radical Road- from the Diversity CDwww.tiamcgraff.comJake's Place Song n Tails merchandise is available athttps://tiamcgraff.com/lake-country-storehttps://www.youtube.com/channel/UCIenjKbCobp2jChW2SoCyog

Jacob Durrett is a Nashville hit songwriter and producer currently signed to Big Loud Publishing and Warner Chappell Music. He has written songs for some of the biggest names in music, including Morgan Wallen, Diplo, Zayn, HARDY, Nelly, and Devin Dawson. Jacob's been a part of several #1 songs as both a writer and producer - including Big, Big Plans (Chris Lane) and Wasted On You (Morgan Wallen). Jacob shares his journey on the pod, how he works on his relationships with artists, his thoughts on AI in music, how it feels to get that first number one, and then how it feels to try to "repeat the miracle."New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Thank you for tuning into "Starting Small Music". In this episode, Justin is joined by hit songwriter, Brock Berryhill. Hear Brock's story of growing up in Florida, touring with his band Hand to Hand, working with Twenty One Pilots, writing songs such as "What Happens In A Small Town" for Brantley Gilbert and "Homesick" for Kane Brown, and MORE! Follow Brock: @BrockBerryhill Follow Justin: @JustinMcCormickMusic  Follow Starting Small Music: @StartingSmallMusic 

Daniela Navarrete, Manager de Publishing Services en The Orchard, división de Sony Music Entertainment que brinda servicios de distribución y administración editoriales (publishing) a artistas y compositores independientes, contesta las siguientes preguntas: 1. ¿Quién es Daniela y cómo llegaste a convertirte en Manager de Publishing Services en The Orchard? 2. ¿Podrías explicarnos brevemente qué es The Orchard y cuál es su principal enfoque dentro de la industria musical? 3. Como Manager de Publishing Services en The Orchard, ¿cuáles son tus principales responsabilidades y cómo contribuyes al éxito de los artistas/compositores? 4. ¿Cuáles son las ventajas de trabajar con The Orchard en comparación con otras empresas de publishing y distribución musical? 5. ¿Cómo funciona el proceso de selección y firma de artistas/compositores en The Orchard? ¿Qué aspectos evalúan para determinar si un artista/compositor es el adecuado para ustedes? 6. ¿Qué servicios de publishing ofrece The Orchard a sus artistas/compositores para ayudarles a maximizar sus ingresos y proteger sus derechos? 7. ¿Cómo ha evolucionado el papel de las empresas de publishing en los últimos años, especialmente con la creciente importancia de las plataformas de streaming y la disminución de las ventas físicas? 8. ¿Qué estrategias utiliza The Orchard para ayudar a los artistas/compositores a expandir su alcance y audiencia en un mercado global? 9. ¿De qué forma The Orchard trabaja con artistas independientes y sellos discográficos más pequeños para apoyar su crecimiento y éxito? 10. ¿Qué consejo le darías a un artista o compositor emergente que esté buscando firmar con una empresa como The Orchard y tener éxito en la industria musical? Daniela ha trabajado en Universal Music Publishing, Warner Chappell Music, y The Orchard, entre otras.

Tulsa siblings Caleb, Hannah, Cody and Jacob make up the country band, Voth (VOE-TH).  Their debut single "I choose Us" (2018) and their self-titled EP (2020) made waves in the country music world by hitting major playlists on Spotify. Since then they've opened up for acts like Walker Hayes, Priscilla Block and have signed a global publishing deal with Warner Chappell Music. We sat down with Caleb, Hannah and Cody to talk about their journey to Nashville and how they feel about their new album "Memories of You" which drops on September 14th...... After you listen to the podcast go download their new singles "92 Bronco" and "You Own it" available everywhere you get your music. 

In the midst of the gators and the quiet simplicity, Hunter Phelps discovered his refuge in the unspoken language of music. But as his talent took him from the small town of Niceville to the grand stages alongside country music stars, he faced challenges he never anticipated. The unexpected twist in his journey taught him invaluable lessons about the power of perseverance and the true essence of songwriting. Join us as we delve into Hunter's story, unraveling the triumphs and tribulations of live performances and the art of creating music. Brace yourself, for the unexpected twist that lies just beyond the horizon, waiting to be unveiled.In this episode:The unique experiences and life lessons only a small town upbringing can offerHow your childhood hometown has evolved and developed over timeThe sense of freedom and deep bonds forged in a small-town settingTackling live performance and songwriting challengesThe joys and trials that come with the transformative journey of parenthoodCandid shared experiences that paint a vivid picture of growing up in small townsThe nuances of urban development through the lens of our childhood hometowns' transformationThe remarkable freedom we often overlook that underpins the small-town lifeThe heady world of live performances and enrich your songwriting process with our practical experiencesThe heartwarming yet challenging journey of parenting, filled with many priceless momentsMeaningful experiences that resonate with a small-town upbringingHow your childhood hometown has transformed over the years, capturing the spirit of change and growth.The undercurrent of unity and liberation that is integral to living in a small townEnthralling accounts of dealing with the challenges that come with live shows and song compositionThe fulfilling and stirring journey of parenthood with its myriad joys and challengesAbout Hunter:Hunter Phelps was born and raised in Niceville, Florida, where he was introduced to songwriting at a young age by his father, who owned a small recording studio. When he wasn't out hunting or fishing the bayous and bays of the Florida panhandle, he spent his days teaching himself to play the guitar and working at a local marina.After high school, Hunter attended the University of Florida in Gainesville, where he began writing songs. He joined a band, started playing tailgate parties and bars around town, and quickly developed a loyal following.Early in his career, he shared the stage with major label acts like Jason Aldean, Blake Shelton, Gary Allen, Keith Anderson and Michael Ray. Hunter moved to Nashville in 2012, before ever having visited the town and without really knowing how to break in to Music City's circles. Armed with his guitar, he honed his craft in the honky-tonks of Lower Broadway and sharpened his songwriting skills in the writers' rooms of Music Row.In 2014, shortly after his self-released debut EP came out, Hunter signed a joint publishing deal with Warner/Chappell Music and hit songwriter Ashley Gorley's Tape Room Music, where his recent cuts include Florida Georgia Line's “Wish You Were On It,” recorded for their upcoming album, Dig Your Roots. Hunter is currently writing and recording for his debut full-length album release.Hunter's website: www.hunterphelpsmusic.comInstagram: https://www.instagram.com/hunterphelpsmusic/www.GaryScottThomas.com

Thank you for tuning into "Starting Small Music". In this episode, Justin is joined by hit songwriter, Heath Warren. Hear Heath's story of growing up in New Mexico, his time in LA, signing a publishing deal with Warner Chappell Music, writing "Rock and A Hard Place" for Bailey Zimmerman, and MORE! Follow Heath: @HeathWarren2 Follow Justin: @JustinMcCormickMusic  Follow Starting Small Music: @StartingSmallMusic 

mp3: Happy Birthday – Click To Play The original song was “Good Morning To You” sung to teachers at the beginning of the school day. A dispute arose as to who the legitimate authors were and it was eventually taken over by Warner/Chappell Music who made millions of dollars in licensing fees for movies and … Continue reading "Happy Birthday"

In this episode you will hear the story behind "A Rock And A Hard Place" that Jet Harvey wrote for Bailey Zimmerman. You'll hear how we was on a trip to Boston and got in a fight with his girlfriend - now his wife - and how he ordered red wine, watched tears roll down her face and walked out the door...and how the entire song is basically exactly what happened to him in Boston - later changed to Austin by Bailey. We talk about how he got his start as a Christian artist and traveled all over, got a label deal and then how his band broke up at the table signing that deal. But then how that moved him to Nashville to focus on songwriting, how he met The Warren Brothers by introducing himself to Brett Warren at the YMCA and how that led to a publishing deal with Warner Chappell Music. Jet is such a great guy and an incredible musician/artist/songwriter. We had a ton of fun with this episode and I hope you enjoy it! As always, thanks for listening and supporting Stories Behind the Songs! We hope you will continue to share this with your friends so we can spread the word about @SBTSongs on all platforms and make sure you hit that subscribe, follow or like button! Show/Liner Notes: Jet's Instagram - @JetHarvey_ And follow us - Stories Behind the Songs - here: Instagram - @SBTSongs TikTok - @SBTSongs YouTube - @SBTSongs Chris Blair's Instagram - @ChrisBlairMusic Chris Blair's Website - ChrisBlair.com Thanks also to our sponsors - Sennheiser microphones and Britt Skin Beauty Aesthetics! #SBTSongs --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

En este episodio Vanessa Mena conversó con Maca Del Pilar, artista pop chilena y autora para Warner Chappell Music. Maca, quien cuenta con 15 años de experiencia componiendo, se caracteriza por letras que hablan de empoderamiento femenino y amor propio. Sus sencillos han destacado en películas y teleseries, así como en importantes playlists y medios de comunicación. Al contar Maca con tanta experiencia en la composición, Vane aprovechó la oportunidad para hablar sobre la inteligencia artificial en la industria musical. Además, la artista explicó en detalle cual es su técnica a la hora de escribir una canción.   #MujeresEnLaMusica #PodcastDeMusica #InteligenciaArtificial --- Support this podcast: https://podcasters.spotify.com/pod/show/musica-con-m-de-mujer/support

Judy Stakee is a world-renowned artist development specialist, author, and speaker. With over four decades of music experience, Judy has earned an industry reputation as the champion of the songwriter. During her 20 years as Senior VP of Creative at Warner Chappell Music, Judy signed, developed, and managed their star roster including Grammy-award winner Katy Perry, Sheryl Crow, Michelle Branch, Jewel, Gavin DeGraw, John Shanks, Wayne Kirkpatrick, Scott Cutler, and Anne Previn, Julian Bunetta, Kevin Kadish, and Franne Golde. In 2009, Judy shifted with the music industry and started an independent artist development company. Her book “The Songwriters Survival Guide “, has been adapted into the music curricula of renowned music institutions in the US and beyond. On today's episode, we have the pleasure of speaking with Judy Stakee, a seasoned songwriter and industry expert who will be sharing invaluable tips and insights on the art of songwriting. Tune in to learn from her wealth of experience and elevate your own songwriting skills.Here's what you'll learn: Perseverance, reaching out for help, and building a supportive team in songwriting to establish a solid framework for successEnhance your storytelling and lyricism skills to connect with your audience and share your unique perspective in your songsThe importance of finding the right mentor and guidance in laying the groundwork for success in whatever category you need help withVisit Judy's website for more info: https://www.judystakee.com/Want to Fast Track Your Music Career? Try MusicMentor™ Pro For Free: https://link.modernmusician.me/MusicMentorApply for Gold Artist Academy: https://link.modernmusician.me/apply-for-coaching

A bit o worship - Sunday am - up on the mountain. "Did you hear the mountains tremble?" by Martin Smith Source: LyricFind Songwriters: Co-Writer Unknown / Martin Peter Smith / Martin Smith Did You Feel the Mountains Tremble? lyrics © Capitol CMG Publishing, Integrity Music, Royalty Network, Warner Chappell Music, Inc

Guitar soaking loop, based on "Did you hear the mountains tremble?" by Martin Smith Source: LyricFind Songwriters: Co-Writer Unknown / Martin Peter Smith / Martin Smith Did You Feel the Mountains Tremble? lyrics © Capitol CMG Publishing, Integrity Music, Royalty Network, Warner Chappell Music, Inc

How many of you have a message for the world, but you need help finding your voice or your audience?Close your eyes. Take a deep breath.I want you to imagine millions of people listening to your song.I want you to imagine thousands of people knocking your door down wanting to know when you come to their city to play them the song live because that song is so valuable to them.You can open your eyes.And I will tell you this.This doesn't have to be limited to your imagination. This is what happens when you go viral.And I'm going to tell you exactly how you can achieve it.So pay close attention to this episode of the Lyric Mastery Podcast because it will help you find your voice and show you how to make your song go viral.Episode Overview:What does it mean to go viral?Writing A Viral SongFor whom are you writing this song?Storytelling in SongwritingMake it ExcitingDistribution: How to get your song out there.Have a TastemakerNo Social Media Tastemaker? Don't worry.Links mentioned in this episode:Free Training: How to Write a Catchy Song that means somethingFOREVER FREE PLAN: Email Newsletter and Marketing Platform: Systeme.ioWrite Attention-grabbing Opening Lines: A Song's First LineFlowers lyrics © Concord Music Publishing LLC, Sony/ATV Music Publishing LLC, Warner Chappell Music, IncI Will Survive lyrics © Universal Music Publishing Groupbad guy lyrics © Kobalt Music Publishing Ltd., Universal Music Publishing GroupSupport the showDo you want to discover the 21 steps to writing emotional lyrics without feeling overwhelmed by the entire lyric-writing process?Get your free songwriter's roadmap to Narrative Songwriting, go to lyricmastery.com/21steps

From AfroTech 2022 in Austin, TX, Stephanie Ogbogu, who was Associate Director of Editorial at Blavity, speaks with Tim Henshaw, Head of Hip Hop & R&B at Amazon Music, and Wallace Joseph, VP of A&R at Warner/Chappell Music. There's a lot of money in the music business, some of it is pretty obvious even to laypeople, but the fine print on the contracts is where the real money is. Find it in publishing, streaming, music rights, and more.  Follow Will Lucas on Instagram at @willlucas Learn more at AfroTech.com https://instagram.com/afro.tech Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

As the Grammy Awards prepares to present its first ever Songwriter of the Year honor, Warner Chappell Music Publishing Co-Chair Carianne Marshall runs down massive strides in royalty rates and the challenges ahead for the business of songs.See omnystudio.com/listener for privacy information.

Song's Played in this episode: Publishing infoTia McGraff / Fawn Ti Publishing - SOCANTommy Parham/ MandiTY Music - ASCAP Good King Wenceslas: Off Listen Its Christmas CD: Songwriters: Dp / James Morgan / Juliette PochinGood King Wenceslas lyrics © BMG Rights Management, Capitol CMG Publishing, Kobalt Music Publishing Ltd., Songtrust Ave, Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Warner Chappell Music, Inc "WTH Was I Thinking" and "Another Little Roadside Kiss": Chase Stevens, River Coyote MusicAnother Little Roadside Kiss ISRC#CAJEZ2100006WTH Was I Thinking ISRC#CAJEZ2200004Spotifyhttps://www.chasestevensmusic.comhttps://www.facebook.com/chase.stevens.1428Toronto Wildlife Centre and donation link Background music:ONE MUSIC STANDARD LICENSEas defined in the standard terms and conditions on Envato Market.Inspiration Calm Acoustic Jake's Place Songs'n'Tails logo design by Ryan Szucs https://www.facebook.com/szucs.ryanIntro Song: Abigail - from the Break These Chains CDOutro Song: Radical Road- from the Diversity CDwww.tiamcgraff.comJake's Place Song n Tails merchandise is available athttps://tiamcgraff.com/lake-country-storehttps://www.youtube.com/channel/UCIenjKbCobp2jChW2SoCyog

From New York City to Nashville, and every road in-between, Jenna Torres' songs, tell of hope, heartache, and a life well worn. A country-rock siren, who has won acclaim as a recording artist and songwriter, Jenna finds no shortage of inspiration when it comes to matters of the heart. She has a way of distilling her experiences into heartfelt songs of love and loss whether drawing from personal experience or stories of those she meets along her way. Jenna Torres has enjoyed a successful career writing songs for Warner Music Group and Warner/Chappell Music. Noteworthy artists have cut songs from Jenna's pen including singing sensation Martha Wash (from the Weather Girls) for whom Jenna wrote the anthem “Proud”. Jenna co-wrote the moving cry for spiritual connection “Busted Heart” with Ben Glover charting in the Top 10 on the Billboard Christian Hot 100, AC, and CHR charts for the group For King & Country.

From New York City to Nashville, and every road in-between, Jenna Torres' songs, tell of hope, heartache, and a life well worn. A country-rock siren, who has won acclaim as a recording artist and songwriter, Jenna finds no shortage of inspiration when it comes to matters of the heart. She has a way of distilling her experiences into heartfelt songs of love and loss whether drawing from personal experience or stories of those she meets along her way. Jenna Torres has enjoyed a successful career writing songs for Warner Music Group and Warner/Chappell Music. Noteworthy artists have cut songs from Jenna's pen including singing sensation Martha Wash (from the Weather Girls) for whom Jenna wrote the anthem “Proud”. Jenna co-wrote the moving cry for spiritual connection “Busted Heart” with Ben Glover charting in the Top 10 on the Billboard Christian Hot 100, AC, and CHR charts for the group For King & Country.

We had the pleasure of interviewing Liddy Clark over Zoom video!There's a word that comes up whenever Liddy Clark talks about her music – “connection.” Currently based in Los Angeles, the Plano, Texas native relocated with her family to South Florida (Parkland), just before first grade. This was a pivotal move for Liddy, as theatre is very important in the area and the move put her in a position to grow up on the stage. Inspired by artistic family members like her cousin, Drew Womack (formerly Sons of the Desert and writer of Kenny Chesney's first number one hit “She's Got it All”), she amassed the resume of a seasoned entertainer. During her last summer in high school Liddy won a scholarship to join the esteemed Berklee Five Week Summer Program, additionally earning a spot on the coveted Performer Singer-Songwriter Showcase and praise from professors like famed singer-songwriter Melissa Ferrick.But even as she began fronting her own band at 15 – opening for major artists like Scotty McCreery and performing for major radio stations in South Florida – she was searching for something deeper than fame or fortune.Out of the gate, Clark was finding connection through tender, personal lyricism, earning praise from heavyweights like Garth Brooks after seeing Liddy perform at the iHeart Country Music Summit in 2017. In 2018, Liddy contributed a mystical rendition of “Do You Hear What I Hear?” to the Cracker Barrel exclusive Country Faith Christmas, Vol. 2, joining the likes of Carrie Underwood, Kelsea Ballerini, Darius Rucker and Brenda Lee on the album's track list. She went on to win a songwriting scholarship with former Senior Vice President of Creative at Warner Chappell Music, Judy Stakee (Katy Perry, Sheryl Crow, and Gavin DeGraw) who quickly identified Clark's talent and invited her to a songwriting retreat in New York's Catskill Mountains.In 2018 the tragic school shooting in Clark's hometown of Parkland, Florida, gave her a sense of clarity about her mission. By then, a freshman at the University of Southern California's Thornton School of Music, she knew many of the families affected, and indeed, her own family still lived just a few blocks from the school.Later that year she was invited to perform at Parkland's Wear Orange gun-violence awareness event. Clark delivered the emotional anthem she had written the week prior at the Catskill Mountain retreat “Shot Down (Stand Up),” boldly speaking truth to power and voicing the concerns of her peers. “This problem has answers that won't be found / If every time we try to stand up, we get shot down,” Liddy has a brand new single, "Potential," out now with plans for a full album out later this year.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #LiddyClark #ShotDownStandUp #NewMusic #zoomListen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

A new podcast from Warner Chappell Music, BANG and Audiation, Setting the Standard: Stories from the Great American Songbook, cordially invites you to listen along as we answer the question: “Who wrote these classic songs”? From Johnny Mercer to Cole Porter to the Gershwins, join us as we dive headfirst into the lives of America's musical greats and learn how their musicianship and storytelling would shape American culture for decades to come. Replete with key interviews from a bevy of cultural icons such as Billy Corgan, Michael Feinstein, and Alan Bergman, this podcast will grant you unparalleled access into the world of this formative era in American musical history.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We had the pleasure of interviewing Bekuh Boom over Zoom video.Bekuh Boom recently released her single "Anime Eyes”. Bekuh has spent most of her career songwriting for some of the biggest names, having signed her first publishing deal to Warner/Chappell Music at the age of 18, and now we're finally getting new music from the legendary artist. "Anime Eyes" was in the works for almost a year until Bekuh brought it to the producer Cook Classics (Panic! At The Disco, Beyonce, Machine Gun Kelly). Bekuh elaborates "The song is about liking someone so much that they can make you feel every emotion to the extreme. When you look at them you get heart eyes, and when they make you mad you get flames shooting out of your eyes, and when they make you sad you get teary eyes. They give you Anime Eyes. It's borderline toxic. Haha. But we've all had at least one of those. There's a lot of my favorite Animes referenced for my anime lovers. Even if someone doesn't watch Anime I think they can still relate to and love this song.”Bekuh has songwriting credits across multiple genres (Jordin Sparks, Madison Beer, JLO) BUT is most prominent in K-Pop. She has co-written over 10 songs reaching the #1 position on various music charts, not to mention the billions upon billions of views/streams these songs have accumulated. She's credited on multiple wildly successful Blackpink songs: "Ddu-Du Ddu-Du" "Kill This Love" "Ice Cream" ft Selena Gomez "Pretty Savage" (and many more) as well as Lisa's solo projects "Lalisa" and "Money". Other credits in K-Pop are with Taeyang, Cosmic Girls, Twice, iKon, (G)I-dle, etc. The list goes on!!!We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #BekuhBook #AnimeEyes #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod